1990s – Page 19 – PowerPop… An Eclectic Collection of Pop Culture

Last Train to Memphis…book by Peter Guralnick

I’ve read numerous books about The Beatles and other rock stars but never one on Elvis. This book is detailed pretty well and you get to know Elvis, his friends, and family up until 1958 and after his mother’s death. Peter Guralnick does a very good job not dwelling too long in one place. He keeps the story moving at a good pace. Guralnick is very even-handed and does not sensationalize his life.

Peter does have a second book called “Careless Love” I will start reading soon that covers the rest of Elvis’s life when things come unraveled.

I grew up listening to Elvis. I was never a huge fan. He was a great entertainer and interrupter of other people’s songs. He helped open the door to blues. soul and rock music for the masses like The Beatles and Stones did later.

You meet some very interesting and historical characters. Sam Phillips who first signed Elvis to Sun Records, Dewey Phillips (famous Memphis DJ) who first played “It’s All Right” on the radio, Hank Snow, and many others. Elvis wasn’t an overnight sensation but his success just continued to grow until it was uncontrollable. He covers the tours and tv appearances.

I’ve never thought too much of Colonel Tom Parker and this book didn’t help. Keeping Elvis separated from anyone who could influence him and caring more about his investment than the person.

Even at this early stage, I started feeling sorry for Elvis because of the isolation of not being able to go out in public without causing a scandal or being chased. He did have some close relationships with girls that were broken up because of the situation Elvis was in.

The part that disappointed me was that Elvis seemed to neglect his band. Scotty Moore and Bill Black were put on salary and could not work for anyone else. Scotty has blamed it on some RCA execs and Parker. They were with Elvis through the lean times and Scotty even managed them at the beginning. Scotty’s guitar help develop Elvis’s sound at the beginning.

Overall Elvis comes off as a good kid who got the world thrown at him and being his age he took it rather well. He was nearly always gracious to his fans, friends, and family.

If I had to give a rating I would give it 5 stars out of 5… A great book on how he began and it did clear up some myths built around him.

Annie Lennox – Walking on Broken Glass

“Walking on Broken Glass” is a song written and performed by Scottish singer Annie Lennox, taken from her 1992 album, Diva. This song peaked at #14 in the Billboard 100, #1 in Canada and #8 in the UK in 1992.

The video was directed by Sophie Muller, the music video is based in part on the 1988 film Dangerous Liaisons, and on period films dealing with the late 18th century, such as Amadeus. John Malkovich, who starred in the film.

A very well done pop song. For some reason, the song has always reminded me of something Squeeze would do.

From Songfacts

The video was based on the 1988 movie Dangerous Liaisons, with elaborate costumes inspired by film, which was set in France during the 1700s. John Malkovich, who starred in the movie, also appeared in the video, as does Hugh Laurie, who went on to star in the TV show House. With the string section and harpsichord sound, the music fit the theme.

Contrary to the lilting melody, the lyrics describe a woman who is anguished over a breakup.

The elaborate photography on the Diva album was done by Anton Corbijn, who also worked with U2 and Depeche Mode. >>

Annie Lennox recalled the song’s promo in a blog promoting her 2009 greatest hits album: “This was a wonderful video to create. There were some wonderful people involved – John Malkovich and Hugh Laurie (before he had an American accent)! That was tremendous fun. The idea of it being a period piece, like Les Liaisons Dangereux. The alternative title for ‘Broken Glass’ could easily have been ‘Hell hath no more fury than a woman scorned.’ The video is very wry and tongue-in-cheek. People can take me a little seriously sometimes, but I do actually have a rather radical sense of humor.”

The music video was helmed by prolific director Sophie Muller, a frequent collaborator of Annie Lennox who cut her teeth directing several Eurythmics clips, including “I Need A Man,” “You Have Placed A Chill In My Heart,” and “Angel.”

Walking on, walking on broken glass
Walking on, walking on broken glass

You were the sweetest thing that I ever knew
But I don’t care for sugar, honey, if I can’t have you
Since you’ve abandoned me
My whole life has crashed
Won’t you pick the pieces up
‘Cause it feels just like I’m walking on broken glass

Walking on, walking on broken glass

The sun’s still shining in big blue sky
But it don’t mean nothing to me
Oh, let the rain come down
Let the wind blow through me
I’m living in an empty room
With all the windows smashed
And I’ve got so little left to lose
That it feels just like I’m walking on broken glass

And if you’re trying to cut me down
You know that I might bleed
‘Cause if you’re trying to cut me down
I know that you’ll succeed
And if you want to hurt me
There’s nothing left to fear
‘Cause if you want to hurt me
You’re doing really well, my dear

Now everyone of us was made to suffer
Everyone of us was made to weep
We’ve been hurting one another
Now the pain has cut too deep
So take me from the wreckage
Save me from the blast
Lift me up and take me back
Don’t let me keep on walking
I can’t keep on walking, keep on walking on broken glass

Walking on, walking on broken glass
Walking on, walking on broken glass
Walking on, walking on broken glass
Walking on, walking on broken glass

Yahtzee History

Saturday night we had some guests over and we all played Yahtzee. It was the first time I’d played it since the 1980s at least. I had a good time and looked up the history of the game.

In 1954 a wealthy anonymous Canadian couple, who called it The Yacht Game invented the game to play aboard their yacht. They would invite friends and teach them. In 1956 they went to toy maker Edwin S. Lowe to make some games for their friends as Christmas gifts. Edwin liked the game so much that he wanted to buy the rights to it. The couple sold the rights for the amount of making them a 1000 games.

When Edwin released it on the market it did not do well in it’s first year. The game could not be explained easily in an ad. It had many nuances and interesting things about it and they can only be understood if the game was actually played.

Finally, Edwin tried a different approach. He started to have Yahtzee parties hoping to spread the news about the game by word of mouth. That started to work and Yahtzee got extremely popular. During Lowe’s ownership alone, over forty million copies of the game were sold in the United States of America as well as around the globe

In 1973 Milton Bradley Company bought the E.S. Lowe Company and in 1984 Hasbro, Inc. acquires the Milton Bradley Company and the game.

The origins of the game came from the Puerto Rican game Generala and the English games of Poker Dice and Cheerio. Another game, Yap, shows close similarities to Yahtzee.

http://www.twoop.com/yahtzee/

The Wonders – That Thing You Do

This was a fictitious band playing the title song to the Tom Hanks movie “That Thing You Do.” It was a nice song with an early sixties feel. The song peaked at #41 in the Billboard 100 in 1996. I really liked the movie when it came out and couldn’t help but like the song also.

Adam Schlesinger, the bass player for Fountains Of Wayne, wrote this song. He said “That was a very long time ago. That was 1995 I think I first heard about it, or ’96, and I was just starting out. I had a publishing deal as a writer and they told me about this movie – they said that they were looking for something that sounds like early Beatles. And they knew that that was an era that I liked a lot. So I just took a shot at it and got very lucky and they used the song.” Schlesinger said he found he was more known for this song than Fountains of Wayne’s hit single “Stacy’s Mom.”

The Knack later covered this song.

From Songfacts

This was featured in the movie That Thing You Do, starring Tom Hanks as the manager of the fictional ’60s Pop band The Wonders. In the movie, the song becomes their breakout hit and makes the band a huge success with legions of teenage fans.

The song is about heartbreak and chasing after lost love – cliché ’60s songwriting topics. The track also has a chipper sound, complete with bright guitars and harmonies, reminiscent of early Beatles.

Mike Viola, from the band The Candy Butchers, sang lead on this track. Adam Schlesinger was friends with Viola, and had him sing on the demo. The movie’s producers liked his sound and kept him for the film version. None of the actors in the movie actually played on the song.

In 1997, this was nominated for Best Original Song at the Academy Awards and Best Original Song at the Golden Globe Awards, but lost to Madonna’s “You Must Love Me” from the film Evita on both occasions.

NSYNC, New Found Glory and The Knack have all covered this song.

That Thing You Do

You, doin’ that thing you do
Breaking my heart into a million pieces, like you always do
And you, don’t mean to be cruel
You never even knew about the heartache
I’ve been goin’ through

Well, I try and try to forget you girl
But it’s just so hard to do
Every time you do that thing you do
And I, know all the games you play
And I’m gonna find a way to let you know that
You’ll be mine someday

Cause we, could be happy, can’t you see
If you’d only let me be the one to hold you,
And keep you here with me
‘Cause I try and try to forget you girl
But it’s just so hard to do
Every time you do that thing you do

I don’t ask a lot girl but I know one thing’s for sure
It’s the love I haven’t got girl
And I just can’t take it anymore (whoa!)
Cause we, could be happy, can’t you see
If you’d only let me be the one to hold you,
And keep you here with me

‘Cause it hurts me so just to see you go
Around with someone new
And if I know you, you’re doin’ that thing
Every day, just doin’ that thing
I can’t take you doin’ that thing you do

Sarah McLachlan – Building a Mystery

I like the overall sound of this recording. The mix and depth are perfect. Sara’s voice is powerful and the structure of the song is great. This is a song that you turn up to 11 on your stereo, iPod, or phone with good headphones. The engineer of this song did his or her job very well.

She talked about the song and said: “basically about the fact that we all… have insecurities to hide, and we often do that by putting on a façade.” She also goes on to say that “unfortunately, if we just be who we are, that’s usually the more attractive and beautiful thing.”

Building a Mystery peaked at #13 in the Billboard 100 and #1 in Canada in 1997.

Dave from “A Sound Day” wrote about Sara’s early career. https://wordpress.com/read/blogs/140925716/posts/2345

Building A Mystery

You come out at night

That’s when the energy comes

And the dark side’s light

And the vampires roam

You strut your rasta wear

And your suicide poem

And a cross from a faith that died

Before Jesus came

You’re building a mystery

You live in a church

Where you sleep with voodoo dolls

And you won’t give up the search

For the ghosts in the halls

You wear sandals in the snow

And a smile that won’t wash away

Can you look out the window

Without your shadow getting in the way?

You’re so beautiful

With an edge and charm

But so careful

When I’m in your arms

‘Cause you’re working

Building a mystery

Holding on and holding it in

Yeah you’re working

Building a mystery

And choosing so carefully

You woke up screaming aloud

A prayer from your secret god

You feed off our fears

And hold back your tears, oh

Give us a tantrum

And a know it all grin

Just when we need one

When the evening’s thin

You’re a beautiful

A beautiful fucked up man

You’re setting up your

Razor wire shrine

‘Cause you’re working

Building a mystery

Holding on and holding it in

Yeah you’re working

Building a mystery

And choosing so carefully

Oh, you’re working,

Building a mystery

Holding on and holding it in

Yeah you’re working

Building a mystery

And choosing so carefully

Yeah, you’re working,

Building a mystery,

Holding on and holding it in,

Oh yeah you’re working,

Building a mystery

And choosing so carefully

You’re building a mystery.

My Favorite Drummers

This is my top ten favorite drummers…I’m sure I’m going to leave some great ones out. Like guitarists, I like drummers with feel more than technique. Anyone who has read this blog knows who my number 1 is without question…

1…Keith Moon, The Who – It’s hard if not impossible to copy this man’s drumming style. He changed the Who completely and was their engine. I’m not a drummer so I really never cared like some drummers do if he played by the rules in drumming…Was he disciplined? No, but it worked well for him and for the songs. Songs like Bargain and Goin’ Mobile are great examples of Keith.

2…John Bonham, Led Zeppelin – Without Bonham, there is no Led Zeppelin as we know them. He was the ultimate groove drummer. He was a bricklayer and had hard hands and hit the drums incredibly hard but with a light touch also.

3…Levon Helm, The Band – Not only was he a great drummer but also a soulful singer. He brought something many drummers didn’t… a bit of the old south.

4…Charlie Watts, Rolling Stones – Charlie and Ringo made their respective groups swing. Charlie can play blues, rock, big band, and jazz. Charlie and his rhythm section partner Bill Wyman were overlooked being in the same band with Mick and Keith. On top of his drumming skills…Charlie grounds the band much like Ringo did for the Beatles.

5…Ringo Starr, The Beatles – He was not Moon or Bonham in flash but he played exactly what was needed…He could have gone overboard and the songs would have suffered. He played for the song. Some have called him the human metronome. I cannot imagine any other drummer for The Beatles. His tom tom work on Sgt Pepper alone is excellent.

6…Mitch Mitchell, Jimi Hendrix Experience – Any holes left in Jimi’s music would be quickly filled in by Mitch. He was a jazz drummer who fused it into rock.

7…Ginger Baker, Cream – If this was a list of “likable people” Ginger would not be in the top 1000 but his drumming was some of the best of the sixties and I’m sure he would say “ever”… He was as big of part of Cream’s sound as Clapton or Bruce.

8…Bobby Elliot, Hollies – Drummer from the Hollies that other drummers have admired. He hit the drums hard and his fills were great… He is often overlooked but he is always spot on.

9…Dave Grohl, Foo Fighters, Nirvana – He can play anything… He fuels those Nirvana songs…and is really great at whatever instrument he plays.

10…Clem Burke, Blondie – An exciting drummer that was heavily influenced by number 1 on this list. He has played with Pete Townshend, Bob Dylan, Iggy Pop, and David Bowie.

Honorable Mention

Gene Krupa, Buddy Miles, Mick Fleetwood, Max Weinberg, “D.J.” Fontana, Benny Benjamin, Stewart Copeland, and Hal Blaine.

Yes, I know… No Neil Peart…yes he is a great drummer…just not my style of music.

Beatles – Christmas Time (Is Here Again)

This is the last Christmas song that I will feature…because right now people have had about enough Christmas songs in every restaurant, mall, and grocery store…this one I don’t hear as much.

I also want to thank everyone for dropping by here this year.

The Beatles recorded this in 1967 and wasn’t released until 1994 paired with “Free As A Bird”. It is a fun Christmas song that will stick in your head. The Beatles did not release a Christmas song commercially… only to their fan club when they were active.

Recorded December 6, 1966, and November 28, 1967, in London, England, this song was never officially released until it appeared as the B-side to “Free As A Bird” in 1994. The original version was distributed to The Beatles fan club in 1967. It’s the only song ever written specifically for the Beatles Fan Club members.

Many upbeat Pop groups of this era like The Beach Boys and The Four Seasons released Christmas songs, but The Beatles never had an official Christmas release.

Christmas time is here again

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time is here again
O-U-T spells “out”

Christmas time is here again
Christmas time is here again
Christmas time is here again
Christmas time is here again

Ain’t been round since you know when
Christmas time…[music continues and fades to background]

[spoken]

This is Paul McCartney here, I’d just like to wish you everything you wish yourself for Christmas.

This is John Lennon saying on behalf of the Beatles, have a very Happy Christmas and a good New Year.

George Harrison speaking. I’d like to take this opportunity to wish you a very Merry Christmas, listeners everywhere.

This is Ringo Starr and I’d just like to say Merry Christmas and a really Happy New Year to all listeners

[a John Lennon pastiche at this point, very hard to understand]

1970s Russ Berrie Sillisculpts

Whenever I go to a yard sale or flea market and I see one…I have to get it. Worlds Greatest Dad, Worlds Greatest Mom, Worlds Greatest Grandpa, “Being Sick is bad for your health” and many more. They have a look that I like and are usually cheap…for two bucks you can have part of the seventies.

He did more than the statues…he had stuffed animals and bears which in the 80s and 90s really took off…along with trolls.

Russell Berrie started his business with only $500 and ran it out of a rented garage in Palisades Park, NJ. His first product to reach the shelf was his Fuzzy Wuzzie in 1964.

By 1968 Americans were ready for something a little bolder. Russ Berrie and Co. introduced Sillisculpts, plastic message figurines with a little more attitude. Two of the most memorable are the “I love you this much!” statuette and another of an old lawyer crying “Sue the bastards!” (I must find this one).

These come in every form and shape.

In 1971, as sales passed the $7 million mark, Russ Berrie and Company moved to a new corporate headquarters facility in Oakland, New Jersey. This location would become the center of the company’s worldwide marketing and distribution businesses. In the following year, Russ Berrie and Company opened a second new facility, when a distribution center, in Santa Rosa, California, came online.

By 1985, Russ Berrie and Company sales had reached $204.6 million, and revenues more than doubled in just two years.

In 1992, Russ Berrie and Company’s fortunes got a lift, when the popularity of one of its oldest products, Trolls, first introduced in the 1960s, escalated dramatically. Although they had not been a big seller for many years, suddenly the company’s trolls—squishy dolls with rubbery faces and hair that stood on end—were experiencing wild demand. To meet this clamor, Russ Berrie and Company’s designers began to churn out hundreds of different troll products, and the company’s Far Eastern suppliers raced to keep output high. By the end of the year, pushed by the troll fad, the company’s earnings had soared to $300 million.

In 2001, Russ Berrie had sales of $294.3 million and net income of $40.2 million, selling items like a stuffed dog named Muffin and a stuffed bear known as Honeyfritz.

In December 2002, Russ Berrie died unexpectedly after having a heart attack in his home. Often named by Fortune magazine as one of America’s most generous philanthropists, Berrie was just 69 years old when he died.

Defunct Restaurant Chains

Some of these restaurant chains, people will remember some won’t because it depends on where you live and if any were in your market. A few may have a handful open with Franchisees but for the most part, they are closed.

Steak and Ale -1966 – 2008 I liked the Mock Tudor building and the atmosphere inside…the food was good. They are trying to make a comeback…I hope they make it. Last time I ate at one was in the 90s in Huntsville Alabama.

Burger Chef – 1954 – 1996 They had over 1200 locations at one time. Many were bought out and turned into Hardees.

Rax Roast Beef 1967 – (handful open now) I liked the Roast Beef but the best thing was the chocolate chip milkshake. There are a few lone Franchisees left. I remember going to them in the 80s.

Minnie Pearl’s Fried Chicken 1968 to mid-1970s – How-dee-licious…indeed. It was actually really good. When I was in 2nd grade we would go to one in a nearby town once in a while…really good chicken… it went down because of faulty accounting… Great article here.

Bennigan’s 1976 – (Bennigan’s and Steak and Ale making a comeback together) An Irish Pub theme restaurant. I went there a few times. There are a few locations left…

Red Barn – 1961-1988 They were known for the “Big Barney” and Barnbuster burger. I see an old Red Barn where I work and now it’s a Mexican restaurant.

Howard Johnson’s Restaurant – 1953-2017 I do remember eating at a few of these traveling. In 2017 there was one left in New York but the owner was arrested and now it’s closed.

LUMS – 1956-1982 I did go to one but I was really young and traveling at the time.

Bonanza Steak House – 1963 – 2008 (bankruptcy) There are a few of these left… these and Ponderosa… Dan Blocker (Hoss Cartwright) was an original investor. In the late seventies before we would go to a movie we would stop at a Bonanza. I did go to a Ponderosa a few years back.

Black Crowes – Hard To Handle

When I heard this song in 1990 I was thrilled because it sounded like the Faces of the 70s. It was clear rock and roll and had a timeless quality about it. It peaked at #26 in the Billboard 100, #40 in Canada and #45 in the UK. This song was originally recorded by Otis Redding, who wrote it with Allen Jones and Al Bell. It was the only cover song on The Black Crowes debut album, which sold over five million copies.

The two other versions that I like are Otis Redding and Grateful Dead version with Pigpen taking the lead version.

From Songfacts.

Running a compact 3:08, The Black Crows turned the song into a rocker, using guitars instead of horns and extending the song from Redding’s 2:18 original.

This was The Black Crowes’ third single, following “Twice As Hard” and “Jealous Again.” It made #45 in the US in December 1990, as the group was rapidly gaining momentum. After “She Talks To Angels” hit #30 in May 1991 – over a year after the album was released

“Hard To Handle” was reissued, this time going to #26 and becoming the highest-charting single for the band on the Hot 100. The group had been together for five years before signing a record deal with Def American, which prepared them well for the onslaught of success. Their live act had already been honed, and many who saw them remained lifetime fans as they became more of a jam band.

Hard To Handle

Baby here I am
I’m the man on the scene
I can give you what you want
But you gotta’ come home with me

I have got some good old lovin’
And I got some more in store
When I get through throwin’ it on
You gotta’ come back for more

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Action speaks louder than words
And I’m a man of great experience
I know you’ve got another man
But I can love you better than him

Take my hand don’t be afraid
I’m gonna prove every word I say
I’m advertising love for free
So you can place your ad with me

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Yeah
Hard to handle now
Oh baby

Baby here I am
I’m the man on the scene
I can give you what you want
But you gotta’ come home with me

I’ve got some good old lovin’
And I got some more in store
When I get through throwin’ it on you
You got to come a-runnin’ back for more

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Hard
Hard to handle now
Oh yeah, yeah yeah yeah

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Yeah
So hard to handle now
Oh yeah

Baby
Good lovin’
Baby, baby
Ohh, good lovin’
I need good lovin’
I got to have it, oh yeah
Yeah
So hard to handle, now, yeah

Digital Wristwatch

In the mid-seventies, I remember digital watches started to appear around our school. I thought they were really cool. I got one when the price came down. I had a friend named Paul who shunned me a little after I got it. He said he thought they were for only people would couldn’t tell time…no Paul.

After Roger Moore was seen with one in Live and Let Die it was the thing to have. It’s hard to believe a watch could make me so excited back then with its red numbers that only lit up when you clicked it because it would drain the battery if it stayed lit.

Later on, in the early eighties, I went to the now-defunct Service Merchandise and my mom bought me a digital display wristwatch for my birthday that played the Beatles Hey Jude…midi style. I would give anything for that watch now.

In 1972, Hamilton introduced the world’s first commercial electronic digital wristwatch. It retailed for the pricey sum of $2,100. The Hamilton Pulsar P1 was encased in 18-carat gold.

Roger Moore as the one and only James Bond…his arm anyway. The Pulsar II

The very first liquid crystal display (LCD) watch was introduced in late 1972. These Dynamic Scattering LCDs were power-hungry and unstable, and the market soon moved on to TN Field Effect displays. The Seiko 06LC was one of the first to use the new effect display and it stuck for decades.

Hamilton Pulsar Calculator Watch came in 1976. The buttons were extra small but every model had an improvement.

By 1977 the watches really started to fall in price. Star Wars watches were everywhere and they were a more affordable 16.95. A long way from the 18-carat gold watches.

In 1982 the Seiko TV Watch was released. It allowed owners to view live broadcast TV on a tiny blue/gray LCD screen embedded into the watch face. But…and there is a but…an external tuning device had to be connected to the watch. I don’t remember these but it is incredible they had these in 1982… If you had one of these please comment…were they clear at all?

Now with Apple watches that can tell you your heart rate and bank account…they have come a long way.

https://www.pcmag.com/feature/296609/the-digital-watch-a-brief-history/5

Israel Kamakawiwo’ole – Over the Rainbow / What a Wonderful World

We all know this song from the Wizard of Oz but this is a great version in its own right. I first heard this song in Life On Mars and will never forget it. Israel (IZ) fits “What a Wonderful World” in this and it is fantastic.

Hawaiian musician Israel Kamakawiwo’ole recorded this in a medley with “What a Wonderful World” for his 1993 album Facing Forward. This version was used in the films Finding Forrester, Meet Joe Black, Life on Mars and 50 First Dates as well as on the television show ER.

The song peaked at #22 on the Adult Contemporary Chart in 2004.

Over The Rainbow

Ooh, ooh, ooh
Ooh, oohSomewhere over the rainbow
Way up high
And the dreams that you dream of
Once in a lullabySomewhere over the rainbow
Bluebirds fly
And the dreams that you dream of
Dreams really do come true someday, I wish upon a star
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
That’s where you’ll find me somewhere over the rainbow
Bluebirds fly
And the dreams that you dare to
Oh why, oh why can’t I? Well, I see trees of green and red roses too
I’ll watch them bloom for me and you
And I think to myself
What a wonderful worldWell, I see skies of blue and I see clouds of white
And the brightness of day
I like the dark
And I think to myself what a wonderful worldThe colors of the rainbow so pretty in the sky
And also on the faces of people passing by
I see friends shaking hands saying
How do you do?
They’re really saying I, I love you

I hear babies cry and I watch them grow
They’ll learn much more then we’ll know
And I think to myself what a wonderful world
World

Someday I wish upon a star
Wake up where the clouds are far behind me
Where trouble melts like lemon drops
High above the chimney top
That’s where you’ll find me

Oh, somewhere over the rainbow
Way up high
And the dreams that you dare to
Why oh, why can’t I?

Ooh, ooh
Ooh, ooh

Always had a Bean Bag

I have had a bean bag in my place of residence ever since I was a teenager. They are very handy to throw somewhere and sit. When you play guitar or want to watch a movie it’s a comfortable place to sit. They are also affordable and can be a good alternative sometimes to chairs.

The only part of owning one I don’t like is the inevitable end when the white small styrofoams like “beans” (expanded polystyrene) start coming out and going everywhere.

I would like to get an original leather bean bag one day.

According to some historians, bean bags were first invented by the ancient Egyptians sometime around 2000 B.C., and for thousands of years, they were used to play games and for other recreational diversions. The first bean bags were small, round and made of leather. They were most likely filled with dried beans or pebbles.

The first bean bag chairs as we know them were developed in the sixties. They were first called a Sacco chair, and released in 1969. They were designed by Cesare Paolini, Piero Gatti, and Franco Teodoro who were commissioned to create the piece by Zanotta Design in Italy.

Bean bags were huge in the 1970s and they were at first usually made of leather and filled with PVC (short for PolyVinyl Chloride) pellets. Soon nylon and polyester were used with expanded polystyrene (EPS) for filler. That combination proved to be more durable.

During the 1980s and 1990s, the popularity of bean bags declined greatly in popularity, but they were still being manufactured by several companies.

Now they are now experiencing a strong resurgence in popularity. You can get a regular bean bag or one pre-formed into a chair or couch. They are being sold for use as pet beds.

Wiffle Ball was a Blast

I had almost as much fun playing wiffle ball as a kid as I did little league. I was completely into playing baseball with friends or for years in leagues until I was 16. In my front yard, we would play wiffle ball until dark. If only one friend was over that was enough… we could still play. Hit it over the house, a home run…hitting a window, a double, in the creek a triple… etc.

You didn’t have to worry about breaking a window or knocking your buddy out while pitching as fast as you could. You would learn how to grip it and you could make it curve, rise, or sink a ridiculous amount. We would play for hours until night or until the ball was stuck on the roof or in a tree.

In the late 70s and 80s it was a fun alternative to playing baseball when not enough friends were around or you had to play in a neighborhood full of houses with nice big windows.

In 1953, David N. Mullany was watching his 12-year-old son and some friends playing a baseball-like game with a perforated plastic golf ball and a broomstick in their backyard. The boys tried throwing curveballs and sliders but with no success. They couldn’t use a baseball because of the trail of broken windows and upset neighbors.

Mullany, who had been a semipro pitcher himself, knew all too well what thousands of Little Leaguers have had to painfully learn. Nothing shreds a young arm quite as effectively as throwing breaking balls. Mullany set about trying to save the boys’ shoulders and elbows by creating a ball that would curve and bend on its own.

He tried a hard plastic ball that served as packaging for Coty perfume. After having the boys experiment with various designs, Mullany hit on the Wiffle Ball we now know and love.

Mullany’s son and his friends referred to strikeouts as “whiffs.” Since the new invention made knee-buckling curveballs a breeze to throw, pitchers started racking up the strikeouts. Mullany named the product the Wiffle Ball to honor its strikeout-friendly breaks.

When they started to advertise them they would use old photographs of MLB players. The Mullanys later explained in interviews that doing actual photo shoots with the players would have been too pricey, so they just negotiated with players’ agents and then used any old photograph.

The slots on one side make the ball curve and rise. Just like a real baseball…the more scuffs a ball has the more it can curve. They have Wiffle Ball leagues now where players play competitively.

http://www.wiffle.com/pages/welcome.asp?page=welcome

Thanks A Lot Mr. Kibblewhite: My Story Roger Daltrey

I just finished the audio version of this book. I’m a huge Who fan and I was looking forward to it. It was nice to hear the book narrated by Roger himself. It’s a solid book but I have only one complaint that I will get into below.

The positive about the book is you find out more about the different personalities of the Who and the reason they fought. Pete the artist, John the dark one, Keith the lunatic, and Roger blue-collar man of the band. We all knew those descriptions before but Roger tries to explain how it worked and didn’t work as a band. If you want to know The Who’s impact on rock music and culture go to Pete Townshend. If you want to get straight to the point with just the highlights…Roger is your man.

Roger is grounded, avoided most of the pitfalls in his profession, hard-working, and loves interpreting Pete’s music to the world. He goes into how he changed his singing style with Pete’s writing. How he became Tommy and the mod in Quadrophenia. He hits the highlights of The Who and his life without the Who in the 80s and part of the 90s.

The strongest part of this book is about his childhood and his collection of relatives. Roger seems very approachable, likable, and down to earth. Roger was the one constant in the band that you didn’t have worry about his on tour activities. He does talk about the high points of the Who and his acting career.

My biggest complaint is the book is too short. You get the impression that he didn’t think that anyone would want to hear any details whatsoever. He does give you some good stories but touches a subject and quickly leaves. It’s almost a cliff notes version as he didn’t dwell in any period long.

It is a quick and enjoyable read but leaves you wanting more.