Hank Williams – Jambalaya (On the Bayou)

Hank Williams only lived to be 29 years old. It’s hard to believe because he wrote so many classic songs during his short recording career. “The Hillbilly Shakespeare” was one of his nicknames.

He had not been in a studio for 6 months but this song brought him back. He recorded it on June 13, 1952, in Nashville. There was speculation that Hank Williams co-wrote the song with a gentleman named Moon Mullican. Williams had the sole credit but it has been said that Williams’s publishing agent Fred Rose stepped in and wanted William’s publishing company to get the credit and the money. It has been said that Rose possibly paid Mullican so he wouldn’t have to split the publishing with Moon’s label King Records. Williams got the inspiration for the song while listening to Cajuns talk on a bus trip.

The melody is based on the Cajun song “Grand Texas.” The song peaked #1 on the Country Charts for fourteen, non-consecutive weeks. The song also peaked at #20 on the US Billboard Most Played By Jukeboxes. Hank Williams was born with spina bifida occulta, a disorder of the spinal column and he killed the pain with narcotics and alcohol. If you look at pictures of Williams he looks much older than in his twenties, especially in the last year of his 29 on earth.

Before his death, he had been known to take morphine and drink heavily. On New Year’s Day 1953, he took his seat in the back of his 1952 powder blue Cadillac. As his driver, college student Charles Carr, headed toward a New Years show in Canton, Ohio, Williams’ health took a turn for the worse. Finally, after not hearing from the singer for two solid hours, the driver pulled the car over in Oak Hill, West Virginia, at 5:30 in the morning. Williams was pronounced dead a short while later.

Hank Williams was a genius when it came to songwriting. He influenced so many genres of music from Johnny Cash, The Beatles, Bob Dylan, and many more. He left a huge mark on the world in such a short time.

Williams was among the first class of artists inducted into the Country Music Hall of Fame in 1961, and in 2010, the Pulitzer Board awarded him a special citation for songwriting.

Charles Carr, the teenager who was driving Williams to his concert:

“Hank’s song ‘Jambalaya’ was just out on the radio and he asked me what I thought of it, I told him I didn’t care for it, that it didn’t make a bit of sense to me. Hank laughed and said, ‘You son of a bitch, you just understand the French like I do.

“We were just a couple of young guys on a car trip having fun.”

My favorite version of this song was by John Fogerty.

Jambalaya (On the Bayou)

Goodbye Joe me gotta go me oh my oh
Me gotta go pole the pirogue down the bayou
My Yvonne the sweetest one me oh my oh
Son of a gun we’ll have big fun on the bayou

Jambalaya and a crawfish pie and filé gumbo
Cause tonight I’m gonna see my ma cher amio
Pick guitar fill fruit jar and be gay-o
Son of a gun we’ll have big fun on the bayou

Thibodaux Fontaineaux the place is buzzin’
Kinfolk come to see Yvonne by the dozen
Dress in style and go hog wild me oh my oh
Son of a gun we’ll have big fun on the bayou
Settle down far from town get me a pirogue
And I’ll catch all the fish in the bayou

Jambalaya and a crawfish pie and filé gumbo
Cause tonight I’m gonna see my ma cher amio
Pick guitar fill fruit jar and be gay-o
Son of a gun we’ll have big fun on the bayou

Later on, swap my mon, get me a pirogue
And I’ll catch all the fish on the bayou
Swap my mon, to buy Yvonne what she need-oh
Son of a gun we’ll have big fun on the bayou

Jambalaya and a crawfish pie and filé gumbo
Cause tonight I’m gonna see my ma cher amio
Pick guitar fill fruit jar and be gay-o
Son of a gun we’ll have big fun on the bayou

No Nonsense Know How…. NNKH Youtube Channel

No this is not the name of a new or old band. It’s a youtube channel that I’ve been hooked on. As I’ve said before, my first car was a 1966 Mustang and when I was 16 it was the key to my universe. I was a traveling man always keeping the roads hot. If something went wrong with my car…I could always fix it with the help of my brother-in-law who knew about cars. He would not just fix something…he would show me how to do it and I would get it done with his help. I’m so thankful he didn’t try to take over…he taught and I retained most of it.

As far as cars go…once we got into the mid-90s…that all stopped as cars became complicated. My current position is Director of IT…but that doesn’t help jack s*** with modern cars. All the computer boards, chips, and sensors…they are so small under the hood you have to be a contortionist to change your oil now. Ok…let me get to the point of this youtube channel.

This guy named Chris will go to junk yards or where ever and find a car that hasn’t run in 20 years or so and spend some time on it…and make it run. That is amazing to me. Added to the entertainment value is his girlfriend Jen, her dog Gus, and a squirrel they saved named Leo. He usually picks older cars and I’ve been watching his channel for at least a month and a half now. I have an old 1984 Chevy Durango S-10-type truck that we used for trash mostly. It’s been sitting for 4-5 years and with the tips, I got from him…I got it at least started again.

In one episode he, Jen, and Gus fly to Las Vegas and buys a 1974 Grand Torino Elite sight unseen…it hasn’t ran in 15 years…he gets it running and they drive all the way back home to Pennsylvania in the car…fixing things as he goes.

Now…it inspired me to be on the lookout for my dream car…a junk one that I would like to fix up…a 1968-1972 Opel GT. I do have a mechanic friend so yes I do have some help. I would not do that on just youtube videos but Chris is an artist on cars. He doesn’t spend big money either…he doesn’t always throw money at problems. He also doesn’t buy supercars…he buys cars that ordinary people would buy at good prices.  He is highly entertaining and very down to earth including Jen.

He also does this to boats, motorcycles, heavy equipment, and about anything with wheels. His videos are usually 45 minutes to an hour long. The trip to Las Vegas is a two-parter and it’s around an hour each. One Bulldozer that he gets running hadn’t been running since 1985!

The channel is Nononsenseknowhow

The Las Vegas Videos

The Plymouth Fury Video

The Caterpillar Bulldozer Video

Little Richard – Ready Teddy

Ready, set, go man go, I got a girl that I love so.

What else do we need to have a great rock and roll song? Not exactly Shakespeare but Shakespeare couldn’t write Gonna kick off my shoes, roll up my faded jeans, Grab my rock ‘n’ roll baby, pour on the steam. The song was written by John Marascalco and Robert Blackwell with probable help from Little Richard. Most Little Richard songs are like a shot of adrenaline…this one is no different.

This was originally a B-side to Rip It Up. Little Richard claimed to have helped write this song but he said he didn’t have the business sense at that time to demand credit. He said: “They brought me the words and I made up the melody, and at the time I didn’t have sense enough to claim so much money, because I really made them hits. I didn’t get the money, but I still have the freedom.”

The song peaked at #44 on the Billboard 100 and #8 on the R&B charts.

The song is about a girl who wants sex… a ready teddy. Like most of Little Richard’s songs, this contains a lot of innuendoes but most people were too busy listening to the music to notice or didn’t get the reference. If sex had a voice…it would be Little Richard.

This song was covered by a lot of artists including  Buddy Holly, The Tornados, Elvis Presley, Tony Sheridan, and others. Elvis did this song on one of his Ed Sullivan appearances.

My dad told me about Little Richard before I ever heard him. He said he had the biggest voice he ever heard. He talked about a song called Long Tall Sally. I first heard it…it blew me away. Such a raw emotional power in that voice. He would take us to the edge of the cliff and then at the last minute pull us back.

His voice was one of a kind…

Ready Teddy

Ready, set, go man go
I got a girl that I love so

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

Going to the corner, pick up my sweetie pie
She’s my rock ‘n’ roll baby, she’s the apple of my eye

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

All the flat-top cats and the dungaree dolls
Are headed for the gym to the sock hop ball
The joint is really jumpin’, the cats are going wild
The music really sends me, I dig that crazy style

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

Going to the corner, pick up my sweetie pie
She’s my rock ‘n’ roll baby, she’s the apple of my eye

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

All the flat-top cats and the dungaree dolls
Are headed for the gym to the sock hop ball
The joint is really jumpin’, the cats are going wild
The music really sends me, I dig that crazy style

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

Gonna kick off my shoes, roll up my faded jeans
Grab my rock ‘n’ roll baby, pour on the steam
I shuffle to the left, I shuffle to the right
Gonna rock ‘n’ roll to the early, early night

I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready teddy
I’m ready, ready, ready to a rock ‘n’ roll

Johnny Burnette Trio – Train Kept A Rollin’

Grease your hair and get the leather jacket…this will be a 1950s weekend at powerpop. I wanted to start it off with a bang. Power Pop Friday will return next week. I know some will see the post and go to the Zeppelin or Aerosmith versions automatically but this version is just as nasty in many ways.

I first heard this song by The Yardbirds and then by Aerosmith. The song was rollin’ in the 50s as well with this Johnny Burnette take of it. I’ve never heard a version that sounded bad. It’s like Johnny B Goode…a rock and roll classic.

Paul Burlison, the Trio’s lead guitarist, had dropped his amp and knocked one of its vacuum tubes loose. When he played through it, he found that his guitar made a new, menacing sound, fuzzy and distorted, and though he repaired the amp, he started deliberately loosening his tube to recreate the sound. That is where the tone started with this song. The song failed to chart.

The song was written by Tiny Bradshaw, Howard Kay, and Lois Mann, it was originally performed by Tiny Bradshaw’s Big Band in 1951. Johnny Burnette recorded a rock version in 1956, and The Yardbirds popularized the song with their rendition in 1965.

Aerosmith covered it in 1974, often playing the song as their encore in their early years. In the ’60s, Steven Tyler was on the same bill as The Yardbirds for some early shows before Zeppelin.

It was the first song Zeppelin played at their first rehearsal in Soho, their performance of it at the Texas International Pop Festival in 1969 was captured on tape and they were still playing it on their final tour.

On August 14, 1964, Burnette’s unlit fishing boat was struck by an unaware cabin cruiser in Clear Lake, California. The impact threw him off the boat, and he drowned. He had a son named Rocky Burnette who had a hit in 1980 with Tired of Toein the Line.

Watch for Bettie Page in this one!

Train Kept A Rollin’

I caught a trainI met a dameShe was a hipsterAnd a real gone dameShe was prettyFrom New York CityAnd we trucked on down that old fair laneWith a heave and a hoWell, I just couldn’t let her go

Get along, creepy little womanGet along, well, be on your wayGet along, creepy little womanGet along, well, be on your wayWith a heave and a hoWell, I just couldn’t let her go

Well, the train kept a-rollin all night longThe train kept a-rollin all night longThe train kept a-movin all night longThe train kept a-rollin all night longWith a heave and a hoWell, I just couldn’t let her go

We made a stopIn AlbuquerqueShe must’ve thoughtThat I was a real gone jerkWe got off the train at El PasoOur lovin was so good, JackI couldn’t let her goGet alongWell, I just couldn’t let her go

Get along, creepy little womanGet along, well, be on your wayGet along, creepy little womanGet along, well, be on your wayWith a heave and a hoWell, I just couldn’t let her go

The train kept a-rollin all night longThe train kept a-rollin all night longThe train kept a-rollin all night longThe train kept a-rollin all night longWith a heave and a hoWell, I just couldn’t let her go-oh-oh

Lynyrd Skynyrd – 45 Years Ago Today

As I was writing my Jimmy Page post today… I noticed the date and knew I had to add this.

It’s been 45 years since Lynyrd Skynyrd’s plane crashed in a swamp in Gillsburg, Mississippi. The band had just released the album “Street Survivors” and it was probably their best well-rounded album. With new guitarist Steve Gaines, they were primed for commercial success but on October 20, 1977, they lost singer-songwriter Ronnie Van Zant, guitarist Steve Gaines, backup singer Cassie Gaines, and road manager Dean Kilpatrick. The plane crash also claimed the lives of pilot Walter McCreary and co-pilot William Gray Jr.

I believe that if the crash had not happened they would have moved into the most successful stretch of their career. They were leaving the “southern rock” label behind and into one of the top rock bands in the world.

A year earlier Steve Gaines joined the band and he was pushing them in directions they never had gone. Listening to “Street Survivors” you can hear his influence with the songs I Never Dreamed and I Know A Little. Steve was a super-talented guitarist, songwriter, and singer and I have to wonder where his career would have gone.

On this tour, they were headlining and moving up in status after years of touring as mostly an opening band.

Below is a good Rolling Stone article on the crash. The song below that is “I Never Dreamed,” a song heavily influenced by Gaines.

https://www.rollingstone.com/music/music-features/remembering-lynyrd-skynyrds-deadly-1977-plane-crash-2-195371/

Image result for lynyrd skynyrd 1977

Jimmy Page – She Just Satisfies

This is a rare occasion when you hear Jimmy Page singing and not being buried in the background vocals.

It sounds like he borrowed a little from Ray Davies with this one. He was playing on Kinks and Who sessions at the time and it shows.  It was released on Feb. 26, 1965, on the Fontana label, the song found Page producing, playing all the instruments except the drums, and for what was the first and only time… handling lead vocals.

Jimmy Page pic She just Satisfies

I thought Jimmy must have had a terrible voice because you never see him do backups much in the old Led Zeppelin concert videos. Actually, it isn’t bad…he wasn’t going to replace Robert Plant at any point but it was good. The single didn’t go anywhere but it was a decent song. It sounds like a Kinks album track. The B side was a song called Keep Moving.

At this time he was getting bored with session work but he was extremely good at it. He would play with another studio musician from time to time, a bass player and arranger, John Paul Jones.  In 1965 when Eric Clapton left the Yardbirds, Jimmy was asked to join. He turned them down and recommended his friend Jeff Beck and they took Beck. In 1966, bass player Paul Samwell-Smith left the Yardbirds and Jimmy was asked to join again as a bass player.

Yardbirds New

This time he said yes but soon Chris Dreja would switch from guitar to bass and let Jimmy play guitar in the band. For a while, the Yardbirds had Page and Beck playing together but Beck was fired after a while and Jimmy took over. The band lasted until they broke up on July 7, 1968. Jimmy retained the rights to the name for a short tour only…but filled it with his “New Yardbirds” John Paul Jones, John Bonham, and Rober Plant. They lost the rights to the name after the tour and changed their name to Led Zeppelin after a pun that Keith Moon made.

Jimmy Page: “My session work was invaluable. At one point I was playing at least three sessions a day, six days a week! And I rarely ever knew in advance what I was going to be playing. But I learned things even on my worst sessions – and believe me, I played on some horrendous things,”

The B side Keep Movin

She Just Satisfies

Hey, she just satisfies
Hey, you know she satisfies
So good

And every evening when I go round
She’s at the door, oh
She makes me feel so good
The way she loves me so
So good

So buddy you better stay well far away
‘Cause she’s my baby
You better hear what I say

Oh yeah

Hey, she just satisfies
Hey, you know she satisfies
So good

Good, good lovin’
She gives me it don’t you know, oh
I’m gonna take her
Every place I go

Oh yeah

Oh, she just satisfies
Hey, she just satisfies
So good

Throwing Muses – Not Too Soon

This song is straight-ahead pop/rock with some cool vocal hooks. This song was off The Real Ramona album but did not chart.

The band was formed in 1981 by step-sisters Kristin Hersh (vocals/guitar) and Tanya Donelly (guitar/vocals), who were both at high school at the time. Initially called Kristin Hersh And The Muses, the line-up was completed by bassist Leslie Langstons and drummer David Narcizo. Tanya and Kristin wrote most of the songs. Tanya Donelly is singing this one. She admitted that her songs were a little more simple whereas Kristin Hersh’s were more eccentric.

They lived close to Providence, Boston, and New York and so they could play a club quite often in both places. They had a lot of colleges and some local newspapers, magazines, and radio stations to promote them.

They were the first American band to sign to the British 4AD label. Tanya would go on to form the Breeders with Kim Deal of the Pixies. She also formed Belly as guitarist, vocalist, and songwriter, with Thomas Gorman on lead guitar, Chris Gorman on drums, and Fred Abong on bass guitar.

Tanya was never replaced and the band is still active today as a trio with Hersh. The two step-sisters did get together in 2018 and do some shows together.

Not Too Soon

She colorblind tired eyesHer hallway achingShe’ll never move him, likes it that wayHe’s just a walker and he’ll never stop walking awayIt’s not too soon, he said, you know it’s not too soon at allAnd you might as well be dead, he saidIf you’re afraid to fall, I said, I know her

She said, oh, my, why do you stare so hard?Wrapped up like a doll in bad dreams and broken armsMake these old bones shiverIt’s not too soon, he said, you know it’s not too soon at allAnd you might as well be dead, he saidIf you’re afraid to fall, I said, I know her

The last time I saw you, you were standing in the darkAnd with a freezing face, I watched you fall apart

It’s not too soon, he said, it’s not too soon at allAnd you might as well be dead, he saidIf you’re afraid to fall, I saidDone your time, been in your placeI couldn’t look you in the faceand tell you that it turns me onit makes my stomach turnI know, I know her

Faces – Richmond

A great song by the Faces that was written by Ronnie Lane.  Lane was a very good singer in a band with a great singer…twice. He was in the Small Faces with Steve Marriott and The Faces with Rod Stewart. Those two types of singers come just once a generation.

He takes the lead in this song.  The Faces were a raucous fun band. They stormed the stage with a full bar and bartender. They WERE banned from the Holiday Inn chain…but that didn’t stop them from staying there. They soon started to check in at Holiday Inns as Fleetwood Mac…and it worked! They didn’t take anything seriously and wanted to have fun and take the audience with them.

One US tour billed as a Rock’n’Roll Circus, involved sharing the bill with jugglers, acrobats, Blinko the clown, and a Chinese high-wire stripper called Ming Wung. All the while they were leaping about the stage, swapping mics, whispering in huddles, and booting soccer balls into the crowd.

This song came off of their album Long Player released in 1971. The album peaked at #29 on the Billboard Album Charts, #34 in Canada, and #41 in the UK. Their next album A Nod Is As Good As a Wink… to a Blind Horse would peak at #6 in the same year.

Stewart always called Ronnie Lane the heart of the band and that was probably true. Lane got frustrated not being able to sing many songs and was upset at Stewart’s lack of commitment and quit. After Lane quit in 1973, Tetsu Yamauchi took his place for touring but then they broke up in 1975 when Ron Wood joined the Stones and Stewart continued his solo career.

Drummer Kenney Jones: “It wasn’t just at gigs, everywhere we went we fell on the floor – airports, restaurants, hotels, bars. We were saying to people that you don’t have to take rock’n’roll too seriously. Every gig was like going to a party. The Faces were undoubtedly the most fun band I was ever in.”

Kenney Jones: “We were the first to do a lot of things, we’d have a white stage, and insist that Chuch Magee, who was our roadie, wore black trousers, a white shirt, and a waistcoat, so he looked like a barman. So he’d tend the bar, then quickly do Woody’s guitar and various other things. And we’d have palm trees on stage with us. It was very over-the-top. We took the piss out of ourselves, more than anything.”

Kenney Jones: “Rod summed it up really well, he told me that once Ronnie Lane left the band, the spirit of the Faces left too. Ronnie was integral to the band. It was the complete line-up when he was there. It never quite felt the same afterwards.”

Free Drummer Simon Kirke: .“Touring with the Faces was wonderful, they were at their peak and had Rod Stewart singing. Jeez, he could sing so well back then. He’s like Paul Rodgers, really; he never sung a bad show, he just had variations on brilliant. They always had such fun on stage. There were drinks in abundance, and Woody was there with the ever-present ciggie hanging out of his mouth or tucked in the end of his guitar. Ian would be grinning from ear to ear. And they dressed so flamboyantly, too, all silks and satins and flares. I loved ’em. They just had a great time, whereas Free were slightly serious.”

This video is just 7 minutes long…it is Ronnie Lane’s son talking about his dad and Cat Stevens is at the end of the video. 

Richmond

I wish I
I wish I was in Richmond
I do, I would I
I wish I
I wish I was back home

I’m waitin’
Here in New York City
The rain is falling
There’s no one who cares
There’s no one loves me here

The women
They may look very pretty
And some they know it
But some look good
They show a leg and smile
But they all look like the flowers
In someone else’s garden
I’ve no act of love
for anyone but you

REM – Talk About The Passion

During my break from blogging, I was listening to everything from arena rock, to alternative rock, to newer rock music. The Replacements and R.E.M were high on my alternative list. I like the early R.E.M. songs that don’t get as much attention nowadays because of the big hits that came later.

This was the second single from R.E.M.’s debut album, Murmur. The first single was Radio Free Europe released in 1983. The guitar melody/solo in this song actually comes from multiple acoustic guitars played by Mike Mills, Peter Buck, and producers Mitch Easter and Don Dixon.

The album was rated number eight on Rolling Stone magazine’s list of the 100 greatest albums of the 1980s. In 2003, the TV network VH1 named Murmur the 92nd greatest album of all time.

The 1988 video, directed by Jem A. Cohen, expounds on the lyrics’ references to hunger by placing images of homeless people with a multi-million dollar warship.

Michael Stipe: “I had taken a French course at college, which I dutifully flunked out of, and Linda Hopper and I thought that the phrase, ‘combien de temps,’ that is, roughly, ‘how much time?’ was deeply meaningful and beautiful. I did sing it that way and it works here, if only here. We were 22 at the time after all.”

The song is credited to Berry, Buck, Mills, and Stipe as were most of their songs except for a few covers they did. This was a smart thing they did and probably is the reason for the longevity of the band and the continued friendship they have now. Many bands break up because one or two songwriters get all the publishing rights and make much more money.

Mike Mills on Bill Berry’s contributions: He would generally come up with several ideas for each record, and he would also be a really good editor for us. He was always very much about keeping them short, getting to the hook. He didn’t want to waste a lot of time and people’s attention noodling around.

Talk About The Passion

Empty prayer, empty mouths combien reaction
Empty prayer, empty mouths talk about the passion
Not everyone can carry the weight of the world
Not everyone can carry the weight of the world

Talk about the passion
Talk about the passion

Empty prayer, empty mouths combien reaction
Empty prayer, empty mouths talk about the passion
Combien, combien, combien de temps?

Talk about the passion
Talk about the passion

Not everyone can carry the weight of the world
Not everyone can carry the weight of the world
Combien, combien, combien de temps?

Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion
Talk about the passion

Beast: John Bonham and the Rise of Led Zeppelin… by C. M. Kushins

The book has a forward by Dave Grohl. I liked the book, it keeps you interested and doesn’t slow up. It’s a look at seventies rock and roll and it will make you realize how much has changed now…not only in music but in the real world.

I’ve always thought Led Zeppelin had a dark cloud that followed them..reading this book reaffirms that feeling. I always admired John Bonham as a drummer. I think Moon and Bonham were the best drummers of the seventies and I would pick them as my top two favorites of all time. They both were different from each but had a feel like no other. They didn’t have the precision of Ginger Baker or Neil Peart but they changed their band’s sound completely.

The book goes over Bonham’s early influences like Gene Krupa. One of his first rock drummer influences was Keith Moon because of how Keith pushed the drums to the forefront. Bonham also liked Ginger Baker and would go see him in his band Air Force.

The author does focus on Bonham but you get a Led Zeppelin bio with it also. It’s a good book and I did learn a lot about him and the band that I didn’t know. Plant and Bonham were from the rural  Midlands, a major difference from London studio pros like Page and Jones. It was an interesting mix.

It seems like Plant and John Paul Jones were a little more down to earth as people and didn’t get caught up long-term with drink and hard drugs that Bonham and Page did. This also states what other books say…Bonham didn’t like being away from his family and was two different people on tour. He would be fine until liquor was added…then he would turn into The Beast.

One reporter describing Bonzo said: “Loathsome…Keith Moon with all of the dynamite and none of the charm.” There are many stories about him but not many are too humorous. He once drank two bottles of champagne on a flight…went to sleep in first class. When the stewardess served dinner, the other passengers begged her not to wake John up. When John woke up…he realized he urinated on himself and called for his drum tech Mick Hinton who was in coach…Hinton gave him some more pants and Bonham then instructed Hinton to take his wet seat in first class while Bonham went to coach in Hinton’s dry seat.

Peter Grant and the rest of the band sometimes got two rooms each in hotels. One as a decoy so Bonham couldn’t find them at 3 in the morning in a drunken rage. He did seem to be a good father and husband though but just didn’t like being away from his home.

One funny story happened when John took his son Jason to see The Police. Stewart Copeland and Andy Summers were really polite and excited to meet Bonham…Sting, being cocky and pretentious was very distant and cool.  Bonham accidentally  stepped on Sting’s foot and Sting said “Hey man, don’t step on my blue suede shoes.” Bonham looked at him and said “I’ll step on your fu**ing head in a minute.”

I would recommend this book to any Led Zeppelin fan. The author does go into his drum technique for any drummers out there and what size kits he used. We all know how this story ends but it shouldn’t have ended that way. In 1980 Led Zeppelin was mounting a comeback and was rehearsing for their first American tour since 1977. Bonham arrived at the first rehearsal and had been on a drinking binge.

Bonham died after drinking what amounted to 40 shots of Vodka in a 24-hour period.

John Paul Jones:  “Benje and I found him. It was like,  let’s go up and look at Bonzo, see how he is. We tried to wake him up… It was terrible. Then I had to tell the other two… I had to break the news to Jimmy and Robert. It made me feel very angry – at the waste of him… I can’t say he was in good shape, because he wasn’t. There were some good moments during the last rehearsals … but then he started on the vodka.” 

Television – Marquee Moon

What a cool and unusual song this is. I heard it a while back but never really got it until I was on my blogging break. Kept playing it and it just goes into your head and doesn’t come out. I say that in a good way…not a bad earworm way. It’s a huge song that can wrap you around its finger.

It’s an interesting listen with moving parts all the way through. It didn’t get me on the first time but by the second and third I was hooked.

I like the guitar interplay between guitarists Tom Verlaine and Richard Lloyd in this almost 10-minute song.  The Marquee Moon album was released in February 1977, the title track was the most radio accessible, but not something that could get radio play in America. It was also a tough sell because the band wasn’t known outside of New York. The album did peak at #28 in the UK in 1977…while the song peaked at #30. The single release was split into two parts because one side of a 45 could not contain the entire song. Part I runs at 3:13, and Part II is at 6:45. Tom Verlaine is credited for writing the song.

The song started out as an acoustic song in 1974. They kept working on the song while they were regulars at the club CBGB in New York City.  That club was also the home for bands like Blondie, The Ramones, and the Talking Heads. They honed the song through live performance and diligent rehearsal, so when they recorded the album in 1976, they had perfected it. The entire album was recorded and mixed in just three weeks.

A few months after the album was released, Television opened for Peter Gabriel on the American leg of his first solo tour. They made another album in 1978, but broke up three months later, returning in 1991 with one last album.

They influenced punk and alternative music but the band is far from the prototypical punk band. This band knew how to play and play well.

Richard Lloyd: “It’s like a mini-symphony. Towards the end of the song, Tom gets a long solo, and he would often meander through parts of it, but we had it structured. I do the song on my own as well, and it’s really quite structured: There’s a part that’s loud and there’s a part that’s soft, and there’s a build-up, then there’s a climb – there’s actually three sets of climbs – then there’s what we call the ‘birdies,’ and then another section and then the verse comes back in. So it was pretty well structured after that period of time of aching to look for proper parts for it. And there’s a great deal of syncopation going on in it with the drums coming in sounding backwards and my part that trills off the one. It’s not easy to learn.”

Marquee Moon

I rememberOoh, how the darkness doubledI recallLightning struck itself

I was listeningListening to the rainI was hearingHearing something else

Life in the hive puckered up my nightA kiss of death, the embrace of lifeOoh, there I stand neath the Marquee MoonJust waiting

I spoke to a manDown at the tracksAnd I ask himHow he don’t go madHe said, “look here, junior, don’t you be so happyAnd for heaven’s sake, don’t you be so sad”

Life in the hive puckered up my nightThe kiss of death, the embrace of lifeOoh, there I stand ‘neath the Marquee MoonHesitating

Well, the CadillacIt pulled out of the graveyardPulled up to meAll they said, “get in, get in”Then the CadillacIt puttered back into the graveyardMe, I got out again

Life in the hive puckered up my nightA kiss of death, the embrace of lifeOoh, there I stand neath the Marquee MoonBut I ain’t waiting, uh-uh

I rememberHow the darkness doubledI recallLightning struck itself

I was listeningListening to the rainI was hearingHearing something else

Infamous Rock and Roll Locations…Part II

I did a post earlier on Infamous Rock and Roll Locations and I wanted to do a follow-up on it. If you don’t want to click on the link…I mentioned the Riot/Hyatt House, The Edgewater Inn, The Rainbow Bar and Grille, Villa Nellcôte, and Rodney Bingenheimer’s English Disco.

To be honest….a few are infamous but the other are just cool. I love reading rock music bios and there are some places I would love to visit one day. A warning though…a few are very morbid.

The Highland Gardens Hotel…Ok…this one is a little morbid…well a lot morbid. On October 4, 1970, Janis Joplin stayed here and it was called The Landmark Motor Hotel. She died in room #105 of a suspected heroin overdose. The same hotel stands but it’s called The Highland Gardens Hotel now. Yes, you can rent room #105. She lived there for months while working on her last album Pearl. The closet has handwriting by visitors but the rest of the room is normal. Yes, I would love to go.

Band Pink House

Big Pink in Saugerties/Woodstock: This is the house where The Band and Bob Dylan recorded The Band’s debut album…Music From Big Pink…this house was pink then and is now. Now you can rent the house but you cannot go down to the basement where they recorded…what’s the fun in that?

The World Famous Whisky A Go-Go on the Sunset Strip, West Hollywood CA

Whisky a Go-Go on the Sunset Strip: The one on the Sunset Strip opened in 1964. So many bands played and visited there. The Doors, Van Morrison, Buffalo Springfield, Alice Cooper, The Byrds, The Flying Burrito Brothers, Chicago, Germs, Elton John, Oasis, Buffalo Springfield, Steppenwolf, Van Halen, Johnny Rivers, X, Led Zeppelin, Fleetwood Mac, KISS, Guns N’ Roses, Death, AC/DC, Linkin Park, Metallica, Mötley Crüe Stryper, and many many more.

The Whiskey is still open now.

The Joshua Tree Inn | Joshua Tree National Park | Joshua Tree CA

The Joshua Tree Inn – Another morbid one but I would stay there. On September 18, 1973, Gram Parsons purchased liquid morphine on that night from an unknown girl and died of an overdose. This all happened in Room 8 of this Inn. Yes, you can rent room 8 today in fact..it’s decorated with posters of Gram.

curzon place cass elliot keith moon

Mayfair…Curzon Square – This apartment was owned by Harry Nilsson at the time. It was in this building, in the same apartment that both Cass Elliot (Mama Cass) and Keith Moon died 4 years apart. Nilsson liked the location because it was near Apple Records and nightclubs. It was decorated by  ROR…Ringo and Robin (Ringo Starr and designer Robin Cruikshank).

On July 29, 1974 after a performance…Mama Cass died of a heart attack. In 1978 Keith Moon wanted to rent it from Nilsson but he was afraid to rent it again because Nilsson remembered what happened to Cass. He ended up talking to Pete Townshend and Townshend told him that  ‘lightning does not strike in the same place twice’ so he let Keith rent it. On September 7, 1978, Keith Moon died because of an overdose of clomethiazole…a prescription drug for combating alcoholism in the same bedroom.

Maggie Bell – Wishing Well

When I heard Maggie Bell a few years ago…the Scottish-born singer blew me away with her voice. A very big Janis vibe to her. I’ve read that she was called the UK’s Janis Joplin but she had her own style.

This song was on the album Suicide Sal released in 1975 on Led Zeppelin’s new record label Swan Song. The song was composed by John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers, and Tetsu Yamauchi. Wishing Well was a song by the band Free and it was originally released in 1972. Maggie puts her spin on it and I love it.

Jimmy Page played on this album and I love the funky bass groove that opens the song. The song didn’t chart but she would later have a top 40 song in the UK with the song Hazell.

Maggie Bell was the former lead singer of Stone The Crows. Peter Grant signed the band and had big plans for them. He was the most powerful manager in rock at that time because of Led Zeppelin. The band would come to a tragic end though. Guitarist Leslie Harvey was electrocuted and died on stage at the Top Rank in Swansea on May 3, 1972. He was the only one in position on the stage. Bell has said: “It was a fluke, we were standing at the side of the stage; we hadn’t even started yet. Leslie said to the audience: ‘There’s a technical hitch,’ and he touched the microphone and the guitar. And that was it.”  The road crew overlooked one loose ground wire.

Steve Howe of Yes helped fill in for some shows for the band after that. Jimmy McCulloch then joined them and they released an album with some songs by Harvey and a couple by McCulloch who would later join Paul McCartney and Wings. The band was over in 1973 but Peter Grant continued to manage Maggie til the early eighties.

Bell was in shock for years afterward but she said:  “I thought to myself: ‘Am I going to give all this up and go back up to Scotland and have two kids?’ I mean, this was a dream we’d planned. Peter said there would be no legal problems if I didn’t want to carry on. I said no, there was a plan. I was going to make sure that I finished the journey. I’m seventy-six years old, I’m still doing it. I mean, the body’s falling apart, but the voice is still fabulous!”

Pat Blythe: The Women of Blues Part Four – Maggie Bell | Segarini: Don't  Believe a Word I Say

You can hear Maggie Bell sing on Every Picture Tells Story by Rod Stewart. She was credited as having “vocal abrasives.” I don’t think I ever heard Maggie Bell on American radio which is a shame.

Wishing Well

Take off your hat, kick off your shoes
I know you ain’t goin’ anywhere
Run ’round the town singin’ your blues
I know you ain’t goin’ anywhere.

You’ve always been a good, good friend of mine,
But you’re always sayin’ “Farewell”
And the only time that you’re satisfied
Is when you dream from the wishing well.

Throw down your gun you might shoot yourself.
Or is that what you’re tryin’ to do?
Put up a fight you believe to be right
Someday the sun will shine through.

You’ve always been a good, good friend of mine,
But you’re always sayin’ “Farewell”
And the only time you’re satisfied
Is when you dream, dream from the wishing well.

And I know what you’re wishing for
Love in a peaceful world
Love in a peaceful world
Love in a peaceful world

You’ve always been a good, good, good friend of mine,
But you’re always sayin’ “Farewell”
And the only time that you’re satisfied
Is with your feet in the wishing well.

Records – Rock ‘n Roll Love Letter ….Power Pop Friday

If you like power pop…this band’s debut album is fantastic.

Rock ‘n Roll Love Letter was released as a non-album single back in 1979 in the UK. It was later included on their Shades In Bed CD as a bonus track. Tom Moore wrote this song but his version wasn’t successful. The Bay City Rollers covered it and had a top 40 hit.

I like this version because The Records put a little edge to it. Their best-known song would be Starry Eyes on the Shades In Bed released in 1979. Music City Mike reviewed the Shades In Bed album here.

The Records were an English powerpop band formed in 1978. The band included John Wicks – rhythm guitar, vocals, Huw Gower – lead guitar, vocals, Phil Brown – bass guitar, vocals, and Will Birch – drums, vocals.

Their influences included Big Star, The Raspberries, Blue Ash, Badfinger, Stealers Wheel, and the Beatles’ Revolver LP.

Rock ‘n Roll Love Letter

Dear sister poet, dear brother poet too
These tears that words are
Make me wanna be with you
But I need to spend my body
I’m a music makin man
And no page can release it like this amplifier can
This is my rock and roll love letter to you
This is my rock and roll love letter to you
Gonna sign it, gonna seal it, gonna mail it away
Gonna mail it today

God I must be crazy to express myself this way
But there ain’t much romance livin in the U.S.A.
This guitar is a blessing, This piano is a muse
And electricity’s a devil with a twenty amp fuse

This is my rock and roll love letter to you
This is my rock and roll love letter to you
Gonna sign it, gonna seal it, gonna mail it away
Gonna mail it to, gonna mail it today

Dear mama, papa hey your boy is doin fine
And this energy, you gave him
Keeps on tryin to unwind
‘Cause I see an ancient rhythm
In a man’s genetic code
Gonna keep on rock and rollin
Fill my genes explode
(repeat chorus)
This is my rock and roll love letter to you
This is my rock and roll love letter to you
Gonna rock it, gonna seel it, gonna slake it away
Send me back one, send me back on someday

Perfect Rockabilly Harmony

This post is by one of my favorite bloggers. He covers a couple of rockabilly tunes by Carl Perkins and James McCartney…fun post.

bcorcoran1992yahoocom's avatarMojo Horizon

I was probably in my twenties when I went through my own personal rockabilly phase, but, honestly, I don’t think I ever left it. I’ve always loved what some call roots, Americana, or oldies music. Rockabilly seems to encompass all of that along with some twangy country guitar. While Elvis Presley is probably the most well known Rockabilly Cat of all time, his predecessor Carl Perkins had an enormous influence on aspiring musicians like The Beatles and many others. During my personal rockabilly phase, I stumbled upon a really catchy Perkins tune called “Your True Love.”

I think the call-and-response vocal harmony is what really grabbed my attention. Just today, I found a version by James McCartney — the son of Sir Paul McCartney.

I basically know nothing about James McCartney, but I think this is a great cover. I would say it’s pretty SWINGIN’.

This song brings to mind…

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