Badfinger (Max)

Bedazzled 1967

This is one of my favorite comedies. Peter Cook and Dudley Moore were always a great team and this movie they work very well together. It’s the old story of selling your soul to the Devil for wishes…but as always the wishes are not exactly what the wisher has in mind.

Dudley Moore plays Stanley Moon who is a shy and pathetic figure who pines for a waitress (Eleanor Bron) who works at Wimpy’s Burger where is employed as a cook. Peter Cook is the devil… He is perfect for this part. He is a hilarious devil and at times likable but does the most annoying things like tearing the last page out of mysteries, scratching LPs and just petty things to aggravate people.

The movie is very British and very funny.

The chemistry is great between Moore and Cook and by this time they had been together for a while. There was a version of this movie released in 2000 but it is not as subtle as this the original version. This is an offbeat quirky film.

This film also features Raquel Welch appropriately as Lust. She is only in it for a few minutes but she plays Lust to the hilt. The film had no name at first and in an interview, Peter Cook said he wanted to name the movie “Raquel Welch”…when asked why he wanted to name it after the actress when it wasn’t about her he said because the Marquee would read “Peter Cook and Dudley Moore in Raquel Welch”… The producers didn’t like that.

Eleanor Bron plays Margaret the waitress and the object of Stanley’s desire was also in HELP! with The Beatles.

Check this film out if you can. Personally, I think it beats the remake.

Farrah Fawcett Poster

If you were a male teenager in the 1970s… odds are you owned or wanted to own this poster. Over 12 million of these were sold and I remember seeing them everywhere. On friends bedroom walls, doors, closets, ceilings, and lockers.

She wasn’t even my favorite Angel…but still.

Other posters were popular during the 1970’s like Cheryl Tiegs, Olivia Newton-John, Loni Anderson but nothing came close to the numbers generated by Farrah’s poster at 3 dollars a pop.

The poster that came out in 1976 is so iconic that when you look at it you think “1970s”…

This is Bruce McBroom the photographer in Time Magazine.

I shot rolls of film, and it just wasn’t happening. She’s a beautiful woman, but there wasn’t anything that I would put on a poster. I just didn’t feel it. By now we’re running out of backgrounds — we used the swimming pool, etc. I said, “Farrah, are you sure you don’t have a bikini? Something different?”

She went in to look around and came out of the back door and stood in the doorway in this red suit, and she said in her Southern accent, “Well, is this anything?” And I literally said to myself, “Oh my God.” I knew that was it. I had an Indian blanket from Mexico that served as the seat cover for my beat-up 1937 Chevy pickup with colors that, it just popped into my head, would match the suit. I’d like to make it sound like it was all planned. But it was a spontaneous, happy intersection of coincidence. I didn’t do anything. I just put her in a spot and asked her to turn it on. When I saw the film processed, I knew we’d gotten it — somewhere in these 36 frames, there’s a poster. I went back over to her house, and I showed her all the pictures. She told me later that she had picked out her top two favorites and marked them on the slides. I’ve since heard that when the guy in Cleveland got the pictures, he went, “First of all, where’s the bikini?” He told me he wasn’t ever gonna pay me because he hated the pictures. But I guess he showed them around to people in his business and they changed his mind. It was Farrah’s pose, Farrah’s suit, Farrah’s idea. She picked that shot. She made a lot of money for him and for herself and made me semi-famous.

Why it was so iconic I don’t know. If you think back, no one knew who Farrah Fawcett was. Charlie’s Angels didn’t come out until six months later. But this poster came out and sold millions of copies at, I think, $3 a pop. I think the reason it was such a success is that Farrah had such a fresh face. She was the girl next door. So if you were a teenager, you could bring this in the house and put it up in your room — as long as Mom didn’t look too closely. Once her poster became such an overnight success, the other actresses from Charlie’s Angels contacted the guy and wanted to do posters too. There were many that followed. And none of them came close.

Gunsmoke the Early Years

I grew up watching the hour-long color episodes (seasons 12-20) of Gunsmoke in reruns and I liked the show. Now I’m watching the first 6 seasons…they are black and white and very different. There is no Festus or Newly…we have Chester (Dennis Weaver) and he is a refreshing character. They just never played these episodes on television when I was younger. There still is Doc Adams (Milburn Stone)and a very young good looking Kitty Russell (Amanda Blake).

These episodes dealt with murder, rape, human trafficking, and plenty of Matt Dillon (James Arness) decking bad guys with his fist or the butt of his gun. They are 30 minutes long which is great. They got to the point quickly. Some of the stories were grim but it matched the look of the series.

I was surprised at how rough, violent and authentic they were and that is not knocking the later episodes but there is a difference. The violence was toned down as the series continued.

The later color episodes centered more around the guest stars and the old black and white ones centered more on the local cast of Dodge City.

Have Gun Will Travel was also on CBS along with Gunsmoke. You will see some of the same character actors and sets. Some Have Gun Will Travel scenes were filmed in a redecorated Long Branch… Too bad there wasn’t a crossover at least once.

Chester…I’ve always liked Dennis Weaver as an actor…in McCloud, Duel and anything he was in… He brings his character Chester alive as a real person. Chester had a limp on the show and Dennis Weaver said he would take yoga classes so he could do things like putting on a boot look believable with a bad leg…he also put a pebble in his boot on his right foot so he would not forget which leg was lame.

Chester could be lazy but he was invaluable and loyal to a fault to Matt Dillon. Dennis Weaver left the show after the 9th season with no explanation on what happened to Chester as was the way back then with TV shows.

If you are a fan and have seen only the later episodes…check these out.

Man with No Name Trilogy

A Fistful of Dollars, For a Few Dollars More and The Good, the Bad and the Ugly. Three great movies that happen to be westerns…maybe the best three or at least in the very top tier. At least once a year I make time to binge watch these movies back to back to back.

All were directed by Sergio Leone and were brilliant. If you watch a regular Hollywood western from this time period or a little later…they seem a little too polished…this one feels raw and realistic.

These movies started the Spaghetti Westerns…They made Clint Eastwood a movie star. He was famous for Rawhide on television but this put him over the top.

The three films are not really an ongoing story but Eastwood plays pretty much the same character in every one with different name.

The best part of all three is the atmosphere. The editing and cinematography of these movies are great…The showdown scene in The Good, Bad and the Ugly is worth watching just by itself. Personally, I like The Good, the Bad and the Ugly the best because of that scene.

You don’t have to be a big western fan to enjoy these movies… they transcend regular westerns.

Neil Young and John Fogerty Lawsuits

In the eighties, two lawsuits popped up pertaining to these two artists.

Neil Young was basically sued for NOT sounding like himself by David Geffen and John Fogerty was sued for sounding too MUCH like himself by Saul Zaentz and Fantasy Records.

In the early eighties, David Geffen signed Neil Young to a huge contract to Geffen Records. Neil who will do his own thing no matter what or when…released an album called “Trans” his foray into electronic music. Geffen wanted another “Harvest” with another Heart of Gold or Old Man…instead he got “Computer Age” and “We R in Control” with Neil singing through a Vocoder. After that Neil was asked to do more rock and roll by a Geffen record company executive…the record company was thinking more of the lines of the harder rock Rust Never Sleeps…so Neil gave them rock and roll all right… “Everybody’s Rockin” an album full of early fifties Doo-wop and rockabilly sounding songs. The record company was not amused…he then released an album full of country music… In his contract, Neil had full artistic freedom.

Geffen had claimed the new albums were “unrepresentative” of Neil’s music.

Geffen sued him for 3.3 million dollars but the case was settled and Geffen had to apologize to Neil.

In 1985 John Fogerty finally broke his silence with the album Centerfield. He had not released anything since 1975. He was involved with legal hassles and could not make music. Centerfield was a good album that signaled to the world John was back. He then was sued by Fantasy Records owner Saul Zaentz who signed the great Creedence Clearwater Revival to a terrible contract with Fantasy Records that kept John…the main songwriter and singer under contract forever. On top of that John gave up his copyrights to his CCR songs to Saul and Fantasy just to get out of that contract. The first single off of the Centerfield album “Old Man Down the Road” shot up the charts. Saul sued claiming it sounded too much like an old Creedence song that John wrote and sang called “Run Through the Jungle”. So he was being sued for plagiarizing himself. John would take his guitar to court to demonstrate how he wrote the two songs.

John won the case in 1988 and a lot of other musicians breathed a sigh of relief because other artists could have been sued for sounding like their younger selves if John would have lost. John countersued Fantasy Records for legal fees and it went to the Supreme Court in 1994…. they ruled in favor of Fogerty.

The Incredible Hulk

On Friday nights in the late 70s and early 80s there was nothing else I wanted to do but watch The Incredible Hulk. Today we have an awesome looking CGI Hulk but back then we also had an awesome looking Hulk named Lou Ferrigno who could do some damage. Bill Bixby who starred as Dr. David Banner was a good actor who was good at anything he did.

The writing was smart and Bixby explored David Banner’s character to great lengths.

David Banner was looking for hidden strength all people can have if they get into an emergency situation. Frustrated by not being able to save his wife in a car accident he thought he found the key to strength but he accidentally gave himself an overdose of gamma radiation. Now, whenever he gets angry or upset he turns into the Hulk.

Jack Colvin played Jack McGee a reporter would stop at nothing to find out more about the Hulk. The most famous line in the show was an annoyed David Banner telling the persistent reporter Jack McGee “Mr. McGee don’t make me angry…you wouldn’t like me when I’m angry.” Versions of this have made it into the current Marvel movies.

Banner would hitchhike all over looking for a cure for his…problem… constantly hounded by Jack McGee who thought the Hulk killed Banner but of course, the Hulk was David Banner.

David would always find someone in trouble and in need of help. The story’s bullies would then come and harass the person that befriended David and then pick on David. Wrong choice…out comes the Hulk and the mayhem starts and Jack McGee would be just a little late missing David Banner. As the show progressed Jack did find out that someone was turning into the Hulk and that the Hulk wasn’t just roaming the countryside like Bigfoot. David had to keep this from him and keep on the move.

The show had well-written stories and a good actor in Bill Bixby. It was just as much about David Banner as the Hulk. The show balanced the two well.

The one thing I remember is the eyes…When David Banner changed into the hulk those eyes were frightening. The special effects for this show were very good considering the time it was made.

The intro…

Dr. David Banner, Physician/Scientist, searching for a way to tap into the hidden strengths that all humans have. Then an accidental overdose of gamma radiation interacts with his unique body chemistry. And now, when David Banner grows angry or outraged, a startling metamorphosis occurs.

The creature is driven by rage and pursued by an investigative reporter.

The most iconic part of the show is David hitchhiking away at the end of each episode with a piano melody named “Lonely Man” playing in the background.

Paul Lynde Halloween Special

I love watching this from time to time. Yes, it’s bad…really bad but it’s so bad it’s good. All the celebrities who are in different phases of their careers, cross paths in this epic of a show. First, let’s go through all of the stars.

Paul Lynde of course,

Billie Hayes (Witchiepoo from H.R. Pufnstuf)

Margaret Hamilton (The witch from Wizard of Oz)

Tim Conway (No seventies variety show was right without Tim Conway)

Florence Henderson (Brady Bunch mom)

KISS (their first TV show appearance)

Billy Barty (was in many films)

Betty White (and still going)

Roz Kelly (Pinky Tuscadero from Happy Days)

Donny and Marie Osmond! (just to top it off)

The plot… which really doesn’t matter.

I always thought Paul Lynde was wickedly funny. In this, he was watered-down and could not be his Hollywood Squares best. He had a quick campy wit at times and the writers probably toned it down for prime time. I first noticed Lynde on Bewitched as Uncle Arthur and he was great in that role. It was his delivery that made everything work in his comedy.

This special has comedy bits and music…oh yes the music. You have KISS, you have the disco and you have Florence Henderson singing “That Old Black Magic…” Most of the comedy bits fail but the real comedy is how bad it is… The only thing missing from this extravaganza was a guest appearance from Harvey Korman and/or Don Knotts.

The main reason many people have watched it since it aired is it was KISS’s first TV show appearance…not including concert material.

It is a train wreck but one I like watching over and over again. At no other time could a show like this have been aired. It only aired once…for good reason.

What other show does Paul Lynde play a trucker who wants to marry Pinky Tuscadero?

Night Gallery Pilot 1969

This is the pilot that started the television show Night Gallery. Rod Serling started this a few years after Twilight Zone. He didn’t have the control he did with Twilight Zone and it wasn’t as consistent but still had many good episodes. Personally, I think the pilot is the best. It’s three very well acted and written stories.

I was in Tampa Florida visiting some relatives. I was left alone in the living room and watched this. I had one eye covered with my hand…sometimes both. I was 6 at the time so I do have an excuse.

My favorite story is The Cemetery. Roddy McDowall and Ossie Davis starred in this story that is the opener. Roddy plays a playboy who kills his uncle to inherit his fortune. Ossie plays the loyal butler who is still trying to do his job and stay loyal to his old boss. A painting of the family cemetery keeps changing and shows the uncle moving out of his plot slowly to the door. The story has a cool twist ending.

The second story is called “Eyes” which stars Joan Crawford. It was directed by a young Steven Spielberg. A blind terrible rich woman who would pay for someone’s eyes to see just for eleven minutes. After an illegal operation to transplant someone’s eyes in her the bandage is taken off and then a surprise.

The third story is called “Escape Route” about an ex-Nazi looking for peace in a painting at a museum. Very well acted and justice prevails.

For more details below is the Wiki description of each story

“The Cemetery”

Jeremy Evans is a despicable selfish young man who murders his rich uncle to inherit his estate, both much to the detriment of his uncle’s butler, Osmond Portifoy. Later, Evans notices that a painting of the family graveyard has changed – a fresh, empty grave appears in it and soon after a coffin standing upright appears in the grave. Little by little, the painting depicts the return of his uncle from his burial site, moving closer and closer, or so it seems, to Evans.

“Eyes”

Claudia Menlo is a heartless, wealthy blind woman who desperately wants to be able to see. Sidney Resnick, a hapless gambler who owes money to loan sharks, agrees to donate his eyes to her for the grand sum of $9,000. Her doctor, whom she blackmails into performing the illegal surgery, warns her that her vision will only last for about eleven hours. After the surgery, she removes the bandages from her eyes, and by a quirk of fate, there is a blackout seconds later. She awakens the next day to see the sunrise, but she panics when her sight quickly begins to fade.

“The Escape Route”

A Nazi fugitive named Joseph Strobe is constantly on the run from the authorities and his nightmares about the past. One day, while fleeing from imaginary pursuers, he finds himself in a museum where he meets Bleum, a survivor of the same concentration camp where Strobe made the decisions about who would live or die. Bleum does not initially recognize him, but points out a painting that depicts a man being crucified in a concentration camp. Strobe turns away; he is drawn to a painting of a fisherman, and imagines himself in the painting. When Strobe returns to the art gallery the next day, Bleum recognizes him as a Nazi, and later, outside a bar, Strobe kills him to ensure his own anonymity. Once again, Strobe must hide from authorities. In a state of desperation he returns to the museum and prays to become the fisherman in the painting, but dire consequences loom.

Tales from the Crypt 1972

Horror + Joan Collins… It works well in this.

This is a very good Anthology horror movie. If you like seeing bad people getting their due…this is for you.

I watched this movie as a seven-year-old on television. This movie set me straight for a while…no misbehaving after watching this. It’s got a feel of the Twilight Zone set in the early 1970s with vivid green nature surrounding that only 1970’s England on film can give you.

5 strangers travel through caves and wonder how and why they all got there as they meet a Crypt Keeper. One by one each has a story that is shown.

It still works now. The stories are well written and my favorite is “Blind Alleys” about someone who could care less about the welfare of other people. Actor Patrick Magee is great in this one. He also appeared in A Clockwork Orange as the writer.

I’ve always liked Anthology horror movies and this was the first one I remember watching. Amicus Productions made many movies in this vein. I like the creepiness around many of these early 1970s horror films.

I’m posting the wiki information below about each story.

…And All Through the House

Joanne Clayton (Joan Collins) kills her husband (Martin Boddey) on Christmas Eve. She prepares to hide his body, but hears a radio announcement stating that a homicidal maniac (Oliver MacGreevy) is on the loose. She sees the killer (who is dressed in a Santa Claus costume) outside her house, but cannot call the police without exposing her own crimes.

Believing the maniac to be Santa, Joanne’s young daughter (Chloe Franks) unlocks the door and lets him into the house, whereupon he starts to strangle Joanne to death.

Reflection of Death

Carl Maitland (Ian Hendry) abandons his family to be with Susan Blake (Angela Grant). After they drive off together, they are involved in a car accident. He wakes up in the wrecked car and attempts to hitch-hike home, but everyone he meets reacts with horror upon seeing him. Arriving at his house, he sees his wife (Susan Denny) with another man.

He knocks on the door, but she screams and slams the door. He then goes to see Susan to find out that she is blind from the accident. She says that Carl died two years ago in the crash. Glancing at a reflective tabletop, he sees he has the face of a rotted, hideous corpse and screams in horror. Carl then wakes up and finds out that it was a dream, but the moment he does, the crash occurs as previously seen.

Poetic Justice

Edward Elliott (David Markham) and his son James (Robin Phillips) are a snobbish pair who resent their neighbour, dustman Arthur Grimsdyke (Peter Cushing), who owns a number of animals and entertains children in his house. To get rid of what they see as a blight on the neighbourhood, they push Grimsdyke into a frenzy by conducting a smear campaign against him, first resulting in the removal of his beloved dogs (one of them returns to him), then persuading a member of the council to have him removed from his job, and later exploiting parents’ paranoiac fears about child molestation.

On Valentine’s Day, James sends Grimsdyke a number of poison-pen Valentines, supposedly from the neighbours, driving the old man to suicide. One year later, Grimsdyke comes back from the dead and takes revenge on James: the following morning, Edward finds his son dead with a note that says he was bad and that he had no heart—the word “heart” represented by James’s heart, torn from his body.

Wish You Were Here

Wish You Were Here (The Haunt of Fear #22, November–December 1953), a variation on W. W. Jacobs’ famed short story “The Monkey’s Paw”.

Ineffective businessman Ralph Jason (Richard Greene) is close to financial ruin. His wife Enid (Barbara Murray) discovers a Chinese figurine that says it will grant three wishes to whoever possesses it; Enid decides to wish for a fortune; surprisingly, it comes true. However, Ralph is killed, seemingly in a car crash, on the way to his lawyer’s office to collect it. The lawyer (Roy Dotrice) then advises Enid she will inherit a fortune from her deceased husband’s life insurance plan. She uses her second wish to bring him back to the way he was just before the accident, but learns that his death was due to a heart attack immediately before the crash (caused by fright when he sees the figure of “death” following him on a motorcycle).

As she uses her final wish to bring him back alive and to live forever, she discovers that he was embalmed. She tries to kill him to end his pain but because she wished him to live forever, he cannot be killed. She has now trapped him in eternal pain.

Blind Alleys

Major William Rogers (Nigel Patrick), the incompetent new director of a home for the blind made up mostly of elderly and middle-aged men, makes drastic financial cuts, reducing heat and rationing food for the residents while he lives in luxury with his German Shepherd, Shane. When Rogers ignores the pleas of resident George Carter (Patrick Magee) for help, another resident dies from the cold and a stone-faced Carter leads the others in exacting revenge. Carter and his group subdue the staff, then lock Rogers and Shane in separate rooms in the basement as they construct a maze of narrow corridors between the two rooms. Rogers and Shane are starved, leading to the dog becoming ravenous.

After two days, Rogers’ door is unlocked and he must find his way through with the lights off. He yells out in pain as Carter turns the lights on, discovering one corridor is lined with razor blades. Rogers makes it past, but finds Shane being let out from the room in front of him. He flees back towards the razors, but Carter turns the lights off and Rogers is heard screaming as the hungry dog catches up with him.

Finale

After completing the final tale, the Crypt Keeper reveals that he was not warning them of what would happen, but telling them what has already happened: they have all “died without repentance”. Clues to this twist can be spotted throughout the film, including Joanna wearing the brooch her husband had given her for Christmas just before she killed him. The door to Hell opens and Joanna, Carl, James, Ralph, and Major Rogers all enter. “And now… who is next?” asks the Crypt Keeper, turning to face the camera as he says “Perhaps you?” The scene pulls away as the entrance to the Crypt Keeper’s lair is in flames

Trilogy of Terror 1975

This TV movie scared a lot of kids in the 1970’s…including me… It is an anthology horror movie but the last story is the one that is remembered. For years I tried to find this movie and when I finally did I wasn’t disappointed. I knew going in that there was no CGI and it was a TV movie so I wasn’t disappointed seeing it at an older age. I assume this movie help inspire the Chucky movies of the late 1980’s. The story was written by Richard Matheson.

Karen Black plays Amelia who lives in an apartment. She comes home with this voodoo warrior looking doll. The doll is said to hold a killing spirit inside and there is a gold chain around it to supposedly hold the spirit in.

Amelia calls her mom and is fighting with her and finally lets her go…she notices that the chain is off of the warrior doll. Amelia goes to cook dinner and comes back and the doll is gone.

This is when all the fun begins. After this the doll starts chasing her around and she chases the doll. After a lot of cuts, biting, bruises, stabbing and fire we get a surprise ending. Amelia’s mom is coming over but to what?

With special effects being what they were in the 1970’s…they did a really good job. They show just enough of the doll to look real. They know their limitations and work within that.

Anyone who enjoys the Chucky movies should enjoy this but it will not have the effects those movies have in them.

Little Richard

A voice that won’t quit. Richard Wayne Penniman… better known as Little Richard would be great in any era. Of all of his peers, he could belt a song out better than any other.

In the 50’s he was public enemy number one to many parents. Pat Boone would cover his songs and those are the recordings the parents would buy their kids…while the kids would sneak and buy the real Richard records and keep them hidden while their parents were around…

Others tried to imitate it but no one came close. Paul McCartney would try but didn’t have the rawness that Richard had/has… He was flamboyant, to say the least, and commanded a stage.

In 1957 at the peak of his career he retired to the ministry and gospel music only… that lasted a while but in 1962 he came back to Rock and Roll and toured Europe. The Beatles were really big fans of Richard and they opened some shows for him in 1962. His keyboard player was a young Billy Preston.

Little Richard songs just jump off of the recording right at you.

You can hear his influence on The Stones, The Beatles, James Brown, Elvis and his androgynous influence with Freddy Mercury, Elton John, and David Bowie.

I’ve always seen Little Richard as the hard rock of the fifties. The songs are raw as you can get and in your face.

Black people lived right by the railroad tracks, and the train would shake their houses at night. I would hear it as a boy, and I thought: I’m gonna make a song that sounds like that. Little Richard

Little Richard and the James Gang in 1970

Shocking Blue with Mariska Veres

A band out of the Netherlands with a sensational singer named Mariska Veres had a huge hit in 1970. She sounded like Grace Slick to me…maybe a little stronger. Robbie van Leeuwen was the guitar player who wrote the songs.

Their big hit worldwide was Venus that most people have heard. They had some great songs like Never Marry a Railroad Man, Mighty Joe, Love Buzz (which Nirvana covered). They were together from 1968-1974. They were known as a one-hit wonder with Venus but their other songs were hits in the Netherlands and were very good.

They were not smooth…they were raw hence why I like them. Venus is probably my least favorite…maybe because I’ve heard it too much and it’s been covered a few times by different artists.

I like finding artists that have been largely forgotten. I never knew about Shocking Blue…with the exception of Venus until 3 or 4 years ago. I do listen to some new music on Youtube but I like digging and finding good bands that deserve attention.To me they are new…

Mariska sadly died in 2006. With her voice, I’m shocked she didn’t have a more successful solo career.

Venus

Never Marry a Railroad Man

Mighty Joe

Love Buzz

IT the Novel

I’m not writing a summary of the book…a good one is here… Just how IT affects me.

Everything I was scared of in childhood comes back to me in this book…vividly. What if it was really a monster in the dark like I thought?

I did a post on the old tv mini-series and the new movie but the novel is a great piece of work. I have read it at least 7 times. I keep coming back to it and visiting Derry and the kids that grew up together. After reading the book you feel like you know these people…or you have known people like them while growing up. It makes you think of the friends you had at 10-11 that you have forgotten their name and some of the things you did with them.

When I’m reading it I’m transported to Derry in 1957-1958 and then ahead to 1984-85 and then back to the 50s. King is so detailed that you feel like you have been in that town and know the townsfolk, the streets, the stores and the dirty secrets. I always…always find things that I missed before because it is so massive.

It’s like learning about your town. The star of the book…isn’t Pennywise…it’s Derry. They are maybe one in the same but it holds the secrets of everyone in that town. The book is also about coming of age and the awkwardness that comes with it…for the kids and for the town.

Some things I feel while reading is:

Rage… The rage for Henry Bowers is something that the movie and the tv series does not halfway convey. He is the ultimate bully. Most of us had a form of a Henry Bowers to contend with…

Familiarity… the losers club is basically a bunch of misfits that blend together and all of them have talents that no one else outside of the group really notices but are used by the club. It’s a story you are familiar with and you may have been in a similar group as a kid.

Nostalgia… No, I wasn’t raised in the 50s or even close but the same things these kids were into as kids…rock and roll, curious about the opposite sex, exploring, still believing in magic… having no real responsibilities, the fun of being a kid and every day was new…is not era related.

I make it sound like a quaint little book about growing up… no… it is scary but what makes it scary for me is I can relate to most of the characters in the book…that makes it real. Stephen King is a master at that. He makes everything seem plausible.

Pennywise is one of the greatest monsters/evil entity ever. You get a vast variety of monsters that IT changes into also… if IT is not doing tha… it is busy influencing some of the weaker citizens of Derry.

The infamous sex “scene”… I’ve read reviewers talk it up like it is some cheap porn setup (I’m hearing the 70’s wah wah guitar in the background)…it’s not like that. It’s very innocent and they have no clue really on what to do. Was it a surprise when I read it? Yes…Was it erotic? NO it wasn’t at all… I didn’t know about it beforehand…I had to do a double take but I got King’s meaning. To find their way back out of the sewer they had to reunite and be adults and in a sense leave childhood behind…it was used as a bridge from childhood to being an adult. It was a different era (1980s) when he wrote this…he probably would not have written it the same way now.

Of course, all of this is just the way it affected me.

Get the book and read it…or reread it.

Janis Joplin

I cannot say how much I love this woman. Janis had the most powerful voice I have ever heard. She could sing with beauty and she could sing with a sound like Southern Comfort pouring through razor blades. There was soul, confidence, strength, and vulnerability in her voice that came through in every song.

She moved from Texas to San Francisco and became part of the San Francisco music scene with the Grateful Dead, Jefferson Airplane, and Quicksilver Messenger Service. Her influences were Billy Holiday, Bessie Smith. Big Mama Thornton, Odetta, and Leadbelly.

She played with Big Brother and the Holding Company who were as raw as you could get and they played at Monterrey and broke through. She went solo with a couple of backing bands The Kozmic Blues Band and the Full Tilt Boogie Band.

There are few artists who give everything they have all the time. Bruce Springsteen is one…Janis was one. On film it comes through…she gives everything she has and more.

My favorite songs by Janis are…. well I could hear her sing the phone book and I would be happy….but some I really like are…Down On Me, Summertime, Piece of My Heart, Ball, and Chain, Try (Just a little bit Harder), Maybe, Little Girl Blue, Cry Baby, Me and Bobby McGee, Mercedes Benz and anything live she did with either band…She could sing the blues and she lived them…

Her nickname was Pearl and that was the name of her last album. She left $2,500 for her wake…. 200 guests were invited with invitations that read…”Drinks are on Pearl”…

I only wished she could have survived and been alive today. Much like Jimi Hendrix, I hate to think what we missed out on.

Influence of the Monkees

I debated on whether to write this or not. When the Monkees are mentioned some people cringe but they have a place in my 5-year-old self…plus how many bands can say that Jimi Hendrix opened up for them… though maybe the worst pairing ever.

While writing this I’m not saying they deserve to be remembered as a top rock group. Not at all but they do need to be recognized for their influence on a couple of generations. They influenced a lot of kids to form bands…mostly because of their weekly prime-time television show and ensuing hit singles. In the 80s they had a big comeback with a tour and massive airplay on MTV… I got to see them then…without Nesmith though.

When I was around 5-6 years old and watched the Monkees in syndication many years after they did the show. I loved them. I thought WOW… I must be in a band one day. Little did I know that being in a band was not living in a cool place at the beach and having adventures at every turn…not to mention everyone getting along…it doesn’t happen. They had fun songs and influenced me…After I went through the Monkees faze I discovered the Beatles, The Who, Stones, Kinks…anything British but I have a soft spot for some of the old Monkees songs.

The Monkees basically took A Hard Days Night movie humor and made a television show around a life of a mid-sixties rock band. Kids wanted to form bands after seeing them romp around the screen with girls…who wouldn’t want that gig? Michael Stipe from REM is one that states he was influenced by the Monkees.

They were not allowed to play on their first couple of albums…only sing…The Monkees were put together by Bob Rafelson and Bert Schneider for Screen Gems with two real musicians in the band…Michael Nesmith and Peter Tork… Micky Dolenz (he did sing in cover bands before The Monkees) and Davy Jones could sing and act…. and Mickey quickly learned drums.

When news came out that they didn’t play on their albums they were roundly criticized in the 1960s. They fought Don Kershner who controlled what they sang…. and won… The funny thing is many sixties pop bands didn’t play on their records and the Monkees actually started to play their own instruments on their third album (Headquarters) and writing some songs for every album afterward.

In the second season of their tv show they started to gain more control there also… Some of those last episodes are very pot influenced…especially the episode called “The Frodis Caper”… The episodes started to get surreal and break the fourth wall…the second season is worth a watch…all of them are fun but the 1st season is more formulaic.

HEAD The Movie…they made a trip movie called Head that Jack Nicholson helped to write… Personally, I like it but I like 60s movies like this. The one song that stands out is The Porpoise Song. The movie tears down the Monkee myth… One song/chant is the “Ditty Diego “… The first lines are “Hey, hey, we are the Monkees You know we love to please A manufactured image With no philosophies“…They didn’t take themselves seriously at all…they knew where they were at as far as a band goes. When they made the movie they knew it would destroy their image…that was the point.

I do still like some songs by them…anything wrote by Michael Nesmith (famous also for Elephant Parts), Pleasant Valley Sunday, Randy Scouse Git, Steppin Stone and Saturday’s Child.

All in all, they ended up singing and playing on some of the best-known sixties pop-rock hits….plus they drove one of those cool sixties tv cars…the Monkeemobile.