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Twilight Zone – The Night of the Meek

★★★★★ December 23, 1960 Season 2 Episode 11

If you want to see where we are…HERE is a list of the episodes

I haven’t re-run any of my Twilight Zone reviews but since it’s Christmas…I thought I would post this one. It’s a very touching episode and you get Art Carney and some great character actors in this one like John Fiedler, Robert P. Lieb, and Val Avery.

This one is a sentimental, touching, and timeless, episode of the Twilight Zone. I watch this every year around Christmas. One of the reasons Rod Serling wrote this episode is to see Art Carney play Santa Claus. This is a genuinely funny episode, with the humor feeling natural and enhancing the characters. There are no big laughs but rather many great moments.

John Fiedler plays Mr. Dundee does a great job and has good comedic moments with Robert P. Lieb who plays Flaherty. Fielder would appear on the Bob Newhart Show later on in the seventies. It was taped just three weeks before Christmas, it had a special effect on the cast and crew, and especially on the many children on the set. Production assistant Lillian Gallo later said more children were performing on that show as extras than on the other tape shows, and she remembers their excitement and their joy. Sometimes, it was difficult for them to contain themselves during the times that you had to be quiet during the show.

One sour viewer was so enraged at the blasphemy of presenting a drunk as Santa Claus that he sent outraged letters to Serling, the network, and several newspapers. Can’t Santa have a cheery night?

This show was written by Rod Serling

Rod Serling’s Opening Narration:

This is Mr. Henry Corwin, normally unemployed, who once a year takes the lead role in the uniquely popular American institution, that of the department-store Santa Claus in a road-company version of ‘The Night Before Christmas’. But in just a moment Mr. Henry Corwin, ersatz Santa Claus, will enter a strange kind of North Pole which is one part the wondrous spirit of Christmas and one part the magic that can only be found… in the Twilight Zone.

Summary

Henry Corwin is a down and outer who is normally unemployed and who definitely drinks too much. Every year he works as a department store Santa Claus. This year however, he’s spent just a little too much time in the bar and is quite drunk by the time he shows up for work. He’s fired of course and deeply regrets what he’s done. In fact, Henry has a big heart and worries not only about the children he’s disappointed at the store but about all of those children who will not get what they’ve asked for Christmas. When he comes across a large bag of gifts, everything changes for the kids and for himself as well.

Rod Serling’s Closing Narration:

A word to the wise to all the children of the twentieth century, whether their concern be pediatrics or geriatrics, whether they crawl on hands and knees and wear diapers or walk with a cane and comb their beards. There’s a wondrous magic to Christmas and there’s a special power reserved for little people. In short, there’s nothing mightier than the meek. And a Merry Christmas to each and all.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Art Carney … Henry Corwin
John Fiedler … Mr. Dundee
Robert P. Lieb … Flaherty
Val Avery … The Bartender
Meg Wyllie … Sister Florence
Kay Cousins Johnson … Irate Mother (as Kay Cousins)
Burt Mustin … Old Man
Steve Carruthers … Bar Patron (uncredited)
Andrea Darvi … Kid with Santa (uncredited)
Jimmy Garrett … Street Child (uncredited)
Larrian Gillespie … Elf (uncredited)
Jack Kenny … Man in Mission (uncredited)
Caryl Lincoln … Store Customer (uncredited)
Mathew McCue … Man in Mission (uncredited)
Frank Mills … Man in Mission (uncredited)
Mike Morelli … Man in Mission (uncredited)
Nan Peterson … Blonde in Bar (uncredited)
Ray Spiker … Man in Mission (uncredited)
Glen Walters … Store Customer (uncredited)

…

Slade – Merry Xmas Everybody

This is fast becoming my favorite rock Christmas song second only to John Lennon’s Happy Xmas (War Is Over). This week is going to be Christmas week. I will let up on the weekend but let’s bring in the cheer.

This is a great Christmas song that was released in 1973 and ever since it re-enters the charts every December in the UK. The song never hit in America but it went to #1 in the UK Charts. I first heard it on a Doctor Who episode in the mid-2000s and have liked it ever since.

This was based on a psychedelic song, “My Rocking Chair,” which Noddy Holder wrote in 1967. In 1973 the Slade vocalist decided to convert it into a Christmas song after a night out drinking at a local pub.

He and the band’s bass player and co-writer Jimmy Lea camped out at Noddy’s mother’s house and got down to changing the lyrics to make them more Christmassy. Jimmy Lea incorporated into the verse parts of another song which he was then writing and Noddy re-wrote the words incorporating different aspects of the Christmas holiday season as they came to mind.

This went straight in at #1 in the UK, selling over 300,000 copies on the day of its release, making it at the time the fastest ever selling record in Britain. It eventually became Slade’s best-ever selling single in the UK, selling over a million copies.

In the UK this has become a standard, and it is usually reissued in its original form each Christmas. On several occasions, the song has re-entered the Top 40.

UK copyright collection society and performance rights organization PRS For Music estimated in 2009 that 42 percent of the earth’s population has heard this tune.

The song was written by Noddy Holder and Jim Lea of Slade. It was produced by Chas Chandler formerly of the Animals. The harmonium used on this is the same one that John Lennon used on his Mind Games album, which was being recorded at the studio next door.

Noddy Holder: “I wrote the original verse with the lyrics, ‘Buy me a rocking chair, I’ll watch the world go by. Bring me a mirror, I’ll look you in the eye,’ in 1967 in the aftermath of The Beatles’ Sgt Pepper,” I was being psychedelic. Dave (Hill) wrote another part to the song but it didn’t work so we put it away. Then in 1973 he remembered my verse one day when we were trying to write a Christmas single. We changed the words to, ‘Are you hanging up your stocking on the wall?’ and the rest fell into place.”

Noddy Holder: “As a lad we used to knock sleds with old orange boxes and go tobogganing down this big old quarry in the snow at Christmas. It was the inspiration for the line ‘are you hoping that the snow will start to fall.’”

Someone…anyone…give me that hat for Christmas PLEASE!

Merry Christmas Everybody

Are you hanging up a stocking on your wall?
It’s the time that every Santa has a ball
Does he ride a red nosed reindeer?
Does a ‘ton up’ on his sleigh
Do the fairies keep him sober for a day?

Chorus:
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

Are you waiting for the family to arrive?
Are you sure you got the room to spare inside?
Does your granny always tell ya that the old are the best?
Then she’s up and rock ‘n’ rollin’ with the rest

Chorus:
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

What will your daddy do
When he sees your Mama kissin’ Santa Claus?
Ah ah

Are you hanging up a stocking on your wall?
Are you hoping that the snow will start to fall?
Do you ride on down the hillside in a buggy you have made?
When you land upon your head then you’ve been slayed

Chorus (4x)
So here it is merry Christmas
Everybody’s having fun
Look to the future now
It’s only just begun

…

Ronnie Lane and Pete Townshend – Til The Rivers Run Dry

When I hear this song I think to myself…it’s pretty cool that I met the writer several times. It’s a song written by Don Williams and Wayland Holyfield. I’ll get in a mood where I have to hear something rootsy or down to earth. I usually pick either The Band or Ronnie Lane. So today’s posts with Rick Danko and Ronnie Lane fall into that. Combine that with that mid to late 1970s country sound and I love it. This music is something you could play on your back porch.

In 1976, following an extensive tour, The Who took a hiatus to focus on individual projects. Ronnie Lane initially approached Pete Townshend to produce his album but later invited him to collaborate on songwriting. Townshend, hesitant as he had never co-written songs before, ultimately declined. However, they did succeed in co-writing the album’s title track, Rough Mix. The album featured a mix of songs written individually by Lane and Townshend, with the two performing on most tracks together. This song is the one cover they did. The producer was the legendary Glyn Johns.

An album with Pete Townshend and Ronnie Lane you would figure to be huge at the time. It wasn’t huge but it was a great album and has been highly regarded since. Personally, it’s high on my list of albums made in the 1970s along with Lane’s solo material. Like with the Danko album of 1977, Punk and Disco ruled the airwaves and probably had an effect on the commercial success of this album.

Don Williams’s music was really hot during this period. Eric Clapton was covering it and suddenly country music was popular. The album peaked at #44 in the Billboard Album Charts, #70 in Canada, and #45 in the UK in 1977.

Til The Rivers Run Dry

Till the rivers all run dry
Till the sun falls from the sky
Till life on earth is through
I’ll be needing you

I know sometimes you may wonder
From little things I say and do
But there’s no need for you to wonder
If I need you ’cause I’ll need you

Till the rivers all run dry
Till the sun falls from the sky
Till life on earth is through
I’ll be needing you

Too many times I don’t tell you
Too many things get in the way
And even though sometimes I hurt you
Still you show me in every way

Till the rivers all run dry
Till the sun falls from the sky
Till life on earth is through
I’ll be needing you

…

Rick Danko – Sip The Wine

I have had someone ask me my favorite singer from The Band. I always say that it depends on the song. They were brilliant in dividing up who would sing what. Robbie Robertson would write songs for one of their three top-notch singers. He knew exactly how to divide them up. Danko had one of the most recognizable voices of the bunch because it was so soulful and unique.

I first heard this song in The Last Waltz. Martin Scorsese was interviewing Danko in the control room and asked him what he was doing now. He started to play this song and turned it up. It’s always stuck with me. After seeing the film this past Thanksgiving I thought I would write it up.

During the Last Waltz, Danko was working on a self-titled solo album. He was the first member of the band to release one. He did have some help with Eric Clapton, Ronnie Wood, Blondie Chapman, Doug Sahm, and members of The Band. An ad for the record claimed, “Once you get a taste of Rick Danko, you’ll never get enough.” Unfortunately, the album didn’t have much commercial success. This song was written by Tim Drummond and was originally called To Lay Down Beside You and it was originally recorded by Joe Simon. Ronnie Wood played the solo on this song.

At the time the album was released in 1977, disco and punk music were dominating the airwaves. The album contains different kinds of genres but not punk and disco.

Rick Danko: “We’ve been together for 15 or 16 years and I for one wouldn’t stop making albums with the Band. Just so long as the Band wants to continue making records, I’ll be there.”

Sip The Wine

I want to lay down beside you
I want to hold your body close to mine
Like a grape that grows ripe in the sunshine
There comes a time when we must sip the wine

I can tell by looking you’re not mine, girl
I believe everything I told you was true
There’s a child here that wants to start livin’
Well, you know that this child will get its start
From me and you

(Close your eyes)
Now close your eyes
And don’t you think of nothing
(Let your thoughts)
Let your thoughts remain here
Inside this room
(Lay your head)
Lay your head beside me on my pillow
And I will share this night with you

(We must sip the wine)
Til it feels alright
(We must sip the wine)
Into the night
(We must sip the wine)
Together

…,

James Wilsey – The Rattler

I love instrumentals and this one and the complete album has some great ones.

I told CB when he sent me this link…I would not know his name but I would know it was Chris Isaak’s guitar player by just listening. He had a unique sound all his own which I admire. I would know his guitar sound anywhere…I listened to his album El Dorado this week along with the Chris Isaak album San Francisco Days. These instrumentals are great and I wish I could have said this first…but a reviewer said the album is Wilsey paying homage to the cinematic soundscapes of the American West…and I totally get that. This song has such a fantastic sound.

His guitar playing really helped make Wicked Game such a fantastic and popular song. He used a 1965 Fender Stratocaster and reverb, delay, and slight vibrato. You could tell he was influenced by Duane Eddy, Link Wray, James Burton, and others from that era.

He grew up in Indiana. In the late 1970s, he joined The Avengers, a punk rock band from San Francisco, where he played bass. They would go on to influence The Dead Kennedys and others. They released two EPs and one album in 1983. The self-titled album was made from studio takes because Wilsey had left the band by then. He joined Chris Isaak’s band The Silvertones in 1980. In the late nineties and the 2000s, The Avengers would release 4 more albums that were live and studio cuts with Wilsey.

He made four albums with Issak. Silvertone (1985), Chris Isaak (1986), Heart Shaped World (1989), and the last one San Francisco Days (1993). He and Isaak would soon be estranged and Wilsey went his own way. One of the problems was Wilsey’s growing substance abuse.

He formed an instrumental band called The Mysteries (they never recorded an album) in the late nineties but it was in 2008 that he made his only solo album of instrumentals called El Dorado. In 2018 he would pass away because of substance abuse.

Chris Isaak – Round ‘n’ Round

In 1993 Chris Iaasak released the album San Francisco Days. I’ve had this album playing at work, where I listen a lot. It is well-balanced and very likable. I picked this song for the guitar sound of James Wilsey, it’s a little different from his reverb playing because it has more crunch to it. He is the guitarist who played the guitar for Wicked Game and made it memorable with that dreamlike quality.

San Francisco Days was his fourth studio album, was inspired by the city, and features some rock, blues, and his unique singing style. He is a guy that I know because of Wicked Game but like Greg Kihn, there are more things to like but the hits by him. He did have a hit on this album called Can’t Do a Thing (to Stop Me) that peaked at #7 on the Billboard Alternative Charts and #36 in the UK. I will post it above Round ‘n’ Round at the bottom.

When Chris was growing up he was influenced by 1950s rock and roll and country music. Two of the artists that influenced him were Elvis Presley and Roy Orbison. You can hear those two artists in his work, especially Orbison. He developed a unique singing style and he can be called a crooner. He released his first album, Silvertone, in 1985. He did get some critical acclaim but not much commercial success. That all changed with this third album Heart Shaped World with the single Wicked Game which was featured in the David Lynch film Wild At Heart.

Chris Isaak on making San Francisco Days: “I kind of set out to make this one a little bit different, People did say that the other albums were very similar. But I’ve always felt like I had something legitimate to say with that style. Otherwise, it would be like a painter saying, ‘I already used blue in my early paintings, so I’m not using it anymore.’ Still, I always want to learn some new tricks.”

Round ‘n’ Round

Here we go round & round.
State your case and then sit down.
Tell me why you want to go,
I don’t love you anymore.

Here you go mad again.
Tell me that your just a friend.
Tell me something I don’t know.
I don’t love you anymore, I don’t love you anymore, yeah.

When I do go, I’ll let you know.
It might hurt you, but I don’t think so.

Here we go round & round.
State your case and then sit down.
Tell me why you want to go,
I don’t love you anymore, I don’t love you anymore, I don’t love you anymore.

…

Kinks – Father Christmas

We have just over a week til Christmas. I’m looking forward to it. I hope all of you are doing well.

Father Christmas, give us some money
We’ll beat you up if you make us annoyed
Father Christmas, give us some money
Don’t mess around with those silly toys

This song always brings a smile to my face. Any Kinks Christmas song would have to be different…and this one is.

I’ve always liked this raw and rough Christmas song. A writer at the NME wrote, “Successful Xmas songs are more about mood than specifics, but as this is an anti-Christmas song, it’s fine.” This is the kind of song you would expect from Ray Davies. Anti-Christmas or not…it has become a popular classic Christmas song that gets airplay every year.

The single was released during the height of punk rock and certainly exudes a punk attitude. Dave Davies told ABC Radio that he “always thought The Ramones would do a great version of it. I don’t know why they didn’t do it.”… thinking about it…Dave was right…it would have fit them perfectly.

The song was released in 1977 with the B side Prince Of The Punks. The track was included on the Arista compilation Come Dancing with The Kinks and is also available as a bonus track on the CD reissue of the Kinks’ 1978 album Misfits.

In England, Father Christmas is the personification of Christmas, in the same way as Santa Claus is in the United States. Although the characters are now synonymous, historically Father Christmas and Santa Claus have separate entities, stemming from unrelated traditions.

Ray Davies: “When the record came out we were on tour with a very successful band at the time supporting them,” he recalled during an interview with Southern California radio station KSWD. “I went on dressed as Santa at the end of the show to do ‘Father Christmas.’ And the other band found it hard to follow us. The following night with the same band I went to run on but there was a bunch of heavies preventing me from running on stage. And I was protesting. But the people said, ‘The Kinks didn’t do an encore but Santa Claus was there and they were stopping him from going on stage.'”

Father Christmas

When I was small I believed in Santa Claus
Though I knew it was my dad
And I would hang up my stocking at Christmas
Open my presents and I’d be glad

But the last time I played Father Christmas
I stood outside a department store
A gang of kids came over and mugged me
And knocked my reindeer to the floor

They said
Father Christmas, give us some money
Don’t mess around with those silly toys
We’ll beat you up if you don’t hand it over
We want your bread so don’t make us annoyed
Give all the toys to the little rich boys

Don’t give my brother a Steve Austin outfit
Don’t give my sister a cuddly toy
We don’t want a jigsaw or monopoly money
We only want the real mccoy

Father Christmas, give us some money
We’ll beat you up if you make us annoyed
Father Christmas, give us some money
Don’t mess around with those silly toys

But give my daddy a job ’cause he needs one
He’s got lots of mouths to feed
But if you’ve got one I’ll have a machine gun
So I can scare all the kids on the street

Father Christmas, give us some money
We got no time for your silly toys
We’ll beat you up if you don’t hand it over
Give all the toys to the little rich boys

Have yourself a merry merry Christmas
Have yourself a good time
But remember the kids who got nothin’
While you’re drinkin’ down your wine

Father Christmas, give us some money
We got no time for your silly toys
Father Christmas, please hand it over
We’ll beat you up so don’t make us annoyed

Father Christmas, give us some money
We got no time for your silly toys
We’ll beat you up if you don’t hand it over
We want your bread so don’t make us annoyed
Give all the toys to the little rich boys

A Complete Unknown… private movie showing

My son Bailey saw a private screening of the new movie about Bob Dylan called A Complete Unknown along with the star of the movie there at the theater as well. His name is Timothée Chalamet and Bob Dylan said he did a great job portraying him.

Bailey did say they got the era down really well. Everything looked right for that time period compared to real footage he had seen. He loves the film. Bailey is probably a bigger Dylan fan than I am and that is saying a lot.

Bailey wrote the following.

I got to see Timothée Chalamet from shorter than arm’s reach. Here are a couple of photos I was lucky enough to get with my phone.

I got to see the film early due to a record store I follow on Instagram promoting free tickets.

A Complete Unknown follows Bob Dylan from 1961 to 1965 as he becomes a folk legend to a rock n roll rebel. The film really lets you see how Dylan progresses with his fame alongside his own character wanting to do what Dylan wants to do. You also get insight into other characters like Pete Seeger, Joan Baez, Woodie Guthrie, and Sylvie Russo in their relationship with Dylan.

I was really pleased with how this film paced itself. It wasn’t trying to make a buck out of you. It was trying to make you feel moved. There are times you laugh at a clever witty comment Dylan makes to feeling annoyed like he does with what people want him to be… instead of what he wants to be. The entire film moves you towards the Newport folk music festival in 1965. It was so cathartic with what followed ( I can’t say anymore from here). I really loved every second of it and cannot wait to see it again. It is now one of my favorite films.

Chuck Berry – Run Rudolph Run

Nice little Christmas song by Chuck Berry… the father of Rock and Roll. The song has a “Carol” vibe to it and that is never a bad thing. It was one of the first rock and roll Christmas songs and it was released in 1958.

Berry based this song on “Rudolph The Red-Nosed Reindeer,” giving Rudolph a bit of an attitude as he delivers the toys. The song is credited to Johnny Marks and Marvin Brodie. Johnny Marks wrote Rudolph the Red Nose Reindeer. Chuck puts his stamp on this song.

The song is sometimes known as “Run Run Rudolph,” which is how it appears on some other covers. Other artists to record the song include Sheryl Crow, Bryan Adams, The Grateful Dead, Jimmy Buffett, Dwight Yoakam, Bon Jovi, and Keith Richards.

The song peaked at #69 in the Billboard 100 in 1958 and has re-charted many times through the years…it peaked at #36 in the Billboard 100 in January of 2020…and I’m sure it is charting now.

The song appeared in a lot of films including Home Alone, Diner, The Santa Clause 2, Cast Away, and Jingle All the Way.

I’m adding this per Randy about the royalities for the song.

Johnny Marks wrote the song Rudolph The Red Nose Reindeer but NOT the story or the character. Robert L. May wrote the story and Marks wrote the story off of that. The song was released and only Berrys name was on it. Marks sued Chuck for infringing on his song by using the name Rudolph. Mind you Marks didn’t create the character or story he only wrote a song about it. Of course Marks had good lawyers and won the case and was awarded a ridiculous 100% of royalties and a change in song credits.

Run Rudolph Run

Out of all the reindeers you know you’re the mastermind
Run, run Rudolph, Randalph ain’t too far behind
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph ’cause I’m reelin’ like a merry-go-round

Said Santa to a boy child what have you been longing for?
All I want for Christmas is a rock and roll electric guitar
And then away went Rudolph a whizzing like a shooting star
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph, reeling like a merry-go-round

Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph, reeling like a merry-go-round

Said Santa to a girl child what would please you most to get?
A little baby doll that can cry, sleep, drink and wet
And then away went Rudolph a whizzing like a Saber jet
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph ’cause I’m reelin’ like a merry-go-round

Max’s Drive-In Movie – Fantastic Planet

We will take a short break from the Christmas posts.

This is the first animation that I’ve featured on my Drive-In movie series. This is not The Flintstones, The Simpsons, or anything close to normal. I mean that as a compliment…the visual of this movie is fantastic…no pun intended.

In 2012 I was sick with the flu and it was around midnight. I had nothing to do so I remembered a movie that a co-worker wanted me to watch. It was the 1973 movie Fantastic Planet and I was blown away. Bailey, my son, came into the room and asked me what I was watching. He started to watch and couldn’t believe the animation and what it was all about. He was 12 at the time and I was amazed as well. I’ve never seen anything like this movie before or since. I still watch it from time to time and I find things in the film I missed before.

Fantastic Planet (original French title: La Planète Sauvage) is a 1973 French-Czech animated science fiction film directed by René Laloux. The film is known for its surreal, dreamlike visuals and its hidden meanings, which explore themes of oppression, freedom, and coexistence. It’s based on Stefan Wul’s 1957 novel Oms en série, the film became a cult classic, especially in the science fiction and animation communities.

I’ve read some about the making of this movie. The film uses cut-out animation (a form of stop-motion animation using flat characters, props, and backgrounds cut from materials such as paper, cards, stiff fabric, or photographs. The props would be cut out and used as puppets for stop motion. ), a labor-intensive method that gives the movie a distinct, dreamy feel. The style was heavily influenced by Roland Topor, a French artist and writer known for his surrealist work, who also co-wrote the screenplay and designed much of the film’s visual style.

It’s very hard to describe this movie or try to put it in words. You would have to watch it yourself. The full French version of the movie is at the bottom, underneath the trailer. Unfortunately there are no english subtitles. My son Bailey now teaches classes at college for his Master’s degree, and he took this movie to show his class. He said they were amazed and lost. They wanted to know more about it, and many said they had never seen anything remotely like it before.

If you are looking for something different…give this a try because it fits that description totally. I think you will be amazed at the animation they used. You also have a very seventies soundtrack which only heightens it to me.

Plot

The film is set on the planet Ygam, where giant blue humanoid aliens known as Draags dominate the planet and keep human-like creatures, called Oms, as pets. Oms are treated as inferior beings, with some Draags experimenting on them or exterminating wild Oms who resist control. Then, an Om boy becomes educated, thanks to a young female Draag. This leads to an Om rebellion, which weakens the Draag control over their race. Will the Oms and the Draags find a way to coexist?

..,

Vince Guaraldi Trio – Linus and Lucy

It’s hard to resist this song. It automatically makes me happy when I hear it. I see the Peanuts gang doing their thing.

This song I can hear anytime of the year and be happy. It’s associated with Christmas also…whichever… I never get tired of it.

I was reminded of this song this year in Hanspostcard’s song draft when run-sew-read’s pick was this song.

Ironically, just about everyone would call this “the Charlie Brown song” even though it’s actually titled after Linus and Lucy Van Pelt, brother and sister in Charles Schulz’s Peanuts comic strip universe.

The song is most famous for its use in the yearly favorite A Charlie Brown Christmas, which first aired in 1965, but it was written two years earlier for a documentary about Schulz and the Peanuts gang called A Boy Named Charlie Brown, which never aired.

Producer Lee Mendelson was in charge of the documentary and asked Vince Guaraldi to compose music for it

Guaraldi was huge in the jazz world and won the 1962 Grammy for Best Original Jazz Composition for “Cast Your Fate To The Wind” for his group, the Vince Guaraldi Trio. Mendelson was searching for what kind of music to play for the documentary when he took a taxi cab and “Cast Your Fate To The Wind” was playing as he crossed the Golden Gate bridge. He loved it and his decision was made.

Guaraldi wrote a series of songs for the project, including “Linus and Lucy,” that he recorded with his group, the Vince Guaraldi Trio. Even though A Boy Named Charlie Brown was shelved, the soundtrack was released in 1964, which is where “Linus and Lucy” first appeared.

In 1965, Mendelson put together the first Peanuts TV special, A Charlie Brown Christmas, using many of the same people who worked on the documentary. “Linus and Lucy” formed the score, and a song he wrote with Guaraldi called “Christmas Time Is Here” was included in a key scene.

When A Charlie Brown Christmas debuted in 1965, it quickly turned the Peanuts franchise into a television institution. That first special also shot Guaraldi to greater fame, and he became connected to all subsequent Peanuts shows.

Guaraldi would continue to work on Peanuts films until his death in 1976.

No words…just enjoy

…

How The Grinch Stole Christmas

You’re a mean one…Mr. Grinch. I first posted this in 2018…It’s not Christmas without the Grinch…

The cartoon was released in 1966 and has been shown every year since. This one along with Rudolph, Charlie Brown, and a few more were a part of Christmas. These specials would prime you for the big day.

One cool thing about the cartoon was that Boris Karloff was the narrator. Thurl Ravenscroft (voice of Tony the Tiger) sang the great song “You’re a Mean One Mr. Grinch. ”

The citizens of Whoville looked and acted like the others of Dr. Suess’s universe. They were all getting ready for Christmas while a certain someone…or thing looked down from Mt. Crumpit. The Grinch has hated Christmas for years and sees the Whovillians getting ready for Christmas and is determined once and for all to put an end to it.

He dresses up as Santa Clause and makes his poor dog Max act as a reindeer to swoop down and steal Christmas. The Grinch sleds down the hill almost killing Max and they soon reach Whoville. He is busted by one kid…Cindy Lou Who, who asks him questions as the Grinch took her family tree. He lies to her and sends her to bed.

In the morning after he has everything including “The Roast Beast,” he listens for the sorrow to begin.

You need to watch the rest or rewatch…

A live-action remake came out in 2000 but I still like this one the best. You cannot replicate Boris Karloff.

The Budget – Coming in at over $300,000, or $2.2 million in today’s dollars, the special’s budget was unheard of at the time for a 26-minute cartoon adaptation. For comparison’s sake, A Charlie Brown Christmas’s budget was reported as $96,000, or roughly $722,000 today (and this was after production had gone $20,000 over the original budget).

You’re a mean one Mr. Grinch The famous voice actor and singer, best known for providing the voice of Kellogg’s Tony the Tiger, wasn’t recognized for his work in How the Grinch Stole Christmas. Because of this, most viewers wrongly assumed that the narrator of the special, Boris Karloff, also sang the piece in question. Upset by this oversight, Geisel personally apologized to Ravenscroft and vowed to make amends. Geisel went on to pen a letter, urging all the major columnists that he knew to help him rectify the mistake by issuing a notice of correction in their publications.

Mr Grinch

You’re a mean one, Mr. Grinch
You really are a heel
You’re as cuddly as a cactus
You’re as charming as an eel
Mr. Grinch
You’re a bad banana with a greasy black peel
You’re a monster, Mr. Grinch
Your heart’s an empty hole
Your brain is full of spiders
You’ve got garlic in your soul, Mr Grinch
I wouldn’t touch you with a
Thirty-nine and a half foot pole

You’re a vile one, Mr. Grinch
You have termites in your smile
You have all the tender sweetness of a seasick crocodile
Mr Grinch
Given the choice between the two of you
I’d take the seasick crocodile

You’re a foul one, Mr. Grinch
You’re a nasty wasty skunk
Your heart is full of unwashed socks
Your soul is full of gunk
Mr Grinch

The three best words that best describe you
Are as follows, and I quote”
Stink
Stank
Stunk

You’re a rotter Mr Grinch
You’re the king of sinful sots
Your heart’s a dead tomato splotched with moldy purple spots
Mr Grinch

Your soul is an appalling dump heap
Overflowing with the most disgraceful
Assortment of deplorable rubbish imaginable
Mangled up in tangled up knots

You nauseate me, Mr Grinch
With a nauseous super nos
You’re a crooked jerky jockey and
You drive a crooked horse
Mr Grinch

You’re a three-decker sauerkraut
And toadstool sandwich
With arsenic sauce

http://mentalfloss.com/article/72593/13-spirited-facts-about-how-grinch-stole-christmas

Brenda Lee – Rockin’ Around The Christmas Tree

This is an artist I’ve never covered before, and among all the Christmas songs I have posted, I haven’t posted this one. It’s also one that I really like every year.

I’ve heard of Brenda all of my life. She was involved in Nashville before I was born. This song was released in 1958 and Brenda was only 13 years old! Her nickname was “Little Miss Dynamite” for her powerful voice and 4′ 9″ height. She has had an incredible 36 studio albums, 69 EP’s, and 63 Compilation albums. She had 14 top 20 Billboard hits and many country hits later on in her career. She had 3 number 1’s. I’m Sorry in 1960, I Want to be Wanted in 1960, and a record…63 years, five months, and three weeks later…her last #1 so far… in 2023 with Rockin’ Around The Christmas Tree. I was so happy to hear that she reached number 1 again.

Brenda signed with Decca Records in 1956 at just 11 years old. Her early hits showed she could do country, pop, and rock genres. The song was recorded in Bradley Studios in Nashville. It was in Fall and not snowing but to get the mood right…Bradley had the studio freezing cold with the air conditioning, and he had a Christmas tree all set up to kind of get in the mood. Since 2011…the song has made it to the top 3 in the Holiday charts every year. This year it made it to #2. Lee was inducted into both the Country Music Hall of Fame (1997) and the Rock and Roll Hall of Fame (2002).

The song was written by Johnny Marks and he was quite good at writing Christmas songs. He wrote A Holly Jolly Christmas, Silver and Gold, and Rudolph the Red-Nosed Reindeer just to name a few.

Brenda Lee: “I was only 13, and I had not had a lot of success in records, but for some reason he heard me and wanted me to do it. And I did.”

Johnny Marks: Well, I was laying on the beach and I went to sleep, I woke up and the pine trees were kind of swaying in the breeze. All of a sudden, I thought about Christmas, and I watched them begin and they were kind of rockin’ and I thought about rockin’. I just thought about a rockin’ Christmas, and then I changed it to where people might want to rock around the Christmas tree.’ And that’s kind of how it was born.”

Rockin’ Around The Christmas Tree

Rockin’ around the Christmas treeAt the Christmas party hopMistletoe hung where you can seeEvery couple tries to stopRockin’ around the Christmas treeLet the Christmas spirit ringLater we’ll have some pumpkin pieAnd we’ll do some caroling

You will get a sentimental feeling when you hearVoices singing, let’s be jollyDeck the halls with boughs of hollyRockin’ around the Christmas treeHave a happy holidayEveryone dancin’ merrilyIn the new old-fashioned way

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Royal Guardsmen – Snoopy’s Christmas

This is a new Christmas write-up for me…and I listened to this song a lot as a kid. As a child, I did have the single Snoopy Vs. The Red Baron by The Royal Guardsmen. Later on, I found another Royal Guardsmen record in my cousin’s collection. She gave it to me and it was this one. I loved the Peanuts as a kid and as an adult. This song was brought up by a conversation that Obbverse and I had and I wanted to get it out there.

I never realized that this song has a basis in reality. The song is actually based on The Christmas Truce in WW1 in 1914. The Christmas Truce was an actual event in 1914 during World War I when German and Allied soldiers temporarily ceased hostilities. They sang carols, exchanged small gifts, and even played soccer. While Snoopy and the Red Baron’s interaction is of course fictional, the truce symbolizes the capacity for kindness in chaos.

The song peaked at #1 in New Zealand, #1 in Australia, and #39 in Canada. Per Wiki: Charted 3 times in the US – 1967, 1968, and 1969 reaching #1, #15, and #11 respectively but only on Billboard’s “Best Bets For Christmas” chart.

They were not a one-hit wonder. The follow-up single to their #2 Snoopy and the Red Baron was The Return of the Red Baron which reached #15. Despite their success, the band faced legal challenges since they didn’t have permission from Charles Schulz or United Features Syndicate to use Snoopy. The licensing disputes were resolved, and the band continued to produce Snoopy-themed songs…over and over and over. This song was written by George David Weiss, Hugo Peretti, and Luigi Creatore.

Snoopy’s Christmas

O Tannenbaum, O Tannenbaum
Do kannst mir sehr gefallen!

The news had come out in the First World War
The bloody Red Baron was flying once more
The Allied command ignored all of its men
And called on Snoopy to do it again

Was the night before Christmas, 40 below
When Snoopy went up in search of his foe
He spied the Red Baron, fiercely they fought
With ice on his wings Snoopy knew he was caught

Christmas bells those Christmas bells
Ring out from the land
Asking peace of all the world
And good will to man

The Baron had Snoopy dead in his sights
He reached for the trigger to pull it up tight
Why he didn’t shoot, well, we’ll never know
Or was it the bells from the village below?

Christmas bells those Christmas bells
Ringing through the land
Bringing peace to all the world
And good will to man

The Baron made Snoopy fly to the Rhine
And forced him to land behind the enemy lines
Snoopy was certain that this was the end
When the Baron cried out, “Merry Christmas, mein friend!”

The Baron then offered a holiday toast
And Snoopy, our hero, saluted his host
And then with a roar they were both on their way
Each knowing they’d meet on some other day

Christmas bells those Christmas bells
Ringing through the land
Bringing peace to all the world
And good will to man

Christmas bells those Christmas bells
Ringing through the land

Justified (TV Series 2010-2015)

Sometimes I watch a TV show and think…this is too good for Television. This is one of those shows. Great acting, writing, and production…the entire package.

I watched this show a few years ago and now I’m watching it all over again. For me, it’s a Western set in modern times. Raylon Givens is a modern-day Matt Dillion. A US Marshall that gets his man or woman. Above all they got it from great source material and the writing for the show is excellent. People sometimes think living in the South that you would run into these bad guy characters every day. You don’t but yes I’ve known some of the bad guys on this show…or rather characters just like them as no matter where you live…you probably have also. It’s easy to relate to.

This was a TV series (2010-2015) based on Elmore Leonard’s short story “Fire in the Hole.” It follows Deputy U.S. Marshal Raylan Givens, a modern-day lawman with an Old West-style approach to the law. It’s almost like a modern Matt Dillion. He is played by Timothy Olyphant, Raylan is reassigned to his hometown of Harlan, Kentucky, after a controversial shooting incident in Miami. He is a great Marshall but not always following the book by any means. He tries to do the right thing. He is what I would call a man’s man. Men like him because he doesn’t mince his words and women like him because he looks like Timothy Olyphant. His character is stern at times and he means what he says…although all in all he is fair…just don’t push the man.

His target is Boyd Crowder who is a perfect villain. They knew each other while teenagers digging coal together. It’s almost a Batman-Joker relationship. It’s like they need each other. They could have killed the other many times but chose not to. Walter Goggins played Boyd and he was as close to perfect as you could get as a bad guy. He is not a slow-talking dumb Southerner…he is highly intelligent and manipulative and Raylan Givens matches him. It’s like a high-stress chess game with each other.

The character actors on this show are great as well. Joelle Carter as Ava Crowder, Natalie Zea as Raylan’s ex-wife Winona Hawkins, Erica Tazel as US Deputy Marshal Rachel Brooks, Sam Elliot as Avery Marham, Mykelti Williamson as Ellstin Limehouse, and…I could go on and on. The show has the Dixie Mafia and revolves around Harlan Counties love of “hillbilly heroin” which would be Oxycontin. Other cities come into play like Miami, Detroit, and other locations where drugs are either sold or smuggled from at the time.

The one thing that the show has is a GREAT sense of humor. It’s not remembered as much for that but it does have some funny and dark one-liners. The humor is one thing that keeps me coming back.

Watch this show…there were only 78 episodes and last year…8 years after it ended…they have brought back Raylan Givens for Justified: City Primeval.

Some quotes

Raylan Givens: I shot people I like more for less.

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Raylan Givens: The answer is: me and dead owls don’t give a hoot.

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Raylan Givens: I need to convince her to get out of Kentucky.
Winona Hawkins: And you think dumping her, handcuffed, at your ex-wife’s house is going to do the trick?

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Raylan Givens: Sometimes, we have to make deals with lowlifes because we have our sights set on life forms even somehow lower on the ladder of lowlife than they.

One of the first scenes with an idiot…

The dark side of Raylan but who could blame him?

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