Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, Alternative music, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s... I'm also a songwriter, bass and guitar player. Not the slightest bit interested in politics at all.

Beach Boys – Do It Again

I remember hearing this song long in the late seventies for the first time. The intro drum sound is interesting. Their engineer at the time, Stephen Desper, came up with the drum effect heard at the beginning of the track. Desper created it by blending the original sound with that of one drum strike being repeated four times.

This song was released in 1968. By this time their popularity in America was falling since releasing Pet Sounds…which makes no sense considering the legendary status that album has. Brian Wilson and Mike Love wrote this song and went back to the surfing image with this one. The song peaked at #20 on the Billboard 100, #1 in the UK (where they remained very popular), and #10 in Canada.

This was a single release…released only two weeks after their album Friends. This was their second UK number one…the first one was Good Vibrations. Brian Wilson named “Do It Again” as one of his favorite Beach Boys original songs, offering insight into his creative process with Mike Love. He did say it was his favorite song that he co-wrote with Mike Love. Since its Spotify debut, this track has earned over 10 million plays!

Carl Wilson: Yes, I suppose it has got the old Beach Boys surfing sound. It’s back to that surfing idea with the voice harmony and the simple, direct melody and lyrics. We didn’t plan the record as a return to the surf or anything. We just did it one day round a piano in the studio. Brian had the idea and played it over to us. We improved on that and recorded it very quickly, in about five minutes. It’s certainly not an old track of ours; in fact it was recorded only a few weeks before it was released. We liked how it turned out and decided to release it.

Mike Love: “I went to the beach with my friends and we went to the surfing spot down at a place called San Onofre, down near the Marine Corps base down south. And it was such a beautiful day and the waves were great. And then of course one of the great things about the beach is it attracts good looking girls. [Laughing].”

I’ve never been a fan of Mike Love. He kicked Brian Wilson out of the band at one time and is not known as a nice guy. Here is a short clip of Brian Wilson talking about Mike Love.

Do It Again

It’s automatic when I
Talk with old friends
The conversation turns to
Girls we knew when
Their hair was soft and long
And the beach was the place to go

Suntanned bodies and
Waves of sunshine
The California girls and a
Beautiful coastline
Warmed up weather
Let’s get together and do it again

With a girl the lonely sea looks good
Makes your night times warm and out of sight

Been so long, long, long, long
Been, been, been, been, been
Been, been, been, been, been

Been so long

Hey now, hey now, hey now, hey now, hey now
Hey now, hey now, hey now, hey now, hey now
Hey now, hey now

Well I’ve been thinking ’bout
All the places we’ve surfed and danced and
All the faces we’ve missed so let’s get
Back together and do it again

Martha + Squirrel + Theo + Max post

Hope you don’t mind if I post something about animals and not pop culture on this post anyway. Sometimes it’s nice to have something different. Martha is my dog, the squirrel…I never caught his or her name, and Theo is a Prairie Dog.

I always liked squirrels since my dad told me he had one as a pet. He had found an injured one and nursed it back to health. He said he let it go when it was well but it kept coming back and would jump on his shoulders. He had it for years…it lived outside in the wild but loved my dad.

Well with that in mind…I was at home and I let Martha out on our screened-in back porch. It’s something between dogs and squirrels that doesn’t mix…oil and water or whatever you want to use. I looked around and Martha was going beserk…barking and looking up high on the screen. She was jumping up on it and I was afraid she would rip it so I stopped her…she then walked around and came back and done it again. A poor squirrel was frozen high on the screen.

I took Martha back in for around 30 minutes. We went back out and that squirrel was still in the same place frozen and looking at me. Of course, the thing was scared to death so I had an idea. I took a flimsy plastic stool and turned it upside down and lifted it up to the squirrel. I’ve never had a wild animal look into my eyes like it was deciding whether to trust me or not but…it did. It walked on the stool and looked down at me like…don’t give me to that giant ass dog, please! Our porch is not high so I gently tipped it a little while holding Martha back …and the squirrel took off.

Around an hour later Martha and I went out again….we went underneath our back porch to check on something…yep…that squirrel never left! He or she jumped up and Martha was on the chase…again I held Martha back and looked at the squirrel and him at me again…with a loud “GO GO GO” (me saying that not the squirrel…I think) it took off and hopefully will not come back…at least if Martha is outside. With me, it can come back if it wants to…but don’t chew the wires in our cars like one of its relatives did a few years ago. Of all times I didn’t have my phone with me.

Martha has a piece of pizza in her mouth in the car.

I’ve told people before that I want a prairie dog one day…a lady who works at my work has one and she brings it every Tuesday and Thursday just for me. I keep it in my office and take it out every now and then…call it practice…although I’m not sure Martha + Prairie Dog will mix. Theo doesn’t stay still long enough for me to get a good picture.

Theo is only around 10 weeks old. The last prairie dog this lady had bit me and they bite hard! This one doesn’t bite at all…it’s very sociable. The other one was not socialized.

…

Field Of Dreams

If you build it they will come

I was reminded of this movie while reading John’s blog on Saturday. This movie appeals to more than baseball fans. It’s sci-fi, fantasy, and drama with a little baseball. It would probably be in my top twenty movies of all time. I’ve always thought that baseball is the perfect sport to film a movie around. More than any other sport it lends itself to drama and comedy. You do not have to be a baseball fan to enjoy this movie.

It has a little bit of everything. Historical figures, time travel, baseball, and a great soundtrack. Some don’t know but Moonlight Graham was a real ball player. His name was Archibald Wright “Moonlight” Graham and he played one game in 1905 without getting an at bat for the New York Giants. John McGraw was his manager. He retired from baseball after that and became a doctor.

The movie makes me think of my father who passed away in 2005. He got me interested in baseball. While growing up he was a Brooklyn Dodger fan while his brothers liked The Yankees. My dad’s favorite player was Jackie Robinson. He loved the way he could disrupt a game with his baserunning. He passed that along to me and I’ve passed it to Bailey my son. I think at times…he could have been a Yankees fan like his brothers. That would have been different. I would have actually liked Reggie Jackson.

As far as baseball movies go…this one tops the list for me. I also would recommend The Natural, The Sandlot, Bull Durham, A League of Their Own, Pride of The Yankees, Eight Men Out, The Bad News Bears (Only the original), and Major League…in no order.

Kevin Costner has experience in baseball movies…Bull Durham, For The Love Of The Game, and this one. Like John said…he had his best reviews in them. What a cast this movie has. Kevin Costner, James Earl Jones, Ray Liotta, Amy Madigan, Burt Lancaster, and more.

The two actors that made a big impression on me were James Earl Jones and Burt Lancaster. They dissolved into their characters and became Terrance Mann and Moonlight Graham respectively. I will also add that Amy Magidan plays the most understanding wife on the planet.

My only problem with the movie…this would not affect anyone else sane from enjoying it but…Shoeless Joe Jackson was LEFT-HANDED for goodness sake. Why couldn’t they have turned Ray Liotta around when he hit in the movie. Ok…I know that is being picky…but come on.

The field built for the film is still there in Dubuque County, Iowa. There was a MLB game played there in 2021. MLB plans to return there. 

Here is a summary from IMDB.

“If you build it, he will come,” is what thirty-six-year-old novice farmer Ray Kinsella hears several times over the course of days from a bodiless voice emanating from somewhere in the cornfield on his Iowa farm. Later, he has a vision that the “it” is a baseball field, the “he” is Shoeless Joe Jackson, who was infamous for his association in the Chicago 8, the eight players of the 1919 White Series who were banned for life from the sport for throwing games in exchange for money from gamblers. Although it was proved that Jackson did take money, it was never proved that he participated in throwing any of the games. Ray grew up with baseball, his long-deceased father, John, who played in the minor leagues, lived in Chicago during that infamous year, and told stories to Ray about it and Jackson when he was growing up.

He was estranged from his father at the time of his death, something that he now regrets. With the moral support of his wife, Annie, he tears up part of their cornfield to build that baseball field. He eventually hears the voice telling him other things, always without a clear understanding on his part of what it all means. One he believes it has to do with is famed ’60s writer Terence Mann, now a recluse who stopped writing because he, renowned as the voice of his generation, didn’t always want to be the answer to his generation’s problems. Another he believes has to do with it is Archie “Moonlight” Graham, who played only one half of one inning of one major league game in 1922 and died in 1972.

Ray’s voice-led path may be difficult to achieve since cynical Mann may not have the same direction of the voice as him and Graham is dead. He will have to work through these puzzles to understand the full meaning of what the voice wants for him, which may not happen if he and Annie lose the farm and thus the baseball field, a real possibility due to the latter taking away from earning income from the farm, especially as Annie’s cutthroat brother, Mark, who says he is looking out for her best interest, will do whatever needed to get Ray back to what he considers reality of earning a living from the farm.

Rolling Stones – I Think I’m Going Mad

A drummer I played with before was a huge Rolling Stones fan. He and I would cruise around together as teenagers and listen to The Beatles and Stones endlessly. He pointed out this song for me and I fell in love with it. He met me in school when he saw me wearing a John Lennon shirt and we started to talk. He didn’t know I played and I didn’t know he was a drummer…and we needed one.  and we needed a drummer…so it fit rather well.

The song was the B side of the single She Was Hot released in 1984. I Think I’m Going Mad was an outtake from the Emotional Rescue album from a few years before. It was recorded in January-February 1979, November-December 1982 & June-August 1983 at Compass Point Studios, Nassau, Bahamas; Pathé Marconi Studios, Paris, France; and The Hit Factory, New York City.

I liked this ballad better than the A-side She Was Hot off of the album Undercover. The single She Was Hot/I Think I’m Going Mad peaked at #44 on the Billboard 100, #42 in the UK, and #46 in New Zealand in 1984.

I Think I’m Going Mad is like a cross between Fool To Cry and Beast of Burden. It was written by Jagger/Richards. 

The A side…She Was Hot… I will admit…I DO like the video! The song is a run-of-the-mill Stones song in my opinion.

I Think I’m Going Mad

Think I’m going mad and I think I’m going mad
Life goes by so fast, time whirls by so fast
And I drink my wine and so all the women come and go
Think I’m going mad, think I’m going mad, think I’m going crazy
All the highs and lows don’t mean a thing to me, don’t give a damn

Every season that’ll pass, think gonna be my last
I know my mind’s afloat, sometimes I feel so young and sometimes I feel so old
Think I’m going mad and I think I’m going mad, think I’m going crazy
All the highs and lows don’t mean a thing to me, don’t give a damn, think I’m going

Yeah, you want to see, you want to see all the kids all laugh
And I’m thinking, I think I’m going crazy
I think and I think I’m going crazy
All the highs and lows don’t mean a thing to me, don’t give a damn

And I think I’m going crazy, think I’m going crazy
I think I been drinking lots of cups of coffee
I think I lost my head
And I think I should be sacrificed
Think I should be put away
Save yourself pretty baby
And I think and I think I’m going
And I think I’m going mad
And I think I’m going mad
Think I’m going nuts
Think, think I’m going crazy

Jim Croce – I Got A Name

When I hear this song it automatically makes me feel good but it’s also tinged with sadness because of what happened before this was released.

Whenever I think of Jim Croce…I think of his album that my sister and I played when I was 6 and 7 years old.  It was the first time I ever heard about a star dying. I heard it on the radio when I was 7. My sister had his greatest hits and I played it non-stop. This one is easy for kids to remember. This song has been played to death and I wasn’t going to post it…but after listening to it I admit I was enjoying the song again.

Jim Croce and guitarist  Maury Muehleisen died in a plane crash on September 20, 1973. The song peaked at #1 in July of 1973 and was still on the charts when the accident happened. There were 3 stars around this time that died and that stuck with me for the rest of my life. Jim Croce, David “Stringbean” Akeman, and Don Rich the lead guitarist for Buck Owens a year later. As a kid I knew Croce the best and I couldn’t fully comprehend what was going on.

On September 20, 1973, a chartered small plane attempted to take off in thick fog from Natchitoches in Louisiana, bound for Sherman, Texas. On reaching the end of the runway, the pilot suffered a heart attack and lost control of the aircraft and they hit a tree. No one survived.

Jim Croce was not a pin-up model…he looked like a regular blue-collar worker going to work on a construction site. He and Maury Muehleisen were pure magic on guitars. I didn’t realize how good they were together until years later after I started playing guitar.

This song was the title track to his album, released 3 months after he died. The song was used as the theme song of the soundtrack to a 1973 movie, The Last American Hero, starring Jeff Bridges and based on the life of stock-car racing driver Junior Johnson. Croce and Muehleisen didn’t write this song which surprised me. The song is credited to Charles Fox and Norman Gimbel. It’s been used in other movies as well since then like the 2012 film Django Unchained.

The song peaked at #10 on the Billboard 100 and #8 in Canada in 1974. The album I Got A Name peaked at #2 on the Billboard Album Charts and #2 in Canada.

Ingrid Croce (Jim’s wife):   “More people think he wrote that song. His voice was so unique… the timbre in his tone and his warmth and his generosity, everything came through that voice. So when he took a song, he’d make it his own, and I think he did a great job with ‘I’ve Got A Name.’ So many people like to think of Jim with that song that I hate to tell them it isn’t his.”

Producer Terry Cashman:  “We recorded it because Jim was going to get a lot of money to record the song, and if it was released as a single, it would be the main title of a movie called The Last American Hero. So it wasn’t a song that Jim wrote on the guitar with Maury [Muehleisen]. Tommy and Jimmy and Maury and myself came up with the arrangement together. It was a different kind of animal. We did that song with just the tracks for us, and then recorded Jim’s voice over it, which is the way most people did records in those days. But most people think that Jim wrote that song because it sounds like the other songs, and then the production of course is a little bit more elaborate. It was different in that way, but Maury has a big guitar part and it certainly sounded like one of his records. And it became one of his most popular records. You know, a lot of people have covered that song, and it’s been used in a number of other movies.”

I Got A Name

Like the pine trees linin’ the windin’ road
I’ve got a name, I’ve got a name
Like the singin’ bird and the croakin’ toad
I’ve got a name, I’ve got a name
And I carry it with me like my daddy did
But I’m living the dream that he kept hid

Movin’ me down the highway, rollin’ me down the highway
Movin’ ahead so life won’t pass me by

Like the north wind whistlin’ down the sky
I’ve got a song, I’ve got a song
Like the whippoorwill and the baby’s cry
I’ve got a song, I’ve got a song
And I carry it with me and I sing it loud
If it gets me nowhere, I’ll go there proud

Movin’ me down the highway, rollin’ me down the highway
Movin’ ahead so life won’t pass me by

And I’m gonna go there free

Like the fool I am and I’ll always be
I’ve got a dream, I’ve got a dream
They can change their minds but they can’t change me
I’ve got a dream, I’ve got a dream
Oh, I know I could share it if you want me to
If you’re goin’ my way, I’ll go with you

Movin’ me down the highway, rollin’ me down the highway
Movin’ ahead so life won’t pass me by
Movin’ me down the highway, rollin’ me down the highway
Movin’ ahead so life won’t pass me by

Beatles – Any Time At All

I’m 8-9 years old again when I hear this song. It’s not a deep meaningful song but it’s just catchy and good. I heard it first in 1976 on the Beatles compilation album Rock and Roll Music. That was terrible packaging…not the albums but the packaging itself. It made the Beatles look like they were popular in the 1950s.

Beatles Rock and Roll Music InsideBeatles Rock and Roll Music Outside

Ringo Starr said: “It made us look cheap and we never were cheap. All that Coca-Cola and cars with big fins was the Fifties!” John Lennon told Capitol that the cover looked like a Monkees reject. He offered to design the cover but was declined. That doesn’t mean the album didn’t contain great music…a double album full of some great songs.

This song was on the UK version of A Hard Day’s Night album.  In America, it was on the Something New album. They were pressed for time and John finished the song off while on vacation and brought it to the studio. Lennon is believed to be the only writer of this song. This one was known then as an album track but it’s not like it doesn’t have a nice hook.

We know that Paul is very active in songwriting but on this album, John ended up writing 10 of the 13 songs. I had a book that measured each of them in the Lennon/McCartney songs and Lennon wrote a larger percentage, most of that because of the early days.

John later said it was an effort in re-writing It Won’t Be Long (my first favorite Beatle song) and it’s true. It’s also got some of All I’ve Got To Do theme in it.

On the albums in America. Something New peaked at #2 on the Billboard 100 and #2 in Canada. The reason it peaked at #2? A Hard Day’s Night was released in America on June 26, 1964, and peaked at #1 in America and Canada. Something New was released less than a month later on July 20, 1964. A Hard Days Night held its sister album off. There were 6 Beatles albums released in America and 5 in Canada in 1964. In the UK there were 2 released in 1964. Capitol pulled songs from 1962-1963 and all of them came rolling out.

I’ve also included the song It Won’t Be Long. A very underrated Beatles early rocker which they never played live for some reason. When you are 8 years old…that guitar riff sounded so cool…wait a minute…it does now also!

John Lennon: “An effort in writing ‘It Won’t Be Long’ – same ilk. C to A minor, C to A minor with me shouting.”

George Harrison:  “Paul and John write a song, bring it into the studio and usually, nine times out of ten, Ringo and I haven’t heard the song before, and we get into the studio and try all different arrangements. We all stick little bits here and there, you know.”

My first favorite Beatles song It Won’t Be Long

Any Time At All

Any time at all, any time at all
Any time at all, all you gotta do is call
And I’ll be there

If you need somebody to love
Just look into my eyes
I’ll be there to make you feel right
If you’re feeling sorry and sad
I’d really sympathize
Don’t you be sad, just call me tonight

Any time at all, any time at all
Any time at all, all you gotta do is call
And I’ll be there

If the sun has faded away
I’ll try to make it shine
There is nothing I won’t do
When you need a shoulder to cry on
I hope it will be mine
Call me tonight and I’ll come to you

Any time at all, any time at all
Any time at all, all you gotta do is call
And I’ll be there

Any time at all, any time at all
Any time at all, all you gotta do is call
And I’ll be there
Any time at all, all you gotta do is call
And I’ll be there

…

Bobby “Blue” Bland – Turn On Your Love Light

Bobby “Blue” Bland, a renowned singer from Tennessee, gained popularity in the 1950s and 60s. His hit song “Turn On Your Love Light” was covered by various artists, including Van Morrison and The Grateful Dead. Bland’s career faced financial troubles but he continued to chart until the 1980s. His influence is felt across genres.

Turn on your love light, let it shine on me
And let it shine, shine, shine, let it shine

I learned about this guy through different sources. Van Morrison, Pig Pen, and finally Gregg Allman… all of them covered it. The other artists are  Lonnie Mack, The Rascals, Tom Jones, Edgar Winter’s White Trash, Bob Seger, Jerry Lee Lewis, Conway Twitty, and Jeff Beck just to name a few. The first version I heard was from Them, Van Morrison’s early band.

Bobby Blue Bland was from Rosemark Tennesse. He started to get popular in the 1950s and 60s. Some of Bland’s most famous songs include “Turn On Your Love Light,” “Stormy Monday Blues,” “Ain’t No Love in the Heart of the City,” and “I Pity the Fool.” This song was written by Joseph Wade Scott and Deadric Malone.

Bland released this song in 1961 and it peaked at #28 on the Billboard 100 and #2 on the Billboard R&B Charts. Allman has talked about playing this on the jukebox. When you hear someone like Gregg Allman say that Bobby “Blue” Bland is one of his singing idols…you know something great is there waiting to be heard. This I have heard before and was impressed even without Mr. Allman’s recommendation. If you want to hear something that was just once in a lifetime…The Allman Brothers AND The Grateful Dead together at the Fillmore doing this song. 

Bland began his career in Memphis, Tennessee, with bluesman B.B. King and ballad singer Johnny Ace (all three were part of a loose aggregation of musicians known as the Beale Streeters). He had some hits in the 50s and early 60s but had some financial troubles in 1968 and had to break up his band.

His record company was then sold to ABC Dunhill and he started up his career again and continued to chart til the 1980s. Of all bands…Whitesnake covered his song Ain’t No Love In The Heart Of The City in 1978 and charted in the UK in 1980.

Below I have Them with Van Morrison, The Grateful Dead with Pig Pen, and the last one Bobby Blue Bland who they were all getting this from.

Turn On Your Love Light

Without a warning you broke my heart
You took it darlin’ and you tore it apart
You left me sitting in the dark, crying
You said your love for me was dying

I’m begging you, baby, baby please
I’m begging you, baby, baby please
Turn on the light, let it shine on me
Turn on your love light, let it shine on me
And let it shine, shine, shine, let it shine

And I wanna know
When I

I get a little lonely
In the middle of the night
I need you darlin’
To make things alright

Come on baby, come on please
Come on baby, baby please
Turn on the light, let it shine on me
Turn on your love light, let it shine on me
A little bit higher, a little bit higher
Just a little bit higher, a little bit higher
A little bit higher

Come on, baby, come on please
I’m begging you, baby, I’m down on my knees
Turn on the light, let it shine on me
Turn on your love light, let it shine on me

I feel alright, I feel alright
I feel alright, I feel alright, baby

…

Plimsouls – Lost Time

I thought I would live up to my blog’s name today and feature some power pop. I featured A Million Miles Away a few years ago by the Plimsouls but I just listened to their debut album and it’s great…so I thank CB for bringing them up again.

Peter Case began his musical career in the late 1970s in Los Angeles, where he formed The Nerves, a pioneering power pop/punk rock trio. The Nerves are best known for their song “Hanging on the Telephone.” It was later covered by Blondie, and it reached #5 on the UK singles chart.

After The Nerves disbanded, Case formed The Plimsouls in 1978. The band released several albums and EPs and gained a dedicated following for their live performances. They released their self-titled debut album in 1981 and it contained this song. The album peaked at #153 on the Billboard Album Charts.

This is the common story of Power Pop bands for some reason. A few bands that play Power Pop will break through and stay there like The Cars and Cheap Trick. Most bands though continually release good albums but never catch on more than once or twice. The Plimsouls continued to release music and tour throughout the 1980s, but they never achieved mainstream commercial success on the level of some of their peers. One In A Million was their most successful song because it was in the movie Valley Girl in 1983.

The band broke up after their 1983 album Everywhere At Once. They reunited without drummer Louie Ramírez to make an album called Kool Trash in 1995. They did get one of the best drummers in rock to replace Ramirez though. Clem Burke of Blondie played with them for a short while.

Lost Time

I still remember those days
Inside the school house
Dreaming out the windows
Like the words were never all

Counting hours,
Praying on my knees
All i need was being
Cared for my beliefs

From the first step that i took outside
I made it to ya in a straight line
Catching up, up for lost time

(get dressed) we’re making up for lost time

(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time

who’s got a minute that’s been waiting for the green light
but catch you in it and they’ll keep you awake all night
i catch it still long enough to show my hands
i got no time to spend waiting for the plans

from the first step that i took outside
i made it to ya in a straight line
catching up, up for lost time

(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time

i tried living, day to day
what you get ain’t what you see
i tried breakin every way
but they always got their hands on me

from the first step that i took outside
i made it to ya in a straight line
we’re catching up, up for lost time

(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time

(get dressed) we’re making up for lost time
(get dressed) we’re making up for lost time
(get dressed) we’re making up

up up for lost time
up up for lost time
up up for lost time

…

Meeting May Pang

My son Bailey asked me if I wanted to go to an Art Gallery with him today to meet May Pang. Last year I saw a May Pang book at a yard sale and gave it to him. He enjoyed the book and then got her new book of photographs she took of John Lennon, Keith Moon, George Harrison, Elton John, Bowie, Ringo, Paul McCartney (John and Paul last one together), Harry Nilsson, and more that she met when John and she were together in 1973-1975.

John left Yoko in 1973 to start his 18-month “lost weekend” with May Pang. She had access to a new world. Pang has a documentary out right now on their relationship. It’s called “The Lost Weekend…A Love Story.” Lennon talked to May Pang up until he was murdered. From what others have said…John thought about staying with Pang.

Bailey had some questions for her so he talked to her and got a picture taken…she was extremely nice to us. We couldn’t take any pictures of the photos on display.

Anyway, it was pretty cool to be there. The only person I met who was connected with the Beatles was an actual ex-Beatle…Pete Best.

Here are a few of the pictures that were on display. They also had some with the rest of the Beatles, Nilsson, and a few others. Also…John’s hand-signing the document that dissolved The Beatles in 1974 at Disney World.

May Pang and Bailey

…

Ten Years After – I’m Going Home

I was reading about Bruce Springsteen in the 70s and the book said that some people called him “Alvin Lee by the Sea” because of his guitar playing. I thought to myself…hmm, I need to check out Alvin Lee. We all know “I’d Love To Change The World”  but I remembered another song from the Woodstock soundtrack. CB brought it up the other day, and after I clicked on the link, it returned to me.

That guitar intro to this song just ripped through my headphones when I listened to it yesterday. Alvin Lee was so aggressive on guitar and I love it. It was pedal to the floor and never looking back.

Ten Years After’s music was characterized by Alvin Lee’s guitar playing and their excellent live performances. They released their first album Ten Years After in 1967. This song was from the live album Undead released in 1968. It was written by Alvin Lee.

Their popularity kicked in after the Woodstock triple album soundtrack came out in 1970. That album was one of my first live albums. This song performance is one of the film’s standout performances. I’m Going Home was a live staple in the band’s set for a couple years and then was released as a three-minute edited single.

The single version

Woodstock Performance

I’m Going Home

Goin’ home, my babyGoin’ home, my babyGoin’ home, to see my baby

Our baby, how goodMy baby, be goodI’m goin’ home, my babyHome to see my girl

Oh baby, baby, I’m coming homeBaby, baby I’m coming homeTell me mama, baby, I’m coming home

Gonna see my baby, see my baby fineGonna take my baby, want to take my baby mineHoping my woman treats me real kind

I’m goin’ home, my babyI’m goin’ home, to see my babyGoin’ home, my baby

Gonna see my baby, see my baby fineTake my baby, take my baby mineGonna tell your mama how good that love of ours

I’m goin’ home, to see my babyI’m goin’ home, to see my babyOh, baby ooh

Gonna take you back, take where love belongTreat me baby, treat, don’t treat me wrong

Oh, baby, I’m rollin’Baby, baby, I’m rollin’Baby, baby, I’m rollin’

Won’t you shake me, baby, well get you rollin’ downWon’t you shake me, baby, well get you rollin’ downOh, baby, we’re gonna have some fun

Baby, please don’t go, baby, please don’t goBaby, please don’t go, baby, please don’t goPlease don’t go, she’s cold, I need you

Comin’ home, ooh, heyCome on over baby, whole lotta shakin’ goin’ onI’m goin’ home, to see my babyHome, to see my girl, ooh

I’m goin’ home, take my babyI’m goin’ home, see my babyGonna take me back, I’ll take her where I belong

I’m goin’ home, to see my babyI’m goin’ home, to see my babyCome on, take me, yeah

I’m goin’ home, I’m goin’ homeI’m goin’ home, hey, hooGonna take me back back back where I belong

I’m goin’ home, I’m goin’ homeI’m goin’ home, I’m goin’ homeHoo, hoo, right where I belong

…

Lyle Lovett – If I Had A Boat

But Tonto he was smarterAnd one day said kemo sabeWell, kiss my ass, I bought a boatI’m going out to sea

Since I have been going over Texas Songwriters…I have saved Lovett for a while. I knew of him because his name is huge where I live and I’ve seen him on differrent shows throughout my life. So I started to listen to some of his music recently with high anticipation and was not disappointed.

The thing about these songwriters I like so much are the lyrics. What surprised me were the lovely melodies that sold those lyrics to listeners. You can write the best set of lyrics in the world but without a good melody they will just stay just lyrics.

He was born in the German farming community of Klein, Texas and was influenced by blues and country greats such as Ray Charles, Hank Williams, Willie Nelson, and more. His music has a little bit of everything in it.  Western, folk, swing, jazz, bebop, blues, and gospel music. Lovett earned two degrees from Texas A&M University in Journalism and German, and music was his career of choice. One of his roommates in college was no other than fellow Texas songwriter Robert Earl Keen.

Lovett said that this song was based on a true story. He did try to cross a pond on a pony but he wished he had a boat when it happened. This song was about getting away from things and not being tied down.

This song was released in 1987 on the album Pontiac. The song peaked at #66 on the Billboard Country Charts. The album peaked at #12 on the Billboard Country Album Charts, #18 in Canada,  and #117 on the Billboard Album Charts.

He was asked if him and Robert Earl Keen were trying to carry on with the tradition that Townes Van Zandt and Guy Clark started. He answered: There’s a direct line from those guys to Robert and me. We learned how to play those Guy Clark songs from Guy’s first record, and we sought out Guy and Townes as we came up, because we admired them so much, and got to know them. So their version of storytelling, their take on what a song was supposed to be, was something that Robert and I actively pursued.

On what Texas is to him: Texas is just home. I’m tethered here and lack perspective. My whole experience, every day in my life, is wrapped up in being from here. I’m what in the horse business we call barn blind. I really like my horses better than anybody else’s.

Lyle Lovett: Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.

If I Had A Boat

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

If I were Roy RogersI’d sure enough be singleI couldn’t bring myself to marrying an old DaleWell, it’d just be me and TriggerWe’d go riding through them moviesThen we’d buy a boat and on the sea we’d sail

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

The mystery masked man was smartHe got himself a Tonto‘Cause Tonto did the dirty work for freeBut Tonto he was smarterAnd one day said kemo sabeWell, kiss my ass, I bought a boatI’m going out to sea

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boat

And if I were like lightningI wouldn’t need no sneakersI’d come and go wherever I would pleaseAnd I’d scare ’em by the shade treeAnd I’d scare ’em by the light poleBut I would not scare my pony on my boat out on the sea

And if I had a boatI’d go out on the oceanAnd if I had a ponyI’d ride him on my boatAnd we could all togetherGo out on the oceanI said me upon my pony on my boatI said me upon my pony on my boat

Jefferson Airplane – Somebody To Love

This will wrap up the visit to the 60s and ’70s San Francisco sound. Sorry for not covering The Grateful Dead and Joplin…but I post those two regularly. My whole reason for blogging is to learn new artists and the stories behind those artists and songs. This week I posted 4 artists I never posted about before. I also picked up a few good songs. I was impressed by these artists. Also thank you to the ones who told me their stories of that time… Phil, Jim, and halffastcyclingclub…those are the stories I love hearing.

***Also, I want to ask my readers something…were you at the famous Watkins Glen concert held in New York in 1973 that drew 600,000 people? If you were there I would love to hear your story. Jim has given me his story so I can repost my post about that concert on the anniversary. Thank you so much.

I’ve only posted one song by this band version, so I’m happy to do another. I always favored the Airplane over Jefferson Starship a little and REALLY favored either one over just the 1980s Starship. I first learned about them in Gimme Shelter…the Stones film about Altamont and the destruction there. Marty Balin was knocked out cold there by the Hell’s Angels.

And here it is…”You gotta keep your bodies off of each other unless you intend love…” Grace Slick.

This is one of those songs played in most movies about the 1960s. It’s one of those songs that transport you there even if you weren’t…at least you think you are.

Grace Slick was in a band named The Great Society that featured her brother-in-law who wrote this song, Darby Slick. She was married to Jerry Slick, the drummer of the band. It was released as a single from that band but did nothing. The Great Society also did another song that Slick wrote…White Rabbit.

Darby Slick started to see the downside to free love that was taking over. He saw jealousy and disconnect with some. This song is about loyalty to one person and finding one person to be with.

The Great Society opened for the Jefferson Airplane at some shows. Grace Slick said she always looked at them with awe. When she was approached to join, she jumped at the chance. That essentially ended The Great Society. She brought both songs over with her to Jefferson Airplane. They play it faster, harder, and cleaner. They set up the pause before the chorus that kicks the whole song forward using dynamics. And their arrangement suits Grace Slick’s voice much better than the original.

The song was on the Surrealistic Pillow album released in 1967. The album peaked at #3 on the Billboard Album Charts and #5 in Canada.

Somebody To Love peaked at #1 in Canada and #5 on the Billboard 100. 

Somebody To Love

When the truth is found to be liesAnd all the joy within you diesDon’t you want somebody to loveDon’t you need somebody to loveWouldn’t you love somebody to loveYou better find somebody to loveLove, love

When the garden flowers, baby are dead, yes andYour mind, your mind is so full of redDon’t you want somebody to loveDon’t you need somebody to loveWouldn’t you love somebody to loveYou better find somebody to love

Your eyes, I say your eyes may look like hisYeah, but in your head, babyI’m afraid you don’t know where it isDon’t you want somebody to loveDon’t you need somebody to loveWouldn’t you love somebody to loveYou better find somebody to love

Tears are running downThey’re all running down your breastAnd your friends, babyThey treat you like a guestDon’t you want somebody to loveDon’t you need somebody to loveWouldn’t you love somebody to loveYou better find somebody to love

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New Riders of the Purple Sage –  Lonesome L.A. Cowboy

This is a band I’ve read about and I’ve liked most of what I’ve heard. They have a long history and are still going now. The membership is fluid in this band. Many have performed with them including Jerry Garcia, Mickey Hart, Phil Lesh, Spencer Dryden, Robert Hunter, and more.

This band grew out of jam sessions between Jerry Garcia and John “Marmaduke” Dawson in 1969. Their name was based on a band that included Foy Willing and The Riders of the Purple Sage…yea they just added the “new” and off they went…it worked. Jerry Garcia was learning the pedal steel guitar and they played a few small clubs initially. The two soon picked up Peter Grant on banjo, David Nelson on lead guitar, Bob Mathews on bass, and Mickey Hart on drums and that was the beginning of  The New Riders of the Purple Sage.

They would often open for the Grateful Dead. Garcia would leave in 1971 but he would go back to them from time to time and play with them live and on albums. Garcia had many side projects going on when the Dead were not touring and recording.

From what I’ve heard of this band…I think of the Flying Burrito Brothers. I love name-dropping songs and this one has them. Kris Kristofferson, Rita Coolidge, and Martin Mull was mentioned. Along with L.A.’s music hangouts like Barney’s Beanery and the Troubadour. The song was on the album The Adventures of Panama Red and was written by Peter Rowan. It peaked at #55 on the Billboard 100.

And off of their website: The New Riders of the Purple Sage received a Lifetime Achievement Award from High Times magazine at their Doobie Awards in September 2002 and performed a brief set (which included “Lonesome L.A. Cowboy” and “Panama Red” with Peter Rowan) at the festivities at B.B. King’s Blues Club in New York City.

Henry’s taken the brakes off and 2006 finds the New Riders of the Purple Sage back on the road with a revived and inspired lineup, bringing the songs of John Dawson back to the ears of adoring crowds nationwide as well as taking those songs to places they’ve never been before musically. Led by David Nelson and Buddy Cage, the current touring lineup includes Michael Falzarano (Hot Tuna) on guitar and vocals, Ronnie Penque on bass and vocals and Johnny Markowski on drums and vocals. John Dawson passed away on July 21 2009 but before he passed he had given the guys his blessing and was excited to know his music is being heard live again by a whole new generation of fans. The new lineup vows to keep the NRPS spirit and tunes alive by taking them to fans everywhere.  In 2009 the band released its first studio album in 20 years called Where I Come From on Woodstock Records. It features new songs written by David Nelson and Robert Hunter, Michael Falzarano, Johnny Markowski, and Ronnie Penque. The band continues to grow breaking out new songs on every tour while staying true to the legacy that was started over 40 years ago by John Dawson and Jerry Garcia.

Lonesome L.A. Cowboy

I’m just a lonesome l.a. cowboy,Hangin’ out, hangin’ onTo your window ledge, callin’ your nameFrom midnight until dawnI been smokin’ dope, snortin’ coke,Tryin’ to write a songForgettin’ everything I know‘Til the next line comes alongForgettin’ everything I know‘Til the next line comes alongThere’s so many pretty people in the city,I swear some of them are girlsI meet’em down at Barney’s beaneryWith their platform heels and spit curlsI buy’em drinks, we smoke our hopesTry to make it one more nightBut when I’m left all alone at lastI feel like I’ll die from frightRepeat Well, I know Kris and Rita, and Marty MullAre meeting at the troubadourWe’ll get it on with the joy of cookingWhile the crowd crys out for more‘Round six o’clock this morningI’ll be gettin’ kind of slowWhen all the shows are over, honey,Tell me, where do you think I go?Repeat

…

Quicksilver Messenger Service – Fresh Air

This is a band I knew nothing about going in but I have a new respect for them now. I didn’t think I knew any of their songs…but I have heard this one. When I pick these bands that I’m learning about I usually pick a radio-friendly song to introduce them. After listening to their songs…there are songs I like a little more but this one is great and I’ve heard it somewhere at some point. It’s a cool song.

Quicksilver Messenger Service was formed in 1965 and quickly rose to prominence alongside peers like Jefferson Airplane, Moby Grape,  and Grateful Dead. With their melodies, guitar work, and some experimentation, Quicksilver became synonymous with the psychedelic scene. The members included John Cipollina on guitar, Gary Duncan on guitar, Greg Elmore on drums, David Freiberg on bass, and Jim Murray on guitar and harmonica…it also included the famous British session player Nicky Hopkins at one time. In 1970 it included Dino Valenti.

Their history is confusing because I get different stories as I read on. One of the members and possibly the founding member was Chester William Powers, Jr. He was known as Chet Powers and his stage name was Dino Valenti. But we are not done…as a songwriter he was known as Jesse Oris Farrow. He wrote the very popular “Get Together” made famous by The Youngbloods in 1967. He and Gary Duncan wrote this song…Fresh Air.

It seems that Cipollina and Duncan helped form the band with Dino Valenti in 1964-65. Valenti was busted for pot and amphetamine possession right after and sold his rights to Get Together for a legal defense. He spent time in jail until 1968. When he got out he made a solo album and even opened up for Jimi Hendrix at the Fillmore West. He would finally join Quicksilver in late 1969 or early 1970.

Fresh Air was released as a single in 1970 and also appeared on their album Just for Love. The album peaked at #27 on the Billboard Album Charts and #49 on the Billboard 100. Dino Valenti does the lead vocals on this song. They were a popular band because 4 of their album were in the top 30 of the Billboard Album Charts.

There is much more history to this band than I have of course. I will post another one by them shortly and expand on some of their history.

The band is still going with David Freiberg.

David Freiberg on the name: “Originally there were four Virgos in the band, and one Gemini. Of the four Virgos, there were only two birthdays: John and I were born on August 24, and Gary and Greg were born on September 4…. The ruling planet for Virgo in astrology is Mercury, and it is for Gemini also. So in searching for a name, we said, ‘Well, let’s see – mercury’s the same as quicksilver, right? Mercury’s the messenger god? Quicksilver Messenger Service.’” 

John Cipollina: It was Valenti who organized the group. I can remember everything Dino said. “We were all going to have wireless guitars. We were going to have leather jackets made with hooks that we could hook these wireless instruments right into. And we were gonna have these chicks, backup rhythm sections that were gonna dress like American Indians with real short little dresses on and they were gonna have tambourines and the clappers in the tambourines were going to be silver coins.” And I’m sitting there going, ‘This guy is gonna happen and we’re gonna set the world on its ear.’

Gary Duncan: That’s the story Cipollina told everybody. But according to Dino, that wasn’t the case at all. When he’d been looking for a band, he’d talked to Cipollina, and everybody somehow put two and two together. He actually lived with us when he got out of prison, and while we played some music together and wrote songs, he had no interest in playing in Quicksilver; he wanted to start his own career. Well, when his own career didn’t do so well, he had more interest in playing in Quicksilver!

Fresh Air

Oh, what you do to me
Oh, what you do to me, little girl
Oh, have another hit of sweet air
Oh, have another hit

I want to know where you going
I want to know, sweet mama, where you gonna go?
Oh, have another hit of fresh air
Oh, have another hit

Oh, baby what you gonna do?
I what to know what you gonna do sweet thing?
Oh, have another hit of sweet love in the morning
Oh, have another hit

I love you, yes I do
I love you, god knows I do
Oh, have another hit of sweet California sunshine
Oh, have another hit

Take me home, take me home
Take me home, I wanna go home with you
Oh, have another hit of fresh air
Oh, have another hit