Favorite Beatle

Dave at A Sound Day invited me to write a post in his series Turntable Talk. He wanted to know either our favorite Beatle or someone close to them. I picked the only choice I could.

Ever since I was 8 years old I was always drawn to the long-haired guy with those round glasses on the album cover. When I heard his songs and heard about his personality, I knew he was The Beatle I looked forward to in interviews and songs.

On the surface the reasons are many. The man’s voice was one of the best rock voices I’ve ever heard. I favored his voice over McCartney, Harrison, and Starr. He probably could write better rock songs than the other Beatles and he also had a great sense of melody that could keep up with Paul and at times surpass him on ballads. Yes, he could be witty, sharp, and downright hateful at times. A little about his childhood will say a lot.

His childhood was tragic in many ways, but he wasn’t poor. He was the most middle-class out of all of the Beatles. He was abandoned by his father and then his mother gave him to her sister and brother-in-law to raise. John drew close to his aunt and uncle, especially his Uncle George. They were building a strong bond but when John was 14 Uncle George died suddenly at age 52.

He then just had his Aunt Mimi, and she was very strict…and strict didn’t go well with Lennon at that time or anytime. Uncle George was friendly with John while the black or white Mimi didn’t stand for anything out of line. Lennon’s mother came back in his life when John was 16. He got to know her more and they visited each other. As soon as they were getting close in 1958, she was hit by a car by an off-duty policeman walking back home from Mimi’s house.

Later on, one of his best friends was Stuart Sutcliffe who played bass for the Beatles and was one of the best artists in Liverpool at the time. Stuart would stay close to John even when he quit The Beatles. Stuart would die at 21 years old when John was 21. He felt like when people got close to him they would die or be abandoned. This can help explain the rude and crude Lennon of the sixties. By the seventies, he seemed to be much calmer and more relaxed. By many fans’ accounts…he was the most fan-friendly out of all of them. There are multiple stories of him inviting fans into his home talking to them and showing them around.

The main reason though…I just think his songwriting was the most powerful out of them all. Yes, Paul was the most successful after The Beatles, but you are only as strong as your weakest album tracks. That is where John had Paul beat, to me anyway. It’s not all about hits. Songs like Working Class Hero, God, Gimme Some Truth, and I Know (I Know) were better than many of his and Paul’s hits. John was the leader, the muscle, and the architect of The Beatles.

Otis Clay – That’s How It Is (When You’re In Love)

I always liked the late sixties and early seventies soul and R&B…this one fits the bill.

Otis Clay, born in Mississippi and raised in Chicago, started his career in gospel music before transitioning to soul music in the mid-sixties. His move into soul followed a trend among gospel artists of that era, like Aretha Franklin and Sam Cooke, who carried over the powerful vocal styles to soul music.

In 1957, Otis Clay sang with several gospel groups, including the Golden Jubilaires, the Blue Jays, and the Pilgrim Harmonizers. However, it was with the Gospel Songbirds that he made his first recording in 1964, Jesus, I Love to Call His Name. Shortly after its release, Clay accepted an offer to join the renowned Sensational Nightingales, with whom he toured until mid-1965. He then decided to cross over into the R&B genre and signed with the One-derful label. “That’s How It Is (When You’re in Love)” took Clay onto the R&B charts in 1967.

The follow-up, Lasting Love, was also a hit, but Clay’s contract was sold to Cotillion Records as One-derful faced bankruptcy. His releases there included She’s About A Mover and Do Right Woman—Do Right Man (both of which were recorded at Muscle Shoals), as well as a searing version of Pouring Water On A Drowning Man.

The song peaked at 131 on the Billboard 100 and #34 on the Billboard R&B Chart in 1967.

His version of Pouring Water On A Drowning Man. He does a great version but my favorite version is by James Carr.

That’s How It Is

Please, somebody take your hand and slap some sense into me
Open my eyes, ’cause I’m too blind to see
I’ve got this woman and she’s messin’ my mind around
She knows that I love her, but still she’s tryin’ to put me down
I know I’m just a fool, someone she can use
But I can’t help myself, ooh, I can’t help myself

Ooh, now listen baby, I know I’m just your fool
But I love you, and for you I’ll break every rule
Now I’ve broken hearts before of the ones that love me
But now I’m in love, too, place no one above you
The Lord knows I love you, always thinkin’ of you
But I can’t help myself, I can’t help myself

Ooh no, please don’t look down on me
Because I’m weak. When you’re in love, it’s easy to be
I know I’m being abused
Misused and confused
But that’s how it is when you’re in love

That’s how it is now
I know that’s how it is now
When you love someone that don’t love you
Oh yeah, keep on being abused
Misused and confused
But that’s how it is when you’re in love

Make you feel so fine, yeah now
All right, oh yeah, keep on being abused
Keep on being misused
But that’s how it is
It ain’t a doggone thing you can do
No, now, oh no
Got to keep on holdin’ on, yeah

Mouse and the Traps – You’re Gonna Miss Me

I want to thank Aphoristic Album Reviews for featuring this band in his Nuggets series. I loved the song he posted so I found a few more that I like from this band. I am guilty of having too much trivia in my head, but I never heard of this band, not in reading about obscure bands or their music. I like their music and the sound of their lead singer. I would have liked them no matter what just because of that name. 

Mouse and the Traps is an American garage rock band from Tyler, Texas, active mainly during the 1960s. They gained a cult following for their gritty sound that represented garage rock well. The band is best known for their 1966 hit single, A Public Execution, which is really Dylanesque plus some Byrds thrown in. 

They began their career releasing “A Public Execution” under the name of Mouse. That was the nickname of their lead singer Ronnie “Mouse” Weiss.  Their second single in 1966 was called Maid of Sugar-Maid of Spice and they added “And the Traps.” They have had different members through the years but a constant from their original lineup is Ronnie Weiss, Dave Stanley, and Ken (Nardo) Murray. 

Much like Phil from Notes From The Cactus Patch did in the 1960s…Mouse and the Traps toured around Texas, especially Dallas. They toured around the state feverishly, playing clubs, colleges, parties, and even proms. There were occasional touring dates out of Texas, but, for the most part, they remained a very popular regional band. 

They have released a bunch of singles and a few collection albums that were released in 1982, 1995, 1997, and 2009. They finally released an album in 2020 called Walking In Dylan’s Shoes. In 1972 they were added to Lenny Kayes Nuggets compilation album of different garage bands. 

Graham from Aphoristic Album Reviews wrote: Mouse and the Traps surely hold the record for the longest gap between a debut single and a debut album. ‘A Public Execution’ was released in 1966 (although it was credited solely to their frontman). Their debut album, Walking in Dylan’s Shoes, was released in December 2020.

Mouse and the Traps - Walking In Dylans Shoes

I’ve listened to their 2020 Dylan cover album Walking In Dylan’s Shoes and I have to admit…it’s really good! 

The song I picked, You’re Gonna Miss Me, is off of their Lost Sessions Album released in 2009. I’m not sure which era it’s from although because of the quality…I would guess the 80s or 90s. They were together off and on in the 1960s – 2020.  I’m also posting the song that Graham did with Maid of Sugar-Maid of Spice (1966) along with You’re Gonna Miss Me (?). 

I’m also going to post Mouse and the Traps Lost Sessions album…give a listen to a few of them…they are awesome! Hit The Bricks and Bottom Line got my attention right away. 

 

 

Kris Kristofferson – Sunday Mornin’ Comin’ Down

I first heard Kristofferson as a kid with Why Me on the radio during the seventies. I also remember him on SNL with his then-wife Rita Coolidge. You could tell Kris had been having some fun but it sounded good. Then I found Janis Joplin’s Me and Bobby McGee and I found out that Kris wrote that song…I became a fan. Plus he was one of the Outlaws in country music that I really liked. 

In the sixties, Kris was working as a janitor in Nashville while living in a run-down tenant house. He was also a janitor at Columbia Records at the same time. This might seem normal for a songwriter who was trying to make a mark but the man had something else as well. He was a Rhodes Scholar who studied at Oxford University earning a master’s degree in English language. He also served as a captain in the U.S. Army, where he became a helicopter pilot, in addition to having completed U.S. Army Ranger School. The guy was highly talented and very smart.

He befriended Johnny’s wife, June Carter. June liked Kristofferson, and would often sneak demo tapes of his songs in her purse to bring home to Johnny. At night, she’d play the tapes for him in their bedroom above Old Hickory Lake in Tennessee. Every night Cash would listen and throw them out the bedroom window into the lake below. 

There are many stories about how Johnny got the song…but this is the version that Johnny told. At the time, Kristofferson was also working part-time as a helicopter pilot for the Army Reserve. On a routine flight training mission, Kristofferson veered off his course and headed for Cash’s home. After landing the chopper on Cash’s lawn, he walked up to the home with the demo of “Sunday Morning Coming Down” in hand. Cash said he heard the chopper land and walked out to find Kristofferson walking up to him.

“As I approached, out stepped Kris Kristofferson, with a beer in one hand and a tape in the other,” Cash said. “I stopped, dumbfounded. He grabbed my hand, put the tape in it, grinned and got back into the helicopter and was gone, a bit wobbly, but almost straight up, then out high above the lake where all his songs lay on the bottom. He disappeared through the clouds. I looked at the tape of “Sunday Morning Coming Down” and “Me And Bobby McGee.”

The first version of this song was not by Johnny Cash. Ray Stevens did the first version of the song. Ray’s version peaked at #55 on the Country Charts in 1969. Johnny Cash did the most successful version releasing it in 1970. The song peaked at #1 on the Billboard Country Charts, #1 on the Canada Country Charts, and #30 in Canada on the RPM charts. 

Kris passed away on September 28, 2024. 

Sunday Mornin’ Comin’Down

Well I woke up Sunday morning,
With no way to hold my head, that didn’t hurt
And the beer I had for breakfast,
Wasn’t bad so I had one more, for dessert
Then I fumbled through my closet,
For my clothes and found my cleanest dirty shirt
And I shaved my face and combed my hair,
And stumbled down the stairs to meet the day

I’d smoked my brain the night before on cigarettes and songs
That I’d been pickin’
But I lit my first, and watched a small kid cussin’ at a can
That he was kickin’
Then I crossed the empty street and caught the Sunday smell
Of someone fryin’chickin
And it took me back to somethin’ that I had lost somehow,
Somewhere along the way

[Chorus]
On the Sunday morning sidewalk, wishin’ Lord that I was stoned
Cause there is something in a Sunday, makes a body feel alone
And there is nothing short of die’n, half a lonesome as the sound
On the sleepin’ city sidewalks, Sunday morning coming down

In the park I saw a daddy,
With ‘w(?)’ laughin’ little girl who he was swingin’
And I stopped beside a Sunday school,
And listened to a song that they were singin’
Then I headed back for home and somewhere far away
A lonely bell was ringin’
And it echoed through the canyons like the disappearing dreams
Of yesterday

[Chorus]
On the Sunday morning sidewalk, wishing Lord that I was stoned
Cause there is something in a Sunday, make a body feel alone
And there is nothing short of die’n, half a lonesome as the sound
On the sleepin’ city sidewalks, Sunday morning coming do

Greg Kihn – Roadrunner

This song has a little of everything. Great crunchy guitar sound and an incredible bass that starts carrying the song in the middle. I love the harmonies on “Radio On” and he goes into what sounds like a slight ad-lib that I love. When you listen to it…listen to the complete song…it changes in the middle and it rocks. It’s very loose but that bass keeps it glued together. 

I first heard of Greg Kihn in 1981 when The Breakup Song (The Don’t Write ‘Em) was released. This was a power pop dream song. It was catchy, had some good guitar, and was immediately catchy. I just assumed the guy just came out with this on his debut album. I was totally wrong about that. He looked like a guy that would live next door to you but he had some great songs that weren’t heard. CB sent me this song and I had to looked twice at Greg Kihn…I never realized he had so many good songs. 

Kihn wasn’t just a musician either. He was also a novelist and disc jockey. He was born in Baltimore Maryland and stayed there until he was 23 and he moved to San Francisco to check out their music scene. He had regular jobs starting out but also formed a band and played in clubs. The guy released an album a year from 1976 to 1986. He would go on to release 12 more after that…he was very prolific.

He was first on the 1976 compilation album of many bands called Beserkley Chartbusters Vol. 1 with the songs All The Right Reasons and Mood Mood Number. The last track mentioned is very Nick Lowe sounding and I really like it. After that, he released his self-titled debut album in 1976. He kept releasing albums…in 1977 with Greg Kihn Again, Next of Kihn came in 1978 and was his first album that charted. It charted at #145 on the Billboard Album Charts. In 1979 it was With A Naked Eye that peaked at #114, and in 1980 Glass House Rock that charted at #167.

The next album, RocKihnRoll would do much better thanks to The Breakup Song. That album peaked at #32 and the song peaked at #15. He had his most successful release in 1983 with the album Kihnspiracy which peaked at #15 and the smash single Jeopardy which peaked at #2. His albums were a mix of original and cover songs. He covered Springsteen (Rendezvous and For You), Buddy Holly, Curtis Mayfield, and many more. Kihn was a good songwriter as well.

This song was written by Jonathan Richman of the band Modern Lovers. Their version was released in 1976. I like the Modern Lovers version but it doesn’t have the kick Greg puts into this song. This song was on Greg Kihn’s 1979 album With The Naked Eye

I’m going to post a bonus song…Kihn covering For Your Love live…

Roadrunner

one, two, three, four, five, six
Roadrunner, roadrunner
Going faster miles an hour
Gonna drive past the Stop ‘n’ Shop
With the radio on
I’m in love with the modern world
I’m in love with the modern girls
Massachusetts when it’s late at night
I got the radio on
Just like the roadrunner

Said welcome to the spirit of 1956
Patient in the bushes next to ’57
Well the highway was my girlfriend cause I went by so quick
Suburban trees were out there it felt like heaven
So I said
And I say roadrunner once
Roadrunner twice
We’re in love with rock & roll so lets be out all night

(Radio On!)
I got the AM
(Radio On!)
I got the modern sound rock and roll
(Radio On!)
I got the power I got the magic now
(Radio On!)
Fifty thousand watts of power now
(Radio On!)
Going faster miles an hour, Lets Go

(Bass carries the song here)

Alright
Can’t you hear out in Cleveland now?
USA when it’s late at night
Out on Route 128 down by the power lines
It’s so exciting at midnight
It’s cold here in the dark
I might explode nowhere near
I feel in touch with the modern world
I feel in touch because

(Radio On!)
I’m in love with the AM
(Radio On!)
Cause I’m feeling so alone at night
(Radio On!)
I got the power I got the magic now
(Radio On!)
Fifty thousand watts of power now
(Radio On!)
I’m alone in the cold of night
(Radio On!)
I feel in touch I feel alive I feel alone I fell so alive, alive in love
(Radio On!)
I’m in love with rock n roll
(Radio On!)
I got the, I got the, I got the
(Radio On!)

Matthew Sweet – Girlfriend

When I first heard this song I thought of Jimi Hendrix a little with the intro and then it dissolved into one of the best power pop songs of the 1990s.  The song has a little of everything… noisy guitar, loud drums but with a pop melody. Just like I thought with Lone Justice and some others…I just knew he would be cranking out hits for the rest of his career. He has cranked out some great songs but not many hits…but that is ok.

Great power pop song by Matthew Sweet. The song reached #4 on the US Alternative Chart in 1991. This was the title cut-off of his 3rd album…it was Sweet’s breakthrough album.

The song and the album were written during a bad period in Sweet’s life, following his divorce. The themes of longing, heartache, and new beginnings pervade the lyrics, reflecting his personal struggles and growth.

The video featured scenes from the 1980s anime Space Adventure Cobra, which caught viewers’ attention and became famous in its own right. The success of Girlfriend helped establish Matthew Sweet as a power pop alternative figure in the 1990s.

A trivia question…who is that girl on the album cover? I know it because I watched a certain older show recently.

Here is some sad news about Sweet right now from https://variety.com/2024/music/news/matthew-sweet-stroke-tour-gofundme-1236187225/

Singer-songwriter Matthew Sweet suffered a debilitating stroke while on tour in mid-October, it was revealed on Tuesday, when a representative for his management company posted a fundraising appeal on GoFundMe to support his recovery.

Sweet had been out on tour opening for the group Hanson when he was stricken in Toronto Oct. 12, in advance of a date that was to have taken place there the following night.

Catherine Lyons, who represents Sweet at Russell Carter Artist Management, posted the GoFundMe on Tuesday afternoon, with a stated goal of raising $250,000 for the rocker’s medical care. The effort got off to a good start. As of 6 p.m. PT Tuesday, about 770 individuals had contributed almost $50,000, and by 8 p.m., it was up to $85,000 from 1,400 donors.

Girlfriend

I wanna love somebody
I hear you need somebody to love
Oh, I wanna love somebody
I hear you’re looking for someone to love

‘Cause you need to
Be back in the arms of a good friend
And I need to
Be back in the arms of a girlfriend

I didn’t know nobody
And then I saw you coming my way
Oh, I didn’t know nobody
And then I saw you coming my way

Don’t you need to
Be back in the arms of a good friend?
Oh, ’cause, honey, believe me
I’d sure love to call you my girlfriend

Alright

Don’t you need to
Be back in the arms of a good friend?
Oh, ’cause, honey, believe me
I’d sure love to call you my girlfriend

‘Cause you got a good thing going, baby
You only need somebody to love
Oh, you got a good thing going
You’re only looking for someone to love

‘Cause you need to
Get back in the arms of a good friend

And I’m never gonna set you free
No, I’m never gonna set you free

Ride – Chelsea Girl

I just found this band a while back when I heard Twisterella, a great power pop song.

This song is one of the early tracks by the British shoegaze band Ride, from their debut EP titled Ride, which was released in January 1990. It reached #71 on the UK singles chart. The song helped establish Ride as a pioneer in the shoegaze genre, which combines elements of power pop, post-punk, and rock. The band consists of Mark Gardener (vocals, guitar), Andy Bell (vocals, guitar), Steve Queralt (bass), and Loz Colbert (drums).

Ride was formed in 1988 in Oxford by school friends Andy Bell and Mark Gardener, before recruiting drummer Loz Colbert at the Oxfordshire School of Art & Design and local bassist Steve Queralt.

They broke up in 1996 because of differences between Andy Bell and Mark Gardener. Gardener wanted to go forward in a more dance style of music…Bell didn’t but both wanted to go more contemporary style. Bassist Steve Queralt said: The band had two future directions open to them, and they chose the wrong option.

They reunited in 2014 and released their first album in 21 years in 2017.

Chelsea Girl

Take me for a rideAway from places we had knownIf I stay around, I’ll just remember I’m aloneThere’s someone in my memory making me move onWhat was grey and hazy, is black and white, now I have gone

Drive me up to LondonNow it’s got too dark to seeMy waiting is over, there’s no visitor for meNever let me talk to youDestroy the frozen pastIt’s a different time, now things are moving much too fast

Float by today, now it’s turning to greyRaining my doubtsLet my thoughts slip awayYou must have something andWhat it is, I don’t knowYou must have something ’cause I can’t let you go

Bruce Springsteen – Growin’ Up

But when they said, “Sit down” I stood up

I’ve been thinking of the Kinks marathon we did and the next one will be on this man…Bruce Springsteen. I’ll wait til after the new year to give everyone a rest.

When I heard this song I could relate because I lived parts of this song while growing up. The rebellion and the misadventures of the teen years resonated with me. But when they said, “Sit down” I stood up and sounded like Max in high school. The album leans that way as well and that was probably the reason I connected with Greetings From Ashbury Park right away. This song is one of my many favorites on the album. He captures teen rebellion perfectly with lyrics that ping pong everywhere.

The song was on his debut album Greetings From Ashbury Park, which happens to be my favorite Springsteen album. It was released back in 1973. Springsteen was signed to Columbia Records in 1972, largely thanks to the efforts of legendary talent scout John Hammond, who had previously discovered artists like Bob Dylan, Billie Holiday, and Aretha Franklin. Hammond was blown away by Springsteen’s songwriting and performance and decided to sign him. He played his songs that ended up on this debut album.

The album received some great reviews from critics, but it wasn’t an immediate commercial success. However, the album grew in stature over time, especially after other artists began covering its songs. Manfred Mann’s Earth Band covered “Blinded by the Light,” which became a No. 1 hit in 1977, bringing more attention to Springsteen’s early work.

Bruce Springsteen: “I come from a boardwalk town where everything is tinged with just a bit of fraud. So am I. In 1972 I wasn’t any race-car drivin’ rebel, I wasn’t any corner street punk, I was a guitar player on the streets of Asbury Park, but I held four clean aces: I had youth, I had a decade of hardcore bar-band experience, I have a great group of musicians and friends who really knew my playing style, and I have a magic trick. Now, I’m here tonight to provide proof of life to that ever-elusive, never completely believable, particularly these days, us. That’s my magic trick. And like all good magic tricks, it begins with a setup.”

Growing Up

Well, I stood stone-like at midnight
Suspended in my masquerade
And I combed my hair, it was just right
And commanded the night brigade
I was open to pain and crossed by the rain
And I walked on a crooked crutch
I strolled all alone through a fallout zone
And came out with my soul untouched
I hid in the clouded wrath of the crowd
But when they said, “Sit down” I stood up
Ooh, growin’ up

The flag of piracy flew from my mast
My sails were set wing to wing
I had a jukebox graduate for a first mate
She couldn’t sail but she sure could sing
And I pushed B-52 and bombed them with the blues
With my gear set stubborn on standing
I broke all the rules, strafed my old high school
Never once gave thought to landing
I hid in the clouded warmth of the crowd
But when they said, “Come down” I threw up
Ooh, growin’ up

Work it back now

I took month-long vacations in the stratosphere
And you know it’s really hard to hold your breath
I swear I lost everything I ever loved or feared
I was the cosmic kid in full costume dress
But my feet they finally took root in the earth
But I got me a nice little place in the stars
And I swear I found the key to the universe
In the engine of an old parked car
I hid in the mother breast of the crowd
When they said, “Pull down” I pulled up
Ooh, growin’ up
Ooh, growin’ up

Nick Lowe – So It Goes

I always liked Nick Lowe and his brand of power pop. I first heard of him with Cruel To Be Kind and then Rockpile who I wish would have made more albums as Rockpile. When I started to blog, Brinsley Schwarz came on my radar and I really then realized how talented this guy is.

This was Lowe’s first solo single following the split of the pub rock band, Brinsley Schwarz. It was also the first single released on Stiff Records, a label formed by the music managers, Dave Robinson and Andrew Jakeman. The single bore the catalog number BUY 1, establishing Stiff Records as a pioneering label in the UK punk and new wave scenes.

Although So It Goes failed to chart, it still earned a profit for the young Stiff Records. It was on the American album Pure Pop For Now People.  The album in the UK was called Jesus of Cool. It peaked at #127 on the Billboard 100 in 1978.

Lowe got the title from a recurring line (So It Goes) in Kurt Vonnegut’s 1969 novel,  The Slaughterhouse-Five. It is used every time a death occurs in the book. Steve Goulding (drums) and Nick Lowe were the only two musicians on this song.  Lowe and Jake Riviera produced the album.

Nick Lowe: “It’s not my favorite, it’s a bit too much like Steely Dan. I think I must have got it from something they’d done.”

So It Goes

Remember on night the kid cut off his right arm
In a fit to save a bit of power
He got fifty thousand watts
In a big acoustic tower
Security’s so tight tonight
Oh they’re ready for a tussle
Gotta keep your backstage passes
‘Cause your promoter had the muscle

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

In the tall buildings
Sit the head of our nations
Worthy men from Spain and Siam
All day discussions with the Russians
But they still went ahead
And vetoed the plan
Now up jumped the U.S. representative
He’s the one with the tired eyes
747 for the midnight condition
Flyin’ back from a peace keepin’ mission

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

In the air there’s absolution
In the wake of a snaky Persian
On his arm there’s a skin tight vision
Wonder why she admires she is hissin’

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

But where it’s goin’ no one knows
But where it’s goin’ no one knows
But where it’s goin’ no one knows

Detroit Cobras – Ain’t It A Shame

CB sent this band to me and they are raw and powerful with a unique singer. I really love garage type bands. Bands like this were big in the sixties and turned toward punk in the 70s. They made a comeback in the 80s against the synth based mainstream at the time. The alternative rock scene was born which I liked more than the then top 40 with The Replacements, REM, The Dead Kennedys, and more.

The hardest part about this post was picking out which song to highlight. The album I’ve listened to is The Detroit Cobras: The Original Recordings which rocks. All of their covers are loud raw and catchy like garage rock is. I loved how they picked the songs they covered. Songs that went under the radar when they were originally released.

This song…not to be confused with Ain’t That A Shame was originally recorded by Question Mark and The Mysterians. The song was written by their drummer Robert Martinez and released in 1969.

The Detroit Cobras were known for their reinterpretations of classic R&B, rock, and soul songs. Guess where they are from? They emerged in the mid-1990s and added to the garage rock revival movement of that era. They came out of the same Detroit scene as the White Stripes did.

The band was formed in 1994 by guitarist Steve Shaw and drummer Jeff Meier but lead vocalist Rachel Nagy and guitarist Mary Ramirez would become the core of the band. The Cobras set themselves apart by reimagining lesser-known songs from the 1950s and 1960s rather than writing their own original material.

Lemon Pipers – Green Tambourine

When I first started to blog, mostly all I did was older hits and pop culture. I then started to experiment with album cuts and they seemed to go over pretty well. I’m surprised that I never blogged this song at the beginning. I’ve always liked it… it’s a mixture of pop, bubblegum, and a little psychedelia. What stuck out to me is the sitar…which I love to hear.

Bubblegum has a bad name but there is good bubblegum and I do like some of it. I never cared for The 1910 Fruitgum Company and The Ohio Express but some I did like. Crazy Elephant’s Gimme Gimme Good Loving and songs like that…I’ve always been fond of.

The Lemon Pipers were formed in 1966 in Oxford, Ohio, by students from Miami University. The band played harder psychedelic and blues rock. Buddah Records had different ideas. They pushed The Lemon Pipers into more bubblegum-type music. The tension between the record company and The Lemon Pipers eventually broke the band up in 1969.

You could probably consider The Lemon Pipers a one-hit wonder. They had some other charting songs but none in the top 40 on the Billboard 100 except the song Rice Is Nice which peaked at #6 in New Zealand.

This song did well here and everywhere. It peaked at #1 on the Billboard 100, #3 in Canada, #3 in New Zealand, and #7 in the UK in 1967. The song has appeared in various films and television shows and made its place as a symbol of 1960s pop culture.

Green Tambourine

Drop your silver in my tambourine
Help a poor man fill a pretty dream
Give me pennies, I’ll take anything
Now listen while I play
My green tambourine

Watch the jingle jangle start to shine
Reflections of the music that is mine
When you toss a coin, you’ll hear it sing
Now listen while I play
My green tambourine

Drop a dime before I walk away
Any song you want, I’ll gladly play
Money feeds my music machine
Now listen while I play
My green tambourine

Listen and I’ll play

Badfinger – Dennis

Badfinger has always been one of my favorite bands. They had a brilliant songwriter Pete Ham and a very good one Tommy Evans. No Matter What is considered one of the earliest power pop songs.

Badfinger is the band that got me into power pop. After reading about them my interest widened into Big Star and then the Raspberries. If any of you readers have a time machine I could use…take me back to January 19, 1973, at the Chicago Aragon Ballroom…where The Raspberries opened up for Badfinger. That would be a power pop dream.

This song was featured on their 1974 album Wish You Were Here. It was written by Pete Ham and he is the lead vocalist. Dennis is on many “Badfinger Best” lists…in some number 1 over Baby Blue, Day After Day, and No Matter What. The melody in this song is very good.

The album was released in late 1974 and was pulled in early 1975 before it had time to do anything because of litigation between Badfinger’s manager (Stan Polley) and the Warner Brothers. It was released and pulled in a matter of weeks. Warner Brothers saw the money was missing (Polley took it all out of trust) and yanked the album off of the shelves. It was rising in the charts when it was pulled. They recorded another album right after this called Head First but because of litigation, it wasn’t released until 2000.

The band was basically broke. With all of their self-written hits, they should have been set financially for years.

Pete Ham didn’t have the money to pay his mortgage and with a baby on the way drunk and depressed at the fatal age (for rock stars) of 27 Ham hanged himself at the age of 27 in his garage studio in 1975. In 1983 after scrambling for gigs, Tom Evans broke and was not able to get to any of the royalties due him from co-writing Without You with Pete…hanged himself also.

Dennis

Deeper waters flowedRecently it showedTryin’ to cover your headTryin’ to frighten youTryin’ to fight with youReally gettin’ you scaredBut don’t you worry, you love of minePretty soon it will all be fineAnd we’ll just go on

Higher hills to climbClimbin’ all the timeTryin’ to find a way throughFallin’ down again, on the ground againWonderin’ what you can doBut don’t you worry, you love of oursThey look like weeds, but they’re really flowersAnd they’ll soon be gone

You won’t stand up, you won’t sit downYour head’s a mile above the groundAnd though we tend to scold you nowI couldn’t start to tell you howWe couldn’t start to tell you howThere’s just no way to say how much we love you

You, little Dennis, youYou’re full of new surpriseLove youYou, little Dennis with the rascal in your eyesYou’re a prize

It could be bad, it could be worseYou’re taking out your mother’s purseAnd though you cried when you got toldThe money there was for the oldTo keep their dogs from getting coldThe only thing that can’t be sold is love

You, little Dennis, youYou’re full of new surpriseLove youYou, little Dennis with the rascal in your eyes

Will you pick up your toys?Will you be a good boy?Will you please, please?

There’s a wayThere’s a wayIf you’ll playIf you’ll stayThere’s a way throughThere’s a way toTake away blueTake away blue

There’s a wayThere’s a wayIf you’ll playIf you’ll stayThere’s a way throughThere’s a way toTake away blueTake away blue

There’s a wayThere’s a wayIf you’ll playIf you’ll stayThere’s a way throughThere’s a way to

Creedence Clearwater Revival – Pagan Baby

John turned his Kustom K200/A Amp up to 11 with this song. It’s a little harder than their radio hits and they dip into blues rock with this cut. It was never released as a single but has become a fan favorite, especially among those who appreciate CCR’s rock album tracks.

It featured on their 6th studio album  Pendulum released in 1970. This album was the last to feature Tom Fogerty, the band’s rhythm guitarist and older brother of lead singer John Fogerty. He would leave the band band after this one. The album departed from the band’s previous work in several ways. Fogerty’s songs are strong throughout and are made more interesting by the addition of horns and keyboards

It was recorded at Wally Heider’s studio in San Francisco, it took a month to record which was a long time for a Creedence album. , was down to the fact that the initial take on each song was performed by all four members, this was then followed by overdubbing by John. The overdubs included a horn section, keyboards, and additional backing vocals, all of which were played and sung by John.

The album was met with mixed reviews from critics. Some praised the deeper sound they had in their songs. Some wanted the rawer energy they had on their previous 5 albums. It included the two hits Have You Ever Seen The Rain and Hey Tonight. Pagan Baby does have that earlier CCR energy.

Pendulum peaked at #5 on the Billboard Album Charts, #2 in Canada, and #8 in the UK in 1970. Their next album Mardi Gras was the only CCR album to be panned by critics and fans alike…including John Fogerty.

Pagan Baby

Pagan baby, won’t you walk with me?Pagan baby, come on home with me.Pagan baby, take me for a ride.Roll me, baby, roll your big, brown eyes.

Yeah! ooh! ooh!

Pagan baby, let me make your name.Drive it, baby, drive your big love game.Pagan baby, what you got, I need.

Don’t be savin’, spread your love on me.

Aah! mm-mm-mm!

Pagan baby, now won’t you rock with me?Pagan baby, lay your love on me.

Yeah, yeah!Aah! hey, hey!

Aah! hey! yeah!Hey! hey! haaaaaaay!

Ricky Nelson – Stood Up

Around 1984 or so I really started to get into Ricky Nelson. Song after song of quality. At first, I only knew Garden Party but it’s his 50s catalog where many of his best songs are found…and I love Garden Party.

By 1957, Ricky Nelson was already a well-known actor from his role on “The Adventures of Ozzie and Harriet”, a TV show that starred his real-life family. His transition into music was initially seen as a part of his television character, but he quickly proved his talents as a serious musician. The show helped him of course but also hurt his credibility as a rock and roll artist.

Stood Up was part of a string of hits he was enjoying in the late 50s. The song was written by Dub Dickerson and Erma Herrold. The great James Burton, who would later lead Elvis’s TCB Band,  played guitar on this song.

The song peaked at #2 on the Billboard 100 and #27 in the UK in 1957. Stood Up was his second #2 single and the next year he would have his first number one with Poor Little Fool. Poor Little Fool featured The Jordanaires, who were Elvis Presley’s backing singers.

Throughout the 1960s, Nelson continued to record rockabilly and evolve as an artist. He shifted to a more folk-rock sound and formed The Stone Canyon Band and in 1972 he had the hit Garden Party.

Stood Up

Well, I’ve been waitin’ ever since eightGuess my baby’s got another dateStood up, broken-hearted, again

I’ll bet she’s out havin’ a ballNot even thinkin’ of me at allStood up, broken-hearted, again

Well, I know just what I oughta doI oughta find somebody newBut, baby, I couldn’t forget about youStood up, broken-hearted, again, mm

Why must I always be the oneLeft behind never havin’ any fun?Stood up, broken-hearted, again

But I guess I’ll go on bein’ a foolSittin’ around just waitin’ for youStood up, broken-hearted, again

Well, I know just what I oughta doI oughta find somebody newBut, baby, I couldn’t forget about youStood up, broken-hearted, again

Stood up, broken-hearted, againStood up, broken-hearted, again

.

Car Songs… Part 4

This is part 4 of this series and I thought it was about time to do another installment. I found some more rare songs this time except for Mr. Berry. 

Kinks – Cadillac

I think all of these I do must have Cadillac in at least one song. This one was on their debut album and it was written and recorded by Bo Diddley in 1960. The Kinks debut album Kinks was released in 1964. 

 Gene Vincent – Pink Thunderbird

This song was written by Tex Davis and Paul Peek. It was released by Gene Vincent in 1957. Gene Vincent’s voice and slap back echo go together perfectly. Every rock artist after Gene Vincent has gone after that sound including Springsteen.

Cliff Gallup played some great guitar on this recording. He recorded 35 tracks with Vincent including Be-Bop-A-Lula

Chuck Berry – Maybellene

Chuck Berry was THE first guitar hero in Rock and Roll. He was also rock’s first poet. This song evolved out of “Ida Red,” a hillbilly song by Bob Wills and The Texas Playboys from the early ’50s. Berry heard that song on the Country radio station KMOX in St. Louis but didn’t know who recorded it.

Not only is the music great with the steady beat… but those lyrics. The motor cooled down the heat went down, And that’s when I heard that highway sound, the Cadillac a-sittin’ like a ton of lead, a hundred and ten half a mile ahead, the Cadillac lookin’ like it’s sittin’ still, and I caught Mabellene at the top of the hill

You can see what is happening in the song in your head with no problem… no MTV story video needed. He was one of the best descriptive lyricist rock and roll has ever had.

 

The Three Milkshakes – Jaguar

They were a rockabilly band from the 1980s led by singer Mark Kermode, who is now well-known as a British film critic. The group specialized in vintage rock ‘n’ roll and rockabilly music, covering songs in a classic ’50s style. They were part of the vibrant rockabilly revival scene in the UK during that time.

Bob Dylan – From A Buick 6

This song is from Bob Dylan’s album Highway 61 Revisited released in 1965. This song was the B side to the single Positively 4th Street. It’s a cool bluesy song that has those Dylan lyrics going everywhere. It resembles Sleepy John Estes’ Milk Cow Blues.