Jeff Healey – Angel Eyes

In 1989 Jeff Healey came out with this song that peaked at #5 in the Billboard 100, #86 in the UK, and #16 in Canada. The song was written by John Hiatt and Fred Koller.

Jeff Healey was a Canadian that started to play guitar when he was 3. He was blind and played the guitar on his lap. He could bend the notes to a limit where normal guitar players could not. His solos were just as interesting as the song themselves.

From Songfacts

“Angel Eyes” was written by the songwriters John Hiatt and Fred Koller, and produced by Greg Ladanyi. It stands as Jeff Healey’s only Billboard Top-40 hit; however, considering what a unique character he was, it seems most unfair to dismiss him as a one-hit wonder. Amongst many other things, he was much bigger on the Canada Singles chart; he picked up Juno Awards, got an Independent Music Award for Best Blues Album, and played alongside such talent as Dire Straits, Stevie Ray Vaughan, BB King, ZZ Top, and Eric Clapton.

Angel Eyes

Girl, you’re looking fine tonight
And every guy has got you in his sight
What you’re doing with a clown like me
Is surely one of life’s little mysteries

So tonight I’ll ask the stars above
“How did I ever win your love?”
What did I do?
What did I say
To turn your angel eyes my way?

Well, I’m the guy who never learned to dance
Never even got one second glance
Across a crowded room was close enough
I could look but I could never touch

So tonight I’ll ask, the stars above
“How did I ever win your love?”
What did I do?
What did I say
To turn your angel eyes my way?

Don’t anyone wake me
If it’s just a dream
‘Cause she’s the best thing
Ever happened to me

All you fellows
You can look all you like
But this girl you see
She’s leavin’ here with me tonight

There’s just one more thing that I need to know
If this is love why does it scare me so?
It must be somethin’ only you can see
‘Cause girl I feel it when you look at me

So tonight I’ll ask the stars above
“How did I ever win your love?”
What did I do?
What did I say,
To turn your angel eyes my way? 
Hey, hey, hey, yeah, awww


The Who albums ranked 6-1

Here are my choices for the top six Who albums. The one upshot of doing lists… is listening to all of these great albums again.



6. Live at Leeds – 1970 –  There are live albums and then there is this… This album along with At Fillmore East rise above other live albums. Bands would release them when they were in between studio albums. On Live at Leeds, I have never heard a rock band so tight. This is the Who clicking on all cylinders.

Moon, Entwistle, Townshend, and Daltry are all in their prime on this.

Young Man Blues
Summertime Blues
Shakin’ All Over
My Generation
Magic Bus



5. My Generation – 1965 – The title song is still an anthem of the sixties generation. This may be the hardest power pop album released, The Kids Are Alright, A Legal Matter, and Out In The Street.

They experimented in the studio and found new sounds and used feedback as an instrument. You start hearing the power chords on this album and the great hooks that Pete came up with on guitar…Roger still hasn’t grown into his later voice and the band is raw but electric.

The Ox is just a musical explosion. What a great debut album this was in 1965.


Out In The Street
I Don’t Mind
The Good’s Gone
Much Too Much
My Generation
The Kids Are Alright
Please, Please, Please
It’s Not True
I’m A Man
A Legal Matter
The Ox


4. Who Sell Out – 1967 –  The Who’s take on Pirate radio of the sixties complete with commercials. The standout hit was I Can See For Miles but this album is a collection of good songs strung together with fake commercials.

I like to listen to this album in sequence. Pete was maturing into the Pete we would know soon. The Who didn’t repeat themselves and kept reaching and experimenting.

Strong tracks are Armenia City In The Sky, Tatto, Our Love Was, Relax. and Rael and of course the masterpiece I Can See For Miles.


Armenia City In The Sky
Heinz Baked Beans
Mary Anne With The Shaky Hands
Our Love Was
I Can See For Miles
Can’t Reach You
Silas Stingy
Rael (1 And 2)


3. Tommy – 1969 – This Rock Opera left a huge dent in pop culture and left its imprint on rock history. I like the album but the production leaves a lot to be desired. This album made the Who rock gods. There are some great songs on this album like Pinball Wizard, We’re Not Going To Take It, I’m Free, and The Acid Queen.

I personally like Sally Simpson and Christmas. Pete Townshend and Kit Lambert worked together on this album and Kit helped Pete shape it into a concept album. I wished Kit would have let someone else engineer and mix it. I’m mostly a studio album guy but I think this album works better live than the record. Listening to the live version of this album around that time for me beats the album.

There is no denying that it is a landmark album in Rock.

It’s A Boy
1921 3:14
Amazing Journey
Sparks 3:45
Eyesight To The Blind (The Hawker)
Cousin Kevin
The Acid Queen
Do You Think It’s Alright?
Fiddle About
Pinball Wizard
There’s A Doctor
Go To The Mirror!
Tommy Can You Hear Me?
Smash The Mirror
Miracle Cure
Sally Simpson
I’m Free
Tommy’s Holiday Camp
We’re Not Gonna Take



2. Quadrophenia – 1973 –  This kick-started the Mod revival of the 70s. The concept album is about a teenager mod (Jimmy) coming of age in the 60s…It is also about the band itself and it’s four different personalities and also their fans. It is much more cohesive than Tommy and Pete’s use of synthesizers on this is incredible.

The high spot for me is hearing Entwistle and Moon play “The Real Me.”

Some of the many great songs are Love, Reign O’er Me, The Real Me, The Punk and The Godfather, Drowned, 5:15.

I Am The Sea
The Real Me
Cut My Hair
The Punk And The Godfather
I’m One
The Dirty Jobs
Helpless Dancer
Is It In My Head
I’ve Had Enough
Sea And Sand
Bell Boy
Doctor Jimmy
The Rock
Love, Reign O’er Me



1. Who’s Next -1971 – There was really no suspense to this album being number one. This arguably could be the best rock album of the 70s. Instead of Kit Lambert The Who hired Glyn Johns to help produce and it showed. The sound quality difference between this and Tommy is day and night. This album has a sonic quality like no other.

The album came out of a failed attempt at a rock concept album by Pete called Lifehouse that apparently no one but Pete understood. Classic radio stations use this album as their foundation. An incredible album with no weak songs.

These songs live work so well. Won’t Get Fooled Again maybe has the best line in Rock… “Meet the new boss, Same as the Old boss”

Baba O’Riley
Love Ain’t For Keeping
My Wife
Song Is Over
Getting In Tune
Going Mobile
Behind Blue Eyes
Won’t Get Fooled Again


For the top five  I never shifted until the last minute and I moved Tommy from 4th to 3rd and The Who Sell Out from 3rd to 4th. The importance and culture impact of Tommy won out.

Hope you enjoyed it.








Nick Lowe – I Knew The Bride

Great pop song by Nick Lowe. This version was released in 1985 and peaked at #77 in the Billboard 100. Huey Lewis served as producer on this song. Dave Edmunds had covered it in 1977.

This is an interview with Nick in 1985 talking about his new album The Rose of England and getting help from Elvis Costello and Huey Lewis.

The British new wave singer-songwriter-producer got crucial help on the album from two old friends: Huey Lewis and Elvis Costello.

“Huey Lewis is the only person I ever knew as a normal person and then watched him become a megastar before my very eyes,” Lowe says.

“His first band, the Clover, played on Elvis’ first album, which I produced, and Huey played some bits on my first album. So this year I was telling Huey that Columbia didn’t like my new album, because they didn’t think it was commercial enough.

“Huey said, ‘No problem, let’s do “I Knew the Bride.” ‘But that’s a bit of a chestnut,’ I told him. ‘I wrote it nine years ago for Dave Edmunds.’ And he said, ‘Your fans may know that, but let’s face it, their numbers are not exactly legion. Let’s recut it with a more modern sound.’ So we cut it in three days with his band, the News, and all of a sudden Columbia decided the album was exactly what they were looking for.”

When Lowe started recording, longtime friend Costello came down to the studio as always. “Elvis got real excited that we were recording almost totally live,” Lowe recounts. “We just set up the microphones, and away we went. He phoned me up a few days later and said, ‘I’ve got this song you might like to try, Nick.’

“I sort of dreaded listening to it. Although Elvis is a great songwriter, his songs usually have tons of chords and vocal twists and very personal lyrics, none of which really fit my style. But he played me the song, ‘Indoor Fireworks,’ and it was pretty straightforward; I suppose it’s about the breakup of his marriage. I was very pleased to record it; my own marriage had also just ended, but there had been no fireworks; it was all quite amicable and boring.”


I Knew the Bride

I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
Well, the bride was a picture in the gown that her mama wore
When she was married herself nearly twenty-seven years before
They had to change the style a little but it looked just fine
Stayed up all night, but they got it finished just in time
Now on the arm of her daddy, she’s walkin’ down the aisle
I see her catch my eye and give me a secret smile
Maybe it’s too old fashioned, but we once were close friends
Oh but the way that she looks today, she never could have then
Well, I can see her now in her tight blue jeans
Stuffin’ all her money in the record machine
Spinnin’ like a top, you should of seen her go
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
Well, the proud daddy only want to give his little girl the best
So he put down a grand on a cozy little lover’s nest
You could have called the reception an unqualified success
At a flash hotel for a hundred and fifty guests
Well, take a look at the bridegroom smilin’ pleased as pie
Shakin’ hands all around with a glassy look in his eye
He got a real good job and his shirt and tie is nice
But I remember a time when she never would have looked at him twice
Well, I can see her now drinkin’ with the boys
Breakin’ their hearts like they were toys
She used to do the pony, she used to do the stroll
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
Well, I can see her now with her walk man on
Struttin’ up and down to her favorite song
I still remember when she used to want to make a lot of noise
Hoppin’ and boppin’ with the street corner boys
She used to wanna party, she used to wanna go
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
I knew the bride when she used to rock and roll
I knew the bride when she used to do the pony
I knew the bride when she used to rock and roll
I knew the bride when she used to want to party
I knew the bride when she used to rock and roll

The Who albums ranked 13 -7

After the Beatles, The Who are my favorite band. I was lucky enough to see them twice but not lucky enough to see them as nature intended…with Keith Moon. I’m going to attempt to rank 13 of their albums. I will not go by chart success or how many sold.

I usually would not include live albums but Live At Leeds is no ordinary live album. I’m also including Odds and Sods, an album of outtakes and rarities because of so few studio albums and it was released while they were still going strong.

This is 13 through 7… next will be 6 through 1



13. Endless Wire – 2006 – This album was released in 2006. Obviously, I’m not as close to this album as The Who’s other albums..but I’ve listened to it more recently than the other albums.  It’s a good album but the best way I can describe it is it’s not as defined as other albums and the mini-opera Wire and Glass can get tedious. There are some good songs such as Black Widow’s Eyes (the only song featuring Zac Starkey), A Man in a Purple Dress and the different but good  God Speaks of Marty Robbins… I will say that time has affected Rogers voice more than Petes. Petes voice sounds really good on this album. Roger does fine but age has treated Pete’s voice well.


1 Fragments
2 A Man In A Purple Dress
3 Mike Post Theme
4 In The Ether
5 Black Widow’s Eyes
6 Two Thousand Years
7 God Speaks Of Marty Robbins
8 It’s Not Enough
9 You Stand By Me
Wire & Glass (A Mini-Opera)
10 Sound Round
11 Pick Up The Peace
12 Unholy Trinity
13 Trilby’s Piano
14 Endless Wire
15 Fragments Of Fragments
16 We Got A Hit
17 They Made My Dream Come True
18 Mirror Door
19 Tea & Theatre
20 We Got A Hit (Extended Version)
21 Endless Wire (Extended Version)

its hard.jpg

12. It’s Hard – 1982 – One thing I will say about this album. It has aged better than I thought it would.  I was never a big fan of this album. I liked some songs like Eminence Front, Athena and some of the tracks like Cry if you Want. This was the last studio Who album until 2006 Endless Wire. The band was not happy at this time and the end was coming…at least until they reunited at the end of the 80s for a reunion tour.


It’s Your Turn
Cook’s County
It’s Hard
Eminence Front
I’ve Known No War
One Life’s Enough
One At A Time
Why Did I Fall For That
A Man Is A Man
Cry If You Want


11. Face Dances – 1981 – This album has been slammed by critics and fans alike. I bought the album when it was released.  Face Dances was The first album without their engine, Keith Moon. Kenney Jones was a great drummer for the Small Faces and Faces but there is only one drummer for the Who and that was Keith. There are some good songs. “You Better You Bet”  (what I call “Who Are You’s” weak sister) Don’t Let Go the Coat, Another Tricky Day, and The Quiet One.

The album is tame compared with other Who albums but the melodies are strong.

You Better You Bet
Don’t Let Go The Coat
Cache Cache
The Quiet One
Did You Steal My Money
How Can You Do It Alone
Daily Records
Another Tricky Day


odds and sods.jpg

10. Odds and Sods – 1974 –  This album was released in 1974 of outtakes and rarities that The Who had in the Vaults. The highlights are Long Live Rock, Naked Eye, Pure and Easy, and Postcard by John Entwistle. This album full of outtakes were as good as other bands A-songs.


Now I’m A Farmer
Put The Money Down
Little Billy
Too Much Of Anything
Glow Girl
Pure And Easy
Faith In Something Bigger
I’m The Face
Naked Eye
Long Live Rock


9. Who Are You – 1978 –  Keith Moon was not well during this album. Still, I’ll take a 70 percent Keith Moon over a 100 percent anyone else for the Who. It contained the Who classic title track, Sister Disco, 905, and Music Must Change. Pete continued what he started with the Who By Numbers album by writing from the perspective of an aging rocker. This album sold faster than any other Who album. Within the month of its release, Keith Moon was gone for good.


New Song
Had Enough
Sister Disco
Music Must Change
Trick Of The Light
Guitar And Pen
Love Is Coming Down
Who Are You


8. Who by Numbers – 1975 – Pete wrote songs so personal that Roger didn’t feel right about singing some of the songs. Pete was wondering at this point if The Who were still relevant anymore. He felt old by rock standards and wondered if the band should just pack it in.

This album had to grow on me but now I do appreciate the personal songs that Pete wrote.

The best-known song is Squeeze Box but the album is full of good songs. Slip Kid, However Much I Booze, Dreaming from the Waist and Blue Red Grey. With Punk music starting to happen Pete wrote in “They Are All In Love”

Hey, goodbye all you punks
Stay young and stay high
Hand me my checkbook
And I’ll crawl out to die

If Pete had only known the future…they were only in their twenties at that time…that is just the beginning now.


Slip Kid
However Much I Booze
Squeeze Box
Dreaming From The Waist
Imagine A Man
Success Story
They Are All In Love
Blue Red And Grey
How Many Friends
In A Hand Or A Face


7. A Quick One – 1966 – The mini-opera starts here. A Quick One, While He’s Away is a classic song made of fragments weaved with each other to make a whole. Everyone writes at least one song for this album. John Entwistle with his signature tune Boris the Spider, Keith Moon turns out the crazy and strange “Cobwebs and Strange,” and a bit of power pop with I Need You. They also covered Heatwave with the familiar Who flair.

A forgotten great power pop song on this album is So Sad About Us. The overall sound of this album is incredible.


Run Run Run
Boris The Spider
I Need You
Whiskey Man
Cobwebs And Strange
Don’t Look Away
See My Way
So Sad About Us
A Quick One, While He’s Away


Maybe it’s no coincidence that the last three albums in the ranking are in order of release. Face Dances and It’s Hard both have a classic Who song in You Better You Bet and Eminence Front respectively. They both have some strong songs surrounding them…I just thought that Face Dances had more than It’s Hard.

Endless Wire is missing not only Keith but by 2006 also John. It’s hard to compete against your past when you are missing your entire rhythm section. It’s a different Who album and not as exciting…but anything written by Pete is worth listening to.

Next Up will be 6 Through Number 1




The Nashville Ramblers – The Trains

The Nashville Ramblers was a band from San Diego. The song “The Trains” was recorded in 1985 for a compilation album American Heart and Soul. they also recorded 2 other songs for the album… an original called “Nashville Rambling” and a cover of a Golliwog (pre-Creedence Clearwater Revival) song called “Fragile Child.”

Steven Van Zandt called the song  “one of the examples most indescribably beautiful romantic nostalgia, disguised in a song pop.”

There is not much out there on this group. Youtube does have some performances. This song did not chart because it was hardly known about. The band wasn’t known until 20 years after this was recorded and their song was released on another compilation album. The song has a cult following.


I found this bit of info…It’s really interesting and a very good song. The song would have worked in 65 as well. It’s a shame that a wider audience never knew about them. I’ve been playing it to anyone that would listen.

Recorded in 1985, “The Trains” by THE NASHVILLE RAMBLERS is one of the greatest pop songs of the entire era. Aided and abetted by ace producer MARK NEILL (Black Keys), the band expertly channeled their key influences—Beatles, Remains, Hollies, Everly Brothers, and others—and shaped them into something fresh, urgent and breathtakingly original. A heart-stopping melody, evocative lyrics, a driving beat, soaring harmonies, a dynamic, reverb-soaked production—to hear “The Trains” was to fall in love with it. And every time you heard it, you fell in love again. However, outside a small circle of fans, though, very few people ever heard it. In an era when do-it-yourself was how-it-was-done, the Ramblers waited for somebody else to do it for them. Nobody did—not really anyway. In 1986 “The Trains” and one other Ramblers song appeared on an obscure UK-only compilation, but few people noticed. The moment was lost—if it was ever there at all—and “The Trains” slipped quietly back underground to become a whispered secret passed through the years between a growing coterie of admirers. Many discovered the song for the first time in 2005 when it was included on Rhino’s Children of Nuggets box set—by then it was almost 20 years old. Fully remastered by Mark Neill directly from the original vaccum tube analog 3-track master tape, this shiny black 45rpm single and packaged in a deluxe hard cover picture sleeve, it’s paired with a terrific, previously unreleased version of the Golliwogs’ “Fragile Child” recorded at the same session. Edition of 1,000 copies.

If you know any more info please comment.


I just found this wiki page…just translate to English

The Trains

She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
When I’m alone
I can feel the sun going down
How can I explain all the reasons she frightens me so
When she has the power to burn me right down to my soul
But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means

No, nobody else could understand her like I do
So I gotta make her realize she loves me too
And I do
I really do

But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means
She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
Once I was strong
I can feel the sun going down
I can hear the trains underground
I can feel the sun going down
I can hear the trains underground


Dave Edmunds – I Hear You Knocking

This song is stripped down rock at it’s best. Dave Edmunds released this song in 1970 and it peaked at #4 in the Billboard 100, #1 on the UK charts for 6 weeks and #3 in Canada. It sold over 3 million copies.

Dave had more tracks added to the song but changed his mind and stripped it down and released it.

John Lennon liked the song…he quoted when it was out  “I always liked simple rock. There’s a great one in England now, ‘I Hear You Knocking”.

It was written by  Dave Bartholomew and Earl King and released by Smiley Lewis in 1955 and it went to #2 on the R and B Charts.

I Hear You Knocking

You went away and left me long time ago
Now you’re knocking on my door
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been
I begged you not to go but you said goodbye
And now you’re telling me all your lies
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been, oh yeah
You better get back to your used-to-be
‘Cause you’re kinda love ain’t good for me
I hear you knocking, but you can’t come in
I hear you knocking, go back where you been
I told you way back in Fifty-two
That I would never go with you
I hear you knocking but you can’t come in
I hear you knocking, go back where you been

Dave Edmunds – Slipping Away

Dave Edmunds released this song in 1983. I remember hearing it and something about it reminded me of ELO…there is a reason for that. Jeff Lynn produced and wrote the song. It peaked at #39 in the Billboard 100.

It got a lot of airplay in my region at the time so I was surprised it only went to #29. Very different from his 1970 hit “I hear You Knocking.” I haven’t heard it in years.

From Songfacts.
Edmunds had produced his own material to this point, and decided to try something different by using an outside producer. His first choice was Phil Collins, but Collins didn’t have the time. “Then I thought of Jeff Lynne, because he was Mr. Techno back then and he used to make great-sounding records,” Edmunds said in his 2015 Songfacts interview. “Although now I listen to them and they sound a bit dated. I’m a bit puzzled why I was so enamored with Jeff, but he is very creative in the studio. He can go in with nothing and right on the spot make a record. I was taken with that.”This being 1983, synthesizers were coming into vogue, especially in Edmunds’ native UK. For Jeff Lynne, this was a natural progression, but for Edmunds, it was out of step with his sound – he specialized in rock guitar and simplified productions (he had recently produced the Stray Cats first album). So when “Slipping Away” emerged, featuring a prominent synth played by Lynne, many of Edmunds’ fans were nonplussed.

Edmunds did more work with Lynne on his next album, Riff Raff, but soon returned to his rock roots.

Slipping Away

I can feel you slipping away from me
A little bit further now every day
I’m holding on, but I can’t believe
This is how you want it to be
Oh, you’re slipping away
Oh, you’re slipping away
It feels like walking down a long, dark road
You never talk to me the way you did before
You ride through the city with your head held high
And all I can do is watch you go by
Oh, you’re slipping away
Oh, you’re slipping away
I’m gonna give it all I’ve got to give
I’ve got to hold on, see what tomorrow brings
You’re slipping away, but give me one more try
One more chance to wipe these tears from my eyes
You’re slipping away
Oh, you’re slipping away