It’s 1973 and your band needs a plane all to themselves and you have the money ($2,500-per-flight hour ). You want an open bar…check…an organ…check…a fireplace…check…plenty of excesses…check check. The first time The Allman Brothers boarded they were greeted with “Welcome Allman Brothers” rendered in lines of cocaine on the club room bar.
If you wanted the plane painted a different color…no problem…and your name could be stenciled on it. Bedrooms and enough space where Elton John could roller skate. It was redecorated to fit your taste.
The registration number was N7201U, The Serial Number was 17907, it was the first B720 built and it was delivered to United Airlines on October 1960 and then purchased in 1973 by Contemporary Entertainment. Sherman and Sylvester invested $200,000 to reduce its seating capacity to forty and to install into the main cabin a bar, seats and tables, revolving armchairs, a 30-foot-long couch, a television set and a video cassette player, complete with a well-stocked video library.
The airplane was used by Led Zeppelin, Elton John, Alice Cooper, Bob Dylan and The Band, Deep Purple, Allman Brothers, The Rolling Stones, and Peter Frampton. John Lennon, Frank Sinatra, and Cher were passengers at one time or another.
Led Zeppelin is probably the most famous band that used it.
The plane was all about decadence and luxury. Many stories have originated on this plane from a lot of the bands that used it…I won’t repeat them here. Peter Frampton was the last to use it in 1976. After that, it developed engine problems. The Starship went through several ownership changes from 1977 through 1979 until it went into storage at Luton Airport. It was dismantled for parts starting in July 1982
With the times changing and fuel costs going up…this wasn’t as common after the 70s.
This is one rock and roll relic I would have loved to have flown on at least one time… it should have been saved and turned into a museum…or at least sold to me… Long live the Starship!
“We’ve done four already but now we’re steady and then they went: One, two, three, four”
This song has a great guitar riff that carries the song along with the drums. It’s been said that the Ocean referred to was the fans as they were seen by the band on the stage. In the last line, the Girl who won my heart is Robert Plant’s daughter Carmen, who was 3 years old at the time.
This song was off of the Houses of the Holy album released in 1973. The album peaked at #1 in the Billboard Charts, #1 in the UK, and #1 in Canada. The band didn’t release many singles but this one was released and managed to peak at #8 in Germany.
Bonham and Jones make a rare appearance on backing vocals for the outro.
This song was #14 on Rolling Stones 40 greatest Led Zeppelin songs.
From Songfacts
The voice on the intro is drummer John Bonham. When he says, “We’ve done four already, but now we’re steady and then they went, 1… 2… 3… 4…,” he is referring to the takes. They had tried to record it 4 times prior but couldn’t get it right, so as a pep talk he said his famous line.
This is one of the few Zeppelin songs where all four members shared the writing credit.
Robert Plant used parts of this for his solo song “Tall Cool One.”
The Beastie Boys sampled this on “She’s Crafty.” It wasn’t their first use of Zeppelin – they took some of Bonham’s drums from “When The Levee Breaks” for “Rhymin’ And Stealin’.”
It can barely be heard due to all the guitar overdubs, but during the last minute or so, John Paul Jones and John Bonham sing for one of the only times on a Zeppelin album. They are harmonizing the phrase “Doo wop.”
If you listen carefully, you can hear a phone ringing in the studio at 1:37-1:38 and again (second ring) around 1:41.
The lyrics about “The Hellhound” refer to Blues musician Robert Johnson, who according to legend, sold his soul to the devil. On the lyrics sheet that came with the album, the word “hellhound” was replaced with “high hopes hailla.”
The Ocean
“We’ve done four already but now we’re steady And then they went: One, two, three, four”
Singing in the sunshine, laughing in the rain Hitting on the moonshine, rocking in the grain Got no time to pack my bags, my foots outside the door I got a date, I can’t be late, for the high hopes hailla ball, uh uh, uh uh, yeah
Singing to an ocean, I can hear the ocean’s roar Play for free, I play for me and play a whole lot more, more! Singing about the good things and the sun that lights the day I used to sing on the mountains, has the ocean lost its way
I don’t know, oh oh, yeah’
Ooh, yeah
Sitting round singing songs ’til the night turns into day Used to sing about the mountains but the mountains washed away Now I’m singing all my songs to the girl who won my heart She is only three years old and it’s a real fine way to start
Oh yeah!
It sure is fine! Ah blow my mind! When the tears are goin’ down! Yeah! Yeah, yeah
This was on the album Coda it was released two years after John Bonham’s death and features outtakes from sessions throughout their career. I heard this one more than the others on the album.
Recorded in 1978 at a studio in Sweden owned by Abba, this song was intended for the Led Zeppelin album In Through the Out Door, but it didn’t make the cut. Ozone Baby peaked at #14 in the Mainstream Rock Songs Charts in 1982. Coda was released in 1982 and peaked at #6 in the Billboard Album Charts in 1983.
Coda is by no means a great album but it does have some enjoyable tracks like Wearing and Tearing and Darlene. It’s not like they set out to record an album… it was released to honor contractual commitments to Atlantic Records.
From Songfacts
The entire band’s instrumentals come in right at the opening with Robert Plant’s vocals starting in soon after. This was Zeppelin’s typical style, a straightforward “get it done” 12-bar-blues attitude without very much pretension. It shows something of their character that they were consistent in doing this on one of the last songs done by the classic lineup.
Another telling sign of Zeppelin’s character: How many drummers do most bands go through? Next to the bass, the drummer is usually the most-rotated spot. Not Zeppelin! Lose the drummer, and that’s it, the band calls it quits – but to be fair, growing tensions within the band could have broken them up anyway.
A bit of rock history trivia: Led Zeppelin today is remembered as practically having walked on water. One easily forgets that back when these albums were coming out, while they had a huge fan base, rock critics panned them almost unanimously. Rolling Stone raspberried every single Zep album.
Ozone Baby
I hear ya knock on my door I ain’t been saving this scene for ya honey Don’t wantcha ringin’ my bell It’s too late for you to be my honey
Oh, it’s my love Oh, it’s my own true love
Oh, it’s my love Oh, it’s my own true love
Don’t want you wasting my time Tired of ya doing the things that you do It’s no use standing in line Follow the line, you better follow queue
I say, oh, it’s my love Oh, it’s my own true love
Oh, it’s my love Oh, it’s my own true love, my my own
I could sail a river run dead, but I know it’s dead I could I wish for a million, yeah but I know it’s dead I could cry within the darkness, I sail away I save a lifetime forever? But you know, you know, you know what I say
And I say oh, it’s my love Oh, it’s my own true love
Oh, it’s my love Oh, it’s my own true love, my my own
Oh, it’s my love Oh, it’s my own true love
Oh, it’s my love Oh, it’s my own true love, my own true love My own true love, my own true love My own true love I said Oh, it’s my love Oh, it’s my own true love Oh, it’s my love Oh, it’s my own true love, my own
This was on the album Coda it was released two years after John Bonham’s death and features outtakes from sessions throughout their career.
the song was supposed to be released as a single to coincide with their 1979 tour, but it was delayed because of production problems. This was Zeppelin’s answer to the Punk Rock groups at the time. It was recorded during the making of the In Through The Out Door album.
I don’t think it would have fit well on In Through The Out Door but it is too bad they didn’t release it as a single at the time.
From Songfacts
John Bonham died before this could be released. It was included on Coda, an album of unreleased tracks.
They planned to release this under the name of a fake band so it would not be judged as a Zeppelin song and could compete against the popular Punk bands.
Led Zeppelin never performed this live, but in 1990, Page and Plant played it at the Knebworth Festival in England.
Wearing and Tearing
It starts out like a murmur Then it grows like thunder Until it bursts inside of you Try to hold it steady Wait until you’re ready Any second now will do Throw the door wide open Not a word is spoken Anything that you want to do
Ya know, ya know, ya know Ya know, ya know, ya know
Don’t you feel the same way? Don’t you feel the same way? But you don’t know what to do No time for hesitatin’ Ain’t no time for hesitatin’ All you got to do is move They say you’re feeling blue, well I just found a cure It’s a thing you gotta do, yeah
(Ya know, ya know, ya know)
Now listen, when you say your body’s aching? I know that it’s aching Chill bumps come up on you Yeah, the funny fool I love the funny fool Just like foolin’ after school? And then you ask for medication Who cares for medication When you’ve worn away the cure
(Ya know, ya know, ya know)
(Hey, hey) Go back to the country yeah, go back to the country Feel a change is good for you When you keep convincin’ Ah, don’t keep convincin’ What’s that creeping up behind a you? It’s just an old friend, it’s just an old friend And what’s that he’s got for you?
(Ya know, ya know, ya know)
Yeah, yeah, yeah I can feel it, I can feel it ? Oh, medication, medication, medication
A bit different of a song for Led Zeppelin. This was on their great Physical Graffiti album…which was to me their last great album. This song peaked at #38 in the Billboard 100 in 1975. Led Zeppelin really was not a singles band but they did have 10 songs in the top 100 and 1 top ten song.
Led Zeppelin wasn’t a funk band but on this track they had something going. John Paul Jones played clavinet on this song that is just outstanding. Jones was the utility player for the band and probably the most underrated member.
The guitar had a great sound…Jimmy Page: It’s sort of backward echo and wah-wah. I don’t know how responsible I was for new sounds because there were so many good things happening around that point, around the release of the first Zeppelin album, like Hendrix and Clapton.
From Songfacts
The lyrics were based on Robert Johnson’s 1936 “Terraplane Blues.” A Terraplane is a classic car, and the song uses car parts as metaphors for sex: “pump your gas,” “rev all night,” etc.
This evolved out of a jam session. It became a concert favorite and a popular song on rock radio. When Led Zeppelin played it live, they would often jam on it, extending it with guitar and keyboard solos.
This is one of Robert Plant’s favorite Zeppelin songs. He sang it on his 1988 Now and Zen tour.
Led Zeppelin performed this at Carmen Plant’s 21st birthday party in 1989 with Jason Bonham on drums. Carmen is Robert’s daughter.
The “Talkin ’bout love” part was most likely nicked from the song “Love” by Curtis Knight and Jimi Hendrix.
Led Zeppelin did not release any singles in the UK until 1997 when “Whole Lotta Love” was released 18 years after it was written. In 1975, Zeppelin’s Swan Song label sent 5000 pressings of “Trampled Underfoot” to UK record stores as incentive to stock the Physical Graffiti album. These were labeled “Special Limited Edition” and became collectors’ items.
At Earls Court in 1975, Robert Plant introduced the song like this: “If you like the motor cars and the parts of the human body, then sometimes… you can get trrrrrampled under foot!”
“Trampled Underfoot” was probably named after the bassline being a repetitive boom, played with a Moog pedal.
Trampled Under Foot
Greasy slicked-down body, Groovy leather trim I like the way you hug the road, Mama it ain’t no sin Talkin’ ’bout love, Talkin’ ’bout love, Talkin’ ’bout Ooh, trouble-free transmission, helps your oil’s flow Mama, let me pump your gas, mama, let me do it all Talkin’ ’bout love, huh, Talkin’ ’bout love, ooh, Talkin’ ’bout Take that heavy metal underneath your hood Baby, I could work all night, leave a big pile of tubes Talkin’ ’bout lo-ove, Talkin’ ’bout lo-ove, Talkin’ ’bout Automobile club-covered, really built in style Special is tradition, mama, let me feast my eyes Talkin’ ’bout love, Talkin’ ’bout love, Talkin’ ’bout Factory air-conditioned, wind begins to rise Guaranteed to run for hours, mama, and brand-new tires Talkin’ ’bout love, Talkin’ ’bout love, Talkin’ ’bout Groovin’ on the freeway, blazes on the road From now on my gasoline is even gonna conk your hair Talkin’ ’bout love, Talkin’ ’bout love, Talkin’ ’bout I can’t stop talkin’ about, I can’t stop talkin’ about Ooh, yeah-yeah, yes, ah, drive on Ooh, yeah-yeah-yeah-yeah-yes, I’m comin’ through Come to me for service every hundred miles Baby, let me check your valves, fix your overdrive Talkin’ ’bout love, Talkin’ ’bout love, Talkin’ ’bout Ooh, yes, fully automatic, comes in any size Makes me wonder what I did, before I got synchronized Talkin’ ’bout lo-ove, Talkin’ ’bout love, Talkin’ ’bout Ooh, feather-light suspension, coils just couldn’t hold I’m so glad I took a look inside your showroom doors Talkin’ ’bout love, Talkin’ ’bout lo-oo-oh-ove, Talkin’ ’bout Oh yeah, oh yeah, Oh, I can’t stop talkin’ about love I can’t stop talkin’ about love Ooh, let me go in down, go in down, go in down, go in down, go in down, yes, I can’t stop talkin’ about I can’t stop talkin’ about lo-oh’, baby I can’t stop talkin’ about love, or my baby I can’t stop talkin’ about love, my baby, uh, my baby, my baby, yeah, Unnh, push, push, push it, push, push Ounheahhonhouh
When I learned this riff on guitar I felt like I won the lottery. It’s easy but sounds impressive. This is a great song from Led Zeppelin with their light-heavy approach. It starts off with an acoustic and works itself up to hard electric guitar.
The song peaked at #51 in the Billboard 100 in 1973. It was on the Houses of the Holy album.
This evolved from the Yardbirds song “White Summer,” an acoustic solo by Jimmy Page. Many of the same riffs and chords are in it. After The Yardbirds broke up, Led Zeppelin continued to play “White Summer” live. >>
This was one of the few Led Zeppelin songs released as a single in the US. It made it only to #51.
The music was inspired by Jimmy Page’s Celtic ancestry.
This began as an instrumental. Robert Plant came up with backing tracks and then lyrics.
Plant’s lyrics were inspired by the J.R.R. Tolkien book The Hobbit, and to Tolkein’s 1915 poem of the same name. “Over The Hills And Far Away” describes the adventure the Hobbits embark on.
Over the Hills and Far Away
Hey lady, you got the love I need Maybe more than enough Oh darling, darling, darling Walk a while with me Ohh, you’ve got so much, so much, so much
Many have I loved, and many times been bitten Many times I’ve gazed along the open road
Many times I’ve lied, and many times I’ve listened Many times I’ve wondered how much there is to know
Many dreams come true, and some have silver linings I live for my dream, and a pocket full of gold
Mellow is the man who knows what he’s been missing Many, many men can’t see the open road
Many is a word that only leaves you guessing Guessing ’bout a thing you really ought to know, oh, oh, oh, oh Really ought to know I really ought to know Oh You know I should, you know I should, you know I should, you know I should
This album was a disappointment to some fans when it was released because it wasn’t as hard as the previous album. This record leaned heavy on acoustic and mixed with hard that Led Zeppelin IV would have to perfection. My favorite songs off this album are Tangerine, Immigrant Song and Since I’ve Been Loving You.
Tracklist
Immigrant Song
Friends
Celebration Day
Since I’ve Been Loving You
Out On The Tiles
Gallows Pole
Tangerine
That’s The Way
Bron-Y-Aur Stomp
Hats Off To (Roy) Harper
4. Houses of the Holy – 1973
The band was determined not to repeat themselves after the success of IV. This album is diverse with songs Over The Hills and Far Away, The Ocean, The Rain Song and the funk of The Crunge. This album was a perfect gateway into their next album.
Tracklist
The Song Remains The Same
The Rain Song
Over The Hills And Far Away
The Crunge
Dancing Days
D’yer Mak’er
No Quarter
The Ocean
3. Physical Graffiti – 1975
It’s big, bloated, self indulgent…and great. This album had a big variety with the classic rock Kasmir (possibly their best song), the funky Trampled Under Foot and a song that would have fit on a Stones album…Night Flight.
Tracklist
Custard Pie
The Rover
In My Time Of Dying
Houses Of The Holy
Trampled Under Foot
Kashmir
In The Light
Bron-Yr-Aur
Down By The Seaside
Ten Years Gone
Night Flight
The Wanton Song
Boogie With Stu
Black Country Woman
Sick Again
2. Led Zeppelin II – 1969
Nicknamed the “Brown Bomber” this album is explosive. The album was recorded in sections while on tour. It has a live feel to it. Classic songs such as Heartbreaker, Whole Lotta Love, Livin’ Lovin’ Maid, and the album never lets up. After this album, the band starts to change into more of their famous light heavy feel.
Tracklist
Whole Lotta Love
What Is And What Should Never Be
The Lemon Song
Thank You
Heartbreaker
Livin’ Lovin’ Maid (She’s Just A Woman)
Ramble On
Moby Dick
Bring It On Home
1. Led Zeppelin IV – 1971
No suspense here. This album is nearly perfect. The light and heavy were perfectly balanced. If I never hear Stairway to Heaven again I’ll be happy but I could listen to just the drums to When The Levee Breaks… all day. A Great album at the peak of their career.
Tracklist
Black Dog
Rock And Roll
The Battle Of Evermore
Stairway To Heaven
Misty Mountain Hop
Four Sticks
Going To California
When The Levee Breaks
Led Zeppelin has produced some of the best albums in the history of rock. I will include the original live album of “The Song Remains the Same”… Not the remastered version of that one. Below is the way I would rank them. Ten albums in all including Coda released after John Bonham died. 1-5 coming tomorrow.
10. The Song Remains The Same – 1976
This was recorded at the end of their 1973 American tour but was not released until 1976. They sound tired. It’s a good history marker looking back, but far from their best live performance. Not until long after the band broke up though nothing was officially released except this. I still prefer this over the movie of the same name.
Tracklist
Rock And Roll
Celebration Day
The Song Remains The Same
Rain Song
Dazed And Confused
No Quarter
Stairway To Heaven
Moby Dick
Whole Lotta Love
9. Coda – 1982
The album spans the band’s entire career, from live performances just after their debut album to unused songs from In Through the Out Door sessions. My favorites are Ozone Baby, Wearing and Tearing and Walter’s Walk. Personally, I like this album more than Presence but the playing is not as tight.
Tracklist
We’re Gonna Groove
Poor Tom
I Can’t Quit You Baby
Walter’s Walk
Ozone Baby
Darlene
Bonzo’s Montreaux
Wearing and Tearing
8. Presence – 1976
This album was made when Robert Plant was recuperating from injuries he and his wife suffered in a car wreck. He was singing from a wheelchair. Jimmy Page was keeping the band busy recording this since they could not tour. The playing on this album is great and tight but the songs are not as strong as their predecessors. After Physical Graffiti, this one paled in comparison. Technically this could be one of Jimmy Pages best performance on an album. It was recorded and mixed in 18 days.
Tracklist
Achilles Last Stand
For Your Life
Royal Orleans
Nobody’s Fault But Mine
Candy Store Rock
Hots On For Nowhere
Tea For One
7. In Through The Out Door – 1979
It was not the typical Led Zeppelin album. Page and Bonham were having substance difficulties during this album. Plant and Jones wrote much of the album and Jones used his new synthesizer. This was a change in direction and some Zeppelin fans hated it but it did foreshadow the synthesizer coming in the eighties. I liked a lot of songs on this album like In The Evening, Fool In the Rain, All of My Love and the fun Hot Dog.
Tracklist
In the Evening
South Bound Suarez
Fool In the Rain
Hot Dog
Carouselambra
All My Love
I’m Gonna Crawl
6. Led Zeppelin – 1969
One of the best debut albums of any band. The classic Dazed and Confused, Good Times Bad Times, etc… The album went to #7 in the Billboard 100, #6 in the UK and #11 in Canada. Some people wonder why the band didn’t like critics…this is what Rolling Stone said about the album.
“The latest of the British blues groups so conceived offers little that its twin, the Jeff Beck Group, didn’t say as well or better three months ago, and the excesses of the Beck group’s Truth album (most notably its self-indulgence and restrictedness), are fully in evidence on Led Zeppelin’s debut album.
In their willingness to waste their considerable talent on unworthy material the Zeppelin has produced an album which is sadly reminiscent of Truth. Like the Beck group they are also perfectly willing to make themselves a two- (or, more accurately, one-a-half) man show. It would seem that, if they’re to help fill the void created by the demise of Cream, they will have to find a producer (and editor) and some material worthy of their collective attention.”
The album is hard-hitting as it is fused Rock and Blues…it was very heavy and had a great sonic quality…
Tracklist
Good Times Bad Times
Babe I’m Gonna Leave You
You Shook Me
Dazed And Confused
Your Time Is Gonna Come
Black Mountain Side
Communication Breakdown
I Can’t Quit You Baby
How Many More Times
Led Zeppelin ruled the hard rock landscape of the 1970s. Critics didn’t like them and they didn’t like the press. They sold tons of records and their concerts were instant sellouts. They spawned a lot of bad imitators in their wake. By 1975 things started to go wrong for the band and soon by the start of the new decade they were done.
Led Zeppelin formed in 1968 while Jimmy Page was still with the Yardbirds but with only bass player Chris Dreja and he still left in the group. To fill other gig obligations Page formed the New Yardbirds with Robert Plant and his recommendation for drummer John Bonham. Chris Dreja dropped out so studio bassist John Paul Jones filled the bass position.
After a change of name, they were off and running. They made their first self-titled album and signed a huge deal with Atlantic Records. The album had bad reviews but sold very well. The band made their reputation off of live performances.
Their manager at this point was Peter Grant and with him made their mark on the industry. Peter made sure his band made money and no one would stand in the way. He told promoters the band was to get 90 percent of the gate…which was unheard of at the time. The promoters gave in because they would rather have ten percent of that than 100 percent of nothing.
The musicians were great. Robert Plant could sing and wail like no other. John Bonham was a groove extraordinaire who had his own style. John Paul Jones was a great underrated bass and keyboard player. Jimmy Page was one of the best studio guitarists there was at the time. Similar to The Who…it was like a Rock All-Star lineup.
Zeppelin’s first three albums were building up to the fourth. You can see it build with the first and second album’s electric hard edge to the third where the acoustic is introduced more and a more folk side is shown. It all peaked with the classic 1971 Led Zeppelin IV with the perfect combination of the two.
Songs that came off that album are classics like Stairway to Heaven, Black Dog, Four Sticks, Rock and Roll, Going to California, When the Levee Breaks, The Battle of Evermore, and my favorite Misty Mountain Hop. This album and the Who’s Who’s Next came out within months of each other and both of these albums are the foundation of classic rock radio.
More great albums were to follow like Houses of the Holy and Physical Graffiti though none would match the fourth album. After Physical Graffiti things started to go south for Zeppelin.
Their reputation kept growing and it was not all about their music. Wild stories about groupies, Peter Grant stopping at nothing if he perceived an injustice toward his band and there was the Jimmy Page strong occult interest that followed the band like a dark cloud. John Bonham was described as a nice family man until he started to drink. When drunk he would turn into “The Beast” (as bandmates called him) and could terrorize anyone near the band. They did a series of concerts in 1975 at Earl’s Court and after that The Zeppelin started to descend.
In 1975 Robert Plant and his wife were in a serious car wreck and it would take Plant a few months to recuperate and soon the band would record the album Presence with Plant still not able to walk without assistance. The band would not tour in 1976 because of Plants injuries but started an American tour beginning in April 1977.
When Zeppelin started in 1968 critics didn’t like them and Zeppelin didn’t trust the press. Critics thought their first two albums were the work of blues-ripoff artists. Led Zeppelin never forgot that. This was one set of rules in 1977 shared with the press covering the band.
1. Never talk to anyone in the band unless they first talk to you.
1a. Do not make any sort of eye contact with John Bonham. This is for your own safety.
2. Do not talk to Peter Grant or [Tour Manager] Richard Cole — for any reason.
3. Keep your cassette player turned off at all times unless conducting an interview.
4. Never ask questions about anything other than music.
5. Most importantly, understand this — the band will read what is written about them.
The tour was beset with problems with rowdy crowds, Pages increasing heroin intake, and Bonham’s drinking. Peter Grant had hired a British gangster named John Bindon to handle security. Zeppelin’s security crew and John Bonham attacked one of promoter’s Bill Graham’s staff after Grants 11-year-old son was pushed down… After that incident in Oakland, they flew to New Orleans for the next show and Plant received a phone call from back home informing him that his five-year-old son Karac died from a stomach infection. The entire tour was immediately canceled as Plant flew home to be with his family. The last Oakland concert was the last time they played in America.
In 1979 they would get back together and release “In Through the Out Door“, a softer more synthesizer-based album. Plant and Jones did the majority of the writing on the album. Zeppelin did two great shows at Knebworth in 1979 and a short European tour in 1980. While rehearsing for the American tour John Bonham died of asphyxiation in his sleep after a night of heavy drinking in Page’s home on September 25, 1980. Unlike the Who, who continued on without their one of a kind drummer, Led Zeppelin was no more.
The band regrouped three times for one-off concerts. Once in 1985 for Live Aid with two drummers (Phil Collins and Tony Thompson )and in 1988 for the Atlantic Records 40th Anniversary with Jason Bonham on drums. Neither of those turned out too well.
They did regroup in 2007 for a concert with Jason Bonham drumming. This time they sounded comparable to their younger days and their fans clamored for a reunion and tour…Plant all but ruled that out.
I like most of their albums and consider them one of the biggest rock bands ever…They have made some of the best albums in Rock history. I just never got into them like The Who, Beatles, Stones, Cream, and Kinks. The more I learn about them the more distant they get. Their mystique and image became larger than their music at times.
I’m going to attempt to rank 10 of Led Zeppelin’s albums coming up this week.
I read this book not knowing what to expect but I did know of Glyn Johns… so many of my albums had his name on it…A name that is known throughout the music industry as a great recording engineer, producer, and mixer. Glyn has worked with huge rock groups such as The Rolling Stones, Beatles, Who, Small Faces, Led Zeppelin, The Band and more.
Glyn is a no-nonsense guy and unlike most of the autobiographies of musicians in that era, he never did drugs and always did his job well. Glyn wanted to be a singer and did make a few records, he covered Rolling Stones Lady Jane, but he stuck with engineering and gradually became a producer.
Back when Glyn started in the early sixties engineers did not graduate to producing. It was very much a British class system in the music industry. He became the first freelance engineer in the industry because of the clients he attracted. He was one of the first to record the Stones and he began a relationship with them that lasted for years. He knew the Stones because he was really good friends with Ian Stewart and even shared a flat with him.
The Beatles called him to engineer Let It Be and he also helped engineer some of Abbey Road. He worked on Led Zeppelin’s first album. He produced Steve Miller’s first albums and also the first couple of Eagles albums.
This book will be very interesting to classic rock fans. Many anecdotes about the Stones, Beatles, Who and others. Glyn minces no words and has a reputation for saying what is on his mind. He isn’t too technical about recording in the book, he keeps it at a fast enjoyable pace.
He worked on some of the most classic albums ever. The Stones 60’s albums and the classic stretch of albums the Stones released until Black and Blue. He worked on Who’s Next, Quadrophenia, Led Zeppelin, A Nod Is As Good As a Wink… to a Blind Horse, Who Are You, Slowhand, just to name a few.
One interesting thing that happened in 1969. Glyn met Bob Dylan and Dylan told Johns that he would like to make an album with the Beatles and Stones. Glyn went back to England very excited and told Keith Richards and George Harrison and they were all for it. Ringo, Charlie, and Bill said they would do it. John didn’t say no but Mick and Paul said absolutely not…leaves you to wonder what it would have sounded like…
At the bottom of the page, I copied his discography from Wikipedia…it is incredible.
Excerpt from Sound Man about the Stones.
While Keith, Charlie, and Bill drove the band rhythmically, Mick’s energy and intellect drove everything else. I was constantly amazed by his skill as a songwriter and by the extraordinary energy he managed to summon for his vocal performances in the studio. Both Mick and Keith would take an active part in the mixing process and drove me nuts making me mix a track for hours when I felt I had got it in the first couple of passes. We certainly did not always agree. I guess it would have been even more boring if we had. There were a couple of occasions when finally putting the album together I would play back earlier mixes that I had done on my own, to compare with the one they had chosen after hours of farting around, and in the cold light of day they would agree that mine were better. Equally, there were many occasions when they insisted on me changing a mix quite drastically from the way I heard it, with great effect. Working with the Stones for all those years certainly had some amazing moments and I am proud to have been associated with them during a period of time when their music was so influential. However, Charlie summed it up perfectly when asked in a recent interview his experience of being in the band for fifty years. He replied, “Ten years of working and forty years of hanging around.”
Excerpt about The Beatles Let It Be
I had been retained originally as an engineer and was quite happy with that, even when I realized that George Martin was not producing. He did come to Twickenham a couple of times to check us out. He had arranged for the gear to be loaned for the recording at Savile Row and turned up on the day we did the filming on the roof, but had nothing to do with the production of the music. At the outset I was quite embarrassed when I realized he was not going to be involved. A couple of days into the project I asked Paul where George Martin was, only to be told that they had decided not to use him. By the time we moved to Savile Row, George, realizing I was in an awkward position, was kind enough to take me to lunch in order to put my mind at rest, saying I was doing a great job, everything was fine, and I was not stepping on his toes in any way. What a gentleman he is. Having delivered the mixed master of my version of Let It Be, I approached each member of the band separately, asking if I could have a production credit on the album when it was released. I made it quite clear that I was only asking for that and not a royalty. Paul, George, and Ringo had no objection to my request but John was suspicious and could not understand why I was not asking for a royalty. I explained that I felt, because of their stature, the sales of the album would not be affected by my involvement one way or another, so a credit would be a fair settlement for what I had done, as by association it could only be positive for my career in the future. I never got an answer from John. As it turned out, none of this mattered, as in the end, after the group broke up, John gave the tapes to Phil Spector, who puked all over them, turning the album into the most syrupy load of bullshit I have ever heard. My master tape, perhaps quite rightly, ended up on a shelf in the tape store at EMI. At least my version of the single of “Get Back”/“Don’t Let Me Down” had been released in April 1969.
Below is Glyn’s discography…what a body of work.
Artist
Year
Album
Producer
Engineer
Mixing
Georgie Fame
1964
Rhythm and Blues at the Flamingo
The Rolling Stones
1965
December’s Children
co-eng.
co-mix.
The Pretty Things
1965
Get the Picture?
co-prod.
The Rolling Stones
1965
Out of Our Heads
co-eng.
co-mix.
The Rolling Stones
1966
Aftermath
co-eng.
co-mix.
The Rolling Stones
1966
Got Live if You Want It!
Chris Farlowe
1966
The Art of Chris Farlowe
The Small Faces
1966
Small Faces (Decca)
Chris Farlowe
1966
14 Things to Think About
Twice as Much
1966
Own Up
The Small Faces
1967
From the Beginning
Rolling Stones
1967
Between the Buttons
The Small Faces
1967
Small Faces (Immediate)
The Rolling Stones
1967
Flowers
co-eng.
co-mix.
The Rolling Stones
1967
Their Satanic Majesties Request
Johnny Hallyday
1967
San Francisco (EP)
The Rolling Stones
1968
Beggars Banquet
The Steve Miller Band
1968
Children of the Future
Twice as Much
1968
That’s All
The Pentangle
1968
The Pentangle
The Move
1968
Something Else from the Move
Spooky Tooth
1968
It’s All About
The Small Faces
1968
Ogdens’ Nut Gone Flake
The Steve Miller Band
1968
Sailor
Gerry Temple
1968
Burn Up!
Procol Harum
1968
Shine on Brightly
The Move
1968
The Move
Easybeats
1968
Vigil
Traffic
1968
Traffic
Billy Nichols
1968
Would You Believe
The Steve Miller Band
1969
Brave New World
Family
1969
Family Entertainment
The End
1969
Introspection
The Beatles
1969
Abbey Road
Joe Cocker
1969
Joe Cocker!
Johnny Hallyday
1969
Johnny Hallyday
Led Zeppelin
1969
Led Zeppelin
The Rolling Stones
1969
Let it Bleed
The Steve Miller Band
1969
Your Saving Grace
Lambert and Nuttycombe
1970
At Home
Bob Dylan
1970
Self Portrait
co-eng.
The Rolling Stones
1970
Get Yer Ya-Ya’s Out!
Humble Pie
1970
Humble Pie
Philamore Lincoln
1970
The North Wind Blew South
Billy Preston
1970
That’s the Way God Planned It
Leon Russell
1970
Leon Russell
The Beatles
1970
Let it Be
Joe Cocker
1970
Mad Dogs & Englishmen
Delaney & Bonnie & Friends
1970
On Tour with Eric Clapton
The Move
1970
Shazam
The Band
1970
Stage Fright
co-eng.
Spooky Tooth
1970
The Last Puff
McGuinness Flint
1970
McGuinness Flint
The Faces
1971
A Nod Is As Good As a Wink… to a Blind Horse
Boz Scaggs
1971
Boz Scaggs & Band
Ben Sidran
1971
Feel Your Groove
McGuinness Flint
1971
Happy Birthday, Ruthie Baby
Jesse Ed Davis
1971
¡Jesse Davis!
Leon Russell
1971
Leon Russell and the Shelter People
Boz Scaggs
1971
Moments
Rita Coolidge
1971
Nice Feelin’
Howlin’ Wolf
1971
The London Howlin’ Wolf Sessions
Humble Pie
1971
Rock On
Graham Nash
1971
Songs for Beginners
The Rolling Stones
1971
Sticky Fingers
co-eng.
co-mix.
Spooky Tooth
1971
Tobacco Road
The Who
1971
Who’s Next
co-prod.
Eagles
1972
Eagles
The Rolling Stones
1972
Exile on Main St.
co-eng.
co-mix.
Rita Coolidge
1972
The Lady’s Not for Sale
Neil Young
1972
Harvest
co-eng.
Nicky Hopkins, Ry Cooder, Mick Jagger, Bill Wyman, and Charlie Watts
1972
Jamming with Edward
Chris Jagger
1973
Chris Jagger
Eagles
1973
Desperado
Eric Clapton
1973
Eric Clapton’s Rainbow Concert
The Faces
1973
Ooh La La
The Who
1973
Quadrophenia
co-prod.
co-eng.
Ric Grech
1973
The Last Five Years
Paul McCartney and Wings
1973
Red Rose Speedway
co-eng.
Gallagher & Lyle
1973
Seeds
The Ozark Mountain Daredevils
1973
The Ozark Mountain Daredevils
co-prod.
Gallagher & Lyle
1973
Willie and the Lapdog
The Ozark Mountain Daredevils
1974
It’ll Shine When It Shines
co-prod.
The Rolling Stones
1974
It’s Only Rock ‘n’ Roll
Eagles
1974
On the Border
co-prod.
co-eng.
Gallagher & Lyle
1974
The Last Cowboy
Georgie Fame
1974
Georgie Fame
Fairport Convention
1975
Rising for the Moon
The Who
1975
The Who by Numbers
Andy Fairweather Low
1976
Be Bop ‘n’ Holla
Fools Gold
1976
Fools Gold
Joan Armatrading
1976
Joan Armatrading
Ron Wood & Ronnie Lane
1976
Mahoney’s Last Stand
The Rolling Stones
1976
Black and Blue
co-eng.
Buckacre
1976
Moring Comes
The Bernie Leadon—Michael Georgiades Band
1977
Natural Progressions
Pete Townshend & Ronnie Lane
1977
Rough Mix
Joan Armatrading
1977
Show Some Emotion
Eric Clapton
1977
Slowhand
Eric Clapton
1977
Backless
Craig Nuttycombe
1977
It’s Just a Lifetime
Joan Armatrading
1978
To the Limit
Paul Kennerly and various Artists
1978
White Mansions
The Who
1978
Who Are You
co-prod
co-eng.
Mark Benno
1979
Lost in Austin
Joan Armatrading
1979
Steppin’ Out
Live Wire (band)
1979
Pick it UP
Lazy Racer
1980
Formula II
Tim Renwick
1980
Tim Renwick
Paul Kennerly
1980
Legend of Jessie James
Danny Joe Brown
1981
Danny Joe Brown and the Danny Joe Brown Band
Jools Holland
1981
Jools Holland and His Millionaires
Midnight Oil
1981
Place Without a Postcard
Nine Below Zero
1981
Don’t Point Your Finger
Chris de Burgh
1981
Best Moves
The Clash
1982
Combat Rock
The Who
1982
It’s Hard
Local Boys
1983
Moments of Madness
Various artists
1984
ARMS Concert
Jimmy Page, John Paul Jones, Albert Lee,
1984
No Introduction Necessary
Téléphone
1984
Un Autre Monde
Bob Dylan
1984
Real Live
Immaculate Fools
1985
Hearts of Fortune
Téléphone
1986
Le Live
Roaring Boys
1986
Roaring Boys
The Big Dish
1986
Swimmer
New Model Army
1986
The Ghost of Cain
Joolz
1987
Hex
Spooky Tooth
1987
Spooky Tooth
Helen Watson
1987
Blue Slipper
Labi Siffre
1987
(Something Inside) So Strong
John Hiatt
1988
Slow Turning
Nancy Griffith
1989
Storms
Green on Red
1989
This Time Around (Green on Red album)
John Hiatt
1990
Stolen Moments
Summerhill
1990
West of Here
Del Shannon
1991
The Liberty Years
Energy Orchard
1992
Stop the Machine
Ethan Johns
1992
Independent Years
David Crosby
1993
Thousand Roads
Crosby, Stills, & Nash
1994
After the Storm
The Subdudes
1994
Annunciation
Jackopierce
1995
Bringing on the Weather
Bruce Cockburn
1994
Dart to the Heart
Joe Satriani
1995
Joe Satriani
The Beatles
1996
Anthology 3
co-eng.
Eric Clapton
1996
Crossroads 2: Live in the Seventies
The Rolling Stones and various artists
1996
The Rolling Stones Rock and Roll Circus
Warm Jets
1997
Future Signs
Bill Wyman’s Rhythm Kings
1998
Struttin’ Our Stuff
Linda Ronstadt
1998
We Ran
Bill Wyman’s Rhythm Kings
1999
Anyway the Wind Blows
Emmylou Harris & Linda Ronstadt
1999
Western Wall: The Tucson Sessions
Various artists
1999
Return of the Grievous Angel: A Tribute to Gram Parsons
John Hiatt and various artists
20o2
Disney’s The Country Bears
musical dir.
Bruce Cockburn
2005
Speechless
Andy Fairweather Low
2006
Sweet Soulful Music
The Clash
2008
Live at Shea Stadium
Ian McLagan & the Bump Band
2008
Never Say Never
+ mastering
Ryan Adams
2011
Ashes & Fire
Ben Waters
2011
Boogie 4 Stu: A Tribute to Ian Stewart
The Rolling Stones
2012
Charlie is My Darling: Ireland 1965
The Staves
2012
Dead & Born & Grown Up & Live
co-prod.
The Rolling Stones
2012
GRRR!
Band of Horses
2012
Mirage Rock
Ethan Johns
2012
If Not Now Then When?
Aaron Neville
2013
My True Story
Patty Griffin
2013
Silver Bell
Stephen Stills
2013
Carry On
co-prod.
co-eng.
co-mix
Bob Dylan
2013
Another Self Portrait (1969-1971: The Bootleg Series, Vol. 10)
co-eng.
Benmont Tench
2014
You Should Be So Lucky
Ian McLagan & the Bump Band
2014
United States
Joe Satriani
2014
The Complete Studio Recordings
Bruce Cockburn
2014
Rumours of Glory (True North)
David Bowie
2014
Nothing Has Changed
co-eng.
The Small Faces
2014
Here Come the Nice: The Immediate Years 1967-1969
The Small Faces
20..
Greatest Hits: The Immediate Years 1967-1969
The Faces
2015
You Can Make Me Dance, Sing or Anything: 1970-1975
Various artists
2015
Truckers, Kickers, Cowboys Angels: The Blissed-Out Birth of Country-Rock , Vol. 7: 1974