I hope everyone is having a fantastic Friday. I posted a song by this band a year or so ago. I really liked their sound and songs but after posting it I got distracted by something else. CB brought this band up to me recently and I returned to them. This song is a very good power pop song. You have some power and jangle…the recipe for good power pop…this band can dish it out.
Guided By Voices was formed in Dayton, Ohio, United States in 1983. The band’s lineup has changed several times throughout the band’s history, with its only constant member being singer/songwriter Bob Pollard. They are still together and touring… Bob Pollard is with the current lineup.
Bob Pollard is terribly prolific. They have had 37 studio albums, 12 Compilation albums, 19 EPs, 39 singles, 2 live albums, and 2 books! On top of that, they have appeared on several soundtracks including Buffy the Vampire Slayer, Crime and Punishment, Scrubs, and many more. They also counted Rik Ocasek as one of their producers.
Their first EP came out in 1986 and their first LP came out in 1987. They have released 15 albums since 2016.
Chasing Heather Crazy was released in 2001 on the Isolation Drills album. The album peaked at #6 on the Heat Seekers Charts, #8 on the Indie charts, and #168 on the Billboard Album Charts.
Review by Allmusic Tom Maginnis: “Chasing Heather Crazy” is a blissed-out rocker of the sort that showcases Robert Pollard’s sharp pop songcraft skills. His infectious melody is fully fleshed out here, with big clean studio production miles removed from the scrappy lo-fi quality of past efforts, such as Bee Thousand, which first brought Guided By Voices to the attention of the mainstream press and independent rock audiences alike. Pollard also seems more comfortable delving into personal matters, addressing his lyrics with a directness that was seldom found on earlier works, which also helps bring a margin of intimacy that could otherwise be lost in the slickness of the recording.
Chasing Heather Crazy
Trailing off the likes of it
She likes it when it grows
Sending out a candidate
She’s sinking her foes
Peaking out then leveling
Wherever it goes
And her mother will greet you
And a river will reach you
Breaking out to make you slave again
Chasing Heather crazy
Chasing Heather crazy
Making sure that all the world is coming down
All the world is coming down on her
Anywhere I want to
And if you want to come too
We’ll go down where
All the girls are stumblin’ round
All the world is crumbling down around her
Staring out from otherworldly windows painted red
Doesn’t have to listen to the voices in your head
That’s a different lie
Do you remember what was said?
And her mother will greet you
And a river will reach you
Breaking out to make you slave again
Chasing Heather crazy
Chasing Heather crazy
Making sure that all the world is coming down
All the world is coming down on her
Anywhere I want to
And if you want to come too
We’ll go down where
All the girls are stumblin’ round
All the world is crumbling down around her
This song sets a mood when you hear it. I remember this song growing up and when I bought a Rolling Stones cheap greatest hits somewhere on cassette…this song was on it. They did a good version of it but it’s hard to beat the Drifters. In 1985 I was graduating and our band was recruited for a 1950s-era type of play by the drama teacher. Now, every time I hear 50s-sounding music…it takes me back to the mid-80s. This song has a 50s sound to it but was from 1964.
Under The Boardwalk was written by Arthur Resnick and Kenny Young. Resnick also wrote “Good Lovin'” for The Rascals and Kenny Young wrote some for the British Invasion band Herman’s Hermits. After Jerry Wexler, who was the head of Atlantic Records, heard it…he thought it would be perfect for the Drifters…which it was, and especially lead singer Rudy Lewis.
The band was set to record this on May 20, 1964, but lead singer Lewis was found dead that morning of either a drug overdose or a heart attack. He was only 27 years old. The singer he replaced earlier was Ben E King…the singer of Stand By Me.
The session was rescheduled for the next day, and Johnny Moore was called in to replace Lewis. Moore was with The Drifters in 1958 when their manager fired everyone in the band and brought in new members. He was a convenient replacement for Lewis and stayed on as their main vocalist.
The song was produced by Bert Berns. He was a busy man back then writing songs for many artists including Them featuring Van Morrison, Twist and Shout for the Isley Brothers, and Everybody Needs Somebody to Love by Soloman Burke just to mention a few.
Under The Boardwalk peaked at #4 on the Billboard 100, #5 in Canada, #6 in New Zealand, and #45 in the UK in 1964. It would be the Drifter’s last top ten hit on the Billboard 100 but they would hit in the R&B and UK charts.
Under The Boardwalk
Oh, when the sun beats down and burns the tar up on the roof
And your shoes get so hot you wish your tired feet were fireproof
Under the boardwalk, down by the sea, yeah
On a blanket with my baby is where I’ll be
(Under the boardwalk) Out of the sun
(Under the boardwalk) We’ll be havin’ some fun
(Under the boardwalk) People walking above
(Under the boardwalk) We’ll be making love
Under the boardwalk, boardwalk
From the park you hear the happy sound of a carousel
Mm-mm, you can almost taste the hot dogs and french fries they sell
Under the boardwalk, down by the sea, yeah
On a blanket with my baby is where I’ll be
(Under the boardwalk) Out of the sun
(Under the boardwalk) We’ll be havin’ some fun
(Under the boardwalk) People walking above
(Under the boardwalk) We’ll be making love
Under the boardwalk, boardwalk
Oh, under the boardwalk, down by the sea, yeah
On a blanket with my baby is where I’ll be
(Under the boardwalk) Out of the sun
(Under the boardwalk) We’ll be havin’ some fun
(Under the boardwalk) People walking above
(Under the boardwalk) We’ll be falling in love
Under the boardwalk, boardwalk
There are so many songs I had to leave off…I could have filled up 50 slots. This is the year music exploded into what developed into modern rock. The British were coming, they came, and they conquered. On February 9, 1964, the world changed. We all know the song that hit first… I Want To Hold Your Hand. If you want to know about that one…here is a link to the good article that halffastcyclingclub wrote for The Beatles week that I had.
I’m going to start off with the B side of that single…one of the best B sides ever. It’s a fairly well-known song also. Let’s start off with the John Lennon and Paul McCartney song I Saw Her Standing There. After this year…the world would never be the same.
The English bands started to come over after the door was kicked in by The Beatles. One of the rawest and roughest was The Animals. They do their take on this classic traditional song and it has become the standard version that most people remember and it’s been covered by artists including Woody Guthrie in the 1940s.
A garage-sounding song and a future look at punk music. The Kinks made themselves known with this raw edgy hit.
The Dave Clark Five knocked the Beatles out of the number one position on the UK charts with Glad All Over. It was written by Dave Clark and Mike Smith.
Let’s end with an American band that had been charting since 1962 but now they were getting huge. The Beach Boys with Don’t Worry Baby. This is a masterpiece of a song. One of my all-time favorites. It’s up there with God Only Knows by them also. Brian Wilson wrote this tremendous song. I bumped another great song for this…I Get Around…but I just had to. Do you agree?
If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.
This show was written by Gene Roddenberry, Arthur Heinemann, and D.C. Fontana
Not a strong episode or particularly a good one. This is one of the weakest episodes of the series. Now if you are looking for a product of it’s times episode…this is the one for you! Interstellar Hippies + Enterprise is basically what it is.
The Enterprise intercepts a stolen spacecraft as it heads into Romulan space. Those aboard are flying it in such a reckless manner that it explodes just as they are beamed out. Once aboard the Enterprise, we see that they are a bunch of space hippies. They intend to set up a new colony on Eden; a perfect planet they believe they will find. Kirk is unimpressed and plans to take them to the nearest star base…the only reason they aren’t thrown in the brig is that one of them is the son of an ambassador.
They soon start causing trouble; trying to incite younger crew members to join them and generally being obstructive. Spock seems to have an understanding with them and agrees to use the ship’s computer to help them find the planet they seek. The group is given medical scans which reveal that its leader Dr Sevrin is the carrier of a deadly disease; he is quarantined but soon after his followers release him and take over auxiliary control. From here they shut off bridge controls and take the Enterprise to their Eden in Romulan territory.
The planet, while as beautiful as all of them imagined, also has a very deadly side.
From IMDB:
Uhura does not appear in this episode. Lieutenant Palmer, who fills in, makes her second and final TOS appearance after The Doomsday Machine (1967).
The space hippie protest “Herbert, Herbert, Herbert!” is a gag, referring to both Star Trek four time director Herb Wallerstein, and long time Executive in Charge of Production Herbert F. Solow. (Spock tells Kirk that the reference to Herbert is “somewhat uncomplimentary” and that “Herbert was a minor official, notorious for his rigid and limited patterns of thought.”)
For the scene in which Spock plays his Vulcan harp for Adam (the last time he plays the instrument on the series), the background music for Uhura’s song from Charlie X (1966) is recycled.
James Doohan (Scotty) stated that this was his least favorite episode.
Charles Napier wrote some of the songs Adam sings.
Walter Koenig was highly critical of the writing for “The Way to Eden”. In particular he felt Chekov was written as too authoritative, rigid and by the book, a complete contrast from his usual and intended characterization.
Dr. Sevrin is based on Timothy Leary, a controversial psychology professor who advocated LSD as a therapeutic drug.
This episode was originally entitled “Joanna.” The character of Irina was originally to be Joanna McCoy, daughter of Dr. McCoy, and love interest for Captain Kirk, but that original script was rejected. The character of Joanna was planned to later appear in the fourth season, but Star Trek was canceled at the end of the third season.
In this episode, for the first time, Chekov’s first and middle names are spoken/revealed, Pavel Andreivich.
In some scenes, William Shatner can be seen to be wearing a corset.
Nurse Chapel’s collapse, as well as the collapse of other crew members in the corridor, is reused footage from Spock’s Brain (1968). This is why the lights go out in sickbay during that shot, while they are functioning normally elsewhere on the ship.
Dr. McCoy does have a number of salt shakers in his arsenal of “medical equipment” (as well as boat anchors) but the spinning hand scanner was a special prop made by the prop department to go with the medical tricorder. It did nothing but spin.
A brief shot of the surface of Eden is reused footage of the lakeside from Shore Leave (1966). A shot of the surface of Gamma Trianguli VI from The Apple (1967) is also recycled and used in the same scene.
Star Trek V: The Final Frontier (1989) recycles many elements of “The Way to Eden,” including Spock’s desire to find Eden.
Skip Homeier also starred in Patterns of Force (1968) as Melakon.
In the original version of the episode, the spacecraft Aurora is a Tholian ship with AMT model kit nacelles added to it. It is shown in the preview trailer without the nacelles. For the remastered version, a new design was created.
Summary
The Enterprise intercepts a stolen spacecraft heading directly for Romulan space. Its occupants are six space-age hippies who refuse to accept authority and are unconventional in their thinking. Led by the renowned Dr. Sevrin, they are in search of paradise – the mythical planet Eden. Kirk cannot relate but Spock does and agrees to help locate the planet. Spock also concludes that Sevrin is insane. For Chekov, it’s a chance to re-unite with Irina, with whom he was in love while they were students at the Academy. When the travelers manage to take control of the Enterprise, they realize their dream and arrive on Eden, which has surprises of its own.
CAST
William Shatner … Captain James Tiberius ‘Jim’ Kirk Leonard Nimoy … Mister Spock DeForest Kelley … Dr. McCoy Skip Homeier … Sevrin Charles Napier … Adam Mary Linda Rapelye … Irina (as Mary-Linda Rapelye) James Doohan … Scott Walter Koenig … Chekov George Takei … Sulu Majel Barrett … Nurse Chapel Victor Brandt … Tongo Rad Elizabeth Rogers … Lt. Palmer Deborah Downey … Girl #1 Phyllis Douglas … Girl #2
Pure rock and roll from the 1980s. One of the few who was producing raw rock at that time. I love the riff that Bob Stinson played in this song. Paul Westerberg remembered: “Bob started on the wrong note so he bent it [up] to make it fit.”
Let It Be was the third full album by the band’s original lineup: lead singer and songwriter Paul Westerberg, guitarist Bob Stinson, bassist Tommy Stinson, and drummer Chris Mars.
This was their last album on the small label Twin Tone Records and one of their best. The name of the album was Let It Be and it has a typical Replacements story. In the spring of 1984 the band was en route to a gig in Madison when inspiration struck. “We were riding around . . . kicking around silly album names and we thought, ‘The next song that comes on the radio, we’ll name it after that,’” said Westerberg.
Just then…the sound of Paul McCartney’s voice came out through the speakers: “When I find myself in times of trouble . . . ” It was fate… Let It Be would be the title of The Replacements’ new album.
This song is credited to all of the members of the band.
Paul Westerberg: We were supposed to stop, and I guess somebody didn’t stop, so we said, ‘Take it down to hell after the lead’—we weren’t sure what to do, you can hear me yell, ‘C!’ and everybody ended back on the C chord. It was a lucky guess. Then Chris started slowing it down. He was thinking, Aw, fuck this, let’s end it. Then we picked it back up. Later we overdubbed the piano and finger snaps.“Bob started on the wrong note so he bent it [up] to make it fit.”
Favorite Thing
Yeah!
Yeah, kid, it’s a really hip With plenty of flash and you know it Yeah, dad, you’re rocking real bad Don’t break your neck when you fall down laughing Donna, wanna, Donna
Yeah, I know I look like hell I smoke and I drink and I’m feeling swell Yeah, I hear you think it’s weird But I don’t give a single shit
Yeah, man, it’s a-hip, you know what I’m saying It’s a-hip, you know what I’m saying And I hear it My heart aches, it’s a-looking for a dolly Looking for a dolly, can’t you hear it Want to be something, want to be anything
Yeah, I know I feel this way But I ain’t gonna never change Yeah, I hear, I think, I know Rock don’t give a shit, you know
You’re my favorite thing You’re my favorite thing Bar nothing
You’re my favorite thing You’re my favorite thing You’re my favorite thing You’re my, you’re my, you’re my, you’re my Thing, thing, Thing, thing, Thing, thing, once in a while Thing, thing, Thing, thing, Thing, thing, once in a while Thing, thing, thing Thing, thing, thing Thing, thing, once in a while
This catchy 1967 song was on the Grateful Dead’s self-titled debut album. This is not one of the songs that they would play for years. According to Songfacts the Dead only performed it eight times, six during a roughly four-month span in 1967. In the 1990s Vince Welnick lobbied for them to play it because he played it in some of his own bands. The last time they played it was in 2015 at Chicago’s Soldier Field on a reunion tour.
The song fit the Summer of Love in which it was born. This was before they jelled into what they became. You can tell this was influenced by the British invasion bands. The song’s title is said to have been inspired by Aldous Huxley’s groundbreaking book, The Doors of Perception. The Doors of Perception explored the idea of inner consciousness and claimed that there was a way to transcend the everyday world and access heightened experiences. The Golden Road (To Unlimited Devotion) is seen by some as a nod to Huxley’s ideas and philosophy.
They hadn’t found their identity yet and would soon start improvising on stage into jams. This song clocks in at around two minutes…that would change. They had the album recorded and the record company said they needed a single. They went home and wrote this song and thought…this would fit the bill. It IS a catchy song and I have to wonder if it was pushed at all by the record company?
The band’s grasp of spontaneity and jamming can be seen in the music of other jam bands like Phish and Widespread Panic. The album peaked at #73 on the Billboard Album Charts in 1967. The song was credited to the entire band. From wiki… The band used the collective pseudonym “McGannahan Skjellyfetti” for their group-written originals and arrangements. The name was a misrendering of “Skujellifeddy”, a character in Kenneth Patchen’s comic novel The Memoirs of a Shy Pornographer, plus the name of then-frontman Pigpen’s cat.
Jerry Garcia: “After we recorded the album they said, ‘We still haven’t got anything here that’d be a strong single.’ So we said, ‘Ah, a strong single, sure!’ So we went home and wrote a song.’Wow, this’ll be a good single.'”
“This was recorded after we recorded the body of the album, and [it’s] a new song; we were thinking specifically of a single, so we just played around, and came up with some nice changes and cooperated on the entire thing, and came up with the Golden Road, which is a good song; I mean it’s like really fun to sing and fun to play … and it seems like a good single, whatever that is – we thought it could be a single.”
The Golden Road (To Unlimited Devotion)
See that girl, barefootin’ along,
Whistlin’ and singin’, she’s a carryin’ on.
There’s laughing in her eyes, dancing in her feet,
She’s a neon-light diamond and she can live on the street.
Hey hey, hey, oh, by the way, come and (party every day)
Hey hey, hey, oh, by the way, come and (party every day)
Well everybody’s dancin’ in a ring around the sun
Nobody’s finished, we ain’t even begun.
So take off your shoes, child, and take off your hat.
Try on your wings and find our where it’s at.
Hey hey, hey, come (party every day)
Hey hey, hey, come (party every day)
Take a vacation, fall out for a while,
Summer’s comin’ in, and it’s goin’ outa style.
Well lite up smokin’ buddy, have yourself a ball.
Cause your mother’s down in Memphis, won’t be back ’till the fall.
Hey hey, hey, come right away
Come and join the (party every day)
Hey hey, hey, come right away
Come and join the (party every day)
Hey hey, hey, come right away
Come and join the (party every day)
Hey hey, hey, come right away
Come and join the (party every day)
Gonna see Miss Brer Foxhole Bright diamonds at her teeth She is pure gold down underneath
I’ve talked about it before…a title can draw a person in a song. This one begs to be listened to. Sometimes they don’t live up to the title but this one does. Although Robbie Robertson wrote this, Levon Helm’s vocals brought this piece of Americana to life. He owns this song. He grew up near Helena, Arkansas, and heard stories of traveling Medicine Shows coming in and out of town. When he was a kid he got to see some of these shows. Robertson later translated that into this song.
Helena, Arkansas was the home of the King Biscuit Time radio show. It debuted in 1941. Performers such as Sonny Boy Williamson II would be on the show. The show was the thing that really crystallized blues music in that area. It is said that Muddy Waters and B.B. King would come home from working in the fields every day just to listen to the King Biscuit hour.
This song was on their 3rd album Stage Fright. By this time, Robertson was having trouble writing songs. The brotherhood they all shared was getting complicated because of outside influences. Robertson also had a baby daughter and pregnant wife at home. The songs were great though.
Stage Fright peaked at #5 on the Billboard Album Charts, #6 in Canada, and #15 in the UK in 1970. The album has some of my favorite songs by the Band on it. The Shape I’m In, Stage Fright, and this one.
Robbie Robertson: I wrote about a traveling medicine show I had heard Levon speak of years earlier, something between a carnival sideshow and the African American origins of rock and roll. We recorded “The W. S. Walcott Medicine Show” and another take of “Daniel and the Sacred Harp” with Todd at a studio in the city, and these turned out to be a couple of our favorite tracks. That put the finishing touches on what we could pull out of the hat for this record. I was worn out from this process and trying to maintain a stable family life with my baby daughter and pregnant wife.
The W.S. Walcott Medicine Show
When your arms are empty, got nowhere to go
Come on out and catch the show
There’ll be saints and sinners
You’ll see losers and winners
All kinds of people you might want to know
Once you get it, you can’t forget it
W.S. Walcott medicine show
You know he always holds it in a tent
And if you’re looking for the real thing
He can show you where it went
There’s a young faith healer, he’s a woman stealer
He will cure by his command
When the music’s hot then you might have to stand
To hear the Klondike Klu Klux Steamboat Band
Don’t you sweat it, you can’t forget it
W.S. Walcott medicine show
I’d rather die happy than not die at all
For a man is a fool who will not heed the call
Gonna see Miss Brer Foxhole
Bright diamonds at her teeth
She is pure gold down underneath
She’s a rock and roll singer and a true dead ringer
For something like you ain’t never seen
Once you get it, you can’t forget it
W.S. Walcott medicine show
W.S. Walcott medicine show
W.S. Walcott medicine show
If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.
This show was written by Gene Roddenberry, Jerome Bixby, and Arthur H. Singer
The Enterprise crew is racked by Rigelian fever and arrives at a planet to gather raw material (Ryetalin) for treatment. Spock, Kirk, and McCoy beam down and encounter Flint, seemingly the sole occupant and owner of the planet. His actions and motives are mysteriously strange throughout the first 3 acts of the episode… he appears hostile at first, but then shifts his attitude to that of a gracious host, unveiling his legal ward, a young female whose parents died while in Flint’s employ (so he says). Kirk is immediately entranced by this girl (Rayna) of great intellect, who also seems very naive.
Flint has something up his sleeve and it’s definitely not just to say goodbye to Kirk, Spock, and McCoy. Spock rightly suspects something is wrong and tells Kirk that their host is delaying their stay at his home for unknown reasons. Spock surmises correctly that Flint knows Brahms, da Vinci, and countless other personalities to create his exquisite collection of paintings and musical masterpieces.
‘Flint,’ it turns out, is just using this name as the latest in a long line; he was previously known as Da Vinci, the composer Brahms, as well as Solomon, Lazarus, Methuselah, and Merlin, besides a hundred others. Spock had deduced as much after studying Flint’s paintings and musical compositions, which were all created recently, using 23rd-century materials: Flint was born about 6000 years ago, on Earth.
For reasons never explained, he is some kind of a mutant, an immortal – he found this out way back in his first identity when he recovered from a fatal wound. This backstory is somewhat familiar, and used in other novels, series, or films. It’s very close to a Twilight Zone episode called Long Live Walter Jameson.
When Flint delays the transfer of Ryetalin to the Trek trio and basically compels them to enter his secret room with its models of other Raynas, his intentions become clear: he wants to hold them in stasis with the Enterprise for a thousand years. Spock is in his element with this late Classic Trek episode.
He’s the first person to realize that Flint will never let them leave his home since they have discovered his secret immortality and the first to tell Flint that Rayna would hate him for holding the Enterprise crew in stasis. Rayna is not what she seems…and Kirk has fallen for her…(Video at the bottom)
SPOILERS
A really good episode. Spock does something really touching at the end. He sees Kirk severely depressed about losing Rayna. Kirk put his head down and Spock goes to Kirk and mind melds with him and made him forget so he could stop hurting.
From IMDB:
The Johannes Brahms paraphrase that Spock plays was written especially for this episode by Ivan Ditmars.
One of many Star Trek productions resembling William Shakespeare’s The Tempest and/or Irving Block’s Forbidden Planet (1956).
Flint’s viewscreen appears to be a fairly close predictor of the modern flat panel TV that would become a commonplace household device decades later, except in 4:3 rather than widescreen format.
Mr. Flint invites Kirk, Spock and Bones to his palace, which is the same as seen from afar in The Cage (1966): an Eastern palace with blue details, golden rooftops, a giant moon or other planet in the background left and a smaller, Saturn-like planet left of that. In ‘The Cage’ this is the stage for the fight between Captain Pike and the quasi-Viking giant. In the remastered Star Trek, this image was replaced with a new background.
The undercarriage of Flint’s robot, M-4, is a reused portion from the upper carriage of Nomad from The Changeling (1967).
The only time in TOS in which the stardate is given with two decimal places instead of the usual one.
In the third season blooper reel, there is a shot of the M-4 on its dolly mount, being wheeled toward William Shatner by its operator. There is also a clip of Leonard Nimoy rocking his head sarcastically while “fill-in” elevator music plays for the scene where Spock plays Johannes Brahms’ waltz for Kirk and Rayna. Ivan Ditmars’ performance was dubbed in later.
In the preview trailer, the view of Kirk’s face saying “my crew” is unobstructed. The shrunken ship had not been spliced in yet.
The closeup of the sheet music of the “totally unknown” waltz of Brahms as declared by Spock is actually a handwritten copy of a very famous Brahms Waltz. Waltz No. 1 (in B Major) of the 16 Waltzes, Op. 39. This sheet music does not replicate what is heard – the original Waltz that is “played” by Spock- which WAS written for the episode.
This episode includes the newest footage of the Enterprise seen since Mirror, Mirror (1967), utilizing the three-foot model built to demonstrate the Enterprise shape in 1964.
Actor James Daly, who plays Mr. Flint, is the father of actress Tyne Daly (Cagney & Lacey, 1981-88) and actor Timothy Daly (Wings, 1990-97).
Jerome Bixby revisited the “immortal man” theme in a novel/play filmed as The Man from Earth (2007).
Flint’s view screen appears to be the Beta III lighting panel seen in The Return of the Archons (1967). It is also similar to the one seen in Where No Man Has Gone Before (1966).
Some of the furnishings in Flint’s castle are recognizably recycled from previous episodes. Spock sits in the ornate chair used by Korob and Sylvia in Catspaw (1967). In the outer room of Flint’s laboratory, just in front of the vertical grill, is Liviana Charvanek’s “communications box” from The Enterprise Incident (1968). In the same room, the back walls are lined with the consoles from the Elba II control room in Whom Gods Destroy (1969).
In Secrets and Lies (2001), Max Evans auditions for a role in a fictional episode of Star Trek: Enterprise (2001) directed by Jonathan Frakes in which the Enterprise crew have contracted Rigelian fever and Doctor Phlox must obtain Ryetalyn to cure them.
Flint and Rayna are very similar to Rojan and Kelinda from By Any Other Name (1968), also written by Jerome Bixby.
Summary
Kirk, McCoy, and Spock beam down to what is supposed to be an uninhabited planet to collect a supply of ryetalin, an essential element to treat a serious virus that is afflicting the Enterprise crew. On the planet, they meet a human named Flint who is not very pleased to see them. He agrees to help them locate the supply of ryetalin but insists that they leave as soon as possible. His home fascinates Spock who notes that the artworks comprise unknown DaVinci paintings, unknown Brahms music, and other works all apparently original except for the fact that contemporary materials were used in their creation. Kirk is attracted to Flint’s ward, the beautiful Rayna, but she too has a secret – one that is unknown even to her.
Here is a short video…it was the only one that didn’t give me an age restriction. Here is a better video.
CAST
William Shatner … Captain James Tiberius ‘Jim’ Kirk Leonard Nimoy … Mister Spock DeForest Kelley … Dr. McCoy James Daly … Flint Louise Sorel … Rayna James Doohan … Scott Nichelle Nichols … Uhura Bill Blackburn … Lieutenant Hadley (uncredited) Roger Holloway … Lt. Lemli (uncredited) Naomi Newman … Lt. Rahda (uncredited) Sally Yarnell … Lieutenant (uncredited)
A song that was intertwined with my life growing up. It sounds so genuine because I grew up with people that talked just like the characters in the song. What an epic song that Bobbie Gentry wrote. The writing was flawless in this song and her delivery was spot on. This was the ultimate story song.
Bobbie Gentry was born and raised in Mississippi and knew very well of the Tallahatchie Bridge. When Gentry was 13, she moved to Palm Springs, California to live with her mother. While attending college at UCLA, Gentry supported herself by performing at local clubs. She transferred to the Los Angeles Conservatory of Music and began her study of music theory and arrangement.
In early 1967, Gentry started making demos of songs that she believed she could sell to other artists to record. In July, Kelly Gordon was assigned to produce Ode To Billie Joe for the label. The track “Mississippi Delta” is the song that caught Capitol’s attention, but after the first string session with Jimmie Haskell, it was decided that the song “Ode to Billie Joe“ would be the A-side single released. A very wise choice.
The song took off that summer and that ignited the album of the same name. Ode to Billie Joe replaced the Beatles’ Sgt. Pepper’s Lonely Hearts Club at the top of the Billboard 200. Gentry won three Grammy Awards in 1967 (Best New Artist and Best Female Pop Vocal Performance.) She also took home the award for the Academy of Country Music’s Most Promising Female Vocalist.
Was the song based on a true story? No, but it was inspired by the 1954 murder of Emmett Till. Till was only 14 years old when he was shot and thrown over the Black Bayou Bridge in Mississippi for offending a woman in a grocery store.
In 1976 I remember watching the movie “Ode To Billy Joe.” Believe me, the song was much better than the movie. At the time though it wasn’t that bad. The release weekend for this movie coincided with the date from the first line of the song that inspired it: “It was the 3rd of June, another sleepy, dusty Delta day.”
The song peaked at #1 on the Billboard 100, #1 in Canada, #3 in New Zealand, and #13 in the UK in 1967.
She changed her name from Roberta Lee Streeter, in tribute to the Jennifer Jones movie Ruby Gentry…her songs were almost always set in and around the Chickasaw County of her childhood, semi-mythical south, with lyrics about people who were friends and neighbors. In 1972 the wooden bridge collapsed after being set on fire by vandals but was later rebuilt.
Bobbie Gentry: “The message of the song revolves around the nonchalant way the family talks about the suicide. The song is a study in unconscious cruelty.”
Bobbie Gentry: “It’s entirely a matter of interpretation as from each individual’s viewpoint. But I’ve hoped to get across the basic indifference, the casualness, of people in moments of tragedy. Something terrible has happened, but it’s ‘pass the black-eyed peas’, or ‘y’all remember to wipe your feet.'”
Ode To Billy Joe
It was the third of June, another sleepy, dusty Delta day
I was out choppin’ cotton, and my brother was balin’ hay
And at dinner time we stopped and walked back to the house to eat
And mama hollered out the back door, y’all, remember to wipe your feet
And then she said, I got some news this mornin’ from Choctaw Ridge
Today, Billie Joe MacAllister jumped off the Tallahatchie Bridge
And papa said to mama, as he passed around the blackeyed peas
Well, Billie Joe never had a lick of sense, pass the biscuits, please
There’s five more acres in the lower forty I’ve got to plow
And mama said it was shame about Billie Joe, anyhow
Seems like nothin’ ever comes to no good up on Choctaw Ridge
And now Billie Joe MacAllister’s jumped off the Tallahatchie Bridge
And brother said he recollected when he, and Tom, and Billie Joe
Put a frog down my back at the Carroll County picture show
And wasn’t I talkin’ to him after church last Sunday night?
I’ll have another piece-a apple pie you know, it don’t seem right
I saw him at the sawmill yesterday on Choctaw Ridge
And now ya tell me Billie Joe’s jumped off the Tallahatchie Bridge
And mama said to me, child, what’s happened to your appetite?
I’ve been cookin’ all morning, and you haven’t touched a single bite
That nice young preacher, Brother Taylor, dropped by today
Said he’d be pleased to have dinner on Sunday, oh, by the way
He said he saw a girl that looked a lot like you up on Choctaw Ridge
And she and Billie Joe was throwing somethin’ off the Tallahatchie Bridge
A year has come and gone since we heard the news ’bout Billie Joe
And brother married Becky Thompson, they bought a store in Tupelo
There was a virus going ’round, papa caught it, and he died last spring
And now mama doesn’t seem to want to do much of anything
And me, I spend a lot of time pickin’ flowers up on Choctaw Ridge
And drop them into the muddy water off the Tallahatchie Bridge
If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.
This show was written by Gene Roddenberry, Jeremy Tarcher, and Shari Lewis
Poor old Scotty…he can’t seem to keep a girlfriend. When he liked a girl before she ended up getting murdered by an alien or another one stolen by a Greek God. In this one, something happens to the one he likes… will it work?
This episode highlights the theme of alien possession, as a young woman called Mira Romaine is used by aliens called Zetars. Although their purpose is somewhat vague, their arrival via a “psychic storm cloud” heralds a takeover and some interesting side effects. When the ship approaches Memory Alpha, Mira Romaine starts having visions of impending danger, and the landing party goes down to investigate
Once on Alpha’s surface, the backlash of the Zetar arrival is seen. One female technician starts to talk in a slow frog-like garble, then she undergoes a weird horrifying convulsive transformation…and then dies. Mira is beamed down but is unable to make head or tail out of what Kirk and the others had witnessed – until she senses that the Zetarians are coming back.
Kirk realizes the only way to rid Mira of her condition is to subject her to decompression. Scotty, who had taken a serious liking to Mira, gets her to the decompression chamber but not without being zapped by the Zetars that are in her body.
We never find out much about the Zetars and if they were good or bad although they did kill all of Memory Alpha’s staff. It’s an enjoyable episode. I kept wondering when Kirk was going to jump on Scotty for displaying so much attention to Mira Romaine…although I would do the same thing.
From IMDB:
Shari Lewis decided to write the romantic angle centering on Scotty as a way to deviate from the formula of Kirk always getting the romantic interests. This is the third show where Scotty actively pursues a specific woman. In season two, he wooed Kara in “Wolf in the Fold”, and Carolyn Palamas in “Who Mourns for Adonais?”.
This show was co-written by Shari Lewis and her husband Jeremy Tarcher. Lewis also lobbied to be cast in the guest role of Lt Romaine, but was denied the part. Lewis was a ventriloquist best known for characters such as Lamb Chop, Charlie Horse and Hush Puppy.
The glass-covered portal of the medical decompression chamber is a reuse of a suspended-animation pod from Space Seed (1967).
The overhead zoom shot of the bridge in the teaser was not shot for this episode. It apparently was filmed for (but not used in) The Galileo Seven (1967). Lt. Hadley, rather than Mr. Chekov, is at the Navigator station in the shot. It is noticeable that he is wearing Lieutenant stripes in the shot. The crew is also noticeably wearing the velour uniforms seen in season 1 and 2, not the nylon variety that replaced them in season 3.
This is the final episode in which we will see a Tellarite and an Andorian in TOS.
Final appearance on the show by John Winston as Kyle, though he would return to play the role in Star Trek II: The Wrath of Khan (1982). In addition, the last episode to feature all seven of the regular characters as well as both Kyle and Chapel.
The Memory Alpha monitor room was the reused control room set from Whom Gods Destroy (1969).
On the Memory Alpha control room main panel, the round indicator light in the middle is a prop that was used in the behavior modification chairs in Whom Gods Destroy (1969) and Dagger of the Mind (1966).
In the fourth act, when Scotty is helping the possessed Mira to her feet before picking her up, James Doohan’s missing finger is clearly noticeable.
Just after Sulu shouts that the shields have been penetrated and everyone runs down the corridor (at around 37 minutes in), a creative male background extra can be seen performing some kind of ‘batten down the hatches’ mime act upon a yellow wall fixture. Looking more closely, one can see that the extra is holding a tool to perform the ‘batten down’ action.
Summary
En route to Memory Alpha, a massive Federation library designed to hold all the knowledge of its member worlds, the Enterprise comes across an entity of twinkling lights that is impervious to the ship’s weapons and can move faster than the speed of light. For Lt. Mira Romaine, it’s her first deep space voyage, but she has the support of Lt. Cdr. Scott, who has fallen very much in love with the lass. When they first encounter the new being, Mira’s body is invaded, and it soon becomes clear that the entity has no intention of releasing her. The challenge for Kirk and Spock is to find a way to rid them of this being, but the only method available may also kill her.
William Shatner … Captain James Tiberius ‘Jim’ Kirk Leonard Nimoy … Mister Spock DeForest Kelley … Dr. McCoy Jan Shutan … Lt. Mira Romaine James Doohan … Scott George Takei … Sulu Walter Koenig … Chekov Nichelle Nichols … Uhura Majel Barrett … Nurse Chapel John Winston … Lt. Kyle Libby Erwin … Technician Barbara Babcock … Zetar (voice) Bill Blackburn … Lieutenant Hadley (uncredited) Frank da Vinci … Crewman (uncredited) Roger Holloway … Lt. Lemli (uncredited) Jeannie Malone … Yeoman (uncredited)
Working Girl will probably not be remembered by everyone but it was a good song. Its video pushed the idea of the song…a layabout musician who was mooching off of his girlfriend so he didn’t have to get a real job himself.
This song was released in 1981 and got some MTV play. I was at my cousin’s house when I first heard it and I liked it right away. When the chorus kicks in it’s bright and a great hook. The Members started as a punk band from England.
The song is not one I heard on the radio much back then…mostly just the video. Working Girl peaked at #34 on the Billboard Mainstream Charts and #41 on the UK Indie Chart.
The band broke formed in 1976 with lead singer Nicky Tesco (real name Nick Lightowlers), Gary Baker (guitar), and Steve Morley (bass guitar), initially with Steve Maycock then Clive Parker (drums). Morley and Parker were later replaced by Chris Payne and Adrian Lillywhite.
The band broke up in 1983 when Tesco left the band after a tour of the U.S. The original lineup was reformed in 2008. After releasing only 3 albums during their original run… they released 8 albums including the greatest hits and live album between 2010 thru 2021. Tesco passed away in 2022.
Working Girl
See her laughing, talking as she’s walking to the factory She don’t look that much But I tell you, she’s a ticket to the easy life for me
If she works nine to five Sure to keep my love alive If she works nine to five That’s okay with me
Hey, I’m in love with the working girl Hey, I’m in love with the working girl
I walk up to her Tell her how we must have been made for each other And I’d take her home Why, I’d even take her ’round for tea with my mother
Then she can go out to work and I’d Lie around the house in the dirt and She could go out to work Bring her money home for me
Hey, I’m in love with the working girl Hey, I’m in love with the working girl
(Working girl) We got a love so pure (Working girl) She pays the rent (Working girl) Once in a lifetime chance in her (Working girl) Must be heaven-sent
Hey, I’m in love with the working girl Hey, I’m in love with the working girl
We go out at night She can buy all the drinks with the money she’s earned I dazzle her with science And grace her with all this truth and knowledge I’ve learned
Then we can come back to her place I’d put on my “hate to borrow money” face We get a cab to her place She’d do alright by me
Hey, I’m in love with the working girl Hey, I’m in love with the working girl Hey, I’m in love with the working girl Hey, I’m in love with the working girl
Hey, I’m in love with the working girl Hey, I’m in love with the working girl Hey, I’m in love with the working girl Hey, I’m in love with the working girl
I heard this song on the show House MD not long ago and it stuck with me. I knew it was Leon Russell but I didn’t know a thing about it. Very good song all the way around. Movies and TV Shows are a good way to pick up new and old songs that you don’t know.
It’s hard to resist Leon Russell’s music. His song Tight Rope was one of the first songs I remember in my life. His real name was Claude Russell Bridges. He was born in Oklahoma and in high school he worked with future Bread singer-songwriter David Gates.
Leon did a lot before the public ever heard of him. He was part of the Wrecking Crew who played on Beach Boy records and hits like This Diamond Ring for Gary Lewis. Most major players in the seventies wanted Leon Russell on their albums. After George Harrison invited him to play with him a short while later Mick Jagger worked with him. He was a popular man among the British elite rock stars.
The song was on the album Leon Russell and the Shelter People released in 1971. The album peaked at #17 on the Billboard Album Charts, #29 in The UK, and #14 in Canada. The song was not released as a single.
Elton John helped bring Leon Russell back into prominence in 2010 through a successful album. He worked up until his death on November 13, 2016. He had already planned a tour starting in January 2017.
Stranger in a Strange Land
How many days has it been
Since I was born
How many days until I die
Do I know any ways
That I can make you laugh
Or do I only know how to make you cry
When the baby looks around him
It’s such a sight to see
He shares a simple secret
With the wise man
He’s a stranger in a strange land
Just a stranger in a strange land
Tell me why
He’s a stranger in a strange land
Just a stranger in a strange land
How many miles will it take
To see the sun
And how many years until it’s done
Kiss my confusion away in the night
Lay by side when the morning comes
And the baby looks around him
And shares his bed of hay
With the burro in the palace of the king
He’s a stranger in a strange land
Tell me why
He’s a stranger in a strange land
Just a stranger in a strange land
Well, I don’t exactly know
What’s going on in the world today
Don’t know what there is to say
About the way the people are treating
Each other, not like brothers
Leaders take us far away from ecology
With mythology and astrology
Has got some words to say
About the way we live today
Why can’t we learn to love each other
It’s time to turn a new face
To the whole world wide human race
Stop the money chase
Lay back, relax
Get back on the human track
Stop racing toward oblivion
Oh, such a sad, sad state we’re in
And that’s a thing
Do you recognize the bells of truth
When you hear them ring
Won’t you stop and listen
To the children sing
Won’t you come on and sing it children
He’s a stranger in a strange land
Just a stranger in a strange land
You take what you need And you leave the rest But they should never Have taken the very best
I wasn’t sure if I would post anything on Robbie Robertson but I had to if just for my sake. This loss hits me really hard as it does a lot of people. Most of us never knew the man but we did know him through his songs. I’m not going to list chart positions or anything like that. On this day for me, it’s just about how his music hits me.
Most artists I treat very unfairly. In my mind, they are frozen in time during a certain period. When I think of John Lennon I think of him in 1966…with Robbie Robertson, it was always around 1969-70 after writing two of the most important albums in rock history. In my mind, he was not 80 but 26 years old. So it was shocking to hear he passed away today.
The man not only was a great storyteller but many of his songs were mini-movies you could visualize. Who couldn’t imagine the drunkard and his sweetheart defender Bessie betting on horses up on Cripple Creek? You see and hear a hungry Virgil Kane and his wife struggle during the Civil War. In King Harvest, you get a view from a poverty-stricken farmer getting promises that will never happen. How about pulling into Nazareth and then seeing Carmen and the Devil walking side by side? Can you then visualize Miss Fanny sending her regards to everyone? I can.
Those are not just songs…they are visual pictures sent through music that only Robertson could write. He studied screenplays and that is how he wrote many of his songs and we continue to benefit from his hard work and gift…and always will.
We are one year away from blasting off to strange and new lands. This year the radio was picking up a bit. You had the folk explosion and Motown was starting to raise the roof and Stax was rolling also. Some great artists are here plus one that would change the game.
Let’s start off with one of the musical leaders of the sixties who influenced his peers left and right. 22-year-old Bob Dylan released Blowin’ In The Wind which didn’t chart but soon would be covered over 300 times. A standard was born.
I usually favor Stax over Motown but that’s not to say I don’t like Motown because I do. This song is great I loved this song the first time I heard it. It’s Martha and the Vandellas doing Heat Wave. They added a little edge to the song. It was written by the incredibly talented team of Holland–Dozier–Holland.
The Ronnettes were beautiful and talented with a crazy…but well known producer Phil Spector. The group was an influence on the Stones and Beatles. The song was written by Jeff Barry, Ellie Greenwich, and Phil Spector.
What do I think of when I hear this song? That would be Animal House.
In 1963 The Kingsmen released a huge single and song that would be an important one in rock history. The original was written and performed by Richard Berry in 1955 and 3 other people covered it before Kingsmen in 1963… but this is the definitive version. Another one of those songs like Gloria…that every bar band has to know.
What is he singing? That debate would get the song banned for a while and even bring in the FBI to investigate. The popularity of the song and difficulty in discerning the lyrics led some people to suspect the song was obscene. The FBI was asked to investigate whether or not those involved with the song violated laws against the interstate transportation of obscene material. The limited investigation lasted from February to May 1964 and discovered no evidence of obscenity.
Last but certainly not least. The future was in the UK and America had no clue. In 1962 they had their first single release with Love Me Do. It peaked at #17 on the UK charts but the next single was released in January of 1963 in the UK. In America, it was released in February of 1963 but it was on a small label called Vee-Jay because Capitol Records in America kept rejecting anything from Britain for the most part. America never heard it because Vee-Jay couldn’t push it enough. It was a brilliant single called Please Please Me. The following year, America and Canada were introduced to the Beatles.
If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.
This show was written by Gene Roddenberry, John Meredyth, and D.C. Fontana
This is the first episode I saw Kirk avoiding a beautiful woman (Losira)…but he had a good reason.
The Enterprise is investigating a mysterious planet… it is only the size of the Moon and is a mere five thousand years old, but it appears to sustain life, have an atmosphere, and be the mass of the Earth. Just as Kirk, McCoy, Sul,u and an expendable geologist beam down to the surface, Losira appears in the transporter room, saying they must not go to the planet, then kills the transporter operator with a single touch. Soon after the away team arrives, the planet suffers a major earthquake; when it is over, there is no sign of the Enterprise.
As they search for anything that might be edible, Losira appears and approaches the geologist. She says she has come for him before touching and killing him. It isn’t that long before she is coming for the others, although it becomes apparent that she can only harm the specific person she has come for.
Back on the Enterprise, the crew discovers that the entire ship has been moved to a point almost a thousand light-years away, and the same woman kills an engineer as he examines the engines after Scotty states that something doesn’t feel right. Further investigations reveal sabotage that could destroy the ship as it hurtles back to the planet.
Losira touched Sulu on the planet and almost killed him until Kirk intervened. She can seemingly be anywhere at any time. She only kills the one she comes for…so when she came for Sulu, she didn’t hurt Kirk because he wasn’t a target. They thought they could fight it by splitting up and guarding the one she came for…then…she split into 3 Losiras. How is Losira doing this? Can she be beaten? Will the Enterprise blow up?
It’s a suspenseful episode with another subplot going on with an emergency on the Enterprise, and worth a watch. My problem is with my favorite character in the Star Trek universe. Spock is different in this one. He was more of a smart-aleck and sometimes downright rude to the crew. It’s as if the writers knew Spock somewhat but exaggerated him into a snarky Vulcan.
From IMDB:
Lt. Radha is both the first explicitly Hindu character (shown by the bright red dot on her forehead, known as a Bindi), and the first Enterprise helmswoman, to appear in Star Trek.
The center section of D’Amato’s tricorder differs substantially from the standard Starfleet model. Instead of tape discs and a moiré pattern, it features an intermittently glowing white panel and what appears to be a tubular sensor. In deference to D’Amato’s specialty, some prop-conscious fans have dubbed this a “geological tricorder.”
A new access tube was created for this episode to show where the matter-antimatter reaction chamber was.
Second and final appearance of Dr. M’Benga.
James Doohan lost a finger while fighting in WWII, and consistently hid his right hand during the series. While changing polarity on the magnetic probe, his hand can be clearly seen, which shows the absence of the finger.
This is the last episode of TOS in which Enterprise crew members (Wyatt, D’Amato, and Watkins) die onscreen or close to it. However, in Requiem for Methuselah (1969), Kirk will report in his opening log that three crew members have died of Rigellian fever.
Sulu discusses the silicon-based creatures on Janus VI, i.e., the Horta of The Devil in the Dark (1967).
In this episode, it is revealed there are (at least) three Doctors assigned to the USS Enterprise: Chief Medical Office Dr. Leonard McCoy, Dr M’Benga (also featured in ‘A Private Little War’), and Doctor Sanchez (the only appearance).
Normally characters are perfectly still when being energized. When Losira appears in the transporter room while the landing party beams out, Kirk is able to look up and see her kill the transporter chief. McCoy’s facial expression is also slightly different.
This is the only time a tricorder is shown on the “automatic distress” setting. In place of the usual data disc storage slot, it has a flashing light panel. Since the storage slot is visible in a previous scene, it must be on a type of swivel, allowing it to be rotated to reveal the panel when the unit is placed on this setting.
Spock’s calculation device was reused from the remote control prop created for Spock’s Brain (1968).
After D’Amato dies, Kirk uses his phaser to dig a grave for him. This is only the second time on Star Trek where a crewman is buried by the landing party on a planet, the first occurring in The Galileo Seven (1967). Usually, dead crewmen are returned to the ship. A similar burial will be shown in Star Trek: Generations (1994). One could also say that a “crewman is buried by the landing party on a planet” when Kirk is able to kill and entomb a mutating Gary Mitchell on Delta Vega in Where No Man Has Gone Before (1966), although no formal ceremony is shown.
The bypass valve room that Watkins enters consists of re-used pieces of the Yonada control room from For the World Is Hollow and I Have Touched the Sky (1968). The control panel was re-used from the Vians’ torture chamber in The Empath (1968).
Pavel Chekov does not appear in this episode, although Kirk mentions him.
This episode was used as the background for the Star Trek: Gateways novel ‘One Small Step’, by Susan Wright, which elaborates extensively on the story. The mysteries of this episode were used to help tie in the original series with the rest of the Gateways books.
This is the last episode of TOS to have an unknown stardate.
The Russian seismic event that Sulu mentions is the Tunguska event which occurred in 1908, in Siberia. Captain Kirk responds, “If I wanted a Russian history lesson, I would have brought along Chekov”.
Lee Meriwether is one of four actors to appear in Star Trek who previously played a Batman villain. Meriwether portrayed Catwoman in Batman: The Movie (1966). Malachi Throne played False Face during the first season of Batman before playing Commodore Mendes in The Menagerie: Part I (1966). Julie Newmar played Catwoman in the TV series, and was seen in Friday’s Child (1967). The final Batman “Special Guest Villain” to go from Batman to Star Trek was Frank Gorshin (known for his portrayal of The Riddler), who appeared as Commissioner Bele in Let That Be Your Last Battlefield (1969). In addition, two actors went from a role on Star Trek to a major guest role on Batman (Joan Collins (Edith Keeler / The Siren) and Roger C. Carmel (Harry Mudd / Colonel Gumm)), and dozens of bit players appeared on both shows and/or Mission: Impossible (1966).
Another occasion where network decency standards had a big effect on the costumes worn by women. The beautiful Losira costume had a strategic flap, that covered her navel. The networks usually didn’t allow the showing of a woman’s navel in 1969.
One of the few times a crewman who is not a red shirt, is killed ( D’Amato is in the Sciences Dept. and wears a blue tunic ).
Although already seen in “The Conscience of The King”, we get another example of how powerful the explosion of an overloaded hand phaser is. In “Conscience”, the phaser was jettisoned into space but was powerful enough to rock the ship. In This episode, the explosion is a lot more powerful. It lights up the entire area and people have to drop for cover.
Each time Losira becomes a one-dimensional figure and vanishes, there is the brief sound of a woman singing.
This takes place in 2268.
Dr. M’Benga reports to Spock that it looks like the crewman died because every cell in his body exploded from within, but he also states his findings are only preliminary. Then Dr. McCoy immediately determines the same diagnosis when on the planet, with his tiny whirring analyzer. One would assume that the Enterprise’s huge medical computer could have come to the same conclusion and faster than Dr. McCoy’s hand held device.
In the preview trailer, the visual effect of flashing blue lights has not been added in yet when Scotty’s corridor is shown.
William Shatner and Lee Meriwether would later co-star together in To Catch a Dead Man (1973).
Leonard Nimoy and Lee Merriweather would appear together in a number of episodes of the 4th season of Mission: Impossible (1966).
This was the last episode produced by series pioneer Robert H. Justman. As he said, nearly 30 years later, the show was “now strictly budget-driven. My never-ending battle to cut costs without compromising quality had failed. The ‘Star Trek’ I knew, and was proud to be a part of, was no more.”
Summary
Kirk and company find that all vegetation on the planet is poisonous to them and there is no source of water. Sulu finds brief readings of magnetic fields from the planet, but they disappear after a few moment. The 4 guys split up to do their tasks. D’Amato is confronted by the same woman (as on-board the Enterprise) and she touches D’Amato, who ends up dead. Kirk also discovers that the whole planet is made of a very dense rock.
CAST
William Shatner … Captain James Tiberius ‘Jim’ Kirk Leonard Nimoy … Mister Spock DeForest Kelley … Dr. McCoy Lee Meriwether … Losira James Doohan … Scott Arthur Batanides … D’Amato George Takei … Sulu Nichelle Nichols … Uhura Naomi Newman … Rahda (as Naomi Pollack) Booker Bradshaw … Dr. M’Benga Brad Forrest … Ensign Kenneth Washington … Watkins Bill Blackburn … Lieutenant Hadley (uncredited) Frank da Vinci … Lt. Brent (uncredited) Roger Holloway … Lt. Lemli (uncredited) Jeannie Malone … Yeoman (uncredited)
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