I know much more about The Replacements than Paul’s solo career but I’ve been listening and I’ve liked what I’ve heard. This song has catchy guitar riffs running through it and is accessible. It’s a good one to introduce him solo on here. During the 1980s Westerberg’s songwriting was second to none. I’m finding a lot of his solo work the same.
This song was used in the 1992 movie Singles and appears on the soundtrack along with tracks by Jimi Hendrix, Pearl Jam, Alice in Chains, Chris Cornell, The Smashing Pumpkins, Soundgarden, and more. Another Westerberg song, Waiting For Somebody, is also on it. The album peaked at #6 on the Billboard Album Charts. Dyslexic Heart peaked at #4 on the Billboard Alternative Charts. The album helped open up grunge to the mainstream.
Cameron Crowe (a huge Replacements fan) had asked Westerberg to contribute a couple of songs to the soundtrack. He made this song right after the Replacements disbanded. The following year, he would release his first solo album called 14 Songs.
The Replacements started out as a punk band. They eventually switched over to a more rock approach with rock songs and ballads. Westerberg remained a true punk in spirit with his irrelevant attitude.
The Singles soundtrack played a key role in popularizing grunge, and some even referred to Paul Westerberg as the “Godfather of Grunge.” Westerberg responded to this label with humor and humility:
“I don’t know… I guess I wore a plaid shirt, and yes, I played real loud, but… what is grunge? I don’t know. I don’t hear a lot of melody in what they’re doing on the West Coast. Nirvana, I suppose, has some hooks, I can see that, but a lot of it sounds to me like Boston with a hair up its ass. The Ramones probably have more to do with it than we did. Play Ramones records on 16 and you’ve got grunge!”
That response is one of the reasons I’m such a fan of him.
Here is a fuzzy video of him live in 1993.
Dyslexic Heart
You shoot me glances and they’re so hard to read
I misconstrue what you mean
Slip me a napkin and now that’s a start
Is this your name or a doctor’s eye chart?
I try and comprehend you but I got a dyslexic heart
I ain’t dying to offend you, I got a dyslexic heart
Thanks for the book, now my table is ready
Is this a library or bar?
Between the covers I thought you were ready
A half-angel, half-tart
I try and comprehend you but I got a dyslexic heart
I ain’t dying to offend you, I got a dyslexic heart
Do I read you correctly, you need me directly
Help me with this part
Do I date you? Do I hate you?
Do I got a dyslexic heart?
You keep swayin’, what are you sayin’?
Thinking ’bout stayin’?
Or are you just playing, making passes?
Well, my heart could use some glasses
Are you stayin’?
What are you sayin’?
Well are you swayin’?
Are you just playing, making passes?
Well, my heart could use some glasses
I try and comprehend you, I got a dyslexic heart
Do I read you correctly, I need you directly
Help me with this part
Do I love you? Do I hate you?
I got a dyslexic heart?
The reason I thought about this movie again was I was reading a Quentin Tarantino interview and he mentioned how much he liked it. It is in his favorite movie list. I hadn’t seen it since around 2012 or so. I rewatched it and enjoyed it a lot.
I read about this movie a lot and finally got to see it in the 1980s. It’s close to a rated R Saturday Night Live episode set in a movie with no audience. They have fake newscasts, commercials, movie trailers (Catholic High School Girls In Trouble), and almost everything else. It’s 1970s skit humor very close to SNL with the first cast. Some skits work really well and some skits don’t…just like most skit-based shows. I also would compare some of the humor with Airplane! and Naked Gun. This movie does include nudity and dark humor.
The film was directed by John Landis and written by David Zucker, Jim Abrahams, and Jerry Zucker (who later created The Naked Gun series). You will see familiar faces but not well-known except for a few cameos by Donald Sutherland, Bill Bixby, and George Lazenby. Tony Dow also makes a cameo playing his old character Wally Cleaver in the skit Courtroom.
The Zucker brothers (David and Jerry) and Jim Abrahams were the creative team behind the film. They had originally been performing a live comedy show called “The Kentucky Fried Theater” in Madison, Wisconsin, in the early 1970s. The success of their live sketches inspired them to translate that format into a film. This was going on across the nation along with the National Lampoon Magazine which inspired a different kind of skit comedy than the Carol Burnett Show.
I really hate the word “dated.” This goes back to a modern movie critic saying “Vanishing Point” was dated. Hmmm, a movie set and filmed in the 1970s with a 1970s theme and style…who would have thought that? When you watch a movie like this one…you have to put yourself in that mindset of when it was made. I understand that some comedy styles change but some things are funny…and some are not… regardless of when they were made. In other words, it’s not “politically correct.”
I have seen some “first reaction” videos of this movie from young people who were watching it for the first time. They were very positive which surprised me. Of course, they gave warnings because of the darkness but liked it.
The budget was $600,000 and it made 7.1 million dollars at Drive-Ins across America. I won’t include a plot since it contains different skits.
When I grew up in a small Tennessee town, every afternoon at 5:30 pm…the CBS Evening News with Walter Cronkite would grace our living room. I didn’t understand half the news he was talking about but I liked him. He didn’t scowl, growl, throw a fit, cry, or visibly pull for one thing or another. He was a newscaster who was for the most part unbiased (yes they did exist).
Cronkite conveyed fairness and honesty with actual integrity. You felt like you could trust Uncle Walt with your news to have it fair and factual. He started off as a radio announcer and newspaper reporter in the Midwest. He joined United Press, where he became a war correspondent during World War II, covering battles in North Africa and Europe and witnessing historic moments such as the Normandy landings.
1962, Cronkite became the anchor of the CBS Evening News, which he led from a 15-minute to a 30-minute format in 1963. Cronkite took us through the Kennedy assassination, the Moon Landing, the Vietnam War, Watergate, Jimmy Carter, and finally ending as Ronald Reagan became our 40th president.
He did have a moment where he did open up about something in a commentary. After his trip to Vietnam in early 1968, anchorman Walter Cronkite broadcasted his coverage of the Tet Offensive. Cronkite concluded his report with a personal commentary, voicing his skepticism of official assertions of military progress.
“To say that we are closer to victory today is to believe, in the face of evidence, the optimists who have been wrong in the past. To suggest we are on the edge of defeat is to yield to unreasonable pessimism. To say that we are mired in stalemate seems the only realistic, yet unsatisfactory, conclusion. . . . But it is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could.”
Lyndon Baines Johnson (The then President): “If I’ve lost Cronkite, I’ve lost Middle America.”
This wasn’t something he did regularly at all. He was human and I have no doubt that at times he might tilt one way or another on issues…but when I go back and watch some of his old newscasts…they stuck pretty much to the cold hard facts. That seems so hard to do today.
When I got this album I loved it but at first didn’t understand why the quality was so low but the music makes up for it. The recordings are from 1962 in their last engagement in Hamburg and they didn’t want to be there. I have mentioned this album with some posts but never really went over it.
These are the punk Beatles. Raw and relentless playing fast and furious. The Beatles before the world was paying attention to them. This was recorded on an old reel-to-reel recorder at the slowest speed to conserve tape. It was not meant to be an album or anything commercial. A friend named Ted “King Sized” Taylor the leader of a band called the Dominoes, put a microphone near the stage to record them. The quality is poor, to say the least.
Peter Jackson has mentioned that he would love to work on this album. He could improve the sound a lot using modern technology and I wish they would let him try it. It was released in 1977 and the record company sunk 100,000 dollars just to make the audio listenable. Ted Taylor did ask the Beatles before he recorded and they had no qualms with it. Later on, they tried to sue to block its release but obviously were unsuccessful. I’m glad they were…this is a fun and historic listen.
The Beatles were playing to an audience of sailors, prostitutes, drunks, and gangsters. They would rip through songs at such a speed that only 2 songs on this double album are over 3 minutes long. It was like the Beatles doing a future Ramones imitation. They were “enhanced” by prellies (Preludin) that sped them up quite a bit.
They are a great band here. You catch them with their guard down and acting completely natural. The Beatles were on their last club dates in Hamburg. They had already recorded Love Me Do and it was on the charts. They did not want to be back in Hamburg but they honored a previous agreement and were there. They didn’t mail the performances in but they were loose and relaxed.
It contains mostly cover songs with very few originals. The track listing is at the bottom of the post. This is close to what Brian Epstein heard when he first saw them, this is why they took over Liverpool and this is why they got signed.
Casual fans will not want this album but serious Beatles fans will love it. This is more than a low-fidelity album…it is history. John Lennon always said that the world didn’t hear the best of the Beatles live…I agree. By this time in Hamburg they were getting lazy as well. They didn’t want to be there because they were sitting on Please Please Me waiting for it to get released in the following year.
After they became THE Beatles…they could not hear themselves play because of the long constant jet taking off screaming. On this album, you hear them as they were before the screams. I was 11 when I bought this and I didn’t get the importance until a few years later.
This is out of the book Tune In… Without a doubt the best book out on the Beatles. It’s the first of three volumes.
Their playing is adept and hyper-energetic, and the microphone catches many important moments. The tape’s value has been downplayed on the basis that the Beatles are musically sloppy and perhaps even lazy, knowing they’ve one foot out of the door, but this is to ignore its virtues. The Beatles did hate being in Hamburg this last time … but the recording shows them still cutting the mustard on stage. They’re sloppy because, here, they can be, but they’re not lazy, and they’re not playing with extra care because they’re being recorded: this is an authentic eavesdrop on their club act, not something fizzed-up for the tape machine.
At least three sets were recorded, and because the Beatles rarely repeated themselves in Hamburg, there are only five duplicates among the thirty-seven songs. The repertoire is a real surprise. The only self-written pieces are “Ask Me Why” and “I Saw Her Standing There” (twice), so there’s no “Love Me Do,” “PS I Love You,” “Please Please Me,” “One After 909” or any of several other possibilities, and there are few of the songs from the spine of their all-conquering 1962 stage sets—no “Some Other Guy,” “Soldier of Love,” “Please Mr. Postman,” “Don’t Ever Change,” “A Shot of Rhythm and Blues,” “Devil in Her Heart,” “Baby It’s You,” “Will You Love Me Tomorrow,” “If You Gotta Make a Fool of Somebody,” “Hey! Baby, A Picture of You,” and so on. What’s here is an idiosyncratic selection of old rock numbers all played at breakneck speed—Prellies pace. The nights of half-hour “What’d I Say” marathons are past: everything is high velocity, only three numbers tipping into three minutes.
Side one
Introduction/”I Saw Her Standing There” (John Lennon, Paul McCartney) – 0:34/2:22
“Roll Over Beethoven” (Chuck Berry) – 2:15
“Hippy Hippy Shake” (Chan Romero) – 1:42
“Sweet Little Sixteen” (Berry) – 2:45
“Lend Me Your Comb” (Kay Twomey, Fred Wise, Ben Weisman) – 1:44
“Your Feet’s Too Big” (Ada Benson, Fred Fisher) – 2:18
Side two
“Twist and Shout” (Phil Medley, Bert Russell) – 2:03
“Mr. Moonlight” (Roy Lee Johnson) – 2:06
“A Taste of Honey” (Bobby Scott, Ric Marlow) – 1:45
When I saw this 1998 movie I did with trepidation because of Jim Carrey. There is only so much of his comedy I can take at once but this was completely different. He did more of a serious turn in this movie and I must admit he was great. I’m not the world’s biggest Jim Carrey fan at all but this movie is brilliant.
Carey plays Truman Burbank, a man who unknowingly lives his entire life in a meticulously crafted, 24/7 reality TV show, with his every move broadcast to a global audience. I try to find themes in movies and this one explores themes of manipulation, personal freedom, commercialism, and the power of free will that wins out.
This movie was like looking into the future…a bleak near future. The Kardashians and others followed showed “real life” (heavy sarcasm) and delivered Warhol’s 15-minute fame theory in the worst possible way. To be honest…I’m honestly amazed that this movie’s plot hasn’t been tried.
Truman Burbank lives a seemingly perfect life in Seahaven, a fictional island town somewhere that is mixed between the 1950s and the 1990s. He was unaware that his entire existence was being broadcast to millions around the world. Every person he interacts with, including his wife, best friend, and co-workers, is an actor playing a role. As Truman begins to notice inconsistencies and strange events like a stage light falling from the “sky” and his wife advertising products mid-conversation…he starts to question his reality.
The film builds towards a powerful climax as Truman embarks on a journey of self-discovery and challenges the artificial world he has been confined to, sailing across the set’s ocean (which he is scared of) in search of freedom. Funny, he wanted to see the world but didn’t know the world was watching him being born, his first step, his first kiss, his marriage, and his escape.
This is a SPOILER but the most poignant thing about the movie to me is when he decides to go to the real world and the show ends. All of those people who bought Truman merchandise and tuned in through the years applauded and said hmm… what’s on another channel? They moved on quickly without a thought or care…and hopefully, Truman did the same.
I have so many feelings about this movie. After I watched it for the first time I took a second look in the mirror and the consistent things in my life and thought hmm what if? And you know what? There IS something called The Truman Syndrome… Psychologists later identified a phenomenon called “The Truman Show Delusion” where individuals believe their lives are being staged and broadcast.
Thanks to Dave from A Sound Day for publishing this post on October 25, 2024. It was part of his Turntable Talk: Our guest columnists are invited to go on a magical musical road trip and visit any musical location they want to – past or present – and see it in all its glory.
I would love to go to the Cavern. The Beatles would not have to be there for me to enjoy its dark wet walls. They have built a new one but it’s not the same location of the original. That is great for the tourists but what’s the point? I would love to go back to 1957 – 1972 to walk into the cavern. Just to feel the history inside of that place. The Beatles were not the only big name to play there as you will see. A small cellar club that would be known around the world…including a small town in Tennessee.
The original Cavern Club was founded on January 16, 1957, by Alan Sytner. Sytner was inspired by jazz clubs he had visited in Paris such as the Le Caveau de la Huchette. The Cavern Club was initially a jazz club, with early performances focusing on traditional jazz and skiffle, a blend of folk and jazz. No rock and roll or blue jeans were allowed in the club. Ringo Starr debuted there on July 31, 1957, playing drums in the Eddie Clayton Skiffle Group. John Lennon would appear there on August 7, 1957, with the Quarrymen Skiffle Group. That year Big Bill Broonzy played there along with jazz great Ronnie Scott. In 1959 Sonny Terry and Brownie McGhee played there as well.
In the early 1960s, rock ‘n’ roll became popular in Liverpool, with skiffle bands embracing electric guitars and rhythm. The Beatles made their first appearance on February 9, 1961. They performed there 292 times between 1961-1963. Brian Epstein ran a record store called NEMS and when a teen asked for My Bonnie by Tony Sheridan and The Beatles…Brian wanted to find it. He was told that The Beatles played at the Cavern so on November 9, 1961, Brian walked down the steps in the Cavern to discover The Beatles’ playing.
In less than a year he had them sign an EMI contract and Ringo replaced Pete Best in August of 1962. A year later on August 3, 1963, the Beatles played their last show there…they had outgrown the Cavern and had to start touring nationally. After The Beatles left, other bands came there to play in Liverpool. The Cavern became a hotspot for other British acts, including The Rolling Stones, The Who, The Kinks, Queen, The Yardbirds, Black Sabbath, Elton John, and The Hollies.
Paul McCartney didn’t forget the place. In 1968 he and Linda went back to visit the Cavern. The band Curiosity Shop was rehearsing, and Paul decided to join them by helping on the drums. Before getting on stage with the band Paul got behind the piano in the lounge and performed a solo performance of Hey Jude.
After struggling with financial issues, the original club was closed in 1973 due to the construction of a railway ventilation shaft. Much of the original Cavern was demolished, though some bricks were saved. A lot of the Cavern was filled in by rubble. In the early eighties architect David Backhouse said that the plans to excavate and re-open the Cavern Club in its original form would not be possible for structural reasons. Tests had revealed the arches of the old cellar had been too badly damaged during the demolition of the ground floor of the Cavern Club and the warehouses above.
There is a new Cavern as I said at the beginning and if I make it over there yes, I will see it but it would not be the same as seeing the real deal. That got me thinking…is that stage still there just covered with rubble from 1973? Dave, Obbverse, Randy, Keith, John, and Christian…grab a shovel and meet me there now!
This movie changed me when I was a teenager. It made me realize the power that a movie can have. Just a few movies have moved me like that, and this was one of them. Platoon and Full Metal Jacket were two others. I had seen violence before on the screen but this was realistic and brutal…especially when you are a very young guy (too young to watch this) viewing it for the first time. I had to rethink many things after seeing it.
I love the soundtrack, especially the music performed on a Moog synthesizer, which set the tone for the film. I’m not giving a synopsis of the movie…there are plenty of books and internet sites doing that… but a movie that will change you does its job and more. This film was directed by the great Stanley Kubrick and you know it’s his movie within 30 seconds of the intro.
There is a story about a frog and a scorpion, which I relate to this movie. It goes like this. A scorpion asks a frog to carry it across a river. The frog hesitates, afraid of being stung, but the scorpion argues that if it did so, they would both drown. Considering this, the frog agrees, but midway across the river, the scorpion does indeed sting the frog, dooming them both. When the frog asks the scorpion why, the scorpion replies that it is in its nature to do so.
This movie runs the gamut…cruelty, horror, the absurd, violence, pity, and justice. In my opinion, this movie shows that evil exists in all of us and what happens if we let it take over. Also, I think the movie shows you that no one can change someone’s nature no matter what drugs or treatment you may give them outside of a lobotomy. Treatment and drugs may slow them down and help but their nature is not going to change. They will at least have to keep fighting it every day.
In the end, A Clockwork Orange challenges viewers to consider human freedom and the ethics of “curing” people against their will. This movie has been analyzed to death and rightly so. It could have only been made in the period it was made. I can’t imagine this movie coming out now…although I wish more modern filmmakers would take chances.
The scene that stick with me are the record shop scene, the Billy Boy gang fight, Singing in the Rain, and of course the eye scene… The record shop scene was filmed in the Chelsea Drugstore… I would love to have a room like that place. Very 60’s-70s futuristic…immortalized in the Stones’s “You Can’t Always Get What You Want”…The building is now sadly a McDonalds…modern progress?
Malcolm McDowell as Alex was excellent in this movie along with his droogs Pete (Michael Tarn), Georgie (James Marcus), and Dim (Warren Clarke).
Plot from IMDB
Alex DeLarge is an “ultraviolent” youth in futuristic Britain. As with all luck, his eventually runs out and he’s arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex’s ordeals are far from over once he hits the streets of Britain.
The cool car is an Adams Probe 16 AB/4 that was referred to as a Durango 95 in the film has been restored…
Thank you Keith @ https://nostalgicitalian.com for inviting me to do this. Keith had bloggers over to his site to write about their favorite toys while growing up.
Whenever I see red, white, and blue not only do I think of the flag but I think of Evel Knievel. A hero to many in the 1970s… He is responsible for more broken arms, legs, bruises, bumps, and scrapes than anyone… Kids set up homemade ramps and then jumping them with their bicycles. I said kids…it wasn’t exclusive to boys because I remember some girls jumping also.
Riding down hills standing on your seat, popping wheelies, jumping ramps with your buddy stupidly laying in-between. We wanted to be Evel Knievel jumping over those cars or buses.
He was THE Daredevil… There are Daredevils around today but no one has reached the popularity that Knievel achieved. Not only did he jump and crash he looked cool jumping and crashing. He was like a cool Elvis in a jumpsuit jumping various objects.
I got the Evel Knievel Stunt Cycle and Figure when I was 8 years old on Christmas Eve. I have a picture that I can see halfway unwrapped. I immediately started to play with it that night. Over the next couple of months, I would jump everything in sight.
I would make it jump on our porch, our outside dog, and finally, I got a great idea. It took me hours to set it up but I finally got it right. I had ramps going over my mom’s car. I never could get it to go completely over but I got it really close when it came down on the trunk…who needed the Snake Canyon? My mom wasn’t a big fan of the Stunt Cycle…when Evel missed and hit the flowers…some flowers would be missing. When I revved it up in the house…more than one glass shattered making mom shut down my jumping activities.
I wouldn’t mind getting one now to tell you the truth!
Another…well Keith could disqualify this but it was a toy to me…it was called Pong. Basically, it was magical! It would connect to your television, and you could play table tennis all day long. It was the forerunner of modern games that we have today. It was simple black and white, but I can’t tell you how it felt playing the thing.
I got it around 1977 and we just didn’t have things like this. There is one thing I remember well though…mom made me play it at night or on rainy days. The days were made for kids to go out and play baseball, play in the creek, or ride their bicycles for miles. What I wouldn’t give to relive one of those days being 11 again.
Que that spooky piano part now. This 1978 film is a horror classic that I still enjoy watching. While I’m at it…Happy Halloween Everyone! Sometimes, sequels can ruin a franchise and it gets silly. We sometimes forget how great the original is. I’m not a fan of the no-brain slasher movies that followed this.
From the very beginning, Halloween grabs your attention with its eerie, minimalist score—also composed by Carpenter himself. The haunting piano melody sets the tone for the entire film, creating a sense of dread even before it begins. It’s one of those soundtracks that sticks with you long after the credits roll. The two main leads…Jamie Lee Curtis and Donald Pleasence do an excellent job. I’ve liked Pleasence in anything he has done.
What’s surprising about Halloween after rewatching it, is how little blood and gore is actually shown. The movie relies more on atmosphere and suspense than graphic violence, which is why it remains such an effective horror film today. Carpenter’s use of shadows, lighting, and camera angles makes everything feel off-kilter. Halloween doesn’t go overboard with its horror… just enough to leave a sense of unease.
There are little things as well that this movie does well. Before it all starts Lauire (Jamie Lee Curtis) and Annie (Nancy Kyes) are smoking a joint in a car while Michael is following them. While this was going on…Don’t Fear The Reaper was playing on the radio faintly. Annie’s dad is the sheriff and his name is Brackett. Dr Loomis (Donald Pleasence) tells him that he and his town better be worried. Michael Myers escaped a facility and was headed toward the town where Myers lived when he killed his sister when he was a kid.
This is another movie that has been ingrained in pop culture. After this film, there was a part 2. John Carpenter did not want to make it but was sued to make it. He made sure to blow Myers up in the 2nd film and part 3 had nothing to do with Myers. Halloween II was written by Carpenter and Debra Lee…the two who wrote Halloween. He refused to direct it and he never liked it. “I had to come up with something. I think it was, perhaps, a late night fueled by alcoholic beverages, was that idea. A terrible, stupid idea! But that’s what we did.”
Rob Zombie remade the film in 2007 and a sequel with much more blood and gore. He traded mystic for the obvious, which didn’t work as well for me…but I’m glad he put a little more reason on why Michael did what he did.
Plot IMDB
The year is 1963, the night: of Halloween. Police are called to 43 Lampkin Ln. only to discover that 15-year-old Judith Myers has been stabbed to death by her 6-year-old brother, Michael. After being institutionalized for 15 years, Myers breaks out on the night before Halloween. No one knows, nor wants to find out, what will happen on October 31st, 1978, besides Myers’ psychiatrist, Dr. Loomis. He knows Michael is coming back to Haddonfield, but by the time the town realizes it, it’ll be too late for many people.
Quotes
Loomis: I met him, 15 years ago; I was told there was nothing left; no reason, no conscience, no understanding in even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this… six-year-old child with this blank, pale, emotionless face, and… the blackest eyes – the Devil’s eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up, because I realized that what was living behind that boy’s eyes was purely and simply… evil.
_____________________________________
Brackett: I have a feeling that you’re way off on this.
Loomis: You have the wrong feeling.
Brackett: You’re not doing very much to prove me wrong!
Loomis: What more do you need?
Brackett: i going to take a lot more than fancy talk to keep me up all night crawling around these bushes.
Loomis: I-I-I watched him for fifteen years, sitting in a room, staring at a wall; not seeing the wall, looking past the wall; looking at this night, inhumanly patient, waiting for some secret, silent alarm to trigger him off. Death has come to your little town, Sheriff. Now, you can either ignore it, or you can help me to stop it.
It doesn’t get much more Halloween than this song. Black Sabbath was a hard rock band that gets credited a lot for influencing heavy metal. That is perplexing to me…what is heavy metal and what is hard rock? When I think of heavy metal I think of some of the many heavy 80s bands with a huge processed sound on guitar. That probably isn’t what others think of though.
The song was inspired by a series of ominous and eerie experiences. According to bassist Geezer Butler, the concept for the song emerged from a frightening incident he had after reading an occult book given to him by Ozzy Osbourne. Butler claims that after leaving the book on a shelf, he saw a dark figure standing at the foot of his bed that disappeared suddenly. This experience led him to write the lyrics. The song is credited to Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward.
The album cover. It has to be the spookiest album cover ever. On one hand it looks real and on another it looks like a horror movie poster but better. At the center of the album cover is a mysterious, cloaked woman dressed in black. Her identity has been the subject of speculation for decades. Some have claimed she symbolizes a witch or an occult figure, which fits the band’s early associations with the dark arts. It’s one of rocks most iconic album covers.
Louisa Livingstone was a model that was hired for the cover. No one knew who she was until Rolling Stone tracked her down in 2020. Turns out Mrs. Livingstone is not much a fan of Black Sabbath after she finally listened to the album. It just wasn’t her type of music. She now records electronic music under the name of Indreba. Keith Macmillan is the photograhper who shot the album cover.
The album peaked at #23 on the Billboard 200, #29 in Canada, and #8 in the UK in 1970.
Keith Macmillan: “She was a fantastic model. She was quite petite, very, very cooperative. I wanted someone petite because it just gave the landscape a bit more grandeur. It made everything else look big. She wasn’t wearing any clothes under that cloak because we were doing things that were slightly more risqué, but we decided none of that worked. Any kind of sexuality took away from the more foreboding mood. But she was a terrific model. She had amazing courage and understanding of what I was trying to do.”
Louisa Livingstone: I had to get up at about four o’clock in the morning, or something as ridiculously early as that. It was absolutely freezing. I remember Keith rushing around with dry ice, throwing that into the pond nearby, and that didn’t seem to be working very well, so he was using a smoke machine. It was just, ‘Stand there and do that.’ I’m sure he said it was for Black Sabbath, but I don’t know if that meant anything much to me at the time.”
If you want to know about Black Sabbath’s album Black Sabbath VOL 4 cover… go to The Press Music Reviews.
Black Sabbath
What is this that stands before me?
Figure in black which points at me
Turn around quick, and start to run
Find out I’m the chosen one
Oh no
Big black shape with eyes of fire
Telling people their desire
Satan’s sitting there, he’s smiling
Watches those flames get higher and higher
Oh no, no, please God help me
Is it the end, my friend?
Satan’s coming ’round the bend
People running ’cause they’re scared
The people better go and beware
No, no, please God help me
Next to The Shining, this is my favorite King adaptation.
Carrie is a 1976 horror film directed by Brian De Palma, based on Stephen King’s 1974 debut novel of the same name. He used many techniques in this movie that put it over the top. Split screens, slow motion, and vivid color contrast just to name a few.
It is one of the most iconic films in the horror genre and focuses on subjects like bullying, supernatural powers, and revenge. It’s so easy to relate to because in high school we have all been through embarrassing things…getting pig blood dumped on you…probably not but we can relate with Carrie. We know the good people and we have known the bad people in this movie. We also know the popular cliques and the not-so-popular cliques. The girls that were out of reach and the ones that were.
The story revolves around Carrie White, a shy and socially awkward high school girl who is mercilessly bullied by her classmates. Raised by an overbearing, fanatically religious mother, Carrie leads a lonely and repressed life. After experiencing a traumatic event at school, she discovers that she has telekinetic powers. The situation escalates when her classmates cruelly prank her at the senior prom. In a moment of intense emotion, Carrie uses her powers to take a horrifying revenge on those who tormented her.
Sissy Spacek starred in this film and was perfect in the role. Piper Laurie portrayed her mother with an exaggerated, fanatically religious fervor. Laurie’s portrayal of a zealot was intentionally over-the-top, adding to the film’s tone. . The movie also launched the film careers of Nancy Allen and Amy Irving who both went on to star in many movies.
In 1976 my class went to see Charlotte’s Web at the theater. On the wall were movie posters of Carrie. Since then I’ve always associated them with each other. As a 9-year-old, seeing a teenager covered with blood with an evil look made me want to see it. I didn’t get to see it until almost a decade later. It was worth the wait!
Both Sissy Spacek and Piper Laurie received Academy Award nominations for their performances, a rarity for the horror genre.
This story has been remade in 3 different movies. This one in 1976, 2002, and a remake in 2013. I’ve watched all of them…trust me on this…this is the best version out there at least to me.
I made a playlist of instrumentals and took recommended ones from the 1950s. I think the heyday of instrumentals was the fifties and sixties. Here is one that caught my ear… Forty Miles Of Bad Road
I have a soft spot for that twangy reverb guitar. Eddy played a major role in shaping the surf rock genre and influenced many following guitarists. The song peaked at #11 in the UK, #4 in Canada, and #9 on the Billboard 100 in 1959. This song was written by Duane Eddy and Al Casey. The song was on the compilation album $1,000,000 Worth of Twang. Damn, that is a great name for an album! Not to mention the title of the song as well.
The phrase was apparently inspired by a comment overheard by Duane Eddy and his producer Lee Hazlewood while in line at a movie theater. They heard two guys talking about one of their blind dates. He said she looked like 40 miles of bad road. Of course, they looked at each other and said that has to be the title of our new song.
This (and many of his songs) was recorded in a Phoenix studio which had an echo chamber that was originally a large water tank. A single speaker was placed at one end of the tank, the microphone at the other, and the guitar was piped in there. The title was referenced in a REM song called Crush With Eyeliner…instead of 40 miles…”She’s Three Miles of Bad Road.”
I have a different relationship with James Bond than some. I didn’t watch them as a kid but I started to watch them in my late 20s. I finally found out what all the fuss was about. I do remember seeing parts of Moonraker when it came out but it just didn’t pique my interest at 12. I recently read a review of From Russia With Love from princecranoir and would recommend everyone reading. That one may be my favorite James Bond film but this one holds a special place for me as well. My favorite always changes when I do a Bond marathon at home. I did a post a while back about my favorite Bond films…and Dr No was at the top…so it does change.
Dr. No was a commercial success, paving the way for numerous sequels and establishing the template for future Bond films. Sean Connery’s portrayal of Bond became iconic, and the film is credited with launching the spy genre in cinema. We will still be watching this in 2062.
Dr. No was the first Bond film I ever watched all the way through. Released in 1962, it introduced the world to James Bond, a suave, sophisticated British secret agent with a license to kill. Based on Ian Fleming’s novel of the same name, the film marked the first installment of one of the most successful and enduring franchises in cinematic history. Dr. No laid the foundation that would define Bond for decades—high-stakes espionage, glamorous locations, and, of course, iconic villains. There were really no gadgets in this one…that would come in the next film.
It was based on Ian Fleming’s 6th book about the Spy but the first one was adapted into a movie. Sean Connery is James Bond to me and there was no better way of kicking off a franchise than this. The film looks great in its vivid color and scenery. The bulk of the film was filmed in Jamaica in early 1962.
There is no better use of a Sunday afternoon than to spend it with James Bond and the absolutely stunning Ursula Andress. When she walked out of the water on Crab Key, it was close to everything magically turning to color in The Wizard of Oz… She was the first of many Bond girls to follow and you could not find a better first one. I was humming Under the Mango Tree for days after I saw it.
JFK, an avid Ian Fleming fan, even hosted a private screening of “Dr. No” at the White House. Legend has it he remarked, “I wish I had James Bond on my staff.” Who wouldn’t? If you haven’t seen this film, treat yourself and immerse yourself in Bond’s world; and for those who have, a rewatch is always a pleasure.
Plot (Spoilers)
The movie starts with Bond, played by Sean Connery, being sent to Jamaica to figure out why a fellow British agent went missing. Pretty mysterious, right?
When Bond gets to Jamaica, things get tense. He teams up with some local allies, like a fisherman named Quarrel and CIA agent Felix Leiter. They help him uncover clues, which eventually lead to a creepy, secretive island called Crab Key. This is where Dr. No, the villain, is hiding. He’s a super smart but evil scientist who works for a dangerous organization called SPECTRE. His plan? To mess with American space missions using some kind of high-tech radio beam. Bond realizes he needs to stop him before things get out of hand.
Bond’s adventure takes him into Dr. No’s hidden lair, where he also meets Honey Ryder (played by Ursula Andress), a woman who’s just out collecting shells but gets tangled in Bond’s mission. Together, they navigate the dangers of the island, avoiding Dr. No’s guards and traps.
In typical Bond fashion, he manages to outsmart Dr. No, destroy his base, and save the day. The movie ends with a big explosion as Bond and Honey escape. It’s classic spy action, with all the charm, gadgets, and danger you’d expect from a Bond film!
Quotes
Dr. No: The Americans are fools. I offered my services; they refused. So did the East. Now they can both pay for their mistake.
James Bond: World domination. The same old dream. Our asylums are full of people who think they’re Napoleon. Or God.
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[Honey describes how she killed the man who had hurt her]
Honey Ryder: I put a black widow spider underneath his mosquito net… a female, they’re the worst. It took him a whole week to die.
[Bond looks shocked]
Honey Ryder: Did I do wrong?
James Bond: Well, it wouldn’t do to make a habit of it.
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[explaining why she believes the legend about Crab Key’s fire-breathing dragon]
Honey Ryder: How well do you know about animals? Did you ever see amongoose dance? Or, a scorpion with sunstroke sting itself to death? Or, apraying mantis eat her husband after making love?
June 20, 1975, was not only the opening of this movie but it turned into a huge pop culture event of the 1970s. It’s a movie known around the world. There were T-shirts, novelty songs, and hype…but the movie lived up to it and then some.
Why was it so great? For me, I would say that Spielberg kept it simple. Jaws is based on the 1974 novel by Peter Benchley, which was inspired by a series of shark attacks off the coast of New Jersey in 1916. Benchley’s book tells the story of a great white shark terrorizing a small coastal town, and the efforts of three men to hunt it down.
The acting in this was excellent to me. The one that I always pick out is Robert Shaw as the character Quint. He makes himself known quickly by the fingernails down the chalkboard tactic. Shaw made that character real to me. My favorite scene was him telling the story of delivering the atomic bomb, the sinking of the USS Indianapolis, and the shark attacks that happened. His performance is probably the main reason for Jaws being one of my favorite films of all time. The speech is based on a real event. The USS Indianapolis sank in 1945, resulting in the greatest loss of life due to shark attacks in history.
Spielberg wanted Lee Marvin for Quint and Jon Voight for Hooper. Spielberg got it right for this film. Roy Scheider as Martin and newcomer Richard Dreyfuss as Matt Hooper were great. It’s the realism that Shaw added that pushed this over.
Spielberg’s use of tension, combined with John Williams’ score proved that a horror thriller could achieve both critical and commercial success. The film won three Academy Awards (for editing, score, and sound) and remains highly regarded by critics. But perhaps its greatest legacy is even today, many people feel some fear whenever they step into the ocean.
John Williams…The man is renowned for his film scores. Along with Jaws and barely scratching the surface…he also did Star Wars, Indiana Jones, E.T., Harry Potter, and Jurassic Park, just to name a few.
The movies Duel and Jaws were Spielberg’s first two big movies. They share a common thread. Duel features a large diesel truck that is much like Jaws on dry land. Both movies work well.
PLOT
It’s a hot summer on Amity Island, a small community whose primary business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. It doesn’t sit well with Mayor Larry Vaughn and several local business people. Brody backs down to his regret of that weekend. A predator kills a young boy. The dead boy’s mother puts out a bounty on the shark, and Amity is soon swamped with amateur hunters and fishermen hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon, Quint, Brody, and Matt Hooper from the Oceanographic Institute are hunting the Great White shark at sea. As Brody succinctly surmises after their first encounter with the creature, they will need a bigger boat.
QUOTES
Quint: [Quint first scratches the chalk board to get everyone’s attention] Y’all know me. Know how I earn a livin’. I’ll catch this bird for you, but it ain’t gonna be easy. Bad fish. Not like going down the pond chasin’ bluegills and tommycods. This shark, swallow you whole. Little shakin’, little tenderizin’, an’ down you go. And we gotta do it quick, that’ll bring back your tourists, put all your businesses on a payin’ basis. But it’s not gonna be pleasant. I value my neck a lot more than three thousand bucks, chief. I’ll find him for three, but I’ll catch him, and kill him, for ten. But you’ve gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don’t want no volunteers, I don’t want no mates, there’s just too many captains on this island. $10,000 for me by myself. For that you get the head, the tail, the whole damn thing.
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Ellen Brody: Martin hates boats. Martin hates water. Martin… Martin sits in his car when we go on the ferry to the mainland. I guess it’s a childhood thing. It’s a… there’s a clinical name for it isn’t there?
Most of the time a comedy-horror doesn’t work but in this 1981 film, it works perfectly. I always come back to this movie. It’s not a parody…but a horror movie that happens to have funny moments. When the movie came out on VHS I bought it. It was also the first movie I bought on DVD. It has aged very well.
If you like horror movies you should like this. I would not recommend the sequel An American Werewolf in Paris…that one doesn’t stack up against the original. This one does have violence, blood, and gore and it’s very effective. The scene in the pub is worth watching the movie. I’ve never felt as uncomfortable for two people in a movie when David and Jack walked into that pub.
Two Americans (David and Jack) are traveling through Europe. They go to a pub (The Slaughtered Lamb) and it’s strongly hinted for them to stick to the main roads on their way out by the unfriendly locals…well guess what? They don’t and soon Jack is ripped to shreds and David is badly scratched by a werewolf. David wakes up in a hospital with Nurse Alex Price taking care of him. That is the nurse I would want.
David starts having horrific nightmares. In the hospital, Jack reappears to David as a decomposing corpse. He keeps telling David that he should kill himself because David will turn into a werewolf and kill others. David goes home with Alex and Jack keeps reappearing and eventually, David does turn into a werewolf.
John Landis had just finished The Blues Brothers and Animal House when he directed this. In two years he would hit again with Trading Places. Rick Baker did the special effects for this movie. The transformation is great and the wolf is perfect. It is the best transformation scene I’ve ever seen. The effects worked very well for me because it felt real.
The music is great. Bad Moon Rising, Blue Moon, and Moondance are featured. Supposedly Max Landis, John’s son is planning to remake this movie. Personally, I don’t think it needs it. It’s hard to remake a classic.
Plot IMDB
Two American college students are on a walking tour of Britain and are attacked by a werewolf. One is killed, the other is mauled. The werewolf is killed but reverts to its human form, and the local townspeople are unwilling to acknowledge its existence. The surviving student begins to have nightmares of hunting on four feet at first but then finds that his friend and other recent victims appear to him, demanding that he commit suicide to release them from their curse, being trapped between worlds because of their unnatural deaths.
Quotes
Dart Player: Go. Stay on the road. Keep clear of the moors.
David: Yeah. Thank you.
Chess Player: Beware the moon, lads.
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Gerald Bringsley: [accusing David of his murder] Whereas I am a victim of your carnivorous lunar activities.
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