1990s – Page 22 – PowerPop… An Eclectic Collection of Pop Culture

My Cross To Bear

I was never a huge Allman Brothers Band fan. I always respected them and I liked their radio songs and heard enough of Duane Allman to know he was a great slide guitar player. I also knew Gregg could make any song his song because of his vocals. I never really wanted to know more about them.

A friend of mine recommended Gregg Allman’s autobiography My Cross To Bear. I have a 72-mile round trip car ride to work every day so I downloaded the audio version. I took a chance on this one a couple of years ago and I really enjoyed it. I also downloaded the E-book after I finished it.

The Allman Brothers have always been known as the Godfathers of Southern Rock. I never considered them Southern Rock…like Gregg himself said… they were a blues band with some jazz thrown in and they were from the south.

The audiobook is narrated by Will Patton who does a great job of channeling Gregg.

It is like having Gregg over on your back porch telling you these great stories. He is very down to earth and does not try to make his mistakes sound like someone else’s fault. If you want to know about Duane Allman get this book. He is honest about his brother…warts and all. He doesn’t try to whitewash himself either.

He starts at the Rock and Roll Hall of Fame induction where he was sick, miserable, and bloated because of his drinking problem…from there he starts going back through his personal history and the many ups and downs of the Allman Brothers. He covers the bands that Duane and he formed…The Escorts, The Allman Joys (which I would have kept that name) and Hourglass.

Hourglass made a couple of albums of original material and covers but the record company made them “pop” everything up. They would not let them play with an edge. The Escorts and Allman Joys were cover bands… very good cover bands.

After reading the book I have started to listen to the Allman Brothers more. He gives you some funny stories and you see how close that band was in the early days before Duane and Berry Oakley died. He mentions his struggles with Dickey Betts, alcohol, drugs and wives. You also read about a “foot shooting” party…

He also talks about being on stage noticing Eric Clapton among the audience. That led to the Layla sessions. Eric was a big fan of Duane’s slide playing.

You learn some history about a cover band’s travels, trials, and tribulations in the mid-1960s…youtube has a few crude recordings of the Allman Joys live in the mid-60s. Below is The Allman Joys version of Help. I would have never thought it was Gregg Allman singing.

If you are a music fan you will probably enjoy this book.

Help by the Allman Joys in 1966 is the opening song.

The Troggs

In the late seventies, I borrowed a single from a friend and that was Wild Thing by the Troggs. I loved the raw sound. If there was ever a garage band that hit the big time…it was the Troggs. Wild Thing (1966) was a massive hit that sold over 1 million copies. Their other big hits were With A Girl Like You (1966) and Love Is All Around (1967).

The Troggs influenced a lot of Punk and Garage bands. Their songs could be played with a little practice. Almost every band starting out will play the 3 chord Wild Thing at least a few times.

Their songs have been covered by a countless number of unknown bands. Three more known artists have been Jimi Hendrix playing Wild Thing at Monterey and REM and Wet, Wet, Wet covered Love Is All Around.

The original members were Reg Presley, Ronnie Bond, Chris Britton and Pete Staples. Reg Presley was the lead singer and wrote Love Is All Around which went to #7 and With A Girl Like You that went to #29.

The band is probably more known for a failed recording session which was leaked out more than they were for their hits. They are swearing and fighting with each other. It is funny…if you are put off by swearing don’t listen but when you hear “Oh, we’ll put some fairy dust over it. I’ll piss over the tape”….it’s hard to resist. It was recorded in 1970 and leaked out in the early seventies on bootlegs called The Troggs Tapes…this became the inspiration for a few Spinal Tap scenes.

After Love Is All Around in 1967 the band’s fame waned. They released some more singles but nothing approached their three big hits. REM made an album with the Troggs in 1992 called Athens Andover.

Reg Presley passed away in 2013. Chris Britton still plays some gigs with the Troggs today as the only original member left.

Wild Thing like Louie, Louie was an important song in the history of Rock and Roll. It was much more important than the band that brought it to us…

This group was not one of the super British bands of the sixties, not even close. They will never be on anyone’s top ten, twenty, or higher best band list…but they left a few small memorable songs, a large one and some influence …and a hilarious bitch session on tape for posterity…

Neil Young and John Fogerty Lawsuits

In the eighties, two lawsuits popped up pertaining to these two artists.

Neil Young was basically sued for NOT sounding like himself by David Geffen and John Fogerty was sued for sounding too MUCH like himself by Saul Zaentz and Fantasy Records.

In the early eighties, David Geffen signed Neil Young to a huge contract to Geffen Records. Neil who will do his own thing no matter what or when…released an album called “Trans” his foray into electronic music. Geffen wanted another “Harvest” with another Heart of Gold or Old Man…instead he got “Computer Age” and “We R in Control” with Neil singing through a Vocoder. After that Neil was asked to do more rock and roll by a Geffen record company executive…the record company was thinking more of the lines of the harder rock Rust Never Sleeps…so Neil gave them rock and roll all right… “Everybody’s Rockin” an album full of early fifties Doo-wop and rockabilly sounding songs. The record company was not amused…he then released an album full of country music… In his contract, Neil had full artistic freedom.

Geffen had claimed the new albums were “unrepresentative” of Neil’s music.

Geffen sued him for 3.3 million dollars but the case was settled and Geffen had to apologize to Neil.

In 1985 John Fogerty finally broke his silence with the album Centerfield. He had not released anything since 1975. He was involved with legal hassles and could not make music. Centerfield was a good album that signaled to the world John was back. He then was sued by Fantasy Records owner Saul Zaentz who signed the great Creedence Clearwater Revival to a terrible contract with Fantasy Records that kept John…the main songwriter and singer under contract forever. On top of that John gave up his copyrights to his CCR songs to Saul and Fantasy just to get out of that contract. The first single off of the Centerfield album “Old Man Down the Road” shot up the charts. Saul sued claiming it sounded too much like an old Creedence song that John wrote and sang called “Run Through the Jungle”. So he was being sued for plagiarizing himself. John would take his guitar to court to demonstrate how he wrote the two songs.

John won the case in 1988 and a lot of other musicians breathed a sigh of relief because other artists could have been sued for sounding like their younger selves if John would have lost. John countersued Fantasy Records for legal fees and it went to the Supreme Court in 1994…. they ruled in favor of Fogerty.

IT 1990 and IT 2017

The new trailer for IT Chapter 2 is out now.

I’ve never seen IT as a horror story…I’ve seen it as a coming of age story with scary twists. I really like the novel and I wanted to see something as close as possible to the book. The book is much better than either the movie or miniseries but that is usually how it is.

I went to see IT (2017) with very high hopes. I realized before I traveled to the theater that they could never meet my expectations. My hope (and far-fetched dream) was that they would have made an HBO series of the novel. It would have been fifteen to twenty hour-long episodes. I wanted so much for the novel to come to life on screen. That wasn’t going to happen in one movie but I will say that yes I enjoyed it.

I’m not one of those who dismiss the 1990 mini-series. They were working with a low budget and the constraints of television. I thought the children were perfectly cast. The first episode was superior to the second episode but the second had it’s moments…not counting the terrible spider or the ponytail on Richard Thomas. The one thing IT 1990 had over 2017 is overall creepiness. Maybe it was Tim Curry and the late 80s sound effects.

IT 2017 was much better looking and I liked Bill Skarsgård’s version of Pennywise. The way he toyed with Georgie was classic. They revealed way too much in the many trailers and sneak peeks. Most of the movie you knew what was coming next. My biggest problem is the kids really didn’t have time to bond. Also, the time change from the 1950’s to the 1980s…did Andrés Muschietti just think the audience today could not comprehend the 50’s? The reason I liked the 50’s backdrop is that kids were more innocent then and Pennywise in that era would be more of a shock.

It’s not really fair to judge the new IT until Chapter 2 comes out in September but Chapter 1 was enjoyable. I’m happy the story has been revived again.