Playing For Change, a global nonprofit which helps provide music education to young people around the world has just released a collaborative version of Robbie Robertson‘s “The Weight,” the classic song recorded by The Band in 1968 for their debut album, Music From Big Pink
https://playingforchange.com/videos/the-weight-song-around-world/
This was the second single from their self-titled Weezer album in 2001, but it almost didn’t make the album producer Ric Ocasek fought for it and the song ended up being a radio hit in the UK. I remember listening to it on an alternative station here in Nashville.
The song peaked at #8 on the Billboard Alternative chart and #31 in the UK.
This is the most-licensed track in the Weezer catalog. Frontman Rivers Cuomo said: “The funny thing is, the song wasn’t a real radio hit. I can only speculate that it’s because the song has a cleaner guitar sound, which makes it easier for a more mainstream audience.”
From Songfacts
Weezer started recording this on January 1, 2001 at Cello Studios in Los Angeles, which used to be a part of Western Studios, where Frank Sinatra, The Mamas And The Papas and The Beach Boys all recorded. Sometime in April 2001, someone stole a copy of the master tapes and leaked the album on the Internet in unfinished form. >>
Two different videos were made for this song. One shows the band playing at a Mexican wedding, and the other, more popular version shows the band cavorting with different wild animals. This version was directed by Spike Jonze.
In 2006, Emma Roberts covered this for the soundtrack of Aquamarine.
In late 2001, the band began playing this in concert with a reworked version of the solo. In 2005, Rivers Cuomo would play this by himself on an acoustic guitar to open their encores.
Island In The Sun
hip hip
hip hip
hip hip
hip hip
When you’re on a holiday
You can’t find the words to say
All the things that come to you
And I wanna feel it too
On an island in the sun
We’ll be playing and having fun
And it makes me feel so fine
I can’t control my brain
hip hip
hip hip
When you’re on a golden sea
You don’t need no memory
Just a place to call your own
As we drift into the zone
On an island in the sun
We’ll be playing and having fun
And it makes me feel so fine
I can’t control my brain
We’ll run away together
We’ll spend some time forever
We’ll never feel bad anymore
hip hip
hip hip
hip hip
On an island in the sun
We’ll be playing and having fun
And it makes me feel so fine
I can’t control my brain
We’ll run away together
We’ll spend some time forever
We’ll never feel bad any more
Hip hip
We’ll never feel bad anymore
(hip hip)
(hip hip)
No no
(hip hip)
(hip hip)
We’ll never feel bad anymore
(hip hip)
In a island in the sun
I can’t say a lot about this song because it is new. Thank you runsewread for pointing out this new release. They have released two tracks off the new album WHO being released on December 16th. Ball and Chain and All This Music Must Fade are the two new songs being previewed. Ball and Chain will be the Next Post.
Roger’s voice sounds really strong and the song sounds like vintage Who to me.
Townshend and Daltrey are joined on the album by drummer Zak Starkey and bassist Pino Palladino.
https://www.rollingstone.com/music/music-news/the-who-new-song-all-this-music-must-fade-894248/
The Who have shared their contemplative new song “All This Music Must Fade,” the latest single off the rockers’ long-awaited new LP WHO, out December 6th.
The opening track on WHO, the new song takes a tongue-in-cheek attitude about originality in music as well as the band’s own legacy.
Pete Townshend said in a statement that the song is “dedicated to every artist who has ever been accused of ripping off someone else’s song. Seriously? Our musical palette is limited enough in the 21st century without some dork claiming to have invented a common chord scheme.”
“I don’t care / I know you’re gonna hate this song / And that said / We never really got along,” Roger Daltrey sings in the opening verse. “It’s not new, not diverse / It won’t light up your parade / It’s just simple verse / All this music will fade / Just like the edge of a blade.”
All This Music Must Fade
(What’s mine is mine
What’s yours is yours, and what’s mine is mine
What’s yours is yours, and what’s mine is mine
What’s yours is yours, and what’s mine is mine)
I don’t care
I know you’re gonna hate this song
And that’s it
We never really got along
It’s not new, not diverse
It won’t light up your parade
It’s just simple verse
All this music will fade
Just like the edge of a blade
All this music will fade
Just like the edge of a blade
I’m long gone
And I ain’t never coming back
[?]
I’ve never really quite gone bland
I’m not blue, I’m not pink
I’m just grey, I’m afraid
And it seems in a blink
All this music will fade
(All this music will fade)
Just like the edge of a blade
(Just like the edge of a blade)
All this music will fade
(All this music will fade)
Just like the edge of a blade
(Just like the edge of a blade)
What’s yours is yours, and what’s mine is mine
What’s mine is yours, and what’s yours is mine
What’s mine is yours, and what’s yours is mine
What’s yours is yours, and what’s mine is mine
I don’t mind
Other guys ripping off my song
I’d be a liar
If I said I never done no wrong
Oh, this sound that we share
Has already been played
And it hangs in the air
All this music will fade
(All this music will fade)
Just like the edge of a blade
(Just like the edge of a blade)
All this music will fade
(All this music will fade)
Just like the edge of a blade
I don’t care
I know you’re gonna hate this song
And that’s it
‘Cause we never really got along
It’s not new, not diverse
It won’t light up your parade
It’s just simple verse
All this music will fade
Just like the edge of a blade
All this music will fade
Just like the edge of a blade
All this music will fade
What’s yours is yours, and what’s mine is mine
What’s mine is yours, and what’s yours is mine
What’s mine is yours, and what’s yours is mine
What’s yours is yours
(Yours is yours, and what’s mine is mine
And what’s mine is mine, and what’s mine is yours
Who gives a fuck?)
My son showed me a video on his phone and it fooled me at first. It’s easy to see why Robin Willaims and other actors and actresses have signed deals restricting their images for the future.
It’s not perfect You can tell when the actors turn their heads or in action scenes but one day it will be flawless…and these were made by a fan.
Under the YouTube username “Ctrl Shift Face,” this high-tech movie fan has used face swap technology to create some remixes of iconic movie scenes — complete with all new actors.
Jim Carrey in The Shinning
Tom Cruise in American Psycho
Tobey Maguire as new Spiderman
Bruce Lee in the Matrix
Hanspostcard had mentioned he was reading this book and from what he said I had to give it a try. I got the audible version. The author Tom O’Neill has an interesting quote that sums up the book… “My goal isn’t to say what did happen—it’s to prove that the official story didn’t,”
When I first started to listen I thought it was going to be a big conspiracy book but I was pleasantly surprised…Tom O’Neill took pains not to go there. He is pretty open that he does not find the “answer” to the murders. He also made it clear he wasn’t trying to clear the guilty parties of the Tate/Labianca cases. They are no doubt guilty but it was more about the circumstances around the question of why and the Helter Skelter theory brought by Vincent Bugliosi. Vincent was the prosecutor in the case and later wrote the book Helter Skelter…the best-selling true crime book ever.
Manson’s parole officer Roger Smith was really baffling. Manson was on parole through the late sixties and did everything he could to break his parole…Smith kept giving him a pass, protecting his family, and even fostering one of Manson’s kids. Manson must have had a hell of a rabbit’s foot or someone or some organization was looking out for him. If any of us would get caught with an underage girl, stolen cars, and narcotics… a trip to jail would be in our immediate future…even in the 1960s…much less being on parole at the time.
O’Neill has the documents to back up his claims. Bugliosi did suppress evidence and most around the case are still afraid to talk. Some of the evidence yes could have got by him but not to this extent. Tom interviewed a countless number of people… including tense interviews with Bugliosi.
Tom spent 20 years on this book. The story of him writing the book is just as interesting as the story. He became depressed and obsessed with the murders. In 1999 he was writing an article for Premier Magazine and kept extending the deadlines for the 30th anniversary of the murders. Then in 2009, it was going to be a book published by Penguin for the 40th…that didn’t work out because he kept finding new leads and information. Finally this year the book was released for the 50th anniversary of the murders.
What I found interesting also was the other subjects that were brought up…COINTELPRO, Operation CHAOS, and MKULTRA…goverment secret programs that could come into play. There is much more in the book than I’ve touched on…I would recommend getting it…it makes you think and question.
Below is a great review of the book.
On my quest to find more powerpop music…this band was recommended to me and I’ve been listening to them for a week or so. The Beths are a band out of New Zealand and they formed in 2015. The songs are full of good guitar hooks and with Elizabeth Stokes clever writing and voice… make them fun to listen to. They have some 90s indie sound with a little of the 60s thrown in.
Happy Unhappy is off of their debut album…Future Me Hates Me released in 2018. The members are Elizabeth Stokes(vocals, guitar) Jonathan Pearce(guitar), Benjamin Sinclair (bass) and Ivan Luketina-Johnston (drums).
A good write up on their debut album in Rolling Stone.
From Allmusic by Marcy Donelson
Their main songwriter, Elizabeth Stokes, also fronts the Beths, a New Zealand group that combines energized guitar riffs, melodic hooks, and harmonized backing vocals in their impulsive indie rock. Having already won fans as a live act, the band released its first album, Future Me Hates Me, in 2018.
Happy Unhappy
I was higher than a biplane
Then you hit me like a hurricane
I bailed out, hit the ground
Washed up in a storm drainStumbled up the driveway
With a handshake and a slow wave
Now I’m crashed out on the couch
Wondering if you feel the same‘Cause you’re in my brain taking up space
I need for remembering pins and to take out the bins
And that one particular film that that actor was in
I see your face superimposed over everything
It ain’t right
(It ain’t right, it ain’t right)‘Cause I was fine on my own
Tolling steady like a dial tone
Couldn’t you leave me I was happy unhappy
But now I’m overthrown
Wish my heart were really made of stone
And I could forget you
Like I really want to
I was living with your spare change
In the pocket of your cutaways
And I get so spent waiting on your lunch break
Broke every window pane
So I can feel the cold rain
When I lie in bed catching death trying to wash it all away‘Cause you’re in my brain taking up space
I need for delivering lies and suppressing the sighs
And for navigating the escape when I get lost in your eyes
It’s taking up all of my time just to keep it in line
It ain’t right
(It ain’t right, it ain’t right)‘Cause I was fine on my own
Tolling steady like a dial tone
Couldn’t you leave me, I was happy unhappy
But now I’m overthrown
Wish my heart were really made of stone
And I could forget you
Like I really want toI was fine on my own
Tolling steady like a dial tone
Couldn’t you leave me, I was happy unhappy
But now I’m overthrown
Wish my heart were really made of stone
And I could forget you
Like I really want toI could forget you
I could forget you
I could forget you
The song peaked at #26 in the US Adult Alternative Songs Billboard, #15 in the UK in 2013. The song was on his self-titled debut album. Jake is an artist that could have debuted in the 60s and 70s and fit in perfectly. I saw him in 2017 and the audience was a mixture of young and old.
Jake was 19 when this song was released. he said: “Before age 12, I had no interest in music,” “Then, me uncle came around with a guitar and showed me basic chords. I started listening to Jimi Hendrix and it just blew me away.
“It was also disheartening. I mean, when you listen to Jimi Hendrix for the first time, you think, ‘How am I going to be able to play like that?’
He started to write songs at 14. Along with Hendrix, he counts the Beatles among his earliest musical influence “They’re a starting point for anyone, I should think. Then, I traced things back to Buddy Holly and Elvis, just discovering all those great records.”
From Songfacts
This gritty stroll through the streets of Bugg’s hometown of Clifton, Nottingham, was released as the third single from his debut album. He penned the tune with long-time Snow Patrol collaborator, Iain Archer. Bugg recalled to The Daily Telegraph: “When I was writing with Iain, we had a fag, a cup of tea, a bit of a play. The way I see it, it’s jamming.”
The song’s Michael Holyk directed video was shot in Amsterdam, The Netherlands.
The song featured in an American a commercial for Gatorade sports drinks that aired during the 2013 NBA championships.
Lightning Bolt
Morning, it’s another pure grey morning
Don’t know what the day is holding
When I get uptight
And I walk right into the path of a lightning bolt
Sirens of an ambulance comes howling
Right through the center of town and
No one blinks an eye
And I look up to the sky for the path of a lighting bolt
Met her as the angels parted for her
But she only brought me torture
But that’s what happens
When it’s you who’s standing in the path of a lightning bolt
Everyone I see just wants to walk with gritted teeth
But I just stand by and I wait my time
They say you gotta tow the line they want the water not the wine
But when I see the signs I jump on that lightning bolt
And chances, people tell you not to take chances
When they tell you there aren’t any answers
And I was starting to agree
But I awoke suddenly in the path of a lightning bolt
Fortune, people talking all about fortune
Do you make it or does it just call you
In the blinking of an eye
Just another passerby in the path of a lightning bolt
Everyone I see just wants to walk with gritted teeth
But I just stand by and I wait my time
They say you gotta tow the line they want the water not the wine
But when I see the signs I jump on that lightning bolt
It was silent, I was lying back gazing skyward
When the moment got shattered
I remembered what she said
And then she fled in the path of a lightning bolt
The love of Richard Nixon, death without assassination, The love of Richard Nixon, yeah they all betrayed you
This band took a more sympathetic view than some of the other songs that mention the former President. The Welsh band formed in Blackwood in 1986. The song was written by band members James Dean Bradfield, Nicky Wire, and Sean Moore. One member of the band Richey Edwards who suffered from depression disappeared in 1995 never to be seen again.
This song was released in 2004 the song peaked at #2 in the UK. Altogether they had 41 UK top 75 songs, 34 Top 40 songs, 15 Top 10 and 2 number 1’s. Bass player Nicky Wire: “If Radiohead are Kennedy, then Manic Street Preachers are Nixon; the ugly duckling who had to try ten times harder than anyone else. Paranoid megalomaniacs.”
From Songfacts
The Manic’s primary lyricist and rhythm guitarist Richey Edwards gained early notoriety by cutting the words “4REAL” into his arm with a razor blade. Since that episode and his later disappearance, now presumed dead, the band have been somewhat overshadowed by the events of Richey Edwards’ troubled life. This provocatively titled single, is a sympathetic appraisal of someone else whose achievements were eclipsed by one event. “The main thrust of the song,” bassist Nicky Wire explained to Repeat Fanzine, “is the idea of being tarnished with a certain part of your life forever. With us, people might think of Richey’s disappearance or 4 REAL.
With Nixon, people will always associate him with Watergate and being a crook, not the fact that he was the first president to go to China to build up relations. Or the way he de-escalated the arms race with the Soviet Union – quite admirable things.”
Wire added concerning his sympathy for the devil: “There’s always been a ridiculousness to Manic Street Preachers. Not humour, not funny-ha ha, but a question of ‘Do they really mean it?’ But there’s probably more empathy [with Nixon] than I should admit. Nixon wasn’t a good president, but he wasn’t George W Bush. He was a brilliant man, and not all Republican presidents have been. I do think he’s a fascinating character, particularly in today’s climate. He probably ended the Vietnam War. Whatever you think his reasons were – and conspiracy theories abound – he signed off at the end of it.”
The timing of the single’s release, two weeks before George W. Bush’s victory at the 2004 US presidential elections, was most likely significant. Many suspected it was a statement by the Manics concerning the reputation of the USA’s leadership at the time.
The song finishes with a sample of Nixon himself stating “I have never been a quitter.” Wire explained to NME October 8, 2011: “We thought that applied to us as a band. I just find him really interesting and kind of like myself.”
“The Love Of” peaked at #2 on the UK singles chart helped by a marketing ploy that was deliberately designed to encourage multiple purchases. The single came complete with a special offer whereby fans could purchase all three formats (2 track CD, 3 track CD and DVD) for just £5. You don’t have to be a maths professor to work out what the effect of this was.
The Love of Richard Nixon
The world on your shoulders
The love of your mother
The fear of the future
The best years behind you
The world is getting older
The times they fall behind you
The need it still grows stronger
The best years never found you
The love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
The love of Richard Nixon, death without assassination
Yeah they all betrayed you
Yeah and your country too
Love build around the sandy beaches
Love rains down like Vietnam’s leeches
Richard the third in the White House
Cowering behind divided curtains
The world is getting older
The times they fall behind you
The need it still grows stronger
The best years never found you
Ah, the love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
The love of Richard Nixon, death without assassination
Yeah they all betrayed you
Yeah and your country too
The love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
People forget China and your war on cancer
Yeah they all betrayed you
Yeah and your country too
In all the decisions I have made in my public life,
I have always tried to do what was best for the nation.
I have never been a quitter
Well, this reference is pretty obvious…
I’m gonna stand the test of time Like Beatles and Stones
Beady Eye was a band formed by Liam Gallagher of Oasis with former members of Oasis. This song was written by Liam Gallagher and it was on the Different Gear, Still Speeding album released in 2011.
They recycled the Who’s My Generation riff to good effect. They defiantly have that mid-sixties mod thing going on.
Beady Eye released two albums. Different Gear, Still Speeding (#3 UK) in 2011 and BE (#2 UK) in 2013. In 2014 Beady Eye broke up because of the failure to gain popularity in the US according to Liam Gallagher.
Beatles and Stones
Well it beats me mama, I just want to rock and roll
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones
Well it freaks them mama
I’m not doin’ what I’m told
Well it freaks them mama
You know I can’t be bought and sold
I’m gonna stand the test of time
Like Beatles and Stones
I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones
I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright
What’s that you say?
Get out the way!
Well it beats me mama, I just want to rock and roll
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones
Well it freaks them mama
I’m not doin’ what I’m told
Well it freaks them mama
You know I can’t be bought and sold
I’m gonna stand the test of time
Like Beatles and Stones
I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones
I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright
What’s that you say?
Get out the way!
This song was off the 2012 album Temptest. Bob wrote this song with Robert Hunter, the Grateful Dead lyricist. The album peaked at #3 in the Billboard Album Charts. My son is who called my attention to this one. Unlike some other older performers, Bob somehow stays relevant to the times.
The memorable video is directed by Nash Edgerton. Bob looks just really cool in this video as he leads some kind of gang.
The song refers to the Duquesne train service that used to run between New York Penn and Pittsburgh Penn Stations, which was named after the 18th century Fort Duquesne in the latter city. That route is now served by the daily Amtrack Pennsylvanian service.
From Songfacts
The bluesy song The lyrics show Dylan’s distaste at times a changing’. “Listen to that Duquesne whistle blowing,” he demands. “Blowing like it’s gonna sweep my world away.”
The Nash Edgerton-directed music video is set on the streets of downtown Los Angeles. Dylan appears briefly throughout the clip.
The line, “I’m gonna stop at Carbondale and keep on going” refers to Carbondale, Pennsylvania, in the northeast corner of the state. Like all of the region, it’s now a small rust belt town, but at the time when the Duquesne train line was running, Carbondale was fat off the anthracite coal industry.
Duquesne Whistle
Listen to that Duquesne whistle blowing
Blowing like it’s gonna sweep my world away
I’m gonna stop at Carbondale and keep on going
That Duquesne train gon’ rock me night and day
You say I’m a gambler, you say I’m a pimp
But I ain’t neither one
Listen to that Duquesne whistle blowing
Sound like it’s on a final run
Listen to that Duquesne whistle blowing
Blowing like she never blowed before
Little light blinking, red light glowing
Blowing like she’s at my chamber door
You smiling through the fence at me
Just like you’ve always smiled before
Listen to that Duquesne whistle blowing
Blowing like she ain’t gon’ blow no more
Can’t you hear that Duquesne whistle blowing?
Blowing like the sky’s gonna blow apart
You’re the only thing alive that keeps me going
You’re like a time bomb in my heart
I can hear a sweet voice steadily calling
Must be the mother of our Lord
Listen to that Duquesne whistle blowing
Blowing like my woman’s on board
Listen to that Duquesne whistle blowing
Blowing like it’s gon’ blow my blues away
You’re a rascal, I know exactly where you’re going
I’ll lead you there myself at the break of day
I wake up every morning with that woman in my bed
Everybody telling me she’s gone to my head
Listen to that Duquesne whistle blowing
Blowing like it’s gon’ kill me dead
Can’t you hear that Duquesne whistle blowing?
Blowing through another no good town
The lights on my native land are glowing
I wonder if they’ll know me next time ’round
I wonder if that old oak tree’s still standing
That old oak tree, the one we used to climb
Listen to that Duquesne whistle blowing
Blowing like she’s blowing right on time
This list will be different for every baseball fan. Many times it’s your team’s announcer and other times it’s a network announcer you grew up with. I tend to like announcers who are not complete homers although some I like… like Harry Caray. He made it fun even though he openly rooted for the Cubs…and Budweiser.
There are many more that could be on this list.
5: Harry Caray – He injected fun into the game. It was like a fan announcing the game. He wasn’t technically the best baseball announcer but he was enjoyable.
4: Mel Allen – I remember Mel when I was a kid on “This Week in Baseball.” That voice was a part of my childhood.
3: Bob Uecker – “Just a bit outside” the more I listen to him the more I appreciate him.
2: Jack Buck – NOT Joe… You could hear his excitement for the game in his voice. For me, the best is between Jack and…
1: Vin Scully – Being a Dodgers fan I was spoiled by Vin Scully… my number 1 favorite. If you tuned into a Dodger game you would not know who employed Mr. Scully. He would not root for the Dodgers and he knew when not to say anything and let the action speak for itself.
Vin
Jack
I’ve always liked Time Travel movies. I have made a list below but I’m not including the Back To The Future franchise because everyone knows about those movies. These are my top ten I’ve watched so far. Please make some more recommendations if you have any.
1, Frequency (2000) – This movie combines two loves of mine. Baseball and Time Travel… A son in modern times talks to his dad over a Ham Radio in 1969 and it revolves around details from the 1969 World Series.
2. The Time Machine (1960) – From the HG Wells book, this movie has aged well through the years. It’s a period piece at the turn of the 20th century…and also a trip into the far future.
3. I’ll Follow You Down (2013) – It’s odd to see Haley Joel Osment grown up and acting but this low budget film is a good film. Haley plays a guy named Errol who saw his father leave for the airport when he was 9 and he never came back home. A grown-up Errol looks to see what happened to his dad and finds him in the 1940s.
4. 41 (2012) – An Australian film made in 2012. Aidan accidentally kills his girlfriend in an auto accident. He hears about room 41 in a local motel and if you go to a hidden place in the room and back out…you go back 12 hours in time. He tries to go back and avoid the accident. I happen to catch this movie by accident and it was worth the watch.
5. Project Almanac (2014) – A teenager is trying to go to MIT but his family doesn’t have the money. He starts looking at his deceased father’s old inventions and gadgets to raise money. He finds a VHS tape of his 7th birthday party and in the mirror on the tape, he sees himself at the age of 18 at the party.
He finds his dad’s attempt at a time machine and finishes it. He ends up fulfilling what he saw on the tape and messes with the lives of his friends.
6. Peggy Sue Got Married (1989) – Classic 80s movie about Peggy Sue who is separated from her husband and goes to her high school reunion and passes out. She wakes up as a teenager in the early 60s.
7. Hot Tub Time Machine (2010) – A fun romp through the 80s.
8. Bill and Ted’s Excellent Adventure (1989) – This movie launched a lot of quotes. Bill and Ted learned history by going back in time. George Carlin is most excellent in this movie.
9. Time Bandits (1981) – I saw this with a friends family back in 1981 at a theater. I was excited because George Harrison was one of the Executive Producers. Kevin, a young kid gets visited in the middle of the night by six dwarves and with a special map visit places in time.
10. Time After Time (1979) – Malcolm McDowell stars in this movie as he plays Herbert George Wells and he chases Jack The Ripper through time to 1979 with his time machine.
Heard this song and loved it. It’s so catchy and I even liked the video. I also laughed because I heard the other version which is called F**k You…but I try to keep this blog at least PG-13 so we will go with Forget You today. But…if you want to hear the other be my guest.
This song peaked at #2 in the Billboard 100 in 2011. The songwriters were Bruno Mars, CeeLo Green, Philip Lawrence, and Ari Levine. The song has a good pop hook and it has a few different styles thrown in.
You may have thought the inspiration for this song was from a breakup but Green said the hit came about as a result of creative differences with his label, Elektra Records.
“I did ‘F— You’ to be an a–hole, to be spiteful toward the label,” “Because it had taken about three years to do The Lady Killer, and I just felt that after recording almost 70 songs I could not please them.”
From Songfacts
This is the radio-friendly version of Cee-Lo Green’s expletive-laden viral hit, “F–k You.” In the original rendition of the song about being jilted for a Ferrari-driving slickster, Cee-Lo drops 16 f-bombs in just 3 1/2 minutes.
The song features Green’s Elektra labelmate Bruno Mars. It originated during a session in L.A. with Mars and Phil Lawrence of the production team the Smeezingtons. The pair played to Cee-Lo a rough demo of a song they weren’t sure was worth completing. “When Bruno first sung ‘F—- You’ to me, they were still a bit indecisive on whether or not it could work at all,” Green told Entertainment Weekly.”I was like, ‘I like it. Let’s record it.'” The trio then completed the song with Cee Lo contributing many of the verse lyrics.
Cee-Lo told Entertainment Weekly that the lyrics about a gold-digging ex aren’t strictly autobiographical. “I mean, it’s based on something true… As far as me personally, it’s not a current event. It’s a figurative account. It’s not completely fictitious, though.”
Cee-Lo first appeared on the music scene in 1995 with the Southern hip-hop group Goodie Mob. He is best-known as one-half of the duo Gnarls Barkley, who had a worldwide hit with “Crazy.”
The video broke the two million view mark on YouTube within one week of its release but also received criticism for the foul language used by Cee-Lo. The musician claimed rather loftily in an interview that it’s actually a work of art. “What I’ve tried to accomplish, like, is making art products … so I still believe that (the song) can be classified as art because it’s an original piece and the edge and alternative is there, and the integrity is intact,” he said.
Cee-Lo added that he was trying to elevate music with the song, something he feels the music industry does not do enough. “The system does not, you know, advocate art, so to speak, but it does package and promote products and product placement, and there’s a definitive difference between the two, art and product,” he said. “I have yet to sit down and try to write something for the sake of radio. I just never done it, not consciously.”
The Gnarls Barkley star admitted the revamped version with milder lyrics wasn’t part of the initial plan. “It wasn’t like we were looking for it to be a radio hit of some sort. It was only until a short time after that we considered doing a clean version just in case.”
Cee-Lo told NME about the song: “It’s a fictitious account of love lost. But it’s a trial that we’ve all been through some time or another, and I think that’s why people can relate to it.”
The official music video was released on September 1, 2010. It features grade school and high school versions of Green getting their heart broken by the girls they love. The singer told Billboard magazine that while he wasn’t directly in charge of casting, he had a large part in deciding who got the role. “I [did] have a final say in who I would think best represent me. I picked quite a few of the people that you see,” he said.
The song topped the charts in the Netherlands and the United Kingdom and was a top ten hit in many other territories including Australia, Belgium (Flanders), Canada, Denmark, Hungary, Ireland, New Zealand, and Sweden.
Actress Gwyneth Paltrow performed this song on “The Substitute” episode of Glee, in which she plays a substitute teacher who Mr. Schue (Matthew Morrison) falls for. The Glee version debuted at #11 on the Hot 100 marking Paltrow’s first entry on the chart. Can you name the two previous other songs the actress has contributed vocals to, which have graced other Billboard charts?
1. Her Huey Lewis duet “Cruisin’ ” topped Adult Contemporary the week of December 16, 2000.
2. Simultaneously with her success with this song, Paltrow also charted on Country Songs with “Country Strong,” the title track from the 2010 film in which she co-starred.
Some Gwyneth aficionados might have come up with “It’s Only Love,” a track from Sheryl Crow’s 2002 album, C’mon C’mon. However, this never featured on any Billboard chart.
The sweary version was named by Spin magazine as their Best Song of 2010.
Bruno Mars explained to Rolling Stone that when he came up with the piano riff, he thought it was an old soul riff from the ’60s or ’70s. Said Mars, “I guess I’d know by now if it wasn’t original. When Cee-Lo got in there and sang, we all got the chills.”
In what looked a lot like Elton John’s appearance on The Muppet Show in 1977, Cee-Lo performed this song at the Grammy Awards in 2011 dressed in feathers and backed by a band of puppets. The song became a duet when Gwyneth Paltrow joined in, eventually ending up on top of Cee-Lo’s piano. The song was nominated for Record of the Year, Song of the Year and won for Best Urban/Alternative Performance.
When the Glee version debuted at #31 in the UK on the day of the 2011 Oscar ceremony, Gwyneth Paltrow became the sixth Academy Award winner for Best Actress to also make that country’s singles chart, following Liza Minnelli, Cher, Barbra Streisand, Nicole Kidman and Kate Winslet.
Bruno Mars recalled to Q magazine: “For years I’d been saying, ‘I wanna work with Cee lo Green.’ We came up with the title and sung the chorus for him. We were a little nervous about it cos we didn’t want it to be like a skit. He said, ‘That’s incredible, let’s go.’ We wrote it in two hours.”
In a February 2012 promo for Fender guitars, Bruno Mars said he played his 57 Reissue Stratocaster on the song.
Forget You
I see you driving ’round town
With the girl I love and I’m like,
Forget you!
Oo, oo, ooo
I guess the change in my pocket
Wasn’t enough I’m like,
Forget you!
And forget her too!
Said, if I was richer, I’d still be with ya
Ha, now ain’t that some shit? (ain’t that some shit?)
And although there’s pain in my chest
I still wish you the best with a
Forget you!
Oo, oo, ooo
Yeah I’m sorry, I can’t afford a Ferrari,
But that don’t mean I can’t get you there.
I guess he’s an Xbox and I’m more Atari,
About the way you play your game ain’t fair.
I pity the fool that falls in love with you
(Oh shit she’s a gold digger)
Well
(Just thought you should know )
Ooooooh
I’ve got some news for you
Yeah go run and tell your little boyfriend
I see you driving ’round town
With the girl I love and I’m like,
Forget you!
Oo, oo, ooo
I guess the change in my pocket
Wasn’t enough I’m like,
Forget you!
And forget her too!
Said, if I was richer, I’d still be with ya
Ha, now ain’t that some shit? (ain’t that some shit?)
And although there’s pain in my chest
I still wish you the best with a
Forget you!
Oo, oo, ooo
Now I know, that I had to borrow,
Beg and steal and lie and cheat.
Trying to keep ya, trying to please ya.
‘Cause being in love with your a** ain’t cheap.
I pity the fool that falls in love with you
(Oh shit she’s a gold digger)
Well
(Just thought you should know)
Ooooooh
I’ve got some news for you
Ooh, I really hate your ass right now
I see you driving ’round town
With the girl I love and I’m like,
Forget you!
Oo, oo, ooo
I guess the change in my pocket
Wasn’t enough I’m like,
Forget you!
And forget her too!
Said, if I was richer, I’d still be with ya
Ha, now ain’t that some shit? (ain’t that some shit?)
And although there’s pain in my chest
I still wish you the best with a
Forget you!
Oo, oo, ooo
Now baby, baby, baby
Why d’you wanna wanna hurt me so bad?
(So bad, so bad, so bad)
I tried to tell my momma but she told me
“This is one for your dad”
(Your dad, your dad, your dad)
Yes she did
And I was like
Uh! Whhhy? Uh! Whhhy? Uh!
Whhhy lady? Oh! I love you oh!
I still love you. Oooh!
I see you driving ’round town
With the girl I love and I’m like,
Forget you!
Oo, oo, ooo
I guess the change in my pocket
Wasn’t enough I’m like,
Forget you!
And forget her too!
Said, if I was richer, I’d still be with ya
Ha, now ain’t that some shit? (ain’t that some shit?)
And although there’s pain in my chest
I still wish you the best with a
Forget you!
Oo, oo, ooo
I heard this in 2000 for the first time and right away I liked it. It has a slight Beatle influenced feel and is extremely catchy. Ween does not take them seriously and they are fun to listen to. The Band formed in 1984 in New Hope, Pennsylvania by childhood friends Aaron Freeman and Mickey Melchiondo.
This song didn’t chart but it was played on many alternative stations.
From Wiki
Ween signed with Elektra Records and released their major label debut Pure Guava on November 10, 1992. Pure Guava featured their highest charting single, “Push th’ Little Daisies” which gained them media and MTV attention, as the video was a highlighted target on MTV’s Beavis and Butt-Head. The song was also a hit in Australia, reaching #18 on the singles chart.
They also wrote and performed the song “Ocean Man” for the Spongebob movie.
Even If You Don’t
I’m goin’ crazy trying to keep you sane
Takin’ my prescriptions, forging my name
I was happy this morning, ya finally got yourself dressed, eatin all the bacon
Its okay i was still impressed
I love you, even if you don’t
you’ve got your knife up to my throat, what do you want to see with me?
Rooting though the garbage for treasures in the trash pile, seein my expression will always make you smile
Please don’t touch my phone book, my friends are getting pissed off
Ya wake em I’m the morning, I’m acting like a jerkoff
I’m not a big Ashton Kutcher fan but I do like this movie. It got panned by many critics when it was released in 2004. I am a sucker for Time Travel movies and for me, this is a decent one. It does get very grim at times and shows that a slight change in one event can change many others that come after.
Kutcher plays Evan Treborn who is basically a good guy who keeps having blackouts as a kid. The doctors cannot figure out why, but he has a gift or curse that was passed down from his dad. If he reads and concentrates on the journals he made as a youth he can go back in time to what he wrote about. He spends the movie trying to right wrongs that shape all of his friend’s future. Every change he makes has a consequence and leads to sometimes disastrous results.
He had been in love with Kayleigh Miller since he was a kid and Kayleigh lives with her sexually abusive father and her brother is a psychopath because of his home life. They both had a choice to live with their mom or dad but they picked their dad.
I can’t go any further without ruining it. The film has plenty of flaws but if you like Time Travel you might like this. It’s not Gone With The Wind but an enjoyable movie but with adult situations…not for kids.
One thing about it…I would suggest NOT to watch the Directors Cut first because four alternative endings were filmed and personally I liked the theatrical version the best. Whichever one you see you can watch the other endings on Youtube or the DVD.
Cast
