The Manic Street Preachers – The Love of Richard Nixon ——— Songs that reference Richard Nixon

The love of Richard Nixon, death without assassination, The love of Richard Nixon, yeah they all betrayed you

This band took a more sympathetic view than some of the other songs that mention the former President. The Welsh band formed in Blackwood in 1986. The song was written by band members James Dean Bradfield, Nicky Wire, and Sean Moore. One member of the band  Richey Edwards who suffered from depression disappeared in 1995 never to be seen again.

This song was released in 2004 the song peaked at #2 in the UK. Altogether they had 41 UK top 75 songs, 34 Top 40 songs, 15 Top 10 and 2 number 1’s. Bass player Nicky Wire: “If Radiohead are Kennedy, then Manic Street Preachers are Nixon; the ugly duckling who had to try ten times harder than anyone else. Paranoid megalomaniacs.”

From Songfacts

The Manic’s primary lyricist and rhythm guitarist Richey Edwards gained early notoriety by cutting the words “4REAL” into his arm with a razor blade. Since that episode and his later disappearance, now presumed dead, the band have been somewhat overshadowed by the events of Richey Edwards’ troubled life. This provocatively titled single, is a sympathetic appraisal of someone else whose achievements were eclipsed by one event. “The main thrust of the song,” bassist Nicky Wire explained to Repeat Fanzine, “is the idea of being tarnished with a certain part of your life forever. With us, people might think of Richey’s disappearance or 4 REAL.

With Nixon, people will always associate him with Watergate and being a crook, not the fact that he was the first president to go to China to build up relations. Or the way he de-escalated the arms race with the Soviet Union – quite admirable things.”

Wire added concerning his sympathy for the devil: “There’s always been a ridiculousness to Manic Street Preachers. Not humour, not funny-ha ha, but a question of ‘Do they really mean it?’ But there’s probably more empathy [with Nixon] than I should admit. Nixon wasn’t a good president, but he wasn’t George W Bush. He was a brilliant man, and not all Republican presidents have been. I do think he’s a fascinating character, particularly in today’s climate. He probably ended the Vietnam War. Whatever you think his reasons were – and conspiracy theories abound – he signed off at the end of it.”

The timing of the single’s release, two weeks before George W. Bush’s victory at the 2004 US presidential elections, was most likely significant. Many suspected it was a statement by the Manics concerning the reputation of the USA’s leadership at the time.

The song finishes with a sample of Nixon himself stating “I have never been a quitter.” Wire explained to NME October 8, 2011: “We thought that applied to us as a band. I just find him really interesting and kind of like myself.”

“The Love Of” peaked at #2 on the UK singles chart helped by a marketing ploy that was deliberately designed to encourage multiple purchases. The single came complete with a special offer whereby fans could purchase all three formats (2 track CD, 3 track CD and DVD) for just £5. You don’t have to be a maths professor to work out what the effect of this was.

The Love of Richard Nixon

The world on your shoulders
The love of your mother
The fear of the future
The best years behind you
The world is getting older
The times they fall behind you
The need it still grows stronger
The best years never found you

The love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
The love of Richard Nixon, death without assassination
Yeah they all betrayed you
Yeah and your country too

Love build around the sandy beaches
Love rains down like Vietnam’s leeches
Richard the third in the White House
Cowering behind divided curtains

The world is getting older
The times they fall behind you
The need it still grows stronger
The best years never found you

Ah, the love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
The love of Richard Nixon, death without assassination
Yeah they all betrayed you
Yeah and your country too

The love of Richard Nixon, death without assassination
The love of Richard Nixon, yeah they all betrayed you
People forget China and your war on cancer
Yeah they all betrayed you
Yeah and your country too

In all the decisions I have made in my public life,
I have always tried to do what was best for the nation.
I have never been a quitter

John Lennon – Gimme Some Truth ——— Songs that reference Richard Nixon

Since I blog about the seventies a bunch I thought this reference in songs would fit the loose format I have here…songs that reference Mr. Richard Milhous Nixon. This should be fun. We will start with this John Lennon song “Gimme Some Truth.” In this case “tricky dicky” will work as a reference.

No short-haired, yellow-bellied, Son of tricky dicky’s, Gonna mother hubbard soft soap me, With just a pocket full of hopes, Money for dope, money for rope

Don’t hold back John…tell us how you really feel. John was working on this song during the Let It Be sessions. He would record it two years later and it would be on the Imagine album. Lennon’s contempt for politicians came through rather well on this song.

George Harrison played guitar on this song. Their old friend from Germany Klaus Voormann (Bass player and Graphic Artist) played bass and the great Nicky Hopkins, who was on practically everyone’s records played the piano. Alan White who later joined Yes played drums. It was recorded at Ascot Sound Studios, Lennon’s recording studio at his Tittenhurst Park home, in May 1971.

John Lennon 1968

“I think our society is run by insane people for insane objectives, and I think that’s what I sussed when I was 16 and 12, way down the line. But, I expressed it differently all through my life. It’s the same thing I’m expressing all the time, but now I can put it into that sentence that I think we’re being run by maniacs for maniacal ends. If anybody can put on paper what our government, and the American government and the Russian, Chinese, what they are actually trying to do and what they think they’re doing… I’d be very pleased to know what they think they’re doing, I think they’re all insane!”

From Songfacts

There is a book written by Jon Wiener of the same title revealing a compilation of FBI files on Lennon, who was investigated as a drug user and radical. The FBI feared Lennon would disrupt the Republican National Convention in 1972.

Lennon referred to President Richard Nixon in this song as “trick-dicky,” a nickname that became popular during the Watergate hearings. There are many lyrical references to politicians as deceiving, slick, and cowardly characters.

Cover-ups such as the My Lai massacre in Vietnam frustrated Lennon into writing this song, demanding simple truth.

Mother Hubbard in the lyrics refer to the poem, which is itself, a cover-up:
“Old Mother Hubbard
Went to the cupboard
To get her poor doggie a bone,
When she got there
The cupboard was bare
So the poor little doggie had none”
The Old Mother Hubbard referred to in this rhyme’s words allude to the famous Cardinal Wolsey. Cardinal Thomas Wolsey was the most important statesman and churchman of the Tudor history period in 16th century England. Cardinal Wolsey proved to be a faithful servant but displeased the King, Henry VIII, by failing to facilitate the King’s divorce from Queen Katherine of Aragon who had been his queen of many years. The reason for seeking the divorce and hence the creation of the Old Mother Hubbard poem was to enable him to marry Anne Boleyn with whom he was passionately in love. In the Old Mother Hubbard song King Henry was the “doggie” and the “bone” refers to the divorce (and not money as many believe) The cupboard relates to the Catholic Church although the subsequent divorce arranged by Thomas Cramner resulted in the break with Rome and the formation of the English Protestant church and the demise of Old Mother Hubbard – Cardinal Wolsey. Another rhyme reputedly relates to Cardinal Wolsey.

“Softsoap” is slang – It alludes to liquid soap, likening its slippery quality to insincere flattery. Its figurative use was first recorded in 1830. “Yellow-bellied” is slang for cowardly.

George Harrison played guitar on this.

Gimme Some Truth

I’m sick and tired of hearing things from
Uptight short sided narrow minded hypocritics
All I want is the truth, just give me some truth
I’ve had enough of reading things
By neurotic psychotic pigheaded politicians
All I want is the truth, just give me some truth

No short-haired, yellow-bellied
Son of tricky dicky’s
Gonna mother hubbard soft soap me
With just a pocket full of hopes
Money for dope, money for rope

No short-haired, yellow-bellied,
Son of tricky dicky’s
Gonna mother hubbard soft soap me
With just a pocket full of hopes
Money for dope, money for rope

I’m sick to death of seeing things from
Tight-lipped condescending mama’s little chauvinists
All I want is the truth, just give me some truth
I’ve had enough of watching scenes from
Schizophrenic egocentric paranoiac primadonnas
All I want is the truth just give me some truth

No short-haired, yellow-bellied,
Son of tricky dicky’s
Gonna mother hubbard soft soap me
With just a pocket full of hopes
It’s money for dope, money for rope

I’m sick to death of hearing things from
Uptight short sided narrow minded hypocritics
All I want is the truth, just give me some truth
I’ve had enough of reading things
By neurotic psychotic pigheaded politicians
All I want is the truth, just give me some truth
All I want is the truth, just give me some truth
All I want is the truth, just give me some truth

The Young Rascals – How Can I Be Sure?

This song peaked at #4 in the Billboard 100 in 1967. How Can I Be Sure was written by Rascals Felix Cavaliere and Eddie Brigati. Another great single by The Young Rascals.

The Young Rascals formed in Garfield New Jersey in 1965. They were Eddie Brigati (vocals), Felix Cavaliere (keyboard, vocals), Gene Cornish (guitar), and Dino Danelli (drums). The group had plenty of  success, songs such as “A Beautiful Morning, “Good Lovin,’” “A Girl Like You,” and “People Got to be Free.” They had three number 1 hits, 6 Top Ten hits, and a total of 18 songs in the Billboard 100 before they disbanded in 1972.

From Songfacts

This song was a follow-up to “Groovin’,” and was a huge hit. It’s a soulful ballad about the doubts of one’s first great love, particularly when the love is one-sided. The song was popular enough that it was covered by many artists, most notably David Cassidy in 1972, whose version reached #25 on the Billboard Top 100.

Like “Groovin’,” .

The Young Rascals’ original version didn’t hit in the UK and the first time it charted was in 1970 when a revival by Dusty Springfield scraped into the charts at #36. Two years later David Cassidy, who was at the time along with The Osmonds the most popular teen idol in the UK, went all the way to the top of the British singles chart with his cover.

How Can I Be Sure?

How can I be sure
In a world that’s constantly changin’?
How can I be sure
Where I stand with you?

Whenever I
Whenever I am away from you
I wanna die
’cause you know I wanna stay with you

How do I know?
Maybe you’re trying to use me
Flying too high can confuse me
Touch me but don’t take me down

Whenever I
Whenever I am away from you
My alibi, is tellin’ people I don’t care for you
Maybe I’m just hanging around
With my head up, upside down
It’s a pity
I can’t seem to find someone
Who’s as pretty ‘n’ lovely as you

How can I be sure
I really, really, really, wanna kno-o-ow
I really, really, really, wanna kno-o-ow

(insturmental)

How’s the weather?
Weather or not, we’re together
Together, we’ll see it much better
I love you, I love you forever
You know where I can be found

How can I be sure
In a world that’s constantly changing?
How can I be sure?
I’ll be sure with you.

The Langoliers

Have you ever liked something a lot but you know deep down…that it is mediocre or even worse? That is the way I feel toward this 1995 two-part Stephen King TV movie. This is an odd post. Me recommending a TV movie that is not great but…I do love the story.

I always complain when movies don’t go by the book. I can’t say that about this one. It’s so close to the book it hurts which is great. It wasn’t the story that was bad…I love the plot. The acting is ok…well average at best…no it has to do with something that I usually don’t care about at all. Special effects… Star Trek had primitive special effects but I loved the red beams from the phasers…as long as it gets the story across is all I care about. But this…this has to be some of the worst CGI effects ever in a movie even a TV movie. It actually ruins the end for me.

The plot is much like a Twilight Zone episode. A plane full of people takes off from Los Angeles to Boston. 10 people wake up after sleeping for the first 40 minutes into the flight and see everyone else including the crew has vanished. They find the missing people’s watches, wigs, and even implants (surgical pins, pacemakers) sitting in the seats where their owners were at one time.

They look out the window as they were going over Denver and see no lights at all. No one is on the radio. It’s like the world is empty except them. It just so happens a pilot with the airlines was on the plane asleep traveling and he woke up and flew the plane to a smaller airport in Bangor Maine (it is a Stephen King story so where else but Maine). They land but no one is at the airport and everything is drab looking. All the food and drinks are flat. They hear this far off munching sound coming toward them.

That is a great beginning and I liked the story it’s just the “monsters” are pretty bad. If you want a Twilight Zone type story…it’s a fun watch but it could have been so much better. If Hollywood wants to redo a movie…which seems to be the case these days…this one would be a great one to do.

So yes I would recommend this sometimes so so TV movie because of the story. The Stephen Kings book it came from was called Four Past Midnight and is a collection of novellas. I have watched this movie at least 4 times. I just can’t help it.

In this trailer, they wisely avoid showing too much of the Langoliers

Image result for the langoliers special effects

 

 

 

 

Beatles – Baby’s In Black

This song was written by John and Paul together. Baby’s In Black sounded different than most of their other songs at the time. The song was in 6/8 time similar to a Waltz and most Beatle songs to that point were in 4/4 time. The song was on the Beatles for Sale album. The album peaked at #1 in the UK and was taken apart for the American market with 8 of the 14 tracks released on Beatles 65 which peaked at #1 in 1965.

The song took a different approach. Baby’s In Black is about a man who is pursuing a woman, but the woman doesn’t return the interest because she is still in mourning for her previous lover, and the reason she always dresses in black.

I’ve always liked the song because it mixes different musical styles into one. The subject matter is also not a typical boy and girl love song.

Paul McCartney: “We got more and more free to get into ourselves,” McCartney remembers. “Our student selves rather than ‘we must please the girls and make money,’ which is all that ‘From Me To You,’ ‘Thank You Girl,’ P.S. I Love You’ is about…We wanted to write something a little bit darker, bluesy, the title’s dark anyway…more grown up rather than just straight pop. It was more ‘baby’s in black’ as in mourning. Our favorite color was black, as well.”

For an in-depth look at this song musically…. http://www.icce.rug.nl/~soundscapes/DATABASES/AWP/bib.shtml

From Songfacts

The depressing subject matter is hidden by the upbeat music. 

There is speculation that the song was written about mourning the loss of Stuart Sutcliffe after he died of a sudden brain hemorrhage. The song was a 50/50 effort by both Lennon and McCartney but started by Lennon as a response to his own mourning process (which he never really got over). The “baby in black” would be photographer Astrid Kirchherr, who dated Sutcliffe before he died.

This is one of several Beatles songs with a dual melody line – “If I Fell” is another. McCartney and Lennon sang into the same microphone, making it hard to distinguish which is the main melody line. Sheet music of the song usually displays both. 

This was the first 50/50 Lennon/McCartney song written since “I Want To Hold Your Hand” a year earlier. They wrote it together sitting practically nose to nose at John’s Kenwood Estate.

Baby’s In Black

Oh dear, what can I do?
Baby’s in black
And I’m feeling blue
Tell me, oh what can I do?
She thinks of him
And so she dresses in black
And though he’ll never come back
She’s dressed in black

Oh dear, what can I do?
Baby’s in black
And I’m feeling blue
Tell me, oh what can I do?
I think of her
But she thinks only of him
And though it’s only a whim
She thinks of him

Oh how long will it take
Till she sees the mistake
She has made?
Dear what can I do?
Baby’s in black
And I’m feeling blue
Tell me, oh what can I do?

Merle Haggard – Are The Good Times Really Over ——— Songs that reference The Beatles

Back before Elvis, before Vietnam war came along, Before the Beatles and Yesterday

I’m wrapping up the songs that reference the Beatles today…I thought  Merle Haggard and Frank Zappa would be a good stopping point. Hope you enjoyed the posts.

This song has staying power because every generation longs for the culture of the ones before it. One could easily insert 21st-century phrasing into his classic hit, interchanging microwaves with iPhones, etc. Every single generation looks for a Golden Age, a time where they could pinpoint that everything was right in the world.

This song peaked at #2 in the Billboard Hot Country Song Charts and #1 in Canada in 1982.

Merle had 38 number one hits, 71 top ten hits, and 101 songs in the top 100 in the country charts. It’s hard to wrap my head around 38 number one songs on any chart.

 

Are The Good Times Really Over (I Wish a Buck Was Still Silver)

I wish a buck was still silver
It was back when the country was strong
Back before Elvis, before Vietnam war came along
Before the Beatles and yesterday
When a man could still work and still would
Is the best of the free life behind us now
And are the good times really over for good?And are we rolling downhill like a snowball headed for hell
With no kinda chance for the flag or the liberty bell?
Wish a Ford and a Chevy
Would still last ten years like they should
Is the best of the free life behind us now
And are the good times really over for good?

I wish coke was still cola
And a joint was a bad place to be
It was back before Nixon lied to us all on T.V
Before microwave ovens when a girl could still cook, and still would
Is the best of the free life behind us now
Are the good times really over for good?Are we rolling downhill like a snowball headed for hell
With no kinda chance for the flag or the liberty bell
Wish a Ford and a Chevy
Would still last ten years like they should
Is the best of the free life behind us now
And are the good times really over for good?Stop rolling downhill like a snowball headed for hell
Stand up for the flag and let’s all ring the liberty bell
Let’s make a Ford and a Chevy
That would still last ten years like they should
‘Cause the best of the free life is still yet to come
And the good times ain’t over for good

Frank Zappa – Joe’s Garage ——- Songs that reference The Beatles

Got matching suits ‘N’ Beatle Boots

Frank didn’t get played on commercial radio often. This is one of the few tracks that did get some airplay.  The album peaked at #27 in the Billboard 100 in 1979.

I’m not familiar with a lot of Zappa’s catalog. The first song I remember liking by him was Catholic Girls off of this album. A friend of mine heavily into Zappa played me this concept album. The triple album came out as a double album and then a single album.

It’s pretty easy to see why it didn’t get radio play as the lyrics were full of profanity. The music is great… Zappa was one of the best guitarists around as well as a great all-around musician and songwriter.

From Songfacts about the album.

Running to 6 minutes 10 seconds, the title track of this triple concept album was obviously written from the heart, even though it is one of the few such songs which does not resort to out and out profanity. The song itself is fairly straightforward, but the uptempo music is both entertaining and witty. At the end, Joe is arrested for the crime of playing music. Zappa never got much airplay, but the few stations that played him often had this song in rotation.

Joe’s Garage is a popular name for real garages, though it remains to be seen if this is out of homage to Zappa or due to a lot of mechanics being Christened Joe! 

In the liner notes to the album, Zappa makes a barely-passing reference to music being censored in Iran, which led some folks to believe the song was inspired by the Iran Hostage Crisis, but the American hostages weren’t taken until months after the album was released.

Zappa was an extremely outspoken enemy of religion, government, commercialism, and just about anything else, so this song and album are right in character. Joe’s Garage has parodies of a broad range of subjects – there’s “L. Ron Hoover” and the “First Church of Appliantology,” the Roman Catholic and Christian churches, lots of references to kinky sex (he also mocked that a lot), the “Central Scrutinizer” is kind of like Orwell’s Big Brother – referencing government censorship, making fun of “dope and LSD” and snorting lines of detergent, the music industry in general… you get the picture.

The ban-on-music thing in the story stems from the government’s “Total Criminalization” policy, where this new philosophy passes the legislation that states that “all humans are inherently criminals” and it’s the government’s job to keep making up laws to give them an excuse to throw everybody in jail.

Bottom line: You can’t narrow the theme of the album down to one thing. If anything, it was more Zappa’s general mockery of the whole capitalist-industrial military-religion complex, and mentioning Iran was just his way of saying “Look what could happen here! It happened there, after all.” Seeing as how this came out before the PMRC targeted Zappa for obscenity in lyrics which led to parental advisory stickers on the album, that kind of makes him a prophet.

Joe’s Garage

A boring old garage in a residential area with a teen-age band
rehearsing in it. JOE (the main character in the CENTRAL
SCRUTINIZER’S Special Presentation) sings to us of the trials and
tribulations of garage-band husbandry.

Central Scrutinizer:
We take you now, to a garage, in Canoga Park.

Frank Zappa:
(It makes it’s own sauce…)

Joe:
It wasn’t very large
There was just enough room to cram the drums
In the corner over by the Dodge
It was a fifty-four
With a mashed up door
And a cheesy little amp
With a sign on the front said “Fender Champ”
And a second hand guitar
It was a Stratocaster with a whammy bar

At this point, LARRY (a guy who will eventually give up music and
earn a respectable living as a roadie for a group called Toad-O)
joins in the song…

Larry:
We could jam in Joe’s Garage
His mama was screamin’
His dad was mad
We was playin’ the same old song
In the afternoon ‘n’ sometimes we would
Play it all night long
It was all we knew, ‘n’ easy too
So we wouldn’t get it wrong
All we did was bend the string like…
Hey!
Down in Joe’s Garage
We didn’t have no dope or LSD
But a coupla quartsa beer
Would fix it so the intonation
Would not offend yer ear
And the same old chords goin’ over ‘n’ over
Became a symphony
We would play it again ‘n’ again ‘n’ again
‘Cause it sounded good to me
ONE MORE TIME!
We could jam in Joe’s Garage
His mama was screamin’,
“TURN IT DOWN!”
We was playing’ the same old song
In the afternoon ‘n’ sometimes we would
Play it all night long
It was all we knew, and easy too
So we wouldn’t get it wrong
Even if you played it on a saxophone
We thought we was pretty good
We talked about keepin’ the band together
‘N’ we figured that we should
‘Cause about this time we was gettin’ the eye
From the girls in the neighborhood
They’d all come over ‘n’ dance around
like…

Twenty teen-age girls dash
in and go STOMP-CLAP,
STOMP-CLAP-CLAP…

So we picked out a stupid name
Had some cards printed up for a coupla bucks
‘N’ we was on our way to fame
Got matching suits ‘N’ Beatle Boots
‘N’ a sign on the back of the car
‘N’ we was ready to work in a GO-GO Bar

ONE TWO THREE FOUR
LET’S SEE IF YOU GOT SOME MORE!

People seemed to like our song
They got up ‘n’ danced ‘n’ made a lotta noise
An’ it wasn’t ‘fore very long
A guy from a company we can’t name
Said we oughta take his pen
‘N’ sign on the line for a real good time
But he didn’t tell us when
These “good times” would be somethin’
That was really happenin’
So the band broke up
An’ it looks like
We will never play again…

Joe:
Guess you only get one chance in life
To play a song that goes like…

(And, as the band plays their little song,
MRS. BORG (who keeps her son SY,
in the closet with the vacuum cleaner)
screams out the window…

Mrs. Borg:
Turn it down!
Turn it DOWN!
I have children sleeping here…
Don’t you boys know any nice songs?

Joe:
(Speculating on the future)
Well the years was rollin’ by, yeah
Heavy Metal ‘n’ Glitter Rock
Had caught the public eye, yeah
Snotty boys with lipstick on
Was really flyin’ high, yeah
‘N’ then they got that Disco thing
‘N’ New Wave came along
‘N’ all of a sudden I thought the time
Had come for that old song
We used to play in “Joe’s Garage”
And if I am not wrong
You will soon be dancin’ to…

Central Scrutinizer:
The WHITE ZONE is
for loading and
unloading only. If you
gotta load or unload,
go to the WHITE
ZONE. You’ll love it…

Joe:
Well the years was rollin’ by (etc.)…

Mrs. Borg:
I’m calling THE POLICE!
I did it! They’ll be here… shortly!

Officer Butzis:
This is the Police…

Mrs. Borg:
I’m not joking around anymore

Officer Butzis:
We have the garage surrounded
If you give yourself up
We will not harm you
Or hurt you neither

Mrs. Borg:
You’ll see them

Officer Butzis:
This is the Police

Mrs. Borg:
There they are, they’re coming!

Officer Butzis:
Give yourself up
We will not harm you

Mrs. Borg:
Listen to that mess, would you?

Officer Butzis:
This is the Police
Give yourself up
We have the garage surrounded

Mrs. Borg:
Everday this goes on around here!

Officer Butzis:
We will not harm you, or maim you
(SWAT Team 4, move in!)

Mrs. Borg:
He used cut my grass…
He was very nice boy…
That’s DISGUSTING!

Central Scrutinizer:
This is the CENTRAL SCRUTINIZER…
That was Joe’s first confrontation with The Law.
Naturally, we were easy on him.
One of our friendly counselors gave him
A do-nut… and told him to
Stick closer to church-oriented social activities.

Max Headroom Hijack Airwaves in Chicago

Someone in 1987 hijacked the airwaves in Chicago and to this day no one has been identified.

On Sunday, Nov. 22, 1987, Chicago sportscaster Dan Roan was covering the sports highlights of the day like normal. This night would be different. At 9:14, Dan Roan disappeared from the screen. In fact, everything disappeared from the screen as it flickered into darkness. Then, 15 seconds later, a new figure appeared.

Someone with a rubber Max Headroom mask with just static…started bobbing his or her head on the screen. It only lasted around 20 seconds and Dan laughed and blamed it on the computer. The employees of the station thought it was an inside job but it wasn’t…they searched everywhere in the building but it did not come from inside the station. It was creepy but harmless…but whoever did it wasn’t finished yet.

Later on, viewers watching “Doctor Who” on WTTW-TV in Chicago got a big surprise.  A 90-second hijacking of the airwaves, featuring the same person dressed as Max Headroom. This time it was a little more action. Headroom bobbed his head again and said a few things. The audio was hard to make out on one viewing. He held up a can of Pepsi while reciting the Coca-Cola slogan “catch the wave.” Max Headroom was, at the time, being used as a spokesperson for Coke. Near the end, he turned around and was spanked by a woman…There was more to it and both videos are below in the post.

Most of Chicago found this hilarious but…The FCC did NOT see the humor at all. They used all of their resources to see who hijacked the airwaves. They offered a reward for anyone knowing the people responsible. They released this message:

“I would like to inform anybody involved in this kinda thing, that there’s a maximum penalty of $100,000, one year in jail, or both,” Phil Bradford, an FCC spokesman, told a reporter the following day.

“All in all, there are some who may view this as comical,” WTTW spokesman Anders Yocom said. “But it is a very serious matter because illegal interference of a broadcast signal is a violation of federal law. ”

The hijacker was never found and to this day people still wonder who it was and why they did it. The FCC worked out how it could have been accomplished without expensive equipment…by placing his or her own dish antenna between the transmitter tower, the hacker could have effectively interrupted the original signal by good timing and positioning.

1st incident.

 

2nd incident

 

 

https://en.wikipedia.org/wiki/Max_Headroom_broadcast_signal_intrusion

 

 

 

John Lennon – God ——— Songs that reference The Beatles

I don’t believe in Elvis, I don’t believe in Zimmerman, I don’t believe in Beatles

Before recording this album, John and Yoko began “Primal Scream therapy,” which was a very emotional time for them. Lennon was dealing with the breakup of The Beatles and focusing on the death of his mother a decade earlier. His interviews at the time had a “scorched earth” feel about them. He basically was breaking ties with his past completely and starting anew.

John could be a walking contradiction.

In a 1969 interview John gave that was broadcast on the BBC recently he was asked about the “The Beatles bigger than Christ” he gave in 1966.

“It’s just an expression meaning the Beatles seem to me to have more influence over youth than Christ.  Now I wasn’t saying that was a good idea, ‘cos I’m one of Christ’s biggest fans. And if I can turn the focus on the Beatles on to Christ’s message, then that’s what we’re here to do.” 1969.

https://www.express.co.uk/news/uk/52400/Lennon-Bigger-than-Christ-I-m-one-of-his-fans

This song is as strong as any of his Beatles songs. The word I would use would be Powerful to describe it. God was released on his debut album  John Lennon/Plastic Ono Band album in 1970. The song is so personal that sometimes I feel uncomfortable listening to it.

When Lennon was recording this at Abbey Road studios, George Harrison was next door completing work on All Things Must Pass. George Harrison said “I was in one room singing ‘My Sweet Lord’, “and John was in another room singing ‘I don’t believe in Jesus, I don’t believe in nothing’.”

John Lennon: “I was going to leave a gap, and just fill in your own words: whoever you don’t believe in. It had just got out of hand, and Beatles was the final thing because I no longer believe in the myth, and Beatles is another myth. I don’t believe in it. The dream is over. I’m not just talking about the Beatles, I’m talking about the generation thing. It’s over, and we gotta – I have to personally – get down to so-called reality.”

From Songfacts

Lennon wrote this about the worship of false idols. He felt organized religion did more harm than good. In “Imagine,” he sang about a better world where there was “no religion.”

Lennon was not an atheist but believed that God was something different to everyone. He also believed that people focus too much on the teacher (God) rather than what is supposed to be taught. In songs like this one and “Imagine,” Lennon was trying to send the message that we should not let religion and other things get in the way of how we think life should be lived. In “Imagine,” “Living for today,” means to live as if there is no afterlife or god and to do the best you can. In this song, “I just believe in me,” states his belief in his life regardless of anything else. 

At the time, Lennon had some hard feelings toward The Beatles, especially Paul McCartney. He made a statement that he was moving on with the line, “I don’t believe in Beatles.”

Billy Preston played the piano on this track. He also played on some of The Beatles’ songs, including “Get Back.” Preston, who came from a gospel background, was troubled by the song’s atheistic vibe but kept his feelings to himself. He had similar issues when performing “Sympathy For The Devil” on tour with the Rolling Stones.

Ringo Starr played drums. He and Lennon had a good relationship even after The Beatles broke up.

This contains the classic line, “The Dream Is Over.” This summed up the feelings of many who felt their idealistic goals of the ’60s were not going to come true.

In the January 1971 edition of Rolling Stone, Lennon said that this, “was put together from three songs almost.” He went on to the explain that the words for this “just came out of me mouth.” The former Beatle continued: “I had the idea that ‘God is the concept by which we measure pain,’ so that when you have a word like that, you just sit down and sing the first tune that comes into your head and the tune is simple, because I like that kind of music and then I just rolled into it. It was just going on in my head and I got by the first three or four, the rest just came out. Whatever came out.”

Among the list of idols in this song, which Lennon said he didn’t believe in was The Beatles. Lennon explained why to Rolling Stone: 

Lennon starts this song with the line, “God is a concept by which we measure our pain.” He explained to Rolling Stone that, “pain is the pain we go through all the time,” Then added: “You’re born in pain. Pain is what we are in most of the time, and I think that the bigger the pain, the more God you look for.”

God

God is a concept
By which we measure
Our pain
I’ll say it again
God is a concept
By which we measure
Our pain

I don’t believe in magic
I don’t believe in I-Ching
I don’t believe in Bible
I don’t believe in tarot
I don’t believe in Hitler
I don’t believe in Jesus
I don’t believe in Kennedy
I don’t believe in Buddha
I don’t believe in mantra
I don’t believe in Gita
I don’t believe in yoga
I don’t believe in kings
I don’t believe in Elvis
I don’t believe in Zimmerman
I don’t believe in Beatles
I just believe in me
Yoko and me
And that’s reality

The dream is over
What can I say?
The dream is over
Yesterday
I was the dream weaver
But now I’m reborn
I was the Walrus
But now I’m John
And so dear friends
You just have to carry on
The dream is over

John Mellencamp – Key West Intermezzo (I Saw You First) ———Songs that reference The Beatles

In a hand painted night, me and Gypsy Scotty are partners, At the Hotel Flamingo, wearin black market shoes, This loud Cuban band is crucifying John Lennon

This song was released in 1996 and it came off the album Mr. Happy Go Lucky. The song peaked at #14 in the Billboard 100, #1 in Canada and #83 in the UK in 1996. It’s a very good pop song and Key West Intermezzo (I Saw You First), which was Mellencamp’s last US top 40 hit.

John Mellencamp and Cougar had 29 songs in the Billboard 100, 10 top ten hits and one number 1 (Jack and Diane). He released this two years after his minor heart attack in 1994. I’ve always liked this song…catchy riff and a good pop hook.

 

Key West Intermezzo (I Saw You First)

In a hand painted night, me and Gypsy Scotty are partners
At the Hotel Flamingo, wearin black market shoes
This loud Cuban band is crucifying John Lennon
No one wants to be lonely, no one wants to sing the blues

She’s perched like a parrot on his tuxedo shoulder
Christ, what’s she doing with him she could be dancing with me
She stirs the ice in her glass with her elegant finger
I want to be what she’s drinking, yeah I just want to be

I saw you first
I’m the first one tonight
I saw you first
Don’t that give me the right
To move around in your heart
Everyone was lookin
But I saw you first

On a moon spattered road in her parrot rebozo
Gypsy Scotty is driving his big long yellow car
She flies like a bird over his shoulder
Se whispers in his ear, boy, you are my star

But I saw you first
I’m the first one tonight
Yes I saw you first
Don’t that give me the right
To move around in your heart
Everyone was lookin’

In the bone colored dawn, me and Gypsy Scotty are singin’
The radio is playin, she left her shoes out in the back
He tells me a story about some girl he knows in Kentucky
He just made that story up, there ain’t no girl like that

But I saw you first
I’m the first one tonight
Yes I saw you first
Don’t that give me the right
To move around in your heart
Everyone was lookin
But I saw you first
I saw you first

Ramones – Do You Remember Rock ‘n’ Roll Radio? ——— Songs that reference The Beatles

Will you remember Jerry Lee, John Lennon, T. Rex and old Moulty?
It’s the end, the end of the seventies, It’s the end, the end of the century

Phil Spector produced the End of the Century album. This track was fitting, as Spector worked on a lot of the music that influenced The Ramones. Spector changed their sound to a more radio-friendly pop/rock record.

The voice that opens this song with the words, “Come on, let’s rock and roll with the Ramones” is Sean Donahue, a disc jockey who worked at radio stations in San Francisco (KSAN) and San Jose (KOME, KSJP).

The album peaked at #44 in the Billboard 100 in 1980. Different band members had problems with Spector. The Ramones worked fast live and in the studio but Spector was methodical about his work.

Dee Dee Ramone on Phil Spector:

He levelled his gun at my heart and then motioned for me and the rest of the band to get back in the piano room … He only holstered his pistol when he felt secure that his bodyguards could take over. Then he sat down at his black concert piano and made us listen to him play and sing “Baby, I Love You” until well after 4:30 in the morning.

Marky Ramone denied this…

From Songfacts

This song is a tribute to the music of the ’50s and ’60 that influenced The Ramones. Here’s a breakdown of the lyrical references:

“Hullabaloo” – A UK TV show featuring music and dancing that aired 1965-1966.

“Upbeat” – The Upbeat Show, which was a Cleveland TV show (also with music and dancing) that aired 1964-1971.

“Shindig” – The first prime time Rock music show, many top acts performed on the program. It aired 1964-1966.

“Ed Sullivan” – Host of The Ed Sullivan Show, a popular variety show that lasted more than 20 years. Many famous musicians appeared on the show, including The Beatles, The Doors and The Rolling Stones.

“Murray The K” – Murray “The K” Kaufman, a legendary disc jockey who helped promote rock n’ roll in the States on his radio show and through concerts he helped organize. He championed The Beatles, The Rolling Stones and Bob Dylan.

“Alan Freed” – Another very influential disc jockey, Freed is credited with coining the term “Rock And Roll.”

“Jerry Lee” – Jerry Lee Lewis was a rock originator known for his electrifying performances.

“John Lennon” – Most punk bands wouldn’t claim Lennon and The Beatles as an influence, but The Ramones were a nuanced group that shared an appreciation of his work.

“T. Rex” – Glam Rock originators known for their outrageous costumes and stage presence.

“Ol’ Moulty” – Victor Moulton, who was the drummer in a group called The Barbarians.

 Under Spector’s control, he took The Ramones in a new direction, giving the songs on the album a pop sheen and radio-friendly sound. There is a prominent saxophone on the track, which was played by Steve Douglas, who was a member of Spector’s “Wrecking Crew” and played on many of his famous productions.

Spector developed a reputation as being a bit of a maniac, which in part can be attributed to statements Dee Dee Ramone made about working with him. Dee Dee claimed the Spector pulled a gun on him at one point, and was a tyrant in the studio. Spector did some work with Yoko Ono the following year, but became very reclusive until the ’00s, when he produced an album for the English band Starsailor that was released in 2003. In February 2003, Spector was accused of shooting and killing a nightclub hostess at his home.

The closing lyrics, “It’s the end of the ’70s, it’s the end of the century” imply that the musical century was essentially over. The line provided the album title.

In our interview with drummer Marky Ramone, he said that one the band put down their tracks, Phil Spector threw the works (horns, strings, percussion) at the songs on End of the Century, especially this one. “It’s mountainous the way that song is,” he said. “He had a lot of great studio musicians playing on that album just to create a wall of sound, which he was known for. That song took a while. There’s a lot of parts in it.”

Marky adds that the story about Spector pulling a gun in the studio is overblown. He says that while Spector did carry a gun and would sometimes take it off to work, he never threatened anyone with it.

The Ramones made a music video for this song that was directed by Mark Robinson, who also did their clip for “Rock ‘N’ Roll High School.” It was one of the few videos available to MTV when the network launched in 1981, but they gave it very little airplay. MTV tried to program a rock format at the time, and were desperate for videos by American bands in that genre. The Ramones fit the bill, but their videos didn’t have the production value to match what was coming out of Europe.

The intro is meant to elicit the sound of a DJ enthusiastically talking up the song at a radio station.

Do You Remember Rock and Roll Radio?

(This is Rock ‘n’ roll radio, come on, let’s rock ‘n’ roll with the Ramones)

Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go

Do you remember Hullabaloo
Upbeat, Shindig and Ed Sullivan, too?
Do you remember rock ‘n’ roll radio?
Do you remember rock ‘n’ roll radio?

Do you remember Murray the K
Alan Freed, and High Energy?
It’s the end, the end of the seventies
It’s the end, the end of the century

Do you remember lying in bed
With the covers pulled up over your head
Radio playin’ so no one can see?
We need change, and we need it fast
Before rock’s just part of the past
‘Cause lately, it all sounds the same to me
Whoah-whoah, oh

Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go

Will you remember Jerry Lee
John Lennon, T. Rex and old Moulty?
It’s the end, the end of the seventies
It’s the end, the end of the century

Do you remember lying in bed
With the covers pulled up over your head
Radio playin’ so no one can see?
We need change, and we need it fast
Before Rock’s just part of the past
‘Cause lately, it all sounds the same to me
Whoah-whoah, oh

Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go
Rock’n, rock ‘n’ roll radio, let’s go

(This is rock ‘N’ roll radio, stay tuned for more rock ‘n’ roll)

Paul Simon – The Late Great Johnny Ace ——— Songs that reference The Beatles

I was living in London, With the girl from the summer before, It was the year of the Beatles, It was the year of the Stones 

On a cold December evening, I was walking through the Christmas tide, When a stranger came up and asked me If I’d heard John Lennon had died 

This song referenced both Johnny Ace the R&B Artist who supposedly have shot himself in a game of Russian roulette in 1954, JFK and John Lennon who was killed on December 8, 1980.

I remember the song on the Simon & Garfunkel reunion concert in Central Park video. When Paul started the part about Lennon a man rushed the stage, shocking Paul especially since it was under a year since Lennon’s murder.

“The Late Great Johnny Ace” is a song by Paul Simon, which is on the 1983 Hearts and Bones album.

The Late Great Johnny Ace

I was reading a magazine 
And thinking of a rock and roll song 
The year was 1954 
And I hadn’t been playing that long 
When a man came on the radio 
And this is what he said 
He said I hate to break it 
To his fans 
But Johnny Ace is dead 
Well, I really wasn’t 
Such a Johnny Ace fan 
But I felt bad all the same 
So I sent away for his photograph 
And I waited till it came 
It came all the way from Texas 
With a sad and simple face 
And they signed it on the bottom 
From the Late Great Johnny Ace 
It was the year of the Beatles 
It was the year of the Stones 
It was 1964 
I was living in London 
With the girl from the summer before 
It was the year of the Beatles 
It was the year of the Stones 
A year after J.F.K. 
We were staying up all night 
And giving the days away 
And the music was flowing 
Amazing 
And blowing my way 
On a cold December evening 
I was walking through the Christmas tide 
When a stranger came up and asked me 
If I’d heard John Lennon had died 
And the two of us 
Went to this bar 
And we stayed to close the place 
And every song we played 
Was for the Late Great Johnny Ace

Johnny Rivers – Summer Rain ——— Songs that reference The Beatles

All summer long we were dancing in the sand, Everybody just kept on playing “Sgt. Pepper’s Lonely Hearts Club Band”

Ok, I’m cheating a little on this kinda… It doesn’t mention “Beatles” but Sgt Pepper’s Lonely Hearts Club Band was the Beatles alter ego on the Sgt Peppers album.

This song was a hit for Johnny Rivers and it was written by James Hendricks. Summer Rain was on his Realization album released in 1968. It was written about the Summer of Love in 1967. The song peaked at #14 in the Billboard 100, #10 in Canada in 1968.

I like Johnny Rivers…he was strictly a singles artist and had some good songs. He did chart a lot of covers in his career. He had 29 songs in the top 100, 9 top ten songs and 1 number 1 (Poor Side of Town).

I first heard this song in the 80s on a local oldies station at the time… 96.3 in Nashville.

 

Summer Rain

Summer rain taps at my window
West wind soft as a sweet dream
My love, warm as the sunshine
Sitting here by me, yeah
She’s here by meShe stepped out of a rainbow
Golden hair shining like moonglow
Warm lips, soft as her soul
Sitting here by me, now
She’s here by meAll summer long we were dancing in the sand
Everybody just kept on playing “Sgt. Pepper’s Lonely Hearts Club Band”We sailed into the sunset
Drifting home, caught by a gulf stream
Never gave a thought for tomorrow
Let tomorrow be, yeah
Let tomorrow be
She wants to live in the Rockies
She says that’s where we’ll find peace
Settle down, raise up a family
One to call our own, yeah
We will have a home
All summer long we were grooving in the sand
Everybody just kept on playing “Sgt. Pepper’s Lonely Hearts Club Band”
Winter snows drift by my window
North wind blowing like thunder
Our love is burning like fire
She’s here by me, yeah
She’s here by me
Let tomorrow be
Songwriters: James Hendric

Beady Eye – Beatles and Stones ——— Songs that reference The Beatles

Well, this reference is pretty obvious…

I’m gonna stand the test of time Like Beatles and Stones

Beady Eye was a band formed by  Liam Gallagher of Oasis with former members of Oasis. This song was written by Liam Gallagher and it was on the Different Gear, Still Speeding album released in 2011.

They recycled the Who’s My Generation riff to good effect. They defiantly have that mid-sixties mod thing going on.

Beady Eye released two albums. Different Gear, Still Speeding (#3 UK) in 2011 and BE (#2 UK) in 2013. In 2014 Beady Eye broke up because of the failure to gain popularity in the US according to Liam Gallagher.

Beatles and Stones

Well it beats me mama, I just want to rock and roll
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones

Well it freaks them mama
I’m not doin’ what I’m told
Well it freaks them mama
You know I can’t be bought and sold
I’m gonna stand the test of time
Like Beatles and Stones

I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright

Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones

I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright

What’s that you say?
Get out the way!

Well it beats me mama, I just want to rock and roll
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones

Well it freaks them mama

I’m not doin’ what I’m told
Well it freaks them mama
You know I can’t be bought and sold
I’m gonna stand the test of time
Like Beatles and Stones

I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright
Well it beats me mama, I just want to rock and roll
I’m gonna stand the test of time
Like Beatles and Stones

I’m on my way home, just get back to what’s mine
And when I get home, well I’ll be alright

What’s that you say?
Get out the way!

The Eddie Haskell’s of the World

June 7th was Ken Osmond’s birthday and he turned 76 years old. It’s hard to believe Eddie Haskell is that old when he is frozen in time in the never-ending reruns of Leave It To Beaver. There were rumors that Osmond was Alice Cooper. Another rumor was that Ken was Porno Star, John Holmes.

In reality, Ken Osmond joined the LAPD in 1970 and later Osmond retired from the police department in 1988, eight years after being shot by a suspected car thief. Two bullets reportedly hit his bulletproof vest and he was protected from the third bullet by his belt buckle.

Eddie Haskell was one of the great characters of television. Not likable… pretty much the opposite but he was very familiar because we probably all know our own Eddie Haskell.

Eddie was always so nice to adults…Really too nice. The Ward Cleaver character once said…”The boy is unamerican…he is just too nice.” and always tormenting his friends and kids. Eddie was the ultimate two face… all smiles and yeses to authority, but quite the trouble-maker with his peers.

We all probably had an Eddie Haskell in our friendship circles. A guy who was always trying to grow up faster than anyone else. Someone who would give you advice and then criticize you when you took the advice and things went sideways. You stay friends with them because occasionally they will do something decent and you will think… he turned a corner… only to be fooled yet again.

Sometimes I guess we need an Eddie Haskell to blame our troubles on.