This year contained the Summer of Love and psychedelia was everywhere. This year alone had many of my favorite songs I still listen to. I want to start with a song that I think is one of the best of the sixties. The Kinks Waterloo Sunset.
People ask me my favorite Beatles song all of the time. Usually, I say A Day In The Life but this one comes really close. The Beatles released Sgt Peppers this year but also released one of…if not the best single ever with Strawberry Fields/Penny Lane. Strawberry Fields was credited to Lennon/McCartney but Lennon is said to have written most of it.
Speaking of favorites…this is one of my top songs from the 60s and ever. Procol Harum with a Whiter Shade Of Pale. Gary Brooker and Keith Reid were credited with writing the song but Matthew Fisher the former keyboard player in the band sued for partial writing credit and won on July 24, 2008. Now the song’s writing credit is Reid-Brooker-Fisher. Gary Brooker and Fisher wrote the music and Reid wrote the lyrics. This was the first song Procol Harum recorded.
Another landmark song…The Doors in Light My Fire. The organ intro to this song by Ray Manzarek is one of the most iconic intros in rock. I first heard this song as a kid and automatically loved it. It is the song that the Doors are most known for. I like the album version that is longer and has more of a solo.
The four band members were credited for writing this song Jim Morrison, Robby Krieger, John Densmore, and Ray Manzarek.
This one is a no-brainer…the one and only Aretha Franklin with Respect…and I have plenty of it for her. It was written by the great Otis Redding.
This is a fun song. Now its popularity has risen to an all-time high with the 2008 Marvel movie Ironman. I know most serious movie fans are not big fans of the Marvel movies. I fit in there also because I don’t like watching a lot of CGI. As a music fan though, I’m glad they are sharing 60s and 70s music to a new generation.
Another song that the riff is easy for beginning guitar players to learn how to play. It was one of the first ones I learned. This was the biggest US hit for Black Sabbath. It got very little radio play but developed a cult following, which led to enough sales to give it a chart position.
Iron Man peaked at #52 in 1971 on the Billboard 100 and #68 in Canada. The song was written by all of the members of the band. It was on the album Paranoid released in 1970. The album peaked at #12 on the Billboard Album Charts, #20 in Canada, and #1 in the UK Album Charts.
They did something smart as far as singles. They followed the Led Zeppelin way of doing it. In the UK they didn’t release this as a single because they had released Paranoid the year before. People would show up in the UK wanting to hear one song…Paranoid… so they limited their single releases there.
Black Sabbath Bass guitar player Geezer Butler: “I was walking down the street one day and thought… ‘what if there were a bloody great bloke made out of metal walking about?”‘
There is debate on how Ozzy got his voice distorted in the intro. Some say he got that by singing from behind a metal fan. Others say it was him singing through a VCS-3 Synthesizer…they came out in 1969. Another rumor was a processor called a ring modulator (effects box) ran through a tremolo. Why don’t they just ask Ozzy? Uh…ok never mind! just kidding.
This is the only Black Sabbath album that I owned. I always liked it… Paranoid, War Pigs, Iron Man, and Hand of Doom I liked. One cool fact I read is Frank Zappa surprised Black Sabbath by covering this song because he knew they were in the audience.
Here is a partial list of artists who have covered this song from Songfacts: Marilyn Manson, Alice in Chains, Butthole Surfers, Add N To (X), Busta Rhymes, Therapy, NOFX, Auburn U. Band, Sir Mix-A-Lot, Tim McCarthy, Heavy Voltage, DYS, Tanzwut, EMO, Amoco Renegades, Dead Alewives, Replacements, The Cardigans, The Mats, and Offspring.
Tony Iommi: “A lot of the words in the songs – a lot of the moods of the songs – are aggressive, especially in the early days – Satanic, if you like… That was the way it felt, so that was the way we played. But it got out of hand. With Paranoid in England, for instance. There was a girl (Hillary Pollard) found dead – a nurse she was: dead in her room with our album on the turntable going round. And it was taken to court saying that it was because of the album that she was depressed and killed herself, which was totally ridiculous, I think.”
Geezer Butler: “If the moral majority don’t understand it they’ll try to put it down, or get other people to read all sorts of things into it… The moral majority sort of people picked up on the Satanic part of it. I mean, most of it was about stopping wars and that side of it, and some science fiction stuff. There wasn’t that much Satanic stuff, and what there was it wasn’t exactly for the devil or anything like that; it was just around at the time and we just brought it to people’s attention.”
Iron Man
I am iron man
Has he lost his mind? Can he see or is he blind? Can he walk at all Or if he moves will he fall?
Is he alive or dead? Has he thoughts within his head? We’ll just pass him there Why should we even care?
He was turned to steel In the great magnetic field Where he traveled time For the future of mankind
Nobody wants him He just stares at the world Planning his vengeance That he will soon unfold
Now the time is here For iron man to spread fear Vengeance from the grave Kills the people he once saved
Nobody wants him They just turn their heads Nobody helps him Now he has his revenge
Heavy boots of lead Fills his victims full of dread Running as fast as they can Iron man lives again
I wrote this for Dave’s site when he asked a group of bloggers to pick a song that signifies “summer” to you. Now summer is starting to wind down…I thought I would post this one.
I first heard this song by The Who. The Who’s version is a good one for bar bands to play but it’s hard to keep it under control in a bar setting. It must be loud before it works…although it’s fun to see some patrons with their hands over their ears…it’s best to limit that.
Eddie Cochran wrote Summertime Blues with his friend Jerry Capehart and released it in 1958. Capehart helped Cochran get a record deal. Capehart said: “There had been a lot of songs about summer, but none about the hardships of summer.” With that idea and a guitar lick from Cochran, they wrote the song in 45 minutes.”
The song was going to be a B side of the Cochran single “Love Again” written by Sharon Sheeley. The record company wisely made the decision to make Summertime Blues the A side. In 1960 Sheeley was his girlfriend and was in the car that crashed killing Cochran. She died in 2002 five days after having a cerebral hemorrhage.
I like the Cochran version…and the Who version…and they are completely different. I’ve always loved the way The Who covered Summertime Blues. If I had a time machine… The Who would be a stop to see them live at this time. The version they released in 1970 was on their album Live At Leeds…a great rock live album. The song peaked at #27 on the Billboard 100, #8 in Canada, and #38 in the UK in 1970.
Live at Leeds would be my pick for the best rock live album ever. The album peaked at #4 on the Billboard 100, #2 in Canada, and #3 in the UK. It’s raw, raucous, and in your face…in other words, a great rock song!
Summertime Blues
Well, I’m a gonna raise a fuss, I’m a gonna raise a holler
I’ve been working all summer just to try and earn a dollar
Well, I went to the boss, said I got a date
The boss said “No Dice, son, you gotta work late”
Sometimes I wonder, what am I gonna do
There ain’t no cure for the summertime blues
Well, my mom and poppa told me, “Son you gotta earn some money
If you want to use the car to go out next Sunday”
Well, I didn’t go to work, I told the boss I was sick
He said “You can’t use the car cause you didn’t work a lick”
Sometimes I wonder, what am I gonna do
There ain’t no cure for the summertime blues
Gonna take two weeks, gonna have a fine vacation
Gonna take my problems to the United Nations
Well, I went to my congressman, he said, quote
“I’d like to help you son but you’re too young to vote”
Sometimes I wonder, what am I gonna do
There ain’t no cure for the summertime blues
I remember watching Buck Owens and his red, white, and blue guitar on Hee Haw on Saturday nights. He wasn’t the musician that Roy Clark was…but who is? Owens had a great band and he was a really good musician to boot. This song is a cool instrumental. I want to thank Run-Sew-Read for suggesting this one. It’s probably my favorite song by Owens.
And for those to whom this applies… Happy Labor Day!
In the 1950’s and 60’s Bakersfield California became an unlikely birthplace for a new sound…The Bakersfield Sound. Universally recognized as ‘The Country Music Capital of the West Coast’ and “Nashville West”, Bakersfield is the birthplace of what would become known worldwide as the Bakersfield Sound.
Who are some of the examples of this sound? Buck Owens and Merle Haggard. Both artists cut their teeth at the bars and honkytonks around Bakersfield before gaining international success. Later on, Dwight Yoakam carried on this sound with outstanding results.
Buck’s genre of country music was different. It was the Bakersville style of country. He didn’t have that exaggerated Southern voice with tractor lyrics. Well in this song…he didn’t have a voice at all! It’s an instrumental from 1965 and you can hear the British invasion seeping in Buck’s country song.
Buck Owen’s guitar player was a man named Don Rich. He was an excellent guitar player and helped Buck become successful. Not only was he a great guitarist but he was Buck’s best friend also. He died tragically in a 1974 motorcycle accident after leaving the studio. Owens pleaded with Rich to stop riding it but Rich kept on. Buck Owens refused to talk about it until the late nineties. He said: “He was like a brother, a son, and a best friend. Something I never said before, maybe I couldn’t, but I think my music life ended when he died. Oh yeah, I carried on and I existed, but the real joy and love, the real lightning and thunder is gone forever.”
This song peaked at #1 on the Billboard Country Charts and #60 on the Billboard 100 in 1965. In the video below…Don Rich is on the left.
I’ve really been into New York music recently. I’ve been listening to Garland Jeffries, Mink DeVille, Willy DeVille, and now Willie Nile. He is an incredible songwriter. He has been compared to Dylan and Springsteen as you will see below. This guy is very accomplished for not being as well known as some.
By the late 1970s, Nile was part of the wave of young New York musicians who were breaking through. He was a regular performer at CBGB and the now-closed Kenny’s Castaways on Bleeker Street, a venue that gave performers like Patti Smith and the Smithereens a stage. In 1978, the New York Times wrote a rave review about Nile, comparing him with Buddy Holly, Bob Dylan, and Bruce Springsteen. That led to his first record contract with a major label.
Willie Nile: “So I made a record, I toured with a band across the United States for the first time. We finished the tour at The Roxy Theatre in Los Angeles. There was all kinds of talk about this new hot shot from New York City. Freddie Mercury came to the show. That’s when The Who’s manager offered me the tour. I went from playing 300 or 400-seat clubs to playing 25,000-seat arenas. It was amazing.”
Willie Nile made his self-titled debut album in 1980. He promptly got the “kiss of death” thrust upon him…”The New Bob Dylan” was hung on him. After releasing another album in 1981 he suddenly stopped. “I had two highly acclaimed records, but I was dissatisfied with problems from the business end, there were managers and lawyers. I thought, I didn’t get into this for hassles and I don’t want anyone to kill my buzz with music. So I just walked away.”
He didn’t release another until 1991 and that is what today’s song came off of. Roger McGuinn, Richard Thompson, and Louden Wainwright are on that album…including two musicians from Paul McCartney’s band. That’s a hell of a lineup and shows you how highly regarded Nile is.
The song today was the title track to the album Places I Have Never Been. The guy has his admirers everywhere. He has garnered respect and admiration from the likes of Bruce Springsteen, The Who, Ringo Starr, and Lucinda Williams. His wide audience appreciates his songwriting and ability to bring rock and roll to life.
One thing I really admire about the guy is every article I read…it says what a humble and nice guy he is in real life. He is still out there making albums and touring.
Willie Nile: “The last show that (saxophonist) Clarence Clemons played was in Buffalo, although we didn’t know it at the time, I went with my daughters, and was given great seats by the side of the stage. Bruce was up there rocking, and wandered near us. I leaned over and said to my daughter, ‘I think he just saw me.’ Five minutes later, I get a text from an assistant saying ‘Bruce wants you up here. Come backstage now.’ Next thing you know, I’m sharing a microphone with Little Steven singing Jackie Wilson’s ‘Higher and Higher.’ It was an amazing performance by the band. I looked at my daughters and we were just laughing. You can’t make this stuff up.”
Willie Nile: “I don’t put out songs unless I think they can be special, I want my music to be meaningful to people who listen. I have no interest in being full of myself or being famous. Fame didn’t do a lot for Michael Jackson or Whitney Houston. For me, it’s all about the songs and the music: the recording and the shared experience of playing live. Life is hard for everybody. I’m able to go onstage for two hours, have a blast with my mates, and hopefully raise spirits.”
Places I Have Never Been
The streets of Rome are filled with wonder
The Chinese wall is lined with gold
I hear the lightning and the thunder
Of a thousand tales untold
All my doors are open
All my thoughts are free
There’s a great big world out there
For you and me
Come and take me on a trip so far away
Come and show me things that I have never seen
Come and walk me through your world – unpredictable
Come and take me places I have never been
You gave me food when I was hungry
You gave me drink when I was young
You took me in when I was lonely
You put your lips right on my tongue
Now my wars are over
All my battle past
All I want is for this moment here
To last and last
Come and take me on a trip so far away
Come and show me things that I have never seen
Come and walk me through your world – so wonderful
Come and take me places I have never been
All my doors are open (wide)
All my thoughts are free (hey)
Hey Babe, are those telepathic messages for me
Come and take me on a trip so far away
Come and show me things that I have never seen
Come and walk me through your world – so magical
Come and take me places I have never been
Come and take me on a trip so far away
Come and show me things that I have never seen
Come and walk me through your world – unpredic
This is a good song for a beginner on guitar plus it’s a cool 60s pop/rock song. I bought the single when I was a kid after I heard it on AM radio. The Music Explosion was an American garage rock band from Mansfield, Ohio. It’s one of those songs that will stick in your head all day…in a good way.
Their record company Laurie didn’t like the song and was reluctant to release it. They finally did and it became a local hit in Ohio. After that, they got some promotion in California and the song took off.
Songs like this were important to rock music. One-hit wonders gave the stage to many garage bands not named Stones, Beatles, and Who. Many times they played simple melodies with a variation of Louie Louie chord pattern like this one. After they were released…many unknown artists like the future Allman Brothers, Tom Petty, and others were playing these songs in clubs, parties, and well…garages.
The Music Explosion disbanded in 1969. Their only other hit on the Hot 100 was 1967’s “Sunshine Games,” which peaked at #63 on the Billboard 100. It was written by John Carter and Ken Lewis.
The song peaked at #1 in Canada and #2 on the Billboard 100 in 1967. I sometimes hear this song in shows…it was featured in The Wire in the 2004 episode “Middle Ground.”
Their other hit…Sunshine Games
Little Bit Of Soul
Now when you’re feelin’ low and the fish won’t bite
You need a little bit o’ soul to put you right
You gotta make like you wanna kneel and pray
And then a little bit of soul will come your way
Now when your girl is gone and you’re broke in two
You need a little bit o’ soul to see you through
And when you raise the roof with your rock’n’roll
You’ll get a lot more kicks with a little bit o’ soul
And when your party falls ’cause ain’t nobody groovin’
A little bit o’ soul and it really starts movin’, yeah
And when you’re in a mess and you feel like cryin’
Just remember this little song of mine
And as you go through life tryin’ to reach your goal
Just remember what I said about a little bit o’soul
While talking to my friends CB and Paul…they bring up Mink Deville a lot so I decided to go check them out. I’ve heard of some of their music but I wanted more so I spent a few hours listening…I see why they bring them up…they are different and bring a lot to the table.
Mink DeVille was formed in 1974 in San Francisco but they are known for their association with punk bands at the New York club CBGB. They would go on to record six albums and Willy DeVille made 10 albums solo. The band lasted until 1986.
When I post a song of a more unknown artist to most of my readers…I try to find a song that is more commercial…maybe not their best song but a “radio-friendly” song to get people digging more. This one is radio-friendly and has a Lou Reed feel. I really like this band’s music…love the lyrics to this.
The song “Spanish Stroll” by Mink DeVille is an iconic track from their debut album, released in 1977. It’s very New York and it describes navigating around in urban life to escape the mundane and ordinary. They blend genres, I can hear Latin and punk elements, which helped propel this track into the mainstream. I can also hear some Springsteen and even Mellencamp on some of their songs.
This was on their debut album Cabretta. It peaked at #186 on the Billboard Album charts. The song Spanish Stroll peaked at #20 in the UK in 1977. The song was written by the lead singer Willy DeVille.
I learned a lot by reading Paul’s reviews of their albums on his site. He has a wide variety of album reviews to look at…and that is an understatement.
Bob Dylan on how Willy DeVille should be in the Hall of Fame: “(DeVille) stood out, his voice and presentation ought to have gotten him in there by now.”
Peter Wolf:“He had all the roots of music that I love and had this whole street thing of R&B – just the whole gestalt … He was just a tremendous talent; a true artist in the sense that he never compromised. He had a special vision and remained true to it.”
Willy DeVille: “We were sitting around talking of names, and some of them were really rude, and I was saying, guys we can’t do that. Then one of the guys said how about Mink DeVille? There can’t be anything cooler than a fur lined Cadillac can there? “What could be more pimp than a mink Cadillac? In an impressionistic sort of way.”
Piano player Kenny Margolis: “I don’t think the American public had a chance to experience him because in America at that time you had MTV telling you what to like. Europe had not had MTV at that point and they were very open to different music.”
Spanish Stroll
Hey Mr. Jim I can see the shape you’re in
Finger on your eyebrow
And left hand on your hip
Thinking that you’re such a lady killer
Think you’re so slick!
Alright
Brother Johnny, he caught a plane and he got on it
Now he’s a razor in the wind
And he got a pistol in his pocket
They say the man is crazy on the West Coast
Lord there ain’t no doubt about it!
Well allright
Sister Sue tell me baby what are we gonna do
She said take two candles,
And then you burn them out
Make a paper boat,light it and…. send it out
send it out now..
Spanish Stroll
Spanish Stroll
Spanish Stroll
Hey Rosita! Donde vas con mi carro Rosita?
tu sabes que te quiero
pero ti me quitas todo
ya te robasta mi television y mi radio
y ahora quiere llevarse mi carro
no me haga asi, rosita
ven aqui
ehi, estese aqui al lado rosita
Spanish Stroll
Mira aqui!
Hey Johny! Yeah, tenth street Johny
We’ve been looking for you man
Everybody told me you had moved uptown
Hey! you wanna go for a ride
I’m going uptown myself
For what?
Yeah, ain’t it right?
Yeah, one time for Tito Puente, one time
Are you ready?
Yeah, of course we cannot leave out, Mr Ray Baretto
Are you ready?Are you ready?Are you ready?
The good thing about Star Trek being over is…I can start posting a couple of music things on Saturday and Sunday.
I grew up near Nashville so it did leave its imprint on me but I don’t listen to modern country music. I do include some songs that are more country/rock but they fit what I like. They are in no particular order…well my favorite admittedly is the top one.
Hope you enjoy the small sample platter of country songs.
This song is my favorite of the Flying Burrito Brothers. It came off their great album The Gilded Palace of Sin. It didn’t chart at the time. Parsons wrote this song with Burrito bass player Chris Ethridge while the band was living in their San Fernando Valley house that was dubbed “Burrito Manor.”
Merle Haggard was a constant on the radio here with my parents. He wrote so many classic songs and this is one of them…Mama Tried.
Merle Haggard wrote this song while serving time in San Quentin prison for robbery. The song is based on his life, and how his mother tried to help him but couldn’t… Mama Tried came out in 1968 and peaked at #1 on the Country Charts and #1 in the Canada Country Charts in 1968.
The man had 38 number-one hits, 71 top-ten hits, and 101 songs in the top 100 in the country charts. Merle is one of my favorite country artists. If only the new ones would listen and learn.
Hank Williams is one of my favorite country artists. He could write songs of great quality but the ironic thing is…this one is one of the few he didn’t write. His nickname…The Hillbilly Shakespeare is true to form. Hank Williams released this song in 1949 and it peaked at #12 on the Country Charts. It was written by Leon Payne.
Loretta Lynn is my favorite female country singer with apologies to Dolly Parton. This is a song that she did with Jack White called Portland Oregon. If the modern country was like this…I would listen. Their voices go really well with each other. Country radio would not play it but the album still peaked at #2 on the Country Charts and #24 on the Billboard Album Charts and #1 on the UK Country Charts in 2004.
They didn’t win any country music awards but came away with two Grammys.
I love the build-up to this song…Jack White builds this up and Loretta starts singing around 1:40.
Now to finish it out with 5 songs…I thought I would add Dwight Yoakam who was inspired by Buck Owen’s Bakersville Sound. The song peaked at #2 on the Billboard Country Charts and at #3 in Canada in 1993. It was written by Yoakam and produced by Pete Anderson.
The song was on Dwight’s album ThisTime. The album peaked at #4 in the Billboard Country Album Charts, #1 in the Canada RPM Album Charts, and #25 in the Billboard Album Charts.
I’ve never been a huge fan of Phil Spector. He did produce some classic songs that I really like but sometimes he went crazy with the Wall of Sound and reverb a little too much. This one to me, is one of his greatest recordings.
The song has an epic and massive feel to it. It was written by Ellie Greenwich, Jeff Barry, and Phil Spector. Greenwich and Barry were married from 1962-1965 but kept working together after their divorce. They were one of the most successful songwriting teams of the sixties. The song was written for Tina Turner because her strong-as-hell voice would cut through.
Phil Spector put everything he could into this song. The song was, Spector thought, destined to be his masterpiece. He didn’t want Ike Turner around trying to change things so he gave Ike 20,000 dollars to NOT show up at the studio. Phil wanted to hand-pick the musicians that backed Tina Turner. The song would still have his name but Ike happily counted his money and stayed at home. Ike Turner knew he won either way. If it was a hit he would prosper and if not…he would take charge again…which he did.
Spector hadn’t had a hit for eighteen months and he was obsessed with the production of this one song for around six months. It was going to be his masterpiece. Some thought it was. George Harrison called it a perfect record. Brian Wilson was floored. But the masses had moved on. “River Deep Mountain High” was a hit in England — and a total flop in America.
The song peaked at #88 on the Billboard 100, #3 in the UK, and #62 in Canada in 1966. After the failure of the song in America, Phil Spector was devastated and went into seclusion and didn’t produce anything for a few years.
Phil Spector:“I just wanted to go crazy for four minutes on wax.”
River Deep – Mountain High
When I was a little girl
I had a rag doll
Only doll I’ve ever owned
Now I love you just the way I loved that rag doll
But only now my love has grown
And it gets stronger, in every way
And it gets deeper, let me say
And it gets higher, day by day
And do I love you, my oh my
Yeah river deep, mountain high, yeah yeah yeah
If I lost you would I cry
Oh how I love you baby, baby, baby, baby
When you were a young boy, did you have a puppy?
That always followed you around
Well I’m gonna be as faithful as that puppy
No I’ll never let you down
‘Cause it grows strong, like a river flows
And it gets bigger baby, and heaven knows
And it gets sweeter baby, as it grows
And do I love you, my oh my
Yeah river deep, mountain high, yeah yeah yeah
If I lost you would I cry
Oh how I love you baby, baby, baby, baby
I love you baby like a flower loves the spring
And I love you baby, like a robin loves to sing
And I love you baby, like a school boy loves his pet
And I love you baby, river deep, mountain high
Baby baby baby oh baby
Awh awwwwwwwwwww
Do I love you my oh my, yeah
River deep, mountain high
If I lost you would I cry
Oh how I love you baby, baby, baby, baby
Let’s drink to the hard-working people Let’s drink to the lowly of birth Raise your glass to the good and the evil Let’s drink to the salt of the earth
This song is on my favorite Rolling Stones album, Beggars Banquet. There is not a bad song on the LP. This one and Prodigal Son I always liked. The album peaked at #5 on the Billboard Album Charts, #3 in the UK, and #3 in Canada in 1969.
I played this album to death. As with most Stones albums, you get what you get…rock, blues, and a little country thrown in the mix. I got this album when I was 12 and it opened my eyes wide to the Stones…much more than a collection of their hits would ever do.
This album is not considered up there with Sticky Fingers or Exile On Main Street but I have the strongest connection to it. I’ve always related Beggars Banquetto the White Album. They were both released in 1968 and were raw and honest. No studio trickery to either…a big departure from the psychedelic era of 1967 for both bands. I think the Stones and Beatles also owe a nod to The Band’s rootsy music (Music From Big Pink) which was influencing everyone around this time.
I learned that a greatest hits package from The Beatles and Rolling Stones was NOT enough. Those two bands taught me to buy albums and not just rely on the “hits” which even at that time were worn out. You never got the really good songs that lay hidden like this one. The two well-known songs off of the album were great like Sympathy for the Devil and Street Fighting Man but I liked some of the others just as much. Now with certain artists…yes, a Greatest Hits package is fine but not with the Beatles, Stones, Who, Kinks, Bob Dylan, Van Morrison, and a few more.
I don’t think Jimmy Miller gets enough credit for their sound. That is not a knock against the Stones but the Miller-produced albums are special. He produced them during their 5 album stretch golden period. Keith and Mick Jagger both sing on this with the Los Angeles Watts Street Gospel Choir singing background…Nicky Hopkins is on piano. It was written by Keith Richards and Mick Jagger.
The title refers to the working class…they are “The salt of the Earth.” Jagger later said: “The song is total cynicism. I’m saying those people haven’t any power and they never will have.”
Speaking of albums. My friend Paul has a massive site with album reviews called The Punk Panther Music Reviews. I can almost promise you he will have what you are looking for.
Also, Graham has a wide selection of albums that he reviewed…it’s called Aphoristic Album Reviews. When I want to see album reviews I go to those two sites. I hardly ever do album reviews because frankly, I’m not that good at it but I still try once in a while.
Salt Of The Earth
Let’s drink to the hard working people Let’s drink to the lowly of birth Raise your glass to the good and the evil Let’s drink to the salt of the earth
Say a prayer for the common foot soldier Spare a thought for his back breaking work Say a prayer for his wife and his children Who burn the fires and who still till the earth
And when I search a faceless crowd A swirling mass of gray and Black and white They don’t look real to me In fact, they look so strange
Raise your glass to the hard working people Let’s drink to the uncounted heads Let’s think of the wavering millions Who need leaders but get gamblers instead
Spare a thought for the stay-at-home voter His empty eyes gaze at strange beauty shows And a parade of the gray suited grafters A choice of cancer or polio
And when I look in the faceless crowd A swirling mass of grays and Black and white They don’t look real to me Or don’t they look so strange
Let’s drink to the hard working people Let’s think of the lowly of birth Spare a thought for the rag taggy people Let’s drink to the salt of the earth
Let’s drink to the hard working people Let’s drink to the salt of the earth Let’s drink to the two thousand million Let’s think of the humble of birth
This may be the best year ever in pop music. So many choices but as Ricky Nelson said “You Can’t Please Everyone…” so here it goes.
There are so many Beatles songs this year like Day Tripper, Eleanor Rigby, Paperback Writer, and more. My two favorite Beatles songs of this year would be And Your Bird Can Sing and this one…the B side to Paperback Writer…Rain. The bass in this song is incredible. The song was credited to Lennon/McCartney but it’s more of a Lennon song.
Now we have The Beatles arch-rivals…just kidding. Actually, they were friends who worked together and made sure their releases didn’t overlap each other. The Rolling Stones in Paint It Black. Personally, I like this one better than Satisfaction. Paint It Black was written by Mick Jagger and Keith Richards.
Wild Thing…you make my heart sing. That’s all that needs to be said by this band. They were not a one-hit wonder though. I’ve been a fan of The Troggs since I bought their single as a kid in the late seventies. Their hits included Wild Thing, With a Girl Like You, and the song that has been covered many times…Love Is All Around. They were punk rock before punk rock. The song was written by Chip Taylor.
Let’s go to the American band The Lovin Spoonful who scored huge with this single. The song was written by John Sebastian, Mark Sebastian, and Steve Boone.
This man would change rock guitar forever and some still consider him the best. Hey Joe was released in December of 1966. The Jimi Hendrix Experience was making its debut. The song’s songwriting credits have been disputed. Here is what Wiki said: Public Domain (1st pressing), Dino Valenti a.k.a. Chet Powers (2nd & 3rd pressings), and Billy Roberts (copyrighted)
You can feel the punishment, but you can’t commit the sin
You can probably count how many 80s ballads I like on one hand but… I liked this ballad when I heard it in the mid-80s. I could relate to it at the time and still can. The song was a hit, but Jones got a chilly reception from his American record company. He was told “I think it’s a B side” by an executive. It taught Jones to listen to himself and not the higher-ups.
There were two versions of this song. The original one was stripped down but the second had Phil Collins drumming and doing backups. I think it was a requirement in the 1980s to have Phil Collins on your record. This song was his biggest hit in the United States.
The song peaked at #4 on the Billboard 100, #12 in Canada, and #16 in the UK Charts in 1986. Howard Jones had 5 top twenty songs and 2 top ten songs in the 1980s. Altogether he had 11 songs in the top 100.
Howard Jones: “Well, I think we can all relate to the main theme of the song. But I was in San Francisco, and I was doing a promotion with the local record company guy, and we were crossing the street to go to the radio station, and he said to me, ‘Howard, what do you think of all the amazing women here in San Francisco?’ And I said, ‘Yeah, they’re great, they’re fantastic.’ And he said, ‘Well, you can look at the menu, but you don’t have to eat.’ And I’ve never actually heard anybody say that before. And so that was it, a good spark for a huge idea coming for a song.”
Howard Jones: “It was originally on the Dream Into Action album, and it’s quite stripped down. And I always thought I could probably get more out of the song. It was suggested I work with Phil, and I’d worked with Phil on the Prince’s Trust concerts here in England. And I’ve been in a band and so I knew Phil. So it was really great working with him. But I’ll tell you what, the fans all like the original version best.” I think it’s because it’s less slick and it’s got more emotion in it. Personally, I prefer the Phil Collins version. But I understand why they like the first one. On this tour when we’re playing the song, I play the original version. I don’t do the second one.”
The original version
No One Is To Blame
You can look at the menu, but you just can’t eat
You can feel the cushion, but you can’t have a seat
You can dip your foot in the pool, but you can’t have a swim
You can feel the punishment, but you can’t commit the sin
And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame
You can build a mansion, but you just can’t live in it
You’re the fastest runner but you’re not allowed to win
Some break the rules, and let you cut the cost
The insecurity is the thing that won’t get lost
And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame
You can see the summit but you can’t reach it
It’s the last piece of the puzzle but you just can’t make it fit
Doctor says you’re cured but you still feel the pain
Aspirations in the clouds but your hopes go down the drain
And you want her, and she wants you
We want everyone
And you want her and she wants you
No one, no one, no one ever is to blame
A very radio-friendly song by Rush. When I was a teen many local bands covered Rush…usually terrible, but they gave it a try. When I first heard this song…right away I made a connection to another older song written by Paul Simon. Sound of Silence has the lyrics:
And the sign said, “The words of the prophets Are written on the subway walls And tenement halls
Spirit of the Radio has:
For the words of the profits Were written on the studio wall Concert hall
Other than that…the songs have no other connection but I can’t help but think that Peart made that connection with Sound of Silence. That’s one of the reasons I liked it…plus the musical break during that time of the song. It gave the song a huge dynamic.
I always liked the intro by Alex Lifeson, who doesn’t get the credit he deserves compared to Lee and Peart. He is not doing a Van Halen finger tapping or hammer on… during that intro…he is actually picking those notes.
With the lyric “Sound of Salesmen” Peart would listen to bands they were opening for every night saying THIS was the city they loved the most… wherever they were… every night it was the same disingenuous spiel. One of the bands Peart was talking about was KISS who would market anything. Rush did open for KISS many times in the 1970s.
The song was on the Permanent Waves album released on January 18, 1980. The album peaked at #3 in Canada, #4 on the Billboard Album Charts, and #3 in the UK.
The song peaked at #22 in Canada, #51 on the Billboard 100, and #13 in the UK in 1980.
The song is Rush’s only entry on The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll. Rush wasn’t inducted into the Hall until 2013; they were first eligible in 1999.
Neil Peart: “‘The Spirit Of Radio’ was actually written as a tribute to all that was good about radio, celebrating my appreciation of magical moments I’d had since childhood, of hearing ‘the right song at the right time.’ However, [the song’s] celebration of the ideals of radio necessarily seemed like an attack on the reality – on the formulaic, mercenary programming of most radio stations, with music the last of anyone’s concerns. And yes, it was really ironic that such a song became popular on radio, though it was a kind of litmus test. Some radio guys who ‘got it’ could hear the song and think, ‘That’s the way it ought to be,’ while others – the shallow, swaggering salesmen-of-the-air – could be oblivious to the song’s meaning and proudly applaud themselves, ‘That’s about me!’
From Songfacts: Rush released a new animated video for the song on June 12, 2020 in celebration of the 40th anniversary of Permanent Waves. The conceptual clip references milestones and influential broadcasters in FM rock radio history, including an homage to the pioneering Italian radio inventor Guglielmo Marconi. It closes with a personal tribute to the late Rush drummer Neil Peart, who died in January 2020. Fantoons.tv created the visual along with producer Linda Otero and directors David Calcano and Alberto Hadyar.
The Spirit of Radio
Begin the day with a friendly voice
A companion, unobtrusive
Plays that song that’s so elusive
And the magic music makes your morning mood
Off on your way hit the open road
There is magic at your fingers
For the spirit ever lingers
Undemanding contact in your happy solitude
Invisible airwaves crackle with life
Bright antennae bristle with the energy
Emotional feedback on a timeless wavelength
Bearing a gift beyond price almost free
All this machinery making modern music
Can still be open-hearted
Not so coldly charted it’s really just a question
Of your honesty, yeah, your honesty
One likes to believe in the freedom of music
But glittering prizes and endless compromises
Shatter the illusion of integrity, yeah
Invisible airwaves crackle with life
Bright antennae bristle with the energy
Emotional feedback on a timeless wavelength
Bearing a gift beyond price almost free
For the words of the profits
Were written on the studio wall
Concert hall
And echoes with the sound of salesmen
Of salesmen, of salesmen
I got ten forward gears and a sweet Georgia overdrive I’m taking little white pills and my eyes are open wide
I love this song so much. The first time I remember hearing it was in the Gimme Shelter film and the Flying Burrito Brothers were playing it before all hell broke loose. This is country music that I can get into.
I’ve heard this song by dozens of other artists. I’ve heard country and rock versions…and country/rock versions of it. This song was originally written by Carl Montgomery and Earl Green, and originally performed by Dave Dudley, becoming Dudley’s first hit at #2 on the Country chart. It is often referenced as one of the first trucker songs.
In 1963 the Grand Ole Opry star Jimmy C. Newman let Dudley hear a demo for ‘Six Days on the Road’. It was an up-tempo song, it was a departure from the ballads Dudley had specialized in, and he was initially reluctant to record it. At the session in 1963 for ‘Six Days on the Road’, produced by Shelby Singleton at Kay Bank Studios, in Minneapolis, MN, the song was recorded unrehearsed and nailed on the second take. The release, on the independent Minneapolis label Golden Wing Records, led Mercury Records to sign him in Nashville.
The studio version came out on Hot Burritos Anthology released in 2000. A live version came out in 1972 that was on the Last of the Red Hot Burritos live album. By this time Gram Parson had left for a solo career and Bernie Leadon left for The Eagles. Chris Hillman was the only original member left. He left in late 1971 and A&M released this album and dropped the band.
According to Secondhandsongs.com …the song has 126 versions. Not too bad for a truck driver country song.
Dave Dudley on the recording session: “I went to make three songs, it took all the money I had to do it. We weren’t planning on a fourth song, but we found out we had 35 or 40 minutes of time left. So I gave the lyrics to the girl, and while she was typing it, we were learning it. We practiced it once, and on the second time through we got it.”
Six Days On The Road
Well, I pulled out of Pittsburgh rolling down the Eastern seaboard
I got my diesel wound up and she’s a running like never before
There’s a speed zone ahead alright but
I don’t see a cop in sight
Six days on the road and I’m gonna make it home tonight
I got ten forward gears and a George Overdrive
I’m takin’ little white pills and my eyes are opened wide
I just passed a Jimmy and White
I been passing everything in sight
Six days on the road and I’m gonna make it home tonight
Well, it seems like a month since I kissed my baby goodbye
I could have a lotta women but I’m not like some other guys
I could find me one to hold me tight
But I could never make believe it’s alright
Six days on the road and I’m gonna make it home tonight
The FBI is checkin’ on down the line
Well, I’m a little overweight but my log books way behind
But nothing bothers me tonight
I’m gonna dodge all the scales alright
Six days on the road and I’m gonna make it home tonight
My rigs a little old but that don’t mean she’s slow
There’s a good flame blowing from her smoke stack
Black as coal
Well, my home town’s coming in sight
And if you think I’m happy you’re right
Six days on the road and I’m gonna make it home tonight
Good morning everyone. I hope you have a wonderful Sunday…well it’s Sunday here. Now that Star Trek is over I’ll start posting music, book reviews, and other things on the weekends before the music posts…and sometimes two music posts like today.
I heard this song in the early 2000s and liked it the first time I heard it. I had never heard of the Corrs…I recommend checking them out. I also like Ryan Adams’s original version of the song. This one was written by Ryan Adams and released on his album Gold in 2001. The Corrs with Bono released this song in 2002 and it peaked at #18 in the Adult Top 40. The song was off the album VH1 Music First Presents: The Corrs -Live In Dublin released in 2002 and it peaked at #52 in the Billboard 200.
The Corrs grew up in the small town of Dundalk, County Louth, on the east coast of Ireland, which is 50 miles north of Dublin. Their parents, Jean and Gerry were also musicians who played in cover bands. Jean was the singer and lyrics writer and Gerry was the keyboard player. The house was very musical and all the siblings were taught classical piano at an early age.
The Corrs are an Irish band that contains three sisters and one brother, the Corrs consists of vocalist Andrea, drummer Caroline, violinist Sharon, and guitarist/keyboard player Jim. In late 1995, Anthony Drennan (lead guitar) and Keith Duffy (bass guitar) joined the band and remained a permanent part of the touring and recording line-up.
When Drennan was released in early 1998 to tour with Genesis, his temporary replacement for two legs of the Talk on Corners tour was Irish guitarist Conor Brady. Jason Duffy, younger brother to Keith, joined the line-up as drummer for the Borrowed Heaven tour due to Caroline’s pregnancy. Both Anthony Drennan and Keith Duffy re-joined the band for their 2015 return.
Ryan Adams: I’m always so shocked by what it’s up to, another year will pass and I’ll hear like, ‘Oh, so-and-so is doing ‘When The Stars Go Blue.’ It’s like the song that wouldn’t go away.”
When The Stars Go Blue
Dancing where the stars go blue
Dancing where the evening fell
Dancing in your wooden shoes
In a wedding gown
Dancing out on 7th street
Dancing through the underground
Dancing little marionette
Are you happy now?
Where do you go when you’re lonely?
Where do you go when you’re blue?
Where do you go when you’re lonely ? I’ll follow you…
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue
Laughing with your pretty mouth
Laughing with your broken eyes
Laughing with your lover’s tongue
In a lullaby
Where do you go when you’re lonely?
Where do you go when you’re blue?
Where do you go when you’re lonely ? I’ll follow you…
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue
When the stars go blue (bluuuuue)
(bluuuuue) when the stars go (bluuuuue)
Where do you go [Bono] when you’re lonely?
Where do you go when you’re blue yeah?
Where do you go when you’re lonely ? I’ll follow you..
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