1970s – PowerPop… An Eclectic Collection of Pop Culture

Sloan – If It Feels Good, Do It

Every time I hear Sloan, I think of deKe…he is the one who turned me on to them, and since then they have been on my playlists.

I’ve never understood why Sloan didn’t become a major band in the United States. They had great songs, fantastic harmonies, and could play just about any style of rock they wanted. Maybe they were too melodic for modern rock radio and a little too loud for pop radio. Whatever the reason, America missed out on one of Canada’s finest bands. This song is the perfect introduction if you’ve never heard Sloan before. It’s power pop with some muscle behind it.

There are power pop songs that make you smile, and then there are power pop songs that kick the door open. Sloan’s falls into that second category. It has all the hooks you’d expect, but it’s wrapped in crunchy guitars and attitude. Power pop with a great riff and a chorus you can’t get out of your head.

By the time Pretty Together was released in 2001, Sloan had already become one of Canada’s most respected rock bands. Formed in Halifax before relocating to Toronto, the group was unusual because all four members, Chris Murphy, Patrick Pentland, Jay Ferguson, and Andrew Scott, wrote songs and sang lead vocals. That gave every album a different personality. One song might sound like The Beatles, the next Cheap Trick, then Big Star, followed by something with a little more crunch. Somehow it all fit together. They never seemed interested in chasing trends. They simply wrote the kind of records they wanted to hear.

Patrick Pentland wrote this song, and it became the lead single from Pretty Together. The song opens with Chris Murphy asking, “What rock and roll should really be?” before the band answers with four minutes of pure energy. It’s catchy without sounding too sweet. The guitars have enough bite to satisfy rock fans, while the melody stays in classic power pop territory. It was nominated for Best Single at the 2002 Juno Awards and was on the Triple Play 2002 video game and the film The Girl Next Door.

If It Feels Good, Do It

Your sight-specific knack
I fall under attack
The only time you cross the line
Is when you’re crossing back

Have you changed the song we were singing
Or have I just lost the air
If I said your behavior suffocates
Would you care?

Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t…

You found the perfect spot
For Jimmy’s wicked thoughts
It’s in my permanent collection
Now like it or not
Wishing away that the legacy left
Came in a frame and was the victim of theft
It adds more worth to work I’ve done
But as long as you’ve had fun

Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t…

I didn’t get your revisions
But sometimes life’s not fair
To think you almost apologized

Put her there, there, there
Don’t be sad at all
I’m about to get killed off
The writing’s on the wall
If you believe everything that you read
Turn to the only thing that you ever need
It says to do unto other
But the thing is you do

Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t stop, if it feels good do it
Don’t…

Don’t stop
Don’t stop
Don’t stop, if it feels good do it
Don’t…

Stretch Armstrong

I remember having Stretch and stretch him I did. He lasted a few months before it happened. Mr. Armstrong sprung a leak and out came this gooey liquid everywhere.

Jesse Horowitz designed Stretch… he tried a sumo wrestler but it was too big and he dropped the idea. He thought about a stretch woman to rival Barbie but smartly dropped that idea.

In 1976 Stretch Armstrong was sold to the masses, and the $11 toy that made Kenner over $50 million in revenue had a secret: He was basically just a big sack of corn syrup… but to a kid…a fun $11 big sack of corn syrup.

The fad wore out after a while other companies started to do their own Stretch dolls. The Mega company started their own line with Batman, Spider-Man, and Superman stretchable figures. Kenner sued but by the time anything was done Stretch’s time in the sun was over and his popularity faded.

Maybe I shouldn’t have stretched Stretch so much…

Armstrong dolls in a box that aren’t leaking profusely from ’70s wounds can fetch over $1000 on auction sites, with especially rare versions or prototypes worth more.

The 50’s Revival in the 1970’s

When the Beatles arrived in 1964, the short hair and car hops of the fifties were going away. The sixties in some ways liberated people from the fifties for better or worse. The crew-cuts and simple times were giving way to Vietnam and the social unrest of the sixties.

Slowly as the sixties started to come to a close the fifties started to peak in again.

In the late sixties, Sha Na Na started their act and even toured with well-known acts. Fats Domino, Little Richard, Jerry Lee Lewis’s popularity grew and Elvis started to make music again instead of soundtracks with his 1968 comeback special. In 1971 a disc jockey name Jerry Osborne started an “oldies” format on FM radio in Phoenix, Arizona and it was successful and other emulated it around the country.

In 1972 “Grease” a musical that took place in 1959 debuted on Broadway. In 1973 George Lucas came out with American Graffiti and boom really started. The soundtrack to American Graffiti peaked at #10 in the Billboard 100 in 1973. Happy Days debuted the following year and fifties music was gaining in popularity.

A spin-off from Happy Days Laverne and Shirley, also set in the fifties, was a huge success and still is syndication to this day. In 1974 the 50s era movie The Lords of Flatbush with the pre-Rocky Sylvester Stallone and Henry Winkler of Happy Days.

In 1977 Sha Na Na started a variety show…Unfortunately I remember this…

In 1978, two big fifties era movies were released. Grease and American Hot Wax which featured performances by Chuck Berry, Jerry Lee Lewis, and Screamin’ Jay Hawkins. Styles seem to recycle every 20 years or so but in the 1970s the fifties revival was really strong. Maybe it was a want for a more simpler time.

The 1972 London Rock and Roll Show