Steve Miller – PowerPop… An Eclectic Collection of Pop Culture

Steve Miller – Space Cowboy

I’m getting into this pre-fame hits, Steve Miller. The music was a little more edgier and deeper. I think Miller’s hits have been a huge victim of radio overplay and I realize that is not his fault…doesn’t mean “Jet Airliner” is not any good…we have sometimes heard those songs too much. I have songs like that…but give it some time and I can listen to them again.

In the first line of this song, he references his first real hit, Living In The USA, and he even brings in some musical elements from it. I like the bottom-end riff that drives this song. He would recycle riffs and phrases at times. The phrase “Some call me the Space Cowboy” would later be referenced in Miller’s massive 1973 hit, “The Joker”. This era of the Steve Miller Band should have received more attention in real-time. The talent he had in that band was outstanding.

The music on this album could be labeled as blues and psychedelic in some ways considering the era it was recorded in. The title itself was partly because of the countercultural movement, space exploration going on that year, and free-thinking of the American West.

His earlier songs have more of a blues feel. The former members of his band have included Boz Scaggs, Nicky Hopkins, Doug Clifford (CCR drummer), Ross Valory, Lonnie Turner, and about a page more of many more names.

The song was on The Steve Miller Band’s 1969 album Brave New World, which peaked at a respectable #22 on the Billboard Album Charts and #38 in Canada. This is the same album that featured My Dark Hour, a collaboration between Miller and Paul McCartney.

Glyn Johns produced this album and four albums altogether for Steve Miller. They worked great together. Glyn was a busy man at the time. While he was finishing up this album he would go and work on Let It Be and also cross the hall at Olympic and work on the Stones album Let It Bleed as a sound engineer. He also helped George Harrison produce an album by Billy Preston…all of these projects were at the same time.

Glyn Johns: I returned to California to start the Steve Miller Band’s third album, Brave New World. We were getting on fine until I got a call from The Beatles, asking if Steve would let me go for a couple of weeks, to return home to London to do some sessions for what became Abbey Road. They made him an offer he could not refuse, saying they would pay all the expenses incurred by the delay to his recording schedule. So the band got to hang out in a hotel in L.A. courtesy of The Beatles, while I disappeared back to London for what proved to be a somewhat grueling few days.

I went straight from the plane to Apple for a couple of days, and then to Olympic Studios for an all-night session with the Stones till six a.m. Then to Apple again in the afternoon before going on to the Albert Hall that evening to record Jimi Hendrix in concert.

Space Cowboy

I told you ’bout living in the U.S. of A.
Don’t you know that I’m a gangster of love
Let me tell you people that I found a new way
And I’m tired of all this talk about love
And the same old story with a new set of words
About the good and the bad and the poor
And the times keep on changin’
So I’m keepin’ on top
Of every fat cat who walks through my door

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

I was born on this rock
And I’ve been travelin’ through space
Since the moment I first realized
What all you fast talkin’ cats would do if you could
You know, I’m ready for the final surprise
There ain’t no way around it
Ain’t nothing to say
That’s gonna satisfy my soul deep inside
All the prayers and surveyors
Keep the whole place uptight
While it keeps on gettin’ darker outside

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

I see the show downs, slow downs, lost and found, turn arounds
The boys in the military shirts
I keep my eyes on the prize, on the long fallen skies
And I don’t let my friends get hurt
All you back room schemers, small trip dreamers
Better find something new to say
Cause you’re the same old story
It’s the same old crime
And you got some heavy dues to pay

I’m a space cowboy
Bet you weren’t ready for that
I’m a space cowboy
I’m sure you know where it’s at
Yeah, yeah, yeah, yeah

…

Steve Miller / Paul McCartney – My Dark Hour

I really like this song and the pre-hit Steve Miller Band as well. I do like many of his hits but his early catalog is filled with great songs and musicianship. This one has a lot of history. I think Miller’s hits has been a huge victim of radio overplay but I realize that is not his fault…doesn’t mean “Jet Airliner” is not any good…we just have sometimes have heard those songs too much. I have songs like that…but give it some time and I can listen to them again.

His earlier songs have more of a blues feel. The former members of his band has included Boz Scaggs, Nicky Hopkins, Doug Clifford (CCR drummer), Ross Valory, Lonnie Turner, and about a page more of names.

Steve Miller wrote this tune and Paul McCartney played drums, bass, some guitar, and backing vocals. You will also catch the future riff to Fly Like An Eagle in this song. Paul would be credited as Paul Ramone. Paul went by that name on their first tour and that is where the Ramones got their name.

When I read the story of this recording the title would probably match what McCartney was feeling. Allen Klein had just suckered John, George, and Ringo into signing a management contract and he wanted Paul. It was on a Friday afternoon and Paul refused. I’m not always on Paul’s side but in this case…oh yes. He told the other 3 something I find quite funny. Klein wanted 20% of the Beatles earnings and Paul told them wait…The Beatles are kinda big and let him have 10% but John would have none of it. Paul never signed and later on John, George, and Ringo would regret the decision as they all sued Klein and Klein sued them.

On that day, Steve Miller walked into the studio after a giant fight with only Paul left there. I’ll let Paul McCartney tell it: Steve Miller happened to be there recording, late at night, and he just breezed in. ‘Hey, what’s happening, man? Can I use the studio?’ ‘Yeah!’ I said. ‘Can I drum for you? I just had a fucking unholy argument with the guys there.’ I explained it to him, took ten minutes to get it off my chest. So I did a track, he and I stayed that night and did a track of his called My Dark Hour. I thrashed everything out on the drums. There’s a surfeit of aggressive drum fills, that’s all I can say about that. We stayed up until late. I played bass, guitar and drums and sang backing vocals. It’s actually a pretty good track.

It was a very strange time in my life and I swear I got my first grey hairs that month. I saw them appearing. I looked in the mirror, I thought, I can see you. You’re all coming now. Welcome.

The song was on The Steve Miller Band’s album Brave New World released in 1969. The album peaked at a respectable #22 on the Billboard Album Charts and #38 in Canada.

Steve Miller: I got John Lennon’s Epiphone Casino and played through his amp, Paul got on the drums. It was like we’d been playing together forever.

Here is a snippet of Badfinger covering this song live. They were expanding their sound live with longer jams.

My Dark Hour

My dark hourMy dark hourYou know it’s drivin’ me wild

Well, well, I went to see the doctorAnd I had my fortune readAnd you know, the doctor told me“Son, you better stay in bed”

Who’s that comin’ down that roadLooks like he’s carryin’ a heavy loadWhat’s that word that he started to say?Wanna come with me on my way?

My dark hour, a mother nature’s childMy dark hour, oh, it’s drivin’ me wild

Well, I went (to see the doctor)Just to have (my fortune read)Well, well, well, well, well(The doctor told me)“Son, stay in bed”

So do you think these sinners will fallOr do you think they’ll survive us all?Well, well, well, well, a-down this roadWon’t you help me carry my load?

My dark hour, mother nature’s childMy dark hour, oh-oh, it’s drivin’ me wild

Oh-oh-oh, mother nature’s childOh, yeah, oh, oh, yeahOh, oh, oh, oh, yeah

…

Steve Miller – Living In The U.S.A.

We’re living in a plastic land
Somebody give me a hand, yeah

I really like the organ in this song as well as the race car that’s revving up… it’s so vibrant. Miller also sets the mood with the harmonica he is playing. It’s too bad his earlier albums get lost in the shuffle because of his success from The Joker on. Those albums show a different Miller than the masses know from his big hits.

This song was released in 1968 on the Sailor LP which was the Steve Miller Band’s second LP. The album peaked at #24 on the Billboard Album Charts and #27 in Canada. Although the song was popular in the late 1960s, it truly gained a resurgence on rock radio in the late 1970s due to the success of the Fly Like an Eagle album.

Out of all Steve Miller songs…this one may be my favorite. This song peaked at #92 and then charted again at #49 in 1974. It wasn’t a big hit but it did get played on FM radio. Boz Scaggs was in Miller’s band at this time and sang harmonies.

Steve Miller: I had come out of a radical environment at the University of Wisconsin in the early ‘60s. I had been a Freedom Rider in the Civil Rights campaign and then I got involved in the Vietnam War demonstrations and debates. That was all going on, and then I ended up out in California where the psychedelic revolution was taking place. So when you combine those things, it was very powerful [creatively].

“Living in the U.S.A.” was put together with the idea of playing at the Democratic National Convention in 1968 in Chicago. That was the one where the cops beat everybody up—Mayor [Richard] Daley brought out the Chicago police. So it was a political tune. It came out, and it was kind of a hit. Then it went away, and then about five or six years later it sold 100,000 copies in a week in Philadelphia for no reason whatsoever.

Living In The U.S.A.

Stand back, stand back
Stand back, stand back

Doot do do do do doot doot
Living in the U.S.A.
Doot do do do do doot doot
Living in the U.S.A.

Where are you goin’ to
What are you gonna do
Do you think that it will be easy
Do you think that it will be pleasin’, hey

Stand back, what’d you say
Stand back, I won’t pay
Stand back, I’d rather play
Stand back

It’s my freedom
Ah, don’t worry ’bout me, babe
I got to be free, babe
Hey

Doot do do do do doot doot
Living in the U.S.A.
Doot do do do do doot doot
Living in the U.S.A.

Stand back, dietician
Stand back, television
Stand back, politician
Stand back, mortician

Oh, we got to get away
Living in the U.S.A.
Come on baby, Owwww

I see a yellow man, a brown man
A white man, a red man
Lookin’ for Uncle Sam
To give you a helpin’ hand
But everybody’s kickin’ sand
Even politicians
We’re living in a plastic land
Somebody give me a hand, yeah

Oh, we’re gonna make it, baby
Oh, we’re going to shake it, baby
Oh, don’t break it
Yeah, yeah, yeah, yeah, yeah

Come on baby, hey
Hey, hey
In the U.S.A., babe yeah

Doot do do do do doot doot
Living in the U.S.A.
Don’t worry ’bout me, babe
Doot do do do do doot doot
Living in the U.S.A.
Living in the U.S.A.
Doot do do do do doot doot
Living in the U.S.A.
I got to be free
Doot do do do do doot doot
Living in the U.S.A.
Come on try it, you can buy it, you can leave it next week, yeah
Somebody give me a cheeseburger

Steve Miller – Dance, Dance, Dance

Steve Miller goes country bluegrass?

In the late seventies, my friend had the Fly Like An Eagle album. I loved it at that time and this song is the one young Max zoned in on. It’s one Steve Miller song that is NOT worn out! It’s not a great song by any means but there is something charming about this country-type song. It’s one you can imagine someone singing on a back porch.

I like when artists do something different out of the norm. At this time he was changing from blues to pop…and this song went in a different direction.

The Steve Miller Band started off as a blues psychedelia band. They got signed for $50,000 dollars in 1967…quite a lot at that time… after the band had an impressive performance at the legendary Monterey Pop Festival They continued to release one album a year but they never rose up the charts too much. At that time the band included drummer Gary Mallaber and LonnieTurner on bass, but the albums also featured contributions by harmonica player James Cotton, session guitarist Led Dudek, and the Doobie Brothers’ John McFee…and Boz Scaggs was a member for a while.

One song in the earlier period I’ll touch on in a few weeks is “My Darkest Hour” and he recorded it with Paul McCartney in one of his most darest hours…right after Paul refused to sign with Allen Klein.

After The Joker was released as a single in 1973, Miller started to move toward pop melodies and struck gold with Fly Like An Eagle. The album bounces everywhere in style. He does a Sam Cooke cover, Send Me to sitars on “Wild Mountain Honey…along with this Bluegrass – Country song Dance, Dance, Dance. Then there are the hits. The title track Fly Like An Eagle, Take The Money and Run, and Rockin’ Me. This album is one of the building blocks of classic rock radio.

The album was released in 1976 and it peaked at #3 in the Billboard Album Charts, #4 in Canada, and #11 in the UK.

Dance, Dance, Dance

My grandpa, he’s 95
And he keeps on dancin’
He’s still alive

My grandma, she’s 92
She loves to dance
And sing some, too

I don’t know
But I’ve been told
If you keep on dancing
You’ll never grow old

Come on darling
Put a pretty dress on
We’re gonna go out tonight
Dance, dance, dance
Dance, dance, dance
Dance, dance, dance
All night long

I’m a hard working man
I’m a son of a gun
I’ve been working all week in the noon day sun
The wood’s in the kitchen
And the cow’s in the barn
I’m all cleaned up and my chores are all done
Take my hand, come along
Let’s go out and have some fun

Come on darling put a pretty dress on
We’re gonna go out tonight
Dance, dance, dance
Dance, dance, dance
Dance, dance, dance
All night long

Pick on

Dance, dance, dance
Dance, dance, dance
Dance, dance, dance
All night long

Come on darling, don’t look that way
Don’t you know when you smile
I’ve got to say you’re my honey pumpkin lover
You’re my heart’s delight
Don’t you want to go out tonight
You’re such a pretty lady
You’re such a sweet girl
When you dance it brightens up my world
Come on darling put a pretty dress on
We’re gonna go out tonight
And dance, dance, dance
Dance, dance, dance
Dance, dance, dance
All night long

Steve Miller – Jet Airliner …Under The Covers Week

This ends Under The Covers Week. I hope you all have enjoyed it…I wrote a few more but I will post them later.

I’ve stayed away from Steve Miller as far as posting because of the constant play on classic radio he gets. I have to admit though, that guitar lick in the intro never gets old. I always thought he wrote this song. I had no idea that someone did this before.

Jet Airliner was written by Paul Pena, a blind folk singer from Cape Cod. Pena played at the Newport Folk Festival in 1969 but was unable ever to make it big in the music business. Pena wrote this song in 1973 and the song tackled his unhappiness over working on his album New Train which, as a result of disagreements, remained unreleased for 27 years. In 2000 it was finally released and praised.

He was grateful that Steve Miller covered this song. For the rest of his life, his royalties from Miller’s version was his only source of income. In 1997 he was in a fire and with heavy smoke inhalation and was in a coma for four days. In the last years of his life, he had diabetes and pancreatitis…he passed away in 2005 because of both complications. In the eighties, he also lived through his wife passing away.

In 1975, Steve Miller needed one more song to record his Book Of Dreams album. This one fit perfectly…the original song had angry verses that Miller re-shaped and it turned out to be a big hit for him. Personally, I like both versions but Pena’s is really raw and I like it. Miller tightened it up and streamlined it.

The album peaked at #2 in the Billboard Album Charts, #1 in Canada, #5 in New Zealand, and #12 in the UK in 1977. He had 2 top twenty hits off of that album along with Jungle Love which peaked at #23.

The song peaked at #8 on the Billboard 100, #3 in Canada, #12 in New Zealand, and didn’t chart in the UK.

Steve Miller talked about Pena’s song: “‘Jet Airliner’ was about those people and his treatment on the East Coast when he went out, He really didn’t want to leave California and go to the East Coast and record this record, and this was a song about it. When he brought it to me, he had recorded an album, and nothing had happened. On that album, there were five or six really, really great songs, and I needed one song.”

Steve Miller: “it was very long, verse after verse after verse of anger, a lot of it. So I took the song and said, ‘Can I reshape it? Can I play with it?’ They said, ‘You can do anything you want to with it.’ I remember laying out all the lyrics, typing them up on big sheets of paper… I had them all out on my kitchen table, moving the verses around… then I got it all together and went, ‘Yeah, this’ll work – it’s great!’”

Jet Airliner

Leavin’ home, out on the road
I’ve been down before
Ridin’ along in this big ol’ jet plane
I’ve been thinkin’ about my home
But my love light seems so far away
And I feel like it’s all been done
Somebody’s tryin’ to make me stay
You know I’ve got to be movin’ on

Oh, oh big ol’ jet airliner
Don’t carry me too far away
Oh, oh big ol’ jet airliner
‘Cause it’s here that I’ve got to stay

Goodbye to all my friends at home
Goodbye to people I’ve trusted
I’ve got to go out and make my way
I might get rich you know I might bet busted
But my heart keeps calling me backwards
As I get on the 707
Ridin’ high I got tears in my eyes
You know you got to go through hell
Before you get to heaven

Big ol’ jet airliner
Don’t carry me too far away
Oh, oh big ol’ jet airliner
‘Cause it’s here that I’ve got to stay

Touchin’ down in New England town
Feel the heat comin’ down
I’ve got to keep on keepin’ on
You know the big wheel keeps on spinnin’ around
And I’m goin’ with some hesitation
You know that I can surely see
That I don’t want to get caught up in any of that
Funky shit goin’ down in the city

Big ol’ jet airliner
Don’t carry me too far away
Oh, oh big ol’ jet airliner
‘Cause it’s here that I’ve got to stay

Oh, oh big ol’ jet airliner
Don’t carry me too far away
Oh, oh big ol’ jet airliner
‘Cause it’s here that I’ve got to stay
Yeah, yeah yeah, yeah

Big ol’ jet airliner
Don’t carry me too far away
Oh, oh big ol’ jet airliner
‘Cause it’s here that I’ve got to stay

Oh, oh big ol’ jet airliner
Carry me to my home
Oh, oh big ol’ jet airliner
‘Cause it’s there that I belong

…

A Concert of The Mind…Fantasy Park

Imagine a concert in 1975 with The Beatles, Bob Dylan, the Allman Brothers, Linda Ronstadt, The Rolling Stones, The Who, and more. Well, it happened! Sorta. Rod Serling did all of the radio promos. It would be one of his last projects…he would pass away before it aired.

It was a 48-hour-long rock concert (Fantasy Park) that was aired by nearly 200 radio stations over Labor Day weekend in 1975. The program, produced by KNUS in Dallas, featured performances by dozens of rock stars of the day and even reunited The Beatles. It was also completely imaginary, a theatre-of-the-mind for the 70s.

The “concert” consisted of live and studio recordings by the artists with live effects added to make it sound legit.

The show had college students hitchhiking all over America hoping to get to Fantasy Park. In New Orleans when the concert aired, the IRS came knocking on the doors of WNOE trying to attach the gate receipts to make sure the Feds got their cut! Callers were asking where they could get tickets to this amazing show.

The show was so popular in Minnesota that they played it again in its entirety the next year…now that people knew it wasn’t real and weren’t looking for tickets. The greatest concert that never was. Fantasy Park had their own emcee and special reporters covering the weekend event giving you the play-by-play details along with some behind-the-scenes updates.

The concert would always be halted due to rain on a Sunday morning to allow the locals to get in their regular (usually religious) programming. The whole event ended promptly at 6 pm on Sunday.

Now people look for the full 48-hour tapes of the show. They are a hot collector’s item. Rod Serling passed away on June 28, 1975.

Bands at Fantasy Park

Chicago
Elton John
Led Zeppelin
Joe Walsh
Cream
Shawn Phillips
Pink Floyd
Carly Simon
James Taylor (& Carol King)
Poco
Alvin Lee
Eagles
Linda Rondstadt
Dave Mason
Steve Miller
John Denver
Beach Boys
War
Grand Funk
Yes
Deep Purple
Rolling Stones
Cat Stevens
The Who
Rolling Stones
Moody Blues
Marshall Tucker Band
Allman Brothers Band
Seals & Crofts
America
Joni Mitchell
Doobie Brothers
Loggins and Messina
Crosby/Stills/Nash/Young
Bob Dylan
Beatles

Here is 10 minutes of it here.

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