Jackson 5 – Santa Claus is Coming to Town

Merry Christmas to the entire wordpress world. This is a great community we have going on and I hope everyone has a wonderful day today.

I just heard the  Jackson 5 version again yesterday. Every year I usually post the Bruce version…that one is my favorite version but I wanted to changed it up this year.

I’ve never been a huge Michael Jackson fan except with the Jackson 5. He was immensely talented and had some great selling albums. Maybe it was just  being burned out hearing him.. The Jackson 5 though I really liked and still do. I thought they had some great pop/soul/bubblegum singles in the early to mid seventies.

This version was released in 1970 and it peaked at #46 in the Billboard 100 and it came off the album Jackson 5 Christmas Album. The album peaked at #53 in the Billboard Album Charts and #45 in Canada.

According to Wiki: The album spent four weeks at the number one position on Billboard magazine’s special Christmas Albums chart that the magazine published in December 1970, making it the best-selling Christmas album of that year and also of the year 1972 in the United States.

According to a Top 30 list released by the performance rights organization ASCAP in December 2014, this is the most-performed holiday song of all time. “The Christmas Song (Chestnuts Roasting on an Open Fire)” was ranked second and “White Christmas” third.

This was written in 1932 by Haven Gillespie and J. Fred Coots. They had trouble convincing anyone to produce it because it was seen as a kids’ song, which would have been very hard to sell. The big break came when Eddie Cantor sang it on his radio show in 1934, and the song became an instant hit. Coots was a writer for Cantor’s show and pushed for the host to perform it. Cantor was going to pass on the song but was convinced by his wife, Ida, to give it a try.

One of the most successful Christmas carols of all time, this was outsold only by “Rudolph The Red-Nosed Reindeer” and “White Christmas.”

Santa Clause Is Coming To Town

Santa Claus is comin’ to town
Santa Claus is comin’ to town

You better watch out
You better not cry
You better not pout
I’m telling you why

Santa Claus is comin’ to town
Santa Claus is comin’ to town
Santa Claus is comin’ to town

He is making a list
And checking it twice
Gonna find out who’s naughty and nice

Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

He sees you when you’re sleeping
He knows when you’re awake
He knows if you’ve been bad or good
So be good for goodness sake

Oh, you d better watch out
You better not cry
Better not pout
I’m telling you why

Oh, Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town, woo hoo

Woo hoo
Woo hoo
Santa Claus is comin’ to town
Santa Claus is comin’ to town
Santa Claus is comin’ to town

Little tin horns
And little toy drums
Rooty-toot-toot
And rump-a-tum-tums
Curly-haired dolls
That tootle and coo
Elephants, boats and kiddie cars too

Oh, Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

One more time now

Santa Claus is comin’ to town, oh yeah
Santa Claus is comin’ to town
Santa Claus is comin’ to town

Paul McCartney – Wonderful Christmastime

I hope all of you are having a wonderful Christmas Eve. I looked back and I’ve never posted this song before. It’s never been my favorite Christmas song but it has grown on me through the years.

This song was recorded during the sessions for the McCartney II album which featured Coming Up. Paul went to his farm and laid down all the tracks himself. He was experimenting with an early synthesizer called a Sequential Circuits Prophet-5, which was also used on Kim Carnes’ “Bette Davis Eyes” and the Doobie Brothers’ “What a Fool Believes.”

Released as a single, it peaked at #6 in the UK, #39 in Canada, and #28 in the Billboard 100 in 1979. It took him just ten minutes to write the song.

Although the members of Wings do not feature on the song, they do appear in the song’s music video, which was filmed at the Fountain Inn in Ashurst, West Sussex. McCartney recalled to NME in 2012… “We went out to some pub somewhere, and so that was a laugh… we just run out of the pub occasionally, filmed a bit, and then went back into the pub. So that was quite a nice evening!”

Diana Ross, Demi Lovato, Kelly Rowland, Hanson and The Monkees have all made their own versions.

The Monkees did a stripped down version of this song without the synth that is really good.

Here is the Monkees version in 2018

Wonderful Christmastime

The moon is right
The spirits up
We’re here tonight
And that’s enough
Simply having a wonderful Christmastime
Simply having a wonderful Christmastime

The party’s on
The feelin’s here
That only comes
This time of year

Simply having a wonderful Christmastime
Simply having a wonderful Christmastime

The choir of children sing their song
Ding dong, ding dong
Ding dong, ding ooo
Ooo ooo toot toot toot toot toot toot

We’re simply having a wonderful Christmastime
Simply having a wonderful Christmastime

The word is out
About the town
To lift a glass
Ah don’t look down

Simply having a wonderful Christmastime

The choir of children sing their song
They practiced all year long
Ding dong, ding dong
Ding dong, ding dong
Ding dong, ding dong, dong, dong, dong, dong

The party’s on
The spirits up
We’re here tonight
And that’s enough

Simply having a wonderful Christmastime
We’re simply having a wonderful Christmastime

The moon is right
The spirits up
We’re here tonight
Oh and that’s enough

We’re simply having a wonderful Christmastime
Simply having a wonderful Christmastime
Simply having a wonderful Christmastime

Oh oh
Christmastime

Bing Crosby & David Bowie – Peace On Earth / The Little Drummer Boy

I know what I was doing on November 30, 1977. I was watching Merrie Olde Christmas special as a kid. I didn’t appreciate the weirdness of the combination of Bing Crosby and David Bowie at the time. Something that the seventies did well and sometimes bad…was to intersect generations on variety shows. This one was a good combination.

This special had guest stars  Twiggy, David Bowie, Ron Moody, Stanley Baxter, and The Trinity Boys Choir. It was the duet with Bing Crosby and David Bowie that has been remembered. I remember watching this knowing that Bing Crosby had died the month earlier. The duet was taped on September 11, 1977, and Crosby died on October 14, 1977.

David Bowie’s mother was a huge Bing Crosby fan and Bing Crosby’s children were big David Bowie fans…so the two agreed to sing together. It was questionable at first if it would work out.

Mary Crosby: “The doors opened and David walked in with his wife,” she recalled. “They were both wearing full-length mink coats, they have matching full makeup and their hair was bright red. We were thinking, ‘Oh my god.'” Nathaniel Crosby, Bing’s son, added: “It almost didn’t happen. I think the producers told him to take the lipstick off and take the earring out. It was just incredible to see the contrast.”

Another possible hitch happened with Bowie. He didn’t like The Little Drummer Boy and refused to sing it. The writers then wrote a revised version of the song that he liked. They wrote a counterpart section for Bowie to sing. Crosby liked the challenge of his part. The rest is history and one of the most unusual pairings you will ever see…

One funny part is Bowie’s idea of “older fellas” at the time is John Lennon and Harry Nilsson.

The Little Drummer Boy (Peace On Earth)

Come they told me pa-rum-pum-pum-pum
A newborn king to see pa-rum-pum-pum-pum
Our finest gifts we bring pa-rum-pum-pum-pum
Rum-pum-pum-pum, rum-pum-pum-pum

[Verse 2: Bowie and Crosby]
Peace on Earth can it be?
Come they told me pa-rum-pum-pum-pum
Years from now, perhaps we’ll see?
A newborn king to see pa-rum-pum-pum-pum
See the day of glory
Our finest gift we bring pa-rum-pum-pum-pum
See the day, when men of good will
To lay before the king pa-rum-pum-pum-pum
Live in peace, live in peace again
Rum-pum-pum-pum, Rum-pum-pum-pum
Peace on Earth
So to honour him pa-rum-pum-pum-pum
Can it be
When we come

[Bridge: Bowie and Crosby in unison]
Every child must be made aware
Every child must be made to care
Care enough for his fellow man
To give all the love that he can

[Verse 4: Bowie and Crosby]
I pray my wish will come true
Little baby pa-rum-pum-pum-pum
For my child and your child too
I stood beside him there pa-rum-pum-pum-pum
He’ll see the day of glory
I played my drum for him pa-rum-pum-pum-pum
See the day when men of good will
I played my best for him pa-rum-pum-pum-pum
Live in peace, live in peace again
Rum-pum-pum-pum, rum-pum-pum-pum
Peace on Earth
Me and my drum
Can it be

Can it be

Slade – Merry Xmas Everybody

Merry Christmas Everybody… for all of the UK readers…I know I know…you are so tired of it. I’ve only heard it for the past three years or so. There are a few Christmas songs along with Alices Restaurant that I reblog every year…and this is one of them. I have this on our music list at Christmas and we love it.

This is fast becoming my favorite rock Christmas song second only to John Lennon’s Happy Xmas (War Is Over)

This is a great Christmas song that was released in 1973 and ever since it re-enters the charts every December in the UK. The song never hit in America but it went to #1 in the UK Charts. I first heard it on a Doctor Who episode in the mid-2000s and have liked it ever since.

This was based on a psychedelic song, “My Rocking Chair,” which Noddy Holder wrote in 1967. In 1973 the Slade vocalist decided to convert it into a Christmas song after a night out drinking at a local pub.

He and the band’s bass player and co-writer Jimmy Lea camped out at Noddy’s mother’s house and got down to changing the lyrics to make them more Christmassy. Jimmy Lea incorporated into the verse parts of another song which he was then writing and Noddy re-wrote the words incorporating different aspects of the Christmas holiday season as they came to mind.

This went straight in at #1 in the UK, selling over 300,000 copies on the day of its release, making it at the time the fastest ever selling record in Britain. It eventually became Slade’s best-ever selling single in the UK, selling over a million copies.

In the UK this has become a standard, and it is usually reissued in its original form each Christmas. On several occasions, the song has re-entered the Top 40.

UK copyright collection society and performance rights organization PRS For Music estimated in 2009 that 42 percent of the earth’s population has heard this tune.

The song was written by Noddy Holder and Jim Lea of Slade. It was produced by Chas Chandler formerly of the Animals.

Noddy Holder: “I wrote the original verse with the lyrics, ‘Buy me a rocking chair, I’ll watch the world go by. Bring me a mirror, I’ll look you in the eye,’ in 1967 in the aftermath of The Beatles’ Sgt Pepper,” I was being psychedelic. Dave (Hill) wrote another part to the song but it didn’t work so we put it away. Then in 1973 he remembered my verse one day when we were trying to write a Christmas single. We changed the words to, ‘Are you hanging up your stocking on the wall?’ and the rest fell into place.”

From Songfacts.

When Noddy Holder wrote the line “Look to the future now, it’s only just begun,” he had in mind the strikes that were blighting Britain at the time. He told the Daily Mail On Sunday November 10, 2007: “We’d decided to write a Christmas song and I wanted to make it reflect a British family Christmas. Economically, the country was up the creek. The miners had been on strike, along with the gravediggers, the bakers and almost everybody else. I think people wanted something to cheer them up – and so did I. That’s why I came up with the line.”

The harmonium used on this is the same one that John Lennon used on his Mind Games album, which was being recorded at the studio next door.

This was recorded at the Record Plant studios in New York while the band were on a tour of the States in the summer of 1973. When they recorded the vocals, they sang the chorus on the stairs in order to achieve the echo that they required. Guitarist Jimmy Lea recalled to Uncut magazine in 2012: “All these Americans were walking past in their suits thinking we were off our rockers singing about Christmas in the summer.”

Producer Chas Chandler opened the song with a howl recorded during some of Noddy Holder’s vocal exercises.

A few months before Slade recorded this song, drummer Don Powell was badly injured in a car crash. Though his physical recovery was quick, the mental scars took longer to heal. Noddy Holder explained to The Daily Mail December 18, 2009: “The doctors told us to get him playing drums again as soon as possible to boost his confidence. But he was suffering from short-term memory loss – he could remember our old songs, but not the new ones. So, instead of recording live, we built up Merry Xmas Everybody layer by layer. That gave it a more poignant, restrained sound. It was something new for us. But the fates were with us and it became our biggest hit.”

Noddy Holder’s earliest childhood memory served as inspiration for one of the song’s lines. He recalled to the Mail On Sunday’s Live magazine: “As a lad we used to knock sleds with old orange boxes and go tobogganing down this big old quarry in the snow at Christmas. It was the inspiration for the line ‘are you hoping that the snow will start to fall.’”

I want that hat he starts off with… in this video…very subtle.

Merry Christmas Everybody

Are you hanging up a stocking on your wall?
It’s the time that every Santa has a ball
Does he ride a red nosed reindeer?
Does a ‘ton up’ on his sleigh
Do the fairies keep him sober for a day?

Chorus:
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

Are you waiting for the family to arrive?
Are you sure you got the room to spare inside?
Does your granny always tell ya that the old are the best?
Then she’s up and rock ‘n’ rollin’ with the rest

Chorus:
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

What will your daddy do
When he sees your Mama kissin’ Santa Claus?
Ah ah

Are you hanging up a stocking on your wall?
Are you hoping that the snow will start to fall?
Do you ride on down the hillside in a buggy you have made?
When you land upon your head then you’ve been slayed

Chorus (4x)
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

Billy Squier – Christmas Is The Time To Say I Love You

This Christmas song doesn’t get played a bunch here. I’ve always liked it since is was released. It was written by Billy Squier and was the B side to the single “My Kinda Lover.”

In 1981 MTV made it’s debut and Billy Squier’s career was going strong with the 1981 release of the Don’t Say No album. MTV at the beginning had a more family atmosphere. The crowd in this sing-a-long included technicians, the secretaries, the executives, the production assistants.

MTV helped countless careers. It made some careers larger than they would have been and some had careers beccause of MTV. It changed everything for a while.

Billy had a great career going on until the Rock Me Tonite video with the pink tank top…then it all fell apart in 1984.

The video was filmed at the Teletronics MTV studio.

 VJ Nina Blackwood: “It was taped at our original Teletronics Studio on West 33rd Street and featured our original studio crew, who we all loved and were very close to, along with all the people from the MTV offices,” “Everybody traipsed down to the studio from 44th Street & 6th Ave for the taping. Billy Squier’s career was on fire at this time, and since he lived in NYC, he was a frequent guest at the studio, so it was appropriate that he was chosen for the video.”

“Pretty much what you see on camera is an accurate representation of the celebratory and fun feeling that was happening,” Blackwood said. “It was like one big happy family, which sums up the entire vibe of the early days of MTV. One of a kind experience. When I watch all of these early MTV Christmas videos, the overwhelming sensation I come away with is that of joyous love.”

Christmas Is The Time To Say I Love You

Christmas is the time to say “I love you”
Share the joys of laughter and good cheer
Christmas is the time to say “I love you”
And a feeling that will last all through the year

On the corner carolers are singing
There’s a touch of magic in the air
From grownup to minor no one could be finer
Times are hard but no one seems to care
Christmas Eve and all the world is watching
Santa guides his reindeer through the dark
From rooftop to chimney, from Harlem to Bimini
They will find a way into your heart

Christmas is the time to say “I love you”
Share the joys of laughter and good cheer
Christmas is the time to say “I love you”
And a feeling that will last all through the year

Just outside the window snow is falling
But here beside the fire we share the glow
Of moonlight and brandy, sweet talk and candy
Sentiments that everyone should know
Memories of the year that lays behind us
Wishes for the year that’s yet to come
And it stands to reason that good friends in season
Make you feel that life has just begun

Christmas is the time to say “I love you”
Share the joys of laughter and good cheer
Christmas is the time to say “I love you”
And a feeling that will last all through the year

So when spirits grow lighter
And hopes are shinin’ brighter
Then you know that Christmas time is here

Bruce Springsteen – Merry Christmas Baby

There has been many versions of this song but this one is the one I listen to the most. The dynamics in this version is great.

This Dec 31st, 1980 performance of Merry Christmas Baby was recorded at Nassau Veterans Memorial Coliseum in Uniondale, NY, during The River Tour. The song was played in its E Street Band arrangement. It was released in November 1986 as the B-side to WAR. This was the lead single from the Live/1975-85 box set.

Although Chuck Berry and Elvis Presley covered “Merry Christmas Baby” before Bruce did, it sounds like he based  his version on Otis Redding’s 1968 version.

Lou Baxter wrote this song but it was called “Merry Christmas Blues” and Charles Brown took it home to work it out. He rewrote it with the new title. Baxter wanted Charles Brown to record it the way Charles rewrote it and it became a big hit with Brown singing with Johnny Moore’s Three Blazers.

Then the music business struck again…The company promised Charles he would have a co-writer credit but of course, it didn’t happen and Johnny Moore had his name listed on the song instead. Charles never got paid royalties for the song. It was originally released in 1947 and peaked at #3 in the Charts.

Moore died, largely unknown, in the 1960s. Brown, meanwhile, became renowned as a pioneer of the laid-back, piano-driven style of West Coast blues and was recognized as an early influence on Ray Charles; he had a renaissance in the 1990s, touring with Bonnie Raitt.

Charles Brown was inducted into the Rock and Roll Hall of Fame in 1999 but died before the induction.

It was also on a complication album A Very Special Christmas of various artists released in 1987.

Merry Christmas Baby

Bring it down, band!

Now, I just came here tonight to say…
I just wanna say…
I just wanna say…

Merry Christmas baby, you surely treat me nice
Come on, merry Christmas baby, you surely treat me nice
I feel just like I’m living, living in paradise

Now listen
Now you see, I feel real good tonight
And I got music on the radio
And I feel real good tonight
And I got music on the radio
And the boys in the band are playing pretty good!
Now, I feel just like I wanna kiss you
Underneath my mistletoe

But now listen
Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
And I feel like I’m living, just living in paradise
Come on boys!

Well now, Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
I feel like I’m living, I’m living in paradise

And I just came down to say
Merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
And happy New Year, too!
Oh yeah!
Play it boys, go!
Merry Christmas
Ha-ha-ha-ha-ha-happy New Year
Ohhhh!

Oh yeah!
Merry Christmas baby!

Vince Guaraldi Trio – Linus and Lucy

It’s hard to resist this song. It automatically makes me happy when I hear it. I see the Peanuts gang doing their thing.

Peanuts GIFs - Get the best GIF on GIPHY

This song I can hear anytime of the year and be happy. It’s associated with Christmas also…whichever… I never get tired of it.

I was reminded of this song this year in Hanspostcard’s song draft when run-sew-read’s pick was this song.

Ironically, just about everyone would call this “the Charlie Brown song” even though it’s actually titled after Linus and Lucy Van Pelt, brother and sister in Charles Schulz’s Peanuts comic strip universe.

The song is most famous for its use in the yearly favorite A Charlie Brown Christmas, which first aired in 1965, but it was written two years earlier for a documentary about Schulz and the Peanuts gang called A Boy Named Charlie Brown, which never aired.

Producer Lee Mendelson was in charge of the documentary and asked Vince Guaraldi to compose music for it

Guaraldi was huge in the jazz world and won the 1962 Grammy for Best Original Jazz Composition for “Cast Your Fate To The Wind” for his group, the Vince Guaraldi Trio. Mendelson was searching for what kind of music to play for the documentary when he took a taxi cab and “Cast Your Fate To The Wind” was playing as he crossed the Golden Gate bridge. He loved it and his decision was made.

Guaraldi wrote a series of songs for the project, including “Linus and Lucy,” that he recorded with his group, the Vince Guaraldi Trio. Even though A Boy Named Charlie Brown was shelved, the soundtrack was released in 1964, which is where “Linus and Lucy” first appeared.

In 1965, Mendelson put together the first Peanuts TV special, A Charlie Brown Christmas, using many of the same people who worked on the documentary. “Linus and Lucy” formed the score, and a song he wrote with Guaraldi called “Christmas Time Is Here” was included in a key scene.

When A Charlie Brown Christmas debuted in 1965, it quickly turned the Peanuts franchise into a television institution. That first special also shot Guaraldi to greater fame, and he became connected to all subsequent Peanuts shows.

Guaraldi would continue to work on Peanuts films until his death in 1976.

No words…just enjoy

John Lennon – Happy Xmas (War Is Over)

Merry Christmas everyone… another year older…and a new one just begun.  Dave just covered this one a few days ago.

This is my favorite Christmas song hands down. This song gets me in the Christmas mood like no other. The song is highly idealistic but that is alright. It was the early seventies and the time for idealism.

In 1969 John and Yoko had rented billboard spaces in 12 major cities around the world, for the display of black-and-white posters that declared “WAR IS OVER! If You Want It – Happy Christmas from John & Yoko”. Two years later this slogan became the basis for this song when Lennon decided to make a Christmas record with an anti-war message…plus John said he was sick of White Christmas.

War is Over - John & Yoko Billboard - Time Square - NYC 1969. | Yoko, War, John  lennon

John’s voice goes so well with this song. The song peaked at #2 in the UK charts in 1971….the song did peak at #42 in the Billboard 100 in 2019.

John Lennon and Yoko Ono wrote this in their New York City hotel room and recorded it during the evening of October 28 and into the morning of the 29th, 1971 at the Record Plant in New York. It was released in the US for Christmas but didn’t chart. The next year, it was released in the UK, where it did much better, charting at #2. Eventually, the song became a Christmas classic in America, but it took a while.

Lennon originally wrote this as a protest song about the Vietnam War, and the idea “that we’re just as responsible as the man who pushes the button. As long as people imagine that somebody’s doing it to them and that they have no control, then they have no control.”

The children’s voices are the Harlem Community Choir, who were brought in to sing on this track. They are credited on the single along with Yoko and The Plastic Ono Band.

I think of High School when I hear this song. Our school had a Christmas poster contest and a buddy and I made a poster as a joke and wrote “So this is Christmas and what have you done another year over, and a new one just begun” and won first prize…with an assist from John.

This didn’t appear on an album until 1975, when it was included on Lennon’s Shaved Fish singles compilation. This is one of the first Lennon albums I bought.

Happy Xmas (War is Over)

(Happy Christmas Kyoko)
(Happy Christmas Julian)

So this is Christmas
And what have you done
Another year over
And a new one just begun
And so this is Christmas
I hope you have fun
The near and the dear one
The old and the young

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear

And so this is Christmas
For weak and for strong
For rich and the poor ones
The world is so wrong
And so happy Christmas
For black and for white
For yellow and red ones
Let’s stop all the fight

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear

And so this is Christmas
And what have we done
Another year over
A new one just begun
And so happy Christmas
We hope you have fun
The near and the dear one
The old and the young

A very Merry Christmas
And a happy new year
Let’s hope it’s a good one
Without any fear
War is over, if you want it
War is over now

Happy Christmas

Foghat – I Just Want To Make Love To You

. Normally I would not sit around and think to myself… lets listen to some  70’s arena rock! Sometimes though it hits the spot. Foghat knew that genre very well. Slow Ride, Fool For the City, and this one rattled the windows. I always liked “Lonesome Dave” Dave Peverett the singer and guitar player. For me he was Foghat. 

I also always liked their name…Foghat…it just sounds like a cool rock and roll name. Foghat was born out of the blues band Savoy Brown. Dave Peverett, the drummer Roger Earl and the bassist Tony Stevens quit that band and decided to form their own band in 1970. The band wanted to take the sound of Savoy Brown a step further and add a rock edge to its basic boogie blues. The name Foghat was taken from a word that Peverett and his brother, John, had invented in a Scrabble game.

I also looked up the name and it said… Foghat: A euphemism for getting high on marijuana

This song was written by Willie Dixon and first recorded in 1954 by Muddy Waters.  Foghat’s version peaked at #28 in the Billboard 100 and #33 in Canada in 1977. The song was on the live album Foghat Live that peaked at #11 in the Billboard Album Charts. It was their highest charting album.

Our band covered this song and with no lyric sheet in those days…we would just make up words until the chorus. We would not have been radio friendly with our lyrics but it never failed to get people up. This one and Jumpin’ Jack Flash did the trick.

I Just Want To Make Love To You

I don’t want you cook my bread
I don’t want you make my bed
I don’t want your money too
I just want to make love to you

I don’t want you be no slave
I don’t want you work all day
I don’t want you to be sad and blue
I just want to make love to you

I can tell by the way that you baby talk
And I can see by the way that you twitch and walk
I can tell by the way that you treat your man
But I can love you, baby, it’s a crying shame

I don’t want you wash my clothes
I don’t want you keep a home
I don’t want you to be true
I just want to make love to you

I don’t want you be no slave
I don’t want you work all day
I don’t want you to be true
I just want to make love to you

I don’t want you keep a home
I don’t want you wash my clothes
I don’t want you to be true
I just want to make love

Howlin’ Wolf – Killing Floor

I just posted a song by Howlin’ Wolf a week or so ago but I’ve been listening to him lately so here is another. This song comes with an interesting story between Jimi Hendrix and Eric Clapton.

When Jimi Hendrix came to England he made a huge impression right away. At a Cream gig he requested a chance to jam with the band. No one in those days asked to do this because Clapton was “God” on guitar to many people…plus Cream as a unit were super talented. Jack Bruce later said that Jimi was a brave person to do that because Cream were all top notch musicans.

Jimi plugged into Jack Bruce’s amp and broke into Killing Floor. Clapton was blown away by it because he never mastered the song. Jimi was ripping right through it at breakneck speed. According to Chas Chandler…Clapton just dropped his hands and was shocked.

Wolf released his version in 1964 and it was written by him.

Hubert Sumlin played guitar on the original version. He said that Wolf played the field, with several ladies in his stable. One of them, a woman named Helen, was so fed up with his philandering that she got a shotgun filled with buckshot and fired at him from a second-floor window.

So, the killing floor is a metaphor for depression, in Wolf’s case triggered by a woman who was so mad she was literally trying to kill him.

Led Zeppelin later used this song as the basis for The Lemon Song.

Eric Clapton:

“I remember thinking that here was a force to be reckoned with. It scared me, because he was clearly going to be a huge star, and just as we are finding our own speed, here was the real thing.” 

“It was amazing,”“and it was musically great, too, not just pyrotechnics.” 

From Songfacts

In this song, Howlin’ Wolf sings about how he should have left his woman a long time ago, imagining how much better he would have it if he went to Mexico when he had the chance. Now, he’s down here on the killing floor.

Wolf wasn’t the first to use the phrase “killing floor” in a song; the Mississippi blues musician Skip James recorded “Hard Time Killing Floor Blues” in 1931. James’ version was re-released in 1964, a year before Wolf recorded his “Killing Floor.”

Artists to cover this song include Albert King, Jimi Hendrix and Otis Rush.

Killing Floor

I should have quit you, a long time ago
I should have quit you, babe, long time ago
I should have quit you, and went on to Mexico
If I had-a followed my first mind
If I had-a followed my first mind
I’d been gone, since my second time

I shoulda went on, when my friend come from Mexico at me
I shoulda went on, when my friend come from Mexico at me
But no, I was foolin’ with ya, baby, I let ya put me on the killin’ floor
Lord knows, I shoulda been gone
Lord knows, I shoulda been gone
And I wouldn’t have been here, down on the killin’ floor
Yeah

Lynyrd Skynyrd – I Need You

This album track came off of their second album Second Helping released in 1974. It was less than a year after their fantastic debut album called Pronounced ‘Lĕh-‘nérd ‘Skin-‘nérd. 

In my opinion they had some good albums after this one but not until their final one Street Survivors  did they match their first two.

Second Helping contained their big hit Sweet Home Alabama.  The album peaked at #12 in the Billboard Album Chart and #9 in Canada in 1974.

They played schools, parties, and bars for years before they hit it big. The band was first discovered in a rock club called Funnochio’s, on Peachtree Street in Atlanta, Georgia, in 1972. They were found by the famous Al Kooper, who had just landed an executive position at MCA Records and was searching to find some new talent for MCA’s “Sounds of the South” label. At that time Kooper was on tour supporting Badfinger at the time.

This album was produced by Al Kooper who was a founding member of Blood, Sweat, and Tears and he also played organ on Bob Dylan’s classic Like A Rolling Stone.

The three guitar attack was important with this band but it was Ronnie Van Zant’s songwriting that made them what they were. This song is a little slower but has that Skynryd build up of guitars. The band had some great album cuts and this is one of them.

Al Kooper: “Ronnie Van Zant was Lynyrd Skynyrd. I don’t mean to demean the roles the others played in the group’s success, but it never would have happened without him. His lyrics were a big part of it – like Woody Guthrie and Merle Haggard before him, Ronnie knew how to cut to the chase. And Ronnie ran that band with an iron hand. I have never seen such internal discipline in a band. One example: These guys composed all of their guitar solos. Most bands improvised solos each time they performed or recorded. Not them. Ronnie’s dream was that they would sound exactly the same every time they took the stage.” 

I Need You

Ain’t no need to worry
There ain’t no use to cry
‘Cause I’ll be comin’ home soon
To keep you satisfied

You know I get so lonely
That I feel I can’t go on
And it feels so good inside babe
Just to call you on the telephone
An’ I said…

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday

I woke up early this mornin’
And sun came shining down
And it found me wishin’ and a’hoping
Mama you could be around

Well you know I need you
More than the air I breathe
And I guess I’m just tryin’ to tell you woman
Oh what you mean to me yeah, yeah

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday
What I say…

I’m tryin’ to tell you I love you
In each and every way
I’m tryin’ to tell you I need you
Much more than just a piece of leg

Ooh baby I love you
What more can I say
Ooh baby I need you
I miss you more everyday

Ooh baby I love, love, love, love you
What more can I say yeah
‘Cause ooh baby I need your sweet lovin’
I miss you more an’ more everyday

Ooh baby I love you
Baby, baby I need ya

….

Mike Nesmith (1942-2021) and the Monkees influence

I had something else planned to post but I found out that Mike Nesmith passed away. Nesmith was a big inspiration to me. There is no question…Nesmith would have made it without the Monkees…he was a talented writer, actor, producer, novelist and a very good Texas guitar player.  He wrote some great country rock songs, Elephant Parts, and even a hit for Linda Ronstadt’s band The Stone Poneys…Different Drum.

While watching the reruns of the Monkees I bugged my mom to buy me a green wool hat with buttons but you can’t buy them off the shelf. She got me a green stocking cap…it wasn’t the same but I was happy.  When the Monkees are mentioned some people cringe but they still have a place in my 5-year-old heart…plus how many bands can say that Jimi Hendrix opened up for them? Although that might be the worst pairing ever.

I’m not saying they deserve to be remembered with the best bands ever. Not at all but they do need to be recognized for their influence on a couple of generations. They influenced a lot of kids to form bands…mostly because of their weekly prime-time television show and ensuing hit singles. In the 80s they had a big comeback with a tour and massive airplay on MTV… I got to see them then…without Nesmith though.

They were a lot of fun. I thought WOW… I must be in a band one day. Little did I know that being in a band was not living in a cool place at the beach and having adventures at every turn…not to mention everyone getting along…it just doesn’t happen that way…but it is a special feeling being in a band with an us against them attitude and a great growing experience.

After I went through the Monkees faze I discovered the Beatles, The Who, Stones, Kinks…anything British but I still have a soft spot for some of the old Monkees songs.

The Monkees basically took A Hard Days Night movie humor and made a television show around a life of a mid-sixties rock band. Kids wanted to form bands after seeing them romp around the screen with girls…who wouldn’t want that gig? Michael Stipe from REM has said  he was influenced by them.

They were not allowed to play on their first couple of albums…only sing…The Monkees were put together by Bob Rafelson and Bert Schneider for Screen Gems with two real musicians in the band…Michael Nesmith and Peter Tork… Micky Dolenz (he did sing in cover bands before The Monkees) and Davy Jones could sing and act…. and Mickey quickly learned drums.

When news came out that they didn’t play on their albums they were roundly criticized in the 1960s. They fought Don Kershner who controlled what they sang…. and won… The funny thing is many sixties pop bands didn’t play on their records and the Monkees actually started to play their own instruments on their third album (Headquarters)  and writing some songs for every album afterward.

In the second season of their tv show they started to gain more control. Some of those last episodes are very pot influenced…especially the episode called “The Frodis Caper”… It is surreal and broke the fourth wall…the second season is worth a watch…all of them are fun but the 1st season is more formulaic.

I still like many songs by them…anything written by Michael Nesmith (famous also for Elephant Parts), Pleasant Valley Sunday, Randy Scouse Git, Steppin Stone and Saturday’s Child.

All in all, they ended up singing and playing on some of the best-known sixties pop-rock hits.

I’ll just add one more thing…he Monkees belong in the Rock and Roll Hall of Fame.

….

Gary U.S. Bonds – Quarter To Three

I must admit I never heard of Bonds until Bruce Springsteen wrote a song for him called This Little Girl on Bond’s 1981 Dedication album.

Bruce covered this song in the seventies live. One performance in paticular was outstanding… the 1979 No Nukes concert encore (at the bottom).

I like Gary’s version a lot because of the party atmosphere which contrasts to the smoother records at the time.

After listening to the lyrics…I wondered who Daddy G was…Daddy G is Gene Barge, tenor saxman in an instrumental group called The Church Street Five, which released a song called “A Night With Daddy G” that reached #111 in February 1961.

Bonds’ real name is Gary Anderson. His label boss, Frank Guida, changed it to “U.S. Bonds” for his first single, New Orleans, as a play on the posters asking Americans to “buy U.S. savings bonds.” Pretty clever, but too many people, including many DJs, got it wrong and thought it was the name of a group. His next single, “Quarter To Three,” was initially issued as U.S. Bonds but soon changed to Gary U.S. Bonds, along with his subsequent releases.

The writing credits on this song go to Bonds and the three men who wrote the instrumental on which it is based…A Night With Daddy G.  They would be Gene Barge (Daddy G), Frank Guida, and Guida’s engineer and songwriting partner Joe Royster.

Daddy G was a popular guy…he got another mention a few months later when he showed up in the lyric to The Dovells song “Bristol Stomp,” where they sing about how they “rocked with Daddy G.” That song went to #2 in 1961.

The song went to #1 in the Billboard 100, #3 on the R&B Charts, and #7 in the UK in 1961.

From Songfacts

In this song, Gary U.S. Bonds sings about staying up till quarter to three in the morning, dancing to the swinging sax of Daddy G.

Like Bonds, The Church Street Five were signed to Legrand Records, owned by former record store owner Frank Guida. Bonds wrote a lyric for the song and recorded it (with Daddy G on saxophone) as “Quarter To Three.” In June 1961, it went to #1, where it stayed for two weeks.

Bruce Springsteen, a big fan of Bonds, played this at many of his concerts in the ’70s before and after his rise to stardom. When Springsteen played The Palladium in New York City on October 29, 1976, he brought Bonds on stage to perform the song. By this time, Bonds had long fallen out of favor (his last Hot 100 hit was in 1962 with “Copy Cat”) and stuck on the cabaret circuit. Springsteen worked at a breakneck pace for the next few years, but found time after the release on his 1980 album The River to work with Bonds, resulting in a successful 1981 comeback album for Bonds called Dedication.

Springsteen wrote a lot more songs than he could record, and three of them went to Bonds: “This Little Girl,” “Your Love” and the title track. Springsteen and members of his E Street band also played on the album and worked on the production. “This Little Girl” was a hit, going to #11 in the US and reviving Bonds’ career. When Springsteen brought Bonds on stage a few times in 1981, the crowds were far more familiar with him. In 1982, Springsteen and his band worked on another album for Bonds: On the Line.

Bonds sued Chubby Checker in 1962, claiming he stole “Quarter To Three” for his song “Dancin’ Party.” The case was settled out of court.

Quarter To Three

Don’t you know that I danced
I danced till a quarter to three
With the help, last night, of Daddy G
He was swingin on the sax like a nobody could
And I was dancin’ all over the room
Oh, don’t you know the people were dancin’
Like they were mad
It was the swingin’est band they had ever had
It was the swingin’est song that could ever be
It was a night with Daddy G
Let me tell you now
I never had it so good
Yeah and I know you never could
Until you get hip with that jive
And take a band like the Church Street Five
Oh don’t you know that I danced
I danced till a quarter to three
With the help last night of Daddy G
Everybody was as happy as they could be
And they were swingin with Daddy G
Blow Daddy

Let me tell you now
I never had it so good
Yeah and I know you never could
Until you get hip with that jive
And take a band like the Church Street Five
Oh don’t you know that I danced
I danced till a quarter to three
With the help last night of Daddy G
He was swingin on the sax like nobody could
And I was dancin all over the room
Oh don’t you know the
Dance, do bee wa dah
Dance, do bee wah dah
You can dance, do bee wah dah
You can dance, dance, dance

Bachman Turner Overdrive – Hey You

As a kid growing up this is one of the first bands that I knew the name of…I knew them as BTO and later found out their full name. Something that I didn’t know…”Bachman” is pronounced “Back-man” not “Bock-man“…I always used the latter pronouncement. An American DJ pronounced it wrong and it stuck for Americans.

Randy Bachman not only wrote this song but also was the lead singer. Turns out there was a purpose to this song…Randy was inspired.

There were rumors that Randy Bachman was directing the lyrics straight out of his old lead singer…Burton Cummings. They were both from The Guess Who. Cummings had said that Bachman would never make it in the music business after leaving their band. Burton was wrong in this case.

Randy did confirm all of the rumors years later. Randy Bachman: “I deserved to gloat a bit after all the mud Burton had slung at me.”

The song was on Four Wheel Drive and that album peaked at #1 in Canada and #5 in the Billboard Album Charts in 1975. There were two singles that were released… Quick Change Artist which charted at #7 and this one. Hey You did as well as the album…it peaked at #1 in Canada and #21 in the Billboard 100.

Randy left the band in 1977 but the band continued as “BTO.” Bachman returned in 1983, and the band has toured and recorded sporadically since.

I remember BTO opening up for Van Halen in 1986 on an 11-month tour. This was Van Halen’s first tour with new lead singer Sammy Hagar, who wanted BTO to blast out hits to get the crowd fired up. Van Halen would take the stage minutes later, leaving no time for the crowd to think about David Lee Roth.

Hey You

Hey you, you say you wanna change the world
It’s alright, with me there’s no regret
It’s my turn, the circle game has brought me here
And I won’t let down ’til every song is set

You realize now
You should have tried now, ooh
The music’s gone now
You lost it somehow
Hey you, sha la la la
Hey you, sha la la la
Woo! Sha la la
Woo! Sha la la

Hey you, you say the race is much too fast
It’s okay, with me I’m keeping pace
It’s my game, the music is inside my head
For every one on top there’s one who can’t retrace

You realize now
You should have tried now, ooh ooh
The music’s gone now, you’ll find out
You lost it somehow
Hey you, sha la la la
Hey you, sha la la la
Woo! Sha la la
Woo! Sha la la

You realize now, ooh
You could have tried now
The music’s gone now
You lost it somehow
Hey you, hey you, sha la la la
Hey you, sha la la la
Woo! Sha la la
Woo! Sha la la

Sha la la la, hey you, hey you, hey you (Woo!)
Sha la la la, ba-ba-ba-ba-ba-ba-baby, it’s true (Woo!)
Sha la la la, no time, no time left, no time (Woo!)
Sha la la la, don’t let me down, don’t let me down (Woo!)
Sha la la la, you gotta learn to take it easy, baby (Woo!)
Sha la la la, music’s over, it’s over (Woo!)
Sha la la la, too late, too late, too late (Woo!)
Sha la la la, I should have realised it a lot sooner than this (Woo!)
Sha la la la, hey you

Flamin’ Groovies – Whiskey Woman

This band was never huge but should have been. They were many things…a blues rock band and then blossomed into a great power-pop band. This song is during their blues/rock period.

It is off of their album Teenage Head. Years later a band in Canada were influenced by the Flaming Groovies…a band named after this album… Teenage Head. This album and Sticky Fingers by the Stones were released within weeks of each other. Mick Jagger reportedly noticed the similarities between the Groovies Teenage Head album … and thought the Flamin’ Groovies did the better take on the theme of classic blues and rock ‘n roll revisited in a modern context.

It’s a mid-tempo song  but when the vocal hits we have a hint of Sun Records slap back and I love it. Lead singer Roy Loney left the band just three weeks after Teenage Head was released. Some critics hold it up to  Sticky Fingers.

By the end of the sixties they clashed over where to go. Loney was more Stones and Cyril Jordon leaned toward the Beatles. Loney left in 1971 and they got an 18 year old lead singer named Chris Wilson and the power pop era began.

Whiskey Woman

I’ve been hungry all day long
For that girl whose wastin’ time
She was here but now she’s gone
I’ve got a taste for wine

Whiskey woman, why can’t you
See the hell you put me through?
We are tears dressed in blue

As I sit and write this song
You’re the one thing on my mind
We’ve been lovers far too long
The good times were passin by

Whiskey woman, I feel good
Locked me in her womanhood
Like I always knew she would

Yeah

Whiskey woman, I want you
Whiskey woman, I want you
Whiskey woman, I want you

Come on, come on
I want you
I want you
I want you

Where is the woman
Where are you
Where, where are you?
I want you
I want you, yeah

I want you
I want you
Where are you?

Where are you
Where are you
Oh, where are you?