Bones – PowerPop… An Eclectic Collection of Pop Culture

Star Trek – Space Seed

★★★★★ February 27, 1967 Season 1 Episode 22

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene L. Coon, Carey Wilber, and Gene Roddenberry

This is a huge episode, a very important one. It would later have a very famous part II movie in the 1980s.

The villainous character of Khan Noonien Singh, played perfectly by Ricardo Montalbán in the 1982 motion picture “Star Trek: The Wrath of Khan“, was first introduced in this landmark episode. The Enterprise has discovered some remnants of the late 20th century…an old fossil of a ship and its crew, who are in suspended animation.

As it happens, they and their leader Khan were genetically engineered “supermen” and “superwomen” whose need to dominate and control had led to war in the 1990s. The re-awakened Khan is soon back to his old tricks, and the crew have to fight to regain control of the Enterprise.

There is a reason they picked this one for the movie. It’s a wonderful episode. The only issue I have with this episode is the portrayal of Marla McGivers. To see her character, a well-educated, empowered female officer, turn into a person that swoons over him and turns into an emotional slave for Khan is aggravating to watch. Yes, she loved the 20th century but I don’t see her doing what she did.

The fight scene between Kirk and Khan may be my favorite fight scene for the series. Kirk put on some nice moves to avoid getting bashed by Khan’s far superior strength. With HD you can see its stunt men but other than that it was great.

The star of this episode is no other than Ricardo Montalbán. The way they shot the episode he seems huge and has a great presence. I don’t want to say much…but in the end, Kirk does something that will come back and bite him in 15 years.

It’s a very good episode. It’s fun watching this episode and then watching the movie right after.

From IMDB:

Gene Roddenberry questioned Carey Wilber’s notion of wasting a high-tech spaceship and expensive resources on criminals – just like Kirk and Spock came up with the same question in the story itself – and came up with the concept of “a bunch of Napoleons” self-exiling in space.

Being a first-season episode, Chekov (Walter Koenig) does not appear. Nevertheless, Chekov does appear in the film Star Trek II: The Wrath of Khan (1982), in which Khan not only meets but instantly recognizes him. Many fan theories subsequently tried to explain where Chekov could have been off-screen during that episode that would cause Khan to remember him. Walter Koenig himself came up with a story, which he likes to recite at conventions, that Khan, during the events of Space Seed, desperately needed to go to the bathroom, but the only toilet he could find was occupied, and when it was opened, Chekov walked out and Khan resolved never to forget Chekov’s face. The Wrath of Khan novelization by Vonda N. McIntyre does officially explain that Chekov was working in Engineering when Khan began his rebellion there (and most of that happened off-camera), and it was because of Chekov’s valiance in resisting that he was promoted to the Bridge for the series’ second season. See also trivia for Star Trek Into Darkness (2013).

Carey Wilber used the 18th century British custom of ‘transportation’ (shipping out convicts to the colonies, especially Australia) as a parallel for his concept of “seed ships”, used to take unwanted criminals out to space from the overpopulated Earth (hence the name Botany Bay). In his original treatment, the Botany Bay left Earth in 2096, with 100 criminals (both men and women) and a team of several volunteering lawmen aboard.

The main cast were enthusiastic about working with Ricardo Montalban. DeForest Kelley later said “I enjoyed working with Ricardo the best. I was privileged. He is a marvellous actor.”

Following positive feedback from the producers and the network regarding James Doohan, this was the first episode to feature a more prominent role for Scotty.

Ricardo Montalban called his role as Khan “wonderful”, saying that “it was well-written, it had an interesting concept and I was delighted it was offered to me”.

The first day’s filming coincided with the airing of Star Trek: Balance of Terror (1966), and Marc Daniels allowed the cast and crew to go home early to watch it. The other five days ran to schedule, to the extent that there was an early finish on the final day of filming, allowing cast and crew time to return home to watch a repeat of Star Trek: What Are Little Girls Made Of? (1966) which had replaced Star Trek: Arena (1967) on that evening’s schedule.

Ricardo Montalban plays a character who is familiar with the first chapter of John Milton’s “Paradise Lost”. (“Better to reign in Hell than to serve in Heaven.”) Oddly enough, that same literary passage contains the word Montalban. This name, which is old-fashioned Spanish for White Mountain, appears in the poem in context where an angels-versus-demons war is compared to a list of great military actions in Earth history. Montalban was a battle site during the Franco-Moorish Wars of the Early Middle Ages.

The creation of the Botany Bay miniature caused the episode to go over budget by more than $12,000. The episode actually cost a total of $197,262 against a budget of $180,000. By this point, the series was nearly $80,000 over budget in total.

This is listed as one of the “Ten Essential Episodes” of the series in the 2008 reference book “Star Trek 101” by Paula M. Block and Terry J. Erdmann.

Ricardo Montalban was always the first choice for Khan. He had been suggested by casting director Joseph D’Agosta, who was not looking to cast an actor of a particular ethnic background due to Gene Roddenberry’s vision for the series; Roddenberry wanted to show his perceived 23rd century values by not requiring any specific ethnicities when casting actors in guest roles.

The Eugenics Wars, and the notion of genetically augmented Humans, has also served as background Star Trek: The Animated Series: The Infinite Vulcan (1973) as well as Star Trek: Enterprise: Borderland (2004), Star Trek: Enterprise: Cold Station 12 (2004), and Star Trek: Enterprise: The Augments (2004).

Summary

While on patrol in deep space, the Enterprise comes across an ancient Earth spaceship from the 1990s, the SS Botany Bay. Aboard, they find a group of Earthlings in suspended animation as was used when space voyages might take decades. They revive the group’s leader, a magnetic individual named Khan, and the Enterprise historian Lt. Marla McGivers is obviously attracted to him. Using the Enterprise computers, Kirk and Spock learn that Khan is actually Khan Noonien Singh, once absolute ruler of more than one-quarter of Earth and the product of genetic engineering. But they are too late, Khan and McGivers have gone back to his ship, revived Khan’s crew, and returned to seize control of the Enterprise.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Ricardo Montalban … Khan Noonian Singh
Madlyn Rhue … Lt. Marla McGivers
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Makee K. Blaisdell … Spinelli (as Blaisdell Makee)
Nichelle Nichols … Lieutenant Nyota Uhura
Mark Tobin … Joaquin
Kathy Ahart … Crew Woman
John Winston … Lieutenant Kyle
John Arndt … Ingenieur Fields (uncredited)
Bobby Bass … Guard (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Dick Cangey … Otto (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Joan Johnson … Female Guard (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Jan Reddin … Crewwoman (uncredited)
Frieda Rentie … Enterprise Lieutenant (uncredited)
Ron Veto … Harrison (uncredited)
Joan Webster … Nurse (uncredited)

Star Trek – The Return Of The Archons

★★★ 1/2 February 09, 1967 Season 1 Episode 21

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Boris Sobelman and Gene Roddenberry

At the start of this one, you are in complete confusion. It takes a good while to get a grasp of what is happening and why. Even when the story becomes clearer, there are things that just don’t make sense, such as the 6 o’clock craziness (Red Hour) that grips the people of Beta III, or the robed guards’ electronic-sounding voices.

In the episode, Lieutenant Sulu gets beamed back aboard the Enterprise in a rather dreamy state like he was a member of some cult. When a larger away team led by Kirk, Spock, and Bones goes down they find a society frozen in time and completely submerged in a philosophy of peace and non-violence. Except of course for the ‘festival’ or Red Hour when everyone runs amuck.

The people on Beta III as this planet is known to Star Fleet are held in thrall by the will of an ancient philosopher named Landru. His teachings were carried out. What it involved was nothing less than the stamping out of individuality. It reminded me of some of the cults out there. You were not part of the teachings…you were not welcomed and get punished.

There were a few things that weren’t explained. The “Red Hour” when everyone when bonkers. My thought is…it was a way for society to release its primal urges of sex and violence in a controlled way so that it may function as Landru intends. The hooded guards had hollow tubes for wea

From IMDB:

All the regulars on the show were quitting smoking at the same time, so many chewed gum instead. Director Joseph Pevney was becoming increasingly upset, because he had to cut to remind the cast not to chew gum during the shoots. As a prank for a large scene, William Shatner went around handing out bubble gum to the cast, crew and 60-80 extras, and had everyone blow a bubble right after the director hollered “Action”. Sid Haig reported the director “almost passed out”. (Source: Sid Haig’s phone interview with “The Shlocky Horror Picture Show” for a television airing of Spider Baby or, the Maddest Story Ever Told (1967).)

Contains the first mention of the Prime Directive of noninterference, which the plot brings up only so that Kirk can violate it.

The word Archon was the title of certain Greek heads of state, most famously in the Athenian Republic. It comes from Greek root “arch”, meaning “leader, highest, chief”, which can also be found in the English words monarch, hierarchy, and anarchy; all of these are present in Landru’s society.

The location scenes for this episode were filmed at the 40 Acres backlot in Culver City, the same place where Star Trek: Miri (1966) and Star Trek: The City on the Edge of Forever (1967) were shot. Best known for their use as Mayberry in The Andy Griffith Show (1960), the sets on this section of the backlot were originally constructed to portray 19th century Atlanta for Gone with the Wind (1939).

In the dungeon, Kirk and Spock subdue Landru’s guards, Spock punches the guard in the face with his fist instead of using the Vulcan neck pinch. Kirk even comments “Isn’t that old-fashioned?” This is the first instance of Spock hitting another character in the face with his fist.

Bobby Clark, who leaps through a window and then cries out “Festival! Festival!” has his only speaking role in the series in this episode. A frequent stunt performer on the series, he can also be seen as one of Chekov’s vaporized henchmen in Star Trek: Mirror, Mirror (1967).

When Kirk tells the Enterprise “Materialization complete” upon beaming down, this, along with the third season episode Star Trek: For the World Is Hollow and I Have Touched the Sky (1968), marks the only time that any landing party informs the ship as a matter of course that transportation has been effected.

Just why Festival takes place, or how frequently it occurs, is never made entirely clear. However, in his novelization in Star Trek 9, James Blish describes Reger telling Tula as he consoles her during the aftermath, “It’s over for another year.”

The computer that ruled Beta III would be seen again (slightly modified) in the first season episode Star Trek: A Taste of Armageddon (1967).

The absorption console that Marplon uses appears later, with modifications, as Norman’s relay station in Star Trek: I, Mudd (1967), a control panel on Memory Alpha in Star Trek: The Lights of Zetar (1969), the housing for the cloaking device in Star Trek: The Enterprise Incident (1968), and the Elba II force field control panel in Star Trek: Whom Gods Destroy (1969).

This episode started out in July 1964, as a story outline by Gene Roddenberry entitled “The Perfect World” (later retitled “Paradise XML”, “Visit to Paradise”, and “Landru’s Paradise”), which was a candidate to be the first pilot, alongside Star Trek: The Cage (1966) and “The Women”. After the former was chosen by NBC, Roddenberry’s story idea rested for more than two years. In August 1966, freelance writer Boris Sobelman picked up Roddenberry’s original story, and developed it further, retitling it “The Return of the Archons”

Summary

Kirk, Spock, and McCoy beam down to the planet Beta III when one member of a reconnaissance party disappears and the other, Mr. Sulu is beamed up in a strange state of contentment. The citizenry appears calm and respectful except when the Festival begins – where everyone apparently goes mad and delves into wild abandon and debauchery. By the next morning, all is calm again and the elders tell of Landru, who is in control and is the lawgiver. With McCoy absorbed into the local society, Kirk and Spock set out to find just what or who Landru is.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Harry Townes … Reger
Torin Thatcher … Marplon
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Brioni Farrell … Tula
Sid Haig … First Lawgiver
Charles Macaulay … Landru
Jon Lormer … Tamar
Morgan Farley … Hacom
Karl Held … Lindstrom (as Christopher Held)
George Takei … Lieutenant Hikaru Sulu
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols … Lieutenant Nyota Uhura
Sean Morgan … O’Neil
Lev Mailer … Bilar (as Ralph Maurer)
David L. Ross … Guard
Bill Blackburn … Lieutenant Hadley (uncredited)
Bobby Clark … Betan Townsman (uncredited)
Frank da Vinci … Brent (uncredited)
Lars Hensen … Betan Townsman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Ron Veto … Harrison (uncredited)

Star Trek – Court Martial

★★★★ February 2, 1967 Season 1 Episode 20

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Don Mankiewicz, Steven W. Carabatsos, and Gene Roddenberry

This episode has a low rating at IMDB…I don’t understand that. No, this one does not have much action, but I like courtroom dramas. This is not another 12 Angry Men don’t get me wrong but it’s a smart episode. Captain Kirk is charged with negligence after one of the Enterprise’s officers dies under his command. Kirk pleads not guilty at his trial…his entire career and his command of the Enterprise are in jeopardy. Can Kirk prove that events didn’t go as the computer claims they did?

The computer and video show the Captain is guilty. This episode has some good performances by William Shatner and guest stars Percy Rodriguez and Elisha Cook Jr, good editing and directing.

The court-martial is set up by Starfleet to find out if Kirk behaved improperly during a crisis. He claims he did everything by the book, but the Enterprise’s computer records – unquestionable evidence by everyone’s standards – seem to indicate the death of a crewman (an old friend of Kirk’s, no less) was the result of the captain’s negligence. Lucky for him, his lawyer doesn’t trust computers and sets out to prove something went wrong, while Spock does the same on the ship.

Looking at it almost 60 years later I appreciate the central point it makes now more than ever, considering technology is now programmed to spy on us, collect our personal information, and gather market research based on our lifestyles. The biggest thing though is now you cannot believe everything you hear or see on video. Video and audio can be manipulated to about anything you would want. In this story the video clearly shows Kirk pushing the button prematurely.

It is only when Spock discovers that the Three-Dimensional Chess he had programmed into the Enterprise Computer has been altered, also explains why the ship’s computer would record an event incorrectly. It’s a nice twist at the end.

From IMDB:

Elisha Cook Jr. had great difficulty remembering his lines. The speech of his character, Sam Cogley, was pieced together with editing.

We get a look, for the only time in the series, at a series of registration numbers on the chart in Stone’s office. Gregory Jein associated them with ten names previously used in production memos which will later be assumed to be Constitution-class star ships, despite the numbers ranging lower than the USS Constitution. The wall chart disappears in a later scene in Stone’s office. At the time of Court Martial, the USS Intrepid, the all-Vulcan star ship, is being repaired at Starbase 11. In Star Trek: The Immunity Syndrome (1968), it will be destroyed by the space amoeba.

This is the third and final time Uhura takes over the navigation station. She previously handled navigation in Star Trek: The Naked Time (1966) and Star Trek: Balance of Terror (1966). She can also be seen sitting at navigation at the beginning of Star Trek: The Man Trap (1966), via a recycled shot from Star Trek: The Naked Time (1966).

The picture on the wall outside Stone’s office appears to show the launch of an early NASA rocket. Also seen is the two-person transporter alcove. This is later seen on Space Station K-7 in Star Trek: The Trouble with Tribbles (1967).

Areel Shaw once loved Kirk, but doesn’t let this get in the way of prosecuting him and potentially ending his career in Starfleet. It is not known why this apparent conflict of interest does not prevent her serving as prosecuting attorney. A similar scenario played itself out between Captain Jean-Luc Picard and JAG Captain Phillipa Louvois in Star Trek: The Next Generation: The Measure of a Man (1989).

Chandra would also sit in judgment of James T. Kirk in another timeline, serving on the Starfleet Academy board trying that Kirk for his actions regarding the Kobayashi Maru scenario in Star Trek (2009). That board would also include Lt. Alice Rawlings, named for the actress who played Jame Finney.

The barkeep wears the same costume later worn by the K-7 bartender in Star Trek: The Trouble with Tribbles (1967). The back of the bar contains recycled pieces from the interior of Balok’s ship.

The plants in Stone’s office contain pieces of those seen in Star Trek: The Conscience of the King (1966) and was later used for the spores in Star Trek: This Side of Paradise (1967).

When Dr McCoy individually masked the heartbeat of each member sitting on the Bridge of the Enterprise with a handheld, narrow-band device tuned to around 1 Hz (the frequency of heartbeats), the prop is made out of a 1968 microphone with the cable disconnected. Spock could have masked the sounds on the Bridge with the console switch in the same way the crewman in Engineering was remotely masked. Ben Finney would not have been hiding on the Bridge.

Summary

Captain Kirk finds himself facing a court-martial following the death of crewman Lt. Cmdr. Ben Finney. He and Finney had once been good friends since meeting at the academy, even though Kirk later was the man who reported him once while on watch. Kirk also meets a lost love, Lt. Areel Shaw, who, it turns out, will be the prosecuting officer. She recommends he retain the somewhat eccentric Samuel T. Cogley as his attorney, a man who eschews computers in favor of books. The evidence against Kirk is damning and clearly shows his actions caused Finney’s death. It is Mr. Spock’s ability to beat the computer at chess that provides the solution to the mystery.

CAST

William Shatner …Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Percy Rodrigues … Portmaster Stone (as Percy Rodriguez)
Elisha Cook Jr. … Cogley (as Elisha Cook)
Joan Marshall … Areel Shaw
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Nichelle Nichols Nichelle Nichols … Lieutenant Nyota Uhura
Richard Webb … Finney
Hagan Beggs … Helmsman
Win De Lugo … Timothy (as Winston DeLugo)
Alice Rawlings … Jame Finney
Nancy Wong … Personnel Officer
Bart Conrad … Krasnovsky
William Meader … Board Officer
Reginald Lal Singh … Board Officer
Majel Barrett … Enterprise Computer (voice) (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Tom Curtis … Corrigan (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Ron Kinwald … Starbase 11 Bar Patron (uncredited)

Star Trek – Tomorrow Is Yesterday

★★★★★ January 26, 1967 Season 1 Episode 19

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by D.C. Fontana and Gene Roddenberry

The Enterprise is thrown back in time while trying to escape the gravitational pull of a black star. They find themselves stuck in the 1960s for a while. A 1960s air force catches something on their radar and a pilot, Major Christopher, flies his plane up toward the Enterprise armed with a nuclear warhead. Kirk and Spock talk about the possibility of the pilot firing that weapon at the ship and it ends up that the pilot is beamed aboard the Enterprise. Major Christopher is quite confused and wants to know what is going on plus he just wants to go back to Earth. Kirk & Spock discusses what to do with Christopher because it’s not just a simple thing to beam him back down to the planet because it could alter the future with Christopher knowing the future… it turns out that Christopher will end up having a son that will launch the first successful probe to Saturn. Spock devises a plan that will put everything back to where is was before this incident occurred.

I love Time Travel…in movies, books, or TV shows. The travel itself was actually just an accident…when a mission goes wrong and hostilities ensue, the Enterprise flies toward the Sun and away from it as quickly as possible. This, the so-called “slingshot effect”, causes the ship to end up orbiting Earth – in the late 1960s! Unfortunately, a pilot working for NASA notices the ship and is taken hostage by Kirk and Spock, who must now come up with a way to get back home without altering the course of history.

Many time travel problems are brought up in this episode. The discovery of a new age, the problems that derive from it, and, of course, the discussions regarding possible paradoxes. What really makes the episode stand out, though, is its sense of fun and foreknowledge… ordinary people’s reaction to the sight of Kirk and Spock is always a joy to behold. It’s funny to hear our heroes mention man’s first landing on the Moon as taking place on a Wednesday at the end of the ’60s…they got it right, weekday and all, a full two years before the whole thing happened.

The interplay between Captain Christopher and the Enterprise crew makes for an interesting look at how representatives from different eras might react to each other. I thought Christopher might have accepted his situation just a bit too readily, but then again, what was he going to do?

The funniest scene is when Air Force MP Sergeant Hal Lynch is also beamed up as he’s cornered Sulu and Kirk stealing the computer tape of the Enterprise. The first person that walks up to him is Spock…his reaction is priceless.

From IMDB:

Captain Kirk says the first moon shot was in the late 1960s. This was the first prediction of the correct decade of this accomplishment in a major science fiction work. Previous motion pictures and television series put the first lunar mission sometime in the 1970s at the earliest.

The Enterprise crew intercepts a radio report that the first manned moon shot will take place on Wednesday. Apollo 11 was launched nearly two years after the filming on 16 July 1969, a Wednesday.

Later in 1967, physicist John Archibald Wheeler would popularize the term “black hole” to refer to the phenomenon Kirk describes as a black star, at the suggestion of a student. While several sources credit Wheeler for coining the phrase, it was used in science journals as early as 1963. The term is now credited to physicist Robert H. Dicke, comparing the phenomenon to a life prison dungeon in Calcutta known as the “Black Hole of Calcutta”.

Premiered on Thursday 26 January 1967, the day before the tragic Apollo 1 fire of 27 January 1967 which killed 3 astronauts.

The star slingshot method of time travel was again used by the crew in Star Trek: Assignment: Earth (1968) and Star Trek IV: The Voyage Home (1986).

Majel Barrett uses a very sultry voice for the ship’s computer in this episode, similar to how she would later voice M’Ress in Star Trek: The Animated Series (1973).

This episode was originally going to be the second part of a two part story that would have begun in Star Trek: The Naked Time (1966). In an earlier draft of the script, when Kirk ordered a hyperbolic course, he wanted the direction to be “Doesn’t matter… the way we came… toward Earth.” When Enterprise breaks away from the sun to go back in time and later, when it goes forward, the same passage (composed by Alexander Courage) plays that was used in the climactic scene of the aforementioned episode.

This episode is the first of two episodes to have a food synthesizer in the transporter room. According to D.C. Fontana, budgetary restrictions precluded taking the security police sergeant to a dining facility or having another actor in the scene bring him food, so Kyle was employed to provide the sergeant’s chicken soup from the dispenser. Several episodes later, in Star Trek: This Side of Paradise (1967), Spock smashed his fist through one of the transporter room’s food synthesizers.

Following Christopher’s arrival on board the Enterprise, he is provided with a Starfleet uniform to wear. The uniform shirt is the green-gold command division colour, consistent with his position as a pilot (rate as shown on his flight suit as Senior Pilot), and the rank braid on his sleeve is that of a lieutenant, equivalent to his USAF captain’s rank (although he is credited as Major Christopher, since it is common on real-world ships with officers holding the rank of captain to be referred to as “major”; the only person traditionally referred to as “captain” is the commanding officer of the ship).

When Colonel Fellini is interrogating Capt. Kirk down at the base, he tells him that he will “lock him up for 200 years”, to which Kirk replies “That seems about right”. Since the 23rd Century time line for Star Trek was not yet established at this point (and would not be so until Star Trek II: The Wrath of Khan (1982)), Kirk’s response could be taken as an implication that the time line for the series was the 2160s instead of the 2260s. Gene Roddenberry himself stated that the series was designed so that it could’ve easily taken place at anytime between the 21st and 22nd centuries.

Summary

When the Enterprise is flung back in time while trying to escape the gravitational pull of a black star, they find themselves in orbit around a 1960’s Earth. When they are seen by a U.S. Air Force pilot, they beam him aboard but then face the dilemma of what to do with him as he learns more and more about the future. They have to review their initial decision to just keep him when historical records show that his yet-to-be-born son will lead Earth’s first successful mission to probe Saturn. Spock devises a plan to do so while also erasing any memory of recent events.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Roger Perry … Major Christopher
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Hal Lynch … Air Police Sergeant
Richard Merrifield Richard Merrifield … Technician
John Winston … Lieutenant Kyle
Ed Peck … Col. Fellini
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
George Takei … Lieutenant Hikaru Sulu
Nichelle Nichols … Lieutenant Nyota Uhura
Mark Dempsey … Air Force Captain
Jim Spencer … Air Policeman
Sherri Townsend … Crew Woman
Majel Barrett … Enterprise Computer (voice) (uncredited)
Bill Blackburn … Engineer (uncredited)
Frank da Vinci … Brent (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)

Star Trek – Arena

★★★★ January 19, 1967 Season 1 Episode 18

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene L. Coon, Fredric Brown, and Gene Roddenberry

I liked this episode’s plot. The Gorn attack a Federation outpost and kill practically everyone with their weapons. The Enterprise has no idea who these enemies are but Kirk, unlike Spock, felt like they had to kill them or risk further attacks. However, in pursuing them, they enter “Metron” space and these advanced beings are horrified by the brutality of these two races. So, to end the problem, they place the captains of both ships on a barren planet and let them fight to the death and the loser’s crew will then be destroyed.

Star Trek special effects usually are pretty good considering the time. If I get an idea of what’s going on by the special effects…they are fine with me. This one though to me contains a really bad looking alien…the alien Gorn could have been better. It’s the one episode in that I don’t think they did all they could with the alien.

It wasn’t the look of the monster, it looks like a pre-Sleestak from Land of the Lost. It was the mobility or lack of when Gorn was fighting Kirk. it looked like it was fighting in slow motion…so that slowed William Shatner’s movements also. The one bit of dialog that addressed this was Shatner talking about how slow they were in moving.

Kirk’s readiness to follow the Gorn ship with plans to destroy it, placing the Enterprise in jeopardy as he stretches warp capability is huge. He was risking the lives of his crew just so he can catch the enemy and destroy them in retaliation puts him at odds with Spock who questions such rash actions.

In short, Kirk wanted blood in this episode. He didn’t think that the Gorn had reasons at all to attack a Federation outpost. Spock warned him that they need to find out what happened before they just attacked but Kirk would not have any of it. In the end, Kirk gets it and has compassion for his opponent.

The battle gets tense and they stretch it out a little. The first thing I thought of before the episode was finished…wouldn’t it be nice if the leaders of countries had to fight in wars instead of their young?

From IMDB:

William Shatner currently suffers from tinnitus due to an improperly timed special effects explosion on the set of this episode. Both Leonard Nimoy and DeForest Kelley reportedly suffered from tinnitus as well during the remainder of their lives.

The Gorn is not seen until 23 minutes in, almost halfway through the running time. Despite this alien’s impressive debut, and the cultural popularity of the image, no Gorn was ever seen again in a mainstream Star Trek production until Star Trek: Enterprise: In a Mirror, Darkly, Part II (2005) almost 40 years later. (A Gorn did appear in Star Trek: The Animated Series: The Time Trap (1973), which has sometimes been considered non-canonical.)

Ted Cassidy (Lurch of The Addams Family (1964)) has his final Star Trek role as the voice of the Gorn. Cassidy had also voiced the antagonist in Star Trek: The Corbomite Maneuver (1966) and appeared as Ruk in Star Trek: What Are Little Girls Made Of? (1966), which aired in reverse order as compared to their filming dates.

The Metrons (Carolyne Barry) were named after Metatron, God’s other high-ranking soldier in Michael’s army of angels. Hence, their cherubic, spiritual appearance.

In his final speech, the Metron informs Kirk that, because he demonstrated mercy, he will not be destroyed. Initially, they said they planned to destroy the loser, “in the interests of peace”. In Gene L. Coon’s script, in dialogue not aired, the Metron admits that they had, all along, planned to actually destroy the ship of the winner of the personal combat, because that race would represent the greater danger to them. James Blish preserves this disclosure in his novelization in “Star Trek 2”.

Bobby Clark, one of the performers who played the part of the Gorn Captain, visited a Star Trek sound stage 38 years later for the filming of Captain Archer’s fight with the Gorn Slar in Star Trek: Enterprise: In a Mirror, Darkly, Part II (2005). That episode was the first appearance of the Gorn in live-action Trek since this episode.

Comedian and film director Ben Stiller has the prop Gorn head as he is a very big fan of the Star Trek franchise.

The scenes on the planet surface were filmed at Vasquez Rocks, California, the same location used for Star Trek: Shore Leave (1966), Star Trek: Friday’s Child (1967) and several other Star Trek productions – even as late as Star Trek: Voyager: Initiations (1995). The area of Kirk’s fight with the Gorn, in front of a jagged rock face, is known to fans as “Gorn Rock”.

In the original script, Kirk and the alien captain’s battleground had translucent walls, making it seem as though they were in a giant terrarium.

Sean Kenney, who plays helmsman DePaul, played the disfigured Captain Pike in “The Menagerie” episodes broadcast earlier. His resemblance to Jeffrey Hunter who played the original Captain Pike is plain to see.

Summary

When a reptilian alien race known as the Gorn destroys an Earth colony, the Enterprise comes under attack by the Gorn vessel. Captain Kirk soon gives chase to the Gorn ship, leading them to an unexplored solar system, gradually (and dangerously) increasing speed. Kirk prepares to destroy the Gorn ship until another race of powerful aliens called the Metrons stops them and forces both captains to face off in mortal combat. The main purpose of this one-on-one duel is to solve their dispute, the winner will be released and the loser will be destroyed along with his ship and crew.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
George Takei … Lieutenant Hikaru Sulu
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols … Lieutenant Nyota Uhura
Jerry Ayres … O’Herlihy
Grant Woods … Kelowitz
Tom Troupe … Lt. Harold
James Farley … Lang
Carolyne Barry … Metron (as Carole Shelyne)
Sean Kenney … DePaul
Bill Blackburn … Gorn (uncredited)
Ted Cassidy … Gorn (voice) (uncredited)
Bobby Clark … Gorn (uncredited)
Gary Combs … Gorn (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Vic Perrin … Metron (voice) (uncredited)
Ron Veto … Crewman (uncredited)

Star Trek – The Squire Of Gothos

★★★1/2 January 12, 1967 Season 1 Episode 17

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by gene Roddenberry and Paul Schneider

This is one of the lighter episodes of Star Trek. That doesn’t mean it isn’t good…quite the opposite. It shows intellect without discipline and power without a constructive purpose go nowhere.

The star of this episode is not a crew member but is actor William Campbell who plays Trelane. Trelane can seemingly do anything he wishes. He can get people off of the Enterprise in a second. William Campbell is over the top in this episode and it fits perfectly!

I’ve always thought Trelane was a forerunner of the Q character, from the Next Generation series, and it is impossible to re-watch this episode without making comparisons. Many of them are favorable to actor William Campbell who played Trelane as if the role had been written for him.

Trelane appears to have stumbled upon an eighteenth-century decor but he gets so many things wrong such as the food with no taste. He’s stuck in space and he’s lonely. He wants the Enterprise crew for the company…but they all have work to do….and don’t have time to keep him entertained. They don’t have much of a choice though when they see how powerful he is.

Leonard Nimoy intrigues Trelane. He’s studied the earth, but he’s only gotten as far as the 18th century. A Vulcan like Spock is something he can’t account for. The very serious-minded Spock has no time to deal with what Captain Kirk and the rest realize is an immature mind. But a very powerful one who can change matter to energy and back simply at will.

The ending was amusing and sad when the revelation regarding Trelane’s story is revealed… I won’t give it away here.

From IMDB

The costume worn by Campbell as Trelane was rented from the Western Costume company. Almost two weeks after it was seen worn by Campbell on Star Trek, the same costume appeared in the Gilligan’s Island third season episode “Lovey’s Secret Admirer” worn by actor Jim Backus. A short time later, it was again re-used and worn by actor Michael Nesmith in The Monkees episode “The Prince and the Pauper”

William Campbell has said that the part of Trelane was really written for Roddy McDowall. The reason why it was eventually decided not to use him was that it was feared that the mannerisms of the character combined with McDowall’s look would make the character appear gay. Campbell was chosen because his supposedly “huskier look/build” would offset the foppish mannerisms of the character. However, he is not noticeably huskier than McDowell. In the fact, Campbell’s higher-pitched voiced and greater penchant for theatricality are more likely to appear gay than McDowell’s. The result is that Trelane’s over-the-top manner is (possibly deliberately) somewhat camp.

n an interview on the Star Trek: The Next Generation (1987) Season 7 DVD, John de Lancie said he believed that Gene Roddenberry, whether consciously or subconsciously, was channeling Trelane when he created Q.

William Campbell, who plays Trelane, would later play Captain Koloth in Star Trek: The Trouble with Tribbles (1967).

Barely visible before Trelane vaporizes it with the phaser is a strange bird-like creature with striped legs that is also in a display niche. It was the reuse of the humanoid bird creature costume, fleetingly and partially seen in the Talos zoo in Star Trek: The Cage (1966).

An M-113 creature is among the trophies on display in Trelane’s castle. When Dr. McCoy (the creature’s last defender in Star Trek: The Man Trap (1966)) sees it, he does a double-take. During the scene, the howling music theme from that episode is heard. It is possible that Trelane had observed Planet M-113 with his telescope at some point.

According to an interview with William Campbell in “The World of Star Trek”, in his fight with William Shatner in the forest, he fell down and dislocated his shoulder. Fortunately, as he flung his arm up in his instinctive reaction to the excruciating pain, the shoulder popped back into its socket. Due to Campbell’s injury, shooting finished in seven filming days, one day over schedule. Campbell can be seen favoring the injured shoulder, hold the arm limp.

The exact century in which Star Trek was set had not been determined during the filming of the original series. Kirk refers to people and events of the 18th and 19th century as being nine hundred years in the past, which could have placed the series in the 27th century or later. De Forest Research, Inc., the company who reviewed scripts for clearances and other related matters, noted in their commentary on the line “Then you’ve been looking in on doings nine hundred years past”: “Other scripts have placed it c. 200 years in the future, e.g. Star Trek: Shore Leave (1966). That places this reference in the 13th century.”

In his book Q-Squared, author Peter David related that Trelane was an adolescent Q entity. Trelane’s nature may seem inconsistent with Q lore, but David uses creative speculation to explain away any questions that may arise.

William Campbell recalled the part of Trelane as “It was just a great role. It was sensational. I’ll never forget it.” and “It would be very easy for any actor who had any training to play the Squire of Gothos. The character was so well written and, of course, it was the show”.

Summary

When Kirk and Sulu vanish into thin air from the bridge of the Enterprise, Spock sends a landing party to the planet below to locate them. What they find is an 18th century castle and a rather foppish man, Trelane, who seems to know a great deal about the Earth – even if it is the wrong time period. If truth be told, Trelane acts like a spoiled little boy and it’s obvious Kirk and the others have become his playthings. They soon realize that if they are to overcome Trelane and free themselves, they must locate and destroy his power source

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
William Campbell … Trelane
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Richard Carlyle … Jaeger
Nichelle Nichols … Lieutenant Nyota Uhura
George Takei … Lieutenant Hikaru Sulu
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Michael Barrier … DeSalle
Venita Wolf … Yeoman Teresa Ross
Barbara Babcock … Trelane’s Mother (voice) (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Carey Foster … Enterprise crewmember (uncredited)
Bart La Rue … Trelane’s Father (voice) (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)

Star Trek – The Galileo Seven

★★★★ January 5, 1967 Season 1 Episode 16

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Oliver Crawford, Shimon Wincelberg, and Gene Roddenberry

This was the first episode that was centered around Spock and not Captain Kirk. Spock is in control of the shuttle that is stranded on a planet. The special effects people did a great job with the shuttle taking off into space. You would see this again in Star Wars a decade later.

Spock is in charge of the space shuttle Galileo. Spock and the others aboard the shuttlecraft… crash land on an unexplored planet. With no sensors to find their crewmen, the Enterprise must figure out a way to locate the Galileo before its duty to deliver the medical supplies forces it to leave the crewmen for dead. Spock and company must survive on the planet’s surface, fending off the giant creatures that live there.

As the story plays out, the crew is not enamored of Spock’s logical based decisions. It highlights the personality of Spock and shows us how Spock thinks. I can see why the crew would have problems with Spock. When one crewman is killed, they must take off in a hurry but the crew wants to bury the man first. Spock doesn’t see the logic in putting everyone at risk to do that…but in the end, allows it anyway. I can totally see his side but it seemed rather cold-blooded…or green-blooded in Spock’s case.

Spock’s rationale for wanting to leave a crew member behind to save others was the first instance in the series of his use of the Vulcan axiom regarding the needs of the many outweighing the needs of the few or the one. Spock’s ever calm logical manner does grate on the nerves of Dr. McCoy more than usual as well as crewman Don Marshall. DeForest Kelley’s scenes with Nimoy have even more bite than usual, not to mention an almost mutinous Marshall.

At the end of the episode… we are led to believe that Spock’s final action while in charge was an act of emotion rather than logic. For me… it seemed the most logical act of the episode.

From IMDB:

After this episode was filmed, no new shots of the shuttlecraft miniature were taken. All shuttlecraft model shots used in the series were stock footage from this episode, sometimes matted into different backgrounds. The shuttle craft was built by AMT in exchange for them gaining the rights to make the plastic model kit version.

It has been noted that the behavior of some of the personnel, particularly Lt. Boma, was grossly insubordinate to Spock for a quasi-military organization like Starfleet. By contrast, Spock’s act of jettisoning the fuel and igniting it, in hopes of the USS Enterprise detecting, it is perfectly keeping with military procedures and a completely logical decision under the dire circumstances the crew was facing.

The story was partly drawn from Spock’s break-out popularity that had already occurred early on in the show’s run. According to Leonard Nimoy, as a result, one writer simply suggested a story in which Spock was seen commanding a vessel.

To make the creatures look larger than they really were, small spear and shield props were made for Robert ‘Big Buck’ Maffei to fling at the crew. The one that is dropped near the three men is fairly small in size, but in the next shot, it is much larger.

The producers liked Don Marshall’s performance as Boma, and intended to bring the character back. However, by that time, Marshall was already signed with Irwin Allen to co-star in Land of the Giants (1968) (which began filming in 1967, but only premiered a year later).

The black rectangular instrument with the round face on the aft bulkhead of the shuttlecraft is actually a Foxboro controller, a device used in the wastewater industry to control the level of sewage in holding tanks.

The basic premise of “The Galileo Seven” is that a small ship is forced down onto an alien planet inhabited by giant humanoids. Don Marshall, who plays Lt. Boma, would soon star in another show called Land of the Giants (1968) where he plays the co-pilot of a small ship that is forced down onto an alien planet inhabited by giant humanoids.

Summary

A shuttlecraft under Mr. Spock’s command is forced to land on a hostile planet. His emotionless approach to command does not sit well with some crew members, particularly Mr. Boma who challenges Spock at every opportunity. The Enterprise and Captain Kirk meanwhile have only a short time to find the lost shuttlecraft as they must deliver urgent medical supplies to Markus III in only a few days

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Don Marshall … Boma
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
George Takei … Lieutenant Hikaru Sulu
Nichelle Nichols … Lieutenant Nyota Uhura
John Crawford … Commissioner Ferris
Peter Marko … Gaetano
Phyllis Douglas … Yeoman Mears
Rees Vaughn … Latimer
Grant Woods … Kelowitz
Robert ‘Big Buck’ Maffei … Creature (as Buck Maffei)
David L. Ross … Transporter Chief (as David Ross)
Majel Barrett … Enterprise Computer (voice) (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Ron Veto … Crewman (uncredited)

Star Trek – Shore Leave

★★★★★ December 29, 1966 Season 1 Episode 15

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Theodore Sturgeon and Gene Roddenberry

The crew of the Enterprise is worn out. They all need to take some leave and this episode covers that. Several well-known future movies like Westworld, Ghostbusters, IT, and TV show Fantasy Island took their cue from the premise of this episode. Here, we get to really see them relax, converse and work together to figure out this planet’s puzzle…the strong narrative is a mystery again, of sorts, and the audience is along for the ride as the crew seeks to unravel a very bizarre series of events which some have a decidedly amusing flavor to them.

This one is a bit of a light/funny episode though at the same time a bit of a fantasy suspense thriller which is part of what makes the episode fun. The light/funny is not a negative at all. There are a bunch of things just appearing out of nowhere, Like McCoy was seeing a giant White Rabbit and Alice, and then more strange things happen.

Kirk was stressed out from the missions they had been on and wasn’t going to beam down to the planet to relax but Spock tricked him into it. He did beam down reluctantly and strange things started to happen to him.

One thing that did disappoint me about this episode. Emily Banks who plays Yeoman Tonia Barrows was terrific in this role but this is the only episode she was in. The part was written for Yeoman Janice Rand but she had been written out of the series. I will talk about that in the Season 1 review. Fans loved her and wanted her back for the movies.

It’s a playful, fun episode. It’s not a good episode to introduce someone who is new to Star Trek… but great once you know what the original series is all about. If I say too much more I will spoil it for someone if I haven’t already.

From IMDB:

The episode was being rewritten as it was being shot. Cast members recalled Gene Roddenberry sitting under a tree, frantically reworking the script to keep it both under budget and within the realms of believability. As a result the filming went over schedule and took seven days instead of the usual six.

William Blackburn (a professional ice skater in real life), who played the White Rabbit, got the costume from Ice Capades for free. The claustrophobic Blackburn had a really painful time wearing it, especially as costume designer William Ware Theiss had originally sewn the Rabbit head to the suit. After nearly suffocating, Blackburn tore off the head, for which Theiss became very mad at him. Finally, they negotiated and Theiss put the head back with Velcro. Afterwards, Blackburn had no problem with the costume. He also commented that wearing the Gorn head in Star Trek: Arena (1967) was “even worse.”

A chained tiger is brought in to appear in the episode, and never directly interacts with any of the performers. William Shatner had originally hoped to wrestle it, but was persuaded that it would not be a wise decision.

This is the only episode in which the U.S.S. Enterprise is seen orbiting a planet from right to left. The shot was deliberately reversed in post-production because the shape of the Eastern United States and the Caribbean sea could clearly be seen on the globe used as a model for the planet.

The script called for an elephant to appear in the episode. An elephant was indeed “hired” by the production staff and brought to the set, but, due to running over time and other difficulties during shooting, the animal never made it before the cameras, which made associate producer Robert H. Justman (who was not on the set at the time and couldn’t oversee production) truly angry. Later, production staff members often jokingly asked assistant director Gregg Peters, “Say – when do you get to use your elephant?”

The original script featured Yeoman Rand as part of the landing party, but, as the character was written out of the series, she was changed to Yeoman Tonia Barrows. Also, in Theodore Sturgeon’s original script, the Yeoman had a share of close scenes with Kirk. In the rewrites, Gene L. Coon and Gene Roddenberry changed these to feature Doctor McCoy instead and introduced Kirk’s old Academy flame Ruth to the story. (In the Oct 3, 1966 draft, one incidence of “Yeoman Rand” is still present on page 58.)

When Rodriguez and Angela see a WWII air battle, the first plane seen is an American Vought F4U Corsair. It is then attacked by a Japanese Mitsubishi A6M “Zero.” The only time the two planes are seen together is a brief shot following the line “Come on!”

Gene Roddenberry deemed that Theodore Sturgeon’s original script contained too much fantasy and lacked credibility. Gene L. Coon was assigned to re-write it. However,, Coon misinterpreted the task and his draft turned out to be even more of a pure fantasy. Roddenberry then began to heavily re-write the script, but, since the production team had run out of time, Roddenberry had to do so while the episode was being filmed.

The preview of this episode shows Yeoman Barrows being accosted by Don Juan while she was wearing her princess costume. This scene was not used in the final cut.

Actress Emily Banks, who played Yeoman Tonia Barrows in her only appearance on the series, was interviewed by Entertainment Weekly for an all-Star Trek issue in 1994. Banks said that her most vivid memory of the appearance was that she seemed to be running all the time – or as she described it, she told the producers, “You don’t want actors – you want Olympic athletes!” Unused to that much sprinting, Banks said that her legs were stiff and sore for several days after the shooting wrapped.

Summary

The past three months have left the crew of the Enterprise exhausted and in desperate need of a break, but does this explain McCoy’s encounter with a human-sized white rabbit or Kirk crossing paths with the prankster who plagued his days at Starfleet Academy?

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Emily Banks … Yeoman Tonia Barrows
Oliver McGowan … Caretaker
Perry Lopez … Rodriguez
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
George Takei … Lieutenant Hikaru Sulu
Bruce Mars … Finnegan
Barbara Baldavin … Angela
Nichelle Nichols … Lieutenant Nyota Uhura
Marcia Brown … Alice
Sebastian Tom … Warrior
Shirley Bonne … Ruth
Paul Baxley … Black Knight (uncredited)
Bill Blackburn … White Rabbit (uncredited)
John Carr … Guard (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Jim Gruzalski … Don Juan (uncredited)
Jeannie Malone … Yeoman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)

Star Trek – Balance Of Terror

★★★★ December 15, 1966 Season 1 Episode 14

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Paul Schneider and Gene Roddenberry

Before we get to the review and story…this is Grace Lee Whitney’s last episode with Star Trek. There are two stories about why she was let go. I will cover it when I do the First Season review in a few weeks…it’s not good and should not have happened. She would not appear again until the first movie came out in 1979.

Excellent Episode! This episode starts off with an attempted marriage on the Enterprise with Kirk about to lead the ceremony. When everyone was ready… a distress call came and everyone went back to their posts. Romulans are attacking a space post and the Enterprise is going to investigate.

This episode is confined to the Enterprise and this is amazing because an episode just on the Enterprise could easily have been static and dull. But, because the writing was so fantastic and the main characters written and acted so well. Overall it’s very tense and exciting. For all of you die-hard Star Trek fans you will recognize Mark Lenard as the same actor who later played Spock’s father.

The Romulans and Vulcans descend from the same ancestor species…both have the same ears and some of the same traits. The writers lay down a not-so-subtle sub-text involving racial prejudice and bigotry. It’s clever that they do this by involving two alien races (Vulcans and Romulans), instead of those we are so generally used to, black and white, North and South, Semitic/anti-Semitic. It helps one to step outside the box of common stereotypes to question why one race, religion, or nationality is any better or worse than another.

Roddenberry was really well ahead of the curve on this, and he would do it again in future episodes. Rod Serling was doing the same thing through SciFi on the Twilight Zone. It looks like some of this bigotry was possibly inspired by the very vivid fear American and Russian citizens had at the time that either nation might be able to destroy the other with nuclear weapons.

Kirk takes a huge chance (a bluff) in this one…which teaches Spock about a game that he doesn’t know…poker. The acting, writing, and yes effects are all very good.

From IMDB:

Network restrictions at the time forbade the tackling of any contentious subjects such as the Vietnam War, the Civil Rights movement and the rise of feminism. “Star Trek”, under the guise of science fiction, boldly flouted these rules. This story, for example, openly deals with the subject of racism, as reflected through Lieutenant Stiles’ opposition to Mr Spock.

Budgetary and time constraints prevented the make-up and costuming departments from dressing up each Romulan in Vulcan ears as it was such a lengthy process applying them. So they hit on the idea of giving the lesser Romulans helmets, which were manufactured by Wah Chang. Mr. Chang was responsible for creating many iconic Star Trek hand props.

Mark Lenard plays the Romulan Commander, an apparent enemy of the Enterprise and its crew. However, later in his career, he played the famed role of Spock’s father, Sarek, and also played a Klingon in Star Trek: The Motion Picture (1979), making him the first actor to portray the three major alien races (Vulcan, Romulan, Klingon) in the Star Trek franchise.

When Leonard Nimoy held out for a better contract after the first season, Mark Lenard and Lawrence Montaigne were the two leading candidates to replace him as Spock. Nimoy eventually got a raise from $1250 to $2500 per episode.

Two actors who played Romulans in this episode returned in later episodes as Vulcans: Mark Lenard, the Romulan Commander, played Spock’s father, Sarek, in Star Trek: Journey to Babel (1967) (and several return appearances) and Lawrence Montaigne, Decius, played Spock’s rival, Stonn, in Star Trek: Amok Time (1967).

Final TOS appearance (in airing order) of Yeoman Janice Rand, who will not appear again until Star Trek: The Motion Picture (1979).

Mark Lenard said, “The Romulan Commander was one of the best roles I ever had on TV”. Comparing the part with that of Sarek, Lenard elaborated, “In many ways, I did enjoy that role [Sarek], but I think the more demanding role and the better acting role was the Romulan Commander”.

Summary

The Enterprise answers a distress call from Federation Outpost #4, a monitoring station on the Federation side of the neutral zone with the Romulan Empire. The outposts were established over a century ago and no one has actually seen a Romulan. The Romulan vessel seems to have some type of high-energy explosive device as well as a cloaking device to make the ship invisible. When it appears that Romulans bear a strong resemblance to Vulcans, Kirk must deal with a rebellious crew member. He must also engage in a dangerous cat-and-mouse game with a very intelligent Romulan commander.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Mark Lenard … Romulan Commander
Paul Comi … Stiles
Lawrence Montaigne … Decius
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Grace Lee Whitney … Yeoman Janice Rand
George Takei … Lieutenant Hikaru Sulu
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols … Lieutenant Nyota Uhura
Stephen Mines … Tomlinson
Barbara Baldavin … Angela
Garry Walberg … Hansen
John Warburton … The Centurion
John Arndt … Ingenieur Fields (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Robert Chadwick … Romulan Scanner Operator (uncredited)
Frank da Vinci … Crewman (uncredited)
Walt Davis … Romulan Crewman (uncredited)
Vince Deadrick Sr. … Romulan Crewman (uncredited)
Jeannie Malone … Yeoman (uncredited)
John Hugh McKnight … Crewman (uncredited)
Sean Morgan … Brenner (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Anthony Larry Paul … Crewman (uncredited)
Ron Veto … Crewman (uncredited)

Star Trek – The Conscience Of The King

★★★1/2 December 8, 1966 Season 1 Episode 13

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Barry Trivers and Gene Roddenberry

This episode starts off with Captain Kirk and his friend Dr. Thomas Leighton watching a performance of Macbeth by a Shakespearean acting troupe. The Doctor is sure that the actor that played Macbeth, who goes by Anton Karidian, is really “Kodos the Executioner” who was responsible for 4,000 deaths.

The episode involves the hunt for Kodos, a governor who apparently ordered the execution of half his settlement in order to assure that the rest could survive famine. And, the worst of it is after the executions, help unexpectedly arrived. After all of this is explained…you are not in love with Kodos but you see that his execution orders had a reason. It wasn’t just madness but against what Kirk believed in…exhausting every means of knowledge and know-how and never giving up.

Anton Karidian (Kodos?) has a daughter. The beautiful Barbara Anderson who plays Lenore Karidian goes right after the Captain’s attention and yes she gets it. Yes, Kirk is falling for her but he is also collecting information and digging for information. He makes this very personal after his friend Dr. Thomas Leighton was killed. He keeps it from his crew but Spock wants to know what is going on. Kirk makes it clear that he wants Spock to mind his own business.

Kirk is a double agent in this episode. Yes, he is entranced by Anton Karidian but he is using her for information also. While this is going on, the people who were witnesses to Kodo’s deed, are dying…or more truthfully getting killed. Kirk is one of those witnesses.

This is a solid episode and features some eye-catching set design. Injecting some Shakespeare into a science-fiction setting turns out to be a pretty interesting touch, showing that classics will never go out of style, even centuries later.

A quote from Karidian is interesting…and relevant now when Kirk was examining him to see if he was Kodos. “ I find your use of the word mercy strangely inappropriate, Captain. Here you stand, the perfect symbol of our technical society. Mechanized, electronicized, and not very human. You’ve done away with humanity, the striving of man to achieve greatness through his own resources.”

I think we as a society can relate to that quote in the era of technology we live in.

From IMDB:

Barbara Anderson developed a fever blister/cold sore on her lip during filming. Besides using makeup to partially disguise it, she was often filmed with part of her lower face in shadow.

When Kirk goes to the Leighton dinner party and comes out to meet Lenore, you can hear a very slow jazz version of the series’ theme song. This is the first time it has been played as “source music”. The other times this occurs in the original series is later in the episode when Kirk is speaking to Lenore in Karidian’s cabin, when Areel Shaw enters the bar in Star Trek: Court Martial (1967), and when Kirk, McCoy, and Tonia Barrows run to Sulu’s position in Star Trek: Shore Leave (1966).

This episode contains Star Trek’s first direct reference to eugenics, although there is an oblique reference in Star Trek: What Are Little Girls Made Of? (1966). Spock tells McCoy that Kodos applied his own theories of eugenics when sentencing certain colonists to death, causing McCoy to note that Kodos unfortunately wasn’t the first. Two seasons later, the concept of eugenics resurfaced prominently in Star Trek: Plato’s Stepchildren (1968) when Philana informs Spock that the Platonians are the result of a successful mass eugenics program.

Barbara Anderson (Lenore Karidian) shares the record (with Ricardo Montalban and Joan Collins) for the most costumes worn in a single Trek episode by a guest star (six). She wears a maroon-colored dress for her Lady Macbeth costume, a blue dress with a veil at the party thrown by the Leightons, a fur mini-skirt dress when arriving on the Enterprise, a greenish multicolored mantle on the observation deck, a black and red evening dress when Kirk visits the Karidians in their quarters, and, finally, her yellow and lavender Ophelia costume. It could even be argued that the veil she wears while walking with Kirk just before discovering Tom Leighton’s body could be considered a seventh costume.

In the scene where security guards are searching for Kevin Riley in the corridors, rectangular seams are visible in the floor. This is where the grates visible in Star Trek: Charlie X (1966) and other early episodes were eliminated and filled in with the corridor floor material.

One of the few Original Star Trek episodes in which no-one from the USS Enterprise (even the red-shirts) is killed, although there is an almost successful poisoning.

This is the first of a long line of Star Trek productions which feature scenes, quotes, or references to William Shakespeare. In this case, the title comes from “Hamlet” (Act II, Scene 2). Scenes from Hamlet and Macbeth are acted out, and there is a paraphrase of “Julius Caesar” (Act 1, Scene 2): “Caesar, beware the Ides of March”.

Summary

Captain Kirk is informed by his old friend, Dr. Thomas Leighton, that the head of a Shakespearean acting troupe (known as Anton Karidian) was once known as “Kodos the Executioner”. Having seized power as Governor of Tarsus IV, Kodos had 50% of his colony (4000+ people) killed when the food supply was destroyed by an infestation, rather than have so many starve, not knowing that help was en route. Of the nine witnesses who could potentially identify Karidian as Kodos, only Kirk, Leighton, and a young crewman on the USS Enterprise, Kevin Riley (whose family was killed on Tarsus IV), survive. Kirk dismisses Leighton’s accusations until the latter turns up murdered, and Riley almost dies of poisoning while alone in an engineering sector where no one else is present, which Riley and others view as some sort of punishment although it was really Kirk’s misguided attempt to protect Riley. The other eyewitnesses have all died. Spock tells Bones that on each occasion the acting troupe was in close proximity. When finally challenged directly by Kirk, Karidian dramatically declines to confirm or deny anything but never asks who Kodos was and seems aware, although there is no reason he should be, of the details of what happened on Tarsus IV. Complicating things are Karidian’s beautiful daughter, Lenore, an actress in the troupe. And who’s really behind the murders

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Arnold Moss … Anton Karidian
Barbara Anderson … Lenore Karidian
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Grace Lee Whitney … Yeoman Janice Rand
Nichelle Nichols … Lieutenant Nyota Uhura
William Sargent … Dr. Thomas Leighton
Natalie Norwick … Martha Leighton
David Somerville … Larry Matson (as David-Troy)
Karl Bruck … King Duncan
Marc Grady Adams … Hamlet (as Marc Adams)
Bruce Hyde … Kevin Riley
Tom Anfinsen … Crewman (uncredited)
John Astin … Capt. John Daley (voice) (uncredited)
Majel Barrett … Enterprise Computer (voice) (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Frank da Vinci … Crewman (uncredited)
Robert H. Justman … Security Guard (voice) (uncredited)
Jeannie Malone … Yeoman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Ron Veto … Security Guard (uncredited)

Star Trek – The Menagerie Part 2

★★★★★ November 24, 1966 Season 1 Episode 12

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This episode was written by Gene Roddenberry

How much do The Talosians want Pike back? How much does his former first officer want to help him? What lengths will Spock go to free Pike from his confinement? The planet that Spock was trying to take the Captain is called Talos IV. Starfleet had given strict orders not to go to that planet and the punishment was the death penalty.

The second part of this wonderful two-parter episode has a great payoff. It’s interesting seeing Captain Kirk on the screen watching his predecessor Captain Pike at the helm of the Enterprise. Regular cast members don’t get that much to do. As we find out, Pike had been taken prisoner by the Talosian people, a species that has mastered the art of illusion. It’s how they continue to survive. And they have a plan in store for Pike, as well as for the lovely Vina (Susan Oliver), the sole survivor of a previous expedition.

We get to see an Orion slave girl…who is described as vicious, animal-like, and irresistible to any man. She is in one of the many illusions Captain Pike has been thrust into. This is the first appearance of an Orion Slave Girl in Star Trek not counting The Cage because it wasn’t aired until the 80s.

I really like The Cage, but this story inserted into that one makes it that much better and more well-rounded. If you want to start watching the original Star Trek…these two are not a bad place to start.

At the end of the episode, you have Spock, whose closing exchange with Kirk is a thoughtful dialog on the topic of emotionalism versus logic. It would set the stage for future episodes, many of which would have to be dealt with on the basis of sound reasoning instead of irrational fear or succumbing to the unknown. Quite a remarkable accomplishment for a show more than 50 years old… the stories growing richer and more vibrant with the passage of time.

From IMDB:

In the script, McCoy and Scott have a scene in which they explain to Kirk how they figured out which computer bank Spock tampered with to lock the ship on course. They took perspiration readings on all banks, and since Spock’s sweat has copper in it, traces of copper were found. This scene isn’t shown.

When Number One and Yeoman J.M. Colt transport to the planet, Vina states that Capt. Pike would be better reproducing with a computer than Number One. Majel Barrett provided the standard Federation computer voice throughout the various Star Trek series.

The Talosian “Keeper” alien was actually played by a woman – Meg Wyllie, as were all Talosians. The voice was dubbed by Malachi Throne, who portrays Commodore Jose Mendez. In order to differentiate the ‘Talosians’ voice from the Commodores, Throne’s voice as the Talosian was slightly sped up.

Spock uses the term “hyperdrive” instead of warp drive. Hyperdrive was the propulsion mechanism for the United Planets Cruiser C-57D featured in Forbidden Planet (1956), a movie which Gene Roddenberry used as a source for many other Star Trek elements.

In the images of the Enterprise of the past, the crew prepares for departure from Talos IV. Pike signals the crew by saying “engage”. This is another characteristic of Captain Pike that Picard borrows in Star Trek: The Next Generation (1987), along with referring to the First Officer as “Number One”.

Sean Kenney took over the role of Pike from Jeffrey Hunter. Kenney also appeared as DePaul in TOS Season 1. Because Malachi Throne was cast as Commodore Mendez, it was necessary to re-dub The Keeper’s dialogue by altering the pitch of the actor’s voice. Throne later played Romulan Senator Pardek in Star Trek: The Next Generation: Unification I (1991) and Star Trek: The Next Generation: Unification II (1991).

Summary

Spock’s court-martial board views the video stream from Talos IV of Captain Pike’s imprisonment 13 years earlier and of the Enterprise’s attempts to rescue him. The Talosians, using their powers of mind-reading and illusion, place Pike in worlds from both his memory and his imagination. The one constant is Vina, the beautiful blonde survivor of a crashed Earth ship (the other half of a Talosian plan for a captive Adam and Eve). Number One’s attempts to liberate Pike result in her and Yeoman Colt’s capture (additional breeding stock for the Talosian plan), but when the humans and Talosians learn more of each other, the situation takes a turn neither side expects. As the Enterprise approaches Talos IV once again, Kirk and the court watch the past unfold and learn the real reason for Spock’s mutiny.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Jeffrey Hunter … Captain Christopher Pike (archive footage)
Susan Oliver … Vina (archive footage)
Malachi Throne … Commodore José Mendez
Majel Barrett … Number One / Enterprise Computer (archive footage) (as M. Leigh Hudec)
Peter Duryea … Lt. José Tyler (archive footage)
John Hoyt … Dr. Phil Boyce (archive footage)
Adam Roarke … C.P.O. Garrison (archive footage)
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols Nichelle Nichols … Lieutenant Nyota Uhura
Sean Kenney … Christopher Pike
Hagan Beggs … Lt. Hansen
Julie Parrish … Miss Piper
Bill Blackburn … Lieutenant Hadley (uncredited)
Tom Curtis … Jon Daily (uncredited)
Frank da Vinci … Guard (uncredited)
Brett Dunham … Guard (uncredited)
Sandra Lee Gimpel … Third Talosian (archive footage) (uncredited)
James Holt … Starfleet Officer (uncredited)
Clegg Hoyt … Transporter Chief Pitcairn (archive footage) (uncredited)
Anthony Jochim … Third Survivor (archive footage) (uncredited)
Bob Johnson … First Talosian / Transporter Chief Pitcairn (voice) (uncredited)
Jon Lormer … Dr. Theodore Haskins (archive footage) (uncredited)
Tom Lupo … Security Guard (uncredited)
Ed Madden … Enterprise Geologist (archive footage) (uncredited)
Leonard Mudie … Second Survivor (archive footage) (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Jan Reddin … Enterprise Court Recorder (uncredited)
Serena Sande … Second Talosian (archive footage) (uncredited)
George Sawaya … Chief Humboldt (uncredited)
Georgia Schmidt … First Talosian (archive footage) (uncredited)
Meg Wyllie … The Keeper (archive footage) (uncredited)

Star Trek – The Menagerie Part 1

★★★★★ October 27, 1966 Season 1 Episode 11

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry

My star rating system goes to 5…but this one…I would give a 12 if I could…that includes Part 1 and Part 2. I point this episode out to people who have never seen the original series before. This two-parter would be a great place to start. It gives you some history of the crew, especially Spock and Captain Pike from the unseen pilot at the time.

Spock charged with mutiny and court marshal? Has the world gone mad? This is part one of a two-parter. They used the unseen pilot (The Cage) to make this one. It takes place 13 years after the episode The Cage that had Captain Pike.

You don’t know how Spock will not be in trouble for all the chaos he has caused. When Spock turns himself into Bones to be arrested…the shock of all the crew around them is priceless. When Kirk tries to pry the Enterprise from Spock’s control he fails. Spock has thought this out down to every single detail.

I have to give Roddenberry a lot of credit for writing this one. He took the pilot and developed this fantastic story around it and got to use the pilot’s footage that the network rejected. It could have been easily a patch job all the way around but it’s a great episode. Even some of the plot holes were explained. While watching the video screen of detailed past events, Kirk remarked that the Enterprise didn’t keep that good of video records but it was explained.

We learn that Vulcans are fiercely loyal, and seeing that Spock served under Captain Pike for over 11 years it would make sense that he still feels a sense of loyalty to his old Captain. Even though Pike rejects Spock’s plan with a series of beeps (Pike cannot talk) Spock still takes Pike against his will with good intentions. We also learn that Vulcans cannot lie, but it certainly appears that Spock did indeed lie in this episode, which seems impossible until Bones acknowledges that Spock is only half-human.

I remember first watching this episode in the 1980s. I totally bought the plot and still do. You are thinking, why is Spock risking everything, his career, and life, against his old Captain’s wishes? Kirk trusts Spock and is shocked when he finds out Spock has taken over the ship. You can see the hurt and confusion in the character. Good acting all the way around. Part II is just as good and has the payoff.

From IMDB

Although scenes from Star Trek: The Cage (1966) feature Jeffrey Hunter as Captain Christopher Pike, he was unavailable and unaffordable for the framing story into which the scenes were to be inserted. Sean Kenney, an actor who resembled Hunter, was used instead. He plays the mute, crippled Captain Pike, now wheelchair-bound after an accident.

According to James Doohan, Gene Roddenberry originally wanted to sell the failed pilot as a theatrical film. However, it needed to be expanded with additional material to reach the feature length. Roddenberry planned to film the crash of the Columbia on Talos IV, because it didn’t require Jeffrey Hunter, who was neither available nor affordable to reprise his role as Captain Pike. However, plans for the feature release were soon abandoned.

The “frame” story of Captain Pike’s injury and abduction to Talos IV was necessitated because the producers’ inability to use the original pilot Star Trek: The Cage (1966) in its unedited form. Normally, series producers count on being able to use the pilot as an episode of the season, despite possible minor changes from the regular series, such as differences in uniform styles, terminology, and props; the second pilot, Star Trek: Where No Man Has Gone Before (1966), was used despite such discrepancies. But the differences between the series and the original pilot were too stark to be used unaltered – without the elaborate “frame” placing it 13 years in the past.

This episode was the first Star Trek material to be officially released by Paramount on any home video format in the United States, first in 1980 on VHS and Betamax, followed by a RCA SelectaVision CED videodisc release in 1981, and a US Laserdisc release in 1984.

The novel “Burning Dreams” establishes that the subspace message summoning Enterprise to Starbase 11 was not a fabrication by Spock, but instead an illusion by the Talosians making Spock think he actually did receive a message. The Talosians then spoke telepathically to Spock, making him aware of Pike’s condition and asking him to bring Pike to Talos IV. The novel also establishes that at the end of the teaser, when Spock tells Pike, “I have no choice,” their conversation continued with Spock telling Pike that the Talosians were aware of his condition and wanted to give him a chance for a better life than what he had and that Spock actually asked Pike for permission to try to help him.

Jeffrey Hunter accepted the lead role of Captain Christopher Pike in “The Cage”, the first pilot episode of Star Trek, but declined to film a second Star Trek pilot, requested by NBC in 1965, deciding to concentrate on films. Footage from the original pilot was subsequently adapted into a two-part episode called “The Menagerie” and screened in 1966. It wasn’t until 1988 that it was screened intact as a filler episode in Star Trek: The Next Generation (1987) due to a writers’ strike.

There have been many reasons given for Jeffrey Hunter not continuing as the captain. The one that rings most true is from Shatner’s book, where he relates that Hunter’s wife was a constant irritant to the production staff, with never-ending demands for how Hunter was to be handled and treated. Other books say that his wife came to a screening pitch for the pilot and declared that he wasn’t interested because he “was a movie star”. It seems likely the second story is a cover for the first and the first is the closest to the truth. Roddenberry decided that he wanted to be rid of Hunter, his wife, and their demands, and so never actually offered him a contract to continue.

It seems the nation of Cuba still exists in the 23rd century. During the court-martial scene, if you look carefully (to the right of where Captain Kirk is seated), you can see a flag stand in the back of the room. The flag hanging on it has the blue stripes and red triangle, which are part of the Cuban flag.

Summary

The Enterprise is summoned to Starbase 11 only to learn that no one there sent a message to them. The base is home to Fleet captain Christopher Pike, Kirk’s predecessor as Captain of the Enterprise. Unfortunately, Pike has recently had a serious accident, rendering him unable to speak and confining him to an automated chair. The base Commander, Commodore Mendez, begins to suspect Mr. Spock but Kirk defends his friend. That is until Spock takes command of the Enterprise and heads to Talos IV, a planet for which all Federation personnel are forbidden to visit under the sentence of death. Kirk and Mendez catch up with the Enterprise in a space shuttle at which time Mr. Spock is arrested. At his trial, he pleads guilty and offers mitigating circumstances in the form of detailed video logs recounting the time the Enterprise visited Talos IV 13 years before with Pike in command and Spock as its science officer.

CAST

Star Trek – The Corbomite Maneuver

★★★★1/2 November 10, 1966 Season 1 Episode 10

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This episode was written by Jerry Sohl and Gene Roddenberry

This was a really good episode. It’s a very dramatic and suspenseful episode. Kirk is seen as a commander worthy of the title as this episode shows his skills quite well. The Enterprise wanders into a part of space where they are warned to turn back and proceed no further…but that is not part of the 5-year mission.

A mysterious alien attacker claims to be able to destroy the ship with no risk of anything stopping him, and therefore grants the crew ten minutes…but they didn’t count on Captain Kirk pulling victory out of defeat. I love the look of the alien as his image gets transmitted to the Enterprise… a very handsome young man.

Kirk has a lot of boldness in this episode. He is risking the ship on a bluff but he didn’t have many options at that point. I have to say, the most disturbing thing to me was the episode’s final reveal of Balok. His appearance and the ship’s interior design, mixed with the incongruous voice really had an uncomforting effect. The episode offers a good look at the political climate of the Cold War.

The ending of this episode will throw you. You will not see it coming. I watched this one for the first time in years a few weeks ago…and yes I completely forgot about the ending. Great episode.

From IMDB

Although the script instructed Leonard Nimoy to emote a fearful reaction upon his first sight of Big Balok, director Joseph Sargent suggested to Nimoy that he ignore what the script called for and instead simply react with the single word “Fascinating.” The suggestion of this response helped refine the Spock character and provide him with a now-legendary catchphrase.

McCoy says “What am I, a doctor or a moon shuttle conductor?” which can be considered the first of the “doctor not a” quotes. In later days, the quote would have been phrased “I’m a doctor, not a moon shuttle conductor!”

James Doohan’s wartime injury to his right hand (incurred at Normandy on D-Day) is briefly visible in the conference room scene when he passes a coffee thermos. Generally this was carefully hidden off-camera, but it can also be seen when he’s holding a phaser in Star Trek: Catspaw (1967), as he carries a large bundle of tribbles in Star Trek: The Trouble with Tribbles (1967), as he reverses the probe polarity in Star Trek: That Which Survives (1969) and very briefly in freeze-frame when he’s reaching into the box to restrain the evil dog in Star Trek: The Enemy Within (1966).

This episode was originally scheduled to air much earlier than it did, but the large amount of visual effects took several months to complete. The producers had to delay the planned airdate twice, before eventually broadcasting it as the tenth episode of the season.

Both in terms of its order on the production schedule, and its order of televised broadcast, this episode marks the very first time that the Enterprise fires its phasers. The actual burst that the ship fires at the warning buoy is unique to this episode.

Summary

In a section of unexplored space, the Enterprise comes across a marker of sorts that will not let it pass. They destroy the marker and move on but soon find themselves in conflict with an unknown alien who accuses them of trespassing and tells them they have only 10 minutes to live. Kirk decides it’s time to play a little poker and literally bluff his way out of the situation by telling the alien that the Enterprise has a device on board that will destroy the alien as well as the Enterprise. The bluff works but the alien turns out to be something quite unexpected.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Anthony D. Call … Dave Bailey (as Anthony Call)
Clint Howard … Balok
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Grace Lee Whitney … Yeoman Janice Rand
George Takei … Lieutenant Hikaru Sulu
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols … Lieutenant Nyota Uhura
Majel Barrett … Nurse Christine Chapel (voice) (uncredited)
Bill Blackburn … Lieutenant Hadley (uncredited)
Ted Cassidy … Balok’s Puppet (voice) (uncredited)
Frank da Vinci … Crewman (uncredited)
Walker Edmiston … Balok (voice) (uncredited)
Jeannie Malone … Yeoman (uncredited)
Sean Morgan … Crewman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Eddie Smith … Crewman (uncredited)
Ron Veto … Crewman (uncredited)

Star Trek – Dagger Of The Mind

★★★★1/2 November 3, 1966 Season 1 Episode 9

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Shimon Wincelberg and Gene Roddenberry

This episode is excellent. Morgan Woodward played Dr. Simon van Gelder and did a superb job. He stated that the part of Van Gelder was perhaps the most physically and emotionally exhausting role he played…and it affected him for weeks. James Gregory as Dr. Tristan Adams turned in a nice performance as the sadistic doctor that has been corrupted by his power over the patients. James Gregory had a long successful career. He played on Barney Miller and many other shows.

Marianna Hill as Helen Noel did a great job as well but I felt she was underutilized in the row. She played a psychologist who knew Kirk in the past and helps save him in this episode. Her character is independent, strong, and viral. She holds her own throughout the episode and displays a strong female, not usually common, for 1960s television.

This episode also shows Spock doing the first mind meld in the series with a distraught Dr. Simon van Gelder. Provocative, intriguing, and intelligent, with some good tension with some great acting, makes this one a must. This episode is a pure human drama that explores the consequences of not only experimentation on humans but also of the need for past experiences to define us.

From IMDB

In several interviews, Morgan Woodward noted that his work on the episode greatly affected him on both a personal and professional level. Woodward felt the part of Van Gelder was perhaps the most physically and emotionally exhausting role he played. He also stated his experience in playing the part resulted in his being in a largely anti-social state of mind for a few weeks following. However, Woodward, who would later play Captain Tracey in Star Trek: The Omega Glory (1968), credits his work on Star Trek in helping him to finally break away from his being typecast in Western roles.

James Doohan and George Takei do not appear in this episode. Scotty appeared in the original script, operating the transporter in the first scene, when Van Gelder is beamed aboard. His appearance was nixed by Robert H. Justman, who saw this as a way of saving costs by eliminating Doohan, who would have been paid $890 for the episode, and replacing him with a random performer (Anthony Larry Paul, playing Lieutenant Berkeley), hired for a much lower salary.

A shipping label produced for Star Trek: Deep Space Nine (1993) shows that a (now elderly) Dr. Van Gelder is still in charge of the Tantalus Penal Colony in the 2370s. TBF More likely to be the son or even grandson of the original Dr. Van Gelder given he would have to be at least 153 years old by the time of DS9.

This episode marks the first appearance of the Vulcan mind meld. The final shooting draft of this script had Spock placing his hands on Van Gelder’s abdomen while performing the mind meld. According to The Making of Star Trek, the mind meld was developed as an alternative to the scripts use of hypnosis to stabilize Van Gelder. They did not want to inaccurately depict hypnosis as a medical technique. Nor did they want to shoehorn into the script a pretext that Spock was qualified to act as a hypnotist in a medical capacity. Lastly, they did not want to risk accidentally hypnotizing viewers at home.

During filming of this episode, William Shatner was pulled away from the sound stage and rushed to a recording studio where, in 2 takes, he recorded the famous “Where No Man Has Gone Before” monologue, which had been re-written several times by different writers (mostly John D.F. Black). He read the first take flawlessly, but associate producer Robert H. Justman felt it should have a subtle echo, so he had the sound engineer create it for the second take. Since most of the effects sequences of the Enterprise were late and not yet been completed for the series debut, the opening credits were hurriedly assembled from existing shots from Star Trek: The Cage (1966) and Star Trek: Where No Man Has Gone Before (1966).

Summary

After a psychologically disturbed patient from the Tantalus penal colony, Dr. Simon Van Gelder manages to escape to the Enterprise, Dr. McCoy begins to suspect that something is amiss on the colony. Captain Kirk and Dr. Helen Noel beam down to the planet to investigate.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
James Gregory … Dr. Tristan Adams
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Morgan Woodward … Dr. Simon van Gelder
Marianna Hill … Helen Noel
Nichelle Nichols … Lieutenant Nyota Uhura
Susanne Wasson … Lethe
John Arndt … First Crewman
Ed McCready … Inmate
Eli Behar … Therapist
Frank da Vinci … Lt. Brent (uncredited)
Walt Davis … Tantalus (uncredited)
Louie Elias … Inmate Guard (uncredited)
Ron Kinwald … Tantalus Inmate (uncredited)
John Hugh McKnight John Hugh McKnight … Inmate Guard (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Anthony Larry Paul … Crewman (uncredited)

Star Trek – Miri

★★★★★ October 27, 1966 Season 1 Episode 8

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

***Dave at A Sound Day has given me the honor to host his site today…check it out if you can***

This show was written by Adrian Spies and Gene Roddenberry

This is a wonderful episode of Star Trek. Miri is a name of a girl played by Kim Darby and she is brilliant in that role. I’m reminded of Lord of the Flies with a dash of a dark Peter Pan while watching this episode. A planet that is a replica of earth that has a disease that affects kids as soon as they start puberty. They start the symptoms with sores and then go berserk and die shortly thereafter.

The problem started with the earlier people on the planet experimenting with trying to prolong life. They ended up creating a serious virus (hmmm been there done that). The catch is the kids do have prolonged lives and are hundreds of years old before they reach puberty but they still have the maturity of children. The crew get there and because of their age start contracting the disease.

Bones and Spock are trying to come up with the vaccine while the children steal the communicators of the crew. Miri is a young woman about to hit puberty and is showing signs of the disease. She is not trusting of the Enterprise crew at first but then warms up to Captain Kirk and develops a crush on him. She is also jealous of Yeoman Janis Rand because of her close relationship with Kirk. She wants to help the captain and crew, to find a cure but she is scared and jealous. Can Kirk find the rest of the kids to get their help along with Miri?

This is one of my favorite episodes

From IMDB

Leonard Nimoy was asked to allow his children to appear as extras but Nimoy refused to let his children be involved in show business. His son, Adam Nimoy, did grow up to become a television director, including a few episodes of Star Trek: The Next Generation (1987).

The first of several “parallel Earth” plots in the series, contrived to save money by avoiding the necessity for “alien” sets, costumes, and makeup.

The outdoor scenes of this episode were filmed on the same back lot streets that also were used to create Mayberry on The Andy Griffith Show (1960), except that the streets were piled with debris and dirt to create the appearance that the town was in ruins. Several building exteriors familiar from Mayberry can be seen in those exterior shots, including the courthouse, Walker’s Drugstore, the Grand movie theater, Floyd’s barber shop, and the Mayberry Hotel.

John Decker and Scott Dweck are Grace Lee Whitney’s sons. As an adult, Scott would return in a feature film appearance as a Vulcan members of the Enterprise crew in Star Trek: The Motion Picture (1979).

Leonard Nimoy and Grace Lee Whitney both named this as one of their favorite episodes of the show. William Shatner was more critical, however, feeling that the story dragged and that the initial hook of “another Earth” was interesting, but didn’t amount to anything.

This episode has a number of connections to The Andy Griffith Show (1960). The outdoor scenes are shot on the streets of the set that stood in for the town of Mayberry. Visible are the old courthouse, barber shop, feed and grain store, Walker’s Drugs, bank, grocery store, the Grand movie theater; and the building with the small porch into which the crew runs is the old Hotel Mayberry. Michael J. Pollard, who plays Jahn, the leader of the Onlies, played Barney Fife’s bumbling cousin in The Andy Griffith Show: Cousin Virgil (1962). And, when Kirk asks Spock to estimate in what time period the town seems to be, Spock responds with “1960,” the year that series debuted.

Summary

The Enterprise receives an old-style SOS signal and finds on arrival a planet that is virtually identical to Earth. Kirk, Spock, McCoy, and Yeoman Rand beam down to the planet only to find that it is inhabited solely by children. Kirk befriends one of the older children, Miri, but they soon learn that experiments to prolong life killed all of the adults and that the children will also die when they reach puberty. They also learn that the children are in fact, very old. Soon, the landing party contracts the virus and has seven days to find a cure.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
Kim Darby … Miri
Michael J. Pollard … Jahn
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
Grace Lee Whitney … Yeoman Janice Rand
Keith Taylor … Jahn’s Friend
Ed McCready … Boy Creature
Kellie Flanagan … Blonde Girl
Stephen McEveety … Redheaded Boy (as Steven McEveety)
David L. Ross … Security Guard #1 (as David Ross)
Jim Goodwin … Farrell
John Megna … Little Boy
Tom Anfinsen … Crewman (uncredited)
John Arndt … Ingenieur Fields (uncredited)
Iona Morris … Little African American Girl (uncredited)
Phil Morris … Boy – Army Helmet (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Darleen Anita Roddenberry … Flowered Dress Girl (uncredited)
Dawn Roddenberry … Little Blonde Girl (uncredited)
Irene Sale … Louise (uncredited)
Leslie Carol Shatner … Brunette Girl (uncredited)
Elisabeth Shatner … Girl in Red-Striped Dress (uncredited)
Scott Whitney … Small Boy (uncredited)