1960s – Page 73 – PowerPop… An Eclectic Collection of Pop Culture

Wacky Races

I would watch this on those magical Saturday mornings when the cartoons last until around noon. Then out the door, I would go but from 7am – noon it was a kids world.

Wacky Races is about a series of car competitions where eleven racers race in different location all over North America. The story revolves around Dick Dastardly and his dog Muttley who is determined to cheat just to win the game but they always lose every time. Wacky Races was produced by Hanna-Barbera and aired from 1968 to 1970.

Inspired by the 1965 film The Great Race the cartoon features eleven teams of racers competing to win the title of “World’s Wackiest Racer.” The roster of competitors included: Dick Dastardly and Muttley, The Slag Brothers, The Gruesome Twosome, Professor Pat Pending, The Red Max, Penelope Pitstop, Sergeant Blast and Private Meekly, The Ant Hill Mob, Lazy Luke, and Blubber Bear, Peter Perfect, and Rufus Ruffcut and Sawtooth.

The Honeybus – I Can’t Let Maggie Go

My 19-year-old son came in tonight and said a quick Hi Dad…he then muttered: “I Can’t Let Maggie Go… Honeybus.” I, of course, asked him what the hell he was talking about. He told me it was a song by a band named Honeybus (I thought it was a new band) and to listen to it because he couldn’t get it out of his head. I didn’t ask him where he heard this song but it stuck with me …late 60s light pop.

The band formed in London in 1967. After hitting with this song they were on the front page of music magazines Disc and Music Echo. The song peaked at #8 in the UK in 1968…but this would be their only hit.

I Can’t Let Maggie Go

She makes me laugh, she makes me cry, with a twinkle of her eye
She flies like a bird in the sky
She flies like a bird and I wish that she was mine
She flies like a bird, oh me, oh my
I see her sigh
Now I know, I can’t let Maggie go

We walk here and we walk there
People stop and people stare
‘Cause she flies like a bird in the sky
She flies like a bird and I wish that she was mine
She flies like a bird, oh me, oh my
I see her sigh
Now I know, I can’t let Maggie go

She flies like a bird in the sky
She flies like a bird and I wish that she was mine
She flies like a bird, oh me, oh my
I see her sigh
Now I know, I can’t let Maggie go

Oh yes, she flies like a bird in the sky
She flies like a bird and I wish that she
was mine (Oh yes, I wish that she was mine)
She flies like a bird, oh me, oh my
I see her sigh
Now I know, I can’t let Maggie go

Nicky Hopkins

I’ve never been a keyboard player…but when I think of keyboardists this man comes to mind. He was one of the busiest session men in the business.

Nicky Hopkins started with Screaming Lord Sutch’s Savages, which also included Jimmy Page… He played with the Cyril Davies All-Stars, one of the first British rhythm & blues bands. Because of illnesses, he started to play on studio sessions. In the studio, he played with the Beatles, Who, Kinks, Rolling Stones and just about everyone else of that era.

He later joined the Jeff Beck Group and was a full member of the Quicksilver Messenger Service.

I’ve read about Nicky from other artists books when I was younger but didn’t know until the internet how many great recordings he played on…Also that he sometimes toured with bands like the Stones on perhaps their greatest tour…the 1972 tour. The first I heard of him was reading he played piano on Revolution by the Beatles.

Here are some other artists talking about Nicky.

Ray Davies: Nicky, unlike lesser musicians, didn’t try to show off; he would only play when necessary. But he had the ability to turn an ordinary track into a gem – slotting in the right chord at the right time or dropping a set of triplets around the back beat, just enough to make you want to dance. On a ballad, he could sense which notes to wrap around the song without being obtrusive. He managed to give “Days,” for instance, a mysterious religious quality without being sentimental or pious.

Pete Townshend: “Nicky was a great talent…He is gone but his wonderful playing will live on and I’m proud that so much of his work will be heard as part of my own. Nicky is a big part of my work and I think of him often.”

Joe Walsh: “We just said, “Hey, we’re not going to tell you what to play! You can play anything you want, dude and it’ll be just fine with us.” Nicky was at his absolute best. He was just playing fantastic and coming up with these parts that just were so special.”

Keith Richards: “What I liked about Nicky is you’d give him a song and he’d develop it, with a couple of passes, into something, almost immediately. He was so easy to work with and he could hang; we’d do sessions for fifteen hours, sometimes two days
and he’d still be there, you know.”

Nicky died in Nashville Tn in 1994 from complications of surgery from Crohn’s Disease.

Below I copied a highlight of his discography.

It’s from the Nicky Hopkins website…It reads like a who’s who in music. These are just some of the albums and singles Nicky played on.

http://www.nickyhopkins.com/?page_id=6

NICKY HOPKINS DISCOGRAPHY HIGHLIGHTS

THE SIXTIES

THE WHO, My Generation, Brunswick/Decca USA
THE KINKS, The Kinks Kontroversy, Pye/Reprise
NICKY HOPKINS, The Revolutionary Piano Of…, CBS
THE KINKS, Face To Face, Pye / Reprise
ROLLING STONES, Between The Buttons, Decca/London
ROLLING STONES, Their Satanic Majesties Request, Decca/London
ROLLING STONES, Beggar’s Banquet, Decca/London
KINKS, Village Green Preservation Society, Pye/Reprise
JEFF BECK GROUP, Truth, Columbia/Epic
THE KINKS, Something Else By The Kinks, Pye/Reprise
DUSTY SPRINGFIELD, Dusty…Definitely, Philips
ROLLING STONES, Let It Bleed, Decca/London
JEFF BECK GROUP, Beck-Ola, Columbia / Epic
STEVE MILLER BAND, Brave New World, Capitol
STEVE MILLER BAND, Your Saving Grace, Capitol
JEFFERSON AIRPLANE, Volunteers, RCA
FAMILY, Entertainment, Reprise
ROY HARPER, Folkjokeopus, Liberty
ELLA FITZGERALD, Ella, Warner Brothers
THE MOVE, The Move, Cube
BILLY NICHOLLS, Would You Believe, Immediate

THE SEVENTIES

STEVE MILLER BAND, Number 5, Capitol
QUICKSILVER MESSENGER SERVICE, Shady Grove, Capitol
VARIOUS, Woodstock, Atlantic
ROLLING STONES, Sticky Fingers, Rolling Stones Records
THE WHO, Who’s Next, Track
NICKY HOPKINS, Jamming With Edward, Rolling Stones Records
JOHN LENNON, Imagine, Apple
ROLLING STONES, Exile On Main Street, Rolling Stones Records
HARRY NILSSON, Son Of Schmilsson, RCA Victor
CARLY SIMON, No Secrets, Elektra
NICKY HOPKINS, The Tin Man Was A Dreamer, CBS
GEORGE HARRISON, Living In The Material World, Apple
RINGO STARR, Ringo, Apple
ROLLING STONES, Goat’s Head Soup, Rolling Stones Records
ANDY WILLIAMS, Solitaire, CBS
JOHN LENNON, Walls & Bridges, Apple
ROLLING STONES, It’s Only Rock’n’Roll, Rolling Stones Records
JOE COCKER, I Can Stand A Little Rain, Fly
PETER FRAMPTON, Something’s Happening, A & M
RINGO STARR, Goodnight Vienna, Apple
MARTHA REEVES, Martha Reeves, MCA
NICKY HOPKINS, No More Changes, Mercury (US)
ART GARFUNKEL, Breakaway, CBS
ROLLING STONES, Black & Blue, Rolling Stones Records
JERRY GARCIA, Reflections, United Artists
ROD STEWART, Footloose And Fancy Free, Warner Brothers
JENNIFER WARNES, Jennifer Warnes, Arista
ROD STEWART, Blondes Have More Fun, Riva
LOWELL GEORGE, Thanks I’ll Eat It Here, Warner Brothers
POINTER SISTERS, Priority, Planet

THE EIGHTIES

ROLLING STONES, Emotional Rescue, Rolling Stones Records
TIM HARDIN, Unforgiven, Arc International
GRAHAM PARKER & THE RUMOUR, The Up Escalator, Stiff
ROLLING STONES, Tattoo You, Rolling Stones Records
NILS LOFGREN, Night Fades Away, MCA/Backstreets
MEATLOAF, Dead Ringer, Cleveland/Epic
GRAHAM PARKER & THE RUMOUR, Another Grey Area, RCA
DUSTY SPRINGFIELD, White Heat, Mercury/Casablanca
KING OF COMEDY, Soundtrack, Warner Brothers
CARL WILSON, Youngblood, Caribou
JULIO IGLESIAS, 1100 Bel Air Place, CBS
BELINDA CARLISLE, Belinda, IRS
ROD STEWART, Rod Stewart/Every Beat Of My Heart, Warner Brothers
PAUL MCCARTNEY, Flowers In The Dirt,Capitol
JACK BRUCE, A Question Of Time, Epic

THE NINETIES

ROGER CHAPMAN, Hybrid & Lowdown, Polydor
GARY MOORE, Still Got The Blues, Virgin
NICKY HOPKINS, The Fugitive (Soundtrack), Toshiba-EMI
NICKY HOPKINS, Patio (Soundtrack), Toshiba-EMI
JAYHAWKS, Hollywood Town Hall, Columbia
JOE SATRIANI, Extremist, Legacy Recordings
SPINAL TAP, Break Like The Wind, MCA
MATTHEW SWEET, Altered Beast, Zoo/BMG
JOE WALSH, Robocop Soundtrack, Rhino/Pyramid
GENE CLARK, Under The Silvery Moon, Delta De Luxe
FRANKIE MILLER, Long Way Home, Jerkin’ Crocus

THE SINGLES

SCREAMING LORD SUTCH, Jack The Ripper/Don’t You Just Know It, Decca
THE WHO, Anyway Anyhow Anywhere , Brunswick
THE KINKS, Till The End Of The Day, Pye/Reprise
CYRIL DAVIES R & B ALL STARS, Country Line Special/Chicago Calling, Pye International/Dot
CLIFF BENNETT & REBEL ROUSERS, My Old Standby (B-Side), Parlophone
RITCHIE BLACKMORE ORCHESTRA, Little Brown Jug/Getaway, Oriole
VASHTI, Some Things Just Stick In Your Mind ,Decca
DAVY JONES & THE LOWER THIRD, You’ve Got A Habit Of Leaving, Parlophone
PRETTY THINGS, Midnight To Six Man, Fontana
THE KINKS, Dedicated Follower Of Fashion, Pye/Reprise
THE KINKS, Sunny Afternoon, Pye/Reprise
DAVID BOWIE, Can’t Help Thinking About Myself, Pye
TWICE AS MUCH, Sittin’ On A Fence/Baby I Want You, Immediate
CAT STEVENS, Matthew And Son/Granny, Deram
ROLLING STONES, We Love You, Decca/London
ROLLING STONES, 2000 Light Years/She’s A Rainbow, Decca/London
NICKY HOPKINS, Mr. Pleasant, Polydor/Decca
THE KINKS, Autumn Almanac, Pye (UK)
DAVE DAVIES, Death Of A Clown, Pye/Reprise
JEFF BECK, Beck’s Bolero, Columbia/Epic
YARDBIRDS, Little Games, Columbia
MARC BOLAN, Jasper C. Debussy, Track
PP ARNOLD, The First Cut Is The Deepest, Immediate
BEATLES, Hey Jude/Revolution (B-side), Apple
ROLLING STONES, Jumpin’ Jack Flash, Decca/London
THE KINKS, Days, Pye/Reprise
DONOVAN, Goo Goo Barabajagal, Epic
SCAFFOLD, Lily The Pink, Parlophone
FATS DOMINO, Have You Seen My Baby, Reprise
JOHN LENNON/PLASTIC ONO BAND, Happy Christmas/War Is Over, Apple
THE WHO, Let’s See Action, Track
ROLLING STONES, Tumbling Dice, Rolling Stones
HARRY NILSSON, Remember Christmas, RCA
ROLLING STONES, Angie, Rolling Stones
GEORGE HARRISON, Give Me Love, Apple
RINGO STARR, Photograph, Apple
RINGO STARR, You’re Sixteen, Apple
JOE COCKER, You Are So Beautiful, A & M
ART GARFUNKEL, I Only Have Eyes For You, Columbia
JULIO IGLESIAS / WILLIE NELSON, To All The Girls I’ve Loved Before, CBS
JOE WALSH / STEVE EARLE, Honey Don’t (Beverley Hillbillies), Fox Records
JOE WALSH / FRANKIE MILLER, Guilty Of The Crime, Pyramid
PAUL MCCARTNEY, Beautiful Night/Same Love, Oobu-Joobu 6

Johnny Rivers – Secret Agent Man

The opening guitar riff is worth the price of admission for the song. It’s one of those riffs you are required to learn by law if you want to be a guitar player. It was written by P. F. Sloan and Steve Barri. I always liked the song but it really made an impression on me when a band named the White Animals played this song when they opened up for the Kinks in the early 80s.

The opening lick was written for a CBS TV Show called Danger Man. After the short theme caught on, they wrote a complete song around it. Sloan said ” When the title of the show was changed to Secret Agent, he says it was a breakthrough. “That changed everything,” “The lyric just came together in no time at all. It just worked immediately.”

The song peaked at #3 in the Billboard 100 in 1966.

From Songfacts

This was the theme for a TV series called Secret Agent, starring Patrick McGoohan. Unlike many TV themes, the song held up on its own with a distinctive dueling guitar sound.

This is an example of “Spy” music. The sound implied action and was associated with James Bond movies.

P.F. Sloan and Steve Barri, who at the time was just starting the band The Grass Roots, wrote this song. Secret Agent was a US adaptation of a hit show in England called Dangerman, and CBS needed a 15-second theme to replace the British version. Sloan wrote of the song (from his website): “Somebody thought I should do a full length instrumental of the song. So I did. Meanwhile, the song was picked by CBS and Johnny Rivers recorded the quick 15-second song for the TV show. The Ventures, the genius guitar instrumental group, heard the demo and recorded and released the song way before Rivers even had a finished song. The publishers asked me to finish the song, Rivers recorded it, not one of his favorite songs back then, but he’s happier with it now.”

Some of the artists to record this song include Hank Williams Jr., Devo and Blues Traveler.

This was used in commercials for Wal-Mart and also for Chase credit cards. Some of the many movies to use the song include Repo Man, Bowfinger, Can’t Buy Me Love, Austin Powers: International Man of Mystery, and Ace Ventura: When Nature Calls.

According to P.F. Sloan, Johnny Rivers didn’t like this song and was content to record just the quick TV version until The Ventures charted with it. Both acts recorded for subsidiaries of Liberty Records, and the label was able to convince Rivers to record it.

Sloan told us in 2014 that Rivers had clearly embraced the song. “I saw him about two months ago and I’ve got to say he did an absolutely killer version,” he said. “Johnny must have sang that song half a million times, and he still sings it with so much gusto, and the audience goes nuts. That’s something great to see.”

The Ventures instrumental version peaked at #54 US on March 26, 1966. Rivers’ version hit its peak on April 23. His rendition is substantially longer, running 3:03 vs. 2:17.

Secret Agent Man

There’s a man who leads a life of danger
To everyone he meets he stays a stranger
With every move he makes another chance he takes
Odds are he won’t live to see tomorrow

Secret agent man, secret agent man
They’ve given you a number, I know they’ve take away your name

Beware of pretty faces that you find
A pretty face can hide an evil mind
Ah, be careful what you say
Or you’ll give yourself away
Odds are you won’t live to see tomorrow

Secret agent man, secret agent man
They’ve given you a number, I know they’ve take away your name

Secret agent man, secret agent man
They’ve given you a number, oh they’ve taken away your name

Swingin’ on the Riviera one day
And then layin’ in the Bombay alley next day
Oh, don’t you let you let the wrong word slip
While kissing persuasive lips
Odds are you won’t live to see tomorrow

Secret agent man, secret agent man
They’ve given you a number, oh they’ve take away your name

Secret agent man

The Beatles – The Inner Light

This song was the B side to Lady Madonna and a terrific song and melody. This is a George Harrison song and has gone largely unnoticed. It was George’s first song to appear on a single.

Harrison recorded the instrumental track for The Inner Light in India in January 1968, during the sessions for his Wonderwall Music soundtrack album. The only Beatles studio recording to be made outside Europe, the song introduced instruments such as sarod, shehnai, and pakhavaj.

George was reluctant to sing it because he was afraid he would not do it justice. Paul told him ‘You must have a go, don’t worry about it, it’s good.” McCartney and Lennon coaxed George into singing it. Two days later, McCartney and Lennon overdubbed backing vocals at the very end of the song, over the words “Do all without doing“.

George said about the song: : “Following John and I’s appearance on ‘The Frost Programme,’ the Sanskrit scholar Juan Mascaro, who was present in the audience, wrote a complimentary letter to me praising ‘Within You Without You.'” Juan’s letter stated: “It is a moving song. May it move the souls of millions.” George continues: “He also sent me a book called ‘Lamps Of Fire,’ suggesting that I wrote a song with the words of “Tao Te Ching.’ The words of ‘The Inner Light’ came from that book, page 66, 48a.”

“The Inner Light” finally appeared on an album called Rarities (released in the UK in 1978 and the US in 1980, and then the Past Masters CDs released in 1987.

Paul McCartney’s quote on the song… Forget the Indian music and listen to the melody. Don’t you think it’s a beautiful melody? It’s really lovely.

From Songfacts

George Harrison wrote this song. It was released as the B-side of “Lady Madonna” and was Harrison’s first song to appear on a single.

All the music was recorded by Indian session musicians at the EMI studios in Bombay, India, while George was working on the soundtrack to the movie Wonderwall.

George Harrison had originally recorded this for the Wonderwall soundtrack in January 1968. When The Beatles got together for recording sessions shortly before their trip to India, John and Paul added harmonies to the final line, “Do all without doing.”

The lyrics are a translation of a section of the Tao Te Ching. Juan Mascaro, a Sanskrit teacher at Cambridge University, sent the book to George.

This was Harrison’s last Indian-themed Beatles song.

The original release was in mono; a stereo version was mixed in 1970 and used on the Past Masters compilation. The mono mix features an extra Indian instrument in the intro that did not make it to the stereo version.

Jeff Lynne from Electric Light Orchestra performed this at George Harrison’s 2002 memorial show The Concert For George. Lynne was good friends with Harrison and played with him in The Traveling Wilburys.

The Inner Light

Without going out of my door
I can know all things of earth
Without looking out of my window
I could know the ways of heaven
The farther one travels
The less one knows
The less one really knows

Without going out of your door
You can know all things on earth
Without looking out of your window
You could know the ways of heaven
The farther one travels
The less one knows
The less one really knows

Arrive without traveling
See all without looking
Do all without doing

Please Don’t’ Squeeze The Charmin

In 1978 Mr. Whipple was named the third-best-known American — just behind former President Nixon and Billy Graham.

From 1964 to 1985, and over the course of more than 500 different TV commercials we saw Mr. Whipple lecture shoppers on squeezing the Charmin. Mr. Whipple was really neurotic with the Charmin.

Dick Wilson was a character actor who got the role as Mr. Whipple and turned “Please don’t squeeze the Charmin” into a national catchphrase as exasperated shopkeeper Mr. Whipple in the Charmin TV commercial campaign that ran for more than two decades

The character of Mr. Whipple was created by an advertising executive, John Chervokas. He is credited with developing the character, his persona, and his most memorable catchphrase, “Please don’t squeeze the Charmin!”

Procter & Gamble eventually replaced the Whipple ads with cartoon bears. When Mr. Whipple returned in 1999, he was shown coming out of retirement against the advice of his buddies for one more chance to peddle Charmin.

Dick Wilson passed away at 91 in 2007.

The Jetsons

I always liked the Jetsons and the push-button future…which some of that did come true except the flying cars and such…but we have some of the push-button technology. It was always a fun watch. Hard to believe it only ran for 3 seasons…the 1st in the sixties and the last two…two decades later in the 80s.

The Jetsons was a cartoon produced by Hanna-Barbera. It aired from September 23, 1962, to March 17, 1963, then it later ran in syndication with new episodes from 1985 to 1987. When it came on it only lasted that one season. One of the reasons it was said because only three percent of American households had a color television set and the show looked flat in black and white.

The next two seasons were between 1985 and 1987. The artwork looked a little different and the plots were a little weaker. They did make a cross over movie between the Flintstones and the Jetsons called The Jetsons Meet the Flintstones in 1987.

The Who – So Sad About Us —Powerpop Friday

So Sad About Us could be the definition of powerpop.

This song was not a hit…in fact, it was never released as a single. The Who recorded this song in 1966, though it was originally written for the Merseys, a band that shared the Who’s manager and had a hit with a Townshend-produced version of the song that same year. It is one of the most covered songs by the Who. I remember the version by the Jam.

The song was on the album A Quick One. The album didn’t chart in America but it did peak at #4 in the UK in 1966.

So Sad About Us

La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la

So sad about us
So sad about us
Sad that the news is out now
Sad, suppose we can’t turn back now
Sad about us

So bad about us
So bad about us
Bad, never meant to break up
Bad, suppose we’ll never make up
Bad about us

Apologies mean nothing
When the damage is done
But I can’t switch off my loving
Like you can’t switch off the sun

La la la la la la la
La la la la la la la
La la la la la la la
La la la la la la la

La la la la la la la la la la
La la la la la la la la la la

So sad about us
So sad about us
Sad, never meant to break up
Sad, suppose we’ll never make up
Sad about us

Jimi Hendrix – Crosstown Traffic

“Crosstown Trafic” was recorded at the Record Plant in 1968. Traffic’s Dave Mason was a guest vocalist on this song. This song includes a famous kazoo riff, which Hendrix originally performed using a comb and a piece of cellophane.

This song peaked at #52 on the Billboard 100 in 1968. The album was Electric Ladyland and it was Jimi’s only number 1 album in Billboard.

Hendrix wanted a Linda Eastman photo for the album cover… A photo of the band and some kids at Central Park on an Alice In Wonderland Statue… he wrote “Please use color picture with us and the kids on the statue for front or back cover — OUTSIDE COVER,” but Reprise ignored his request…this is the photo he wanted.

Instead, they used this one

The UK cover was of 19 nude women which again…Jimi didn’t want or ask for… The public opinion was that the cover was tasteless. Hendrix agreed. He distanced himself from the photo in interviews and proclaimed disdain for the photo.

From Songfacts

This song is about a girl who is hard to get rid of. Getting through to her that she’s not wanted is like getting through crosstown traffic.

The lyrics are similar to many Blues songs in that they are filled with sexual references in clever metaphors: “I’m not the only soul, who’s accused of hit and run, tire tracks all across your back, I can see you’ve had your fun.”

Dave Mason from the group Traffic sang on this. That’s him singing the high part on the word “Traffic.”

Chas Chandler produced the original tracks, but Hendrix remixed them when he started producing his own music in 1968.

Crosstown Traffic

You jump in front of my car when you
you know all the time
Ninety miles an hour, girl, is the speed I drive
You tell me it’s alright, you don’t mind a little pain
You say you just want me to take you for a drive

You’re just like crosstown traffic
So hard to get through to you
Crosstown traffic
I don’t need to run over you
Crosstown traffic
All you do is slow me down
And I’m tryin’ to get on the other side of town

I’m not the only soul who’s accused of hit and run
Tire tracks all across your back
I can, I can see you had your fun
But, darlin’ can’t you see my signals turn from green to red
And with you I can see a traffic jam straight up ahead

You’re just like crosstown traffic
So hard to get through to you
Crosstown traffic
I don’t need to run over you
Crosstown traffic
All you do is slow me down
And I got better things on the other side of town

Animals – Don’t Let Me Be Misunderstood

This song peaked at #15 in the Billboard 100 and #3 in the UK in 1965. The Animals were a tough Rhythm and Blues band formed in Newcastle upon Tyne. Burdon’s voice drives this Animals song.

This song was written by Horace Ott, Bennie Benjamin, and Sol Marcus. Benjamin and Marcus were a songwriting team that had been working together since the 40s… their songs include “Lonely Man” by Elvis Presley and “Fabulous Character” by Sarah Vaughan.

Ott started writing the song after getting in a heated argument with Gloria Caldwell, whom he had recently married. Sitting down at the piano, he expressed in song how he was well-intentioned, but misunderstood by his wife – a sentiment many married men could relate to.

Gloria Caldwell is listed on the credit instead of Ott because of contractual issues. She learned to understand him: the couple stayed together.

The Animals were one of the British Invasion bands…One of the rawer and bluesy bands.

From Songfacts

Nina Simone was the first to record this song, releasing an orchestrated, downtempo rendition on her 1964 album Broadway-Blues-Ballads that nicked the US chart at #131. The best-known version is by The Animals, who reworked it into a rock song. Eric Burdon recalled in Rolling Stone magazine, “It was never considered pop material, but it somehow got passed on to us and we fell in love with it immediately.”

In our 2010 interview with Eric Burdon, he said: “I’ve really been misunderstood. By my mom, my dad, school teachers, a couple of the women that I married. I’ve been misunderstood all of my life.”

In 2013, Eric Burdon recorded a new version of this song with Jenny Lewis for the HBO TV series True Blood. “When I was asked to record a new version of ‘Don’t Let Me Be Misunderstood’ for the new season with Jenny Lewis, I had to bite,” Burdon said of recording the song for the vampire drama. The song was included on Volume 4 of the show’s soundtrack.

Other well-known versions include covers by:

Joe Cocker, who covered this on his 1969 debut album, With a Little Help from My Friends. His version was played over the ending credits of the 2004 film Layer Cake.

Disco group Santa Esmeralda’s 1977 dance version, which incorporated flamenco, salsa, and other Latin rhythm and ornamentation elements. Released as a single it reached #15 on the Billboard Hot 100. The song’s instrumental passage was later used by Quentin Tarantino during the duel between The Bride and O-Ren Ishii in his 2003 movie Kill Bill: Volume 1

Lana Del Rey, who covered this for her 2015 Honeymoon album. Her version is in the vein of Nina Simone’s jazz original but also uses The Animals organ sound. Del Rey had previous covered another Nina Simone song “The Other Woman” for her Ultraviolence album. The “Video Games” singer told NME she is drawn to Simone’s “melodies and words.” “Personality-wise we’re quite different,” she added. “We may have had some of the same issues, but I picked that song simply because it resonated with me.”

Don’t Let Me Be Misunderstood

Baby, do you understand me now?
Sometimes I feel a little mad
But don’t you know that no one alive can always be an angel
When things go wrong I feel real bad.

I’m just a soul whose intentions are good
Oh Lord, please don’t let me be misunderstood

Baby, sometimes I’m so carefree
With a joy that’s hard to hide
And sometimes it seems that, all I have to do is worry
And then you’re bound to see my other side

I’m just a soul whose intentions are good
Oh Lord, please don’t let me be misunderstood

If I seem edgy, I want you to know,
That I never mean to take it out on you
Life has its problems, and I get my share,
And that’s one thing I never mean to do

Cause I love you,
Oh,

Oh, oh, oh, baby – don’t you know I’m human
I have thoughts like any other one
Sometimes I find myself, Lord, regretting
Some foolish thing, some little simple thing I’ve done

I’m just a soul whose intentions are good
Oh Lord, please don’t let me be misunderstood
Yes, I’m just a soul whose intentions are good
Oh Lord, please don’t let me be misunderstood
Yes, I’m just a soul whose intentions are good
Oh Lord, please don’t let me be misunderstood

Yes, I’m just a soul whose intentions are good

Speed Racer 1967

“Here he comes, here he comes; Speed Racer. He’s a demon on wheels…” that will always stick with me.

I first saw this in the 70s at some point and it was different. I had said that Jonny Quest was different and it was but this one…was completely different than anything I had seen. It was my first viewing of Japanese Anime. Speed Racer was one of the first Japanese anime cartoons to make it stateside back in the 1960s. The show originally called Mach Go Go Go reached millions of kids around the world while in syndication. My first thought while watching it while I was older…this was NOT Hanna-Barbera.

I discovered Speed Racer and Jonny Quest at the same time. I would watch it at my cousin’s house and was blown away by the different animation.

Speed Racer (Go Mifune) is the young driver of the Mach 5, an incredible supercar designed by his father “Pops” Racer (Daisuke Mifune). Speed would race dangerous routes against dangerous people and come out on top with his “girlfriend” Trixie (Michi Shimura) trailing him in a helicopter and his little brother Spritle (Kurio) and his pet chimp Chim-Chim (Sanpei) frequently stowing away in the trunk.

Through the years there have been remakes of the show in the 90s and a movie in 2008 which was not received well. It was a groundbreaking show in the US and opened the door for Japanese Anime afterward.

I still catch the show when I can.

https://tvtropes.org/pmwiki/pmwiki.php/Anime/SpeedRacer

Arlo Guthrie – Coming Into Los Angeles

Seeing the news and blog posts on the 50th anniversary of Woodstock made me think of this song. I bought the Woodstock triple album set in the late seventies or early eighties…this song I liked automatically. It’s catchy and is about as anti-authority as you can get. The imagery is fun in this song… Chicken flying everywhere around the plane
Could we ever feel much finer and Walking in the hall with his things and all
Smiling, said he was the Lone Ranger

This is the song that really got me into Arlo…though I had heard City of New Orleans. After hearing this I wanted to check out his music.

Arlo wrote this song and it was on his second album Running Down the Road. The great Clarence White played guitar on this song. Other musicians on the album were Ry Cooder, Gene Parsons, and James Burton. The song didn’t chart because it’s pretty clear why (Coming into Los Angeles, Bringing in a couple of ki’s, don’t touch my bags if you please
mister customs man)…but the album peaked at #54 in the Billboard Album Charts in 1969.

The best-known version is the Woodstock version.

Studio Version

Woodstock

Coming Into Los Angeles

Coming in from London from over the pole
Flying in a big airliner
Chicken flying everywhere around the plane
Could we ever feel much finer

Coming into Los Angeles
Bringing in a couple of ki’s
Don’t touch my bags if you please
Mister customs man, yeah

There’s a guy with a ticket to Mexico
No, he couldn’t look much stranger
Walking in the hall with his things and all
Smiling, said he was the Lone Ranger

Coming into Los Angeles
Bringing in a couple of ki’s
Don’t touch my bags if you please
Mister customs man

Hip woman walking on the moving floor
Tripping on the escalator
There’s a man in the line and she’s blowing his mind
Thinking that he’s already made her

Coming into Los Angeles
Bringing in a couple of ki’s
Don’t touch my bags if you please
Mister customs man

Coming in from London from over the pole
Flying in a big airliner
Chicken flying everywhere around the plane
Could we ever feel much finer

Coming into Los Angeles
Bringing in a couple of ki’s
Don’t touch my bags if you please
Mister customs man, yeah, all right

Beatles – Nowhere Man

This song’s harmonies are great and so is the incredibly treble solo in the middle. John wrote this song. John wrote this song after he spent all night trying to write a song. He eventually gave up and laid down and then the song came to him. The song peaked at #3 in the Billboard 100 in 1966.

John: “I’d spent five hours that morning trying to write a song that was meaningful and good, and I finally gave up and lay down. Then ‘Nowhere Man’ came, words and music, the whole damn thing, as I lay down…So letting it go is what the whole game is. You put your finger on it, it slips away, right? You know you turn the lights on and the cockroaches run away. You can never grasp them.”

The guitar solo was performed by both John and George in unison on their identical Sonic Blue Fender Stratocasters. George: “I decided I’d get a Strat, and John decided he’d get one too. So we sent out our roadie, Mal Evans, said go and get us two Strats. And he came back with two of them, pale blue ones. Straight away we used them on the album we were making at the time, which was ‘Rubber Soul.’ I played it a lot on that album, (most noticeably) the solo on ‘Nowhere Man’ which John and I both played in unison.”

The Beatles pushed the engineers to add treble to the solo that John and George were playing. Run it through and put the treble on it again and again. The Engineers said, “We can’t do that”…Paul told them that it was ok…if it is terrible we simply won’t use it…they kept on pushing and it worked perfectly. The engineers were also afraid of getting fined by EMI for doing things against regulations…with the Beatles though it soon became commonplace.

This shows how the Beatles were changing the rules as they were going along. Not only in writing superb songs but pushing the limits of the studio as well as doing things that pop stars just didn’t do before them…

From Songfacts

John Lennon came up with this after struggling to write a song for the album. Said Lennon: “I thought of myself sitting there, doing nothing and getting nowhere.”

This was used in the animated Beatles movie Yellow Submarine. They sing it to Jeremy Hillary Boob, Ph.D., who describes himself as an “eminent physicist, polyglot classicist, prize-winning botanist, hard-biting satirist, talented pianist, good dentist too.” The Beatles decide to take him Somewhere, and he eventually helps them to defeat the Blue Meanies. >>

This starts with a three-part harmony sung by Lennon, Harrison, and McCartney.

This is probably the first Beatles song that has nothing to do with love.

Typical of many John Lennon compositions are the “falling” melodies, which can be heard in “Nowhere Man.” Folk music often has falling melodies, indicating melancholy. In Baroque music, a falling melody means sadness.

There is a very audible feedback 38 seconds into the song after the word “missin’.”

Natalie Merchant performed this at the 2001 special, Come Together: A Night For John Lennon’s Words And Music. She did a mellow version, as the show was also a tribute to victims of the terrorist attacks on America.

In a 1971 interview with Rolling Stone, Lennon recalled the background to this song: “I remember I was just going through this paranoia trying to write something and nothing would come out so I just lay down and tried to not write and then this came out, the whole thing came out in one gulp.”

In 2003, John Lennon’s original handwritten lyrics to this song were auctioned at Christie’s of New York for $455,500.

One of the many songwriters influenced by The Beatles is Graham Gouldman of 10cc, who toured with Ringo’s All-Starr Band in 2018. According to Gouldman, this song is an example of how they would create a two-part harmony, but leave out third part, which is implied. “That’s screaming out for the third harmony, but they never did it,” he told Songfacts. “And in your head, you sing along, if you’re musical, the third harmony.”

Nowhere Man

He’s a real nowhere man
Sitting in his nowhere land
Making all his nowhere plans for nobody

Doesn’t have a point of view
Knows not where he’s going to
Isn’t he a bit like you and me?
Nowhere man please listen
You don’t know what you’re missing
Nowhere man, The world is at your command

He’s as blind as he can be
Just sees what he wants to see
Nowhere man, can you see me at all
Nowhere man don’t worry
Take your time, don’t hurry
Leave it all till somebody else
Lends you a hand
Ah, la, la, la, la

He’s a real nowhere man
Sitting in his nowhere land
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody
Making all his nowhere plans for nobody

Jonny Quest

Jonny Quest was different than many cartoons I watched…the artwork and stories were above the normal ones at the time.

Jonny Quest the series was about the globe-trotting adventures of an eleven-year-old boy (Jonny), his scientist father (Dr. Benton Quest), his adopted brother Hadji (from Calcutta, India), his government bodyguard (Race Bannon) and his bulldog (Bandit). A young future Animal House actor Tim Matheson voiced Jonny Quest.

When I was a kid I loved Jonny’s father Dr. Benton Quest’s hands-off approach in raising Jonny and Hadji. They would be scuba diving with sharks and off in the jungle with their dog Bandit without any parent around…The character Race would help them out and protect them when needed. It was exciting to see kids have the freedom to explore new places.

The series that premiered on September 18th, 1964 that is one of the most celebrated and influential animated series to come from Hanna-Barbera. The series premiered on September 18th, 1964 and is one of the best and most influential animated series to come from Hanna-Barbera. Jonny Quest only ran for one season with 26 episodes but the influence of that series is still being felt and it spawned a comic book, a remake in the 1980s, 1990s, and a couple of tv movies.

Doug Wildey was the artist and the show was going to be based on an old radio show called Jack Armstrong but Hanna-Barbera thought the rights were too expensive so they just made their own show. Wildey drew some influence from the James Bond movie Doctor No.

The artwork and the stories made Jonny Quest special.

Higgins (Benji)

Probably the most famous dog actor in the 60’s and 70’s. The two roles he is best known for were Benji and “The Dog” on Petticoat Junction.

In 1960, animal trainer Frank Inn found Higgins at the Burbank Animal Shelter as a puppy. A fluffy black-and-tan mixed-breed dog, he was marked like a Border Terrier, and Inn believed him to be a mix of Miniature Poodle, Cocker Spaniel, and Schnauzer. He took an immediate liking to Higgins and saw a real potential for acting in him. Higgins ended up being his biggest star.

Frank Inn, also trained Arnold Ziffel (the pig) and all of the other animals used on The Beverly Hillbillies, Petticoat Junction, Green Acres, and The Waltons TV series.

Higgins won a Patsy Award in 1967, and he was cover-featured on an issue of TV Guide magazine. He was really close to Edgar Buchanan who played Uncle Joe on Petticoat Junction. They were both in the movie Benji and it would be the last role for each actor.

From 1964-1970 he was in 174 episodes of Petticoat Junction. He also appeared in The Beverly Hillbillies, Village of the Giants, Green Acres, and in the early 1970s appeared in Lassie. In 1971, at the age of 14, Higgins starred in a TV movie with Vincent Price called “Mooch Goes to Hollywood.” Frank Inn retired Higgins, but in 1974, he brought him out of retirement to star in his greatest role, the loveable dog “Benji.”

Higgins was born December 12, 1957 (per wiki), and sadly passed away November 11, 1975…he was 4 weeks shy of his 18th birthday. Frank Inn had Higgins cremated and wanted his ashes buried with him when he died. Frank died in 2002 but because of changes in the law…Higgins could not be buried with him.

After Higgins passed away his daughter played “Benji” in the next Benji movie in 1977.

History of the “The One Take Dog”