I had just met my first serious girlfriend when this song came out. I never paid much attention to the Eurythmics when I first heard them because they were so keyboard-heavy…this changed my feelings toward them. This was out when I graduated and I liked the R&B direction they were going with this song.
Dave Stewart had said that he came up with this riff after trying to make a “killer R&B riff.” He said Annie Lennox wasn’t sure about the song at first because it was so different than their usual sound. Unlike their earlier synth-heavy work, this song had a heavier rock and R&B influence, featuring a strong brass section and Stevie Wonder’s former guitarist, Jimmy Zavala, on harmonica. Lennox also had to change her delivery for this song.
Some fans have speculated the lyrics reflect tension between Annie Lennox and Dave Stewart, who had previously been a couple before forming the band. However, neither of them has confirmed it directly.
This song was released in 1985, and it peaked at #5 on the Billboard 100, #17 on the UK Charts, and #2 in Canada. They were voted into the Rock and Roll Hall of Fame in 2022. The song came off of the album Be Yourself Tonight. The album peaked at #9 on the Billboard Album Charts, #3 in Canada, #2 in New Zealand, and #3 in the UK in 1985.
Dave Stewart: “When we started putting it down the song had a lot of energy and inspired Annie to come up with the great lyric, ‘Would I Lie To You” and a melody with very odd answering harmonies, ‘Now, would I say something that wasn’t true.’ These harmonies are very unusual and Annie is a genius at working them out very quickly in her head. The song started to be a fusion between Stax type R&B and Eurythmics.”
Would I Lie To You?
Would I lie to you? Would I lie to you honey? Now would I say something that wasn’t true? I’m asking you sugar Would I lie to you?
My friends – know what’s in store. I won’t be here anymore. I’ve packed my bags I’ve cleaned the floor. Watch me walkin’. Walkin’ out the door.
(Believe me – I’ll make it make it)
Tell you straight – no intervention. To your face – no deception. You’re the biggest fake. That much is true. Had all I can take. Now I’m leaving you
I was told as a kid that a Magic 8 Ball could predict the future. I bought it hook line and sinker…I was also told by my older sister (8 years older) that snakes bite the second person in a line while I was merrily leading the way hiking in the woods as a 5-year-old…so I caught on pretty quick after I stepped on a snake…didn’t get bit though…but I never let her forget it.
I bugged my mom till she got me the mysterious Magic 8 Ball. I was amazed at this toy…well it wasn’t a toy to me. I thought this was great. So being 5-6 years old I thought I would put it to use… Oh, Magic 8 Ball should I color in the encyclopedias with my crayons? I shook it up and waited for the triangle to give me the answer… “signs point to yes”…those signs must have pointed in a different direction than my Mom… she wasn’t a fan of the Magic 8 ball after that.
Abe Bookman invented the Magic 8 Ball, a fortune-telling toy currently manufactured by Mattel.
During World War II, a man named Alfred Carter in Cincinnati created a tube-like fortune-telling toy. To help him he got his brother-in-law to help…that would be Abe Bookman. they created a 7″ tube device with glass on both ends with a pair of floating dice with responses. It was sold as the “Syco-Seer: The Miracle Home Fortune Teller.” Their company was called Alabe Crafts.
Carter died in 1948 and Bookman revised it into a crystal ball but it still didn’t sell really well. Then the Brunswick Billiards company commissioned Bookman to make them one shaped like an 8 ball as a promotional giveaway.
After the giveaway was finished Bookman kept producing them shaped like an 8 ball.
The Magic 8 Ball that we have known since then has contained a 20-sided polygon inside a hollow plastic ball, floating in a liquid-filled, 3-inch diameter tube. The liquid largely consists of dark blue ink and alcohol. The predictions, yes, no, or non-committal, appear on each triangular face of the polygon.
Bookman marketed it as a conversation piece, a paperweight and then a toy.
Ideal Toys bought Alabe Crafts in 1971. Next, Tyco Toys bought the ball in ’87. Mattel owns it today and sells one million units a year.
Here are the magical statements of the Magic 8 Ball
I didn’t really start listening to this band until last year. A few years ago, CB mentioned the song Fourth of July and I loved that song with Dave Alvin. I didn’t listen further until last year. This song is from their 1980 debut album Los Angeles. This song has a cool punk feel, plus a vintage cool guitar riff. The song was written by Exene Cervenka and John Doe, the principal songwriters of X.
X was formed in Los Angeles in 1977 and comprised of founding members singer John Doe, guitarist Billy Zoom, drummer D.J. Bonebrake, and singer Exene Cervenka. With their first album in 1980, their album Los Angeles was critically praised and considered a great one of that period.
The band was founded by Doe (real name John Nommensen Duchac) and Zoom. Soon, Doe would bring his girlfriend Exene Cervenka to band practice; she was a poet, and the band liked her work so she joined permanently. When trying to think of a name…Doe looked around the band members and focused on Exene Cervenka. Her unusual first name was shortened to X…Exene to X…
After Manzarek saw them live…he really connected to the lyrics. He was instantly struck by the lyrics to X’s song Johny Hit And Run Paulene: ‘He got a sterilized hypo, to shoot a sex machine drug/He got 24 hours, to shoot Paulene between the legs.’ Manzarek thought to himself…those are not lyrics…those are poetry.
Exene Cervenka:It was the first song I wrote where I’d had the ambition to combine a lot of different things. I was writing about the bigger picture – “the world’s a mess,” which is about as big as you can get – and combined it with something more personal – “it’s in my kiss,” which was also a nod to “The Shoop Shoop Song” and the history of rock and roll. There’s a baseball reference in there too, and I feel like the line I wrote “Dirty night dying like a lovely wife” foreshadowed the death of my sister, which is weird. So, yeah, it is kind of a surrealist song, but I chose it because I feel like it was the first time I had a real, kind of developed sense of songwriting, with lyrics that were sort of combining aspects of all the writing I’d been doing since I was young.
Ray Manzarek produced this and also their following three albums. Exene has picked this song in her top 3 of all the songs she did.
The World’s A Mess; It’s In My Kiss
No one is united And all things are untied Perhaps we’re boiling over inside They’ve been telling lies Who’s been telling lies? There are no angels There are devils in many ways Take it like a man
The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss
You can’t take it back Pull it out of the fire Pull it out in the bottom of the ninth Pull it out in chords of red disease Drag on the system Drag on my head and body Some facts here (some facts here!) Which refuse to escape I could say it stronger But it’s too much trouble I was wandering down at the bricks Hectic, isn’t it? Down we go, cradle and all
No one is united And all things are untied Perhaps we’re boiling over inside They’ve been telling lies Who’s been telling lies? There are no angels There are devils in many ways Take it like a man
The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss (Go to hell, see if you like it, then come home with me!) The world’s a mess it’s in my kiss (Tomorrow night may be too late) (Both moons are full like a lovely wife) The world’s a mess it’s in my kiss (Dirty night dying like a lovely wife) (Goodbye, my darling!) The world’s a mess it’s in my kiss (How high the moon? Well, I wish I was.) (The world is fine, goodbye, my darling!) The world’s a mess it’s in my kiss (Both moons are full like a lovely wife) (Dirty night dying like a lovely wife) (Goodbye, my darling!) The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss
The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss The world’s a mess it’s in my kiss
I never knew much about The Damned but this song sounds great. I’ve read about this band a lot and the history around them but never really listened to them as much. I was expecting pure punk but this is quite different. This was left over from my Stiff Records week because this song they did not perform on Stiff Records…it was on MCA.
The song is a cover of a song written by Bryan MacLean, originally performed by the band Love on their 1967 album Forever Changes. The Damned’s version was released as a single in 1987 and featured on their album Anything. The Damned was formed when guitarist Brian James teamed up with drummer Rat Scabies. They were soon joined by vocalist Dave Vanian (a former gravedigger) and bassist Captain Sensible.
On the 6th of July 1976, The Damned made their live debut, when they supported the Sex Pistols at 100 Club. This was the start of a rivalry between the two bands. They were the first UK punk band to release a single called New Rose. It was 5 weeks before the Sex Pistols released Anarchy In The UK. They were also the first UK punk band to release an album… Damned Damned Damned in 1977 on Stiff Records.
After the release of their second album, Music for Pleasure in 1977, tensions in the band led to their initial breakup. They re-formed in 1978 with a new lineup and released Machine Gun Etiquette in 1979. They started to change with that album with more styles thrown in the mix with garage rock and better melodies. In the early 1980s, they went more to a goth darker version and then in 1986 a more polished and mainstream sound.
The Damned have released 12 studio albums, 5 EPs, and 22 live albums along with 48 singles…with 10 of those in the top 40. The band is still touring and they still have original members Dave Vanian, Captain Sensible, and Rat Scabies. They last released an album called Darkadelic in 2023.
Alone Again Or
Yeah, I said it’s alright I won’t forget All the times I waited patiently for you As you do just what you choose to do And I will be alone again tonight my dear
Yeah, I heard a funny thing Somebody said to me That you could be in love with almost everyone You think people are the greatest fun And I will be alone again tonight for you
Hey, I said its alright You know I won’t forget All the times I waited patiently for you Now you do just what You choose to do And I will be alone again tonight its true
I pulled up Dave Alvin’s debut album Romeo’s Escape released in 1987 and heard this song among many of the others. This one I liked right away. He had some great musicians on here including Al Kooper on keyboards. This guy seems to be everywhere in every decade.
After CB recommended The Blasters I’ve followed him around and he pops up everywhere with different bands and performers. The man is a great guitar player needless to say, but his vocals and songwriting are almost equal to it.
Dave Alvin launched his solo career with this record with a blend of roots rock, rockabilly, country, and blues influences. While his brother continued to handle lead vocals for The Blasters, Dave stepped into the spotlight, taking on all vocal duties for the first time. The album was produced by Steve Berlin of Los Lobos and Mark Linett.
This album is pure Americana which fits me perfectly. I started looking at his discography and he has played with so many artists. Artists like The Blasters, X, Los Lobos, Tom Waits, The Knitters, The Pleasure Barons, Gene Taylor, and The Third Man Blind…not even mention the albums he did with his brother.
Although Dave Alvin never achieved massive commercial success, he has cultivated a following and is highly respected in the music world. In 2000, he earned a Grammy Award for Best Contemporary Folk Album with Public Domain: Songs from the Wild Land.
A few weeks ago I posted Justified the tv show. Here is Dave Alvin & The Guilty Ones doing Harlan County Line from the show.
When Max asked for a contribution to his Stiff Records week both his and mine default thought was to go with Nick Lowe, one of my most treasured artists. Nick was a big part of the success of that label as short-lived as it was. Stiff Records signed the 18-year-old Kirsty MacColl in 1979. Kirsty did not work with Lowe, and unfortunately, she was not treated well while there and left after just a year. But her story is one I think you should know. I want to thank Max for this opportunity to talk a little bit about her, even as I colour outside the lines from her brief brush with Stiff Records.
To demonstrate her experience while there I will say, she wrote this great song, recorded it and then the label messed around with the mixing of it. The release was delayed in part because Dave Robinson the label President, for whatever reason took a dislike to the otherwise very well-liked Kirsty. Stiff’s distribution centre went on strike at the time her record was to be shipped out and consequently, the radio stations had only the demo and no one could buy the record. Needless to say the song did not do well. Her next song was badly bungled as well and “You Caught Me Out” was shelved by the label. It was released in 2006 on The Stiff Singles Collection.
So age 19, she would move on to some success as a solo artist with five albums and charting a few songs. Like this one she wrote and released in 1981, “There’s a Guy Works down the Chip Shop, Swears He’s Elvis”. But otherwise she was in high demand as a session/background singer. Kirsty would also team up with The Pogues. They had been with Stiff for their first two albums in 1984 and 85. Coincidentally during that time they had a hit covering one of Kristy’s father’s songs, “Dirty Old Town”.
The Pogues had a messy departure from Stiff when it collapsed, and a year later Kirsty and was brought in as a feature vocalist on their enduring hit song “Fairytale of New York”, released in 1987. Although Kirsty’s voice was later over-dubbed in spots as the BBC and Top of the Pops forced the editing out of the word’s “slut” sung by Shane MacGowan and her saying “faggot” in response, words that reflected the time that the songs storyline takes place. Since then the original unedited version that is on the record is frequently heard. It is reportedly the most-played Christmas song of the 21st century in the UK.
Sometimes you just can’t keep a good song down and “They Don’t Know” was recorded by Tracey Ullman in 1983. Ullman was a fan of Kirsty and would record some of her other songs. None would have the same success as this new version that reached #2 in the UK and #8 in the US. It went to #1 in Ireland and Norway and charted well in several other countries, including a #5 ranking in Canada.
So some good came from her short stay with Stiff Records, and I think she did ok with the royalties from the song. Kirsty was the daughter of the well-known recording artist Ewan MacColl. He wrote among many songs, “The First Time Ever I Saw Your Face” as a love song to Peggy Seeger with whom he was busy having an affair and a child. Kirsty was raised by her mother.
Kirsty would marry and divorce but had two boys. While they and her boyfriend James Knight were on vacation in Mexico in December of 2000, at age 41 she was tragically killed. A speed boat violated warnings to avoid a clearly designated diving and swimming area. They were there with a local veteran divemaster. As they were all surfacing from a dive, Kirsty heroically saved the life of her 15-year-old son who she could see was in direct line of the oncoming boat. She pushed him out of the way, and he received a glancing blow, Kirsty was hit directly and died instantly.
The boat was piloted by a very wealthy Mexican businessman and initially, they ruled her death as accidental. Her family and friends put on enough pressure that a so-called ‘investigation’ was launched. An employee was paid to take the blame and was sentenced to prison but was able to avoid it with a small fine. Sorry to end on that heartbreak.
It’s a shame things didn’t work out with her time at Stiff. By all accounts, she was a beautiful person with a voice to match.
This week I’m going to tip the proverbial cap to the pioneering Stiff Records which was an independent Record Company that helped a lot of artists in the UK. I’ll be posting a song each day off that label. This week I’ve written up 3 songs and Randy and Dave are going to contribute two songs. I really appreciate them for doing that.
Stiff Records gave you an alternative to the Top 40. They would take chances on performers than the established record companies wouldn’t take. Who would have taken a chance on a nerdy-looking fellow named Elvis Costello? Many of the artists didn’t fit in with the major labels’ idea of what an artist should sound or look like. They had their own unique roster of talent.
This could be a mile-long post but I’m going to keep it short. This record company was created in 1976 by Dave Robinson and Jake Riviera. The label was created to capitalize on the new punk and new wave scenes, providing an alternative to the major record companies. They used bold marketing tactics…their slogan was “If It Ain’t Stiff, It Ain’t Worth a F***. The company didn’t have a lot of money but they had plenty of ideas.
They signed a lot of talent and that talent is what we are going over this week. I wanted to do a week of Stiff Records and let’s see what we will find. The talent was Elvis Costello, Nick Lowe, Ian Dury and The Blockheads, The Rumour, Madness, The Damned, Motorhead, Devo and even Tracey Ullman.
Jake Riviera left in 1978 to form Radar Records, taking Elvis Costello and Nick Lowe with him. Despite its success, the label faced financial difficulties in the early 1980s. Stiff was sold to Island Records in 1984, which marked the end of its independent era.
Stiff Records was revived in the 2000s by ZTT Records (Zang Tumb Tuum), releasing new music while managing its extensive back catalog.
Nike Lowe: The pop business was full of these dreadful groups, Genesis and Journey and REO Speedwagon and people like that. And it was all safe and run by these bean counters and know-nothings. That’s why, over here, the pub rock thing started up. When punk came along a few years later, that was the thing that it really needed, but I would say that pub rock was spawned for the same reasons — dissatisfaction that it was all rubbish and needed to be pulled down. Because it had gotten to a point where you just couldn’t have another concept album or triple bullshit thing.
Great name for a song or a band…and that guitar is what I was sorely missing around this time in the 1980s. This album was in the stretch of great albums by the band. Let It Be, Tim, and Please To Meet Me. Personally, I never knew how big this song was with fans. One search on YouTube and you can find bands covering this song everywhere.
Everyone who knows me… knows I’m not a huge fan of the Top 40 in the 1980s but alternative rock is a different story. In my opinion, the two best American alternative rock bands to come out of the 80s were The Replacements and R.E.M. The Replacements were the generation’s Big Star influencing 1990s and 2000s bands. They had a secret weapon in Westerberg as a songwriter. I would safely say they were two of my favorite bands in the 80s.
This song was on their 1985 album Tim. Why was the album called Tim? There was no reference to the name on the album. The band’s manager said that he asked Paul Westerberg what the name of the album would be. Paul told him “Tim,” and the manager asked why. Paul said, “because it’s such a nice name.”
This album was their first major label release on Sire Records in 1984. This would be the last album by the original band because Bob Stinson would be kicked out a couple of years later. Stinson did a great solo in this song…very Keith Richards-like.
Tim was placed 136th on Rolling Stone’s 2003 list of the 500 greatest albums of all time, and 137 in a 2012 revised list. The album peaked at #186 in the Billboard Album Chart in 1986.
I couldn’t find any footage of them originally doing this song live so here they are when they regrouped in the teens.
Little Mascara
You and I fall together You and I sleep alone After all, things might be better After one, and there’s one that’s long gone
For the moon you keep shootin’ Throw your rope up in the air For the kids you stay together You nap ’em and you slap ’em in a highchair All you ever wanted was someone to take care of ya All you’re ever losin’ is a little mascara Little mascara Little mascara
Afternoon, things are quiet Settle back now if you can Stations clip by like a rocket Don’t you worry if you wonder why he ran
All you ever wanted was someone to take care of ya All you’re ever losin’ is a little mascara Little mascara Little mascara That you cry, cry That you cry Your eyes out That you cry That you cry That you cry Your eyes out
All you ever wanted was someone Ma’d be scared of All you’re ever losin’ is A little mascara Little mascara Little mascara That you cry That you cry That you cry Your eyes out That you cry That you cry That you cry Your eyes out That you cry That you cry That you cry…
I found out about The Georgia Satellites in the spring of 1985. A friend of mine who played guitar in high school with a band got a bootleg of Keep Your Hands To Yourself a year before it was officially released. His band was playing it in the gym (a spring show) before we went on. I thought they wrote it until I asked him. It’s a great-sounding song live.
Battleship Chains was the followup song in 1986 that MTV played a lot of during that time. The Georgia Satellites were like a fish out of water during the mid 80s. There were bands like the Replacements who played rock but they were not in the mainstream like the Satellites were when this album was released. Two years later Guns and Roses came out and then The Black Crowes. By that time though lead singer Dan Baird was leaving the Satellites.
This song was sung by their lead guitarist Rich Richards. The song was written by musician Terry Anderson. Later on, Dan Baird covered one of Anderson’s songs called I Love You Period on his solo album Love Songs for the Hearing Impaired. The song peaked at #26 on the Billboard 100 in 1992.
The Georgia Satellites came out of nowhere with a number 2 hit in 1986 called Keep Your Hands To Yourself. In the era of synth-driven songs, it was great to hear this guitar band out of Georgia that played raw roots rock and roll without the big production.
This song was sung by lead guitarist Rick Richards. It peaked at #86 in the Billboard 100 and #44 in the UK in 1987. Battleship Chains was also covered by a band called the Hindu Love Gods, which contained REM and Warren Zevon members.
This song was on their self titled album released in 1986. On the strength of Keep Your Hands To YOurself and Battleship Chains, the album peaked at #5 on the Billboard Album Charts, #42 in New Zealand, and #52 in the UK.
Battleship Chains You got me tied down with battleship chains fifty foot long and a two ton anchor tied down with battleship chains fifty foot long with a two ton anchor
I can’t move my arms to hold nobody hold nobody but you I can’t move my legs s to chase nobody to kick nobody but you
You got me tied down with battleship chains fifty foot long and a two ton anchor tied down with battleship chains fifty foot long and a two ton anchor
I can’t move eyes to see nobody see nobody but you I can’t move my tongue to taste nobody to lick nobody but you
You got me tied down with battleship chains fifty foot long and a two ton anchor tied down with battleship chains fifty foot long and a two ton anchor
I can’t move my lips to kiss nobody kiss nobody but you I can’t move my heart to love nobody to love nobody but you
You got me tied down with battleship chains fifty foot long and a two ton anchor tied down with battleship chains fifty foot long and a two ton anchor You got me tied, tied, whoo hoo, tied tied don’t you know you got me tied tied, whoo hoo baby don’t you know you got me tied tied, whoo hoo
This Christmas song doesn’t get played a bunch here. I’ve always liked it since it was released. It was written by Billy Squier and was the B side to the single “My Kinda Lover.” I post it every year and most people don’t remember it but I was 14 when it was released and it stuck with me.
In 1981 MTV made its debut and Billy Squier’s career was going strong with the 1981 release of the Don’t Say No album. MTV at the beginning had a more family atmosphere. The crowd in this sing-a-long included technicians, secretaries, executives, the production assistants.
MTV helped countless careers. It made some careers larger than they would have been and some had careers because of MTV. It changed everything for a while.
Billy had a great career going on until the Rock Me Tonite video with the pink tank top…then it all fell apart in 1984. Google Billy Squier + Pink Tanktop.
The video was filmed at the Teletronics MTV studio.
VJ Nina Blackwood:“It was taped at our original Teletronics Studio on West 33rd Street and featured our original studio crew, who we all loved and were very close to, along with all the people from the MTV offices,” “Everybody traipsed down to the studio from 44th Street & 6th Ave for the taping. Billy Squier’s career was on fire at this time, and since he lived in NYC, he was a frequent guest at the studio, so it was appropriate that he was chosen for the video.”
“Pretty much what you see on camera is an accurate representation of the celebratory and fun feeling that was happening,” Blackwood said. “It was like one big happy family, which sums up the entire vibe of the early days of MTV. One of a kind experience. When I watch all of these early MTV Christmas videos, the overwhelming sensation I come away with is that of joyous love.”
Christmas Is The Time To Say I Love You
Christmas is the time to say “I love you” Share the joys of laughter and good cheer Christmas is the time to say “I love you” And a feeling that will last all through the year
On the corner carolers are singing There’s a touch of magic in the air From grownup to minor no one could be finer Times are hard but no one seems to care Christmas Eve and all the world is watching Santa guides his reindeer through the dark From rooftop to chimney, from Harlem to Bimini They will find a way into your heart
Christmas is the time to say “I love you” Share the joys of laughter and good cheer Christmas is the time to say “I love you” And a feeling that will last all through the year
Just outside the window snow is falling But here beside the fire we share the glow Of moonlight and brandy, sweet talk and candy Sentiments that everyone should know Memories of the year that lays behind us Wishes for the year that’s yet to come And it stands to reason that good friends in season Make you feel that life has just begun
Christmas is the time to say “I love you” Share the joys of laughter and good cheer Christmas is the time to say “I love you” And a feeling that will last all through the year
So when spirits grow lighter And hopes are shinin’ brighter Then you know that Christmas time is here
We are getting close to Christmas. I hope everyone is ready…and most, if not all, of your shopping is done. There have been many versions of this song but this one is the one I listen to the most. The dynamics in this version are great.
This Dec 31st, 1980 performance of Merry Christmas Baby was recorded at Nassau Veterans Memorial Coliseum in Uniondale, NY, during The River Tour. The song was played in its E Street Band arrangement. It was released in November 1986 as the B-side to WAR. This was the lead single from the Live/1975-85 box set.
Although Chuck Berry and Elvis Presley covered “Merry Christmas Baby” before Bruce did, it sounds like he based his version on Otis Redding’s 1968 version.
Lou Baxter wrote this song but it was called “Merry Christmas Blues” and Charles Brown took it home to work it out. He rewrote it with the new title. Baxter wanted Charles Brown to record it the way Charles rewrote it and it became a big hit with Brown singing with Johnny Moore’s Three Blazers.
Then the music business struck again…The company promised Charles he would have a co-writer credit but of course, it didn’t happen and Johnny Moore had his name listed on the song instead. Charles never got paid royalties for the song. It was originally released in 1947 and peaked at #3 in the Charts.
Moore died, largely unknown, in the 1960s. Brown, meanwhile, became renowned as a pioneer of the laid-back, piano-driven style of West Coast blues and was recognized as an early influence on Ray Charles; he had a renaissance in the 1990s, touring with Bonnie Raitt.
Charles Brown was inducted into the Rock and Roll Hall of Fame in 1999 but died before the induction.
It was also on a complication album A Very Special Christmas of various artists released in 1987.
Merry Christmas Baby
Bring it down, band!
Now, I just came here tonight to say…
I just wanna say…
I just wanna say…
Merry Christmas baby, you surely treat me nice
Come on, merry Christmas baby, you surely treat me nice
I feel just like I’m living, living in paradise
Now listen
Now you see, I feel real good tonight
And I got music on the radio
And I feel real good tonight
And I got music on the radio
And the boys in the band are playing pretty good!
Now, I feel just like I wanna kiss you
Underneath my mistletoe
But now listen
Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
And I feel like I’m living, just living in paradise
Come on boys!
Well now, Santa came down chimney, half past three
With lots of nice little presents for my baby and me
Merry Christmas baby, you surely treat me nice
I feel like I’m living, I’m living in paradise
And I just came down to say
Merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
I just wanna say, merry Christmas baby
And happy New Year, too!
Oh yeah!
Play it boys, go!
Merry Christmas
Ha-ha-ha-ha-ha-happy New Year
Ohhhh!
Sheila mentioned this movie yesterday while talking about A Christmas Carol. I always wanted to write it up anyway so today is a good day and I thank Sheila for bringing it up. After this review…the name I would like you to remember over any other name is Michael O’Donoghue. He was the key to this movie and Saturday Night Live’s first years. O’Donoghue and Mitch Glazer were credited as the writers of this movie. O’Donoghue hated the finished film and he said that he and Glazer wrote a much better story than was shown. He was such a talented writer and died at an early age. He is not as remembered as much as he should have been.
He claimed that director Richard Donner ruined the film (using only about 40% of his script, eliminating subtler material going for big broad laughs, etc). The writer hated what Murray did with the movie’s final redemption speech. Despite co-writer Glazer imploring the actor to get over his nerves (Murray had been away from movies for four years) and just deliver the words as written, Murray went off on an emotional, big-actor-moment tirade. Glazer actually thought Murray was having a nervous breakdown. After Murray finished that scene…O’Donoghue remarked “What was that? The Jim Jones Hour?” O’Donoghue was a comedy trailblazer with National Lampoon and added dark humor to SNL. When I say dark humor…I mean very dark humor. So much so that Lorne Michaels eventually had to step in and stop O’Donaghue from going too far on SNL.
I do love this movie no matter what O’Donoghue thought. Not only Murray but so many actors and actresses did such a great job. You had Robert Mitchum, Carol Kane, Karen Allen, Michael Pollard, John Forsythe, David Johansen, Bobcat Goldthwait, and so many more. I’m a Bill Murray fan anyway and this movie he was terrific in. This movie is a different take on A Christmas Carol by Charles Dickens and was released in 1988. It has become a cult classic. Christmas is not the same without this movie. I didn’t see it until the late 90s and I attempt to see it before every Christmas. I watch it alongside the glorious Alistair Sim version, for although they are poles apart, they both entertain for very different reasons.
Scrooged marked Bill Murray’s return to a lead role after a four-year hiatus following the success of Ghostbusters. The movie was a moderate hit but since then it has grown in popularity. I also love the closing song…Jackie DeShannon’s Put A Little Love In Your Heart to close it out.
The movie also has some great lines. After Frank Cross played a violent commercial for their version of Scrooge, Bobcat Goldthwait (Eliot Loudermilk) said the commercial looked like the Manson Family Christmas Special.
Frank Cross: Do you think I’m way off base here?
Elliot: Yes. You’re, well, you’re a tad off base, sir. That thing looked like The Manson Family Christmas Special!
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PLOT IMDB (Spoilers)
Frank Cross is the president of IBC Television, a network obsessed with ratings. Frank is a modern-day Scrooge: rude, selfish, and focused only on himself. On Christmas Eve, while preparing for a live broadcast of A Christmas Carol, he fires an employee, Eliot, for questioning his plans. Frank also pushes away his sweet ex-girlfriend, Claire, who still believes in kindness and helping others.
That night, Frank is visited by the ghost of his old boss, Lew Hayward, who warns him to change his ways or suffer terrible consequences. To drive the point home, Frank is told he will meet three ghosts:
The Ghost of Christmas Past: A loudmouthed cab driver who takes Frank back in time to see his lonely childhood and the moment he lost Claire because of his greed.
The Ghost of Christmas Present: A violent, glittery fairy who shows Frank how his selfishness is hurting others, including his assistant Grace and her son, Calvin, who hasn’t spoken since his father died.
The Ghost of Christmas Future: A terrifying, Grim Reaper-like figure who shows Frank what will happen if he doesn’t change—his death will be lonely, and everyone he knows will suffer.
Shaken by these visions, Frank has a change of heart. During the live broadcast, he takes over the show and delivers an emotional speech about love, generosity, and the true meaning of Christmas. He makes amends with Claire, Grace, and even Eliot, and ends the night singing with the cast and crew.
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Bill Murray: “We tore up the script so badly that we had parts all over the lawn, there was a lot I didn’t like. To remake the story, we took the romantic element and built that up a little more. The family scenes (which featured real-life siblings Joel and Brian Doyle Murray) were kind of off, so we worked on that.”
Bill Murray was asked if he had problems with director Richard Donner. He replied “Only a few. Every single minute of the day. That could have been a really, really great movie. The script was so good. There’s maybe one take in the final cut movie that is mine. We made it so fast, it was like doing a movie live. He kept telling me to do things louder, louder, louder. I think he was deaf.”
I wanted to include this early today before my posts for Sunday.
As I’ve told people before…I rarely do anniversaries…but this one I will post as long as I blog. I add something to it every year but I wish John would be alive and well at 84 years old but that didn’t happen. It brings back a lot of memories and I’m 13 all over again.
I grew up in the seventies and became a teen in the 1980s. The Beatles were not popular where I lived to say the least. One concerned mother of a friend actually called my mom warning her that I was headed toward destruction because I was listening to the Beatles at around 11 years old. No, I’m not kidding. My mom, bless her heart, told the lady that “Max knows right from wrong. You worry about your child and I’ll worry about about mine.” Ok back to December of 1980.
Damn this date. Every Dec 8th I can’t help but think of where I was when I heard. Last year’s release of the UK #1 Now and Then only heightened the anger, sadness, and confusion over what happened. I post this post every year on this date and will continue. I have updated it each year and I’ve almost rewritten it since I posted it first back in 2018…and if it’s too long now I apologize. I still feel what I felt on that date. Although to be accurate it was on December 9th that I found out…the next morning getting ready for school.
When I watched the news clips at the time I felt like an interloper because all of these fans who were sobbing grew up with Lennon in real time…I was this 13-year-old kid who was late to the party…a decade late.
It’s odd to think the Beatles had only been broken up for 10 years when this happened…to a 13-year-old at the time…that was a lifetime but in reality, it’s nothing. To put it in perspective… it’s now 2023 and 10 years ago was 2013…that doesn’t seem that long ago does it? I was only 3 years old when the Beatles broke up so I had no clue.
Since second grade (1975), I’ve been listening to the Beatles. While a lot of kids I knew listened and talked about modern music …I just couldn’t relate as much. By the time I was ten, I had read every book about The Beatles I could get my hands on. In a small middle TN town…it wasn’t too many. I was after their generation but I knew the importance of what they did…plus just great music. The more I got into them the more I learned about the Who, Stones, and the Kinks. I wanted to get my hands on every book about the music of the 1960s. Just listening to the music wasn’t enough…I wanted to know the history.
I spent that Monday night playing albums in my room. Monday night I didn’t turn the radio on…I’m glad I didn’t…The next morning I got up to go to school and the CBS morning news was on. The sound was turned down but the news was showing Beatle video clips. I was wondering why they were showing them but didn’t think much of it.
Curious, I turned the volume up and found out that John Lennon had been shot and killed. I was very angry and shocked. The bus ride to school was quiet… at school, it was quiet as well. Some teachers were affected because John was their generation. Some of my friends were shocked but some didn’t get the significance at the time and some didn’t care.
I went out and bought the White Album, Abbey Road, and Double Fantasy in late December of 1980…I can’t believe I didn’t have those two Beatles albums already…now whenever I hear any song from those albums they remind me of the winter of 80-81. I remember the call-in shows on the radio then…pre-internet… people calling to share their feelings for John or hatred for the killer.
The next few weeks I saw footage of the Beatles on specials that I had never seen before. Famous and non-famous people pouring their hearts out over the grief. Planned tributes from bands and everyone asking the same question…why?
My young mind could not process why a person would want to do this to a musician. A politician yea…I could see that…not that it’s right but this? A musician? Martin Luther King, Bobby Kennedy, and JFK were before my time. By the mid-1970s John had pretty much dropped out of sight…John and Yoko released Double Fantasy on November 17, 1980, and suddenly they were everywhere…Less than a month later John was murdered. The catchwords were Catcher in the Rye, Hawaii, handgun, and insane. The next day we were duly informed who killed John in the First, Middle, and Last name format they assign to murderers. I won’t mention his name.
I didn’t want to know his name, his career, his wife’s name, his childhood…I just wanted to know why… he says now…” attention”
I noticed a change happened after that Monday night. John Lennon was instantly turned into a saint, something he would have said was preposterous. Paul suddenly became the square and the uncool one and George and Ringo turned into just mere sidemen. Death has a way of elevating you in life. After the Anthology came out in the 90s that started to change back a little.
I called my dad a few days after it happened and he said that people were more concerned that The Beatles would never play again than the fact a man, father, and husband were shot and killed. He was right and I was among those people until he said that. Dad was never a fan…he was more Elvis, Little Richard, and country music… but he made his point. When my father passed in 2005 I thought about this conversation and knew he was teaching me again.
It was odd being into the Beatles at such a young age and after their time so to speak. While my peers were talking about all the contemporary artists at the time…all I talked about was John, Paul, George, and Ringo. I would end up comparing all the new music I heard to theirs…and that wasn’t fair at all to new music. I would think to myself…well this song (any new song at the time) wasn’t as good as Strawberry Fields and so on. I, fortunately, grew out of that but it took a while.
Below is a video of James Taylor telling how he met the killer a day before Lennon was murdered. Also, Howard Sterns broadcast the day after.
No music, movie, or TV Show today on this post. Let’s do Americana…not the music but the places. I love older buildings that represent the style of the era they were built. What’s more Americana than a milkshake, cheeseburger, and fries?
When I grew up we had a place named Strattons that was the dairy dip downtown in our small two red light town. It was the kind of place where you walked up to the window, ordered, waited, got your food, and then either sat on a picnic table or ate in your car. I remember doing that in the mid to late 70s with my sister. It was a very 70s-looking building but in the 1980s it was torn down and rebuilt. It became a 1950s-themed restaurant which was cool…but I missed the original dairy dip. Anyway, here is a picture of it before it right before it was torn down to make room for a Walgreens. Oh, how great progress is…NOT.
Below was the 1950s-themed Strattons before Walgreens in 2010.
I was in Russellville Kentucky yesterday and I went to this establishment called The Bethel Dipper. I have been there a few times in the past and it looks really good at night with the carnival-type fluorescent lights. I like Russellville and want to move there one day. This place is kinda off the beaten path but not too much. It’s like walking into the past and I just wanted to share this.
I have tried to find the history of it but my guess is it started in the 60s. When you see the picture below take your best guess. Not only is the building really cool looking, I love the roof jetting out, but you will not believe the prices. I have the menu below the building. I asked them how they were able to keep it so cheap and they told me that they only take cash. The debit card companies wanted so much for each card swiped. They also don’t have an expensive POS system to pay monthly on. They also keep their menu simple and very good.
After looking at John Candy’s movies on IMDB I can’t help but think that a lot of his movies were not up to his talent level. This one is great though.
This is my go-to Thanksgiving movie, along with The Last Waltz. Steve Martin and John Candy are a great team in this comedy. Personally, I think this is John Candy’s greatest movie. I watch it every year and always look forward to it. The heartwarming ending never fails to get to me.
The movie is full of great scenes and some good lines from Candy and Martin. John Candy can make me laugh with just a look on his face. The guy was a great comedian and a really good actor.
John Hughes is the Director and writer. He shot over 3 hours and had to edit it down. Below is a short plot. For those who haven’t seen it…you are missing a funny movie. It was rated R because of a one-minute scene with the F-Bomb used 18 times by mostly Martin. The movie was released in 1987.
John Hughes was the 1980s. I was expecting a credit that read: 1980’s – Directed by John Hughes. Hughes had a certain style that you can see in his movies. A lot of delayed timing routines from The Breakfast Club to Uncle Buck.
I do wish Candy and Martin would have done another movie together.
By the way….there is a new extended version of the movie that has been released that has over 75 minutes of extra footage.
Some great quotes:
Neal: Del… Why did you kiss my ear? Del: Why are you holding my hand? Neal: [frowns] Where’s your other hand? Del: Between two pillows… Neal: Those aren’t pillows!
Del: You play with your balls a lot. Neal: I do NOT play with my balls. Del: Larry Bird doesn’t do as much ball-handling in one night as you do in an hour! Neal: Are you trying to start a fight? Del: No. I’m simply stating a fact. That’s all. You fidget with your nuts a lot. Neal: You know what’d make me happy? Del: Another couple of balls, and an extra set of fingers?
For those who know the movie…
YOU’RE GOING THE WRONG WAY!
Short Plot
In New York, a marketing executive Neal Page wants to travel home to Chicago for Thanksgiving. He has difficulties getting a taxi and his flight is canceled. He meets in the airport the clumsy and talkative shower curtain ring salesman Del Griffith who has taken his cab and they travel side-by-side to Chicago. However the bad weather shuts down O’Hare Airport and they land at Wichita, Kansas. They both want to go to Chicago and they decide to travel together. Neal is cursed/blessed with the presence of Del Griffith, shower curtain ring salesman and all-around blabbermouth who is never short of advice, conversation, bad jokes, or company.
Along their journey, Neal changes his viewpoint about Del Griffith and his own behavior.
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