I will not be around today to comment but I will catch up on any comments either tonight or tomorrow. Thank you.
This was Hunter’s first single after leaving Mott The Hoople. The extended version appears on the self-titled “Ian Hunter” album, which was released by CBS in 1975. Hunter and Mick Ronson produced it. This marked the start of a long collaborative relationship between the two musicians.
Ian wrote the song and it’s a bit more loose and more rock and roll than the cover version in the late eighties which is more metal. A number of artist have covered this song, including Shaun Cassidy and the heavy metal band Great White, who were nominated for a Grammy for it. It was Great White’s biggest hit, peaking at #5 in the US.
The song peaked at #14 in the UK in 1975. I heard Hunter’s version first in the early eighties from a friend of mine…I have wondered why this wasn’t a hit in America in 1975.
From Songfacts
The single was released April 4, entered the UK charts on May 3, and stayed there for ten weeks peaking at number 14; the B-side was “3,000 Miles From Here.”
“Once Bitten Twice Shy” is an expression meaning that if you’ve been hurt, you are less likely to put yourself in that position again. In this song, Hunter sings to a girl who seems to take up with lots of musicians. He knows from past experience that he can’t count on her.
Once Bitten, Twice Shy
Well the times are gettin’ hard for you little girl I’m a hummin’ and a strummin’ all over God’s world You can’t remember when you had your last meal And you don’t know just how a woman feels
You didn’t know what rock and roll was Until you met my drummer on the Grey tour bus I got there in the nick of time Before he got his hands across your state line, yeah
Now it’s the middle of the night on the open road The heater don’t work and it’s oh so cold You’re lookin’ tired, you’re lookin’ kinda beat The rhythm of the street sure knocks you off your feet
You didn’t know how rock and roll looked Until you caught your sister with the guys from the group Halfway home in the parking lot By the look in her eye she was givin’ what she got
I said my, my, my, I’m once bitten twice, shy babe My, my, my, I’m once bitten twice shy baby My, my, my, I’m once bitten twice shy baby
Oh, woman you’re a mess, gonna die in your sleep There’s blood on my amp and my Les Paul’s beat Can’t keep you home, you’re messin’ around My best friend told me you’re the best lick in town
You didn’t know that rock and roll burned So you bought a candle and you lived and you learned You got the rhythm, you got the speed Mama’s little baby likes it short and sweet
I said my, my, my, I’m once bitten twice, shy babe My, my, my, I’m once bitten twice shy baby My, my, my, I’m once bitten twice shy baby
Alright! I didn’t know you had a rock and roll record Until I saw your picture on another guy’s jacket You told me I was the only one But look at you now, it’s as dark as it’s gone
I said my, my, my, I’m once bitten twice, shy babe My, my, my, I’m once bitten twice shy baby My, my, my, I’m once bitten twice shy baby I said my, my, my, I’m once bitten twice, shy babe My, my, my, I’m once bitten twice shy baby
I listen to some songs in awe. There is always a song that I think…oh I wish I could have written that. There are many more than one that I wish I could have written… but for this question I’ll just ask for that one song and one runner up.
A song you wish you could have written the music and lyrics to…or at least the lyrics.
There are songs that come to mind like Silent Night, Amazing Grace, and those classic songs. No style or era is out of bounds. With my songs I’m going to stick with Rock/Pop.
My runner up song is by my favorite band…The Beatles… Strawberry Fields Forever
Now for my number 1 pick…an unknown song by the masses but a great one nonetheless.
For people who follow me you might not be surprised. My song would be “The Ballad Of El Goodo” by Big Star. The song is inspirational to me and the melody is great. Now if you don’t mind…what song do you wish you could have written???
The Ballad of El Goodo
Years ago, my heart was set to live, oh And I’ve been trying hard against unbelievable odds It gets so hard in times like now to hold on But guns they wait to be stuck by, at my side is God
And there ain’t no one going to turn me ’round Ain’t no one going to turn me ’round
There’s people around who tell you that they know And places where they send you, and it’s easy to go They’ll zip you up and dress you down and stand you in a row But you know you don’t have to, you could just say no
And there ain’t no one going to turn me ’round Ain’t no one going to turn me ’round Ain’t no one going to turn me ’round Ain’t no one going to turn me ’round
I’ve been built up and trusted Broke down and busted But they’ll get theirs and we’ll get ours if you can Just-a hold on, hold on, hold on, hold on
Years ago, my heart was set to live, oh Though I’ve been trying hard against strong odds It gets so hard in times like now to hold on Well, I’ll fall if I don’t fight, and at my side is God
And there ain’t no one going to turn me ’round Ain’t no one going to turn me ’round Ain’t no one going to turn me ’round Ain’t no one going to turn me ’round
This song is for Song Lyric Sunday for Jim Adams’s blog. This week’s prompt is Odor/Scent/Smell/Taste… Good Morning to everyone!
A friend of mine moved to Seattle in the early 90s for a job. He called me at some point and told me about the music scene there and something big was happening. He said he had just seen a band in a dingy club with a left handed blonde guitar player who had a strong voice named Nirvana.
I was the same age as Kurt Cobain. When this song came out it was more than popular. It was instantly embedded into the culture. I did like the rawness of it but I would have never guessed it would have been so popular. I just didn’t click with grunge music. I did like the rawness of it…but usually not the songs as much.
When I first heard it…what did I think of? More Than a Feeling by Boston.
Kathleen Hanna, the lead singer of the group Bikini Kill, gave Cobain the idea for the title when she spray painted “Kurt Smells Like Teen Spirit” on his bedroom wall after a night of drinking and spraying graffiti around the Seattle area. In his pre-Courtney Love days, Cobain went out with Bikini Kill lead singer Tobi Vail, but she dumped him. Vail wore Teen Spirit deodorant, and Hanna was implying that Cobain was marked with her scent.
Kurt Cobain said that he was trying to write the ultimate pop song. He said he was basically trying to rip off The Pixies.
The video was just as famous as the song. The shoot took more like 12 hours, with the extras ordered to sit in the bleachers and look bored while the song played over and over. The director Samuel Bayer said that nobody wanted to be there for more than a half hour, and he needed them for 12 hours. By the 11th hour when the band had had it with the shoot and the kids were so angry, they said, ‘Can we destroy the set?'”
Bayer let the kids come down and form a mosh pit, and with all that pent-up energy they proceeded to smash up the set. This impromptu and genuine destruction provided a nice finale for the clip.
The video was inspired by the movie and song Rock And Roll High School by the Ramones, and was also influenced by a 1979 movie called Over the Edge, which was a favorite of Cobain and showed rebellious kids destroying a high school.
The song peaked at #6 in the Billboard 100, #9 in Canada, #7 in the UK and #1 in New Zealand.
Butch Vig (Producer): “Even though we’re not really sure what Kurt is singing about, there’s something in there that you understand; the sense of frustration and alienation. To me, ‘Smells Like Teen Spirit’ reminds me a little bit of how Bob Dylan’s songs affected people in the ’60s. In a way, I feel the song affected a generation of kids in the ’90s. They could relate to it.”
From Songfacts
Hanna explained that early in the night, she was Cobain’s lookout as he spray pained “God Is Gay” on the wall of a religious center that they believed was posing as an abortion clinic and telling women they would go to hell if they aborted their child. They got quite inebriated that night, and Hanna said, “We ended up in Kurt’s apartment and I smashed up a bunch of s–t. I took out a Sharpie marker and I wrote all over his bedroom wall – it was a rental so it was really kind of lame that I did that. I passed out with the marker in my hand, and woke up hung over.” Six months later she got a call from Cobain, asking her if he could use what she wrote on the wall for a lyric. Said Hanna, “I thought, how is he going to use ‘Kurt Smells Like Teen Spirit as a lyric?”
Cobain didn’t know it when he wrote the song, but Teen Spirit is a brand of deodorant marketed to young girls. Kurt thought Hanna was complimenting him on his rebellious spirit, as someone who could inspire youth. Sales of Teen Spirit deodorant shot up when this became a hit, even though it is never mentioned in the lyrics.
This was the first “alternative” song to become a huge hit, and in many ways it redefined the term, as “alternative” implies lack of popularity and the song was embraced by the mainstream. In an effort to save the label for acts like Porno For Pyros and Catherine Wheel, some industry folk referred to the genre as “modern rock,” which became a common radio format. “Alternative” became more of a catchall for music played by white people that didn’t fit the pop or country formats, and Nirvana quickly became a “classic alternative” band.
With this track, Nirvana helped ignite the grunge craze, which was characterized by loud guitars, angst-ridden lyrics, and flannel. Grunge was a look and sound that was distorted and emotive, led by bands coming out of the Northwest. Pearl Jam and Soundgarden were other top grunge bands of the era. Cobain would often dismiss the term as a meaningless label when asked about it in early interviews, but their bass player Krist Novoselic explained that it was a growling, organic guitar sound that defined it.
Cobain said he wrote this song because he was feeling “disgusted with my generation’s apathy, and with my own apathy and spinelessness.” This feeling of detachment is what led to lyrics like “Oh well, whatever, nevermind.” Krist Novoselic added: “Kurt really despised the mainstream. That’s what ‘Smells Like Teen Spirit’ was all about: The mass mentality of conformity.”
The video was a huge hit on MTV. The concept was “Pep Rally from Hell,” and it was shot at Culver City Studios in California on August 17, 1991, directed by Samuel Bayer, who was a 1987 graduate of the New York City School of Visual Arts. The kids were recruited at a show the band played two days earlier at The Roxy Theater in Los Angeles, where flyers were handed out saying, “Nirvana needs you to appear in their upcoming music video. You should be 18-25 year old and adopt a high school persona, i.e. preppy, punk, nerd, jock. Be prepared to stay for several hours. Come support Nirvana and have a great time.”
According to Bayer, Cobain was getting very frustrated with the shoot, but Bayer needed another take. Cobain channeled his frustration into the performance that you see near the end of the video, where he is screaming and mashing his face near the camera. It was great acting trigger by his real anger.
Bayer did the first edit of the video, which Cobain didn’t like – he used a principal character in a lot of shots and cut it too literal, with the music synching up to the playing. Cobain worked with him to recut the video and make it much more surreal, inserting his crazy look as the second to last shot, and making sure that for his guitar solo, his hands were in the wrong place on the guitar.
The girls who played the cheerleaders in the video were originally supposed to be very fat and unattractive (Cobain’s idea). The director Samuel Bayer did not like this idea, but still allowed the cheerleaders to have “sleeve” tattoos and the symbol for anarchy on their shirts. He says he recruited them from a local strip club, which helps explain their unorthodox cheers. >>
Weird Al Yankovic did a parody of this called “Smells Like Nirvana.” He shot his video in the same gym with the same janitor, but in his video, the janitor was wearing a tutu. Cobain said he was flattered by the parody: “I loved, it, it was really amusing.”
The distinctive bridge was originally at the end of the song. Producer Butch Vig had them move it to the middle.
A lot was made of Cobain being a spokesperson for Generation X when this song became a hit. Cobain responded by saying, “I don’t have the answers for anything. I don’t want to be a f–king spokesperson.”
Producer Butch Vig explained, “That ambiguity or confusion, that’s the whole thing. What the kids are attracted to in the music is that he’s not necessarily a spokesman for a generation. He doesn’t necessarily know what he wants but he’s pissed. It’s all these things working at different levels at once. I don’t exactly know what ‘Teen Spirit’ means, but you know it means something and it’s intense as hell.”
The line, “Here we are now, entertain us,” was something Cobain used to say when he entered a party.
In a sign of the cultural apocalypse, the February 20, 1992 issue of Rolling Stone magazine featured the cast of the TV show Beverly Hills 90210 with the tag line “Smells Like Teen Spirit,” turning Kurt Cobain’s diatribe against the culture of conformity into a convenient headline for a story about a TV series about rich kids. Here’s the cover.
For a while, MTV refused to air the video. When they finally did, it was on their alternative show 120 Minutes. When the song became a hit, the video went into hot rotation.
The album cover shows a baby swimming toward a dollar bill. Cobain and Nirvana bass player Krist Novoselic had seen a documentary on underwater birth and wanted to use that image on the cover. Pictures of babies being born underwater were too gross, so they hired a photographer to take some underwater shots during a water babies class. The baby they chose was Spencer Elden, who was 4 months old at the time.
At many of their later shows, Nirvana did not play this song, helping root out the people coming just to hear a hit.
Courtney Love deliberated a long time before allowing this to be used in the 2001 movie Moulin Rouge. Dave Grohl and Krist Novoselic, who along with Love control the Nirvana catalog, claimed Love was trying to get the title role in the movie, which went to Nicole Kidman.
The song was later used in the 2011 movie The Muppets (where it is performed to a captive Jack Black by The Muppet Barbershop Quartet), and in the 2015 film Pan, where it is sung by a large group of rebellious child slaves. It’s use in this last film was, er… panned by Entertainment Weekly, which wrote, “The song’s satirical lyrics make an already gauche movie even dorkier.”
The opening guitar part is a small variation on the main riff of Boston’s “More Than A Feeling.” This was noted by a Rolling Stone magazine writer years later, but not as an accusation of plagiarism. Influences and similarities like this are everywhere in rock music.
The Nevermind album title is taken from the song’s lyric: “And I forget just why I taste / Oh yeah, I guess it makes me smile / I found it hard, it’s hard to find / Oh well, whatever, never mind.”
Dave Grohl recalled to Mojo magazine March 2011: “‘Teen Spirit’ definitely established that quiet/loud dynamic thing that we fell back on a lot of the time. It did become that one song that personifies the band. But the video was probably the key element in that song becoming a hit. People heard the song on the radio and they thought, ‘This is great,’ but when kids saw the video on MTV they thought, ‘This is cool. These guys are kinda ugly and they’re tearing up their f–king high school.’ So I think that had a lot to do with what happened with the song.
But do I think it’s the greatest single of all time? Of course not! I don’t even think it’s the greatest Nirvana single. And compared to Revolution by The Beatles or God Only Knows by The Beach Boys?! Give me a break! Smells like Teen Spirit was a great moment in time… but there’s better.”
A version by Miley Cyrus performed by the pop singer on her Gypsy Heart tour topped Rolling Stone’s 2011 reader list of the top 10 Worst Cover Songs of All Time. It was so bad that it even outranked Britney’s much-maligned version of “I Love Rock and Roll!”
Tori Amos did a popular cover of this song in 1992 that Nirvana sometimes played as their introduction music when they took the stage.
Amos was on tour when Cobain died in 1994 and performed her version two days later at a show in Dublin. Patti Smith also recorded the song for her covers album Twelve.
The song was re-released as a limited edition 7-inch vinyl single in December 2011 for an online campaign to get it to the Christmas number one in the UK Singles Chart. However, the track only reached #11 – four places lower than the peak originally scaled by the song 20 years previously.
Jay-Z disfigured some lines from this song on his 2013 track “Holy Grail,” where he raps about the price of fame:
I know nobody to blame
Kurt Cobain, I did it to myself
And we all just entertainers
And we’re stupid and contagious
Kurt Cobain, Dave Grohl and Krist Novoselic, who are the songwriters credited on “Smells Like Teen Spirit,” were all included on the writer’s credits to “Holy Grail” because of the interpolation. When “Holy Grail” debuted at #8 on the Hot 100, it gave Cobain and Novoselic their first Top 10 writing credits since “Smells Like Teen Spirit” charted. (Dave Grohl charted a number of times with Foo Fighters.)
When Nirvana was inducted into the Rock and Roll Hall of Fame in 2014, the surviving members performed a selection of songs with various female singers. For this song, Joan Jett joined them. The following year, Jett was inducted into the Rock Hall.
Television, and particularly MTV, have always been the domain of pretty people with trendy looks. With the “Smells Like Teen Spirit” video, Nirvana made it possible for people with a less traditional look to get on the network, including Matt Pinfield, an influential disc jockey with a classic “face for radio.” Soon after this video was released, MTV started giving him gigs, and eventually make him host of their show 120 Minutes. In a Songfacts interview with Pinfield, he said: “It opened the door for people not needing to have a certain look. You could do what you wanted to do. On a personal level, it certainly opened the door for me to do television.”
How do the Pixies feel about this song, which they inspired musically? When Songfacts posed that question to their frontman, Black Francis, his answer echoed Kurt Cobain’s take on music and inspiration. “It certainly was very popular,” he said. “It was catchy. I don’t really get involved in so-called discussion or whatever, because from my point of view, it’s just band stuff. Some musicians or some bands say, ‘They were influential on me.’ Sometimes you can hear it, sometimes you can’t, but that’s just the way it works.
It’s not a big mystery. At the end of the day, everyone is just a musician. We’re all just working musicians. We all play different styles. That’s who we are: We’re just a bunch of music geeks. Or proactive music listeners that are so proactive we actually feel the need to do it ourselves.”
Smells Like Teen Spirit
Load up on guns, bring your friends It’s fun to lose and to pretend She’s over bored and self assured Oh no, I know a dirty word
Hello, hello, hello, how low? [x3] Hello, hello, hello!
With the lights out, it’s less dangerous Here we are now, entertain us I feel stupid and contagious Here we are now, entertain us A mulatto An albino A mosquito My libido Yeah, hey, yay
I’m worse at what I do best And for this gift I feel blessed Our little group has always been And always will until the end
Hello, hello, hello, how low? [x3] Hello, hello, hello!
With the lights out, it’s less dangerous Here we are now, entertain us I feel stupid and contagious Here we are now, entertain us A mulatto An albino A mosquito My libido Yeah, hey, yay
And I forget just why I taste Oh yeah, I guess it makes me smile I found it hard, it’s hard to find Oh well, whatever, never mind
Hello, hello, hello, how low? [x3] Hello, hello, hello!
With the lights out, it’s less dangerous Here we are now, entertain us I feel stupid and contagious Here we are now, entertain us A mulatto An albino A mosquito My libido
Not a famous rock guitar today. I will have the famous Rock guitars part 5 next weekend. This post is a little self-indulgent…no a lot.
I thought this guitar had an interesting story. My family made guitars for country stars in the 50s through the 70s. George Jones and Leon Rhodes are two artists that had them. They made quality acoustic guitars that compared to Martins… they also made mandolins but very few electrics. They were all high end instruments. Many were custom made for artists. They go for big prices now. My dad didn’t like making electrics because he said the craftsmanship wasn’t in them like acoustics. He told me son they are like a two-by-four with strings…ok Dad…but I got what he was saying.
What makes this guitar interesting is it was made in the mid-sixties. It then sat on a shelf for over 25 years. In 1991 I got this guitar and I was the first person to ever play the thing.
A relative gave me this hollow body electric guitar that was made by his dad. Two of the same style guitars were made at the time…the other one was sold. I have it’s sister that languished on the shelf for years.
When I got the guitar it had everything except the pickups and tuning keys…so it had never been played. I have a friend who had two Dimarzio humbucker pickups and he installed them plus Grover tuning keys…it also came with a vintage Bigsby Vibrato Tailpiece.
Now…getting a little technical… these pickups were very “hot”…I don’t mean stolen but with a very high output…very loud but clear. One guitar tech told me they were the hottest humbucker pickups he ever heard.
When you have a hollow body guitar and very hot pickups… they can make a guitar feedback at high volumes. It took me a good 2 years to really learn how to play this guitar properly without it getting away from me. It was like placing a jet engine in a car. I have some guitar friends who love it and it’s sometimes called “The Beast.”
The trim and the pickup toggle on the body had tarnished yellow by the time I got it. My favorite color is green…and good thing because this one is a very unusual sunburst green.
I’m going to alter it bit coming up soon. I’m going to replace one of the humbucker pickups with a P-90 and give it a little variety. We will see how that sounds.
The guitar compares to a Gibson ES-335 or a few Gretsch guitars. The beast has a growl like no other. Out of all of my guitars this is the one I pick for dirtier sounds…
This is my 2000th post. I am amazed I made it to 25…much less 2000. So let the bells ring and the chorus sing! So…lets see if I can make it to 2001!
The song was on Their Satanic Majesties Request a psychedelic album released in the Summer of Love in 1967. It’s an album…one of many that was inspired by the Beatles Sgt Peppers album. The album was not critically praised when it was released. It still gets mixed reviews now. I do think it is much better than it got credit for back in 1967. They did the right thing though by continuing on with blues/rock. They would never experiment this much again in the studio.
The cover art was something new. After The Beatles raised the bar with the cover of Sgt Pepper…the Stones used Michael Cooper (who worked on the Sgt Pepper cover)to make a 3d cover. If you look closely you can see The Beatles faces on the album. The Stones were returning the favor…the Beatles had a doll wearing a shirt that said “Welcome the Rolling Stones Good Guys” on the Sgt Peppers album.
The doll on the Sgt Pepper Cover
The song has some different melodies melded together. The album had two 2000 songs…2000 Man and 2000 Light Years From Home. It fit in with the futuristic psychedelic vision.
2000 Man’ was covered by Kiss on their 1979 record Dynasty. Kiss did a good job on the cover. Personally I like both versions. Kiss did a straight ahead rock version but I also like the nuances that the Stones included on the original.
Mick Jagger:There’s a lot of rubbish on Satanic Majesties. Just too much time on our hands, too many drugs, no producer to tell us, “Enough already, thank you very much, now can we just get on with this song?” Anyone let loose in the studio will produce stuff like that. There was simply too much hanging around. It’s like believing everything you do is great and not having any editing.
It’s really like sort of got-together chaos. Because we all panicked a little, even as soon as a month before the release date that we had planned, we really hadn’t got anything put together. We had all these great things that we’d done, but we couldn’t possibly put it out as an album. And so we just got them together, and did a little bit of editing here and there.
2000 Man
Well, my name is a number A piece of plastic film And I’m growin’ funny flowers In my little window sill Dont you know I’m a 2,000 man And my kids, they just don’t understand me at all Well my wife still respects me I really misused her I am having an affair With the Random computer Don’t you know I’m a 2,000 man And my kids, they just don’t understand me at all Oh daddy, proud of your planet Oh mummy, proud of your sun Oh daddy, proud of your planet Oh mummy. proud of your sun Oh daddy, your brain’s still flashin Like it did when you were young Or do you come down crashin’ Seeing all the things you’d done All was a big put on Oh daddy, proud of your planet Oh mummy. proud of your sun Oh daddy, proud of your planet Oh mummy. proud of your sun Oh daddy, proud of your planet Oh mummy. proud of your sun Oh daddy, proud of your planet Oh mummy. proud of your sun And you know who’s the 2000 man And your kids they just won’t understand you at all
Merry Christmas everyone…this is a repost from last year but I have updated it another year older…and a new one just begun.
My favorite Christmas song hands down. Yea I’m biased because I am a Beatles fan but this one is great.
I think of High School when I hear this song. Our school had a Christmas poster contest and a buddy and I made a poster as a joke and wrote “So this is Christmas and what have you done another year over, and a new one just begun” and won first prize…with an assist from John.
John’s voice goes so well with this song. The song peaked at #2 in the UK charts in 1971….the song did peak at #42 in the Billboard 100 in 2019.
John Lennon and Yoko Ono wrote this in their New York City hotel room and recorded it during the evening of October 28 and into the morning of the 29th, 1971 at the Record Plant in New York. It was released in the US for Christmas but didn’t chart. The next year, it was released in the UK, where it did much better, charting at #2. Eventually, the song became a Christmas classic in America, but it took a while.
Lennon originally wrote this as a protest song about the Vietnam War, and the idea “that we’re just as responsible as the man who pushes the button. As long as people imagine that somebody’s doing it to them and that they have no control, then they have no control.”
The children’s voices are the Harlem Community Choir, who were brought in to sing on this track. They are credited on the single along with Yoko and The Plastic Ono Band.
From Songfacts.
John and Yoko spent a lot of time in the late ’60s and early ’70s working to promote peace. In 1969, they put up billboards in major cities around the world that said, “War is over! (If you want it).” Two years later this slogan became the basis for this song when Lennon decided to make a Christmas record with an anti-war message. John also claimed another inspiration for writing the song: he said he was “sick of ‘White Christmas.'”
Lennon and Ono produced this with the help of Phil Spector. Spector had worked on some of the later Beatles songs and also produced Lennon’s “Instant Karma.” It was not Spector’s first foray into Christmas music: he and his famous session stars (including a 17-year-old Cher) spent six weeks in the summer of 1963 putting together A Christmas Gift for You from Phil Spector, featuring artists like The Ronettes and Darlene Love. Unfortunately, the album was released on November 22, 1963, which was the same day US president John F. Kennedy was assassinated. The album sold poorly as America was focused on news of the killing.
This was originally released on clear green vinyl with Yoko Ono’s “Listen, The Snow Is Falling” as the B-side.
At the beginning of the song, two whispers can be heard. Yoko whispers: “Happy Christmas, Kyoko” (Kyoko Chan Cox is Yoko’s daughter with Anthony Cox) and John whispers: “Happy Christmas, Julian” (John’s son with Cynthia). >>
This being a Phil Spector production, four guitarists were brought in to play acoustic guitars: Hugh McCracken (who had recently played on the Paul McCartney album Ram), Chris Osbourne, Stu Scharf and Teddy Irwin. According to Richard Williams, who was reporting on the session for Uncut, when Lennon taught them the song, he asked them to “pretend it’s Christmas.” When one of the guitarists said he was Jewish, John told him, “Well, pretend it’s your birthday then.”
As for the other personnel, Jim Keltner played drums and sleigh bells, Nicky Hopkins played chimes and glockenspiel. Keltner and Hopkins were part of Lennon’s Plastic Ono Band, and a third member, Klaus Voorman, was supposed to play bass on this track, but got stuck on a flight from Germany. One of the guitarists brought in for the session covered the bass – which one nobody seems to remember.
John Lennon was shot and killed less than three weeks before Christmas in 1980. The song was re-released in the UK on December 20 of that year, reaching #2 (held off the top spot by “There’s No One Quite Like Grandma” by St. Winifred’s School Choir). It made the UK Top 40 again in 1981 (#28), 2003 (#32) and 2007 (#40). Also in 2003, a version sung by the finalists of the singing competition Pop Idol reached #5.
The Fray were the first to chart with this song in America, reaching #50 in 2006; Sarah McLachlan’s version went to #107 that same year. Other artists to cover it include The Alarm, The Cranes, The December People, and Melissa Etheridge (in a medley with “Give Peace a Chance”).
The Australian artist Delta Goodrem also covered it in 2003, taking it to #1 in her native country as a double-A-side single with “Predictable.”
This didn’t appear on an album until 1975, when it was included on Lennon’s Shaved Fish singles compilation. Most Christmas songs are compiled with other songs of the season, but Shaved Fish listeners got to hear it year round.
Happy Xmas (War is Over)
(Happy Christmas Kyoko) (Happy Christmas Julian)
So this is Christmas And what have you done Another year over And a new one just begun And so this is Christmas I hope you have fun The near and the dear one The old and the young
A very Merry Christmas And a happy new year Let’s hope it’s a good one Without any fear
And so this is Christmas For weak and for strong For rich and the poor ones The world is so wrong And so happy Christmas For black and for white For yellow and red ones Let’s stop all the fight
A very Merry Christmas And a happy new year Let’s hope it’s a good one Without any fear
And so this is Christmas And what have we done Another year over A new one just begun And so happy Christmas We hope you have fun The near and the dear one The old and the young
A very Merry Christmas And a happy new year Let’s hope it’s a good one Without any fear War is over, if you want it War is over now
I want to wish everyone a Merry Christmas or Happy Holidays…whichever you prefer. Every day since I started I try to post an interesting song or some pop culture fact and every day most of you drop by for a view and I do appreciate it so much.
I remember when I started in 2017 it took me around 6 months to get one follower, a like, and a comment. I don’t take any you for granted and I do want to THANK YOU… everyone have a happy and safe holiday…after this year we all need that.
There have been many versions of this great story. This is the version that I like the most. The great Alastair Sim plays Ebenezer Scrooge and he is the reason I like this so much. When I think of the Scrooge… I think of him.
The movie is in black and white which turns some people off but it makes it that much better to me. They do have a color version but trust me…watch the black and white version. It gives the movie a darker feeling.
The effects they use are obviously not CGI but they get the point across well and serve the story. I like the scene where the ghost of Jacob Marley is warning Ebenezer of being greedy…the two were not on the set at the same time…it looked really good for being 1951…or anytime for that matter.
So get some eggnog or hot butter rum and sit back and watch this great movie.
From IMDB…spoilers
Ebenezer Scrooge (Alastair Sim) is a greedy businessman who thinks only of making money. For him, Christmas is, in his own words, a humbug. It has been seven years since his friend and partner, Jacob Marley (Sir Michael Hordern), died and on Christmas Eve. Marley’s ghost tells him he is to be visited during the night by three spirits. The Ghost of Christmas Past (Michael Dolan) revisits some of the main events in Scrooge’s life to date, including his unhappy childhood, his happy apprenticeship to Mr. Fezziwig (Roddy Hughes), who cared for his employees, and the end of his engagement to a pretty young woman due to a growing love of money. The Ghost of Christmas Present (Francis De Wolff) shows him how joyously is nephew Fred (Brian Worth) and his clerk, Bob Cratchit (Mervyn Johns), celebrate Christmas with those they love. The Ghost of Christmas Yet to Come (Czeslaw Konarski) shows him what he will leave behind after he is gone. Scrooge awakens on Christmas morning, a new man intent on doing good and celebrating the season with all of those around him.
A Christmas power pop song that I wish I heard more of than some of the others. It has a strange 20 second intro but after that the guitar starts and then it’s pure Alex Chilton.
The song is on the Third/Sister Lovers album. The album was recorded in 1974-1975 but wasn’t released until 1978. The album has no theme…it’s all over the map with different style of songs. This song…considered a Christmas song didn’t really stand out on the non-Christmas album because it’s so eclectic.
Guitarist Alex Chilton and drummer Jody Stephens were the only original two left during this album but they had musicians to fill in. This song was written by Alex Chilton.
Today I will be posting some Christmas shows throughout the day…from here until Christmas…powerpop will be completely Christmas programming.
Jesus Christ
Angels from the realms of glory Stars shone bright above Royal David’s city Was bathed in light of love
Jesus Christ was born today Jesus Christ was born Jesus Christ was born today Jesus Christ was born
Lo, they did rejoice Fine and pure of voice And the wrong shall fail And the right prevail
Jesus Christ was born today Jesus Christ was born Jesus Christ was born today Jesus Christ was born And we’re gonna get born now
Robbie Robertson’s Christmas gift to his new son Sebastian during the sessions for Northern Lights-Southern Cross album… it never became a seasonal favorite but it should have been. It wasn’t released until the bands Islands album in 1977.
Rick Danko sings this song from a Shepherds point of view. It’s pure and down to earth like only the Band can be. No sleigh bells or other Christmas trappings…just pure music. Maybe that is the reason it never got picked up.
Robbie Robertson re-recorded this song after he left the group. And he did for the soundtrack of Bill Murray’s Scrooged. That version is very good but I still like The Bands version much more…it’s hard to beat Rick Danko.
Christmas Must Be Tonight
Come down to the manger, see the little stranger Wrapped in swaddling clothes, the prince of peace Wheels start turning, torches start burning And the old wise men journey from the East
How a little baby boy bring the people so much joy Son of a carpenter, Mary carried the light This must be Christmas, must be tonight
A shepherd on a hillside, where over my flock I bide Oh a cold winter night a band of angels sing In a dream I heard a voice saying “fear not, come rejoice It’s the end of the beginning, praise the new born king”
I saw it with my own eyes, written up in the skies But why a simple herdsmen such as I And then it came to pass, he was born at last Right below the star that shines on high
I’ve never had recipe’s on my blog but since it’s near Christmas I thought I would stick with my usual theme and post this dessert that is associated with the 1970s.
Watching Rudolph the Red-Nosed Reindeer every year is the same as setting up the tree. Every year I would look forward to seeing this along with the others but what a fantastic durable show this has been. When I hear Burl Ives in anything…I think of him as the narrator Sam the Snowman of this program.
The characters are wonderful. Well except those other young reindeer who really come down on Rudolph when his nose lights up.
Hermey the elf who wants to be a dentist Clarice – The reindeer who likes Rudolph just as he is red nose and all. Yukon Cornelius the prospector who loves silver and gold and has a tongue that can find his silver and gold. Abominable Snowman – The bad guy of the show who only needs a dentist to make him a good guy. Head Elf – He leans on Hermey to get his elf self-act together and discourages him from being a dentist…I never liked him too much.
Throughout the special, Yukon Cornelius is seen throwing his pickaxe into the ground, taking it out and licking it. It turns out that he is checking for neither gold nor silver; Yukon was actually searching for an elusive peppermint mine. In a scene right at the end of the special’s original broadcast, deleted the next year to make room for the Misfit Toys’ new scene, Cornelius pulled his pick from the ground, licked it and said, “Peppermint! What I’ve been searching for all my life! I’ve struck it rich! I’ve got me a peppermint mine! Wahoo!” The scene was restored in 1998 and has been reinstated in all the subsequent home video release except for the 2004 DVD release. However, this scene is still cut from recent televised airings.
The Island of Misplaced Toys got to me when I was a kid. I really felt sorry for these lonely toys. King Moonracer was over the island and tried to convinced Rudolph to tell Santa about them so he could pick them up and find kids who would play with them.
The original 1964 airing did not include the closing scene where Santa picks up the misfit toys. That scene was added in 1965, in response to complaints that Santa was not shown fulfilling his promise to include them in his annual delivery.
The stop animation in this works really well.
The songs are really good. Silver and Gold, Holly Jolly Christmas, Jingle Jingle Jingle, We Are Santa’s Elves, There’s Always Tomorrow, We’re a Couple of Misfits and The Most Wonderful Day of the Year.
This is a very commercial sounding rock song by Lynyrd Skynyrd. The record company picked this one as the lead off single from their album Second Helping. Personally I like this song but it was the second single they should have picked first…that one was Sweet Home Alabama which ended up being their biggest hit.
This song was a message to the people who wanted a piece of the band when they became famous. They were largely ignored for about 6 years while they were struggling, but when their first album was a hit in 1973, they faced huge demands on their time.
The album did well…it peaked at #9 in the Billboard Album Chart and #12 in Canada in 1974. Pete Townshend heard the band through Al Kooper a few months before this album was released and was impressed enough to have Lynyrd Skynyrd open up for them on their Quadrophenia tour.
The one thing the band was…was extremely tight. They were always well rehearsed and built a huge reputation as a live band.
From Songfacts
The world of agents, managers, and record companies was a strange one for Lynyrd Skynyrd. They were just working-class guys who liked making music.
Lead singer Ronnie Van Zant and guitarist Gary Rossington wrote this one day while they were fishing. Gary played his guitar while Ronnie came up with the lyrics about how they wanted to be left alone.
This was released as a single before the album came out. It didn’t chart, but their next one, “Sweet Home Alabama,” was a huge hit.
Don’t Ask Me No Questions
Well, every time that I come home Nobody wants to let me be It seems that all the friends I’ve got Just got to come interrogate me I appreciate your feelings And I don’t want to pass you by But I don’t ask you ’bout your business Don’t ask me about mine
Well it’s true I love the money And I love my brand new car I like drinkin’ the best of whiskey And playin’ in a honk-tonk bar But when I come off the road I just gotta have my time ‘Cause I got to find a break in this action Or else I’m gonna lose my mind
So don’t ask me no questions And I won’t tell you no lies So don’t ask me ’bout my business And I won’t tell you goodbye
Well, what’s your favorite color And do you dig the brothers, is drivin’ me up a wall And every time I think I can sleep Some fool has got to call Well, don’t you think that when I come home I just want a little piece of mind? If you want to talk about the business Buddy you’re just wasting time
So don’t ask me no questions And I won’t tell you no lies So don’t ask me ’bout my business And I won’t tell you goodbye
I said don’t ask no stupid questions And I won’t send you away If you want to talk fishin’ Well, I guess that’ll be OK
A sneak peek montage that shows the Beatles having a good time filming what was then Let It Be. From what I read…a lot of the footage is positive. In the original movie Let It Be it’s really only one tense scene in the entire movie. I’m so much looking forward to this movie’s release.
This song started with a jam session at The Wick, Ron Wood’s house. Faces guitarist Ron Wood, who had not yet joined The Rolling Stones, had a big part in it. It was there that Wood put the song together at a session with Mick Jagger on vocals, David Bowie singing background, the session player Willie Weeks on bass, and future Who member Kenney Jones, on drums.
Ron Wood was going to record the song. When Keith Richards heard the demo he told Mick he had to get it back. When Keith Richards got a hold of the recording, he put his own guitar parts on, but left some of Wood’s 12-string. Jones, Weeks and Bowie remained on the final product.
Although Ron Wood a good part of the song…the song was credited to the Jagger/Richards team as usual. Jimmy Miller had left the band after the previous album and their sound changed somewhat.
The song peaked at #16 in the Billboard 100, #10 in the UK, and #12 in Canada in 1974.
Mick Jagger:“The title has been used a lot by journalists, the phrase has become a big thing. That version that’s on there is the original version, which was recorded half in Ron Wood’s basement, if I remember rightly. It was a demo. It’s a very Chuck Berry song, but it’s got a different feeling to it than a Chuck Berry song. You can’t really do proper imitations of people. You always have to start out by imitating somebody. In painting, some famous artist always starts out by being an impressionist. And then they become the most famous abstract artist. Or an actor starts out by imitating someone else’s style. And then you develop your own. And I think that’s what happened with this band and all the musicians that have played in it. You start off with one thing, and then you mutate into another, but you still acknowledge the fact that these influences came from here and here and here. Because not everyone knows that. But you make this new amalgam. And out of all this different music, all out these blues, out of all this country music, out of all this jazz and dance music and reggae music, you know, you make something that’s your own.”
Songfacts
This was the title track to the first album after producer Jimmy Miller left the band. Mick Jagger and Keith Richards did the production work.
Lyrically, this drew inspiration from David Bowie’s 1972 Ziggy Stardust track “Rock ‘n’ Roll Suicide.” When Mick Jagger sings, “If I could stick a knife in my heart, suicide right on stage,” he’s likely referencing glam rockers like Marc Bolan and Alice Cooper who did a suicide bit as part of their stage theatrics.
Mick Jagger sang this with Tina Turner on the Philadelphia stage of Live Aid in 1985. After singing “State Of Shock” with Turner, they launched into “It’s Only Rock ‘N’ Roll” and Jagger started disrobing. Both performers left the stage, and when they came back, Jagger was fully clothes and Turner was wearing a tearaway skirt that Jagger ripped off (Janet Jackson and Justing Timberlake tried something similar when performing at the 2004 Super Bowl halftime show, resulting in the infamous “Wardrobe Malfunction”). Live Aid was Jagger’s first live performance as a solo artist.
The promotional video (this was before MTV) had The Stones wearing sailor suits in a circus tent that slowly filled with bubbles. The bubbles eventually covered Charlie Watts, who was the only one sitting down.
This has been covered by the Spice Girls, Emmylou Harris, Natalie Imbruglia, The Cranberries and Eurythmics (who released their version as a single in support of a charity called Children’s Promise).
It’s Only Rock ‘n Roll (But I Like It)
If I could stick my hand in my heart And spill it all over the stage Would it satisfy ya, would it slide on by ya Would you think the boy is strange? Ain’t he strange?
If I could win ya, if I could sing ya A love song so divine Would it be enough for your cheating heart If I broke down and cried? If I cried?
I said I know it’s only rock ‘n roll but I like it I know it’s only rock ‘n roll but I like it, like it, yes, I do Oh, well, I like it, I like it, I like it I said can’t you see that this old boy has been a lonely?
If I could stick a knife in my heart Suicide right on stage Would it be enough for your teenage lust Would it help to ease the pain? Ease your brain?
If I could dig down deep in my heart Feelings would flood on the page Would it satisfy ya, would it slide on by ya Would ya think the boy’s insane? He’s insane
I said I know it’s only rock ‘n roll but I like it I know it’s only rock ‘n roll but I like it, like it, yes, I do Oh, well, I like it, yeah, I like it, I like it I said can’t you see that this old boy has been a lonely?
And do ya think that you’re the only girl around? I bet you think that you’re the only woman in town
I said, I know it’s only rock ‘n roll but I like it I said, I know it’s only rock ‘n roll but I like it I know it’s only rock ‘n roll but I like it I know it’s only rock ‘n roll but I like it, like it, yes, I do Oh, well, I like it, I like it I like it I like it I like it I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it It’s only rock ‘n roll but I like it I like it I like it I like it Oh yeah I like it I like it
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