Category: 1990s

Everclear

In the late-1990s I started to listen to this band. They were formed in the early 90s by lead singer, guitarist, and songwriter Art Alexakis. Art’s dad left his mom and family and they had to survive in rough neighborhoods in LA. Some of the songs he wrote like “Father of Mine” relates that.

I must admit I know more of their radio songs but I have listened to their older albums and they are mostly solid. The album that caught my attention was “So Much For The Afterglow” with songs “I Will Buy You A New Life,””Everything to Everyone,” and “Father of Mine.” When I heard “I Will Buy You a New Life” on the radio I was hooked and got the album.

My favorite song by them is “Wonderful” that was released in 2000 on the album “Songs from an American Movie Vol. One: Learning How to Smile.” It’s about a divorce through a child’s eyes. I can relate to that so the song hit home in a lot of ways.

They also perform a good cover of Van Morrison’s “Brown Eyed Girl.”

One song off the album is a tribute to the 1970s called “AM Radio.” That one of course I love. Art grew up in the 70s and has said he was influenced by The Beatles, Led Zeppelin, Merle Haggard, Motown, Otis Redding, and Punk Rock in general. He knows how to write good hooks that will stay with you.

The AM radio video is hilarious.

Here is “Wonderful”

I want the things that I had before
Like a Star Wars poster on my bedroom door
I wish I could count to ten
Make everything be wonderful again

 

AM Radio

 

You can hear the music on the AM radio

The VCR and the DVD
There wasn’t none of that crap back in 1970
We didn’t know about a World Wide Web
It was a whole different game being played back when I was a kid

Wanna get down in a cool way
Picture yourself on a beautiful day
Big bell bottoms and groovy long hair
Just walkin’ in style with a portable CD player
No, you would listen to the music on the AM radio
Yeah, you could hear the music on a AM radio

Flashback, ’72
Another summer in the neighborhood
Hangin’ out with nothing to do
Sometimes we’d go drivin’ around
In my sister’s Pinto 
Cruisin’ with the windows rolled down
We’d listen to the radio station
We were too damn cool to buy the eight-track tapes
There wasn’t any good time to want to be inside
My mama wanna watch that TV all goddamn night

I’d be in bed with the radio on
I would listen to it all night long
Just to hear my favorite song
You’d have to wait but you could hear it on the AM radio
Yeah, you could hear the music on a AM radio
I can still hear Mama say ?°Boy turn that radio down!?±

?°Aw, Mom. Not that show again! I don’t wanna watch that show! 
Can’t we watch Good Times or Chico and the Man or something cool? 
Turn it off!”

Things changed back in ’75
We were all growing up on the in and the outside
We got in trouble with the policeman
We got busted gettin’ high in the back of my friend’s van

I remember 1977
I started going to concerts and I saw the Led Zeppelin
I got a guitar on Christmas day
I dreamed that Jimmy Page would come from Santa Monica 
and teach me to play
Teach me to play…

There isn’t any place that I need to go
There isn’t anything that I need to know
I did not learn from the radio

Yeah when things get stupid and I just don’t know
Where to find my happy
I listen to my music on the AM radio
You can hear the music on a AM radio
You can hear the music on a AM radio

I like pop, I like soul, I like rock, but I never liked disco
I like pop, I like soul, I like rock, but I never liked disco
We like pop, we like soul, we like rock, but we never liked disco…

No I never liked disco…

 

Deal by Bill Kreutzmann

The book is called Deal: My Three Decades of Drumming, Dreams, and Drugs with the Grateful Dead.

This book is what you would imagine from the drummer (one of them) of the Grateful Dead. Music, drugs, women, drugs, travels, guns, drugs, death, drink and more drugs. Actually, I really enjoyed the book. He is very open and very honest about his actions good and bad.

He is not a shy guy whatsoever. He shares his feelings about any subject that comes up. He does go into the music and how he feels about his bandmates. Most are positive but he does not hold back.

He covers the complete career of the band. He openly said he was very happy being the only drummer of the band when Mickey Hart quit and didn’t like it one bit when Mickey rejoined the band…at first anyway.

He goes into his relationship with Jerry Garcia. He also admits the guilt the band share in not trying to help Garcia more…but Jerry was his own man. He writes about the so-called keyboard player curse the band had in their career.

He tells us about the 72 European tour, shows they played near the pyramids and the Festival Express. I will say this…this band had fun. They were like a family and treated their employees well for the most part.

The only thing that I wish he would have shared more about was Pigpen. The band was apparently in the dark about how bad Pigpen was doing before he died. Maybe he didn’t share it with them.

I learned a lot about the Dead that I didn’t know about.

The book keeps going at a good pace. With the Dead’s long career he never lacks for stories. A lot of rock autobiographies are coming out and again this one takes the template that Keith Richards made with his book “Life” and fills it in.

Bill Kreutzmann from Deal about Garcia and heroin:

I’m pretty sure Jerry wasn’t into heroin during the making of Garcia; as far I know, he hadn’t even discovered it yet. But when he did, during subsequent Grateful Dead albums, it could become difficult just to get him to show up, unfortunately. That got to be really old, really fast, for all of us. We wanted to play music with him so badly that we’d put up with it, which—in hindsight—was crazy. Nobody else in the band would’ve been able to get away with it; at least, not to the extent that he did. But Jerry Garcia was the exception.
It also opens up a moral question that we can talk about now, but we can never truly answer, since he’s not with us. There was a certain feeling, toward the end, that Jerry was using the Grateful Dead to finance his drug habit. That’s a sad thought. I don’t think he ever intended it to be that way or for it to get to that point or to hurt anyone. He was as pure of a musician as they come. But heroin addiction will change a person in ways that are tragic and discouraging.

 

 

 

Wild Tales: A Rock and Roll Life

This is Graham Nash’s autobiography.

Graham narrates the audible version and does a good job weaving through his personal history. He starts with his blue-collar family and how Alan Clarke and he knew each other since school and formed The Hollies. The most interesting part to me was the mid-sixties era living in swinging London.

He wrote about his friendship with the Beatles and him getting an advance tape of Sgt Pepper from Brian Epstein. He had a great hi-fi system at his flat and he would show it off to anyone that came over. When the Turtles came over from America they were blown away by Sgt Peppers at top volume. He went on about how Sgt Peppers changed everything and it would eventually lead him to leave the Hollies.

Graham describes being a pop star in the mid-sixties in London. Shouldn’t we all live that life? Paul McCartney calls him up and invites him over to the All You Need Is Love session for the “Our World” program to be broadcast to millions.

He talks about how his friendship with Mama Cass led to meeting David Crosby and eventually CSN being born. Graham covers the CSNY period and his romantic relationships including  Joni Mitchell. He does cover the drama associated with CSNY and the troubled David Crosby. What kind of Rockstar bio would it be without drugs… Graham did his share and Crosby did our share. Graham handled them better than some.

Graham would write simple songs compared to Crosby, Stills, and Young but many times his songs would be the hits that drove some of the later albums…songs like “Just a Song Before I Go” and “Wasted on the Way.”

One thing I can say is he didn’t hold back or pull punches…but he still comes off as a really nice guy but it is his book.

This book helped sever his relationship with Crosby…for now anyway but Nash stressed through the book how much he cared for Crosby.

I would recommend this book to not only Hollies and CSNY fans but fans of 60’s and 70’s music and culture. After reading this I listened to more Hollies songs and I really began to appreciate their psychedelic period with songs like King Midas in Reverse.

 

 

 

Waging Heavy Peace

An Autobiography by Neil Young. Neil is one of my favorite artists. He tells some history about Buffalo Springfield and CSNY and also the Mynah Birds with Rick James. Neil Young and Rick James in a band together…its just hard for me to imagine that.

He gets into how he started his music career with his first band and how he loves Crazy Horse.

Now all of these stories are great but… this is during the period he came up with PONO music… a high-end music player that plays music with much more quality than CDs or mp3s. This venture eventually failed years later but he is very excited about it in the book. That is great but sometimes it seems forced. I honestly don’t think he was plugging PONO…I think he was just that excited about it. His enthusiasm is unquestionable.

Cars…the man loves cars. I admire that in him but again he talks A LOT about electric cars and hybrids. Then he combines the two…PONO music systems being installed into…fuel efficient cars. I will admit it is interesting and you get to see what makes the man tick.

Some of it reads like a diary because that is the way he wrote a lot of it. He will say he is going to Hawaii and then a page or two later…he will tell you he made it there. It’s like being in conversation with someone who will just switch subjects on a whim. Neil tends to ramble.

He is part owner in Lionel Trains and you can feel his love of trains coming through the pages. He also talks about his quadriplegic son and the Lionel Train control he designed for his son to operate the trains. That I found really heart touching. He really tries to connect with his son and that is what the album Trans is all about.

He goes through his drug and drinking problems, medical problems, marriage problems, and every single car or bus he has had in his life…which again he just loves any kind of vehicle.

The disappointment for me was Neil didn’t talk enough about the music. Yes, you will learn more about Neil Young. I did learn many things about him that I didn’t know. The problem is he spreads the music sections out and just when he gets on a roll, you are thinking… cool he is writing about playing with Buffalo Springfield and also where they hung out…here comes the PONO Music bit or more car information.

I guess the best way to sum it up is yes you will get a lot of the musical info you are looking for but you have to wade through a lot of rambling.

Overall if you can find this book 2nd hand, get it. If you are looking for a definitive Neil Young bio this is not the one… He does have great things to say about the members of CSNY, Buffalo Springfield, and Crazy Horse. Maybe I wanted another Testimony or My Cross to Bear…this wasn’t it…but what did I expect? It’s Neil Young and he is going to do what he wants to do… that is the reason we love him.

I will admit this…after he mentions all the vintage cars and busses he has owned his enthusiasm rubs off…I started to look these models up and reading about them… but it wasn’t what I had in mind going into the book.

Free As A Bird

In the 1990s I kept reading about the Beatles Anthology coming out and the three surviving Beatles getting back together to release old never heard before music as well as new. They were going to take a John Lennon demo and add something to it. This was beyond exciting for me. I was too young to remember a new Beatles song coming out.

It had an older feel but sounded modern at the same time. George Harrison’s distorted slide guitar playing brought an edge to it. It even had the strange ending like some of their other songs.

I got an early release of the Anthology CD from a friend of mine that worked in a record store and he said…don’t tell anyone. I sat glued to Free As a Bird because for once I was listening to a new Beatles song… I was one-year-old in1968 so I missed them when they were originally out. I liked the song and still do. I have talked to Beatles fans who don’t really like it that much but the song has stuck with me. Real Love…the second release didn’t do as much for me because it was basically a solo John Lennon song.

Was Free As a Bird the best song in the Beatles catalog? No not even close but just to hear something new was fantastic. The Anthology videos and CDs jump-started their popularity all over again…and it hasn’t stopped since then. I had cousins who were teenagers at the time who never had an interest in them until Anthology came out. All I could say to them was…I’ve told you for years.

The video of Free As a Bird is fantastic and still one of my favorite music videos. It told their history through the different eras of their career. Every time I watch it I always notice something I didn’t notice before.

Little did he know that day in1977 when John made a demo of a song idea on a cheap cassette recorder… it would be a future Beatle song. Not to even mention that the tape itself would be part of the song.

It did win a Grammy Award for Best Pop Performance by a Duo or Group with Vocal…

After reading the mixed reactions one thing dawned on me. The Beatles did the right thing by not reuniting when John was alive. There is no way they could have made anything that would have lived up to the expectations of everyone…You cannot compete against a memory because you lose every time… But yea… I still would have loved to hear it.

 

 

My Cross To Bear

I was never a huge Allman Brothers Band fan. I always respected them and I liked their radio songs and heard enough of Duane Allman to know he was a great slide guitar player. I also knew Gregg could make any song his song because of his vocals. I never really wanted to know more about them.

A friend of mine recommended Gregg Allman’s autobiography My Cross To Bear. I have a 72-mile round trip car ride to work every day so I downloaded the audio version. I took a  chance on this one a couple of years ago and I really enjoyed it.  I also downloaded the E-book after I finished it.

The Allman Brothers have always been known as the Godfathers of Southern Rock. I never considered them Southern Rock…like Gregg himself said… they were a blues band with some jazz thrown in and they were from the south.

The audiobook is narrated by Will Patton who does a great job of channeling Gregg.

It is like having Gregg over on your back porch telling you these great stories. He is very down to earth and does not try to make his mistakes sound like someone else’s fault. If you want to know about Duane Allman get this book. He is honest about his brother…warts and all. He doesn’t try to whitewash himself either.

He starts at the Rock and Roll Hall of Fame induction where he was sick, miserable, and bloated because of his drinking problem…from there he starts going back through his personal history and the many ups and downs of the Allman Brothers. He covers the bands that Duane and he formed…The Escorts, The Allman Joys (which I would have kept that name) and Hourglass.

Hourglass made a couple of albums of original material and covers but the record company made them “pop” everything up. They would not let them play with an edge. The Escorts and Allman Joys were cover bands… very good cover bands.

After reading the book I have started to listen to the Allman Brothers more. He gives you some funny stories and you see how close that band was in the early days before Duane and Berry Oakley died. He mentions his struggles with Dickey Betts, alcohol, drugs and wives. You also read about a “foot shooting” party…

He also talks about being on stage noticing Eric Clapton among the audience. That led to the Layla sessions. Eric was a big fan of Duane’s slide playing.

You learn some history about a cover band’s travels, trials, and tribulations in the mid-1960s…youtube has a few crude recordings of the Allman Joys live in the mid-60s. Below is The Allman Joys version of Help. I would have never thought it was Gregg Allman singing.

If you are a music fan you will probably enjoy this book.

Help by the Allman Joys in 1966 is the opening song.

Neil Young and John Fogerty Lawsuits

In the eighties, two lawsuits popped up pertaining to these two artists.

Neil Young was basically sued for NOT sounding like himself by David Geffen and John Fogerty was sued for sounding too MUCH like himself by Saul Zaentz and Fantasy Records.

In the early eighties, David Geffen signed Neil Young to a huge contract to Geffen Records. Neil who will do his own thing no matter what or when…released an album called “Trans” his foray into electronic music. Geffen wanted another “Harvest” with another Heart of Gold or Old Man…instead he got “Computer Age” and “We R in Control” with Neil singing through a Vocoder. After that Neil was asked to do more rock and roll by a Geffen record company executive…the record company was thinking more of the lines of the harder rock Rust Never Sleeps…so Neil gave them rock and roll all right… “Everybody’s Rockin” an album full of early fifties Doo-wop and rockabilly sounding songs. The record company was not amused…he then released an album full of country music… In his contract, Neil had full artistic freedom.

Geffen had claimed the new albums were  “unrepresentative” of Neil’s music.

Geffen sued him for 3.3 million dollars but the case was settled and Geffen had to apologize to Neil.

In 1985 John Fogerty finally broke his silence with the album Centerfield. He had not released anything since 1975. He was involved with legal hassles and could not make music. Centerfield was a good album that signaled to the world John was back. He then was sued by Fantasy Records owner Saul Zaentz who signed the great Creedence Clearwater Revival to a terrible contract with Fantasy Records that kept John…the main songwriter and singer under contract forever. On top of that John gave up his copyrights to his CCR songs to Saul and Fantasy just to get out of that contract. The first single off of the Centerfield album “Old Man Down the Road” shot up the charts. Saul sued claiming it sounded too much like an old Creedence song that John wrote and sang called “Run Through the Jungle”. So he was being sued for plagiarizing himself. John would take his guitar to court to demonstrate how he wrote the two songs.

John won the case in 1988 and a lot of other musicians breathed a sigh of relief because other artists could have been sued for sounding like their younger selves if John would have lost. John countersued Fantasy Records for legal fees and it went to the Supreme Court in 1994…. they ruled in favor of Fogerty.

 

 

 

IT 1990 and IT 2017

The new trailer for IT Chapter 2 is out now.

I’ve never seen IT as a horror story…I’ve seen it as a coming of age story with scary twists. I really like the novel and I wanted to see something as close as possible to the book. The book is much better than either the movie or miniseries but that is usually how it is.

I went to see IT (2017) with very high hopes. I realized before I traveled to the theater that they could never meet my expectations. My hope (and far-fetched dream) was that they would have made an HBO series of the novel. It would have been fifteen to twenty hour-long episodes. I wanted so much for the novel to come to life on screen. That wasn’t going to happen in one movie but I will say that yes I enjoyed it.

I’m not one of those who dismiss the 1990 mini-series. They were working with a low budget and the constraints of television. I thought the children were perfectly cast. The first episode was superior to the second episode but the second had it’s moments…not counting the terrible spider or the ponytail on Richard Thomas. The one thing IT 1990 had over 2017 is overall creepiness. Maybe it was Tim Curry and the late 80s sound effects.

IT 2017 was much better looking and I liked Bill Skarsgård’s version of Pennywise. The way he toyed with Georgie was classic. They revealed way too much in the many trailers and sneak peeks. Most of the movie you knew what was coming next. My biggest problem is the kids really didn’t have time to bond. Also, the time change from the 1950’s to the 1980s…did Andrés Muschietti just think the audience today could not comprehend the 50’s? The reason I liked the 50’s backdrop is that kids were more innocent then and Pennywise in that era would be more of a shock.

It’s not really fair to judge the new IT until Chapter 2 comes out in September but Chapter 1 was enjoyable. I’m happy the story has been revived again.