Whenever I go to a yard sale or flea market and I see one…I have to get it. Worlds Greatest Dad, Worlds Greatest Mom, Worlds Greatest Grandpa, “Being Sick is bad for your health” and many more. They have a look that I like and are usually cheap…for two bucks you can have part of the seventies.
He did more than the statues…he had stuffed animals and bears which in the 80s and 90s really took off…along with trolls.
Russell Berrie started his business with only $500 and ran it out of a rented garage in Palisades Park, NJ. His first product to reach the shelf was his Fuzzy Wuzzie in 1964.
By 1968 Americans were ready for something a little bolder. Russ Berrie and Co. introduced Sillisculpts, plastic message figurines with a little more attitude. Two of the most memorable are the “I love you this much!” statuette and another of an old lawyer crying “Sue the bastards!” (I must find this one).
These come in every form and shape.
In 1971, as sales passed the $7 million mark, Russ Berrie and Company moved to a new corporate headquarters facility in Oakland, New Jersey. This location would become the center of the company’s worldwide marketing and distribution businesses. In the following year, Russ Berrie and Company opened a second new facility, when a distribution center, in Santa Rosa, California, came online.
By 1985, Russ Berrie and Company sales had reached $204.6 million, and revenues more than doubled in just two years.
In 1992, Russ Berrie and Company’s fortunes got a lift, when the popularity of one of its oldest products, Trolls, first introduced in the 1960s, escalated dramatically. Although they had not been a big seller for many years, suddenly the company’s trolls—squishy dolls with rubbery faces and hair that stood on end—were experiencing wild demand. To meet this clamor, Russ Berrie and Company’s designers began to churn out hundreds of different troll products, and the company’s Far Eastern suppliers raced to keep output high. By the end of the year, pushed by the troll fad, the company’s earnings had soared to $300 million.
In 2001, Russ Berrie had sales of $294.3 million and net income of $40.2 million, selling items like a stuffed dog named Muffin and a stuffed bear known as Honeyfritz.
In December 2002, Russ Berrie died unexpectedly after having a heart attack in his home. Often named by Fortune magazine as one of America’s most generous philanthropists, Berrie was just 69 years old when he died.
I remember hearing this a lot in 1981. The Tide Is High,” a remake of an obscure 1967 song by the Jamaican group the Paragons (Very good version by the way). It was released in 1980 but peaked in 1981 at #1 in the Billboard 100, the UK and Canada. It was written by Jamaican DJ Duke Reid in the 1930s
This is interesting. Sean Lennon said: “My father had an old Wurlitzer in the game room of our house on Long Island. It was filled with 45s, mostly Elvis and The Everly Brothers. The one modern song I remember him listening to was ‘The Tide Is High’ by Blondie, which he played constantly. When I hear that song, I see my father, unshaven, his hair pulled back into a ponytail, dancing to and fro in a worn-out pair of denim shorts, with me at his feet, trying my best to coordinate tiny limbs.”
Blondie experimented with many different sounds. They were a punk/new wave band in their early years, making a name playing clubs like CBGB’s in New York. This song was their foray into reggae, but they played around with rap on “Rapture” and with disco on “Heart Of Glass.”
Debbie Harry in 1000 UK #1 Hits by Jon Kutner and Spencer Leigh: “I first heard ‘The Tide Is High’ on a compilation tape that someone had given me while we were in London. Chris (Stein) and I both fell in love with the song and decided it was too good to resist.”
Blondie wanted to give the song a Jamaican feel, so they hired three percussion players and created a new string and horn arrangement to give it an authentic sound. According to Chris Stein, the percussion includes “eight tracks of drum sticks tapping on a piano bench.”
The Tide is High
The tide is high but I’m holdin’ on I’m gonna be your number one I’m not the kind-a girl who gives up just like that, oh no
It’s not the things you do that tease and hurt me bad But it’s the way you do the things you do to me I’m not the kind-a girl who gives up just like that, oh no
The tide is high but I’m holdin’ on I’m gonna be your number one, number one.
Ev’ry girl wants you to be her man But I’ll wait my dear till it’s my turn I’m not the kind-a girl who gives up just like that, oh no
The tide is high but I’m holdin’ on I’m gonna be your number one, number one, number one
Ev’ry girl wants you to be her man But I’ll wait my dear till it’s my turn I’m not the kind-a girl who gives up just like that, oh no
The tide is high but I’m holding on I’m gonna be your number one, number one, number one
The tide is high but I’m holding on I’m gonna be your number one The tide is high but I’m holding on I’m gonna be your number one The tide is high but I’m holding on I’m gonna be your number one
This song was played and played when it was released but I haven’t heard it a lot since. The song peaked at #2 in the Billboard 100, #14 in the Country Charts, and #8 in Canada in 1981. This song was written by Hank DeVito, who was the pedal steel guitarist for Emmylou Harris’ backing group, The Hot Band.
In 1981 I remember 3 songs that you would hear on the radio at any time after they were released. Bette Davis Eyes, The Tide Is High, and Queen of Hearts. You didn’t have to wait for it…turn on the radio and one of them would be there.
From Songfacts.
Juice Newton had the biggest success with “Queen of Hearts” after it appeared on her 1981 album, Juice. In September 1981, Newton’s version peaked at #2 on the US charts, having shifted over one million copies. In 1982, the song was nominated for the Grammy Award for Best Female Country Vocal Performance. Dave Edmunds, who first recorded “Queen of Hearts” in 1979, told Creem Newton stole his composition: “She did pinch my arrangement, note for note, but I’m not angry with that.”
The Welsh musician Dave Edmunds was the first artist to record “Queen of Hearts.” The song appears on his 1979 album, Repeat When Necessary. The track peaked at #11 in the UK, but Edmunds’ label – Led Zeppelin’s Swan Song – refused to release it in the US. Edmunds, who reached #4 US with his 1970 cover of “I Hear You Knocking,” was hoping for another American hit and was not pleased when Swan Song held back both “Queen of Hearts” and “Girls Talk” (a song written by Elvis Costello that made #4 UK for Edmunds in 1979).
Queen of Hearts
Midnight, and I’m a-waiting on the twelve-oh-five Hoping it’ll take me just a little farther down the line
Moonlight, you’re just a heartache in disguise Won’t you keep my heart from breaking If it’s only for a very short time
Playing with the queen of hearts Knowing it ain’t really smart The joker ain’t the only fool Who’ll do anything for you Laying out another lie Thinking ’bout a life of crime ‘Cause that’s what I’ll have to do To keep me away from you
Honey, you know it makes you mad Why is everybody telling everybody what you have done
Baby, I know it makes you sad But when they’re handing out the heartaches You know you got to have you some
Playing with the queen of hearts Knowing it ain’t really smart The joker ain’t the only fool Who’ll do anything for you Laying out another lie, Thinking ’bout a life of crime ‘Cause that’s what I’ll have to do To keep me away from you
Lovers, I know you’ve had a few But hide your heart beneath the covers And tell ’em they’re the only one
And others, they know just what I’m going through And it’s a-hard to be a lover When you say you’re only in it for fun
Playing with the queen of hearts Knowing it ain’t really smart The joker ain’t the only fool Who’ll do anything for you
Playing with the queen of hearts Knowing it ain’t really smart The joker ain’t the only fool Who’ll do anything for you Laying out another lie, Thinking ’bout a life of crime ‘Cause that’s what I’ll have to do To keep me away from you
Playing with the queen of hearts Playing with the queen of hearts Playing with the queen of hearts Playing with the queen of hearts
I liked Purple Rain but something about this song and the Around the World in a Day album…it showed more of a 60s psychedelic influence and I really liked it. The album wasn’t the success that Purple Rain was but still contained two top ten hits… Raspberry Beret and Pop Life.
This song peaked at #2 in the Billboard 100 and #25 in the UK in 1985. The Hindu Love Gods did an interesting cover of this song.
From Songfacts.
Prince discussed the meaning of Around the World in a Day with Rolling Stone in 1985: “I was trying to say something about looking inside oneself to find perfection. Perfection is in everyone. Nobody’s perfect, but they can be. We may never reach that, but it’s better to strive than not.”
Prince originally recorded “Raspberry Beret” in 1982, but re-worked it with his newly re-formed Revolution backing band, which had just crystalized into what would become the fan favorite lineup: Brown Mark on bass, Bobby Z on drums, Wendy Melvoin, Lisa Coleman and Doctor Fink on keyboard, backing guitar, and backing vocals. If you blinked in the mid-’80s, you missed it, because this incarnation of the Revolution broke up by 1986, with Prince firing everybody but Doctor Fink.
This stands as one of the finest examples of the “Minneapolis sound,” blending in finger-cymbals, a string section, and a harmonica as a strategy to create a well-rounded groove. This style is sometimes called “The Prince Sound,” but there were a lot of other guys making it as well, many of them working with Prince at some point. For a great explanation of that sound and how it led to Paula Abdul’s music career, check out our interview with Oliver Leiber.
This song was used in the soundtrack to Girl 6, a 1996 film about a troubled actress turned phone sex worker. It was directed by Spike Lee and has Quentin Tarantino (!) in a supporting role.
At the time this was released, Prince was under fire from Tipper Gore during the notorious PMRC witch hunt, which placed two of his songs on the list of the “filthy 15” – “Darling Nikki” was the original song that got Tipper’s goat. So this is one of the songs where Prince started making his lyrics more family friendly. Nevertheless, you can’t miss “Old Man Johnson” as a reference to his you-know-what. Normally we’d stay clear of looking for euphemisms in lyrics, but come on, this is Prince we’re talking about.
The video is an odd mashup of performance footage and animation. Simon Fields, who was one of the top music video producers at the time, said in the book I Want My MTV: “We filmed a whole video, then Prince got a Japanese animator to do a completely different video and we mashed the two up. He would mess with directors. He would give them the impression that they’d be in charge of the video, then halfway through he’d go ‘Thank you,’ take what he liked, and edit it himself.”
“Raspberry Beret” was the first single from Prince’s Around the World in a Day album, his follow-up to Purple Rain. The album sold over three million copies in the US and spent three weeks at #1 in the summer of 1985.
Raspberry Beret
I was working part time in a five-and-dime My boss was Mr. McGee He told me several times that he didn’t like my kind ‘Cause I was a bit too leisurely
Seems that I was busy doing something close to nothing But different than the day before That’s when I saw her, ooh, I saw her She walked in through the out door, out door
She wore a Raspberry beret The kind you find in a second hand store Raspberry beret And if it was warm she wouldn’t wear much more Raspberry beret I think I love her
Built like she was She had the nerve to ask me If I planned to do her any harm So, look here I put her on the back of my bike And we went riding Down by old man Johnson’s farm
I said now, overcast days never turned me on But something about the clouds and her mixed She wasn’t to bright But I could tell when she kissed me She knew how to get her kicks
She wore a Raspberry beret The kind you find in a second hand store Raspberry beret And if it was warm she wouldn’t wear much more Raspberry beret I think I love her
The rain sounds so cool when it hits the barn roof And the horses wonder who you are Thunder drowns out what the lightning sees You feel like a movie star
Listen They say the first time ain’t the greatest But I tell ya If I had the chance to do it all again I wouldn’t change a stroke ‘Cause baby I’m the most With a girl as fine as she was then
(Raspberry beret) The kind you find (The kind you find) The kind you find (In a second hand store) Oh no no (Raspberry beret) (And if it was warm) Where have all the raspberry women gone? Yeah (Raspberry beret)
I think I, I think I, I think I love her
(Raspberry beret) No no no No no no (The kind you find) (In a second hand store) (Raspberry beret) Tell me Where have all the raspberry women gone? (And if it was warm she) (Wouldn’t wear much more) (Raspberry beret)
I wrote this back in May but since it’s December 8th I thought I would repost it…I can’t believe it’s been 38 years ago… Seeing that date depresses me…this was not the way to start the decade that was my teens.
Since second grade, I’d been listening to the Beatles. While a lot of kids I knew listened and talked about modern music …I just couldn’t relate as much. By the time I was ten I had read every book about The Beatles I could get my hands on. In a small middle TN town…it wasn’t too many. I was after their generation but I knew the importance of what they did…plus just great music. The more I got into them the more I learned about the Who, Stones, and the Kinks. I wanted to get my hands on every book about the music of the 1960s. Just listening to the music wasn’t enough…I wanted to know the history.
I spent that Monday night playing albums in my room. Monday night I didn’t turn the radio on…I’m glad I didn’t…The next morning I got up to go to school and the CBS morning news was on. The sound was turned down but the news was showing Beatle video clips. I was wondering why they were showing them but didn’t think much of it.
Curious, I walked over to the television and turned it up and found out that John Lennon had been shot and killed. I was very angry and shocked. The bus ride to school was quiet, at school, it was quiet as well. Some teachers were affected because John was their generation. Some of my friends were shocked but some really didn’t get the significance at the time and some didn’t care. A few but not many kids acted almost gleeful which pissed me off…It was obvious their parents were talking through them.
I went out and bought the White Album, Abbey Road and Double Fantasy in late December of 1980…I can’t believe I didn’t have the two Beatle albums already…now whenever I hear any song from those albums they remind me of the winter of 80-81. I remember the call-in shows on the radio then…pre-internet… people calling to share their feelings for John or hatred for the killer.
The next few weeks I saw footage of the Beatles on specials that I had never seen before. Famous and non-famous people pouring their heart out over the grief. Planned tributes from bands and everyone asking the same question…why?
My young mind could not process why a person would want to do this to a musician. A politician yea…I could see that…not that it’s right but this? A musician? Martin Luther King, Bobby Kennedy, and JFK were before my time. By the mid-1970s John had pretty much dropped out of sight…John and Yoko released Double Fantasy on November 17, 1980, and suddenly they were everywhere…Less than a month later John was murdered. The catchwords were Catcher in the Rye, Hawaii, handgun and insane. The next day we were duly informed on who killed John in the First, Middle, and Last name format they assign to murderers.
I didn’t want to know his name, his career, his wife’s name, his childhood…I just wanted to know why… he says now…”attention”
I noticed a change happened after that Monday night. John Lennon was instantly turned into a saint, something he would have said was preposterous. Paul suddenly became the square and the uncool one and George and Ringo turned into just mere sidemen. Death has a way of elevating you in life. After the Anthology came out in the 90s that started to change back a little.
I called my dad a few days after it happened and he said that people were more concerned that The Beatles would never play again than the fact a man, father, and husband was shot and killed. He was right and I was among those people until he said that. Dad was never a fan but he made his point.
Some of these restaurant chains, people will remember some won’t because it depends on where you live and if any were in your market. A few may have a handful open with Franchisees but for the most part, they are closed.
Steak and Ale -1966 – 2008 I liked the Mock Tudor building and the atmosphere inside…the food was good. They are trying to make a comeback…I hope they make it. Last time I ate at one was in the 90s in Huntsville Alabama.
Burger Chef – 1954 – 1996 They had over 1200 locations at one time. Many were bought out and turned into Hardees.
Rax Roast Beef 1967 – (handful open now)I liked the Roast Beef but the best thing was the chocolate chip milkshake. There are a few lone Franchisees left. I remember going to them in the 80s.
Minnie Pearl’s Fried Chicken 1968 to mid-1970s – How-dee-licious…indeed. It was actually really good. When I was in 2nd grade we would go to one in a nearby town once in a while…really good chicken… it went down because of faulty accounting… Great article here.
Bennigan’s 1976 – (Bennigan’s and Steak and Ale making a comeback together)An Irish Pub theme restaurant. I went there a few times. There are a few locations left…
Red Barn – 1961-1988 They were known for the “Big Barney” and Barnbuster burger. I see an old Red Barn where I work and now it’s a Mexican restaurant.
Howard Johnson’s Restaurant – 1953-2017 I do remember eating at a few of these traveling. In 2017 there was one left in New York but the owner was arrested and now it’s closed.
LUMS – 1956-1982 I did go to one but I was really young and traveling at the time.
Bonanza Steak House – 1963 – 2008 (bankruptcy) There are a few of these left… these and Ponderosa… Dan Blocker (Hoss Cartwright) was an original investor. In the late seventies before we would go to a movie we would stop at a Bonanza. I did go to a Ponderosa a few years back.
This song came off of the great Document album. With some REM songs it takes a few listens for me but this one… the first time was enough to know I really liked it. It was recorded in the Sound Emporium in Nashville, Tennessee. The song peaked at #69 in 1988. The song was inspired by Subterranean Homesick Blues by Bob Dylan and you can tell.
Michael Stipe said: “The words come from everywhere. I’m extremely aware of everything around me, whether I am in a sleeping state, awake, dream-state or just in day to day life. There’s a part in ‘It’s The End Of The World As We Know It’ that came from a dream where I was at Lester Bangs’ birthday party and I was the only person there whose initials weren’t L.B. So there was Lenny Bruce, Leonid Brezhnev, Leonard Bernstein… So that ended up in the song along with a lot of stuff I’d seen when I was flipping TV channels. It’s a collection of streams of consciousness.”
Stipe claims to have a lot of dreams about the end of the world, destroyed buildings and the like. His stream-of-consciousness writing style in this is very similar to the way a dream moves.
This started off as a song called “Bad Day,” and had lyrics decrying the politics of the Reagan administration. R.E.M. finally released “Bad Day” on their 2003 hits compilation album, In Time: The Best of R.E.M. 1988-2003.
When R.E.M. played this live, the audience reacted with a party vibe that threw off the band. They thought the apocalyptic lyrics would create a more subdued response.
Michael Stipe said that the lyrics were written to make people smile. The words he used tend to make your mouth smile when you speak them. >>
In the last verse, the line, “The other night I tripped at Knox” refers to Knox College in Galesburg, Illinois, where the band had a night of fun.
This appears in the movies Dream A Little Dream, Independence Day, Tommy Boy and Chicken Little. >>
The government of the Soviet Union allowed this to appear on a 1990 Greenpeace album that was distributed there.
Billy Joel had a huge hit two years later when he used the rapid-vocal, stream of consciousness lyric style on “We Didn’t Start The Fire.”
This appeared in an episode of The Simpsons when Homer and Moe are fighting about Moe’s new bar. Homer opens his own bar in his garage and then lies to REM about why they are playing there. >>
Brett Anderson, lead singer of the all-girl band The Donnas, told Rolling Stone magazine that she is an “R.E.M. geek” and can recite all of the lyrics to the song.
It’s the End of the World as We Know It (And I Feel Fine)
That’s great, it starts with an earthquake Birds and snakes, and aeroplanes And Lenny Bruce is not afraid
Eye of a hurricane, listen to yourself churn World serves its own needs, Don’t mis-serve your own needs Speed it up a notch, speed, grunt, no, strength, The ladder starts to clatter With a fear of height, down, height Wire in a fire, represent the seven games And a government for hire and a combat site Left her, wasn’t coming in a hurry With the Furies breathing down your neck
Team by team, reporters baffled, trumped, tethered, cropped Look at that low plane, fine, then Uh oh, overflow, population, common group But it’ll do, save yourself, serve yourself World serves its own needs, listen to your heart bleed Tell me with the Rapture and the reverent in the right, right You vitriolic, patriotic, slam fight, bright light Feeling pretty psyched
It’s the end of the world as we know it It’s the end of the world as we know it It’s the end of the world as we know it and I feel fine
Six o’clock, T.V. hour, don’t get caught in foreign tower Slash and burn, return, listen to yourself churn Lock him in uniform, book burning, bloodletting Every motive escalate, automotive incinerate Light a candle, light a motive, step down, step down Watch your heel crush, crush, uh oh This means no fear, cavalier, renegade and steering clear A tournament, a tournament, a tournament of lies Offer me solutions, offer me alternatives and I decline
It’s the end of the world as we know it (I had some time alone) It’s the end of the world as we know it (I had some time alone) It’s the end of the world as we know it and I feel fine (time I had some time alone) I feel fine (I feel fine)
It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it and I feel fine (time I had some time alone)
The other night I drifted nice continental drift divide Mountains sit in a line, Leonard Bernstein Leonid Brezhnev, Lenny Bruce and Lester Bangs Birthday party, cheesecake, jellybean, boom You symbiotic, patriotic, slam but neck, right, right
It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it and I feel fine (time I had some time alone)
It’s the end of the world as we know it It’s the end of the world as we know it It’s the end of the world as we know it and I feel fine (time I had some time alone)
It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it and I feel fine (time I had some time alone)
It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it (time I had some time alone) It’s the end of the world as we know it and I feel fine (time I had some time alone)
Robert Plant, Paul Rodgers, Freddie Mercury, and Mick Jagger gets brought up when talking about great lead singers. I’ve had this conversation with friends and musicians. Who was the best rock bass player, guitar player, drummer, and lead singer?
Steve Marriott rarely gets brought up by anyone because he is sadly not remembered as well as he should be. I’ve listened to Marriott for years and the guy still amazes me. He could sing blues, R & B, Rock, and Pop. He could do anything because not only was he a great singer a good songwriter and he was a very good guitar player.
He influenced many singers from the 60s and beyond. Below is the Small Faces doing “You Need Lovin'” and I think Robert Plant was listening. This was before Zeppelin.
The Small Faces played Rock, R & B, and Blues music but what they are famous for are the two pop singles Itchycoo Park and Lazy Sunday. Marriott was upset about Lazy Sunday being released as a single because he’d recorded the song as a joke and it was released despite his objections. They are also known for one of the best albums of the sixties Ogdens’ Nut Gone Flake. Q magazine placed Ogdens’ Nut Gone Flake at number 59 in its list of the 100 Greatest British Albums Ever. Steve Marriott and Ronnie Lane wrote most of the album.
Because of bad management, a pop image, and a lack of a follow up to Ogedens’ Nut Gone Flake the Small Faces broke up. Marriott wanted to play harder music so he and Peter Frampton started a band called Humble Pie.
Humble Pie had some great songs but nothing really caught on with the masses. That’s not always a bad thing but they never had a big song identifiable to them as some other bands do. They did have four top twenty albums but were more known as a live band…check out Performance Rockin’ the Fillmore
Their manager was Dee Anthony who had connections with the Mob. Everything was ok until Steve wanted to know where the money was at. Marriott began openly questioning Anthony’s business practices, the singer was summoned to a meeting at a social club in New York’s Little Italy. According to Marriott’s ex-wife, among those in attendance were John Gotti and several other members of the Gambino crime family. Marriott was quietly persuaded to forget about any money he thought he had coming to him.
The Small Faces reunited, without Lane, between 1976-1978 but punk was taking over and they were not successful. In 1980 Humble Pie reunited but didn’t have much luck either.
In 1981 Steve and Ronnie Lane made an album together that wasn’t released until 2000 after both were passed away. It was called The Legendary Majik Mijits and I really like the recording. You can tell they recorded it in 1981 but it contains some hidden gems.
Steve played many club gigs in the 80s, some you can still see on youtube. In 1991 while working on an album with Peter Frampton he flew back home and went to sleep with a lit cigarette and died of smoke inhalation…he was 44 years old.
A sad ending to a performer who could have been huge. Perhaps if he would have lived longer he would have revived his career and been more remembered today.
Steve had a huge voice that came out of his 5 foot 5 frame. When Jimmy Page was looking for a singer for his new band Page had thought about Marriott but he was managed by the notorious Don Arden, who had reportedly responded by asking how well Page thought he would play guitar with 10 broken fingers.
What other artists say about Steve Marriott
Keith Richards has said that Mariott is in his top 5 favorite artists and considered having Steve in the Stones to replace Mick Taylor when he left…an idea that Mick Jagger rejected.
“Probably, really, my favorite other bands ever, Steve Marriott’s, very much from the English point of view, the Small Faces, then he had Humble Pie.
Chris Robinson of The Black Crowes To me it’s so obvious I’m a Steve Marriott rip-off that I never think about Rod. I admit it. Steve Marriott is the guy, him and Paul Rodgers and Gregg Allman.
Robert Plant (about the Song Remains the Same)I wanted to be like, “Come on!” I wanted to be Steve Marriott, for fuck’s sake.
Paul RodgersI was rooting around in my cupboard the other day, actually, just yesterday, and I found a bunch of Steve Marriott live stuff and I put it on and MY GOD, that guy was unbelievable!
Documentary about Steve Marriott
Humble Pie with Marriott and Frampton.
Steve and Ronnie Lane in 1981. Some very good songs
In the mid-seventies, I remember digital watches started to appear around our school. I thought they were really cool. I got one when the price came down. I had a friend named Paul who shunned me a little after I got it. He said he thought they were for only people would couldn’t tell time…no Paul.
After Roger Moore was seen with one in Live and Let Die it was the thing to have. It’s hard to believe a watch could make me so excited back then with its red numbers that only lit up when you clicked it because it would drain the battery if it stayed lit.
Later on, in the early eighties, I went to the now-defunct Service Merchandise and my mom bought me a digital display wristwatch for my birthday that played the Beatles Hey Jude…midi style. I would give anything for that watch now.
In 1972, Hamilton introduced the world’s first commercial electronic digital wristwatch. It retailed for the pricey sum of $2,100. The Hamilton Pulsar P1 was encased in 18-carat gold.
Roger Moore as the one and only James Bond…his arm anyway. The Pulsar II
The very first liquid crystal display (LCD) watch was introduced in late 1972. These Dynamic Scattering LCDs were power-hungry and unstable, and the market soon moved on to TN Field Effect displays. The Seiko 06LC was one of the first to use the new effect display and it stuck for decades.
Hamilton Pulsar Calculator Watch came in 1976. The buttons were extra small but every model had an improvement.
By 1977 the watches really started to fall in price. Star Wars watches were everywhere and they were a more affordable 16.95. A long way from the 18-carat gold watches.
In 1982 the Seiko TV Watch was released. It allowed owners to view live broadcast TV on a tiny blue/gray LCD screen embedded into the watch face. But…and there is a but…an external tuning device had to be connected to the watch. I don’t remember these but it is incredible they had these in 1982… If you had one of these please comment…were they clear at all?
Now with Apple watches that can tell you your heart rate and bank account…they have come a long way.
The audio version is 12 hours and it went by fast… I will get the hard copy of this book.
Kenney Jones was the drummer of three of England’s most influential bands – The Small Faces, The Faces and for a few years The Who. I was pleasantly surprised by this book. Kenney keeps the book interesting from his childhood, teen years, swinging London, the Swinging Seventies, up til now.
I never knew much about the Small Faces and Faces and this book answered some questions I had about both bands. He gave much more information than Roger Daltrey did in his book about Jone’s tenure as the drummer of the Who and their difficulties. Personally, I don’t think Kenney was the right drummer for the Who but then again…I don’t think anyone could have taken Moon’s place. He does give an interesting perspective on it though.
I didn’t’ realize that Keith Moon and Kenney were as close as they were. Kenney had played with the Who before in sound checks when the Small Faces and Who were touring with each other and Moon couldn’t be found. After Moon died a few strange things happened to Kenney right before Bill Curbishley (The Who’s Manager) called to see if he would join. The strange events helped him make the decision.
He goes over his career thoroughly and he doesn’t leave any gaps. He also talks about being in the band “The Law” with Paul Rodgers and now he is with The Jones Gang that had a #21 hit with Angel in 2005. He also owns a Polo club, is working on an animation of Ogden’s Nut Gone Flake, and fighting for the control of the Small Faces music which was lost a long time ago. He doesn’t need the money he just wants it put right.
Near the end, he sums up the three big bands he was involved in… The Small Faces were the most creative, The Faces were the most fun, and The Who were the most exciting and professional. You can tell though that his love is with the Small Faces and he does wonder how far they could have gone if they would have had decent management. He said they never realized how good of a band they were.
Am I a big Devo fan? No, I’m not but I do like some of their songs. I do respect them…I can’t help but respect them. They had no peers…they did what they did better than anyone else…because they were the only ones that did it. Whatever it is. They are just so bizarre but I can’t help but admire them.
I showed my son the SNL clip of Devo when he was around 10-12 years old and I looked around at his confused look… his mouth was hung open. He asked me slowly…Dad, what was that? Son, that was Devo…it still works.
Whip It peaked at #14 in the Billboard 100, #11 in Canada and #51 in the UK. This song was by far their most successful though they barely missed the top 40 in 1981 with Working In a Coal Mine.
The song was written about whipping your problems but when the band heard that many people took the lyrics the wrong way…they made a video to play up to that thought.
Jerry Casale: “We made a video to it for like $15,000 that was shot in our rehearsal studio. We kind of magnified that myth that this was a song about whipping and sadomasochism. We decided to make the video feed that popular misconception and had a lot of fun doing it. It was one of the few times Devo worked like that, usually, we would start with a visual idea or story and write music to fit it. In this case, we didn’t originally have a video idea for ‘Whip It,’ and when people started thinking it was a song about whacking off or sadomasochism, we had these quack books that we would collect from junk stores or vintage magazine stores that served as inspiration or jokes. There was this one magazine that I found in a store in Santa Monica. It was a 1962 men’s girlie mag called Dude, I think.
There was a feature article on a guy who had been an actor and fell on hard times, he wasn’t getting parts anymore. He moved with his wife to Arizona, opened a dude ranch and charged people money to come hang out at the ranch. Every day at noon in the corral, for entertainment, he’d whip his wife’s clothes off with a 12-foot bullwhip. She sewed the costumes and put them together with Velcro. The story was in the magazine about how good he was and how he never hurt her. We had such a big laugh about it, we said, ‘OK, that’s the basis for the video. We’ll have these cowboys drinking beer and cheering Mark on as he’s in the barnyard whipping this pioneer women’s clothes off while the band plays in the corral.’
Back then, nobody cared. MTV had just started up in three cities, we had already shot five videos before Whip It, and nobody cared. There was no industry around it, there were no gatekeepers, there was no pecking order, there were no video commissioners, there were no representatives going, ‘No, you can’t do that, we won’t show that.’ There wasn’t enough money or power involved for anybody to care, so we were just considered crazy artists that went out and did whacko things. So we made the video and one day we started showing it in concerts and then MTV started playing it.”
Whip It
Crack that whip Give the past the slip Step on a crack Break your momma’s back
When a problem comes along you must whip it Before the cream sits out too long you must whip it When something’s going wrong you must whip it
Now whip it into shape Shape it up Get straight Go forward Move ahead Try to detect it It’s not too late to whip it Whip it good
When a good time turns around you must whip it You will never live it down unless you whip it No one gets their way until they whip it I say whip it whip it good I say whip it whip it good
Crack that whip Give the past the slip Step on a crack Break your momma’s back
When a problem comes along you must whip it Before the cream sits out too long you must whip it When something’s going wrong you must whip it
Now whip it into shape Shape it up Get straight Go forward Move ahead Try to detect it It’s not too late to whip it into shape Shape it up Get straight Go forward Move ahead Try to detect it It’s not too late to whip it Whip it good
and for the bonus Devo track of the day… Peek a Boo
I have had a bean bag in my place of residence ever since I was a teenager. They are very handy to throw somewhere and sit. When you play guitar or want to watch a movie it’s a comfortable place to sit. They are also affordable and can be a good alternative sometimes to chairs.
The only part of owning one I don’t like is the inevitable end when the white small styrofoams like “beans” (expanded polystyrene) start coming out and going everywhere.
I would like to get an original leather bean bag one day.
According to some historians, bean bags were first invented by the ancient Egyptians sometime around 2000 B.C., and for thousands of years, they were used to play games and for other recreational diversions. The first bean bags were small, round and made of leather. They were most likely filled with dried beans or pebbles.
The first bean bag chairs as we know them were developed in the sixties. They were first called a Sacco chair, and released in 1969. They were designed by Cesare Paolini, Piero Gatti, and Franco Teodoro who were commissioned to create the piece by Zanotta Design in Italy.
Bean bags were huge in the 1970s and they were at first usually made of leather and filled with PVC (short for PolyVinyl Chloride) pellets. Soon nylon and polyester were used with expanded polystyrene (EPS) for filler. That combination proved to be more durable.
During the 1980s and 1990s, the popularity of bean bags declined greatly in popularity, but they were still being manufactured by several companies.
Now they are now experiencing a strong resurgence in popularity. You can get a regular bean bag or one pre-formed into a chair or couch. They are being sold for use as pet beds.
I just finished the audio version of this book. I’m a huge Who fan and I was looking forward to it. It was nice to hear the book narrated by Roger himself. It’s a solid book but I have only one complaint that I will get into below.
The positive about the book is you find out more about the different personalities of the Who and the reason they fought. Pete the artist, John the dark one, Keith the lunatic, and Roger blue-collar man of the band. We all knew those descriptions before but Roger tries to explain how it worked and didn’t work as a band. If you want to know The Who’s impact on rock music and culture go to Pete Townshend. If you want to get straight to the point with just the highlights…Roger is your man.
Roger is grounded, avoided most of the pitfalls in his profession, hard-working, and loves interpreting Pete’s music to the world. He goes into how he changed his singing style with Pete’s writing. How he became Tommy and the mod in Quadrophenia. He hits the highlights of The Who and his life without the Who in the 80s and part of the 90s.
The strongest part of this book is about his childhood and his collection of relatives. Roger seems very approachable, likable, and down to earth. Roger was the one constant in the band that you didn’t have worry about his on tour activities. He does talk about the high points of the Who and his acting career.
My biggest complaint is the book is too short. You get the impression that he didn’t think that anyone would want to hear any details whatsoever. He does give you some good stories but touches a subject and quickly leaves. It’s almost a cliff notes version as he didn’t dwell in any period long.
It is a quick and enjoyable read but leaves you wanting more.
Ringo Starr and Robin Cruikshank formed a partnership in 1969 and they were located in the Beatles Apple building on Savile Row. In 1972 relocated with Apple to 54 St James Street.
Robin had originally worked for Ringo to design a stainless steel fireplace for Ringo and his wife Maureen. Ringo started to give Robin some suggestions and the two started to worked together on furniture and different designs for years after that. The partnership lasted until 1986 and after that Ringo let Robin use the name so Cruikshank could continue different projects.
If you ever run across anything made by RoR you probably have something very valuable.
Below was designed by RoR. I can’t imagine what it would have cost. I would take it in a second.
I remember seeing the below item on the news. Very expensive because they didn’t use reproduction parts…they all had authentic Roll Royce grills.
Here are some tables by RoR.
Below is Robin’s website featuring his new designs plus much more history.
This is a well-crafted song written by Russ Ballard and performed by Santana. I’m Winning didn’t have a Latin style like many of his seventies songs…it was more pop/rock and very catchy. It peaked at #17 on the Billboard 100 in 1981. Scottish vocalist Alex Ligertwood sang this song after Greg Walker left the band a little earlier.
It was released on the Zebop! album, a fascinating transitional LP that pushed Santana into the ’80s without completely abandoning the old mojo, “Winning” is anchored by one of the best vocal performances in the band’s catalog. His voice doesn’t just carry the tune; it owns it. He’s not just singing about triumph; he sounds like a man who’s been through the ringer and is finally exhaling.
Musically, this is a curious beast. Carlos’s guitar tone cuts through like sunlight through smoke. He doesn’t showboat, doesn’t shred, he sings with his strings, giving the track an emotional lift that Ballard’s original lacked.
Ligertwood also sang on the hit Hold On the next year.
I’m Winning
One day I was on the ground When I needed a hand Then it couldn’t be found I was so far down that I couldn’t get up You know and one day I was one of life’s losers Even my friends were my accusers In my head I lost before I begun I had a dream but it turned to dust And what I thought was love That must have been lust I was living in style When the walls fell in And when I played my hand I looked like a joker Turn around fate must have woke her Cause lady luck she was waiting outside the door I’m winning I’m winning I’m winning I’m winning and I don’t intend on losing again Too bad it belonged to me It was the wrong time and not meant to be It took a long time and I’m new born now I can see the day that I bleed for If it’s agreed that there’s a need To play the game and to win again
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PowerPop... An Eclectic Collection of Pop Culture 