1970s – Page 25 – PowerPop… An Eclectic Collection of Pop Culture

Garland Jeffreys – New York Skyline

This is one of the most beautiful songs I’ve heard. I’ve never lived in New York but you get a sense of what it’s like in this song. I don’t post ballads much but this one I just had to.

Jeffreys is a Brooklyn, N.Y.-born singer/songwriter who has released 15 studio albums in his 53-year career. His mixed heritage Puerto Rican and African-American is mirrored in his music, which embraces rock, soul, R&B, and reggae. He began his career performing solo in Manhattan clubs in 1966 after attending college at Syracuse University as an art major, where he became friends with Lou Reed. He then spent some time in Italy studying art before returning to further his education at New York’s Institute of Fine Arts.

He seemed on the cusp of making it so many times but never crossed that bridge. Jeffreys was named the most promising new artist of 1977 by Rolling Stone magazine, and positive pieces about Jeffreys appeared in the Village Voice and the New Yorker. He was friends with peers like Bruce Springsteen, Lou Reed, Bob Marley, John Lennon, and Joe Strummer.

This song was included on the 1977 album Ghost Writer. The album also included my favorite song by him so far…Wild In The Streets. I have posted a couple of posts on him before and he hits me the same way that Van Morrison, Bruce Springsteen, and Graham Parker do.

Fellow blogger MusicCityMike made a video/post about Ghost Writer back in 2020. Take a look at it if you can.

Wild In The Streets was released as a single in 1973 but it was included on Ghost Writer.

New York Skyline

Baby JeanVaudeville queenShe love to ragtime in the nightI know I?m gonna miss my baby JeanCause she treats me oh so right

But the New York SkylineIt?s calling me home tonightFemale, feline, feminine,She?s been making my world so bright

Hindsight, foresightSometimes we?ve got no sight at allNew love, true loveSometimes we?ve got no love at all

But the New York Skyline it?sCalling me home tonightFemale, feline, feminine,She?s been making my world so bright

New York Skyline, New York SkylineI can see those city lightsAnd I can feel those neon signsBright lights, big cityWell it must be modern timesYes it must be modern timesWell it must be modern times

Max Picks …songs from 1989

1989

Tom Petty – Free Fallin’

Free Fallin’ may be the song he is most remembered by. Tom Petty and Jeff Lynne wrote and recorded “Free Fallin’” in just two days, the first song completed for Full Moon Fever. “We had a multitude of acoustic guitars,” Petty told Rolling Stone of the song’s Byrds-y feel. “So it made this incredibly dreamy sound.”

Tom Petty: “There’s not a day that goes by that someone doesn’t hum ‘Free Fallin” to me or I don’t hear it somewhere,” “But it was really only 30 minutes of my life.”

Replacements – I’ll Be You

My favorite band of the 1980s. I was so amazed to hear The Replacements on mainstream radio at this time. This was the closest the Replacements came to having a “hit.” It peaked at #51 on the Billboard 100 and #1 on the Modern Rock Charts in 1989. The song did expand its audience with younger kids coming to see them without knowing their back catalog. This was an annoyance to some of the band members who some nights didn’t play I’ll Be You.

The line, “Left a Rebel without a clue” was later borrowed by Tom Petty into his hit, “Into the Great Wide Open,” in 1991. The Replacements opened up for Petty in his 1989 tour with the Heartbreakers.

Roy Orbison – You Got It

Roy was making a great comeback in the late eighties. He was a member of the Traveling Wilburys and he finished a new album called Mystery Girl in November of 1988. He confided in Johnny Cash that he was having chest pains and he would have to have it looked at…he never did.

The Traveling Wilburys Vol 1 was rising in the charts and he flew to Europe to do a show and came back and did a few more in America. On December 6, 1988, he flew model planes with his kids and after dinner passed away at the age of 52.

I remember watching the Traveling Wilburys video “End of the Line”. They made the video after Roy passed away… when his part came up they showed an empty rocking chair with Roy’s picture beside it.

You Got It featured Jeff Lynn, Tom Petty, and Phil Jones.

Bonnie Raitt – A Thing Called Love

Thing Called Love was written by John Hiatt for his 1987 album Bring the Family. Bonnie covered this song for her 1989 Nick of Time album.

Nick of Time was Bonnie Raitt’s breakthrough album. After years of endless touring and making albums it all paid off with this album.

This is the song that really got me into the newer version Bonnie Raitt. I did like her earlier hit Runaway and I’d heard of her music and read about her. She paid her dues and I was happy to see her hit big. She is an extremely gifted slide guitar player and singer.

Neil Young – Rockin’ In The Free World

This is from our favorite Canadian Neil Young. It surprised me that this was released in 1989. I remember it the most in the 90s.
This was inspired by the political changes going on at the time, and was highly critical of George Bush Sr. Some of the lyrics mock Bush’s campaign speeches: “We got 1,000 points of light, for the homeless man,” “We got a kinder, gentler machine gun hand.”

Rocking In A Free World was written in February 1989, as Neil Young toured the Pacific Northwest. Iran’s Ayatollah Khomeini had just issued a fatwa ordering Muslims to kill Salman Rushdie because of his controversial novel The Satanic Verses and Russia had recently withdrawn its forces from Afghanistan.

Pearl Jam has performed this song from time to time with Young, who said that Neil is their musical mentor. The first time they performed it together was at the 1993 MTV Video Music Awards, where the “Jeremy” video won four awards. Young came on as a surprise guest.

…

Lynyrd Skynyrd – On The Hunt

Sometimes as a guitar player, you come up with a riff that you know is good…this riff must have made Allen Collins happy when he thought of it.

It was released on their third album Nothin’ Fancy in 1975. The album was produced by Al Kooper who signed the band and produced their first three albums. Near the end of the sessions, it was decided that Kooper would leave and not produce them anymore. The sessions were tense so he told them he would rather be their friend than their producer so they parted on good terms.

They premiered the song live in Paris in 1974. Nothin’ Fancy was not one of their best albums but did contain some staples for them. Saturday Night Special, Whiskey Rock-a-Roller, and this song On The Hunt. Allen Collins and Ronnie Van Zant wrote this song in 1974.

Bob Burns and Artimus Pyle

Right before this album it was decided that the drummer Bob Burns needed to part from the band. He was getting more erratic personally. He had some mental issues that the large amount of drugs and drinking certainly didn’t help. The worst occasion was when he went to see the Exorcist. After he saw that he started to see demons everywhere. While in England he was in the 3rd or 4th floor and threw the hotel’s cat out of the window. He thought the cat was the devil himself. The other band members, even the tough Ronnie Van Zant, were not comfortable around him.

They called up Charlie Daniels and asked him if he knew any drummers, so Daniels told them about Artimus Pyle so he joined. No doubt about it, Pyle was a better drummer but he also fit the band perfectly at that time. Pyle had been marking time and making friends as a session drummer for the likes of both Marshall Tucker and The Charlie Daniels Band. Pyle was a former Marine, a health enthusiast, and a Vegan for the most part. He wasn’t all natural though. He would normally take LSD while they were flying and staying at hotels.

The biggest problem with making the album was that they did not have the time to write the songs and arrange them before they recorded them. On their previous two albums, they had that luxury….even the solos were planned out in every song. The record company wanted something now so they had to write in the studio.

Now that many reviewers have looked back on the album…it has got favorable reviews now. As I have said before…they only released 5 studio albums (not counting one after the crash that had their pre-fame material on it) and three of them would be classic albums. Two of them would be very good…other rock bands at the time would have taken this album and loved it. Their live album released in 1976 is one of the best in rock. It shows the band in great form…the one who opened up for the Stones and made a statement at the 1976 Knebworth event.

Al Kooper: Each record got harder to make, and on the third record [Nuthin’ Fancy]we really battled it out and it was getting dangerous in terms of our friendship. At the last day of the third record, I told them that I didn’t want to produce them anymore — that I would rather be their friend than their producer. I think they had suffered as much as I had and were glad to hear that.

The third album was a very tough album to make because they didn’t have the preparatory time that they had on the first two albums. For instance, the guitar solos were not composed. They were made up in the studio.

On The Hunt

I said baby mama, I don’t know your name
But I said baby, sugar I can play your game
Every night when we leave the hall
I see you hanging around
You wanna ride in my big black car baby
Wanna go uptown

[Chorus]
I know who you are baby
I know what they call you girl
Never put you down baby
I’m just like you baby, I’m on the hunt

I know lady
People gonna talk about you and me
Let me say one thing mama, sugar I do as I please
And if you wanna love me baby, I’m your man
And all those high-falutin’ society people
I don’t care if they don’t undertand

[Chorus]

My daddy told me a long time ago
Said there’s two things son
Two things you should know
And in these two things you must take pride
That’s a horse and woman, yeah
Well both of them you ride

Osmonds – Crazy Horses

Please don’t disown me after this…but a Led Zeppelin and Osmond’s story is too hard to pass up. I have played this song to people without telling them who did it…none of them guessed it.

My sister would aggravate me when I was 4 or 5 by playing their records repeatedly. All I could remember was looking at that album and being blinded by that bright glaring smile they all had. So this post is for my sister who probably would not have liked this particular song…but that is probably why it stuck with me.

This is a comment on YouTube about this song “This is what happens when Mormons finally have caffeine.“

I hate to admit it…but this song is not that bad. The Osmonds had this song banned in South Africa, not because of their wild image but because the word Horse meant heroin there. The keyboard at the intro with the slide sound was a YP-30 Yamaha organ with a portmento slide.

A few years after this song…The Osmonds were invited to see Led Zeppelin at Earls Court by the band. They went backstage and met Zeppelin’s family. The Osmonds even used their sound system when they played Earls Court ourselves the following night.

I have to admit…it’s a pretty damn hard song. It peaked at #14 on the Billboard 100, #2 in the UK, and #6 in Canada in 1972. Hmmm wonder how close we came to a Black Sabbath – Osmonds tour in the early seventies?

There was a positive message with the song…it was an environmental song about pollution… an allegory for mankind’s destructive tendencies. As much as I hate to…I’ll give them their due. They stepped out of the teenybopper box they were in and tried something different.

Jay Osmond: I remember we went in a day early because we were using Led Zepplin’s sound equipment. And so we went in to watch them and those guys were so fun and cool. We went backstage and played frisbee with their kids and then they invited us to come up and play with them on ‘Stair Way To Heaven’. And I’ll never forget, The Osmonds and Led Zepplin on the same stage.

Merrill Osmond: “Before that, my brothers and I had been what’s now called a boy band… all our songs were chosen for us by the record company. But now, having been successful, we wanted to freak out and make our own music. We were rehearsing in a basement one day when Wayne started playing this heavy rock riff. I came up with a melody and Alan got the chords. Within an hour, we had the song. I had always been the lead singer, but I sang Crazy Horses with Jay. The line “What a show, there they go, smoking up the sky” had to be sung higher, so I did that and Jay did the verses because his voice was growlier, and this track was heavier than anything we’d ever done.”

Donny Osmond: “Ozzy Osbourne actually told me that ‘Crazy Horses’ is one of his favorite rock and roll songs. “The problem is my teenybopper career was selling like crazy and it overshadowed anything we did as a rock and roll band.”

Donny Osmond: We had a wall of Marshalls in the studio. It was so loud that you couldn’t even walk in the studio, so we had to play the organ from the control room. My brother Alan actually played it on the record. I played it live. But the secret to it was a wah-wah pedal. We opened the wah-wah just enough to get that really harsh kind of a piercing sound, but it was the loudness of the Marshalls that got us that sound. And then we doubled it. That was the secret to that sound.”

This is a song off of that album…they borrowed a Zeppelin riff for this one.

Crazy Horses

There’s a message floatin’ in the air.
Crazy horses ridin’ everywhere.
It’s a warning, it’s in every tongue.
Gotta stop them crazy horses on the run.

What a show, there they go smokin’ up the sky, yeah.
Crazy horses all got riders, and they’re you and I.
Crazy horses (repeat 3 times)

Never stop and they never die.
They just keep on puffin’ how they multiply.
Crazy horses, will they never halt?
If they keep on movin’ then it’s all our fault.

What a show, there they go smokin’ up the sky, yeah.
Crazy horses all got riders, and they’re you and I.
Crazy horses (repeat 3 times)

So take a good look around,
See what they’ve done, what they’ve done —
They’ve done–
They’ve done–
They’ve done–
They’ve done.

Crazy horses.

Allman Brothers – Wasted Words

There is nothing better than sitting back on a cool Fall day and listening to the Allman Brothers.

The album Brothers and Sisters was released in August 1973. This was almost two years after Duane Allman had died. Around a year later on November 11, 1972…their bassist Berry Oakley died on a motorcycle within a few blocks of where Duane crashed. Some of the band members have said…Berry died on the day that Duane died but his body just kept moving until a little over a year later. He never got over Duane dying and his drug and alcohol use escalated. He was on his motorcycle and hit a bus. He went back to his house and they took him to a hospital where he died a short time later.

Let me say this about Berry Oakley. He is sadly overlooked today. Not only was he a superb blues bass player but he had something that not all blues bassists have. He had a great sense of melody…I would compare him to Paul McCartney in that department. In the middle of those jams, you would hear the bass playing these wonderful countermelodies…he was unique in that way.

The Allmans recorded Brother and Sisters between October and December of 1972. It was a monster hit for the Brothers. It contains the last songs that Oakley ever played on. Berry Oakley played on this song and the huge hit Ramblin’ Man that he recorded shortly before his death. They had try-outs for another bass player but Jaimo’s friend Lamar Williams won out easily. He played with the band until they broke up briefly in 1976. He developed lung cancer at the age of 32 from exposure to Agent Orange during his Vietnam service and died in 1983.

Gregg Allman wrote this and Dickey Betts played a slide on the song. He didn’t like playing slide because of Duane. When Duane died instead of replacing him with another guitar player…they recruited the great piano player Chuck Leavell. That was a smart thing to do because of the comparisons to Duane on whoever would have taken that spot. Dickey had to play slide when they played their older songs but it’s something he stayed away from on newer songs when he could.

The album peaked at #1 on the Billboard 100, #1 in Canada, and #42 in the UK. What helped the album was Ramblin’ Man and Jessica, two of their most classic songs. They toured with this album and played sold-out stadiums and arenas. A little later they would lease The Starship… the same one that Led Zeppelin used in the seventies. They were up there with The Who, Led Zeppelin, and the monster bands of the seventies.

The first time I heard of the Allman Brothers was on SNL where Dan Ackroyd played Jimmy Carter talking down a caller on acid. I was around 9 when I heard it and it stuck. I have it below.

Wasted Words

Can you tell me, tell me, friend, just exactly where I’ve been?
Is that so much to ask I’ll pay you back no matter what the task
You seem really sure ’bout something I don’t know,
Take that load off, looks like chest’s about to go
Your wasted words already been heard, are you really god, yes or no?

Well, all day and half the night you’re walkin’ round lookin’ such a fright
Good is it me or is it you?
I’d make a wager and I’d hope you lose
Time’s gone, looks like Rome is ’bout to fall,
Next time take the elevator, please don’t crawl
Your wasted words so absurd, are you really Satan, yes or no?
Tell me now baby?
Ooh hoo
Oh

Well, I ain’t no saint and you sure as hell ain’t no savior
Every other Christmas I would practice good behavior
That was then, this is now, don’t ask me to be mister clean
Baby, I don’t know how
Ring my phone ’bout ten more times, we will see,
Find that broke down line and let it be
Your wasted words will never be heard, go on home baby and watch it on TV

Weekday soap-box specialty, you know what I’m talkin’ ’bout now
By the way, this song’s for you, sincerely, me

Max Picks …songs from 1988

1988

Three albums shaped this year for me. One was by The Traveling Wilburys, U2, and the other was by Keith Richards..

Traveling Wilburys – Handle With Care

This was the hit that kicked the Wilburys project off the ground. George Harrison and Jeff Lynne started the ball rolling… Initially an informal grouping with Roy Orbison and Tom Petty, they got together at Bob Dylan’s Santa Monica, California studio to quickly record an additional track as a B-side for the single release of Harrison’s song This Is Love. This was the song they came up with, which the record company immediately realized was too good to be released as a single B side. They also recorded “You Got It” at the session, which helped convince them to record an album together.

The title Handle With Care came when George Harrison saw the phrase on the side of a cardboard box in the studio.

Tom Petty on Bob Dylan: “There’s nobody I’ve ever met who knows more about the craft of how to put a song together than he does. I learned so much from just watching him work. He has an artist’s mind and can find in a line the keyword and think how to embellish it to bring the line out. I had never written more words than I needed, but he tended to write lots and lots of verses, then he’ll say, this verse is better than that, or this line. Slowly this great picture emerges. He was very good in The Traveling Wilbury’s: when somebody had a line, he could make it a lot better in big ways.”

Steve Earl – Copperhead Road

Brilliant song by Steve Earle. I became a fan of Steve Earle when I heard “I Ain’t Never Satisfied” off of the Exit 0 album. Copperhead Road was an actual road near Mountain City, Tennessee. It has since been renamed Copperhead Hollow Road, owing to the theft of road signs bearing the song’s name.

What is interesting is Earle tells a story of three generations, of three different eras, and shows how they intersect all in one song. Earle himself called the album the world’s first blend of heavy metal and bluegrass.

U2 – Angel Of Harlem

This song has an old feel and a lot of power. It was on the Rattle and Hum album. I’ve talked to many U2 fans who don’t like the album a lot but it is my favorite album the band did. It broke a little from their previous albums. The Edge backed off the reverb and delay some on this album. They traded their “new wave” sound for Americana and I loved it. Rattle and Hum is very rootsy and raw. For me and I’m sure I’m in the minority…this song was one of the best singles of the 80s. I could hear Van Morrison doing this. This song is what made me go back and listen to the rest of their catalog. This album is not The Joshua Tree Part II…they go down a different path like great bands do.

The “Angel of Harlem” is Billie Holiday, a Jazz singer who moved to Harlem as a teenager in 1928. She played a variety of nightclubs and became famous for her spectacular voice and ability to move her audience to tears. She dealt with racism, drug problems, and bad relationships for most of her life, and her sadness was often revealed in her songs. She died of cirrhosis of the liver in 1959 at age 44.

Angel of Harlem was recorded at Sun Studio in Memphis.

Tracy Chapman – Fast Car

When I heard this song it sounded so different than other songs at the time. It’s a well-written song lyrically and musically that has a folk feel to it. It could have been a hit in any era… the lyrics got my attention. While they’re standing in the welfare lines / crying at the doorsteps of those armies of salvation / wasting time in the unemployment lines / sitting around waiting for a promotion.

The song remains one of my favorites from that era. I always thought this song was an instant classic. It could have been released in 1973.

A still unknown Tracy Chapman was booked to appear down the bill at the Nelson Mandela birthday concert at Wembley Stadium on June 11, 1987. She had no reason to think her appearance would be the catalyst for a career breakthrough. After performing several songs from her self-titled debut during the afternoon, Chapman thought she’d done her bit and could relax and enjoy the rest of the concert.

That would not be the case… later in the evening, Stevie Wonder was delayed when the computer discs for his performance went missing, and Chapman was ushered back onto the stage again. In front of a huge prime-time audience, she performed “Fast Car” alone with her acoustic guitar. Afterward, the song raced up the charts on both sides of the Atlantic.

Keith Richards – Take It So Hard

When I heard this song with the opening riff coming from that 5-string G turning that he is known for I loved it. I bought the album Talk is Cheap which some reviews half-jokingly called the best Rolling Stones album in years (It WAS!). The song got plenty of play on rock stations at the time. It peaked at #3 in the Mainstream Rock Tracks. The album was recorded in a period when Mick and Keith were feuding with each other about the direction of the Stones. They were not recording or playing live. “You Don’t Move Me Anymore” off of the album points right at Mick.

Personally, I’ve always liked Keith’s voice. Happy, Salt of the Earth, You Got the Silver, and Before They Make Me Run rank among my favorite Stones songs. This song would fit on any Stones album.

Mick Jagger – Memo From Turner

This song should have been a Rolling Stones song but it was on the soundtrack of a movie Jagger did in 1969. It’s my absolute favorite thing Jagger ever released under his name only. The slide guitar in this song is just downright nasty. Ry Cooder did the honors in this song.

Mick Jagger starred in this movie called Performance in 1970. I’m not going to reinvent the wheel so I’ll paste the plot from IMDB:

Chas is an East London thug who works for gangster Harry Flowers and his associates (although they don’t use the word gangster to describe themselves). Chas is generally sadistic in his nature and thus revels in his work. But his sadistic nature also pervades his personal life. As such, he will work on his own personal agenda outside of the work for Harry. It is in this vein that an encounter with Joey Maddocks, a man with whom Chas has a history, leads to Chas needing to hide out from Harry and his associates. Ultimately Chas feels he needs to clandestinely leave the country. In the meantime, he, based solely on a private conversation he overhears between strangers, manages to take refuge in the basement of a Notting Hill flat owned by a man named Turner, who lives there with two female companions named Pherber and Lucy. Chas considers their lifestyle bohemian and one of free love, which is outside of his mentality. Turner is an ex-rock musician who has lost his “demon” and thus his desire to be a performer. As Chas makes arrangements for his departure out of England, he gets caught up in Turner’s lifestyle, Turner who is working on his own agenda in spending time with Chas.

I saw this movie in the 1980s…it’s a good movie. It’s not Mary Poppins by any stretch of the imagination so you will be seeing an R-rated movie that can border on X. They had to cut a few scenes to make it an R back then. Jagger does a great job in it…it’s been said more than playing himself in this film… he was playing his ex-bandmate Brian Jones.

The song was credited to Jagger/Richards and on some takes only Jagger. There were 3 versions of the song. The first take was from Mick with some of the band Traffic backing him but it wasn’t officially released. The 2nd version was a version of it by The Stones with Ry Cooder on slide. The third version was recorded in 1970 featuring Mick Jagger, Ry Cooder on slide guitar, Russ Titelman (guitar), Randy Newman (piano), Jerry Scheff (bass), and Gene Parsons on drums. That is the one that everyone knows.

Keith Richards didn’t want anything to do with it. He was not happy with the love scenes between his actress girlfriend Anita Pallenberg and Mick Jagger. Keith held a lot of resentment over that for a long time and let Mick know in his 2010 book Life. He ripped Jagger pretty well over it and it took them a few years to start talking again.

This is a very dirty and grimy song…it would have been a perfect fit on Exile On Mainstreet or Sticky Fingers. Any Goodfellas fans out there might remember it in that movie.

The song peaked at #32 on the UK Charts in 1970.

Memo From Turner

Didn’t I see you down in San Antone on a hot and dusty night?
We were eating eggs in Sammy’s when the black man there drew his knife
Didn’ you drown that Jew in Rampton when he washed his sleeveless shirt
With that Spanish-speaking gentlemen, the one we all called “Kurt.”

Come now, gentleman, there must be some mistake
How forgetful I’m becoming, now you fixed your business straight

I remember you in Hemlock Road in nineteen fifty-six
You’re a faggy little leather boy with a smaller piece of stick
You’re a lashing, smashing hunk of man
Your sweat shines sweet and strong
Your organ’s working perfectly, but there’s a part that’s not screwed on

Weren’t you at the Coke convention back in nineteen sixty-five
You’re the misbred, grey executive that I’ve seen heavily advertised
You’re the great, gray man whose daughter licks policemen’s buttons clean
You’re the man who squats behind the man who works the soft machine

Come now, gentleman, your love is all I crave
You’ll still be in the circus when I’m laughing, laughing in my grave

When the old men do the fighting and the young men all look on
And the young girls eat their mothers meat from tubes of plastic on
So be wary please my gentle friends of all the skins you breed
They have a nasty habit that is they bite the hands that feed

So remember who you say you are and keep your noses clean
Boys will be boys and play with toys so be strong with your beast
Oh Rosie dear, don’t you think it’s queer, so stop me if you please
The baby is dead, my lady said, “You gentlemen, why you all work for me?”

Eric Clapton – Promises

I had this single when I was a kid that was passed down to me from someone. This was before I knew about Cream, Yardbirds, or anything else. It was probably my first impression of Eric Clapton. When I did hear Cream it was a bit of a shock.

A country rock song by Eric Clapton that’s always been a favorite of mine. It was released in 1978 and peaked at #9 on the Billboard 100, #82 on the Country Charts, #37 in the UK, and #7 in Canada. This song was from his Backless album. At the time when Clapton was influenced by Don Williams the country artist.

His album Slowhand was released the year before this album. He kept the same producer, Glyn Johns, and recorded in the same studio (Olympic in London). This album was laid-back like Slowhand. It also has a country feel with Tulsa time and this song Promises. The album is not as critically acclaimed as Slowhand…this single was the only hit song on the album.

The album peaked at #8 on the Billboard Album Charts, #22 on the Canadian charts, #18 in the UK, and #22 in New Zealand in 1978. The female singer in this song is Marcy Levy. She wrote Lay Down Sally with Clapton and George Terry.

It was written by Richard Feldman and Roger Linn

Promises

I don’t care if you never come home
I don’t mind if you just keep on
Rowing away on a distant sea
‘Cause I don’t love you and you don’t love me

You cause a commotion when you come to town
You give ’em a smile and they melt
Having lovers and friends is all good and fine
But I don’t like yours and you don’t like mine

La la, la la la la la
La la, la la la la la

I don’t care what you do at night
Oh, and I don’t care how you get your delights
I’m gonna leave you alone, I’ll just let it be
I don’t love you and you don’t love me

I got a problem. Can you relate?
I got a woman calling love hate
We made a vow we’d always be friends
How could we know that promises end?

I tried to love you for years upon years
You refuse to take me for real
It’s time you saw what I want you to see
And I’d still love you if you’d just love me

I got a problem. Can you relate?
I got a woman calling love hate
We made a vow we’d always be friends
How could we know that promises end?

Jerry Jeff Walker – Pissin’ In The Wind

Pissin’ in the wind, bettin’ on a losing friend
Makin’ the same mistakes, we swore we’d never make again
And we’re pissin’ in the wind, but it’s blowing on all our friends
We’re gonna sit and grin and tell our grandchildren

I heard this song as a kid…where and when I can’t tell you but it came back to me as soon I started to play it. There was no way country radio would have played this back in 1975 so I sure as hell didn’t hear it there. You know what is really odd? I’ve been blogging for 7 years and never have I had a song with “piss” in the title…and this is the second song TODAY I’ve written up with that word in the title. I decided against posting them back to back so I picked another song to follow this post.

I had forgotten about this song until Randy and CB brought up Jerry Jeff Walker. You know his most famous song very well, Mr Bojangles. That song was made popular by the Nitty Gritty Dirt Band. When I get into something…I usually fall hard for it. That is the reason you have seen weeks of Texas songwriters. The writing is so consistently good. Walker was not Texan born but he settled in Texas in the 1970s and stayed there for the rest of his life.

This song is funny and different. He used a Dixieland clarient in a country song which is a wonderful mixture. Needless to say, this is not one of his serious songs but I love the loose feel of it. On top of that, he throws a fun jibe at Bob Dylan’s Blowin’ in the Wind.

The song was on the critically praised album Ridin’ High. The album charted at #14 on the Billboard Album Charts in 1975.

Pissin’ In The Wind

Pissin’ in the wind, bettin’ on a losing friend
Makin’ the same mistakes, we swore we’d never make again
And we’re pissin’ in the wind, but it’s blowing on all our friends
We’re gonna sit and grin and tell our grandchildren

About the time I called this guy it was four in the morning
Teach me the words to the song I was humming

He just laughed and he said that the ole grey cat is sneakin’ down the hall
But all he wants to know is who in the hell is paying for the call

Chorus

Now this Nunn called me up, it was eight in the morning
Wanted to know how in the world am I doin’
He just laughed and he said get together boy, and fall on by the house
Some Gonzo buddies would like to play anything your’s picking now

Chorus

Now we worked and we suffered and struggled
Makin’ our record till we got it right
Now we’re waiting on the check to come sneaking down the hall
Like that old time feeling
That we never should have ever put the record out at all

Chorus

That the answer my friend is just pissin’ in the wind
The answer is pissin’ in the sink

….

Max Picks …songs from 1987

1987

I listened to the radio in 1987 a little more than in the previous 3 years or so. The albums that really got my attention were George Harrison’s Cloud Nine and the Replacements album that’s one of my favorites of the 1980s…Please To Meet Me… it was recorded in the Memphis studio where Big Star recorded. It was also the year of the Grateful Dead…a huge top-ten album and single.

Grateful Dead – Touch Of Grey

I knew of the Grateful Dead from an older brother of a friend I had. I had heard of them as a kid in the seventies before I actually heard them. I knew some of their songs and the Garcia song Sugaree. I always pictured this heavy tough metal band with a name like that. Whenever they toured they would draw a massive amount of fans despite having no top ten hits…until this song. After this song, they drew a larger amount of attention and fans.

When this came out in the 80s, it was like Deadmania. With MTV suddenly everyone was talking about them. While big success is great it did cause some trouble at some of their concerts. Chilled-out Deadheads followed them around the country for decades. Some financed their travels by hawking food, T-shirts, and handicrafts…not to mention pot and LSD usually peacefully. Through the years more would add to the fold…some described it as a giant community more than a regular concert. In 1987 they suddenly had an influx of new young fans (Touchheads) and some didn’t know what the band was about. Along with them came some gate crashers and riots.

With the backing of the band, older Deadheads handed out flyers on how to act, trying to mellow out the newer crowd.

Robert Hunter started writing the lyrics to this song in 1980, and the Grateful Dead first performed it in 1982. They played it sporadically over the next few years and finally recorded it for their 1987 album In The Dark.

George Harrison – We We Was Fab

I loved this song when I heard it. To hear George sing about his time with The Beatles surprised me. Of all the Beatles George seemed to have the most resentment and some of it was understandable. A few years after this he would join the remaining Beatles and start on The Beatles Anthology. George wanted Paul to be in this video but Paul was tied up at the time. He asked George to put a left-handed bass player in the video with a walrus mask and tell everyone it was him.

George co-wrote the song with Jeff Lynne, who also co-produced the album that shortly pre-dates the two of them forming The Traveling Wilburys. ‘When We Was Fab’ is a musical nod to the psychedelic sound that the Beatles had made their own. George used a sitar, string quartet, and backward tape effects.

He also got some help from Ringo. Starr played drums on this track and a few others on the album. Harrison says that when he started writing the song, he had Ringo’s drumming in mind for the intro and the overall tempo

Replacements – Alex Chilton

The Replacement’s tribute song about Big Star and Box Tops lead singer, Alex Chilton. The song was off the album Please To Meet Me. One of my favorite bands of all time singing about a singer in one of my favorite bands. This would be my number 1 song of 1987.

The Replacements recorded Pleased To Meet Me in Memphis at Ardent Studios, the same studio as Big Star. The man behind the board was Jim Dickinson, who produced the storied third Big Star album. Alex came into the studio a few times while the Replacements were working on the record (and laid down a guitar fill for “Can’t Hardly Wait”), but the band avoided the awkwardness of playing “Alex Chilton” whenever Chilton was around.

R.E.M. – It’s The End of the World as We Know It (And I Feel Fine)

This song came off of the great Document album. With some REM songs, it takes a few listens for me but this one… the first time was enough to know I really liked it. It was recorded in the Sound Emporium in Nashville, Tennessee. The song peaked at #69 in 1988. The song was inspired by Subterranean Homesick Blues by Bob Dylan and you can tell.

Michael Stipe said: “The words come from everywhere. I’m extremely aware of everything around me, whether I am in a sleeping state, awake, dream-state or just in day to day life. There’s a part in ‘It’s The End Of The World As We Know It’ that came from a dream where I was at Lester Bangs’ birthday party and I was the only person there whose initials weren’t L.B. So there was Lenny Bruce, Leonid Brezhnev, Leonard Bernstein… So that ended up in the song along with a lot of stuff I’d seen when I was flipping TV channels. It’s a collection of streams of consciousness.”

Los Lobos – La Bamba

This band had been around a long time before this song came out. They formed in 1973 and released their first album in 1978. They opened for bands such as The Clash and The Blasters so they got exposed to a lot of different audiences.

They recorded some Ritchie Valens covers for the movie La Bamba and their cover of the title track made them known internationally. The song was number 1 almost everywhere including the US, Canada, the UK, and New Zealand.

Danny O’Keefe – Good Time Charlie’s Got the Blues

I ran across this song a few weeks ago. It was the first time I heard this song in many years. I would hear it on local radio stations growing up.

Danny O’Keefe was from Spokane, Washington and he wrote the song during a period when he was struggling with his own demons. He had just gotten out of a bad relationship and was dealing with alcohol and drug addiction.

It was also recorded by Elvis using the same musicians as O’Keefe did on this recording. He also wrote the song “The Road” on Jackson Browne’s Running on Empty Album. It peaked at #9 in the Billboard 100 and #19 in Canada in 1972. It was recorded at American Studios in Memphis with Arif Marden producing. Danny O’Keefe was a one-hit wonder with Good Time Charlie’s Got the Blues his only Billboard hit.

The song has been featured in numerous films and television shows, including The Sopranos and Forrest Gump. It has also been recognized by the Rock and Roll Hall of Fame, which included it in its list of “500 Songs That Shaped Rock and Roll.”

Danny O’Keefe: “The success of one’s dreams is always exhilarating. Elvis cut the song with the same group of musicians I had, so there was a pride in continuity, but I didn’t think he brought anything new to it. Over the years I’ve come to appreciate it more as part of the song’s great legacy.”

Danny O’Keefe: “Maybe it was about hipsters drawn to the high life. I lived in interesting times and there was a lot of experimentation with every kind of drug. There were a lot of damages and strange intersections of lives that provided much grist for a young songwriter’s mill.”

Good Time Charlie’s Got the Blues

Everybody’s goin’ away
Said they’re movin’ to LA
There’s not a soul I know around
Everybody’s leavin’ town
Some caught a freight, some caught a plane
Find the sunshine, leave the rain
They said this town’s a waste of time
I guess they’re right, it’s wastin’ mine
Some gotta win, some gotta lose
Good time Charlie’s got the blues
Good time Charlie’s got the blues
Ya know my heart keeps tellin’ me
“You’re not a kid at thirty-three”
“Ya play around, ya lose your wife”
“Ya play too long, you lose your life”
I got my pills to ease the pain
Can’t find a thing to ease the rain
I’d love to try and settle down
But everybody’s leavin’ town
Some gotta win, some gotta lose
Good time Charlie’s got the blues
Good time Charlie’s got the blues
Good time Charlie’s got the blues
(whistling to end)

Looking Glass – Brandy (You’re A Fine Girl)

It’s good to be back…I was under the weather yesterday and not a bunch better today but better all the same.

This is a song that automatically takes me back to being a kid. When it was included on the Guardians of the Galaxy 2 soundtrack…it was exposed to many kids and teens which now lives on for another generation. I rarely cover AM Gold songs because early on I covered so many of them…and this one is worth it.

No one other than Clive Davis signed this band to a contract. He knew they had hit on their hands! Well…yes he did but he didn’t think this song was it though. This song was originally the B-side to a song called “Don’t It Make You Feel Good.”It’s a good song but not Brandy. Harv Moore, a disc jockey in Washington DC, flipped the record and played “Brandy” instead. It became popular in the DC area, and quickly spread nationwide.

This song was released in 1972 and it was a big hit. It still is being played today on classic radio and in any supermarket near you. It peaked at #1 in the Billboard 100, #1 in Canada, and #51 in the UK.

It was written by the lead singer Elliot Lurie. Looking Glass didn’t hang around too much longer… after a minor hit the next year with “Jimmy Loves Mary-Anne,” Lurie left the band to pursue a solo career.

There is another reason why Looking Glass didn’t do more. They were originally a hard rock band from New Jersey until the success of “Brandy,” which pushed them (reluctantly) into a softer direction. Apparently, the band was never entirely pleased with the song’s success or their new direction, and they never really altered their heavier stage act to accommodate what their new listeners were used to hearing from them on the radio.

I’m sure that Lurie doesn’t mind the softness now when the song is included in movies and soundtracks.

Elliot Lurie: Brandy is a made-up individual,” he said. “The name was derived from a high school girlfriend I had whose name was Randy with an ‘R.’ Usually when I write — I still do it the same way I did back then — I strum some guitar and kind of sing along with the first things that come to mind. Her name came up. Then I started writing the rest of the song, and it was about a barmaid. I I thought Randy was an unusual name for a girl, it could go either way, and (the song was about) a barmaid, so I changed it to Brandy.”

Brandy (You’re A Fine Girl)

There’s a port on a western bay
And it serves a hundred ships a day
Lonely sailors pass the time away
And talk about their homes

And there’s a girl in this harbor town
And she works layin’ whiskey down
They say, Brandy, fetch another round
She serves them whiskey and wine

The sailors say, “Brandy, you’re a fine girl” (you’re a fine girl)
“What a good wife you would be” (such a fine girl)
“Yeah, your eyes could steal a sailor from the sea”

Brandy wears a braided chain
Made of finest silver from the North of Spain
A locket that bears the name
Of the man that Brandy loved

He came on a summer’s day
Bringin’ gifts from far away
But he made it clear he couldn’t stay
No harbor was his home

The sailor said, “Brandy, you’re a fine girl” (you’re a fine girl)
“What a good wife you would be” (such a fine girl)
“But my life, my love and my lady is the sea”

Yeah, Brandy used to watch his eyes
When he told his sailor story
She could feel the ocean fall and rise
She saw its ragin’ glory
But he had always told the truth, Lord, he was an honest man
And Brandy does her best to understand

At night when the bars close down
Brandy walks through a silent town
And loves a man who’s not around
She still can hear him say

She hears him say, “Brandy, you’re a fine girl” (you’re a fine girl)
“What a good wife you would be” (such a fine girl)
“But my life, my lover, my lady is the sea”

It is, it is
Yes, it is, yes it is

He said, “Brandy, you’re a fine girl” (you’re a fine girl)
“What a good wife you would be” (such a fine girl)
“But my life, my lover, my lady is the sea”

Derek and The Dominos – Bell Bottom Blues

I like this song just as much as Layla. It was written by Eric Clapton and Bobby Whitlock. This song and “I Looked Away” are two of my favorites on the album. Bell Bottom Blues peaked at only #91 on the Billboard 100 in 1971. Recently, Eric did a great thing for someone with this album.

Derek and The Dominos formed after working on George Harrison’s album All Things Must Pass. After that, they played a lot of different small clubs all over Europe. They made the album, Layla and Other Assorted Love Songs in Criteria Studios in Miami, Florida. It’s there where Clapton met Duane Allman and a little later invited him to join them. Duane ended up turning Eric down because he believed in the Allman Brothers and he built them from the ground up. Eric was one of his guitar guys so it had to be a hard choice for him.

Clapton first heard about Allman when listening to Wilson Pickett’s version of Hey Jude for the first time and heard his guitar playing at the end of the song. He called up either Ahmet Ertegun or Tom Dowd and asked who was that guitar player? Eric has said that he has never heard better rock guitar playing on an R&B record.

In 1970, Eric Clapton was experiencing emotional anguish over George Harrison’s wife Pattie Boyd. He recounts writing the song for Boyd after she asked him to get her a pair of bell-bottom jeans while he visited the US.

Clapton repackaged this album and the first thing he did was to ask his attorneys…what is Bobby Whitlock going to get out of this? Bobby played keyboards and wrote a lot of the songs with Eric. The attorneys told Eric he would get nothing because he sold all of his rights. He was down at one time and had to sell everything. Eric and his attorneys went to the publishing company and bought back all of Bobby’s rights and handed it over to him without Whitlock even knowing.

Bobby Whitlock: Well, unbeknownst to me, Eric and Michael took their attorneys in to the respective Warner/Chappel and Universal and all the other companies and bought back my rights to my income and restored them and gave them back to me. Out of the blue.

So all of my royalties have come back. And now it’s even more so, because it hasn’t been a month-and-a-half ago that I wrote him to explain how ‘Bell Bottom Blues’ came about, and I sent it to Eric and to Michael. Someone had come online and says something about, ‘Is this true that ‘Bell Bottom Blues’ was written about a pair of trousers?’

And I said, Yeah, well, it was that and this girl in France that Eric was seeing for a little while while we were there. I’d forgotten about Pattie [Boyd – subject of ‘Layla’] asking him about those pants. But anyway, before I would answer this and put it out publicly online, I decided, Well, I probably ought to write Eric.

Bobby Whitlock: “Eric met this girl, she was like a Persian princess or something, and she wore bell bottoms. She was all hung up on him – he gave her a slide that Duane (Allman) had given him and he wrapped it in leather and she wore it around her neck. She didn’t speak a word of English and they had to date through an interpreter. That relationship did not last but a week. He started the song over there, then when we got back to England, we finished it up in his TV room in Hurtwood Edge.”

Bell Bottom Blues Indeed!

Bell Bottom Blues

Bell bottom blues, you made me cry
I don’t want to lose this feeling
And if I could choose a place to die
It would be in your arms

Do you want to see me crawl across the floor to you?
Do you want to hear me beg you to take me back?
I’d gladly do it because
I don’t want to fade away
Give me one more day, please
I don’t want to fade away
In your heart I want to stay

It’s all wrong, but it’s all right
The way that you treat me baby
Once I was strong but I lost the fight
You won’t find a better loser

Do you want to see me crawl across the floor to you?
Do you want to hear me beg you to take me back?
I’d gladly do it ’cause
I don’t want to fade away
Give me one more day, please
I don’t want to fade away
In your heart I want to stay

Bell bottom blues, don’t say goodbye
I’m sure we’re gonna meet again
And if we do, don’t you be surprised
If you find me with another lover

I don’t want to fade away
Give me one more day please
I don’t want to fade away
In your heart I want to stay

Max Picks …songs from 1986

1986

Crowded House – Something So Strong

It was love at first listen to this song. They had another hit that was larger in Don’t Dream It’s Over but this song is a perfect pop song. The lyric “bring life to frozen ground” still stands out to me and I cannot hear this song enough. As far as pop songs go it’s hard to beat this New Zealand band.

The song dates back to 1984 when Neil Finn did a demo of the song. He was still in Split Enz at that time. They split in 1985 so Finn and drummer Paul Hester formed Crowded House.

The song was written by Neil Finn and Mitchell Froom.

R.E.M. – Fall On Me

A musician friend of mine invited me over to listen to this album. We must have played it 5 times through by nighttime.

Bill Berry (drummer) said the song was specifically about Acid Rain, which occurs when the burning of fossil fuels releases sulfur dioxide and nitrogen oxides into the atmosphere, causing rain to be acidic and threatening the environment.

Michael Stipe said about the song: “I was reading an article in Boston when I was on tour with the Golden Palominos, and Chris Stamey showed me this article about this guy that did an experiment from the Leaning Tower of Pisa, whereby he dropped a pound of feathers and a pound of iron to prove that there was… a difference in the… density? What did he prove? I don’t even know. They fall just as fast.”

Steve Earle – Someday

Ever since I heard him in the mid to late 80s I liked Steve Earle. He opened up for Bob Dylan in 1988 and he was fantastic. His music was between country, folk, and rock. You can’t really put Earle in a box…and you shouldn’t. I’ve read reviewers compare him to Randy Newman, Bruce Springsteen, and Waylon Jennings in the same review. That is a great span of artists.

The song is about escaping the town you are living in. I knew a lot of people who wanted to escape the small town I grew up in. The song reminds me a little of The River by Bruce Springsteen in content. It’s a song that many people will be able to relate to.

The song was from his debut album Guitar Town. I remember he was being played on country radio and WKDF…Nashville’s number-one rock station back in the 80s. The album is ranked 489 on Rolling Stone Magazine’s top 500 albums. They called it a rocker’s version of country.

Georgia Satellites – Keep Your Hands To Yourself

A friend of mine who played guitar in high school got a bootleg of this song a year before it was officially released. His band was playing in the gym before we went on and they played this song. I thought they wrote it until I asked him. It’s a great-sounding song live.

It was an instant bar band song classic. It was a song you didn’t really have to rehearse…just one listen would do it. We learned it in one take… and again it was one of only a handful of times that we played a song in the top ten at the time. This is the kind of music I missed in the mainstream during the mid to late eighties.

This was the only big hit for the Georgia Satellites, although lead singer Dan Baird had a hit as a solo artist in 1992 with “I Love You Period.” They didn’t have another big hit but they did have some songs that got airplay on radio and MTV like Battleship Chains and a cover of Hippy Shake. This was one of the few straight-out rock and roll songs to hit the charts at this time.

Dwight Yoakam – Guitars, Cadillacs

Buck Owens made the Bakersville sound popular and it’s one of my favorite types of country. Yoakam and Steve Earle came out at around the same time and they were not like everyone else (George Jones has a funny quote about that at the bottom). They were a breath of fresh air in country music and they crossed over genres as well. They essentially brought the country back to being country and not southern rock pop with a twang.

It was released in 1986 and was the second single off of his debut album Guitars, Cadillacs, Etc., Etc. This song was written by Dwight Yoakam. Pete Anderson (producer) was a huge help in the making of the album. He provided some ideas music-wise, played the guitar, and even sang background vocals.

George Jones: ‘We spent all these years trying not to be called hillbillies, and Dwight Yoakam and Steve Earle fucked it up in one day.’”

…

Ringo Starr – Early 1970

This song is not one of Ringo’s best songs but it probably is my secret favorite of his because of what it’s about. The song is about the status of the Beatles in early 1970.

I usually don’t describe what a song is about because I like the back stories to songs much more…and everyone interprets songs a different way…but this one is known to be about the other Beatles. This was the B side to It Don’t Come Easy…it’s a very basic simple song…no great work of art but it has a charm about it because it’s Ringo.

The first verse is about Paul… he talks about his farm, and his new wife Linda, and Paul was very quiet around this time and he stopped coming to Apple. He also told Ringo to get out of his house when Ringo delivered a message from the 3 Beatles for McCartney to delay releasing his debut album because of Let It Be releasing at the same time. They finally gave in to Paul. Ringo was wondering if Paul would play music with him when he came by again. And when he comes to town, I wonder if he’ll play with me.

The second verse is about John. Ringo sings about John and Yoko doing the bed in and what I thought was “Cocaine” as a kid was really a lesser drug…”Cookies.” He also references Yoko with “With his mama by his side, she’s Japanese.” At the end of the verse…unlike Paul he knows John will play music with him. And when he comes to town, I know he’s gonna play with me.

The third verse is about George. Ringo and George were extremely close in the Beatles and afterward. Things did pop up between them through the years but they remained friends. He describes George in the first line, Pattie Boyd Harrison in the second, and George’s famous mansion Friar Park in the 3rd. Ringo and George wrote together and George hung out with Ringo more than the other Beatles. He’s a long-haired, cross-legged guitar picker, um-um.
With his long-legged lady in the garden picking daisies for his soup. A forty acre house he doesn’t see, ‘Cause he’s always in town playing for you with me.

The last verse was pretty much true…Ringo knew a little piano and guitar but that is about it other than drums. It’s the last verse that had to make Beatle fans happy at the time. “And when I go to town I wanna see all three.”

Early 1970

Lives on a farm, got plenty of charm, beep, beep.
He’s got no cows but he’s sure got a whole lotta sheep.
And brand new wife and a family,
And when he comes to town,
I wonder if he’ll play with me.

Laying in bed, watching tv, cookies!
With his mama by his side, she’s japanese.
They scream and they cried, now they’re free,
And when he comes to town,
I know he’s gonna play with me.

He’s a long-haired, cross-legged guitar picker, um-um.
With his long-legged lady in the garden picking daisies for his soup.
A forty acre house he doesn’t see,
‘Cause he’s always in town
Playing for you with me.

I play guitar, a – d – e.
I don’t play bass ’cause that’s too hard for me.
I play the piano if it’s in c.
And when I go to town I wanna see all three,
And when I go to town I wanna see all three,
And when I go to town I wanna see all three.

…