The Nashville Ramblers – The Trains

The Nashville Ramblers was a band from San Diego. The song “The Trains” was recorded in 1985 for a compilation album American Heart and Soul. they also recorded 2 other songs for the album… an original called “Nashville Rambling” and a cover of a Golliwog (pre-Creedence Clearwater Revival) song called “Fragile Child.”

Steven Van Zandt called the song  “one of the examples most indescribably beautiful romantic nostalgia, disguised in a pop song.”

There is not much out there on this group. Youtube does have some performances. This song did not chart because it was hardly known about. The band wasn’t known until 20 years after this was recorded and their song was released on another compilation album. The song has a cult following.

 

I found this bit of info…It’s really interesting and a very good song. The song would have worked in 65 as well. It’s a shame that a wider audience never knew about them. I’ve been playing it to anyone that would listen.

https://www.midheaven.com/item/trains-fragile-child-by-nashville-ramblers-7

Recorded in 1985, “The Trains” by THE NASHVILLE RAMBLERS is one of the greatest pop songs of the entire era. Aided and abetted by ace producer MARK NEILL (Black Keys), the band expertly channeled their key influences—Beatles, Remains, Hollies, Everly Brothers, and others—and shaped them into something fresh, urgent and breathtakingly original. A heart-stopping melody, evocative lyrics, a driving beat, soaring harmonies, a dynamic, reverb-soaked production—to hear “The Trains” was to fall in love with it. And every time you heard it, you fell in love again. However, outside a small circle of fans, though, very few people ever heard it. In an era when do-it-yourself was how-it-was-done, the Ramblers waited for somebody else to do it for them. Nobody did—not really anyway. In 1986 “The Trains” and one other Ramblers song appeared on an obscure UK-only compilation, but few people noticed. The moment was lost—if it was ever there at all—and “The Trains” slipped quietly back underground to become a whispered secret passed through the years between a growing coterie of admirers. Many discovered the song for the first time in 2005 when it was included on Rhino’s Children of Nuggets box set—by then it was almost 20 years old. Fully remastered by Mark Neill directly from the original vaccum tube analog 3-track master tape, this shiny black 45rpm single and packaged in a deluxe hard cover picture sleeve, it’s paired with a terrific, previously unreleased version of the Golliwogs’ “Fragile Child” recorded at the same session. Edition of 1,000 copies.

If you know any more info please comment.

 

I just found this wiki page…just translate to English

https://pt.wikipedia.org/wiki/The_Nashville_Ramblers

The Trains

She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
When I’m alone
I can feel the sun going down
How can I explain all the reasons she frightens me so
When she has the power to burn me right down to my soul
But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means

No, nobody else could understand her like I do
So I gotta make her realize she loves me too
And I do
I really do

But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means
She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
Once I was strong
I can feel the sun going down
I can hear the trains underground
I can feel the sun going down
I can hear the trains underground

 

That Elusive 70’s House

As anyone who has read this blog knows, I like the 60s and 70s. I collect things from that era and even looked for a house in that era…I just didn’t know how many houses we would visit.

In 2004 my wife and I thought it was time to move from our starter home. We were learning to jump from the hall to living room to kitchen because we were getting crowded with our small home with a 4-year-old son, a mutt and a Saint Bernard running about.

We didn’t know what we wanted and were totally naive about house hunting. We only had so much money when we bought our starter home so it was easy…the second house we saw we bought. This time we had options and wanted to find our final house…THAT house…  We found an agent and she said: “I’ll show you 6 houses but you need to pick one of them and that will be it.” We didn’t like any of the houses she showed us that weekend.

We told the agent to forget it and started to freelance and ended up looking at 11 more by just going around and making appointments to visit houses. Ok, we are up to 17 now. But by this time we knew what we wanted. We wanted a 1970s style house…split level if possible.  An open floor plan with some land…and some room. My wife would not go for shag carpet (dang it) or an avocado refrigerator but she did like the older designs.

At the 18th house we looked at, we found an agent as crazy as we were named Naomi. She was new at being a real estate agent and said she would stick with us through the complete process. We kept going when we could and the number kept rising. I then got laid off my job in May of 2006…and it slowed us down but in July I was working again and the adventure continued.

Naomi could not understand why we would want an older house. She would try to dissuade us. She would try to slip in a new townhouse…we would arrive and say no…but she said she had to try. We looked in multiple counties to see if we could find what we wanted. We found nothing that was remotely close to my work.

We found many houses that we wanted. But it never failed that something would happen. The house would fail inspection, someone would beat us and sign first, at one house someone paid cash and got the house, or they would not take a contingent contract on our house selling…one time the owners changed their minds.

The total kept climbing but Naomi stayed with us…and we reached the 50s…We became really good friends with her and still are to this day. She still invites us over every year to her July 4th party. Namoi was learning with us and enjoyed looking at houses and actually started to appreciate the older houses.

Then it happened in 2007…We found a house (insert angels singing here)…the 55th house we looked at! We got there and drove down the driveway… I knew this was the one… the driveway was shadowed by the top of the trees hanging over it. It was an A-frame (with a 60s  vibe) with five bedrooms and surrounded by green everywhere…trees and woods…For some odd reason “Uncle John’s Band” kept playing in my mind. We got there and found out it was built in 1992. We were shocked… We thought it was older.

We talked to the man and wife who owned it. They were two public attorneys (Jim and Diane) and both were so nice. They talked with us a little and said the house was not on the market yet but Diane said we had good “Karma” …and if we wanted it…it was ours.

She bought the house when it was a 900 square foot A-frame on three acres. She then met her husband Jim and had a child…they built a wing and garage on one side…had more kids and built another wing on the other side. It is one of a kind with an open floor plan…and we bought it for under market value because they wanted to live near their work in Nashville and had already bought another house. They were offered more money by someone else but stuck with us…I was surprised but our “karma” must have won out. The inspection passed with flying colors…and nothing went wrong.

So we moved in…The Wife, the son, the Mutt and our Saint…and me of course…The irony of it all? We had searched all over for 3 years and even 60-100 miles away…and this house was 2 miles from where we were living. It’s hidden from the road and we had never laid our eyes on it.

After we bought the house Jim and Diane invited us to dinner at their new home. Turns out Jim knew Bob Jackson…if you don’t know Bob Jackson, he was in Badfinger right before Pete Ham passed away (see I tied pop culture into this). He had some interesting stories and they are great people.

The house has been a great investment…it’s climbed in value but we want to stay here till the end. I don’t have another search left in me…

By the way…We made it up to Naomi…we referred her to two of our friends who bought and sold their houses through her as the agent. She still calls us asking us if we want to go with her at times and visit houses. She said she misses going to see houses with us.

Since it wasn’t a seventies house I thought I would bring the seventies to it… the corner of my music room where I read.

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I still hear Uncle Johns Band when I come down my drive…it doesn’t get better than that

 

Sextette 1978

This movie is bad…I mean turn your head away, bad. I’m not sure if it passes for so bad it’s good… Once you see this movie… You want to un-see it. I cannot believe the powers to be thought it would be a good idea to portray an 85-year-old Mae West as the sex symbol Marlo Manners. I’m not knocking Mae West because she made some good films in her career…this was not one of them. I’m in no way knocking Mae West…but this movie should not have been filmed.

Mae looked fine for being 85…but acting like she was in her twenties or thirties… was not a good idea. It was like someone doing a bad Mae West impersonation. Playing her soon-to-be husband in the movie was the pre-Bond Timothy Dalton.

Some films are great. Some are terrible. And some like Sextette are so completely unhinged, so gloriously out-of-step with time, taste, and logic, that they transcend quality altogether and enter that rarefied zone of sublime WTF.

The plot, such as it is, involves Marlo (West) arriving at a London hotel after marrying her sixth husband (Dalton, somehow keeping a straight face). But she’s got five ex-husbands still circling, plus world leaders, Cold War politics, and various intercontinental shenanigans all trying to get a piece of her… attention. West floats through the whole thing like a rhinestone-covered battleship, delivering every line as if time stopped in 1933.

To pour on some more badness…it was a musical! I won’t go there, but you can imagine. The movie did have star power. I will give it that. The cast included

Timothy Dalton, Alice Cooper, Tony Curtis, Dom Deluise, Ringo Starr, Keith Moon, George Hamilton, Rona Barrett, and Regis Philbin.

For me, the only bright spot is two small appearances by Keith Moon who plays a dress designer. He is refreshing and goes wonderfully over the top in his small scenes. He could have been a decent character actor.

I would hate to see the movies that were passed over for this one to be made. I usually like bad 70s movies, but you just feel embarrassed for Mae West in this one.

If you want to see a good Mae West film watch “My Little Chickadee.”

I found this line from a review… “Bad comedies are painful, bad musicals are worse, and combining the two, then adding in liberal sexual innuendo involving a woman who is eighty-four or eighty-five years old is agony. “

Keith Moon in Sextette

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Ricky Nelson – Garden Party

Songs like Hello Mary Lou, Lonesome Town, and Traveling Man from the fifties and sixties still sound good today.

He was playing in a Rock and Roll revival show in 1971 at Madison Square Gardens with other artists such as Chuck Berry, Bo Diddley, and Bobby Rydell. Ricky was releasing new music and he did not look the way he did in the 50s. He had long hair and dressed modern. He started off with some of his old songs the fans responded enthusiastically but then he played “Country Honk” a country version of the Rolling Stones “Honky Tonk Women.” That is when it went south.

He started to hear booing and eventually left the stage. There are mixed reports about the booing. Some say there was a disturbance in the crowd with policemen escorting people out and that is what the booing was aimed at… not Ricky. Either way, he got a great song out of it.

He wrote the song about what happened with some references to ex- Beatles, Yoko. Elvis and Chuck Berry.

These references are from Wikipedia

A garden party – October 15, 1971’s Rock ‘n Roll Revival concert at Madison Square Garden, New York City
My old friends – fellow performers at the concert Chuck Berry, Bo Diddley and Bobby Rydell
Yoko – Yoko Ono
Yoko’s walrus – John Lennon
Mr. Hughes – George Harrison
(Mr. Hughes) hid in Dylan’s shoes – Harrison’s planned (but later abandoned) album of Bob Dylan covers
I said hello to Mary Lou, she belongs to me – Nelson’s song “Hello Mary Lou”, which he played at the concert; also a reference to “She Belongs to Me”, a Bob Dylan song covered by Nelson
I sang a song about a Honky-Tonk – The Rolling Stones song “Country Honk”, the song that allegedly caused the booing
And it was time to leave – Nelson’s subsequent departure
Out stepped Johnny B. Goode – Chuck Berry’s song “Johnny B. Goode”
Playing guitar like a-ringing a bell – the line in “Johnny B. Goode”, “he could play guitar just like a-ringing a bell”
I’d rather drive a truck – Elvis Presley worked for a time as a truck driver, having famously been told after several failed auditions to “stick to truck driving because you’re never going to make it as a singer”

The song peaked at #6 in the Billboard 100 and #44 in the Country Charts.

Ricky Nelson had 44 songs in the top 100, 2 number 1’s and 14 top ten hits. This song was Ricky’s last top 40 hit.

“Garden Party”
I went to a garden party
To reminisce with my old friends
A chance to share old memories
And play our songs again
When I got to the garden party
They all knew my name
No one recognized me
I didn’t look the same

But it’s all right now
I learned my lesson well
You see, ya can’t please everyone
So ya got to please yourself

People came from miles around
Everyone was there
Yoko brought her walrus
There was magic in the air
‘N’ over in the corner
Much to my surprise
Mr Hughes hid in Dylan’s shoes
Wearing his disguise

But it’s all right now
I learned my lesson well
You see, ya can’t please everyone
So ya got to please yourself

Lott-in-dah-dah
lot-in-dah-dah-dah

Played them all the old songs
Thought that’s why they came
No one heard the music
We didn’t look the same
I said hello to “Mary Lou”
She belongs to me
When I sang a song about a honky-tonk
It was time to leave

But it’s all right now
I learned my lesson well
You see, ya can’t please everyone
So ya got to please yourself

Lot-dah-dah (lot-dah-dah-dah)
Lot-in-dah-dah-dah

Someone opened up a closet door
And out stepped Johnny B Goode
Playing guitar
Like a-ringin’ a bell
And lookin’ like he should
If you gotta play at garden parties
I wish you a lotta luck
But if memories were all I sang
I rather drive a truck

But it’s all right now
I learned my lesson well
You see, ya can’t please everyone
So ya got to please yourself

Lot-dah-dah (lot-dah-dah-dah)
Lot-in-dah-dah-dah

‘N’ it’s all right now
Learned my lesson well
You see, ya can’t please everyone
So you got to please yourself

A Quick Word on The WHO

The Who started off as the Detours and had a drummer named Doug Sandom. After an argument with Pete, Doug quit the band. Keith Moon then joined and the sound and the band took off. They found the member to complete one of the best bands to emerge from the sixties. They were the band of the Mods and wore British Flags, target shirts, and other Pop Art attire.

Controlled chaos is the best way I know how to describe the Who’s early singles. My favorite rhythm section in Rock and Roll… John Entwistle and Keith Moon were all over the place but they were all over the place together.  What John and Keith gave musically cannot be underestimated. They were the engine that made The Who go…Pete Townshend coined the phrase “power pop” and they were the ultimate power pop band. Roger Daltrey was transformed from a good blues singer to a rock god. They released several classic albums… Who’s Next, Quadrophenia, Tommy, and Live at Leeds., The Who Sell Out…

The Who along with the Kinks were the forerunners of Punk. The Who’s early singles were raw and driving Can’t Explain, My Generation, Substitute, The Kids Are Alright, Pictures of Lily, I’m a Boy, and I Can See For Miles…

They moved from those early raw songs and released albums with songs such as Won’t Get Fooled Again, Baba O’Riley, Behind Blue Eyes, Love Reign O’er Me, Who Are You, Bargain. The Real Me, We’re Not Going to Take It, and 5:15

Pete took the rock concept album to an art form.

When they were at their performing peak they were untouchable. Check out the album or DVD of Live at the Isle of Wight Festival.

Their peer at that time had a great rhythm section, a great guitarist and a dynamic lead singer…Led Zeppelin. The Who were not as popular and they didn’t sell as many records as Led Zeppelin but The Who were fun… they more inviting.

They were the complete package. They had a good songwriter (Entwistle) in the band…and a great one (Pete). If you look at lists and influences…  10 ten rock drummers, top ten rock bassists etc..all of the Who come up in their respective category.

Led  Zeppelin made the right choice in not replacing John Bonham. The Who decided to go on without Moon and were never the same again without Moon. Some of their songs were good afterward but they did not have the drive and spirit that Moon gave them and they were not complete without him.

I’ve never found a band other than the Beatles that moved me as much. Pete’s songs are high energy with a dash of spirituality.

I will revisit the Who again and coming up soon  I’m going to attempt to rank the Who albums.

 

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Feeling Like A Pop Star

I was on a stage playing bass beside my bandmates. We were playing on a large stage that known acts had played before. There were 2000-3000 screaming females in the audience. We couldn’t do anything wrong. Then we played the only song I sang at the time…Brown Eyed Girl. Again the place went nuts and I was being singled out by a few. shouts of “Hey blue pants  (I had just bought some blue pants at Chess King…give me a break…it was the 80s), look over here!”

I never heard an audience that loud before while performing in my short 6 years of playing in front of people. We were an 80s band that didn’t play 80s music…We played Summertime Blues, Under My Thumb, Jumping Jack Flash, Roadrunner and kept going…we slipped in an original song and they kept screaming. I could barely hear myself play. I thought to myself…wow so this is what it’s like…We played around 15 songs in all.

Before I go on I will tell how and why this happened. Was I dreaming the whole thing? No, I was not dreaming. I was actually playing and soaking this up. I was 22 and I enjoyed every second of it. I thought any guy could get used to this…

I had been playing bass with a guitar friend of mine named Ronald since we were thirteen. He and I  played in a backwoods bar when we were 16 with a drummer and a singer. This band we were in now was not the one we started with but it was talented… but not this talented!

No, we had a gig at a Women’s prison. They wanted to be entertained and they were very appreciative. Bless all of them because they made us feel on top of the world. In the next few days, we thought we were better than what we were (the meaning of believing your own press)…our band broke up soon after…I joined a new one not long after that.

I kept playing for a few more years on weekends in bars, clubs, theaters, and parties. We even recorded in an old studio. I’ve played in front of big crowds again but never again with that much excitement. I had great times and met some great people but for that one day, that brief time,  I was a pop star…or rather I felt like a pop star. I got to see what it was like for a brief amount of time and I won’t lie…it was a great but fleeting feeling.

 

 

 

 

 

Fleetwood Mac – Monday Morning

One of my favorites of Fleetwood Mac and I was surprised to find out that is was the B side to “Say You Love Me” and did not chart. I love the bouncy guitar and catchy verse and chorus.  This song was written by Lindsey Buckingham and intended for the follow up to the Buckingham Nicks album that never came. Instead, it was the song that kicked off the new Fleetwood Mac album in 1975.

From Songfacts.

This was written by Fleetwood Mac guitarist Lindsey Buckingham. He and his girlfriend at the time Stevie Nicks were recording as the duo Buckingham-Nicks and had released one album when they were asked to join Fleetwood Mac. This song was written for a second Buckingham-Nicks album, but when they joined Fleetwood Mac they brought this with them along with “Landslide” and “Rhiannon.” These songs helped make Fleetwood Mac a force in the pop music world and establish a strong radio presence for the band.

 

Monday Morning

Monday morning you sure look fine
Friday I got travelin’ on my mind
First you love me and then you fade away
I can’t go on believin’ this way
I got nothing but love for you
Tell me what you really want to do
First you love me, then you get on down the line
But I don’t mind, I don’t mind, yeah

I’ll be there if you want me to
No one else that could ever do
Got to get some peace in my mind

Monday morning you sure look fine
Friday I got travelin’ on my mind
First you love me and then you say it’s wrong
You know I can’t go on believing for long

But you know it’s true
You only want me when I get over you
First you love me, then you get on down the line
But I don’t mind, no, I don’t mind, yeah

I’ll be there if you want me to
No one else that could ever do
Got to get some peace in my mind

But you know it’s true
You know you only want me when I get over you
First you love me, then you get on down the line
But I don’t mind, no, I don’t mind, yeah

I’ll be there if you want me to
No one else that could ever do
Got to get some peace in my mind

Peter and Gordon – I Go to Pieces

This song was written by Del Shannon…Peter and Gordon (Peter Asher and Gordon Waller) took it to #9 in the Billboard 100 and #21 in Canada. This was a nice British Invasion song by the duo. Peter Asher is the brother of Jane Asher and became a very successful producer. See the bottom of the post for his producer credits.

You can also see a little “Austin Powers” in Peter Asher.

I Go To Pieces

When I see her comin’ down the street 
I get so shaky and I feel so weak
I tell my eyes look the other way
But they don’t seem to hear a word I say
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
I tell my arms they’ll hold someone new
Another love that will be true
But they don’t listen, they don’t seem to care
They reach for her but she’s not there
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
I remember what she said when she said
“Goodbye baby. We’ll meet again soon maybe.”
“But until we do, all my best to you.”
I’m so lonely, I think about her only
I go to places we used to go
But I know she’ll never show
She hurt me so much inside
Now I hope she’s satisfied
And I, go to pieces and I want to hide
Go to pieces and I almost die
Every time my baby passes by
Go to pieces and I cry
Every time my baby passes by
Go to pieces and I cry

From Wikipedia https://en.wikipedia.org/wiki/Peter_Asher

Peter Asher Producer’s Credits

Year Album Artist
1968 James Taylor James Taylor
1969 Barbara Keith Barbara Keith
1970 Jo Mama Jo Mama
1970 Sweet Baby James James Taylor
1971 Mud Slide Slim and the Blue Horizon James Taylor
1971 Sister Kate Kate Taylor
1971 Tony Joe White Tony Joe White
1971 Bad Girl Songs Tony Kosinec
1972 One Man Dog James Taylor
1973 Don’t Cry Now Linda Ronstadt
1974 Heart Like a Wheel Linda Ronstadt
1975 Prisoner in Disguise Linda Ronstadt
1975 Black Rose J.D. Souther
1976 Hasten Down the Wind Linda Ronstadt
1976 Love Songs David Sanborn
1976 What’s Wrong with This Picture? Andrew Gold
1977 JT James Taylor
1977 Simple Dreams Linda Ronstadt
1978 Living in the USA Linda Ronstadt
1979 Flag James Taylor
1979 The Glow Bonnie Raitt
1980 Mad Love Linda Ronstadt
1981 Dad Loves His Work James Taylor
1982 Get Closer Linda Ronstadt
1983 Reelin’ in the Years, Vol. 1 various artists
1983 What’s New Linda Ronstadt
1984 Lush Life Linda Ronstadt
1984 Moonlighting (Original TV soundtrack)
1985 That’s Why I’m Here James Taylor
1986 An American Tail (Original soundtrack)
1986 For Sentimental Reasons Linda Ronstadt
1987 Canciones De Mi Padre Linda Ronstadt
1987 Cher Cher
1987 In My Tribe 10,000 Maniacs
1987 Storytellers: Singers and Songwriters various artists
1988 The Land Before Time (Original soundtrack)
1989 Blind Man’s Zoo 10,000 Maniacs
1989 Cry Like a Rainstorm, Howl Like the Wind Linda Ronstadt
1989 Heart of Stone Cher
1989 You Happy Puppet 10,000 Maniacs
1990 Mermaids (Original soundtrack)
1991 Force Behind the Power Diana Ross
1991 Live in Rio James Taylor
1991 Love Hurts Cher
1991 Lovescape Neil Diamond
1991 Mambo Kings (Original soundtrack)
1991 Swept Julia Fordham
1991 Williams Brothers The Williams Brothers
1992 American Standard Mary’s Danish
1992 Back to Basics Olivia Newton-John
1992 Christmas Album Neil Diamond
1992 Olivia Olivia Newton-John
1992 Time Takes Time Ringo Starr
1993 Made in America (Original soundtrack)
1993 Robin Zander Robin Zander
1993 Up on the Roof: Songs from the Brill Building Neil Diamond
1994 Christmas Album, Vol. 2 Neil Diamond
1994 Randy Newman’s Faust: Words and Music various artists
1995 Don’t Ask Tina Arena
1995 EP Collection Peter and Gordon
1995 Faust Randy Newman
1996 It Takes Two various artists
1996 One Fine Day (Original soundtrack)
1996 Show Me Heaven Tina Arena
1997 Most Beautiful Soul Album on Earth various artists
1997 Superstar Christmas various artists
1997 Under These Rocks and Stones Chantal Kreviazuk
1998 Armageddon (Original soundtrack)
1998 As I Came of Age Sarah Brightman
1998 December Kenny Loggins
1998 Motown 40 Forever various artists
1999 All Time Greatest Movie Songs various artists
1999 Best Party Megamix in the World Ever various artists
1999 Collection Julia Fordham
1999 Runaway Bride (Original soundtrack)
1999 When the Going Gets Tough Boyzone
2000 Gift of Love Diana Ross
2000 More Songs from Pooh Corner Kenny Loggins
2000 Tigger Movie: Songs and Story various artists
2001 Everything I Am Anna Vissi
2001 Motown Anthology Diana Ross
2001 Three Chord Opera Neil Diamond
2001 Ultimate Peter and Gordon Peter and Gordon
2002 Capitol Records 1942–2002 various artists
2002 Everybody’s Got a Story Amanda Marshall
2002 Freedom: A History of Us (Original soundtrack)
2002 Live 2002 Robin Williams
2002 Providence (Original TV soundtrack)
2002 Sweet Is the Melody Aselin Debison
2003 Best of the Definitive American Songbook, Vol. 2: I-Z various artists
2003 Cafeteria: Hear various artists
2003 Earth Rider – The Essential John Stewart 1964–1979 John Stewart
2003 Singers and Songwriters Christmas Songs various artists
2004 California Wilson Phillips
2004 Campfire Songs: The Popular, Obscure and Unknown Recordings 10,000 Maniacs
2004 De-Lovely (Original soundtrack)
2004 Intermission Amanda Marshall
2004 Sky Captain and the World of Tomorrow (Original soundtrack)
2004 Taking a Chance on Love Jane Monheit
2005 Live at Earls Court Morrissey
2005 Goodies, Vol. 1 various artists
2005 Souvenirs Tina Arena
2006 You’re Only Lonely Raul Malo
2007 Siren Sasha and Shawna
2006 I Love You Diana Ross
2010 Live at the Troubadour Carole King and James Taylor
2011 Buddy Holly: Listen to Me; The Ultimate Buddy Party Various Artists – Producer and Host
2013 Love Has Come for You Steve Martin and Edie Brickell
2013 When Will You Come Home (EP) The Webb Sisters

My Memories of 1977

In 1977 I turned 10 years old. It was the first year I wanted to know what was going on in the world. I started to watch Walter Cronkite reporting the world news. Keywords I remember were Sadat, Middle East, Son of Sam, Concorde, and Inflation. Local news would be Chris Clark on channel 5 an affiliate of CBS…keywords locally… Snow, Ray Blanton (the name would be more popular the next year…in a bad way), and Larry Schmittou…who would bring Nashville minor league baseball the following year with the “Sounds” a Reds farm team.

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I missed around 3 weeks of school because of it being either closed or the bus would not run down our rural road because of snow…sledding and exploring time! In Middle Tn… 1 inch of snow will shut down a city.

I remember Star Wars hit the theaters with lines around the corners. I didn’t see it the month it was released but soon afterward. It was everywhere and the talk of the school. We had never seen anything like it before.

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I remember Queen releasing News of the World. A friend of mine brought the album to school and we studied every inch of the cover (by Frank Kelly Freas), a giant robot picking up the bodies of the band. We Will Rock You and We Are the Champions played non-stop on the radio. This is when I started to explore other bands that weren’t named The Beatles.

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The TV mini-series Roots was huge and historic.

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I was watching Gilligans Island and it was interrupted by sad news. Elvis Presley was dead at 42 years old. My mom and other grown-ups around were really upset. I knew his songs and it was sad but I didn’t understand everyone’s reactions for someone they didn’t know. Three years later when I was 13 I understood perfectly clear when John Lennon was murdered. Three days after Elvis died Groucho Marx passed away…In October Bing Crosby passed away.

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I paid attention to the inauguration of Jimmy Carter as President in January. I would hear about peanuts, teeth and his brother Billy for the rest of the year…and about one of those keywords again…inflation.

I remember the Son of Sam killings. In August of that year, David Berkowitz was finally apprehended. He killed six people and wounded seven others. I also remember the blackouts in New York in July…

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The Concorde was all over the news that year. To a 10-year-old in 1977, it looked like something out of a sci-fi movie.

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In March of 1977, I started to follow baseball. I’m not from California but my Dad always rooted for the Dodgers and it was passed down to me. I read from a young age about Babe Ruth, Christy Matheson, and the older players… but this was the first year I followed modern baseball from start to finish. Cey, Lopes, Garvey, Russell, Yeager, Dusty Baker, Reggie Smith, Don Sutton, Tommy John…I loved that team. I still can imitate the batting stance of all of the starters. Ron Cey was my hero and I played 3rd base in Little League because of him.

Our insurance salesman would come to our house every now and then and he knew I was a Dodger fan. He said he went to games in LA and would bring back something for me… I believed him totally. My mom told me not to get my hopes up as he was busy and might forget… A few weeks later…there he was with a Dodger 1977 pennant in his hand to give me…I still have it. I couldn’t believe the pennant in my hand came from the mythical Dodger Stadium where my heroes played.

They had four players with 30 or more home runs that year…Cey, Garvey, Smith, and Baker. They made it to the World Series but broke my heart. They played the Yankees and Reggie Jackson (it still hurts to type his name) hit three home runs in the sixth and deciding game to beat my Dodgers. It took a while to get over that…well I’m still writing about it 41 years later…but it’s always next year.

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I’ll close it out on Matchbox and Hot Wheels…I had a huge collection that I carried to friends houses to trade and race.

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If only life was that simple again…

 

The Bangles – If She Knew What She Wants

When I heard this song and saw the video  I knew I liked this band. I like the call and answer vocal arrangement and the jangly guitar.  This song came out right after the massive hit Manic Monday but I always favored this one.

It peaked at #26 on the Billboard 100 in 1986 and #31 in the UK.

If She Knew What She Wants

If she knew what she wants
(He’d be giving it to her)
If she knew what she needs
(He could give her that too)
If she knew what she wants
(But he can’t see through her)
If she knew what she wants
He’d be giving it to her
Giving it to her
But she wants everything
(He can pretend to give her everything)
Or there’s nothing she wants
(She don’t want to sort it out)
He’s crazy for this girl
(But she don’t know what she’s looking for)
If she knew what she wants
He’d be giving it to her
Giving it to her
I’d say her values are corrupted
But she’s open to change
Then one day she’s satisfied
And the next I’ll find her crying
And it’s nothing she can explain
Some have a style
That they work hard to refine
So they walk a crooked line
But she won’t understand
Why anyone would have to try
To walk a line when they could fly
No sense thinking I could rehabilitate her
When she’s fine, fine, fine
She’s got so many ideas traveling around in her head
She doesn’t need nothing from mine

Lindsey Buckingham – Trouble

This song was released in 1981 and I bought the single. It peaked at #9 in the Billboard 100, #31 in the UK, #7 in Canada. The song was off of Lindsey’s debut album “Law and Order.

The song is in the movie  Just One of the Guys

Trouble

Two, ah-three, ah-four!
Two, ah-three, ah-four!
Two, ah-three, ah-four!
I really should be saying goodnight.
I really shouldn’t stay anymore.
It’s been so long since I held ya.
I’ve forgotten what love is for.
I should run on the double 
I think I’m in trouble,
I think I’m in trouble.
So come to me darlin’ and hold me
Let your honey keep you warm
Been so long since I held ya
I’ve forgotten what love is for.
I should run on the double
I think I’m in trouble.

Infamous Rock and Roll Locations

After reading about the rock tours of the 1970s… many locations became famous for the decadence of The Who, Led Zeppelin, Doors, and many traveling musicians. I’ve picked some spots that have been mentioned here and there in stories of travel.

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Continental Hyatt House or The Riot House – Swimming pool on the roof…check…John Bonham riding a motorcycle down the hallway…check…Keith Richards dropping a TV out of room 1019 or 1015…check…. every major rock act including Led Zeppelin, The Who, Doors, and Stones, stayed there. During the filming of Almost Famous, it was having a makeover, and director Cameron Crowe filmed it just in time before it all changed.

8401 Sunset Blvd, West Hollywood, CA 90069

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Edgewater Inn Seattle – The Beatles stayed here on their 1964 tour. You can just open the window and go fishing from your room.  Led Zeppelin also stayed here in 1969 and their wild reputation started here…just google Led Zeppelin Edgewater Inn if you want…

2411 Alaskan Way, Seattle, WA 98121

https://www.edgewaterhotel.com/seattle-hotel-history.aspx

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The Rainbow Bar and Grill – The original Hollywood vampires formed here. Keith Moon, Alice Cooper, John Lennon, Harry Nilsson formed an informal club to drink their and your share of booze. Alice Cooper is trying to revive the club now with the help of Johnny Depp.

9015 Sunset Blvd, West Hollywood, CA 90069

https://www.visitwesthollywood.com/stories/feature-rainbow-bar-grill/

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Villa Nellcôte – The mansion in France that Keith Richards rented in 1972 where Exile On Main Street was recorded in the basement of the mansion. Many events happened here and nearby. Car chases, drugs, boat excursions and a visit from John Lennon…

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Rodney Bingenheimer’s English Disco – Rodney opened this up in 1972 and it stayed open through 1975. It catered to Glam Rock but Led Zeppelin would hit this club when they came into town.

7561 Sunset Boulevard

http://www.lamag.com/citythinkblog/its-all-happening-rodney-bingenheimers-long-gone-70s-era-disco-returns/

Counting Crows – Mr. Jones

If you were reading music magazines in 1993 you know this band was really overhyped. There is no way any band could have lived up to it. When I heard this song though I could tell the singer listened to Van Morrison because some of the phrasings are the same. In 1993 The song went to #5 on the Hot 100 Airplay, #1 in Canada and #28 in the UK.

From Songfacts about the song.

This was written by lead singer Adam Duritz and guitarist David Bryson (the other three band members also got composer credits). On an episode of VH1’s Storytellers, Adam explained: “It’s really a song about my friend Marty and I. We went out one night to watch his dad play, his dad was a Flamenco guitar player who lived in Spain (David Serva), and he was in San Francisco in the mission playing with his old Flamenco troupe. And after the gig we all went to this bar called the New Amsterdam in San Francisco on Columbus and we got completely drunk. And Marty and I sat at the bar staring at these two girls, wishing there was some way we could go talk to them, but we were too shy. We kept joking with each other that if we were big rock stars instead of such loser, low-budget musicians, this would be easy. I went home that night and I wrote a song about it. I joke about what it’s about, that story. But it’s really a song about all the dreams and all the things that make you want to go into doing whatever it is that seizes your heart, whether it’s being a rock star or being a doctor or whatever. Those things run from ‘all this stuff I have pent up inside of me’ to ‘I want to meet girls because I’m tired of not being able to.’ It is a lot of those things, it’s about all those dreams, but it’s also kind of cautionary because it’s about how misguided you may be about some of those things and how hollow they may be too. Like the character in the song keeps saying, ‘When everybody loves me I will never be lonely,’ and you’re supposed to know that that’s not the way it’s gonna be. I knew that even then. And this is a song about my dreams.”

Mr. Jones

Sha, la, la, la, la, la, la
Mmm
Uh huh
I was down at the New Amsterdam
Staring at this yellow-haired girl
Mr Jones strikes up a conversation
With a black-haired flamenco dancer
You know, she dances while his father plays guitar
She’s suddenly beautiful
We all want something beautiful
Man, I wish I was beautiful
So come dance the silence down through the morning
Sha la, la, la, la, la, la, la
Yeah
Uh huh
Yeah
Cut up, Maria!
Show me some of that Spanish dancin’
Pass me a bottle, Mr Jones
Believe in me
Help me believe in anything
‘Cause I want to be someone who believes
Yeah
Mr Jones and me
Tell each other fairy tales
And we stare at the beautiful women
She’s looking at you
Ah, no, no, she’s looking at me
Smilin’ in the bright lights
Coming through in stereo
When everybody loves you
You can never be lonely
Well, I’m gonna paint my picture
Paint myself in blue and red and black and gray
All of the beautiful colors are very, very meaningful
Yeah, well, you know gray is my favorite color
I felt so symbolic yesterday
If I knew Picasso
I would buy myself a gray guitar and play
Mr Jones and me
Look into the future
Yeah, we stare at the beautiful women
She’s looking at you
I don’t think so
She’s looking at me
Standing in the spotlight
I bought myself a gray guitar
When everybody loves me
I will never be lonely
I will never be lonely
Said I’m never gonna be
Lonely
I wanna be a lion
Yeah, everybody wants to pass as cats
We all wanna be big, big stars
Yeah, but we got different reasons for that
Believe in me
‘Cause I don’t believe in anything
And I wanna be someone to believe, to believe, to believe
Yeah!
Mr Jones and me
Stumbling through the Barrio
Yeah, we stare at the beautiful women
She’s perfect for you
Man, there’s got to be somebody for me
I wanna be Bob Dylan
Mr Jones wishes he was someone just a little more funky
When everybody love you
Oh! Son, that’s just about as funky as you can be
Mr Jones and me
Starin’ at the video
When I look at the television, I wanna see me
Staring right back at me
We all wanna be big stars
But we don’t know why, and we don’t know how
But when everybody loves me
I’m wanna be just about as happy as I can be
Mr Jones and me
We’re gonna be big stars

Thunderclap Newman – Something In The Air

A band discovered by Pete Townshend of The Who that featured John “Speedy” Keen, Jimmy McCulloch, and Andy “Thunderclap” Newman. The song peaked at #37 in the Billboard 100 and #1 in the UK Charts in 1969.

It was written and sung by  John “Speedy” Keen. The song has been featured in many movies and commercials. 16-year-old Jimmy McCullock would later play in Wings and the reunited Small Faces.

Something In The Air

Call out the instigators
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Lock up the streets and houses
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now
Hand out the arms and ammo
We’re going to blast our way through here
We’ve got to get together sooner or later
Because the revolution’s here, and you know it’s right
And you know that it’s right
We have got to get it together
We have got to get it together now

 

Del Amitri – Roll to Me

In 1995 “Roll to Me” peaked at #10 in the Billboard 100, #5 in Canada and #22 on the UK charts. I liked the song the first time I heard it and it is incredibly catchy.

Ironically it was the bands biggest hit and they did not like the song.

From songfacts

Del Amitri toured the US when this became a hit, but they played the song reluctantly, often telling the audience that it was something they had to do. Del Amitri wasn’t able to get a foothold in the States, and this was their last hit there.

 

Roll to Me

Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
Roll to me
Look into your heart pretty baby
Is it aching with some nameless need?
Is there something wrong
And you can’t put your finger on it?
Right, then roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So don’t try to deny it pretty baby
You’ve been down so long you can hardly see
When the engine’s stalled and it won’t stop raining
It’s the right time to roll to me
Roll to me
Roll to me
And I don’t think I have ever seen
A soul so in despair
So if you want to talk the night through
Guess who will be there?
So,
Look around your world pretty baby
Is it everything you hoped it’d be
The wrong guy, the wrong situation
The right time to roll to me
The right time to roll to me
The right time to roll to me…oooh