WKRP in Cincinnatti

A few weeks ago I posted about Jan Smithers…who portrayed Bailey Quarters on WKRP. it was one of the shows from the late 70s that I wouldn’t miss.

This show was not like the Mary Tyler Moore Show, Bob Newhart, or All In The Family. Those are great shows…some of the best ever sitcoms…but they were aimed more at adults while this one I always felt was largely aimed at teenagers. The show aired from 1978 to 1982. Rock and Roll on a sitcom was not common.

WKRP in Cincinnati” was produced by MTM – the studio Mary Tyler Moore and Grant Tinker built that produces shows such as The Bob Newhart Show, Mary Tyler Moore Show, Phyllis, The White Shadow, Rhoda, and many others.

The episode I remember the most having an effect on me was about the horrible event in 1979 when eleven people were killed at a Who concert in Cincinnati’s Riverfront Park. The show handled the tragic situation very well.

The plot…to make it short was about a Program Director (Andy Travis) who had a perfect record in turning bad radio stations around joins the staff at WKRP. The station is in the bottom of the ratings and he wants to change the format to Rock which is met with trepidation from the oddball staff.

The show would feature new rock music as well as old. Blondie gave the show one of their gold records in appreciation because the show played “Heart of Glass” and helped to make it number 1.

The extended theme song by Steve Carlisle Wkrp In Cincinnati peaked at #65 on the Billboard 100 in 1979…video at the bottom

The Cast

Bailey Quarters – Jan Smithers – A shy soft-spoken lady in charge of billing and station traffic soon worked herself up to an on-air personality and other duties. She and Jennifer on the show were a bit like Mary Ann and Ginger on Gilligans Island.

Andy Travis – Gary Sandy –Andy comes to the station as the new Program Director to turn the station around and finds the station’s employees…are like from the Island of Misfit Toys. He finds their strengths and tries to make it work. His character was based on real-life Program Director Mikel Herrington.

Dr. Johnny Fever – Howard Hesseman – Fun Fact…David Cassidy was offered this role but turned it down!

Johnny had been around for a while and was fired off a Los Angeles radio station for saying booger on air. He was probably my favorite character…next to Bailey…on the show when I first watched. Dr. Johnny Fever was based on real DJ “Skinny” Bobby Harper.

Venus Flytrap – Tim Reid – Venus was the night DJ and was one of the smoothest DJ’s ever…Venus wears 70’s type flashy clothes and in the series eventually becomes Assistant Program Director.

Herb Tarlek –  Frank Bonner – Herb was a salesman and dressed very tacky and loud. He hits on Jennifer at every opportunity, despite being married… but gets turned down constantly.

Jennifer Marlowe – Loni Anderson – She was Ginger to Bailey’s Mary Ann. Mr. Carlson’s receptionist…she was the highest-paid employee at the station even though refusing to do most things that receptionists are required to do.

Arthur Carlson –  Gordon Jump – The lovable but ineffective station manager who is the son of the station’s owner. He never wanted to know what was going on…, but when he tries to be hands-on…it leads to disastrous results (see Turkey’s Away episode)

Les Nessman – Richard Sanders – The incompetent News Director…Les was obsessed with the region’s hog farming industry…constantly mispronounced names… ignored obvious news stories for Hog Reports…but he would win the Silver Sow Award and The Buckeye Newshawk Award.

 

https://tvtropes.org/pmwiki/pmwiki.php/Series/WKRPInCincinnati

 

Band – Up On Cripple Creek

What a great single this was… Up On Cripple Creek with the B side of The Night They Drove Old Dixie Down. Robbie Robertson wrote this song and it appeared on The Band’s sophomore self-titled album.

This song was their highest-charting Billboard song and it peaked at #25 in 1970.

The Band rented Sammy Davis’s house turning the pool house into a recording studio, nailing baffles all along the outside wall and getting a great sound inside. The album was recorded there except “Up On Cripple Creek”, “Jemima Surrender” and “Whispering Pines” which was recorded at the Hit Factory studio in New York City.

The unusual sound that sounds like a jaw harp was achieved by Hudson with a wah-wah pedal on his clavinet.

The song has a great Americana sound to it. Hard to believe this band was all Canadian except for the southern Levon Helm.

From Songfacts

Guitarist Robbie Robertson wrote this song, which tells a disjointed story about a mountain man and a girl named Bessie. We hear about a trip to the horse races, listening to Spike Jones, and how what really makes him happy is when she “dips her doughnut in my tea.”

Like many songs by The Band, it’s wide open for interpretation. Robertson claims he doesn’t even know what’s going on. “I don’t really write songs with anything other than just a storytelling sense,” he said when asked about the song in Goldmine (August, 1998). “You sit down and write the song, and usually when something happens, you just don’t even know where it came from, or why it came, or anything like that. That’s the best. You know, when something comes out of you that surprises you. And it was one of those. You know, I was just sitting down to see if I could think of anything, and that’s what came out. But it was a fun song to write.”

Drummer Levon Helm sang lead on this track, giving it a very folksy vibe.

The guy in this song is one of the many curious characters Robbie Robertson has conceived. “We’re not dealing with people at the top of the ladder,” he said. “We’re saying what about that house out there in the middle of that field? What does this guy think, with that one light on upstairs, and that truck parked out there? That’s who I’m curious about.”

Robertson is listed as the only songwriter on this track, which is something his bandmates disputed, as they claimed they helped write it. Songwriting credits going to Robertson was a great source of friction in The Band.

That funky sound on “Up On Cripple Creek” was created by keyboardist Garth Hudson, who played a Hohner Clavinet D6 through a Vox Wah Wah pedal.

In The Band’s 2000 Greatest Hits compilation, Levon Helm said, “It took a long time to seep into us. We cut it two or three times, but nobody really liked it. It wasn’t quite enough fun. Finally one night we just got hold of it, doubled up a couple of chorus and harmony parts, and that was it.”

There are Cripple Creeks throughout the United States and Canada, including one in an old mining town in Colorado and another near Hamilton, Ontario. The title may have come from one of these places, but the song doesn’t appear to be set in one specific Cripple Creek.

The B-side of the single was “The Night They Drove Old Dixie Down,” which became a hit for Joan Baez in 1971.

The Band performed this on The Ed Sullivan Show in 1969. It was their only appearance on the show.

The rap duo Gang Starr sampled this on their 1990 track “Beyond Comprehension.”

Up On Cripple Creek

When I get off of this mountain
You know where I want to go
Straight down the Mississippi River
To the Gulf of Mexico

To Lake George, Louisiana
Little Bessie, girl that I once knew
And she told me just to come on by
If there’s anything she could do

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don’t have to speak she defends me
A drunkard’s dream if I ever did see one

Good luck had just stung me
To the race track I did go
She bet on one horse to win
And I bet on another to show

Odds were in my favor
I had him five to one
When that nag came around the track
Sure enough we had won

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don’t have to speak she defends me
A drunkard’s dream if I ever did see one

I took up all of my winnings
And I gave my little Bessie half
And she tore it up and blew it in my face
Just for a laugh

Now there’s one thing in the whole wide world
I sure would like to see
That’s when that little love of mine
Dips her doughnut in my tea

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don’t have to speak she defends me
A drunkard’s dream if I ever did see one

Now me and my mate were back at the shack
We had Spike Jones on the box
She said, “I can’t take the way he sings
But I love to hear him talk”

Now that just gave my heart a fall
To the bottom of my feet
And I swore and I took another pull
My Bessie can’t be beat

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don’t have to speak she defends me
A drunkard’s dream if I ever did see one

As a flood out in California
And up north it’s freezing cold
And this living off the road
Is getting pretty old

So I guess I’ll call up my big mama
Tell her I’ll be rolling in
But you know, deep down, I’m kinda tempted
To go and see my sweet Bessie again

Up on Cripple Creek she sends me
If I spring a leak she mends me
I don’t have to speak she defends me
A drunkard’s dream if I ever did see one

The Who – I Can See For Miles

The sound of this song is amazing…from the drums to the guitar. It was very different than their other singles to this point.

It’s hard to believe that I Can See For Miles was The Who’s only top 10 hit in the Billboard 100. It peaked at #9 in the Billboard 100 and #10 in the UK in 1967. The song was recorded for the band’s 1967 album, The Who Sell Out.[3] It was the only song from the album to be released as a single. The album peaked at #48 in the Billboard Album Charts in 1968.

Pete Townshend considered this some of his best songwriting, calling it “a remarkable song.” He thought it would be a huge hit and was disappointed when it wasn’t.

Pete Townshend talking about this song: “I swoon when I hear the sound,” “The words, which aging senators have called ‘drug oriented,’ are about a jealous man with exceptionally good eyesight. Honest.”

The song is ranked #40 on Dave Marsh’s The 1001 Greatest Singles Ever Made

 

From Songfacts

Pete Townshend wrote this shortly after meeting his future wife Karen. It was a reminder that even though he was on the road, he could still keep an eye on her from miles away.

The song was inspired by the jealousy and suspicion that would well up inside him when he left to tour, but the song is written in character as a vindictive type who wants to get back at a girl. It’s a little creepy:

Well, here’s a poke at you
You’re gonna choke on it too
You’re gonna lose that smile
Because all the while
I can see for miles and miles

He’s warning her that she can’t get out of his sight.

In real life, Townshend married Karen Astley in 1968. They were together until their divorce in 2009.

Townshend’s guitar was overdubbed in the studio. They rarely played this live because it was impossible to recreate the sound with one guitar.

The Who Sell Out is a concept album that makes fun of radio commercials. Fake ads were inserted between songs on the first side of the album.

The word “Miles” is said 57 times in the song. 

This was covered in a lighter, easygoing, and rather corny manner by Vegas lounge lizard Frankie Randall (who sang the lyric “There’s magic in my eyes” as “There’s magic in your eyes”, thus rather confusing the song’s meaning). It is included on the Golden Throats CD. 

Townshend’s played a one-note guitar solo on this song. According to an interview he conducted with his mate Richard Barnes for the book The Story of Tommy, Townshend did this because he “couldn’t be bothered.” He later admitted that he felt very intimidated at the arrival of Hendrix on the London scene during that time and that he couldn’t ever compete in the guitar solo stakes. 

Paul McCartney set out to write “Helter Skelter” shortly after reading a Pete Townshend interview, which described this track as, “The most raucous rock ‘n’ roll, the dirtiest thing they’d ever done.”

This is the theme song for the TV series CSI: Cyber, which debuted in 2015. It’s the fourth in the CSI franchise, with each series using a Who song as its theme. The song has some relevance to the show content, as the detectives use technology to investigate crimes that could be many miles away.

I Can See For Miles

I know you’ve deceived me, now here’s a surprise
I know that you have ’cause there’s magic in my eyes

I can see for miles and miles and miles and miles and miles
Oh yeah

If you think that I don’t know about the little tricks you’ve played
And never see you when deliberately you put things in my way

Well, here’s a poke at you
You’re gonna choke on it too
You’re gonna lose that smile
Because all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah

You took advantage of my trust in you when I was so far away
I saw you holding lots of other guys and now you’ve got the nerve to say

That you still want me
Well, that’s as may be
But you gotta stand trial
Because all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
Oh yeah

I know you’ve deceived me, now here’s a surprise
I know that you have ’cause there’s magic in my eyes

I can see for miles and miles and miles and miles and miles
Oh yeah

The Eiffel Tower and the Taj Mahal are mine to see on clear days
You thought that I would need a crystal ball to see right through the haze

Well, here’s a poke at you
You’re gonna choke on it too
You’re gonna lose that smile
Because all the while

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles and miles and miles and miles
And miles and miles and miles

I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles
I can see for miles and miles

Bram Tchaikovsky – Girl Of My Dreams —Powerpop Friday

Bram Tchaikovsky in the mid-seventies was a member of  the pub band the Motors.

Peter Bramall is better known for his stage name of  Bram Tchaikovsky…it was also the name of the group he fronted in the late 70s & early 80s. Bram Tchaikovsky, the band, consisted of: Bram, the man, on guitar & vocals; along with Mike Broadbent on bass & keyboards; & Keith Boyce on drums. They signed to the new Radar label in 1978.

This song peaked at #37 in the Billboard 100 in 1979. The song was off the album Strange Man, Changed Man that peaked at #36 in the Billboard 100 in1979.

 

Bram Tchaikovsky – Girl Of My Dreams

Judy was an American girl
She came in the morning
With the U.S. mail
Didn’t say nothing
But she looked
Pretty good to meGolden hair
That shined so bright
Loving eyes that
Seem out of sightShe could keep the
Secrets that we shared
In my world of dreamsAnd a man needs something
When he ain’t got
Nothing to hang on to
And there ain’t no telling
When I’ll feel like
Yelling I love youOoh, it gets lonely in the night
When there ain’t no one around
Ooh, she makes me feel all right
Get my feet right off the groundShe’s the girl of my dreams
She’s the girl of my dreamsJudy does what I ask her to
She makes me happy
When I feel blue
She stares with
The eyes of a child
And gets me to my knees
Her heart, it
Never beats in time
Except when it’s
Beating close to mine
I keep her from my friends
Locked away with my fantasies
And a man needs something
When he ain’t got
Nothing to hang on to
And there ain’t no telling
When I’ll feel like
Yelling I love you
Ooh, it gets lonely in the night
When there ain’t no one around
Oooh, she makes me feel all right
Get my feet right off the ground
She’s the girl of my dreams
She’s the girl of my dreams
She’s the girl of my dreams
She’s the girl of my dreams
She’s the girl of my dreams
She’s the girl of my dreams…

 

Nerves – Hanging On The Telephone Line —Powerpop Friday

Although this was a big hit for Blondie in 1978, it was actually first recorded by The Nerves, who released it on their one and only EP, in 1976.  The song was written by the band’s guitarist Jack Lee.

It was picked up by Blondie, it reached #5 on the UK singles chart. It was Blondie’s second release from the Parallel Lines album on the Chrysalis label

When Debbie Harry rang asking Lee if she could record this song, Lee readily agreed and the rest was history. Jack Lee said the call couldn’t have come at a better time.  “I remember the day vividly,” he recalled. “It was a Friday. They were going to cut off our electricity at six o’clock, the phone too.”

From Songfacts

Lee regretted his own version was never a hit, but said he always knew it was a special song: “Even people who hated me – and there were plenty – had to admit it was great.”

The song has subsequently been covered by many acts. These include UK girl band Girls Aloud and Def Leppard, who in 2006, both released covers of the song, on a limited edition bonus disc to The Sound of Girls Aloud and on Yeah! respectively.

Hanging On The Telephone Line

I’m in the phone booth, it’s the one across the hall
If you don’t answer, I’ll just ring it off the wall
I know he’s there, but I just had to call

Don’t leave me hanging on the telephone
Don’t leave me hanging on the telephone

I heard your mother, now she’s going out the door
Did she go to work or just go to the store?
All those things she said, I told you to ignore
Oh, why can’t we talk again?
Oh, why can’t we talk again?
Oh, why can’t we talk again?

Don’t leave me hanging on the telephone
Don’t leave me hanging on the telephone

It’s good to hear your voice, you know it’s been so long
If I don’t get your calls, then everything goes wrong
I want to tell you something you’ve known all along

Don’t leave me hanging on the telephone

I had to interrupt and stop this conversation
Your voice across the line gives me a strange sensation
I’d like to talk when I can show you my affection
Oh, I can’t control myself
Oh, I can’t control myself
Oh, I can’t control myself

Don’t leave me hanging on the telephone

Hang up and run to me
Whoa, hang up and run to me
Whoa, hang up and run to me
Whoa, hang up and run to me
Whoa oh oh oh, run to me

Cheap Trick – I Want You To Want Me —Powerpop Friday

I Want You To Want me is when I first started to notice Cheap Trick…the version off of the Cheap Trick At Budokon album

The song was included on their second album In Color, which was released later in 1977. This version had a medium tempo with a country feel and a honky-tonk piano throughout the song.

By 1978, the band had dropped this song from their setlist but restored it when they toured Japan that year since Japanese audiences loved the song. They played it on April 28 and 30 at their famous concerts that took place at the Budokan temple in Tokyo, which was a big deal because many Japanese citizens felt the temple was sacred and not appropriate for rock concerts. When the Beatles played at Budokan their were protests a decade before.

The song peaked at #7 on the Billboard 100 in 1979.

 

From Songfacts

This song has a long and intriguing history. It was written by Cheap Trick’s guitarist Rick Nielsen and recorded for their 1977 self-titled debut album, but it didn’t make the cut. 

 The concerts were released as the Live At Budokan album, which captured Cheap Trick’s live energy and turned their fortunes around in America, where the album was released in February 1979 and sold over 3 million copies. The extracted “I Want You To Want Me” became their first hit, charting at #7.

According to Rick Nielsen, the band considered this “sort of hokey pop” when they first recorded it, and the arrangement matched that sentiment, with finger snaps and a plaintive country feel. Robin Zander played up the schmaltz in the vocal, sounding like a woebegone cornpoke. This studio version fell flat, but when they played it as an earnest rocker, it worked.

The famous At Budokan version of this song was inspired by a French cover version (“J’attends Toutes les Nuits”) by a fairly obscure French synthpop artist named Niko Flynn, who sped up the tempo and put a beat to the song.

Many early Cheap Trick songs written by Rick Nielsen are from the perspective of characters who are a little unhinged (see: “Dream Police”), and the band played that up with their eccentric fashions and accessories. The guy in this song is a bit desperate and delusional, figuring a shoeshine and a new shirt will make the girl love him.

This is one of the few rock songs that starts with the chorus.

In 1978, this appeared as the B-side of Cheap Trick’s single “California Man.”

In 1997, the group recorded a new version of the In Color album (complete with this song), with producer Steve Albini, but it was never released.

The studio version

The live version

I Want You To Want Me

I want you to want me
I need you to need me
I’d love you to love me
I’m beggin’ you to beg me
I want you to want me
I need you to need me
I’d love you to love me

I’ll shine up my old brown shoes
I’ll put on a brand new shirt
I’ll get home early from work
If you say that you love me
Didn’t I, didn’t I, didn’t I
See you cryin’ (cryin, cryin’)
Oh, Didn’t I, didn’t I, didn’t I
See you cryin’ (cryin, cryin’)
Feelin’ all alone without a friend
You know you feel like dyin’ (dyin’, dyin’)
Oh, didn’t I, didn’t I, didn’t I
See you cryin’ (cryin’, cryin’)

I want you to want me
I need you to need me
I’d love you to love me
I’m beggin’ you to beg me

I’ll shine up my old brown shoes
I’ll put on a brand new shirt
I’ll get home early from work
If you say that you love me
Didn’t I, didn’t I, didn’t I
See you cryin’ (cryin, cryin’)
Oh, Didn’t I, didn’t I, didn’t I
See you cryin’ (cryin, cryin’)
Feelin’ all alone without a friend
You know you feel like dyin’ (dyin’, dyin’)
Oh, didn’t I, didn’t I, didn’t I
See you cryin’ (cryin’, cryin’)

Feelin’ all alone without a friend
You know you feel like dyin’ (dyin’, dyin’)
Oh, didn’t I, didn’t I, didn’t I
See you cryin’ (cryin’, cryin’)
Feelin’ all alone without a friend
You know you feel like dyin’ (dyin’, dyin’)
Oh, didn’t I, didn’t I, didn’t I
See you cryin’ (cryin’, cryin’)

I want you to want me
I need you to need me
I’d love you to love me
I’m beggin’ you to beg me

Elvis Presley – Little Sister

This song sounds so good. The mix is great with the bass coming through. Little Sister  was written by the Brill Building songwriters Doc Pomus and Mort Shuman. They also wrote the 1959 hit A Teenager In Love.

The song peaked at #5 in the Billboard 100 and #1 in the UK in 1961. Elvis recorded it at the RCA Nashville, Tennessee, studio in 1961. On the recording besides Elvis, was Scotty Moore (acoustic guitar), Hank Garland (electric guitar), Bob Moore (bass), D.J. Fontana and Buddy Harmon (drums), Floyd Cramer (organ), and The Jordanaires (backing vocals).

Dwight Yokum also does a great cover of this song.

 

Little Sister

Little sister, don’t you
Little sister, don’t you
Little sister, don’t you
Kiss me once or twice
Then say it’s very nice
And then you run
Little sister, don’t you
Do what your big sister done

Well, I dated your big sister
And took her to a show
I went for some candy
Along came Jim Dandy
And they snuck right out of the door

Little sister, don’t you
Little sister, don’t you
Little sister, don’t you
Kiss me once or twice
Then say it’s very nice
And then you run
Little sister, don’t you
Do what your big sister done

Every time I see your sister
Well, she’s got somebody new
She’s mean and she’s evil
Like that old Boll Weevil
Guess I’ll try my luck with you

Little sister, don’t you
Little sister, don’t you
Little sister, don’t you
Kiss me once or twice
Then say it’s very nice
And then you run
Little sister, don’t you
Do what your big sister done

Well, I used to pull your pigtails
And pinch your turned-up nose
But you been a growin’
And, baby, it’s been showin’
From your head down to your toes

Little sister, don’t you
Little sister, don’t you
Little sister, don’t you
Kiss me once or twice
Then say it’s very nice
And then you run
Little sister, don’t you
Do what your big sister done
Little sister, don’t you
Do what your big sister done

Allman Brothers – One Way Out

This is a cover of a blues song sung by  Sonny Boy Williamson. It was reworked to fit the Allman’s style. Duane Allman’s brilliant slide guitar dominates this song along with Gregg’s voice…not to mention Dickey Betts guitar work also.

Recorded during the Fillmore East shows but not released until a year later on Eat a Peach. The album was released after Duane died in a motorcycle accident on October 29, 1971. The album peaked at #4 in 1972 in the Billboard Album Charts.

Elmore James, Sonny Boy Williamson II,  and Marshall Sehorn are credited with writing the song.

 

From Songfacts

The Allmans recorded this at the Fillmore East in March 1971. It’s a live cut that follows three studio tracks on Eat A Peach.

The song is about a guy who is having an illicit affair with a woman whose husband has apparently come home. He’s starting to wonder if she’s worth the hassle, and one thing is for sure: he’s not going out the front door, since he doesn’t want to meet up with her man.

Duane Allman played his trademark bottleneck slide guitar on this song. It was released after his death on Eat A Peach, which was dedicated to him.

Berry Oakley comes in too early on the bass after the drum solo and messes up Duane’s slide solo. The drummers turn the beat around and cover it smoothly.

One Way Out

Ain’t but one way out baby, Lord I just can’t go out the door
Ain’t but one way out baby, and Lord I just can’t go out the door
‘Cause there’s a man down there, might be your man I don’t know

Lord you got me trapped a woman, up on the second floor
If I get by this time I won’t be trapped no more
So raise your window baby, I can ease out soft and slow
And Lord, your neighbors, no they won’t be
Talking that stuff that they don’t know

Lord, I’m foolish to be here in the first place
I know some man gonna walk in and take my place
Ain’t no way in the world, I’m going out that front door
‘Cause there’s a man down there, might be your man I don’t know
‘Cause there’s a man down there, might be your man I don’t know
‘Cause there’s a man down there and Lord, it might just happen to be your man

Lord, it just might be your man
Lord, it just a might be your man
Oh baby, I just don’t know

Statler Brothers – Flowers On The Wall

I have heard this called a psychedelic Country song… CMT named it one of the 100 greatest Country songs of all-time. You know when the Muppets cover you…you have a hit. I remember it early on as a kid and in more modern times when Bruce Willis was mouthing the words it in Pulp Fiction.

Lew DeWitt, the original tenor for The Statler Brothers, wrote “Flowers on the Wall. He described it: “We took gospel harmonies and put them over in country music.” However, it did crossover to the pop charts.

Buoyed by interest from the country fans, folk listeners began to demand that rock stations play Flowers On The Wall. In December, the song appeared on Billboard’s Hot 100. Nine weeks later, it had peaked at #4 in the Billboard 100 and #2 in the Billboard Country Charts in 1966.

All together the Statler Brothers had 66 songs in the top 100, 33 in the Top Ten and 4 number 1’s in the Billboard Country Charts. Flowers On The Wall was their only top 10 Billboard 100 hit.

In 1966 it won the Grammy Award for Best Contemporary Performance-Group (Vocal or Instrumental.)

From Songfacts

Written by Statler Brothers singer Lew DeWitt, this song is about a guy who has been left lonely and nearly catatonic by the one he loves. He’s in a pretty bad spot, counting flowers on the wall and playing solitaire with a deck that’s missing a card.

This appears on the soundtrack to the movie Pulp Fiction. Bruce Willis is singing along to the song, which is playing on his car radio, just before he runs over Marsellus Wallace at an intersection. There’s another Bruce Willis connection to the song as well: Willis mentions spending his suspension “Smoking cigarettes and watching Captain Kangaroo” in Die Hard With A Vengeance. 

 

Flowers On The Wall

I keep hearin’ you’re concerned about my happiness
But all that thought you’re givin’ me is conscience I guess
If I was walkin’ in your shoes, I wouldn’t worry none
While you ‘n’ your friends are worried about me I’m havin’ lots of fun

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire till dawn with a deck of fifty-one
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me I’ve nothin’ to do

Last night I dressed in tails, pretended I was on the town
As long as I can dream it’s hard to slow this swinger down
So please don’t give a thought to me, I’m really doin’ fine
You can always find me here, I’m havin’ quite a time

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire till dawn with a deck of fifty-one
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me I’ve nothin’ to do

It’s good to see you, I must go, I know I look a fright
Anyway my eyes are not accustomed to this light
And my shoes are not accustomed to this hard concrete
So I must go back to my room and make my day complete

Countin’ flowers on the wall
That don’t bother me at all
Playin’ solitaire till dawn with a deck of fifty-one
Smokin’ cigarettes and watchin’ Captain Kangaroo
Now don’t tell me I’ve nothin’ to do

Don’t tell me I’ve nothin’ to do

Ctrl – Shift – Face

My son showed me a video on his phone and it fooled me at first. It’s easy to see why Robin Willaims and other actors and actresses have signed deals restricting their images for the future.

It’s not perfect You can tell when the actors turn their heads or in action scenes but one day it will be flawless…and these were made by a fan.

Under the YouTube username “Ctrl Shift Face,” this high-tech movie fan has used face swap technology to create some remixes of iconic movie scenes — complete with all new actors.

Jim Carrey in The Shinning

 

Tom Cruise in American Psycho

 

Tobey Maguire as new Spiderman

 

Bruce Lee in the Matrix

Back To School

I watched this tonight…oh how I miss Rodney Dangerfield. This movie was released in 1986 and while it’s not in the class of Caddyshack or Animal House…it’s a fun movie to pass the time.

Rodney plays a very rich owner (Thorton Melon) of Tall and Fat shops and has a son (Jason Melon) going to college played by Keith Gordon. Thorton catches his wife cheating…many times and they get a divorce. Jason lies to his dad about being on the swim team and in reality, is about to quit college. Thorton decides to be the oldest freshman on campus and joins his son in college.

Three interesting appearances in this movie…A young Robert Downey Jr…. he plays the eccentric best friend of Jason, Sam Kinison who plays a very loud Professor…and Kurt Vonnegut who plays himself.

This movie is a fun little comedy and Dangerfield gets off some really good one-liners:

With the shape my body is in, I could donate it to science fiction.

 

Bring a pitcher of beer every seven minutes until someone passes out, then bring one every ten minutes.

No kids? Well, get yourself some. Take it all. [hands officer more cash] And just remember, the best thing about kids… is making them!

I don’t know. I can’t figure women out. Today, they’re… independent. They only think about themselves. Why, during sex, Vanessa – she used to scream out her own name!

 

Probably the most famous scene of the movie.

Speed Buggy

Ever notice that a few teenage characters in cartoons in the early seventies tended to look a lot like Shaggy from Scooby Doo?

Speed Buggy took its name from the main character–a talking orange dune buggy named “Speedy.” It also featured a trio of human characters who travel the world with Speedy to participate in races and win trophies… Mark,  Debbie, and Tinker, the mechanic/driver…and Shaggy clone. The show was a huge success… it ended up airing on all three major networks.

Only sixteen 30-minute episodes of Speed Buggy were produced in 1973. It aired first run on CBS until 1975. Reruns aired on ABC in January 1976, replacing Uncle Croc’s Block, then on NBC, replacing the canceled McDuff, The Talking Dog, from November 27, 1976, until September 3, 1977 (thus completing the cycle of being on all three networks). Then was picked up by the USA Network for its Cartoon Express shows from 1982 to about 1990.

Not only is “Tinker” pretty much a copy of Shaggy… there are some similar character traits between Mark and Fred Jones (the blonde guy from Scooby Doo) and Debbie appears to be very similar to Daphne Blake in multiple ways.

Here is a picture of Speed Buggy cast and their doppelgangers from Scooby Doo

Image result for mark Jones speed buggy

The voice talent comprised Mel Blanc as Speed Buggy, Michael Bell as Mark, Arlene Golonka as Debbie and Phil Luther Jr. as Tinker.

I’ve read where they based Speed Buggy off of Herbie The Love Bug

Scooby Doo meets Speed Buggy

Spirit – I Got A Line On You

I have always liked this song. I saw this song listed in my friend Hanspostcard‘s countdown of the songs of 1969 a few months ago and I have been listening to it ever since.

I Got A Line On You peaked at #25 in 1969. Randy California wrote this song and it was on their second album The Family That Plays Together which peaked at #22 in 1969. Spirit was formed in 1967 in Los Angeles.  Randy California (born as Randy Craig Wolfe)(guitars, vocals), Mark Andes (bass), and Jay Ferguson (vocals, percussion). With the addition of California’s stepfather Ed Cassidy on drums, and keyboard player John Locke.

Jimi Hendrix gave Randy Wolfe the nickname Randy California.

 

I Got A Line On You

Let me take you, baby, down to the river bed
Got to tell you somethin’, go right to your head
I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe

Gotta put your arms around me with every bit of your love
If you know what to do, I’ll make love to you
We got the right line to make it through these times

I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe

I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe

Now listen, our winter’s almost over
This summer, she’s comin’ on strong
I can love you, love you, love you
Love you all year long

I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe

I, I got a line, I got a line on you, babe
I, I got a line, I got a line on you, babe

 

https://en.wikipedia.org/wiki/Spirit_(band)

 

Paul McCartney – Another Day

Jim from newepicauthor hosts  Song Lyric Sunday and this week the theme is Clothing/Hat/Pants/Scarf/Shirt/Shoes/Tie… so here is Another Day… The song was written by Sir Paul McCartney… though he wasn’t a Sir when he wrote this song.

Slipping into stockings, stepping into shoes
Dipping in the pocket of her raincoat

This song doesn’t get played like some other Paul songs but I’ve always thought it had a charm about it. It always reminded me a little of the song Two Of Us from Let It Be.

Paul recorded this in New York in 1970, during the sessions for his album Ram. Although it was the first single of McCartney’s solo career, “Another Day” was actually written and previewed during The Beatles’ Let It Be Sessions in 1969. It was not included in the original Ram album though.

A reference to this song came from John Lennon’s not so nice song aiming his anger at Paul with this lyric: “The only thing you done was Yesterday, and since you’ve gone you’re just Another Day

Paul on Another Day: I like the idea of writing songs about ordinary people and day-to-day lives, and Another Day is one of them. We all get up in the morning and do our usual stuff, yet somehow – even through it all – there are often magic moments. We recorded it in New York with the help of Phil Ramone and it was a hit which, at that time, was especially pleasing.

The song peaked at #5 in 1971 on the Billboard 100

 

Another Day

Every day she takes a morning bath she wets her hair
Wraps a towel around her as she’s heading for the bedroom chair
It’s just another day
Slipping into stockings, stepping into shoes
Dipping in the pocket of her raincoat
It’s just another day
At the office where the papers grow she takes a break
Drinks another coffe and she finds it hard to stay awake
It’s just another day

Do do do do do do, it’s just another day
Do do do do do do, it’s just another day

So sad, so sad
Sometimes she feels so sad
Alone in her apartment she’d dwell
Till the man of her dreams come to break the spell
Ah, stay, don’t stand her up
And he comes and he stays but he leaves the next day
So sad
Sometimes she feels so sad

As she posts another letter to the sound of five
People gather ’round her and she finds it hard to stay alive
It’s just another day

Do do do do do do, it’s just another day
Do do do do do do, it’s just another day

So sad, so sad
Sometimes she feels so sad
Alone in her apartment she’d dwell
Till the man of her dreams come to break the spell
Ah, stay, don’t stand her up
And he comes and he stays but he leaves the next day
So sad
Sometimes she feels so sad

Every day she takes a morning bath she wets her hair
Wraps a towel around her as she’s heading for the bedroom chair
It’s just another day
Slipping into stockings, stepping into shoes
Dipping in the pocket of her raincoat
It’s just another day

Do do do do do do, it’s just another day
Do do do do do do, it’s just another day

Dan Blocker

I didn’t watch Bonanza as much as Gunsmoke as a kid but I knew this guy. He looked so big on the screen and he seemed like a nice and gentle guy. He played Hoss Cartwright and that was an appropriate name for him. Dan’s other claim to fame was that he was the largest baby ever born in Bowie County (14 lbs.), in the town of DeKalb Texas in 1928. While still in school Dan stood six-foot-three and weighed 300 pounds.

His parents, Ora “Shack” Blocker and Mary Arizona Blocker managed to open up a grocery store after the depression in O’Donnell Texas where a young Dan helped out, carrying groceries to customers’ cars. He football skills earned him a scholarship to Sul Ross State University where he played football and studied English.

He appeared in a play Arsenic and Old Lace and was hooked on acting. He fought in the Korean War, where he served with distinction, earning a Purple Heart, among several other medals, citations and awards.

He got bit parts in television and soon landed the Bonanza role which he would forever be known.

On May 13, 1972, Dan entered a Los Angeles hospital for simple gall bladder surgery. A blood clot in his lung changed everything. Dan Blocker died and left a wife and four children. He was on Bonanza for 13 seasons

Dan was part owner of the successful, once popular chain restaurant, Ponderosa/Bonanza Steakhouse… He also owned a race car.

Image result for dan blocker race car