2010’s – Page 2 – PowerPop… An Eclectic Collection of Pop Culture

My Jeep Adventure

Occasionally, I’ll post something personal, but I haven’t in a long time, so I thought I would today.

In 2011, I purchased a 2000 Jeep Wrangler for around $8000. Love the Jeep, but I would never want to make a cross-country trip in one, or you would feel like a human milkshake. In 2017, it was missing quite bad and the brake lines rusted. We really didn’t need a second car then, so it sat for a year or so. I bought some brake lines and installed them. After that, I got in the car and bled the brakes, and then a brake caliper busted as soon as I pushed down on the brake pedal.

It sat longer after that, for 7-8 years, which is probably the worst thing you could do to a car or a house, for that matter. We have, and that would be me and my mechanic/bass player friend Greg (more Greg than Max), installed new spark plugs, wires, fuel injectors, exhaust manifold, and brake sensor, and I ordered some tires but forgot to get raised white letter tires, but I’ll get them when the new ones wear out. I’m replacing these because they are slightly dry-rotted, and I’m not taking chances. I drove it to work but made a 45-minute trip into an hour and twenty minutes because of going only on back roads.

The cleaning process was long and tedious. Here is a partial picture of what it looked like before, and the arm of my friend Greg. Mold, grime, dirt, mud, tree sap, and things that were never identified.

Well, an update…we did everything but one thing…Check the lug nuts. On the second day of driving it…I thought I heard a blowout because of the tires… no, it was the wheel flying off. The lug nuts had worked themselves loose…I checked the others to be sure, and they were tight. No damage at all, so now with new tires it rides good…well as good as a Jeep will ride. The only thing I can think of is I took the wheel off 8 years ago and only tightened the lug nuts a little snug since I was going to change brakes or something else….lesson learned!

Here is the picture I took when I got out of the car and noticed the wheel came off…this is not a posed shot…the wheel ended up exactly like this. It’s back running probably better than the day it was bought in 2011.

Getting Tires

At work yesterday, before the tire change.

Max’s lesson of the day…always check the lug nuts.

…

Angels – Am I Ever Gonna See Your Face Again

Many of you who have read this blog for a while know I have a soft spot for bands that never got their full due, especially the ones who could torch a stage and turn a riff into a mountain. Australia’s The Angels (or Angel City, depending on which record bin you’re digging through) are exactly that kind of band.

If you were hanging around an Aussie pub in the late ’70s, there’s a good chance you heard a blistering set from The Angels. Imagine a little the of Bon Scott-era AC/DC, the attitude of punk, and the tension of a film noir, and now picture that exploding from the back of a sweaty pub in Adelaide. That’s The Angels. As the old saying goes, they took no prisoners.

The Angels began as the Moonshine Jug and String Band in 1970, a folk/jug band formed by brothers Rick and John Brewster. But by 1974, they swapped their washboards for electric guitars and rebranded as The Keystone Angels. The real turning point came when they were spotted by AC/DC’s Angus Young and Bon Scott, who were impressed enough to recommend them to their label, Albert Productions.

Like many Australian acts, The Angels took a swing at the U.S. market, but there was already a band called Angel over here, all makeup and white spandex. So, The Angels became Angel City in the US and released several albums under that name, including Dark Room (1980) and Night Attack (1981).

They had the songs. They had the live chops. But they never quite cracked America the way INXS, AC/DC, or Men at Work would. This was their first single back in 1976, and it peaked at #58 in Australia. It was on their debut self-titled album. Band members John Brewster, Rick Brewster, and Doc Neeson wrote this song.

They did have one song that peaked at #35 on the Billboard Mainstream Rock Charts called Underground. Underground was released in 1985. They also covered The Animals We’ve Gotta Get Outta This Place in 1986, which peaked at #7 in Australia and #13 in New Zealand.

When the band plays it live, fans start to answer the chorus with an expletive-laced chant, and it became part of the show. “No way get f*****, f*** off.” It’s become, unofficial part of the song. They are still together, releasing albums.

Here is another song by the Angels…Take A Long Ride

Am I Ever Gonna See Your Face Again

You may recognise yourselves here

Went down to Santa Fe, where Renoir paints the wallsDescribed you clearly, but the sky began to fall

Am I ever gonna see your face again?Am I ever gonna see your face again?

Tram cars and taxis, like a waxworks on the moveCarry young girls past me, but none of them are you

Am I ever gonna see your face again?Am I ever gonna see your face again?

Without you near me, I’ve got no place to goWait at the bar, maybe you might show

Am I ever gonna see your face again?Am I ever gonna see your face again?

I’ve got to stop these tears, that’s falling from my eyeGo walk out in the rain, so no one sees me cry

Am I ever gonna see your face again?Am I ever gonna see your face again? Yeah

Can’t stop the memory that goes climbing through my brainI get no answer, so the question still remains

Am I ever gonna see your face again?Am I ever gonna see your face again?

Am I ever gonna see your face again? (No way, get fucked, fuck off)Am I ever gonna see your face again? (No way, get fucked, fuck off)Am I ever gonna see your face again? (No way, get fucked, fuck off)Am I ever gonna see your face again?

Am I ever gonna see your face again?Am I ever gonna see your face again?Am I ever gonna see your face again?Am I ever gonna see your face again?

Hey, I wanna see your face, your sweet smiling faceI wanna see your face, see your face again ‘n’ again ‘n’ again, again, oh

…

Big Sugar – Diggin a Hole

I was looking for a band to cover, and CB sent me a link to this terrific Canadian band. I liked the music right away. The first thing I noticed was the great musicianship on the songs. They are the real deal musically, and the guitarist Geordie Johnson is top shelf, and so is the bass player Garry Lowe.

They were formed in Toronto in the late 1980s, initially as a blues trio built around the guitar work of frontman Gordie Johnson. Before Big Sugar became popular, Johnson started out backing legends like the Muddy Waters alumni and Mavis Staples.

Another member who made them sound distinctive was bass player Garry Lowe. Lowe joined Big Sugar in 1994 and played on eight of their albums. He bridged the reggae and Rastafarian culture of his native Jamaica with a rock audience. Lowe was sometimes criticized for working in Big Sugar by Rastas and Jamaican music followers who wanted him to keep reggae pure, but he continued to play and blend his style into others.

They have released 11 studio albums since 1991 and 2 live albums. Their last studio album was released in 2020 and is called Eternity Now. Their success has been mostly in Canada, with one song getting some US airplay with You Better Get Used To It.

I’ve been listening to different cuts, and they cover a lot of ground. They have some heavy blues riffs, some reggae rhythms, roots music, with a pinch of psychedelia here and there. Their breakthrough album was Five Hundred Pounds, which hit big on Canadian college radio at the time.

This song was on the 1996 album Hemi-Vision. It was their biggest hit in Canada, peaking at #9 in the Canadian Charts. I asked my friend Deke if he had heard of them, and he has seen them live a few times. He also sent me this video of Jack White (who is a fan) who is releasing their album Five Hundred Pounds again on vinyl.

Diggin A Hole

Got my head in a haze
Feel like a cat in a cage
I’ve been crying for days and I’m falling apart
Digging a hole in my heart
Give me the lies on page
I’m feelin’ twice my age
I’ve been crying for days and I’m falling apart
Digging a hole in my heart

Digging a hole is that the way you treat me
Digging a hole just tie me up and beat me

Got my head in a haze
Feel like a cat in a cage
I’ve been crying for days and I’m falling apart
Give me the lies on page
I’m feelin’ twice my age
I’ve been crying for days and I’m falling apart
Digging a hole in my heart

Digging a hole is that the way you treat me
Digging a hole just tie me up and beat me

Got my head in a haze
Feel like a cat in a cage
I’ve been crying for days and I’m falling apart
Give me the lies on page
I’m feelin twice my age
I’ve been crying for days and I’m falling apart
Digging a hole in my heart
Digging a hole is that the way you treat me
Digging a hole just tie me up and beat me

Omeleto

This won’t be a long post, but it’s something that you might like. I like movies a lot, but I don’t have time to watch a bunch of them. Omeleto is a company that shows short films from different filmmakers. I’ve seen them from 4 minutes to 30 minutes long.

They have every kind of short film you can think of. Time Travel, Sci Fi, Art Films, romantic, action, comedy, thrillers, and more. All the films I’ve seen have high production values. These are not amateurs…these are quality. Many are award-winning shorts. Now, some are hit and miss to me, but worth the short amount of time you put into them. They also come from all parts of the world. I’ve seen some with subtitles, but I’ve seen a lot of Irish and British-made ones as well.

Here is the LINK to their channel.

I’ll recommend two here. One is about a Time Loop with two completely different brothers, and the other is a horror film.

Exit Strategy…a time loop film. 15 minutes long.

This one is a horror short film…19 minutes long.

Justin Townes Earle – Harlem River Blues

Good times come and they goEven a good man’ll breakHe’ll let his troubles bury him wholeEven though he knows what’s at stake

I’m just starting to explore Justin’s music lately. I’m going over some of his catalog, and I really love what I’ve been hearing. It’s pure music at its finest with a great marriage of music and lyrics. Around a month ago, I was cruising around YouTube and I found him singing this song on The David Letterman song around 2020…I kept listening to it over and over.

When I heard this song, I stopped what I was doing just to listen. This sounds corny, but I did get lost in the moment and listened carefully. I don’t usually do that with songs on the first listen…but this I did. I love its gospel, blues, rock, and overall feeling. It’s a very somber song, but he packages it with an upbeat music attack. He was born in 1982 to Carol Ann Hunter Earle, and his father was singer/songwriter Steve Earle. He was born in Nashville and named in honor of his father’s mentor, Townes Van Zant.

When he got older, he started to help out his dad touring, and he was in a couple of bands in Nashville. A rock band called The Distributors and a bluegrass band called the Swindlers, and he continued to play in The Dukes, his father’s backup band. He had his own style, and I admired him for that.

In 2007, he released his first EP called Yuma, and then he released his first album, The Good Life, in 2008. Harlem River Blues came off the album of the same name in 2010. It was his highest charting album in the US. It peaked at #47 on the Billboard Album Charts, #18 on the Billboard Rock Album Charts, #9 on the Billboard Indie Charts, and #3 on the Billboard Folk Charts.

The song received acclaim and earned Earle the Song of the Year award at the 2011 Americana Music Honors & Awards. Justin Townes Earl passed away in 2020 at 38 years old.

I had to include three versions…all of them have something to offer.

Harlem River Blues

Lord, I’m goin’ uptown to the Harlem River to drownDirty water gonna cover me overAnd I’m not gonna make a sound

I’m on a roll, mama, I gotta goGotta get there while I still canTroubled days are behind me nowAnd I know they’re gonna let me inWhen you see me walkin’ up the FDRJust a-singin’ and a-clappin’ my handsTell my mama I love her, tell my father I triedGive my money to my baby to spend

‘Cause Lord, I’m goin’ uptown to the Harlem River to drownDirty water gonna cover me overAnd I’m not gonna make a sound

Good times come and they goEven a good man’ll breakHe’ll let his troubles bury him wholeEven though he knows what’s at stakeSo I’m taking no chancesCarrying over while I’m still good in His graceSayin’ I’m no fool, mamaI know the difference between tempting and choosing my fate

So Lord, I’m goin’ uptown to the Harlem River to drownDirty water gonna cover me overAnd I’m not gonna make a sound

Lord, I’m goin’ uptown to the Harlem River to drownDirty water gonna cover me overAnd I’m not gonna make a sound

Old 97s – Champaign, Illinois

The bottom line’s been snortedThe bottom card’s been dealtNo one knows like you know right nowHow truly bad it felt

Ever since I posted the Canadian band The Blue Shadows I’ve been in an Americana listening mood. I was looking for more alt-country or Americana bands and this one popped up. It’s not one of their singles but as you know…I don’t care about that. I liked its feel and mood right away.

There was something REALLY familiar with this song but I couldn’t put my finger on it but then I found out. While touring through central Illinois, lead singer Rhett Miller began writing new lyrics to familiar melodies during long drives without his guitar. Inspired by a road sign for Champaign, he penned new words to the Bob Dylan song Desolation Row, resulting in this song Champaign, Illinois.

Initially, the band performed the song live but would not record it due to copyright concerns. However, through their manager’s connection with Dylan’s managing team, they obtained Dylan’s approval to release the song, with Miller and Dylan sharing songwriting credits. The song came out in 2010 on The Grand Theatre, Volume One.

The band formed in Dallas, Texas, in 1993. They were a big part of the alt-country genre, blending country, rock, and even punk influences. They are still going strong today. They just released an album last year called American Primitive.

A TRIVIA question. Without searching…can you guess what famous rock band is from Champaign, Illinois?

Champaign, Illinois

The bottom line’s been snortedThe bottom card’s been dealtNo one knows like you know right nowHow truly bad it felt

All your life you wastedOn dreamin’ about the day,Worker bees kill off their queenand carry all her eggs away

Oh and if you die fearin’ GodAnd painfully employedYou will not go to heaven,You’ll go to Champaign, Illinois

Up north in ChicagoWhere booze makes no one blushMemories come back to youIn a double bourbon rush

But memories aren’t all badYeah and neither, my friend, are youthere is an argument there must be some heaven leftfor hearts that are half true

Oh and if you spend your whole lifeDriving horses into TroyYou will not go to heavenYou’ll go to Champaign, Illinois

No you will not go to heavenYou’ll go to Champaign, Illinois

Roll on blacktop highwayIn circles towards the sunSpringfield’s in the distance,and that’s the last big one

After that comes judgment,Yeah and judgment will be swiftYou will be eliminated,But here’s a parting gift:

Oh and if you die fearing GodAnd painfully employedNo you will not go to heavenYou’ll go to Champaign, Illinois

No you will not go to heavenYou’ll go to Champaign, Illinois

…

Cults – Step Outside

I didn’t know what to think when I heard this song for the first time. It is very atmospheric to listen to but very catchy. I didn’t hear it on the radio, I saw the video and that is what made me uncomfortable at first. I read about the making of it and they got the blessing of the survivors. I guess I better describe the video…they feature Jim Jones and the People’s Temple. They intercut themselves into the footage…and yeah it looked real.

They first showed the People’s Temple when they were in California and then when they landed in Guyana. They showed most everything up to the night before the mass murder/suicide where over 900 people died. The survivors were happy with this video because it showed some of the good times they had there. The band did screen it for them before they released it…after that, I was ok with it but some would think differently. There are not many humans I hate but Jim Jones is one of them. He was an avowed atheist using people’s vulnerabilities to build a “perfect” socialist/communist town in Guyana and worked them day and night.

The sad part is the people were happy at first in Guyana but Jones refused to let them go if they wanted to leave. He collected their passports and would not give them back and had armed guards around the camp. The town they made had a post office, doctor’s office, school, and about everything they needed but a drug-fueled Jones pushed people to the brink and most were too worn down to resist.

The Cults was originally a duo comprising Madeline Follin on vocals and Brian Oblivion (multi-instrumentalist and producer). The two met while studying at film school in New York City. They released an EP called Cults 7″ and this song went viral and put them on the map. Since then they have released 6 albums including To The Ghosts released last year. Some of their songs have a sixties-girl group vibe along with that atmospheric sound on top.

They didn’t release this song but the video was hit a lot. I found it while reading a Jonestown book and searching for more information.

They evidently made two videos for the song. The Jonestown video is on the bottom.

Go Outside

But to me, death is not-Death is not a fearful thing, it’s living that’s treacherous

Do not be afraid to dieIf these people land out hereThey’ll torture some of our children here, they’ll torture our peopleThey’ll torture our seniors, we cannot allow this

I, I really want to go outI really want to go outside and stop to see your dayYou, you really want to hole upYou really want to stay inside and sleep the light awayI, I really want to go outI really want to go outside and bathe in light all dayYou, you really want to hole upYou really want to stay inside in the cave where you lay

Well, I know what’s goodExactly ’cause I have been there beforeYeah, I know what’s goldExactly those things night cannot behold

I, I really want to go outI really want to go outside and stop to see your dayYou, you really want to hole upYou really want to stay inside and sleep the light awayI, I think it’s good to go out‘Cause if you don’t you’ll never make a memory that will stayI, I think that we should break upI think I want to live my life, and you’re just in my way

…

Justified (TV Series 2010-2015)

Sometimes I watch a TV show and think…this is too good for Television. This is one of those shows. Great acting, writing, and production…the entire package.

I watched this show a few years ago and now I’m watching it all over again. For me, it’s a Western set in modern times. Raylon Givens is a modern-day Matt Dillion. A US Marshall that gets his man or woman. Above all they got it from great source material and the writing for the show is excellent. People sometimes think living in the South that you would run into these bad guy characters every day. You don’t but yes I’ve known some of the bad guys on this show…or rather characters just like them as no matter where you live…you probably have also. It’s easy to relate to.

This was a TV series (2010-2015) based on Elmore Leonard’s short story “Fire in the Hole.” It follows Deputy U.S. Marshal Raylan Givens, a modern-day lawman with an Old West-style approach to the law. It’s almost like a modern Matt Dillion. He is played by Timothy Olyphant, Raylan is reassigned to his hometown of Harlan, Kentucky, after a controversial shooting incident in Miami. He is a great Marshall but not always following the book by any means. He tries to do the right thing. He is what I would call a man’s man. Men like him because he doesn’t mince his words and women like him because he looks like Timothy Olyphant. His character is stern at times and he means what he says…although all in all he is fair…just don’t push the man.

His target is Boyd Crowder who is a perfect villain. They knew each other while teenagers digging coal together. It’s almost a Batman-Joker relationship. It’s like they need each other. They could have killed the other many times but chose not to. Walter Goggins played Boyd and he was as close to perfect as you could get as a bad guy. He is not a slow-talking dumb Southerner…he is highly intelligent and manipulative and Raylan Givens matches him. It’s like a high-stress chess game with each other.

The character actors on this show are great as well. Joelle Carter as Ava Crowder, Natalie Zea as Raylan’s ex-wife Winona Hawkins, Erica Tazel as US Deputy Marshal Rachel Brooks, Sam Elliot as Avery Marham, Mykelti Williamson as Ellstin Limehouse, and…I could go on and on. The show has the Dixie Mafia and revolves around Harlan Counties love of “hillbilly heroin” which would be Oxycontin. Other cities come into play like Miami, Detroit, and other locations where drugs are either sold or smuggled from at the time.

The one thing that the show has is a GREAT sense of humor. It’s not remembered as much for that but it does have some funny and dark one-liners. The humor is one thing that keeps me coming back.

Watch this show…there were only 78 episodes and last year…8 years after it ended…they have brought back Raylan Givens for Justified: City Primeval.

Some quotes

Raylan Givens: I shot people I like more for less.

___________________________________

Raylan Givens: The answer is: me and dead owls don’t give a hoot.

___________________________________

Raylan Givens: I need to convince her to get out of Kentucky.
Winona Hawkins: And you think dumping her, handcuffed, at your ex-wife’s house is going to do the trick?

_____________________________________

Raylan Givens: Sometimes, we have to make deals with lowlifes because we have our sights set on life forms even somehow lower on the ladder of lowlife than they.

One of the first scenes with an idiot…

The dark side of Raylan but who could blame him?

…

Katmen – When The Drinks Dried Up

The band’s name is either Kat Men or Katmen. I’ve seen it listed both ways.

CB mentioned this band in an email and I had to check it out. Pure rockabilly heaven for me. I’ve also checked out Darrel Higham’s guitar playing…he is excellent. He worked with and married Imelda May… his sound can be heard in much of her music.

The band was formed when Slim Jim Phantom and Darrel Higham decided to join forces, they were inspired by a shared love of classic rockabilly music. Phantom’s drumming style is well known for his stint in The Stray Cats, while Higham contributed his incredible guitar skills and an appreciation for rockabilly. Their music has vintage rockabilly vibes with a modern sound.

They formed in 2006 when former Stray Cats drummer Slim Jim Phantom and Imelda May guitarist Darrel Higham met during a jam session at the Oneida Casino, in Wisconsin. In 2012 they hired bassist Al Gare. This guy plays a mean standup bass like no one else I’ve seen.

Higham developed an early interest in rockabilly and 1950s rock ‘n’ roll, his influences were artists like Elvis Presley, Gene Vincent, Eddie Cochran, and guitarist Cliff Gallup. Higham started his professional music career in the late 1980s, performing with various rockabilly and roots bands in the UK.

This song is on their 2013 album The Katmen Cometh. Another song on that album is “We Need Elvis Back.” I HAD to include that song as well in this! Both songs are credited to the band.

…

Imelda May – Mayhem

After doing the post on Blue Harlem… I noticed both lead singers but started to listen to Imelda May. She has so many good songs that I could have flipped a coin. This song was the title cut off of her album released in 2010. The guitar riff that the lead guitarist Darrel Higham played as the intro won me over right away.

Her influences include Billie Holiday, Eddie Cochran, and Gene Vincent. That sounds about right after hearing her perform. A few weeks ago, CB featured this song (Johnny Got A Boom Boom) on his site. I wanted to feature that one but I figured I would try something else…give it a listen! She has collaborated with artists such as U2, Noel Gallagher, Sinéad O’Connor, and Ronnie Wood to name a few. She also has worked with producers such as Tony Visconti, Peter Asher, and T Bone Burnett.

The album Mayhem peaked at #1 in Ireland, #7 in the UK, and #1 on the Billboard Heatseekers Charts. The song Mayhem peaked at #24 in Ireland in 2010. The album won Album of the Year in Ireland as well.

It would be fair to say I’m picky about female artists’ voices. I was discussing with Stewart on his UK Number Ones Blog about female pop singers. The female singers I like are Janis Joplin, Bessie Smith, Aretha Franklin, Tanya Tucker, Bonnie Tyler, and voices like that. Imelda May belongs to that group. What a voice May has and it can go from 0 to 60 in a split second.

I have quotes on this blog quite a bit…but these I really like.

Imelda May: Some people think the only way of doing well or of having a career in music is to go the X Factor route, but a lot of people lose the joy out of music by going that way, possibly because they’re so incredibly focused on other people’s ideas of success.

Imelda May: For me, rockabilly is very, very exciting music. It’s electric and kind of wild, you know? It’s ‘make your hairs stand up on the back of your neck’ kind of music.

Imelda May: I don’t tend to set out on huge world domination goals or have anything in mind. I just like to play. I like to gig a lot; I like to write music.

The below live Walking In The Sand has to be one of the best entrances ever. You have Billy Gibbins, Ronnie Wood, Johnny Depp, and Imelda May. This entrance is burned into my mind.

Mayhem

He said he didn’t even hear trains let alone the few wordsThe ladies maybe sayin’ about himShe freaks and tells her closest friendThat she’ll never love againBut she’ll never, no not everLive without him

Wouldn’t believe it, if you seen itOh, mayhem doo doo doopYeah, mayhem doo doo doopYeah, mayhem doo doo doopA lotta mayhem, woh oh oh yeah

She said he didn’t mean a thingSo she threw her diamond ringOut the window of a black cab in CamdenHe couldn’t take it, what she did,So he threw a hissy fitAnd he took it out on anyone at random

Wouldn’t believe it, if you seen itOh, mayhem doo doo doopYeah, mayhem doo doo doopYeah, mayhem doo doo doopA lotta mayhem, woh oh oh yeah

Dinning sound, lights spinning round,Some mother’s sonGotta fight or got to run run run runRun run run run run

Ten pints and then he starts a fightAnd he lands himself a nightIn a cell wearing gray pants and bruisesTwelve mates bangin’ on the door,Oh the back up vans galoreNever saw such a street full of losers

Wouldn’t believe it, if you seen itOh, mayhem doo doo doopYeah, mayhem doo doo doopYeah, mayhem doo doo doopA lotta mayhem, woh oh oh yeah

Mayhem doo doo doopYeah, mayhem doo doo doopA lotta mayhem doo doo doopA lotta mayhem oh yeah

Oh mayhem

…

Bethel Dipper

No music, movie, or TV Show today on this post. Let’s do Americana…not the music but the places. I love older buildings that represent the style of the era they were built. What’s more Americana than a milkshake, cheeseburger, and fries?

When I grew up we had a place named Strattons that was the dairy dip downtown in our small two red light town. It was the kind of place where you walked up to the window, ordered, waited, got your food, and then either sat on a picnic table or ate in your car. I remember doing that in the mid to late 70s with my sister. It was a very 70s-looking building but in the 1980s it was torn down and rebuilt. It became a 1950s-themed restaurant which was cool…but I missed the original dairy dip. Anyway, here is a picture of it before it right before it was torn down to make room for a Walgreens. Oh, how great progress is…NOT.

Below was the 1950s-themed Strattons before Walgreens in 2010.

I was in Russellville Kentucky yesterday and I went to this establishment called The Bethel Dipper. I have been there a few times in the past and it looks really good at night with the carnival-type fluorescent lights. I like Russellville and want to move there one day. This place is kinda off the beaten path but not too much. It’s like walking into the past and I just wanted to share this.

I have tried to find the history of it but my guess is it started in the 60s. When you see the picture below take your best guess. Not only is the building really cool looking, I love the roof jetting out, but you will not believe the prices. I have the menu below the building. I asked them how they were able to keep it so cheap and they told me that they only take cash. The debit card companies wanted so much for each card swiped. They also don’t have an expensive POS system to pay monthly on. They also keep their menu simple and very good.

Strattons right before it was torn down.

…

Eilen Jewell – You Wanna Give Me A Lift

I always like hearing good country music and I like older music a lot…this is a fantastic cover. Eilen Jewell covers the song while keeping the original feel but injecting some great guitar shine in this. It has an undercurrent of rockabilly mixed with country. I can’t stress enough how she can shed one style and walk into another.

Eilen Jewell combines Americana, country, folk, blues, and rockabilly in her music. Her influences included Bob Dylan, Lucinda Williams, and Billie Holiday. She released her debut album in 2006 called Boundary County. Her second album, Letters from Sinners & Strangers (2007), brought her wider recognition. She has made an incredible 13 albums since 2006.

This song was off her 2010 album Butcher Holler: A Tribute to Loretta Lynn. The album has 12 Lynn songs and Jewell hits the mark with the album. Now lets switch gears here…Jewell made a blues album in 2017 called Down Hearted Blues. What a change, she has a great ability to slip into one style and the next. I’ll have one from this album at the bottom of the post.

Loretta Lynn and her sister Peggy Sue Wells wrote this song. She recorded it in 1969 at the Brandley’s Barn studio in Mount Juliet Tennessee. The song peaked at #6 on the Billboard Country Charts and #4 on the Canadian Country Charts in 1970. As my readers know, I adore this woman and she was one of the most important songwriters of the 20th century.

Eileen Jewel on Loretta Lynn: At first it was really just her voice when I heard Honky Tonk Girl for the first time in a cafe in Boston. I just froze when I heard that., I just thought that’s the voice for me, that’s the essence of classic country. Then, the more I got to listen to her stuff, the more I noticed that she wrote so fearlessly. She just kept rocking the boat and was a genius, sassy songwriter.

This song is on her blues album Down Hearted Blues.

You Wanna Give Me A Lift

Well, I’m game for just about anything
But the game you’ve named I ain’t gonna play
You say you take a little drink and we’ll go for a ride on a star
You wanna give me a lift but this ol’ gal ain’t a goin’ that far

That happy pill you’re takin’ you say is a little weak
And you wanna give me one so you say I won’t go to sleep
Well your hands’re a gettin’ friendly but I know exactly where they are
You wanna give me a lift but this ol’ gal ain’t a goin’ that far

You wanna give me a lift but this ol’ gal ain’t a goin’ that far
I’m a little bit warm but that don’t mean I’m on fire
You wanna take me for a ride in the back seat of your car
You wanna give me a lift but this ol’ gal ain’t a goin’ that far

You wanna give me a lift but this ol’ gal ain’t a goin’ that far
I’m a little bit warm but that don’t mean I’m on fire
You wanna take me for a ride in the back seat of your car
You wanna give me a lift but this ol’ gal ain’t a goin’ that far

You wanna give me a lift but this ol’ gal ain’t a goin’ that far…

…

Mouse and the Traps – You’re Gonna Miss Me

I want to thank Aphoristic Album Reviews for featuring this band in his Nuggets series. I loved the song he posted so I found a few more that I like from this band. I am guilty of having too much trivia in my head, but I never heard of this band, not in reading about obscure bands or their music. I like their music and the sound of their lead singer. I would have liked them no matter what just because of that name.

Mouse and the Traps is an American garage rock band from Tyler, Texas, active mainly during the 1960s. They gained a cult following for their gritty sound that represented garage rock well. The band is best known for their 1966 hit single, A Public Execution, which is really Dylanesque plus some Byrds thrown in.

They began their career releasing “A Public Execution” under the name of Mouse. That was the nickname of their lead singer Ronnie “Mouse” Weiss. Their second single in 1966 was called Maid of Sugar-Maid of Spice and they added “And the Traps.” They have had different members through the years but a constant from their original lineup is Ronnie Weiss, Dave Stanley, and Ken (Nardo) Murray.

Much like Phil from Notes From The Cactus Patch did in the 1960s…Mouse and the Traps toured around Texas, especially Dallas. They toured around the state feverishly, playing clubs, colleges, parties, and even proms. There were occasional touring dates out of Texas, but, for the most part, they remained a very popular regional band.

They have released a bunch of singles and a few collection albums that were released in 1982, 1995, 1997, and 2009. They finally released an album in 2020 called Walking In Dylan’s Shoes. In 1972 they were added to Lenny Kayes Nuggets compilation album of different garage bands.

Graham from Aphoristic Album Reviews wrote: Mouse and the Traps surely hold the record for the longest gap between a debut single and a debut album. ‘A Public Execution’ was released in 1966 (although it was credited solely to their frontman). Their debut album, Walking in Dylan’s Shoes, was released in December 2020.

I’ve listened to their 2020 Dylan cover album Walking In Dylan’s Shoes and I have to admit…it’s really good!

The song I picked, You’re Gonna Miss Me, is off of their Lost Sessions Album released in 2009. I’m not sure which era it’s from although because of the quality…I would guess the 80s or 90s. They were together off and on in the 1960s – 2020. I’m also posting the song that Graham did with Maid of Sugar-Maid of Spice (1966) along with You’re Gonna Miss Me (?).

I’m also going to post Mouse and the Traps Lost Sessions album…give a listen to a few of them…they are awesome! Hit The Bricks and Bottom Line got my attention right away.

…

Blue Harlem – Hallelujah! I Love Him So

CB recommended this band and it’s fresh sounding and I like their choice of covers. When I heard Imelda May sing…that was all I needed. I heard Hound Dog first and it sounds very 40s but yet modern. They now have a different singer but she is also great…Sophie Shaw. This is different for me and I like it…it’s nice to switch up occasionally. When I heard Hallelujah! I Love Him So it got me into them much more. I know this song very well…it was one of the first songs Quarrymen recorded and that led me to Ray Charles who wrote and recorded the song.

Blue Harlem has been one of the top swing/jump-blues bands on the London scene for over 25 years. They have become regular favorites at venues such as the world-famous Ronnie Scott’s, The 100 Club, The Hippodrome, Hideaway, Jitterbugs, and more. They have been invited on three occasions to perform at Highgrove House charity balls for the Prince’s Trust.

They are a British band formed in 1996 by tenor saxophonist and arranger Al Nicholls. Known for blending jazz and rhythm and blues, they take inspiration from the swing and jump blues styles of the 1940s and 1950s.

.They have also enjoyed international recognition, performing at festivals across Europe and the Middle East. Blue Harlem played a huge role in launching the career of vocalist Imelda May, who gained fame and success after performing with them. Sophie Shaw now serves as their lead singer, bringing a new feel to the band’s sound.

Imelda May left the group in the early 2000s. After leaving, May quickly rose to fame in her own right with the release of her debut solo album No Turning Back in 2003, followed by her breakthrough album Love Tattoo in 2008.

Hallelujah! I Love Him So was on the album Talk To Me released in 2005 with May lead singing. I added Hound Dog by Blue Harlem as well…it was on their Me And My Radio album released in 2011.

I have three songs. The bottom two feature Imelda May singing Hound Dog and Hallelujah! I Love Him So. Below is Sophia Shaw singing Swing Brother, Swing. She is a very good singer as well but I like May a little more.

Hallelujah! I Love Him So

Let me tell you ′bout a boy I know
He is my baby and he lives next door
Every morning before the sun comes up
He brings my coffee in my favorite cup
That’s why I know, yes I know
Hallelujah I just love him so

When I′m in trouble and I have no friends
I know he’ll go with me until the end
Ev’rybody asks me how I know
I smile and tell them he told me so
That′s why I know, yes, I know
Hallelujah I just love him so

Now if I call him on the telephone
And tell him that I′m all alone
By the time I count from one to four,
I hear him on my door
In the evening when the sun goes down
When there is nobody else around
He kisses me and he holds me tight
He tells me “baby everything’s all alright”
That′s why I know, yes I know
Hallelujah I just love her so

Brothers At Arms – Angus and Malcolm Young

Today’s installment of this series goes back to Max at Power Pop (that’s me!). We are stopping here but haven’t closed the door on revisiting more famous brother acts. Randy’s original post on mostlymusiccovers.com is here. Randy and I want to thank all of you who have followed along! At the bottom, I have the complete series labeled.

Angus and Malcolm Young were the co-founders of the legendary rock band AC/DC. They had a unique and dynamic relationship that was marked by both collaboration and rivalry. The band was formed in 1973 by Malcolm, with Angus joining a little later. They were called AC/DC. The band’s name is inspired by the abbreviation for “alternating current/direct current” (AC/DC), signifying power and energy. They were influenced most by Chuck Berry, and you can hear it in their music. Malcolm would play rhythm guitar with Angus taking up the lead guitar for decades to come. They also had a brother named George who would help his younger brothers immensely in music. His contributions cannot be overstated.

Malcolm was born on January 6, 1953, and Angus on March 31, 1955, in Glasgow Scotland. In 1963 the family moved to Sydney Australia. George Young was born in 1946 and started a band called The Easybeats in 1964 playing rhythm guitar and either writing or co-writing many of their songs. They had 7 top 10 hits in Australia, two number one hits, and altogether 15 top 40 hits there! They did have one international hit which was “Friday On My Mind” which peaked at #1 in Australia, #2 in New Zealand, #6 in the UK, #13 in Canada, and #16 on the Billboard 100. It’s still played on classic rock radio today.

He encouraged his younger brothers to form a band, recognizing their talent and potential. George, along with his Easybeats bandmate Harry Vanda, mentored Malcolm and Angus. His experience in the music industry provided insights into songwriting, recording, and navigating the business. George would end up co-producing (with Vanda) six AC/DC albums. He would also produce some songs for future albums. The band underwent several lineup changes before settling with Bon Scott as the lead vocalist. They release their debut album, “High Voltage” exclusively in Australia in 1974. Angus and Malcolm would collaborate closely with songwriting.

Malcolm was a perfectionist in the studio while Angus was more of a free spirit. That caused some clashes but none to the degree of other brothers in rock.

Angus’s schoolboy-uniformed antics on stage were a stark contrast to Malcolm’s more reserved presence. This was important to the band’s success. They went through tough times with Bon Scott dying and starting again with a new singer Brian Johnson, but they only got more popular. It was a sad ending for Malcolm though. In 2014 Malcolm could no longer remember lyrics to songs. He was diagnosed with alcohol-related dementia and passed away in 2017. These brothers used their rivalries as a positive thing and pushed each other to greatness.