Guy Clark and Townes Van Zandt were known as the godfathers of the Texas songwriters by some. This song can be tough to listen to but also beautiful simultaneously.
This song is very touching. It was about his late wife Susanna Clark. She passed away in 2012 and it was the title song of his last album released in 2013. It peaked at #12 on the Billboard Country Charts and #62 on the Billboard Album Charts in 2013.
It was based on a real Polaroid picture Guy Clark had of his wife standing outside of a house. Inside the house, Guy and Townes Van Zandt were “drunk on their ass” and obnoxious and she wasn’t happy and wanted to leave. I have a video below that he talks about it. It’s credited to Guy Clark and Gordie Simpson.
Guy Clark and Susanna Clark were married in 1972 with Townes Van Zandt as his best man. Susanna was a songwriter herself. She wrote the song “I’ll Be Your San Antone Rose” in 1975 performed by Dottsy Brodt Dwyer which made it to #12 in 1975….and co-wrote Kathy Mattea’s number one song “Come From The Heart.” She also wrote some songs with Townes Van Zandt.
In the 1960s, Guy Clark tried his luck in the California music scene. He also built and repaired guitars and had a shop in San Francisco in 1969. In 1971 he was signed as a songwriter by Sunbury Music in Los Angeles, he decided to relocate to the company’s Nashville office in 1971. His arrival helped usher in a migration of new songwriting talent to the city.
The Clarks’ home became a gathering spot for songwriters, folk singers, and artists including Rodney Crowell, Townes, Jim McGuire, Steve Earle, Emmylou Harris, Joe Ely, Lyle Lovett, Verlon Thompson, Shawn Camp, and Vince Gill.
In 1975 he released his first album Old No. 1 and eventually released 13 studio albums. Guy Clark passed away in 2016.
In this video, he explains what influenced the song.
My Favorite Picture Of You
My favorite picture of you Is the one where you’re staring Straight into the lens
It’s just a Polaroid shot Someone took on the spot No beginning, no end
It’s just a moment in time You can’t have back You never left but your bags were packed Just in case
My favorite picture of you Is bent and faded And it’s pinned to my wall Oh, and you were so angry
It’s hard to believe We were lovers at all There’s a fire in your eyes You’ve got your heart on your sleeve A curse on your lips, but all I can see Is beautiful
My favorite picture of you Is the one where Your wings are showing
Oh, and your arms are crossed Your fists are clenched Not gone but going
Just a stand up angel Who won’t back down Nobody’s fool, nobody’s clown You were smarter than that
My favorite picture of you Is the one where It hasn’t rained yet
Oh and as I recall Came a winter squall And we got soaking wet It’s a thousand words In the blink of an eye The camera loves you And so do I Click
My favorite picture of you Is the one where you’re staring Straight into the lens
You can’t fix a broken heart with a bobby pin And everybody turns a bad trick now and then
CB and I get into some interesting musical conversations…he sent me a track from Ray Wylie Hubbard. I knew I remembered him somewhere and of course, when I searched I found what I remembered. It was this song called Bad Trick. The song he sent me was Snake Farm…and I have it in here also.
It was made I’m sure during the lockdown. It features Ray Wylie Hubbard, Ringo Starr, Joe Walsh, Chris Robinson and was produced by Don Was.
Let’s look at Ray Wylie Hubbard. In the early seventies, Hubbard joined Waylon Jennings and Willie Nelson as part of the progressive country vanguard on the Texas music scene…known as the Outlaws. These weren’t your crew-cut guys from Nashville with a sweet sound. They were earthy and down-to-earth music for the common people to be honest. Rough about the edges and a little too close to rock for some of the established country fans.
He started to get known when Jerry Jeff Walker cover his song “Up against the Wall, Redneck Mother.” in 1973. He has released 19 albums since 1975. Lately, he wrote a song that Eric Church covered called Desperate Man.
Bad Trick was released on the album Co-Starring. The artists that wanted to play with him were incredible. They included Ringo Starr, Joe Walsh, the Black Crowes’ Chris Robinson, Ronnie Dunn, Don Was, Larkin Poe, Pam Tillis, and The Cadillac Three. You are well respected when these players are backing you.
I want to cover one more song on this post. The song is called Snake Farm and it’s on the album of the same name…Snake Farm was released in 2006. It sounds so nasty with the licks from the guitar he plays.
Ray Wylie Hubbard: I had burned a lot of bridges and didn’t have a career. But I wanted to be a real songwriter. Someone gave me Letters to a Young Poet, and there was this line about our fears being like dragons guarding our most precious treasures. I decided to overcome my fear of embarrassment and take guitar lessons at age 41 to learn how to fingerpick, and that opened all sorts of doors.
On Snake Farm Hubbard said: “There’s an old snake farm in New Braunfels, Texas between Austin and San Antonio. It’s been there about 40 years. And there’s a rumor that it was something more than a snake farm but I don’t know about that. Doesn’t make any difference. I’ve driven by it probably 10,000 times. So one day I’m driving by and all of a sudden I see the snake farm… I see the snake farm there and I’m driving along and all of a sudden I go, ‘Ooh, just sounds nasty.’ I said, ‘Well, it is. It’s not a church or a hospital, it’s a reptile house.’
I’m like, ‘God, snake farm, just sounds nasty. Snake farm, well it pretty much is. Snake farm, it’s a reptile house. Snake farm, eww.’ I kept singing that in my head for some strange reason, and then I said, ‘Well, what am I gonna do with this?’Well, I’ll make it a love song. I’ll make it about a man who doesn’t like snakes, but he’s in love with a woman that works at the snake farm.”
Snake Farm
Bad Trick
Don’t get any on you if you go to Nashville
Don’t operate machinery if you on Benadryl
Got to have some faith when you in the lion’s den
And everybody turns a bad trick now and then
Club soda don’t always remove ketchup stains
Ain’t nothing you can take gonna cure a migraine
Broken dreams is a premise in “of mice and men”
And everybody turns a bad trick now and then
You got to have some scars if you wanna be a poet
To get weeds out of a garden, you got to hoe it
Possession with intent will get you 5 to 10
And everybody turns a bad trick now and then
Most gamblers know they’ll never break even
There’s 5 stages to go through when you’re grieving
The sword is always bloodier than the pen
And everybody turns a bad trick now and then
Dancing is promiscuous after midnight
It’s better to be content than have to always be right
You can’t fix a broken heart with a bobby pin
And everybody turns a bad trick now and then
You can’t take for granted none of this shit The higher up you fly boys, the harder you get hit
This song is haunting and gorgeous. On this album, Crowell has a conversation with his late friends Guy and Susanna Clark and his history. His ex-wife Rosanne Cash and John Paul White also appear with Crowell on this song.
What I like about this song is its simplicity but underneath…there are a lot of things going on. His writing makes it easy to follow but there is more underneath the surface.
This song is on his 15th solo studio album, Close Ties released in 2017. He calls it a bit of a “concept album,” with a clear stroll through his personal history. You almost feel like you are prying into his personal diaries while listening to it.
Crowell was born in Houston, Texas in 1950. He had a rough childhood with an alcoholic father and a very strict Pentecostal mother. At age 15 (1965) he left and joined a rock and roll band 30 miles from home. He said his parents didn’t really acknowledge him when he left.
In 1972 he left for Nashville and found a group of songwriters headed by fellow Texan Guy Clark. He gave Crowell a Dylan Thomas poetry book to look over and study. Clark told him they were not making products but making art. Clark has said: “I’ll bet that when you’re dying, you’re not going to think about the money you made. You’re going to think about your art.”
Crowell charted albums to make enough money to pay the bills through the 80s and 90s but his album Diamonds and Dirt was a huge success. 5 of the singles off that album peaked at #1 on the Billboard Country Charts in 1998-1999.
Close Ties peaked at #28 on the Billboard Country Charts and #138 on the Billboard Album Charts in 2017.
It Ain’t Over Yet
It’s like I’m sitting at a bus stop waiting for a train Exactly how I got here is hard to explain My heart’s in the right place, what’s left of it I guess My heart ain’t the problem, it’s my mind that’s a total mess With these rickety old legs and watery eyes It’s hard to believe that I could pass for anybody’s prize Here’s what I know about the gifts that God gave You can’t take ’em with you when you go to the grave
It ain’t over yet, ask someone who ought to know Not so very long ago we were both hung out to dry It ain’t over yet, you can mark my word I don’t care what you think you heard, we’re still learning how to fly It ain’t over yet
For fools like me who were built for the chase Takes the right kind of woman to help you put it all in place It only happened once in my life, but man you should have seen Her hair two shades of foxtail red, her eyes some far out sea blue green I got caught up making a name for myself, you know what that’s about One day your ship comes rolling in and the next day it rolls right back out You can’t take for granted none of this shit The higher up you fly boys, the harder you get hit
It ain’t over yet, I’ll say this about that You can get up off the mat or you can lay there till you die It ain’t over yet, here’s the truth my friend You can’t pack it in and we both know why It ain’t over yet
Silly boys blind to get there first Think of second chances as some kind of curse I’ve known you forever and ever it’s true If you came by it easy, you wouldn’t be you Make me laugh, you make me cry, you make me forget myself
Back when down on my luck kept me up for days You were there with the right word to help me crawl out of the maze And when I almost convinced myself I was hipper than thou You stepped up with a warning shot fired sweet and low across the bow No you don’t walk on water and your sarcasm stings But the way you move through this old world sure makes a case for angel wings I was halfway to the bottom when you threw me that line I quote you now verbatim, “Get your head out of your own behind”
It ain’t over yet, what you wanna bet One more cigarette ain’t gonna send you to the grave It ain’t over yet, I’ve seen your new girlfriend Thinks you’re the living end, great big old sparkle in her eye It ain’t over yet
This song was on the Imagine album and I heard it in more than one documentary about him. This song is about John being vulnerable which is not as typical of him.
This song was written after the Beatles broke up plus after the primal scream therapy of Dr Arthur Janov. What is Primal Scream Therapy? I found this definition: psychotherapy in which the patient recalls and reenacts a particularly disturbing past experience usually occurring early in life and expresses normally repressed anger or frustration, especially through spontaneous and unrestrained screams, hysteria, or violence.
When the Beatles broke up, John and Paul dove headfirst into their individual careers. Paul jumped straight into pop and Lennon dived into writing what he thought was the truth and setting it to a backbeat. They were not going to veer from their respective targets. You could tell they didn’t have each other to hold the other back anymore. That is what the Beatles had as a whole that the two head Beatles didn’t anymore. George just went on… already accustomed to writing alone but John and Paul had no brakes or guard rails.
For John, it paid off in two brilliant albums off the bat that probably would not have been the same with The Beatles. With Paul, it paid off with Ram but with just an OK debut album. After these first two albums, John seemed to lose some of his edge and Paul took a while but finally gained more confidence until he made his masterpiece Band On The Run released late in 1973.
Imagine peaked at #1 on the Billboard Album Charts and in the UK. It also peaked at #2 in Canada in 1971.
I’ve always read and seen interviews where Ozzy Osbourne is a huge fan of the Beatles and John Lennon. Ozzy Osbourne released a cover of this song in support of Amnesty International during the same week John Lennon would have turned 70. Ozzy sticks very close to John’s version of the song.
John Lennon on recording the Imagine album: We recorded it at home in our studio, Phil Spector produces with Yoko and I, so as we don’t go overboard and he doesn’t go overboard – we get a balance between the three of us. It was better than the first time, because now we know each other and we’ve done quite a lot of work together and we understand each other, so we know how to work better. That’s why it’s been quicker. We did the last one in ten days and we did this one in nine.
How?
How can I go forward when I don’t know which way I’m facing?
How can I go forward when I don’t know which way to turn?
How can I go forward into something I’m not sure of?
Oh no, oh no
How can I have feeling when I don’t know if it’s a feeling?
How can I feel something if I just don’t know how to feel?
How can I have feelings when my feelings have always been denied?
Oh no, oh no
You know life can be long
And you got to be so strong
And the world is so tough
Sometimes I feel I’ve had enough
How can I give love when I don’t know what it is I’m giving?
How can I give love when I just don’t know how to give?
How can I give love when love is something I ain’t never had?
Oh no, oh no
You know life can be long
You’ve got to be so strong
And the world she is tough
Sometimes I feel I’ve had enough
How can we go forward when we don’t know which way we’re facing?
How can we go forward when we don’t know which way to turn?
How can we go forward into something we’re not sure of?
Oh no, oh no
Dave posted this on November 16 in his Turntable Talk series. Dave wanted to know… So, talk about the Stones. Do they matter? Or what was their best song, or album? Or should they just disappear like 1960s cigarette ads featuring doctors?
I’ll answer Dave’s questions near the end.
If I ever meet an alien and he/she/it wanted to know what rock and roll looked and sounded like…I would give them a picture of Keith Richards in 1972 and a copy of “Brown Sugar”.
I found out about The Rolling Stones by reading about The Beatles. That is the same way I found out about The Who, Bob Dylan, The Kinks, and other British bands.
While growing up and playing in bands, I played with a drummer who was a huge Stones fan. He turned me onto their album cuts which I love. We had playful banter about the Beatles vs Stones, but it was all very good-natured. He liked The Beatles as well and I turned him on to their album cuts.
Are the Stones relevant today? Sure, they are… you can’t stay together since the early sixties selling out stadiums without being relevant. In today’s time though, no bands are relevant anymore in the way they were at one time, including the Stones. Musicians once influenced what was going on in the world. Now they are more of a disposable product – which I truly hate.
The Stones’ peak probably was 1968 – 1973 from Beggars Banquet to Goats Head Soup but there is another period I would like to talk about briefly.
To me, their most underrated period was 1965-1967. They had a string of singles starting with “Satisfaction”, “Get Off My Cloud”, “As Tears Go By”, “19th Nervous Breakdown”, “Paint It Black”, “Ruby Tuesday”, etc.
Keith Richards and Mick Jagger would write these wonderful songs and Brian Jones would color the songs with sitar, harpsichord, flute, marimba, and even saxophone. He was the best musician of the band along with being its founder. When they lost Brian, they lost a key piece. Yes, they found the rock/blues groove which they still have but I liked that underappreciated era and what Brian gave them.
They started as a blues cover band and didn’t worry about writing their own songs. They realized they had to because other bands such as The Beatles, Kinks, and The Who were writing their own songs, and you couldn’t keep on covering blues artists or Chuck Berry and sustain that.
They contributed some great pop songs in the mid-sixties. These songs are sometimes overlooked (except “Satisfaction”) in favor of their late-sixties and early-seventies material. I like these songs because they give a variety of sounds. As much as I love the Mick Taylor period, they lost this part of them and never really went back and it’s a shame.
I wasn’t sure they would continue when I read that Charlie Watts died. Keith always says how important Watts was to the Rolling Stones. If they wouldn’t have had a tour planned who knows if they would have. Watts was indeed important to their sound, but they did continue and I’m glad they did, especially for the fans.
Now I want to answer Dave’s questions. Should they retire? No, why should they do that? Many people say that, but hell no (I also hear this about other artists). If they are happy doing what they are doing, then go ahead. I seriously doubt if they are doing it because of the money at this point. Just like everything else if people don’t want to see them…don’t go to the concerts. I don’t believe people should decide what is good for other people. If I don’t want to hear the Stones, I will turn them off, but I have no plans to do that. To answer Dave’s question… my favorite (to me the best) album is Beggars Banquet. My favorite song is “Memory Motel”.
If I had to describe the Stones, I would describe them as The World’s Greatest Bar Band. That is not a put down…that is a compliment. I think Mr. Richards would approve of that title because I’ve heard him use it. Both times I’ve seen them I heard bum notes and that made them more human to me and made me like them more. If you want your music perfect, they are not for you…but rock and roll wasn’t made to be perfect.
The devil’s on sugar smacks Down at the Radio Shack Turning shit into solid gold Solid gold
CB sent me this link…Good sounds different and I really liked his songs. Some of the lyrics won me over to this one.
Matthew Good is an alternative musician from Burnaby…a city in British Columbia, Canada. He started with music in high school. He wrote lyrics for a folk band. He taught himself how to play guitar at 20 years old and started to play and sing with the Rodchester Kings.
In 1995 he formed The Matthew Good Band which lasted from 1995 to 2001. They released 3 EPs and 7 albums including Beautiful Midnight which peaked at #1 in Canada. This song was on that album and Hello Time Bomb peaked at #26 in Canada, #3 on the Canadian alternative charts, and #34 on Billboard’s Alternative Charts in 1999.
After the band broke up he went on to become a solo act. He has released 9 studio albums and 6 of them were in the top 10, 2 were in the top 20, and the last one during 2020 was at #49 in Canada.
Good had troubles throughout his life with medical things. One doctor said he had an ulcer and others said other things. In the mid-2000’s he was diagnosed with Bipolar and things got better for him after that. “I was so relieved to finally know what was wrong with me, and have the chance to deal with the impact a diagnosis would have on my life, before being on medications, my life went from a negative 10 to a plus 10. On medication, it’s a negative three to a plus three. I had to learn to accept that.” He gives tips for people with BiPolar disorder to manage it.
Good has been nominated for 21 Juno Awards and has won four: 2011 Rock Album of the Year for Vancouver, 2002 Video of the Year for Weapon, 2000 Best Rock Album of the Year for Beautiful Midnight, and Best Group of the Year.
Matthew Good has maintained a lukewarm relationship with the music industry and the media, often avoiding the spotlight and avoiding interviews and awards shows (he has not accepted any of his Juno awards in person). In addition to his music projects, he has become a well-known writer and blogger on politics and culture; his book, At Last There is Nothing Left to Say, was published in 2001.
Hello Time Bomb
I found me a reason
So check me tomorrow
We’ll see if I’m leaking
Push and push and push ’till it hurts
The Devil’s on roller-skates
The Devil’s on roller-skates
Down at the roller rink
Picking up chicks for me
Ones that push and push and push ’till it hurts
Push and push ’till it hurts
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Life’s for the living
So check me tomorrow
We’ll see if I’m kidding
Push and push and push ’till it hurts
Did it on Ritalin
I got me some good grades
Now I work me the night shift, where I
Pull and pull and pull ’till it hurts
Pull and pull ’till it hurts
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go off
Hahahaha
If life’s for the livid
Check me tomorrow
We’ll see if I’m emperor
The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go
Ready to go off
This song had the perfect producer…Tom Petty. In 2017 this album (Bidn’ My Time) by Chris Hillman was released. CB sent me a link to this song and I liked the jangle and the song. The next day I listened to it some more and it suddenly dawned on me…I’ve heard this song before.
After I looked at the title again I knew I’d heard it. It was a Byrd song written by Gene Clark. It was a B-side on the single with Turn, Turn, Turn. Clark was an excellent songwriter and his songs included Eight Miles High and I’ll Feel A Whole Lot Better.
Chris Hillman joined the Byrds as the bass guitarist without ever having played the instrument. With his background in country and folk music, he picked up playing the bass with no problem. He brought country music to the Byrds. After David Crosby quit…Gram Parsons was recruited and Hillman found another member to share his love of country music with. They made the Sweetheart of the Rodeo album in 1968 which still serves as inspiration for musicians.
Parsons quit the Bryds after that album and Hillman brought in the great guitarist Clarence White to replace Gram. Soon after that Hillman quit and formed The Flying Burrito Brothers with Gram Parsons.
In the 1980s, Hillman formed The Desert Rose Band which had some success in the Country charts.
Hillman thought he was done making albums but Tom Petty and Desert Rose Band remember Herb Pedersen had other ideas. Pedersen convinced Hillman to make one more album and Tom Petty wanted to produce it. The album is very rootsy and also contains the Byrds sound. A couple of Byrds help with out with the album…David Crosby and Roger McGuinn. Petty brought Heartbreakers Benmont Tench, Steve Ferrone, and Mike Campbell.
I listened to this album and it’s a combination of jangle, bluegrass, country rock, and folk. It’s a nice melding of all of these styles.
I’m going to add this video which is a very short story about the album.
She Don’t Care About Time
Hallways and staircases everyday to climb
To go up to my white walled room out on the end of time
Where I can be with my love for she is all that is mine
And she’ll always be there, my love don’t care about time
I laugh with her, cry with her, hold her close she is mine
The way she tells me of her love and never is she trying
She don’t have to be assured of many good things to find
And she’ll always be there, my love don’t care about time
Her eyes are dark and deep with love, her hair hangs long and fine
She walks with ease and all she sees is never wrong or right
And with her arms around me tight I see her all in my mind
And she’ll always be there my love don’t care about time
CB introduced this band to me a couple of weeks ago. I started to listen to them and ran across this album and as soon as I heard this…I liked it.
This song is beautiful… the band was making an album and put a call out to many female singers to do duets. Some of the women they got were Lucinda Williams, Amy Helm (daughter of Levon Helm), Patti Scialfa (wife of Bruce Springsteen), Pam Tillis, Rosanne Cash, and more. One of the “more” is Emmylou Harris. She is the one who is singing in Step Away.
Last Sunday I posted a song named When The Spirit Comes by Colin Linden. Colin is part of this band that includes Tom Wilson and Stephen Fearing. They started the band in 1996 as a tribute to Canadian folk artist Willie P. Bennett. One of Bennett’s albums was called Blackie and the Rodeo King. They wanted to get one of Bennett’s songs down on an album and this is the one. Colin Linden said, “I wanted a Willie P. Bennett song on the record, and I couldn’t imagine a better honor to bestow on someone we love as much as Willie than to have Emmylou Harris sing on one of his songs. I don’t think there’s ever been a better singer on the planet; I’m so glad she said yes.”
This album is called Kings and Queens and it was released in 2011. I’m also including a song they did with Rosanne Cash that was released as a single off the album called Got It Covered. Linden said, “Rosanne’s a real supporter of Blackie and the Rodeo Kings, and I knew she was a fan of Ron Sexsmith. Ron came in with an idea for Got You Covered and we wrote it in a hotel room in Austin, Texas in a matter of a couple of hours. He’s brilliant a pretty easy guy to write with. It’s like riding in a Cadillac, writing with that guy.”
Got You Covered has an older soul feel and Cash sounds fantastic in this one. In my next post with these guys, I’ll get to more of the edgier ones.
Tom Wilson on Willie Bennett: “Willie articulated the sensitivity of a fifty-year-old guy and he represented the rebellious ‘fuck you’ attitude of a sixteen-year-old. Willie managed to be more punk rock than any punk rocker I have ever met and, at the same time, could probably break your heart in two. He was a true poet. His wings were a little dirty. He wasn’t afraid of living life and taking chances. When you’re a young guy and you’re looking for an influence, there’s your man right there.”
Step Away
I’m just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart
Some people act kind; some people act cruel
Some people act blind when they see the Golden Rule
If you ask me, I’d say you’re a nervous wreck
I’ve got me to share if that’s what it takes to get
Just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart
Reelin’ from a brand new lost love affair
You weren’t so lucky this time; somebody got scared
Maybe you’re like me and you can’t be nobody’s pet
I’ve got love to share if that’s what it takes to get
Just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart
I’m just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever I’m a step away
From your heart
A step away (step away)
A step away
Just a step away
CB (Cincinnati Babyhead) and I have got together again and worked on this post. When CB sent me the link to “Wild In The Streets” I was sold, hooked, and happy. The more I listened to Jeffreys music the more it affected me like Bruce Springsteen and Van Morrison did when I first heard them. Jeffreys’ music found a spot in me where Morrison and Springsteen lives. It’s deep, sprawling, and meaningful. Not many artists affect me like this. Like Big Star, The Replacements, and others…this man should be known to more people.
This post is a sample platter…I kept it relatively short so you can enjoy the songs. I’ll be covering more Garland Jeffreys coming up in the next few weeks to give more information rather than cramming everything in one post.
Jeffreys is a Brooklyn, N.Y.-born singer/songwriter who has released 15 studio albums in his 53-year career. His mixed heritage Puerto Rican and African-American is mirrored in his music, which embraces rock, soul, R&B, and reggae. He began his career performing solo in Manhattan clubs in 1966 after attending college at Syracuse University as an art major, where he became friends with Lou Reed. He then spent some time in Italy studying art before he came back to further his education at New York’s Institute of Fine Arts.
In 1969 he formed a band called Grinder’s Switch, they released just one album Garland Jeffreys & Grinder’s Switch. Members of that band played on the debut album of John Cale of the Velvet Underground. Jeffreys wrote a song for the album called Fairweather Friend and did backup vocals for it. In 1973 he released his first album entitled Garland Jeffreys.
Springsteen opened for Jeffreys at the Cafe Au Go Go back in 1972. They’ve stayed in touch ever since. Jeffreys appears on Light of Day, a great Springsteen tribute album, performing “Streets of Philadelphia” with just as much emotion as its author. He was friends with peers like Lou Reed, Bob Marley, John Lennon, and Joe Strummer, explored in both original songs (“Reggae on Broadway”) and a pair of choice covers (“I’m Waiting for the Man,” “Help”).
One thing I found is he really connected with baseball. His album One Eyed Jack has him on the front cover when he was a young kid in a baseball uniform and his childhood idol Jackie Robinson was on the back. Some of his credits list baseball players from Bobby Bonds to Brian Doyle.
Let us start off with the first song that CB sent me that won me over within a few seconds. It’s as New York as Martin Scorsese, Springsteen, The Yankees, The Statue of Liberty, and subways. It was released in 1973 as a single and was included in the 1977 album Ghost Writer… it is called Wild In The Streets. It’s naked, raw, and genuine…just like Jeffreys.
35 Millimeter Dreams is a song off of the 1977 album Ghost Writer. This one is catchy and it’s too bad it didn’t catch on when released as a single.
Hail Hail Rock and Roll…CB did a take on Hail Hail Rock and Roll. Some of his take: A little tribute to Rock n Roll by one of the best guys out there. This song gets into your blood. Garland knows his stuff. CB has been thinking about this rock and roll thing lately. All the music and pioneers that have contributed to this thing he loves so much. This song more than touches on a lot of those thoughts and feelings.
It was released in 1983 on the album Don’t Call Me Buckwheat.
Roller Coaster Town was released in 2011 on the album The King Of In Between. The album made numerous annual Best Of lists with NPR naming it a “best of the year so far” and Rolling Stone calling it one of the Best Under The Radar Albums of 2011.
City Kids is off the American Boy and Girl album released in 1979. Here is what CB says about the album: “This is NY music from Jeffrey’s experience. He’s lived it. Another one of those “How come artists that never made it bigger?” He is a NY poet. Songs got into me, moved me. What can I say? Springsteen’s ‘Wild Innocent’ vibe. This is his world like Scorsese’s. Close to the streets. When he sings ‘City Kids’ I’m gone with him. Sends a few shivers. Love the feel. Cousin to ”Jungleland’ by Bruce. ‘Matador’ is just beautiful. Sung in his distinctive voice. Hit the romantic side of CB.”
This extended from my last chat with CB… we had Graham Parker last week and Paul Kelly was brought up. I ran out of time last week to write this one up. I really like great storytellers…and Paul Kelly is one of them. His music touches on many styles. Country, rock, folk, reggae, bluegrass, and touches of many more styles. He has been described as the poet laureate of Australian music. He writes about everyday life that many people can relate to. I’ve seen this stated about him… Paul Kelly’s songs dig deep into Australia: how it feels, looks, tastes, sounds.
Today I’m going to give you a small sample platter of this great artist.
Here is a very short bio of Paul Kelly.
Paul Kelly was born in 1955 is from Adelaide, Australia. Debuted in Hobart, Australia, 1974; moved to Melbourne and performed in pubs, 1976; formed band the Dots, released albums Talk, 1981, and Manila, 1982; moved to Sydney, 1984; released Post with Steve Connolly and Ian Rilen, 1985; formed as Paul Kelly and the Coloured Girls, released Gossip, 1986; regrouped as Paul Kelly and the Messengers, released Gossip in the U.S., followed by Under the Sun, 1987; published collected writings volume Lyrics, 1993; formed new lineup with Shane O’Mara, Bruce Haymes, Peter Luscombe, Stephen Hadley, and Spencer Jones. Kelly is still releasing albums. His last album was Paul Kelly’s Christmas Train released in 2021. Altogether he had 28 studio albums, 6 live albums, 8 compilation albums, and an incredible 64 singles.
He also comments on important social and historical events and their significance to Australian identity and life. Several of his songs highlight the plight of Australia’s Indigenous people including ‘Maralinga (Rainy Land)’, a song about atomic testing by the British in Australia’s outback and its effects on the Indigenous people of that area. He and Midnight Oil were some of the artists who contributed to the album Building Bridges – Australia Has A Black History. All sales proceeds were donated to the National Coalition of Aboriginal Organisations.
The first song I listened to by Paul Kelly was “To Her Door.” It reminded me of Steve Earle or Springsteen. Not because of his voice but because of the songwriting. The story…the way lyrics flow and ebb and fit together like a puzzle. All the while this is going on the music has great dynamics that rise up to meet the lyrics head-on and punctuates it. The song was released in 1987 and was on the album Under The Sun that peaked at #14 in Australia.
That album also produced the single Dumb Things. This song has a shuffle that jumps. It starts off with a cool harmonica blasting and invites you in. This character-driven song stuck with me for days. This one peaked at #36 in Australia and #17 on the Billboard Alternative Charts in 1987.
Now it’s time for a pure rock song by Kelly called Darling It Hurts. This song was off of the album Gossip released in 1986. The song peaked at #25 in Australia and #19 on the Billboard Mainstream Rock Charts.
This one is called Bradman and it’s off of Gossip as well. It has a sports connection. I’ll be the first to admit I don’t know much about Cricket but the song is great. It’s about Sir Donald Bradman, arguably…. the greatest ever cricketer (and definitely the greatest ever Australian cricketer). This one peaked at #51 in Australia and was part of a double A-sided single along with the song Leaps and Bounds.
I’m going to close this on this song or I could go on for pages. This song is called Careless. It was released in 1989 on the album So Much Water So Close to Home. It’s an incredibly catchy song but a song that means something. Like a mixture in a bottle, like a frozen over lake, Like a long-time, painted smile I got so hard I had to crack, You were there, you held the line, you’re the one that brought me back
If you liked what you have heard…do some homework and look this artist up…you won’t be sorry. He will now remain on my playlist. I’ve given you a few samples but it’s so much more to explore.
Rock Critic David Fricke: “I have had the pleasure and privilege of seeing Paul Kelly in performance more times than I can count – although it’s still not enough. I’ve seen him in performance in the Northeast and Southwest Hemispheres, unplug and plugged in, solo, with his band and, on one memorable evening in New York, on stage exchanging songs, quips and composing tips with Jimmie Dale Gilmore, Michelle Shocked and Allen Toussaint. If memory serves me right, Paul actually sang a few bars of Fats Domino’s‘Blueberry Hill’ one thanksgivings back in the mid 80s at my apartment in Manhattan as he pored over a road atlas- his forefinger on the city of New Orleans – and excitedly pointed out the route he was taking on a car trip through the southern United States”
Now here is one for the road…this song’s title appealed me right away… “How to Make Gravy.”
How To Make Gravy
Hello Dan, it’s Joe here I hope you’re keeping well It’s the 21st of December And now they’re ringing the last bells If I get good behaviour I’ll be out of here by July Won’t you kiss my kids on Christmas Day? Please don’t let ’em cry for me
I guess the brothers are driving down from Queensland And Stella’s flying in from the coast They say it’s gonna be a hundred degrees, even more maybe But that won’t stop the roast Who’s gonna make the gravy now? I bet it won’t taste the same Just add flour, salt, a little red wine And don’t forget a dollop of tomato sauce For sweetness and that extra tang
And give my love to Angus, and to Frank and Dolly Tell ’em all I’m sorry, I screwed up this time And look after Rita, I’ll be thinking of her Early Christmas morning when I’m standing in line
I hear Mary’s got a new boyfriend I hope he can hold his own Do you remember the last one? What was his name again? Ahh, just a little too much cologne And Roger, you know I’m even gonna miss Roger ‘Cause there’s sure as hell no one in here I want to fight
Oh, praise the Baby Jesus, have a Merry Christmas I’m really gonna miss it, all the treasure and the trash And later in the evening, I can just imagine You’ll put on Junior Murvin and push the tables back
And you’ll dance with Rita, I know you really like her Just don’t hold her too close Oh, brother, please don’t stab me in the back I didn’t mean to say that, it’s just my mind it plays up Multiplies each matter, turns imagination into fact
You know I love her badly, she’s the one to save me I’m gonna make some gravy, I’m gonna taste the fat Ahh, tell her that I’m sorry, yeah, I love her badly Tell ’em all I’m sorry, and kiss the sleepy children for me You know one of these days, I’ll be making gravy I’ll be making plenty, I’m gonna pay ’em all back
The reason I’m posting this at night? I want to make sure it works…and I didn’t want to be scrambling with it on my way to work.
I am putting together my new music computer and I haven’t recorded anything in a few years… and what a project it has been! I was wondering if you all would be receptive if I posted any of my songs once in a while? I’m only talking every once in a while…not many. The only thing I request of you…is if you can… listen to it… if possible wear headphones. The reason is I am NOT a good mixer and I mixed them down in headphones which you should never do.
On most, I played all the instruments myself unless I note it otherwise. When I was playing more (before covid) with the guys in my garage…I would make demos to show them…hey this is how it goes.
The songs you will be hearing are basically demos… I made them a few years ago for our band to learn so we could record them properly. Well life happens and that never happened. Some of you have heard some of the songs I’ve emailed to you… and I’ve somehow got positive feedback. I did most of the instruments my self…guitar, bass, vocals, keyboards, and programming real drums sounds which I’m not good at. These were never meant for public consumption but what the hell…I’m not 20 anymore trying to make something.
The reason I haven’t posted them before? My terrible voice and I was waiting for my cousin Mark…who is a proper singer to take over but that will take a while…so you would be hearing the rough demos.
So what do you think? Are you game for this? I’ve included an example of a song…this one has no vocals…just something a friend I have and I put together in 10 minutes (really just 10 minutes) a few years ago to work on later. It’s just guitar (him), bass (me), and some drums that I programmed from real drum kits. We called it “Whats In That Brown Paper Bag?”…more as a joke. This is not one of the songs I want feedback on…the feedback on this is how it sounds over your system. It is harder than the usual songs I write. Chris, my friend who plays guitar on this, came up with this riff. It gave me an excuse to have fun playing bass…Also….does it even play?
It’s very repetitive because like I said…it was for the fun of it and so we wouldn’t forget it. Today we are using it as a test. IF it goes well and I don’t get too many “no’s” then I will post one within a week or two with singing and a real song.
I’ve posted a song by the Cynics before and now they remain in my playlist. They had a great recording engineer…they always capture the guitar wonderfully.
There was quite a big garage band scene in the 80s from all over the world. These bands stuck close to their ancestors but with a little more punch in the modern recording. They avoided the dated sound unlike some of their more popular peers.
The Cynics were from Pittsburgh and along with the Chesterfield Kings, the Milkshakes, and the Fuzztones were early founders of the 1980s garage rock revival movement. They pick up where the garage bands from the 60s left off.
This band is not limited to garage rock. I’ve heard everything from power pop to folk from them in songs.
Gregg Kostelich started the Cynics in 1983. The other members were drummer Bill Von Hagen, vocalist Michael Kastelic who joined in 1985, bass player Steve Magee, and keyboardist Becky Smith who debuted with their first album, Blue Train Station in 1986.
This song is not from the 80s but from 2011. It’s off of their album Spinning Wheel Motel. The guitar walk-down in this song is great…you can hear it right after each chorus. It could have been made in 1968. My favorite part of the song? The intense feedback at the end!
I Need More
I hope this letter finds you well There’s not too much for me to tell
I mailed it from another highway And I don’t know what I’m looking for I don’t know who I am so I’m taking it door to door I try to understand, but I just can’t take it no more
It doesn’t matter what you say People only pay to hear you play
I mailed it from another highway And I don’t know what I’m looking for I don’t know who I am so I’m taking it door to door I try to understand, but I just can’t take it no more
I’ve had as much as I can take Why does everybody have to break?
I mailed it from another highway And I don’t know what I’m looking for I don’t know who I am so I’m taking it door to door I try to understand, but I just can’t take it no more
Can’t take it no more Hey, what’s the score You’re such a bore And I need more
On November 26, 1922…Charles Schulz was born in Minneapolis, Minnesota. He would have been 100 years old today. He would read the Sunday cartoon feature with his dad every week. Schulz had asthma and his mom would give him a pencil and paper in bed to draw and that started it all.
He created the Peanuts strip (originally entitled Li’l Folks) in 1950, introducing a group of characters based on semiautobiographical experiences. That first year, the comic strip came in last place in the New York World Telegram’s reader survey of cartoons… however, a book of Peanuts reprints helped the strip gain a larger audience. Shulz encapsulated the kid’s point of view as good or better than anyone. The grownups didn’t talk; it was all about the kid’s world. When I was growing up I would not miss a Sunday Cartoon feature or holiday special…not to mention the movies that came out.
Schulz channeled the loneliness that he had experienced in his army days and the frustrations of everyday life into Charlie Brown. Charlie Brown was familiar because he was us. . Linus was named after a friend and fellow cartoonist Linus Maurer. Peppermint Patty was inspired by his cousin Patricia and Snoopy is based on Schulz’s intelligent childhood pet dog. Woodstock is just a miniature of Snoopy…he is drawn the same way.
Spike…the model for Snoopy
Philip Van Pelt’s wife, Louanne, inspired Lucy Van Pelt, Linus’ sister. Schulz introduced the feisty…some say mean brunette, known for pulling away footballs just as Charlie Brown is about to kick them, to the cartoon strip in 1952.
The comic strip would explode and be a pop culture icon in the 50s until now. So Happy Birthday Charles Schulz!
When I was a kid I would occasionally get a Peanuts item…watch or something with them on it. My favorite characters were Schroeder and Pigpen since I stayed dirty much to my mom’s horror. No matter how much she tried…and she tried and tried to get me somewhere clean…it hardly ever happened. She got me ready for Church one morning and she had a brainstorm. She got me ready 15 minutes before we left. It was a cool spring day so she put a scrubbed-clean Max into the back seat of our car. When she came out she was horrified…I had dug around in the ashtray and was filthy…therefore Pigpen suited me fine.
Max or Pigpen?
In the late 1990s while my wife and I were dating…we would go to flea markets and antique shops and buy Peanuts memorabilia. We both had rediscovered The Peanuts in our 20s. Over 2-4 years we bought thousands of dollars of older collectibles. If being late on rent meant getting a rare Peanuts item…so be it! No, we were not the most responsible around at the time. It was a cool bonding activity between us and we still have all the things that we bought. At Christmas, we get a lot of it out and decorate the house. We slowed down when our son Bailey came along and we realized…hmmm better start saving money!
So the Peanuts were with me as a child and an adult and if we ever see a Peaunts item out and about…we usually get it.
If you get in the mood to watch The Peanuts… try A Boy Named Charlie Brown and Snoopy Come Home…their first two movies.
Very sad news that Loretta Lynn passed away at the age of 90. I met the lady one time and she was wonderful. She was the definition of the word classy.
When I was eight years old, my mom took me to Loretta Lynn’s ranch. I actually had breakfast with Loretta Lynn. My mom knew someone who knew her… we were at her Ranch that was just opened to the public. She saw us and pointed and said “come in here” and we sat at the table and ate with her. She was very nice. She kept asking if I needed anything and if I was having a good time.
She was one of the nicest human beings I’ve ever met. Even though I was young, she didn’t talk down to me…she talked to me. It was a wonderful experience and even I knew at that age it was special…that this didn’t happen all of the time.
She wrote about real-life situations with women during her career. Her songwriting was honest and pure.
It saddens me that she just passed away. She is up there with Dolly Parton, Patsy Cline, and a host of other country legends. I was happy back in 2004 when Jack White of the White Stripes produced her album Van Lear Rose.
Jack White of the White Stripes is a huge fan of Loretta Lynn. The White Stripes dedicated their 2001 album, ”White Blood Cells,” to her and invited her to share a bill with them at the Hammerstein Ballroom in Manhattan.
Jack White produced her album “Van Lear Rose” and he asked Loretta to write all 13 songs for the album. The title refers to the Van Lear Coal mines from her youth. White said he would have been happy just to play tambourine on the album as long as he got to work with her.
Country radio snubbed “Van Lear Rose,” and the album received no CMA Awards nominations but it still reached #2 on the country charts and #24 on the Billboard 200. Lynn notched five Grammy nominations for her new music. In February 2005, she and White won Grammy awards for best country album and best country collaboration.
The album is great and this is the song that I liked best. If modern country music was this…I would actually listen! As I type this…I get mad all over again by the way country radio treated this album.
Van Lear Rose
One of my fondest memories Was sittin’ on my daddy’s knee Listenin’ to the stories that he told He’d pull out that old photograph Like a treasured memory from the past And say child This here’s the Van Lear Rose
Oh how it would bring a smile When he talked about her big blue eyes And how her beauty ran down to her soul She’d walk across the coal miner’s yard Them miner’s would yell loud and hard and they’d dream of who would hold the Van Lear Rose
She was the belle of Johnson County Ohio river to Big Sandy A beauty to behold like a diamond in the coal All the miner’s they would gather ’round Talk about the man that came to town Right under their nose Stole the heart of the Van Lear Rose
Now the Van Lear Rose could’ve had her pick And all the fellers figured rich Until this poor boy caught her eye His buddies would all laugh and say Your dreamin’ boy she’ll never look your way You’ll never ever hold the Van Lear Rose
She was the belle of Johnson County Ohio river to Big Sandy A beauty to behold like a diamond in the coal All the miner’s they would gather ’round Talk about the man that came to town Right under their nose Stole the heart of the Van Lear Rose
Then one night in mid July Underneath that ol’ blue Kentucky sky Well, that poor boy won that beauty’s heart Then my daddy would look at my mommy and smile As he brushed the hair back from my eyes and he’d say Your mama She’s the Van Lear Rose
[Chorus]
Right under their nose Stole the heart of the Van Lear Rose
I had view masters as a kid and loved them…tonight I was able to see some view master slides in a view master projector with a screen. I always wanted one as a kid but never could get it. I had the “click” model you held in your hand.
A few months ago…my cousin Mark came over. He and I collect things from the 50s-70s. Mark has been collecting View-Masters and the round slides. He shopped on Market Place and found someone with a 1950s View-Master projector. The projector is very clear.
All of us (wife, son, Mark, and myself) spent over an hour watching the view-master slides on a screen that he bought from different people.
Of course, the slides are not 3-D when projected but it still was really cool. We saw Busch Gardens, Silver Dollar City, Acapulco, Sequoia, Kings National Park (I think), and some other places. It was like stepping back in time to the 60s or 70s which I guess was the idea. All the pictures came from the 50s through the 70s.
As a kid, I would spend hours clicking the round slide over and over. For some reason, I remember an outer space slide selection I had. The 3-D made it look like you could touch it. When my son was around 5 we got him one and he loved it. I would recommend picking one up if you see one somewhere…no matter how old you are…they are still fun!
The View-Master was based on the stereoscopic viewer, which dates all the way back to the 1800s.
PowerPop... An Eclectic Collection of Pop Culture 