1970s – Page 16 – PowerPop… An Eclectic Collection of Pop Culture

Nick Lowe – So It Goes

I always liked Nick Lowe and his brand of power pop. I first heard of him with Cruel To Be Kind and then Rockpile who I wish would have made more albums as Rockpile. When I started to blog, Brinsley Schwarz came on my radar and I really then realized how talented this guy is.

This was Lowe’s first solo single following the split of the pub rock band, Brinsley Schwarz. It was also the first single released on Stiff Records, a label formed by the music managers, Dave Robinson and Andrew Jakeman. The single bore the catalog number BUY 1, establishing Stiff Records as a pioneering label in the UK punk and new wave scenes.

Although So It Goes failed to chart, it still earned a profit for the young Stiff Records. It was on the American album Pure Pop For Now People. The album in the UK was called Jesus of Cool. It peaked at #127 on the Billboard 100 in 1978.

Lowe got the title from a recurring line (So It Goes) in Kurt Vonnegut’s 1969 novel, The Slaughterhouse-Five. It is used every time a death occurs in the book. Steve Goulding (drums) and Nick Lowe were the only two musicians on this song. Lowe and Jake Riviera produced the album.

Nick Lowe: “It’s not my favorite, it’s a bit too much like Steely Dan. I think I must have got it from something they’d done.”

So It Goes

Remember on night the kid cut off his right arm
In a fit to save a bit of power
He got fifty thousand watts
In a big acoustic tower
Security’s so tight tonight
Oh they’re ready for a tussle
Gotta keep your backstage passes
‘Cause your promoter had the muscle

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

In the tall buildings
Sit the head of our nations
Worthy men from Spain and Siam
All day discussions with the Russians
But they still went ahead
And vetoed the plan
Now up jumped the U.S. representative
He’s the one with the tired eyes
747 for the midnight condition
Flyin’ back from a peace keepin’ mission

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

In the air there’s absolution
In the wake of a snaky Persian
On his arm there’s a skin tight vision
Wonder why she admires she is hissin’

And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows
And so it goes and so it goes
And so it goes and so it goes
But where it’s goin’ no one knows

But where it’s goin’ no one knows
But where it’s goin’ no one knows
But where it’s goin’ no one knows

…

Badfinger – Dennis

Badfinger has always been one of my favorite bands. They had a brilliant songwriter Pete Ham and a very good one Tommy Evans. No Matter What is considered one of the earliest power pop songs.

Badfinger is the band that got me into power pop. After reading about them my interest widened into Big Star and then the Raspberries. If any of you readers have a time machine I could use…take me back to January 19, 1973, at the Chicago Aragon Ballroom…where The Raspberries opened up for Badfinger. That would be a power pop dream.

This song was featured on their 1974 album Wish You Were Here. It was written by Pete Ham and he is the lead vocalist. Dennis is on many “Badfinger Best” lists…in some number 1 over Baby Blue, Day After Day, and No Matter What. The melody in this song is very good.

The album was released in late 1974 and was pulled in early 1975 before it had time to do anything because of litigation between Badfinger’s manager (Stan Polley) and the Warner Brothers. It was released and pulled in a matter of weeks. Warner Brothers saw the money was missing (Polley took it all out of trust) and yanked the album off of the shelves. It was rising in the charts when it was pulled. They recorded another album right after this called Head First but because of litigation, it wasn’t released until 2000.

The band was basically broke. With all of their self-written hits, they should have been set financially for years.

Pete Ham didn’t have the money to pay his mortgage and with a baby on the way drunk and depressed at the fatal age (for rock stars) of 27 Ham hanged himself at the age of 27 in his garage studio in 1975. In 1983 after scrambling for gigs, Tom Evans broke and was not able to get to any of the royalties due him from co-writing Without You with Pete…hanged himself also.

Dennis

Deeper waters flowedRecently it showedTryin’ to cover your headTryin’ to frighten youTryin’ to fight with youReally gettin’ you scaredBut don’t you worry, you love of minePretty soon it will all be fineAnd we’ll just go on

Higher hills to climbClimbin’ all the timeTryin’ to find a way throughFallin’ down again, on the ground againWonderin’ what you can doBut don’t you worry, you love of oursThey look like weeds, but they’re really flowersAnd they’ll soon be gone

You won’t stand up, you won’t sit downYour head’s a mile above the groundAnd though we tend to scold you nowI couldn’t start to tell you howWe couldn’t start to tell you howThere’s just no way to say how much we love you

You, little Dennis, youYou’re full of new surpriseLove youYou, little Dennis with the rascal in your eyesYou’re a prize

It could be bad, it could be worseYou’re taking out your mother’s purseAnd though you cried when you got toldThe money there was for the oldTo keep their dogs from getting coldThe only thing that can’t be sold is love

You, little Dennis, youYou’re full of new surpriseLove youYou, little Dennis with the rascal in your eyes

Will you pick up your toys?Will you be a good boy?Will you please, please?

There’s a wayThere’s a wayIf you’ll playIf you’ll stayThere’s a way throughThere’s a way toTake away blueTake away blue

There’s a wayThere’s a wayIf you’ll playIf you’ll stayThere’s a way throughThere’s a way to

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Creedence Clearwater Revival – Pagan Baby

John turned his Kustom K200/A Amp up to 11 with this song. It’s a little harder than their radio hits and they dip into blues rock with this cut. It was never released as a single but has become a fan favorite, especially among those who appreciate CCR’s rock album tracks.

It featured on their 6th studio album Pendulum released in 1970. This album was the last to feature Tom Fogerty, the band’s rhythm guitarist and older brother of lead singer John Fogerty. He would leave the band band after this one. The album departed from the band’s previous work in several ways. Fogerty’s songs are strong throughout and are made more interesting by the addition of horns and keyboards

It was recorded at Wally Heider’s studio in San Francisco, it took a month to record which was a long time for a Creedence album. , was down to the fact that the initial take on each song was performed by all four members, this was then followed by overdubbing by John. The overdubs included a horn section, keyboards, and additional backing vocals, all of which were played and sung by John.

The album was met with mixed reviews from critics. Some praised the deeper sound they had in their songs. Some wanted the rawer energy they had on their previous 5 albums. It included the two hits Have You Ever Seen The Rain and Hey Tonight. Pagan Baby does have that earlier CCR energy.

Pendulum peaked at #5 on the Billboard Album Charts, #2 in Canada, and #8 in the UK in 1970. Their next album Mardi Gras was the only CCR album to be panned by critics and fans alike…including John Fogerty.

Pagan Baby

Pagan baby, won’t you walk with me?Pagan baby, come on home with me.Pagan baby, take me for a ride.Roll me, baby, roll your big, brown eyes.

Yeah! ooh! ooh!

Pagan baby, let me make your name.Drive it, baby, drive your big love game.Pagan baby, what you got, I need.

Don’t be savin’, spread your love on me.

Aah! mm-mm-mm!

Pagan baby, now won’t you rock with me?Pagan baby, lay your love on me.

Yeah, yeah!Aah! hey, hey!

Aah! hey! yeah!Hey! hey! haaaaaaay!

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Max’s Drive-In Movie – A Clockwork Orange

This movie changed me when I was a teenager. It made me realize the power that a movie can have. Just a few movies have moved me like that, and this was one of them. Platoon and Full Metal Jacket were two others. I had seen violence before on the screen but this was realistic and brutal…especially when you are a very young guy (too young to watch this) viewing it for the first time. I had to rethink many things after seeing it.

I love the soundtrack, especially the music performed on a Moog synthesizer, which set the tone for the film. I’m not giving a synopsis of the movie…there are plenty of books and internet sites doing that… but a movie that will change you does its job and more. This film was directed by the great Stanley Kubrick and you know it’s his movie within 30 seconds of the intro.

There is a story about a frog and a scorpion, which I relate to this movie. It goes like this. A scorpion asks a frog to carry it across a river. The frog hesitates, afraid of being stung, but the scorpion argues that if it did so, they would both drown. Considering this, the frog agrees, but midway across the river, the scorpion does indeed sting the frog, dooming them both. When the frog asks the scorpion why, the scorpion replies that it is in its nature to do so.

This movie runs the gamut…cruelty, horror, the absurd, violence, pity, and justice. In my opinion, this movie shows that evil exists in all of us and what happens if we let it take over. Also, I think the movie shows you that no one can change someone’s nature no matter what drugs or treatment you may give them outside of a lobotomy. Treatment and drugs may slow them down and help but their nature is not going to change. They will at least have to keep fighting it every day.

In the end, A Clockwork Orange challenges viewers to consider human freedom and the ethics of “curing” people against their will. This movie has been analyzed to death and rightly so. It could have only been made in the period it was made. I can’t imagine this movie coming out now…although I wish more modern filmmakers would take chances.

The scene that stick with me are the record shop scene, the Billy Boy gang fight, Singing in the Rain, and of course the eye scene… The record shop scene was filmed in the Chelsea Drugstore… I would love to have a room like that place. Very 60’s-70s futuristic…immortalized in the Stones’s “You Can’t Always Get What You Want”…The building is now sadly a McDonalds…modern progress?

Malcolm McDowell as Alex was excellent in this movie along with his droogs Pete (Michael Tarn), Georgie (James Marcus), and Dim (Warren Clarke).

Plot from IMDB

Alex DeLarge is an “ultraviolent” youth in futuristic Britain. As with all luck, his eventually runs out and he’s arrested and convicted of murder. While in prison, Alex learns of an experimental program in which convicts are programmed to detest violence. If he goes through the program, his sentence will be reduced and he will be back on the streets sooner than expected. But Alex’s ordeals are far from over once he hits the streets of Britain.

The cool car is an Adams Probe 16 AB/4 that was referred to as a Durango 95 in the film has been restored…

The Record Shop (Chelsea Drugstore)

Adams Probe 16 AB/4

Car Songs… Part 4

This is part 4 of this series and I thought it was about time to do another installment. I found some more rare songs this time except for Mr. Berry.

Kinks – Cadillac

I think all of these I do must have Cadillac in at least one song. This one was on their debut album and it was written and recorded by Bo Diddley in 1960. The Kinks debut album Kinks was released in 1964.

Gene Vincent – Pink Thunderbird

This song was written by Tex Davis and Paul Peek. It was released by Gene Vincent in 1957. Gene Vincent’s voice and slap back echo go together perfectly. Every rock artist after Gene Vincent has gone after that sound including Springsteen.

Cliff Gallup played some great guitar on this recording. He recorded 35 tracks with Vincent including Be-Bop-A-Lula.

Chuck Berry – Maybellene

Chuck Berry was THE first guitar hero in Rock and Roll. He was also rock’s first poet. This song evolved out of “Ida Red,” a hillbilly song by Bob Wills and The Texas Playboys from the early ’50s. Berry heard that song on the Country radio station KMOX in St. Louis but didn’t know who recorded it.

Not only is the music great with the steady beat… but those lyrics. The motor cooled down the heat went down, And that’s when I heard that highway sound, the Cadillac a-sittin’ like a ton of lead, a hundred and ten half a mile ahead, the Cadillac lookin’ like it’s sittin’ still, and I caught Mabellene at the top of the hill

You can see what is happening in the song in your head with no problem… no MTV story video needed. He was one of the best descriptive lyricist rock and roll has ever had.

The Three Milkshakes – Jaguar

They were a rockabilly band from the 1980s led by singer Mark Kermode, who is now well-known as a British film critic. The group specialized in vintage rock ‘n’ roll and rockabilly music, covering songs in a classic ’50s style. They were part of the vibrant rockabilly revival scene in the UK during that time.

Bob Dylan – From A Buick 6

This song is from Bob Dylan’s album Highway 61 Revisited released in 1965. This song was the B side to the single Positively 4th Street. It’s a cool bluesy song that has those Dylan lyrics going everywhere. It resembles Sleepy John Estes’ Milk Cow Blues.

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Favorite Toy of Childhood

Evel Knievel Stunt Cycle

Thank you Keith @ https://nostalgicitalian.com for inviting me to do this. Keith had bloggers over to his site to write about their favorite toys while growing up.

Whenever I see red, white, and blue not only do I think of the flag but I think of Evel Knievel. A hero to many in the 1970s… He is responsible for more broken arms, legs, bruises, bumps, and scrapes than anyone… Kids set up homemade ramps and then jumping them with their bicycles. I said kids…it wasn’t exclusive to boys because I remember some girls jumping also.

Riding down hills standing on your seat, popping wheelies, jumping ramps with your buddy stupidly laying in-between. We wanted to be Evel Knievel jumping over those cars or buses.

He was THE Daredevil… There are Daredevils around today but no one has reached the popularity that Knievel achieved. Not only did he jump and crash he looked cool jumping and crashing. He was like a cool Elvis in a jumpsuit jumping various objects.

I got the Evel Knievel Stunt Cycle and Figure when I was 8 years old on Christmas Eve. I have a picture that I can see halfway unwrapped. I immediately started to play with it that night. Over the next couple of months, I would jump everything in sight.

I would make it jump on our porch, our outside dog, and finally, I got a great idea. It took me hours to set it up but I finally got it right. I had ramps going over my mom’s car. I never could get it to go completely over but I got it really close when it came down on the trunk…who needed the Snake Canyon? My mom wasn’t a big fan of the Stunt Cycle…when Evel missed and hit the flowers…some flowers would be missing. When I revved it up in the house…more than one glass shattered making mom shut down my jumping activities.

I wouldn’t mind getting one now to tell you the truth!

Pong

Another…well Keith could disqualify this but it was a toy to me…it was called Pong. Basically, it was magical! It would connect to your television, and you could play table tennis all day long. It was the forerunner of modern games that we have today. It was simple black and white, but I can’t tell you how it felt playing the thing.

I got it around 1977 and we just didn’t have things like this. There is one thing I remember well though…mom made me play it at night or on rainy days. The days were made for kids to go out and play baseball, play in the creek, or ride their bicycles for miles. What I wouldn’t give to relive one of those days being 11 again.

Max’s Drive-In Movie – Halloween

Que that spooky piano part now. This 1978 film is a horror classic that I still enjoy watching. While I’m at it…Happy Halloween Everyone! Sometimes, sequels can ruin a franchise and it gets silly. We sometimes forget how great the original is. I’m not a fan of the no-brain slasher movies that followed this.

From the very beginning, Halloween grabs your attention with its eerie, minimalist score—also composed by Carpenter himself. The haunting piano melody sets the tone for the entire film, creating a sense of dread even before it begins. It’s one of those soundtracks that sticks with you long after the credits roll. The two main leads…Jamie Lee Curtis and Donald Pleasence do an excellent job. I’ve liked Pleasence in anything he has done.

What’s surprising about Halloween after rewatching it, is how little blood and gore is actually shown. The movie relies more on atmosphere and suspense than graphic violence, which is why it remains such an effective horror film today. Carpenter’s use of shadows, lighting, and camera angles makes everything feel off-kilter. Halloween doesn’t go overboard with its horror… just enough to leave a sense of unease.

There are little things as well that this movie does well. Before it all starts Lauire (Jamie Lee Curtis) and Annie (Nancy Kyes) are smoking a joint in a car while Michael is following them. While this was going on…Don’t Fear The Reaper was playing on the radio faintly. Annie’s dad is the sheriff and his name is Brackett. Dr Loomis (Donald Pleasence) tells him that he and his town better be worried. Michael Myers escaped a facility and was headed toward the town where Myers lived when he killed his sister when he was a kid.

This is another movie that has been ingrained in pop culture. After this film, there was a part 2. John Carpenter did not want to make it but was sued to make it. He made sure to blow Myers up in the 2nd film and part 3 had nothing to do with Myers. Halloween II was written by Carpenter and Debra Lee…the two who wrote Halloween. He refused to direct it and he never liked it. “I had to come up with something. I think it was, perhaps, a late night fueled by alcoholic beverages, was that idea. A terrible, stupid idea! But that’s what we did.”

Rob Zombie remade the film in 2007 and a sequel with much more blood and gore. He traded mystic for the obvious, which didn’t work as well for me…but I’m glad he put a little more reason on why Michael did what he did.

Plot IMDB

The year is 1963, the night: of Halloween. Police are called to 43 Lampkin Ln. only to discover that 15-year-old Judith Myers has been stabbed to death by her 6-year-old brother, Michael. After being institutionalized for 15 years, Myers breaks out on the night before Halloween. No one knows, nor wants to find out, what will happen on October 31st, 1978, besides Myers’ psychiatrist, Dr. Loomis. He knows Michael is coming back to Haddonfield, but by the time the town realizes it, it’ll be too late for many people.

Quotes

Loomis: I met him, 15 years ago; I was told there was nothing left; no reason, no conscience, no understanding in even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this… six-year-old child with this blank, pale, emotionless face, and… the blackest eyes – the Devil’s eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up, because I realized that what was living behind that boy’s eyes was purely and simply… evil.

_____________________________________

Brackett: I have a feeling that you’re way off on this.
Loomis: You have the wrong feeling.
Brackett: You’re not doing very much to prove me wrong!
Loomis: What more do you need?
Brackett: i going to take a lot more than fancy talk to keep me up all night crawling around these bushes.
Loomis: I-I-I watched him for fifteen years, sitting in a room, staring at a wall; not seeing the wall, looking past the wall; looking at this night, inhumanly patient, waiting for some secret, silent alarm to trigger him off. Death has come to your little town, Sheriff. Now, you can either ignore it, or you can help me to stop it.
Brackett: More fancy talk.

..,

Black Sabbath – Black Sabbath

Happy Early Halloween Everyone!

It doesn’t get much more Halloween than this song. Black Sabbath was a hard rock band that gets credited a lot for influencing heavy metal. That is perplexing to me…what is heavy metal and what is hard rock? When I think of heavy metal I think of some of the many heavy 80s bands with a huge processed sound on guitar. That probably isn’t what others think of though.

The song was inspired by a series of ominous and eerie experiences. According to bassist Geezer Butler, the concept for the song emerged from a frightening incident he had after reading an occult book given to him by Ozzy Osbourne. Butler claims that after leaving the book on a shelf, he saw a dark figure standing at the foot of his bed that disappeared suddenly. This experience led him to write the lyrics. The song is credited to Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward.

The album cover. It has to be the spookiest album cover ever. On one hand it looks real and on another it looks like a horror movie poster but better. At the center of the album cover is a mysterious, cloaked woman dressed in black. Her identity has been the subject of speculation for decades. Some have claimed she symbolizes a witch or an occult figure, which fits the band’s early associations with the dark arts. It’s one of rocks most iconic album covers.

Louisa Livingstone was a model that was hired for the cover. No one knew who she was until Rolling Stone tracked her down in 2020. Turns out Mrs. Livingstone is not much a fan of Black Sabbath after she finally listened to the album. It just wasn’t her type of music. She now records electronic music under the name of Indreba. Keith Macmillan is the photograhper who shot the album cover.

The album peaked at #23 on the Billboard 200, #29 in Canada, and #8 in the UK in 1970.

Keith Macmillan: “She was a fantastic model. She was quite petite, very, very cooperative. I wanted someone petite because it just gave the landscape a bit more grandeur. It made everything else look big. She wasn’t wearing any clothes under that cloak because we were doing things that were slightly more risqué, but we decided none of that worked. Any kind of sexuality took away from the more foreboding mood. But she was a terrific model. She had amazing courage and understanding of what I was trying to do.”

Louisa Livingstone: I had to get up at about four o’clock in the morning, or something as ridiculously early as that. It was absolutely freezing. I remember Keith rushing around with dry ice, throwing that into the pond nearby, and that didn’t seem to be working very well, so he was using a smoke machine. It was just, ‘Stand there and do that.’ I’m sure he said it was for Black Sabbath, but I don’t know if that meant anything much to me at the time.”

If you want to know about Black Sabbath’s album Black Sabbath VOL 4 cover… go to The Press Music Reviews.

Black Sabbath

What is this that stands before me?
Figure in black which points at me
Turn around quick, and start to run
Find out I’m the chosen one
Oh no

Big black shape with eyes of fire
Telling people their desire
Satan’s sitting there, he’s smiling
Watches those flames get higher and higher
Oh no, no, please God help me

Is it the end, my friend?
Satan’s coming ’round the bend
People running ’cause they’re scared
The people better go and beware
No, no, please God help me

Max’s Drive-In Movie – Carrie

Next to The Shining, this is my favorite King adaptation.

Carrie is a 1976 horror film directed by Brian De Palma, based on Stephen King’s 1974 debut novel of the same name. He used many techniques in this movie that put it over the top. Split screens, slow motion, and vivid color contrast just to name a few.

It is one of the most iconic films in the horror genre and focuses on subjects like bullying, supernatural powers, and revenge. It’s so easy to relate to because in high school we have all been through embarrassing things…getting pig blood dumped on you…probably not but we can relate with Carrie. We know the good people and we have known the bad people in this movie. We also know the popular cliques and the not-so-popular cliques. The girls that were out of reach and the ones that were.

The story revolves around Carrie White, a shy and socially awkward high school girl who is mercilessly bullied by her classmates. Raised by an overbearing, fanatically religious mother, Carrie leads a lonely and repressed life. After experiencing a traumatic event at school, she discovers that she has telekinetic powers. The situation escalates when her classmates cruelly prank her at the senior prom. In a moment of intense emotion, Carrie uses her powers to take a horrifying revenge on those who tormented her.

Sissy Spacek starred in this film and was perfect in the role. Piper Laurie portrayed her mother with an exaggerated, fanatically religious fervor. Laurie’s portrayal of a zealot was intentionally over-the-top, adding to the film’s tone. . The movie also launched the film careers of Nancy Allen and Amy Irving who both went on to star in many movies.

In 1976 my class went to see Charlotte’s Web at the theater. On the wall were movie posters of Carrie. Since then I’ve always associated them with each other. As a 9-year-old, seeing a teenager covered with blood with an evil look made me want to see it. I didn’t get to see it until almost a decade later. It was worth the wait!

Both Sissy Spacek and Piper Laurie received Academy Award nominations for their performances, a rarity for the horror genre.

This story has been remade in 3 different movies. This one in 1976, 2002, and a remake in 2013. I’ve watched all of them…trust me on this…this is the best version out there at least to me.

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ZZ Top – Goin’ Down To Mexico

That Lil Ol’ Band from Texas. I loved it when Billy Gibbons had this tone on his guitar. This was pre-Eliminator and his tone was just perfect. They sound loose in this but the music is tight. It’s classic ZZ Top. A buddy of mine had most of their albums and played this one a lot and Fandango.

I saw them on the Eliminator tour and they were fantastic. They had Sammy Hagar opening up for them after he released Three Lock Box. ZZ Top had the best lighting show I’ve ever seen to this day.

This song has the entire band credited. Billy Gibbons, Dusty Hill, and Frank Beard. This song was on their debut album ZZ Top’s First Album released in 1970. That is an easy way of remembering it.

This album isn’t as polished as some of their others, but it previews exactly what sound you would get until Eliminator. ZZ Top was formed in 1969, with Billy Gibbons (guitar and vocals), Dusty Hill (bass), and Frank Beard (drums). Before forming ZZ Top, Billy Gibbons played in various bands, most notably The Moving Sidewalks, which opened for Jimi Hendrix during his 1968 tour.

The album didn’t make a huge splash commercially, but it helped establish the band as a powerful live act. The album was produced by Bill Ham, who became a key figure in shaping ZZ Top’s sound. He would go on to produce their subsequent albums and manage the band for decades. Ham produced or co-produced all of their albums up through 1996’s Rhythmeen as well as being their manager. They parted ways in 2006. He passed away in 2016 at 79.

Going Down to Mexico

I was on my way down to MexicoThere was trouble on the riseIt was nothin’ more than I’d left behindWhich was much to my surpriseI turned around and lit a cigaretteWiped the dust off of my bootsWhen up ahead I saw the crowdI knew it was no use

It’s been the same way for oh so longIt looks like I’m singin’ the same old song

A fine and fancy man was heDoin’ good things for the poorGivin’ rides in his rocket 88 for freeThey could not hope for moreWhen it came my turn, he said to me“Have I seen your face before?”I said, “Oh no, you must be wrongI’m from a distant shore”

So if you don’t mind, I’ll just move alongBut it looks like I’m singin’ the same old song

A 1940 movie starWith a long-forgotten nameShe was a sexy mess in her beaded dressStill hangin’ on to fameWith forgotten lines, she missed her cueAnd left her glass of wine at homeShe was singin’ the same song that I wasCould we both be wrong?

So hand in hand we walked alongEach of us singin’ the same old song

Flamin’ Groovies – Teenage Head

This band went through two distinct phases: an early rock/blues era followed by a shift to power pop. Their diverse catalog spans power pop gems, gritty blues-rock, and classic rock ‘n’ roll. In this song, we’re focusing on their rock/blues period from the early ’70s, hearing the raw Groovies.

I first heard this band with the song Shake Some Action. That song is probably their best-known, but the blues/rock period should be heard. This song was written by Cyril Jordan and Roy A. Loney.

Released the same year as the Rolling Stones album Sticky Fingers, Mick Jagger reportedly noticed the similarities between the Groovies Teenage Head album … and thought the Flamin’ Groovies did the better take on the theme of classic blues and rock ‘n roll. The band was started in 1965 by Roy Loney and Cyril Jordan. By the end of the sixties, they clashed over where to go. Loney was more Stones and Jordon leaned toward the Beatles. Loney left in 1971 and they got an 18-year-old lead singer named Chris Wilson.

They moved to London and started to work with Dave Edmunds. With Chris, they did more power pop and that is when Shake Some Action came about with Wilson and Jordon writing it. They would go on to be a great power pop band known as an early proto-punk band…they pretty much covered the gamut. This anti-drug song was written by Jordon and Loney before he left…Chris Wilson is singing it.

I’ve listened to this album and it does sound very Stonesy but not copying them at all. This album was released before the Stones Sticky Fingers.

There is a Canadian band with the same name as this album and song…Teenage Head. They took their name from this song title and album. They quickly gained a loyal following on the Ontario club circuit for their shows, highlighted by Gord Lewis’ guitar work and frontman Venom’s (Frankie Kerr) vocals and on-stage presence.

Their self-titled debut album was released in 1979 and distributed by Epic Records Canada. A year later, the group signed to Attic Records and released the Frantic City album, which put them on the international radar. The hit singles, “Something On My Mind” and “Let’s Shake” helped propel the album to platinum sales (100,000) in Canada.

I added another cool song off of the album called Yesterday’s Numbers.

Teenage Head

I’m a monster
got a revved up teenage head.
Teenage monster
California born and bred.
Half a boy and half a man
I’m half at sea and half on land, oh my
Bye-bye.

Got a woman,
she’s my hopped up high school queen.
She’s my woman,
she’s a teenage love machine.
She knows how to turn me on
and get me high and get it on and on,
yeah she does.

When ya’ see me,
better turn your tail and run,
’cause I’m angry
and I’ll mess you up for fun.
I’m a child of atom bombs
and rotten air and Vietnams; I am you,
you are me.

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Max’s Drive-In Movies – Late Night With The Devil

Usually, I only review older movies but this one is right up powerpop.blog’s alley! It’s a 2023 film set in the year 1977. They have the 1970s down…one of the best time-period movies I’ve seen as far as getting the era right. The audience in the movie could have been off a film clip of the Johnny Carson era Tonight Show. This movie marries nostalgia with horror quite nicely. It’s almost like The Exorcist meets Johnny Carson. It will make you uneasy and you have to pay attention because there are a few subplots you can miss if not. Some of it is based on the reception of the 1980 book Michelle Remembers by Canadian Lawrence Pazder. That book helped cause the “Satanic Panic” around that time on talk shows and the public.

It’s about a talk show host Jack Delroy who was a popular DJ in Chicago who got a chance to host a late-night talk show that was going against Johnny Carson. He signed a 5 year deal in 1972 and now in 1977 it’s running out. A year after the tragic death of Jack’s wife, ratings have plummeted. It’s a “found footage” movie and the footage being a master tape that was never shown again. Desperate to turn it around, Jack plans a Halloween special like no other, unaware he is about to unleash evil on late-night television.

On Halloween night 1977, Jack is set to host a special live episode featuring an array of guests, including a renowned paranormal expert with a single name, Christou. However, what starts as exploring the supernatural quickly devolves into chaos when a series of unexplained events unfold.

You get to know Jack’s past and about his wife that just passed away from lung cancer. Jack was part of a secret club called The Grove (a reference to the Bohemian Club) that many celebrities and elites joined. That info plays a big part of this movie. Did Jack essentially sacrifice his wife to be popular? It asks the question…what are you prepared to give up for success?

It all starts with Christou picks an audience member and accurately tells her about her son who killed himself. After that, a skeptical but nasty guest named Carmichael the Conjurer starts to say how all supernatural and unusual events are not real. He offered Christou $100,000 to prove he was not a con man. He books an interview with a parapsychologist and the subject of her recent book, a young teenager who was the sole survivor of a Satanic church’s mass suicide. Naturally, all hell breaks loose when paranormal activity begins wreaking havoc during the show.

The plot blurs the lines between reality and the supernatural, with the audience left questioning what’s real as Jack faces his worst fears live on air. The tension mounts as the show’s studio audience becomes unsettled, mirroring Jack’s descent into madness. The film’s use of practical effects and atmospheric cinematography sells what is happening.

Horror movies… the one thing that bothers me about most of them are the endings. This one has an ending with a twist. My only complaint…being the 1970s lover I am…I wish they would have used the same kind of film look the Tonight Show had but the set was great. At the end of the movie you will also hear a song by Flo and Eddie called Keep It Warm.

David Dastmalchian did a great job as Jack Delroy.

Max’s Drive-In Movie -Jaws

Da-Dum, Da-Dum, Da-Dum…

June 20, 1975, was not only the opening of this movie but it turned into a huge pop culture event of the 1970s. It’s a movie known around the world. There were T-shirts, novelty songs, and hype…but the movie lived up to it and then some.

Why was it so great? For me, I would say that Spielberg kept it simple. Jaws is based on the 1974 novel by Peter Benchley, which was inspired by a series of shark attacks off the coast of New Jersey in 1916. Benchley’s book tells the story of a great white shark terrorizing a small coastal town, and the efforts of three men to hunt it down.

The acting in this was excellent to me. The one that I always pick out is Robert Shaw as the character Quint. He makes himself known quickly by the fingernails down the chalkboard tactic. Shaw made that character real to me. My favorite scene was him telling the story of delivering the atomic bomb, the sinking of the USS Indianapolis, and the shark attacks that happened. His performance is probably the main reason for Jaws being one of my favorite films of all time. The speech is based on a real event. The USS Indianapolis sank in 1945, resulting in the greatest loss of life due to shark attacks in history.

Spielberg wanted Lee Marvin for Quint and Jon Voight for Hooper. Spielberg got it right for this film. Roy Scheider as Martin and newcomer Richard Dreyfuss as Matt Hooper were great. It’s the realism that Shaw added that pushed this over.

Spielberg’s use of tension, combined with John Williams’ score proved that a horror thriller could achieve both critical and commercial success. The film won three Academy Awards (for editing, score, and sound) and remains highly regarded by critics. But perhaps its greatest legacy is even today, many people feel some fear whenever they step into the ocean.

John Williams…The man is renowned for his film scores. Along with Jaws and barely scratching the surface…he also did Star Wars, Indiana Jones, E.T., Harry Potter, and Jurassic Park, just to name a few.

The movies Duel and Jaws were Spielberg’s first two big movies. They share a common thread. Duel features a large diesel truck that is much like Jaws on dry land. Both movies work well.

PLOT

It’s a hot summer on Amity Island, a small community whose primary business is its beaches. When new Sheriff Martin Brody discovers the remains of a shark attack victim, his first inclination is to close the beaches to swimmers. It doesn’t sit well with Mayor Larry Vaughn and several local business people. Brody backs down to his regret of that weekend. A predator kills a young boy. The dead boy’s mother puts out a bounty on the shark, and Amity is soon swamped with amateur hunters and fishermen hoping to cash in on the reward. A local fisherman with much experience hunting sharks, Quint, offers to hunt down the creature for a hefty fee. Soon, Quint, Brody, and Matt Hooper from the Oceanographic Institute are hunting the Great White shark at sea. As Brody succinctly surmises after their first encounter with the creature, they will need a bigger boat.

QUOTES

Quint: [Quint first scratches the chalk board to get everyone’s attention] Y’all know me. Know how I earn a livin’. I’ll catch this bird for you, but it ain’t gonna be easy. Bad fish. Not like going down the pond chasin’ bluegills and tommycods. This shark, swallow you whole. Little shakin’, little tenderizin’, an’ down you go. And we gotta do it quick, that’ll bring back your tourists, put all your businesses on a payin’ basis. But it’s not gonna be pleasant. I value my neck a lot more than three thousand bucks, chief. I’ll find him for three, but I’ll catch him, and kill him, for ten. But you’ve gotta make up your minds. If you want to stay alive, then ante up. If you want to play it cheap, be on welfare the whole winter. I don’t want no volunteers, I don’t want no mates, there’s just too many captains on this island. $10,000 for me by myself. For that you get the head, the tail, the whole damn thing.

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Ellen Brody: Martin hates boats. Martin hates water. Martin… Martin sits in his car when we go on the ferry to the mainland. I guess it’s a childhood thing. It’s a… there’s a clinical name for it isn’t there?
Brody: Drowning.

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Brody: You’re gonna need a bigger boat.

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Brothers At Arms – Angus and Malcolm Young

Today’s installment of this series goes back to Max at Power Pop (that’s me!). We are stopping here but haven’t closed the door on revisiting more famous brother acts. Randy’s original post on mostlymusiccovers.com is here. Randy and I want to thank all of you who have followed along! At the bottom, I have the complete series labeled.

Angus and Malcolm Young were the co-founders of the legendary rock band AC/DC. They had a unique and dynamic relationship that was marked by both collaboration and rivalry. The band was formed in 1973 by Malcolm, with Angus joining a little later. They were called AC/DC. The band’s name is inspired by the abbreviation for “alternating current/direct current” (AC/DC), signifying power and energy. They were influenced most by Chuck Berry, and you can hear it in their music. Malcolm would play rhythm guitar with Angus taking up the lead guitar for decades to come. They also had a brother named George who would help his younger brothers immensely in music. His contributions cannot be overstated.

Malcolm was born on January 6, 1953, and Angus on March 31, 1955, in Glasgow Scotland. In 1963 the family moved to Sydney Australia. George Young was born in 1946 and started a band called The Easybeats in 1964 playing rhythm guitar and either writing or co-writing many of their songs. They had 7 top 10 hits in Australia, two number one hits, and altogether 15 top 40 hits there! They did have one international hit which was “Friday On My Mind” which peaked at #1 in Australia, #2 in New Zealand, #6 in the UK, #13 in Canada, and #16 on the Billboard 100. It’s still played on classic rock radio today.

He encouraged his younger brothers to form a band, recognizing their talent and potential. George, along with his Easybeats bandmate Harry Vanda, mentored Malcolm and Angus. His experience in the music industry provided insights into songwriting, recording, and navigating the business. George would end up co-producing (with Vanda) six AC/DC albums. He would also produce some songs for future albums. The band underwent several lineup changes before settling with Bon Scott as the lead vocalist. They release their debut album, “High Voltage” exclusively in Australia in 1974. Angus and Malcolm would collaborate closely with songwriting.

Malcolm was a perfectionist in the studio while Angus was more of a free spirit. That caused some clashes but none to the degree of other brothers in rock.

Angus’s schoolboy-uniformed antics on stage were a stark contrast to Malcolm’s more reserved presence. This was important to the band’s success. They went through tough times with Bon Scott dying and starting again with a new singer Brian Johnson, but they only got more popular. It was a sad ending for Malcolm though. In 2014 Malcolm could no longer remember lyrics to songs. He was diagnosed with alcohol-related dementia and passed away in 2017. These brothers used their rivalries as a positive thing and pushed each other to greatness.

Rumble In The Jungle

The 50th anniversary of this is coming up in 16 days. I thought I would go ahead and post it today. It brings back a lot of memories with my dad. We will get back to music and movies tomorrow. If you ever wondered where the phrase “rope-a-dope” got famous…this is it. This is one of the most iconic events of the 20th Century.

I was 7 years old when this took place but I remember my dad was super excited for this fight. I also remember him griping how it wasn’t on television. It was on closed-circuit TV in theaters back on October 30, 1974, in America. It was later played on television here a week later I believe on Wild World of Sports. I watched it with my dad and he was happy that Ali won so I was as well.

It was George Foreman against Muhammid Ali. Ali, written off by most, faced the seemingly unbeatable Foreman, who was younger, stronger, and terrifying. Foreman had thoroughly beaten Joe Frazier and Ken Norton…the two men who had given Ali serious trouble.

The event took place in Kinshasa, Zaire (now the Democratic Republic of Congo) Africa, a choice by promoter Don King. King promised both fighters $5 million each (a staggering amount for the time) and found a host in Zaire’s dictator, Mobutu Sese Seko, who saw this as an opportunity to showcase his country to the world.

From the moment Ali landed in Zaire, it was clear… Ali was the people’s champion. He embraced the locals, chanting “Ali, bomaye!” (“Ali, kill him!”). Ali knew the power of spectacle, and he hyped the fight into a clash of good vs. evil—himself, the people’s hero, against the seemingly cold and invincible Foreman. Ali knew all about spectacles and how to create them. No one could hype an event like Ali could. Below this is what happened in the fight.

Foreman, by contrast, kept to himself. He was intense and silent, bringing his deadly reputation but lacking Ali’s charisma and showmanship. As Ali paraded through the streets of Kinshasa, the crowd adored him, feeding his ego and energizing his mission. Foreman? He just looked like a man on a mission to destroy Ali. Foreman threw a hell of a punch. If you got caught flat-footed with him…one punch is all it would take. Ali wasn’t the Cassius Clay a few years before…he was a little older and a little slower (still faster than Foreman)…but smarter.

Before writing this I sat down and watched the entire eight rounds. Ali was 32 years old but Foreman was 25 and the current Heavy Weight Champion of the World. You could still feel the electricity in the air now when you watch it. Ali came out swinging but in the second round Ali would lean against the ropes a cover…all the while Foreman would punch and punch…and punch. He got some hits in Ali’s side but Foreman could not land THAT punch. As this was going on…Ali’s mouth was running as usual…telling Foreman to punch him and punch again. He kept antagonizing him Foreman and it made him do exactly what Ali wanted… use up his energy.

I won’t go through every round but basically, Ali got Foreman to punch and use his energy up on useless punches. Ali knew that Foreman hadn’t gone over 4 rounds since 1971 plus George is a huge guy. By the 8th round, you could tell George was spent. He still was throwing punches but he wasn’t as focused and it cost him. Ali connected on 6 straight punches and the 7th punch knocked Foreman down and Ali was once again…the World’s Heavy Weight Champion. Ali said the famous phrase “rope-a-dope” as the way he beat Foreman…laying on the ropes while Foreman punched himself to a loss.

The local crowd was with Ali because of his hype and the professionals mostly picked Foreman in an easy win over the older Ali. George never got the rematch with Ali and that is a shame. In 1977 Foreman became a Christian Minister and retired and a much nicer guy. On November 5, 1994, at the age of 45 years old George Foreman beat Michael Moorer for the Heavy Weight Champion of the World. He was behind in point until George unloaded that lethal punch and that was it. Moorer was down and he lost the championship. I know it well because our band was playing in a sports bar and I got to announce it to the crowd there.

There is so much more to talk about with this fight but the post has gone on much longer than I had wanted. Hope you enjoyed it! The two ended up being National Treasures and some of that started with this fight.

One commenter named Beth brought up the documentary When We Were Kings about this….it’s worth a watch!

THE ENTIRE FIGHT

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