Connells – ’74-’75 ….80’s Underground Mondays

This is a very good acoustic pop song by the Connells.

The Connells were an alternative rock group formed in Raleigh, North Carolina in 1984 by David Connell (bass), his brother Mike Connell (guitar), Doug MacMillan (vocals) and John Shultz (drums), who was soon replaced by former Johnny Quest percussionist Peele Wimberley. In 1990 they added Steve Potak (keyboards) to their line up.

The band placed some songs in the alternative charts in the late 80s and 90s as they were played heavily on college radio The band released their 8th album in 2001 and since then haven’t done much. They never broke up but would get together and play various concerts… they are about to release their 9th album Steadman’s Wake on September 24, 2021.

This acoustic 1993 song became an unexpected smash hit in Europe, topping the pop charts in a couple of countries. The song peaked at #14 in the UK and was #1 in Sweden and Norway…It was on their Ring album.

The video is pretty cool. It was originally shot at Needham B. Broughton High School in the band’s hometown Raleigh, North Carolina in 1993, and features members of the Class of 1975 showing their yearbook pictures and them in 1993. In 2015 they remixed the song and updated the video to show the classmates they filmed in 1993 originally… and what they looked like now.

’74 – ’75

Got no reason for coming to me
And the rain running down
There’s no reason
And the same voice coming to me like it’s all slowin’ down
And believe me

I was the one who let you know
I was your sorry-ever-after seventy-four, seventy-five

It’s not easy
Nothin’ to say ’cause it’s already said
It’s never easy
When I look on in your eyes then I find that I’ll do fine
When I look on in your eyes then I’ll do better

I was the one who let you know
I was your sorry-ever-after ‘seventy-four, seventy-five
Giving me more and I’ll define
‘Cause you’re really only after seventy-four, seventy-five

Got no reason for coming to me
And the rain running down
There’s no reason
When I look on in your eyes then I find that I’ll do fine
When I look on in your eyes then I’ll do better

I was the one who let you know
I was sorry-ever-after seventy-four, seventy-five
Giving me more and I’ll define
‘Cause you’re really only after seventy-four, seventy-five

Seventy-four, seventy-five
Seventy-four, seventy-five
Seventy-four, seventy-five

https://en.wikipedia.org/wiki/%2774%E2%80%93%2775

Lyres – Help You Ann

The guitar on this song hooked me…it has a tremolo effect that resembles The Smiths How Soon Is Now.

A band named DMZ broke up in 1979 and from that lead singer and organist Jeff “Monoman” Conolly formed Lyres in Boston. The original lineup of the band featured Conolly, Rick Coraccio (bass), Ricky Carmel (guitar), and Paul Murphy (drums). The nickname Monoman for Jeff Conolly came because of his love of monophonic recordings of the ’60s and in part because of his monomaniacal obsession with vintage rock & roll.

A four-song EP that came out in 1981 called AHS-1005. The EP won the group attention outside of Boston, and a single followed in 1983, “I Really Want You Right Now” with  the B side “Help You Ann.” Jeff Conolly wrote Help You Ann.

The band has released 8 studio and live albums and 3 EPs. The band is still together and playing.

The song was included on the On Fyre album released in 1984. From Wiki: Trouser Press called the album “simply the [garage-rock] genre’s apotheosis, an articulate explosion of colorful organ playing, surging guitars and precisely inexact singing. AllMusic gave it 4 out of 5 stars.

In 2018 Jeff Conolly announced that a new album by the Lyres was being recorded.

Help You Ann

There he go and he talk to you just like a fool
He’s got no use for you now and that’s why I feel the same way too

Well, he’s done putting you down and as cynical as he can be
He spending money on some things that you used to give to me for free

Sometimes I get so mad
And I wanna hurt you
But I did the best I can
And I wanna, I wanna help you, Ann

He’s so bad, he stole up all the money that you made
Yeah, he’s got a use for you now
An apartment on the choo choo train

Well, he’s no good for you Ann
When I kill him, I’ll snatch you one day
That’s right, I want you myself
Spend up all the money I could save

So I’m back here again
‘Cause I wanted you so
Said, I wanna be your man
And I wanna, I wanna help you, Ann

And I wanna help you, Ann
Said, I wanna help you, Ann
And I wanna help you, Ann
And I wanna, I wanna help you, Ann
Said I wanna, I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann

And I wanna help
Said, I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann
And I wanna help
Said, I wanna help you, Ann
Just as fast as I can, right

https://en.wikipedia.org/wiki/Lyres_(band)

Nomads – Where The Wolf Bane Blooms

When I see a title like that I just have to listen. I could not just sit by and not listen. I told John at 2loud2oldmusic that some songs and song titles are like big red giant buttons…that you just have push. With that title I had to listen…I’m I’m glad I did.

They have a huge sound. I have to wonder how many bands have gone by the name The Nomads in the history of garage bands? They are a Swedish Garage Punk band founded in 1981. The were founded by by Hans Östlund, Nick Vahlberg, Joakim Tärnström, and Ed Johnson.

They are still together with only Hans Östlund and Nick Vahlberg.

The Nomads released an album with this name in 1983. They released the single in 1987. They have never got big airplay on radio or much TV exposure but they still have a huge fanbase built on releasing albums and touring.

The Nomads have released 19 albums…the last being in 2015…add to that around 40 singles.

Where The Wolf Bane Blooms

I know a place, it seems really strange
Some things will never change
Thunder and lightning lining my eyes
Even though the bats fill up the skies
But in the pale light of the moon
You’ll maybe see the wolf bane bloom

Ancient voices will appear
Call the hunted don’t tread here
You may be pure of heart and pure of soul
But you’ll become a wolf when the moon is full
And in the pale light of the moon
You’re gonna see the wolf bane bloom

Primal Scream – Gentle Tuesday

I have heard mostly the 90s music from this band…I recently found this album from 1987 and love it. They formed in 1982 in Glasgow Scotland and are still together today. The only original member left is lead singer Bobby Gillespie. They have shifted in sound through the years. This song was during their power pop period.

This song was on the Sonic Flower Groove album released in 1987. It was met with mixed to bad reviews at the time.  The bad reviews caused internal strife within the band. Two members Jim Beattie and Gavin Skinner subsequently resigned. The band then changed directions and shifted to a more rock sound. In the mid-eighties a Byrds sound was not exactly the height of popularity but it would start taking off with bands like REM soon after.

I love the jangling guitar and the overall sound of the song and album. This song, Imperial, Treasure Trip, and many more make this a very good album to me.

Most reviewers now look back on the album with praise. It charted at #62 in the UK charts in 1987. Gentle Tuesday peaked at #87 in the UK charts in 1987.

Gentle Tuesday

Shadow masking matters
Can’t conceal the way you really feel
It doesn’t fit our souls exist
That of they asked me how it is

New morning dew for you
Sweet honey hips your lips
Hold spells when cast they dwell
Like magic in your kiss

Confusion colours cruel designs
Unhappy girl, you’re out of time

Gentle Tuesday
Sad and lonely eyes
Gentle tuesday
See yourself tonight

Memories as fat as bees
Presents a mess of poison tears
A word unkind that tricks our minds
We really warned before your time

Happiness, nothing less
A universal way
Bad seeds but fruit are sweet
You choke on empty days
Confusion colours cruel designs
Unhappy girl you’re out of time

Reverend Peyton’s Big Damn Band – Too Cool To Dance

I have to thank Christian (Christian’s Music Musings) for introducing me to this band and to this song in particular. They resemble some of the roots revival bands I’ve been listening to from the 80s. This small band is a lot of fun.

The band is from  Brown County, Indiana. The band consists of The Reverend Peyton, “Washboard” Breezy Peyton, and Max Senteney the drummer. Peyton’s guitar playing is spot on. He uses finger picks to play and also holds the bottom end since they don’t have a bass player. When I saw this video on Christian’s site I went to youtube and got lost in their many songs. They are worth a trip down the youtube rabbit hole. The band can hold a groove and he is an excellent guitar player.

Josh “The Reverend” Peyton first influences were his dad’s records such as Neil Young, Jimi Hendrix, and Bob Dylan. He eventually tried to learn the finger-picking style of artists like Charlie Patton. At the time Peyton was unable to master it, instead playing more pick-oriented blues.

Him and “Washboard” Breezy Peyton were married in 2003 and have been touring ever since. The band has had success…per Wiki: The band released The Front Porch Sessions on March 10, 2017 on the Thirty Tigers label, debuting at #1 on the iTunes Blues chart, and #2 on the Billboard Blues chart

Rev. Peyton's Big Damn Band

They recorded this album on analog tape which I give a thumbs up to. Dance Songs For Hard Times, was released on April 9, 2021. This is their 10th album.

Dance Songs for Hard Times (CD) – Big Damn Band

Reverend Peyton: “I was thinking about all the times where I’ve been somewhere and felt too cool to dance,” “I didn’t want to be that way. Not being able to do anything last year, I had this feeling of, ‘Man, I’m not going to waste any moment like this in my life – ever.’ ”

Too Cool To Dance

I been dreaming about a night like this
I been dreaming about your sweet kiss
But it won’t happen if we ain’t on the floor
And it don’t matter what them folks say
They gonna talk some anyway
The time is right now
What are we waiting for?

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

The stars are high above so bright
And the song is hitting us just right
It may never be this good again
It’s rough outside but not in here
They’re all fake but we’re sincere
And pretty soon this old song will end

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

We may not get another chance
Oh, please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

Oh please don’t tell me
You’re too cool to dance
Please don’t tell me
You’re too cool to dance

 

https://en.wikipedia.org/wiki/The_Reverend_Peyton%27s_Big_Damn_Band

 

Feelies – Let’s Go ….80’s Underground Mondays

The Feelies were an inspiration to REM and many alternative bands in the 80s. They formed in 1976 and disbanded in 1992 having released four albums. The band reunited in 2008, and most recently released albums in 2011 and 2017.

The band’s name is taken from a fictional entertainment device described in Aldous Huxley’s Brave New World.

The song was released in 1986 on the album The Good Earth with REM’s Peter Buck producing. It was written by members Glenn Mercer and Bill Million. The band toured in support of the album as an opening band for Lou Reed as well as REM that year. The album was one of their most successful albums.

It certainly doesn’t have earth shaking lyrics but it’s a gorgeous over all sound and atmosphere they produce. It reminds me of something that would be on a movie soundtrack…it’s over with before you know it.

Let’s Go

Well alright
Well alright
Let’s go
Let’s go
Let’s go
Let’s go
All night long
All night long
(spoken?)

Why don’t we ? I know you?
Why don’t we ? I know you?
Go low (?)
Low low (?)
Go slow
Slow
All night long
All night long

All night long

The Chesterfield Kings – She Told Me Lies

I love how this song starts off like I Want To Hold Your Hand and then turns into a 60s mild psychedelia that sounds familiar to ? and the Mysterians the 60s American garage rock band.

They were formed in 1979 in Rochester, New York by the former singer of the Distorted Levels, Greg Provost, an underground music journalist, with Andy Babiuk and  keyboardist Orest Guran, the Chesterfield Kings offered their own version of psychedelia.

This song was released in 1984 with the B side I’ve Gotta Way With Girls. She Told Me Lies was written by Andy Babiuk, Cedrick ConaDoug MeechGreg Prevost, and Orest Guran.

The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched many bands with a heavy 60’s influence that ignored the current trends.

The band was active from 1979 to 2009.

In 2000 they made a movie! From IMDB here is the description:

Its Ed Wood meets A Hard Days Night when Greg, Andy, Mike, Ted, and Jeff, together The Chesterfield Kings take on the evil Andro, a maniacal extraterrestrial bent on world domination. The cosmic showdown sends The Kings racing around the globe, from London to Rome, Las Vegas, and Honolulu in a desperate attempt to reclaim drummer Mike whose held hostage by the deranged alien. Can The Chesterfield Kings find their drummer, halt Andro’s master plan, and save the world, all in a brisk seventy minutes? You’ll have to see it to know for sure, but you can count on some killer tunes along the way including The Chesterfield Kings’ new single “Yes I Understand” and “Where Do We Go From Here” featuring lead vocals by Mark Lindsay formerly of Paul Revere and the Raiders in a cameo appearance.

I really want to see that movie.

Greg Provost: “Even when we were doing the garage stuff, we ended up sounding like the Stones. I love bands like the Sweet or Queen, but we could never sound like them. I can’t sing that good! So, we’re just going to capitalize on the kind of stuff we can sound like.”

She Told Me Lies

She told me lies
She left me on my own
She told me lies
I’ll drive away and hide
Yeah she cheated, she lied

She told me lies
She hurt my pride
She told me lies
I’ve got tears in my eyes
She told me lies
I ain’t got nothing to say
Yeah she left me today

She went walking to the door
I won’t ever see her face no more
I don’t know why she treated me bad
She’s the only true love I ever had
But now she’s gone

She went walking to the door
I won’t ever see her face no more
I don’t know why she treated me bad
She’s the only true love I ever had
But now she’s gone

She told me lies
But now she’s gone
She left me on my own
I’ll drive away and hide
Yeah she cheat, she lied

Jayhawks – Waiting For The Sun…. 80’s Underground Mondays

Ever since I heard this band on our alternative radio station in Nashville…Lightning 100 I’ve liked them. The Jayhawk’s writing and voices won me over with songs like Blue and I’m Gonna Make You Love Me.

This song opens up their Hollywood Town Hall album. The album peaked at #192 in the Billboard Album Charts and #11 in the Top Heatseekers Charts.

Benmont Tench, Charley Drayton, and Nicky Hopkins plays on the album with the Jayhawks.

The Jayhawks are an American alternative country and country rock band that emerged from the Minneapolis–Saint Paul music scene in the mid 80s. Minneapolis had a strong scene for bands in the 80s. The Replacements, Husker Du, Soul Asylum, and of course the big one…Prince.

The song, like most of The Jawhawks early cuts, is credited to the band’s guitarist Gary Louris and frontman Mark Olson.

Gary Louris: I didn’t know there was a song called “Waiting for the Sun,” I was not a Doors fan. I like them now, but I didn’t know there was a song called that. Maybe in my subconscious I did. 

From Songfacts

 According to Mark Derning of Allmusic.com, the song details, “a man who has lost his love under unpleasant circumstances and has hit the road, looking for something better from life and hoping a fair deal from the fates.”

Waiting For The Sun

I was waiting for the sun
Then I walked on home alone
What I didn’t know
Was he was waiting for you to fall

So I never made amends
For the sake of no one else
For the simple reason
That he was waiting for you to fall

It was not lost on me
It was not lost on me
Walkin’ on down the road
Looking for a friend to handout
Somethin’ might ease my soul

So I kept my spirits high
Entertaining passers-by
Wrapped in my confusion
While he was waiting for you to fall

It was not lost on me
It was not lost on me
Walkin’ on down the road
Looking for a friend to handout
Somethin’ might ease my soul

It was not lost on me
It was not lost on me
Walkin’ on down the road
Walkin’ on down the road
Walkin’ on down the road
Walkin’ on down the road

Mojo Nixon – Don Henley Must Die!

I had to post this song. Even Eagle fans will admit Henley can be a bit pretentious…that’s not a put down…it just is.

You and your kind
Are killing rock and roll
It’s not because you are O L D
It’s cause you ain’t got no soul!

Don Henley Must Die released in 1990 and it’s off of his album Otis.  The song peaked at #20 in the Modern Rock Charts.

According to Nixon, Henley joined Nixon onstage one night in a small club before the Eagles reunion and helped Nixon sing it. This is a quote from Nixon: “There I was, the king of bullshit, completely flabbergasted,” “I took my guitar off, put it back on, did that like three times, then got on the mic and said, ‘Don, do you want to debate? Do you want to fist fight?’ He was shit-faced and he goes, ‘I want to sing that song, especially the part about not getting together with Glenn Frey!'” 

When the chorus hit, Nixon let Henley take the lead: “Don Henley must die, don’t let him get back together with Glenn Frey!”

“He was beltin’ that shit out, screaming like he was Johnny fuckin’ Rotten,” 

..Don Henley Must Die…

Don Henley Must Die

This is the sound of my brain.

Then I said, this is the sound of my brain on Don Henley!

Then I said, 1 2 3 4…

He’s a tortured artist
Used to be in the Eagles
Now he whines
Like a wounded beagle
Poet of despair!
Pumped up with hot air!
He’s serious, pretentious
And I just don’t care
Don Henley must die!
Don’t let him get back together
With Glenn Frey!
Don Henley must die!

Turn on the TV
And what did I see?
This bloated hairy thing
Winning a Grammy
Best Rock Vocalist?
Compared to what?
But your pseudo-serious
Crafty Satanic blot
Don Henley must die!
Put a sharp stick in his eye!
Don Henley must die!
Yea yea yea

Quit playin’ that crap
You’re out of the band

I’m only kidding
Can’t you tell?
I love his sensitive music
Idiot poetry, swell
You and your kind
Are killing rock and roll
It’s not because you are O L D
It’s cause you ain’t got no soul!
Don’t be afraid of fun
Loosen up your ponytail!
Be wild, young, free and dumb
Get your head out of your tail
Don Henley must die!
Don’t let him get back together
With Glenn Frey!

Don Henley must die!
Put him in the electric chair
Watch him fry!
Don Henley must die
Don Henley must die
No Eagles reunion
The same goes for you, Sting!

Throwing Muses – Hate My Way ….80’s Underground Mondays

A nice guitar riff to start this song off by Throwing Muses.

The band was formed in 1981 by step-sisters Kristin Hersh (vocals/guitar) and Tanya Donelly (guitar/vocals), who were both at high school at the time. Initially called Kristin Hersh And The Muses, the line-up was completed by bassist Leslie Langstons and drummer David Narcizo.

They lived close to Providence, Boston and New York and so they could play a club quite often in both places. They had a lot of colleges and some local newspapers, magazines, and radio stations to promote them.

They were the first American band signed to the British 4AD label. An eclectic blend of jerky guitar pop and songwriter Kristin Hersh’s eccentric vocals, the early work by Throwing Muses was quite different than their peers. A year later 4AD would sign Pixies based in part on the band’s connection to Throwing Muses, and by the mid-1990s much of the label’s roster was made up of American bands.

This song was on their self-titled album Throwing Muses in 1986. The song was written by guitar player and singer Kristin Hersh. She wrote every song on the album except one.

Their latest album Sun Racket was released on Fire Records on September 4, 2020.

Kristin Hersh: “We didn’t mean to ever be strange. I guess we were because everybody says we were,” “It’s almost like speaking your own language. I find we kept people out of our world by doing that.”

Hate My Way

 I could be a smack freak
And hate society
I could hate God
And blame Dad
I might be in a Holocaust
Hate Hitler
Might not have a child
And hate school
I could be a sad lover
And hate death
I could be a neuro
And hate sweat
No
I hate my way

I make you in to a song
I can’t rise above the church
I’m caught in a jungle
Vines tangle my hands
I’m always so hot and it’s hot in here
I say it’s all right

My pillow screams too
But so does my kitchen
And water
And my shoes
And the road

I have a gun in my head
I’m invisible
I can’t find the ice

A slug
I’m TV
I hate

A boy, he was tangled in his bike forever
A girl was missing two fingers
Gerry Ann was confused
Mr. Huberty
Had a gun in his head

So I sit up late in the morning
And ask myself again
How do they kill children?
And why do I wanna die?
They can no longer move
I can no longer be still

I hate
My way

Mojo Nixon – Elvis Is Everywhere

We are gonna lighten up today with a song from Mojo Nixon. Hope all of you are doing well on this holiday weekend… look around…Elvis is everywhere.

I was commenting with Paul and he  brought up Mojo Nixon and it’s probably been since the 1980s that I heard him. A popular Nashville rock station WKDF in the 80s would play this song and a few more by Mojo.

Mojo Nixon (Neill Kirby McMillan, Jr) started in the early eighties and he teamed up with  Skid Roper (Richard Banke). Mojo and Skip Roper wrote this song.

This song was released in 1987 and it was on his album Bo-Day-Shus!!!. Mojo has some fun music. I forgot about his songs until Paul pointed me toward him again and they came back to me. I’ll post one tomorrow also.

Nixon announced that he retired from the music business in 2004, playing his last live show in Austin, Texas. In 2009 he announced his “unretirement” and for a short time let anyone download his albums for free with this statement:

Can’t wait for Washington to fix the economy. We must take bold action now. If I make the new album free and my entire catalog free it will stimulate the economy. It might even over-stimulate the economy. History has shown than when people listen to my music, money tends to flow to bartenders, race tracks, late night greasy spoons, bail bondsman, go kart tracks, tractor pulls, football games, peep shows and several black market vices. My music causes itches that it usually takes some money to scratch

Elvis Is Everywhere

When I look out into your eyes out there
When I look out into your faces
You know what I see?
I see a little bit of Elvis
In each and every one of you out there

Lemme tell ya…
Weeeeeeeeeellllllll…
Elvis is everywhere
Elvis is everything
Elvis is everybody
Elvis is still the king

Man o man
What I want you to see
Is that the big E’s
Inside of you and me

Elvis is everywhere, man!
He’s in everything
He’s in everybody…

Elvis is in your jeans
He’s in your cheesburgers
Elvis is in Nutty Buddies!
Elvis is in your mom!

He’s in everybody
He’s in the young, the old
The fat, the skinny
The white, the black
The brown and the blue
People got Elvis in ’em too

Elvis is in everybody out there
Everybody’s got Elvis in them!
Everybody except one person that is…
Yeah, one person!
The evil opposite of Elvis
The Anti-Elvis

Anti-Elvis got no Elvis in ’em
Lemme tell ya

Michael J. Fox has no Elvis in him

And Elvis is in Joan Rivers
But he’s trying to get out, man!
He’s trying to get out!
Listen up Joanie Baby!

Elvis is everywhere
Elvis is everything
Elvis is everybody
Elvis is still the king

Man o man
What I want you to see
Is that the big E’s
Inside of you and me

Man, there’s a lot of unexplained phenomenon
Out there in the world
Lot of things people say
What the heck’s going on?

Let me tell ya!

Who built the pyramids?
ELVIS!
Who built Stonehenge?
ELVIS!

Yeah, man you see guys
Walking down the street
Pushing shopping carts
And you think they’re talking to allah
They’re talking to themself
Man, no they’re talking to ELVIS!
ELVIS! ELVIS!

You know whats going on in that Bermuda Triangle?
Down in the Bermuda Traingle
Elvis needs boats
Elvis needs boats
Elvis Elvis Elvis
Elvis Elvis Elvis

….

X – 4th Of July

First of all…Happy 4th of July to those that celebrate it! I also want to thank CB for bringing this song up last year on July 4th. I have posted the X version as well as Dave Alvin’s (who wrote the song) solo version of this song…I also threw in a live version from the Blasters.

This song was released in 1987 on X’s See How We Are album. The album peaked at #107 in the Billboard Album Charts.

This was written by the guitarist Dave Alvin, who had recently replaced Billy Zoom in X. Alvin still had ties with his former band, the Blasters, when he wrote the song, and in early 1986 he recorded the song with the group, with Nick Lowe producing. The sessions when downhill when Lowe decided that Dave should sing the song, not the group’s lead singer, his older brother Phil Alvin. The Blasters album was never released, and it ended up being an X song, with their vocalist John Doe singing it.

Nick Lowe told Dave Alvin something in these sessions that was interesting and career changing. Dave Alvin wrote the song but didn’t think he could sing it but Nick wanted him to. Lowe told him “I can’t sing either, but I’ve somehow made a living doing it.”

Lately I’ve been listening to a lot of Blaster’s music. Dave Alvin seems to cover everything from  blues, rock, rockabilly, country,  Americana and more. Here is a quote from him

I’ve always considered myself as basically a blues guy
but I don’t want to limit myself to what some people define as
blues. The “blues form” and the “blues scale” is a constant
in just about all American folk and roots music as well as jazz
and pop. Because of that, I can hear the blues in country music
as well as in the loud garage band down the block.
As a songwriter, if I feel like writing a polka one day,
I’ll write a polka. If I feel like writing a country song
or a rockabilly song, then I’ll do it. It’s hard enough
writing songs to have to bother yourself with somebody’s
categories.

Dave Alvin: “I wrote a long poem is how it really started,” Alvin said in the Zoo Bar’s upstairs dressing room before his latest show there last month. “It’s based on a true story in my life, back when I was a fry cook in Downey (California). Everything in the song is true,” “There was this little cul-de-sac and there were all these beat-up duplexes. We lived in the upstairs duplex. She didn’t want smoking in the place, so I’d sit on the top of the stairs and just stare at the cul-de-sac.”

“I was just trying to capture that moment. This is long before I even thought of being a songwriter. I was 21, 22 and I looked at the Mexican kids shooting fireworks and I looked at everything and I thought, ‘This is a song.’ Eight years later, I finally wrote it.”

From Songfacts

Alvin wrote a third verse, but decided the song had more impact without it, as it leaves the ending up to the listener. He told us: “When X wanted to record the song and we recorded a couple of demos for Elektra, one of the producers, who is a notable musician who shall remain nameless, said, ‘I’m not getting enough. It needs more.’ So, I thought, well, maybe I should pull that third verse back into it? But then I thought, no, it’s getting the point across. They’re either breaking up or they’re staying together.'”

This song is beloved by the band’s fans and has grown in popularity, but it was never a hit. A victim of timing, the late ’80s found X out-of-favor at radio stations, as anything perceived as “Punk” had a hard time getting airplay (Billy Idol excepted). A few years later, Nirvana knocked down that wall, but it was too late for “4th Of July.”

Live Blasters

Dave Alvin’s version

X 4th of July

4th of July

She’s waitin’ for me
When I get home from work
Oh, but things ain’t just the same
She turns out the light
And cries in the dark
Won’t answer when I call her name

On the stairs I smoke a
Cigarette alone
Mexican kids are shootin’
Fireworks below
Hey baby, it’s the Fourth of July
Hey baby, it’s the Fourth of July

She gives me her cheek
When I want her lips
But I don’t have the strength to go
On the lost side of town
In a dark apartment
We gave up trying so long ago

On the stairs I smoke a
Cigarette alone
Mexican kids are shootin’
Fireworks below
Hey baby, it’s the Fourth of July
Hey baby, it’s the Fourth of July

What ever happened I
Apologize
So dry your tears and baby
Walk outside, it’s the Fourth of July

On the stairs I smoke a
Cigarette alone
Mexican kids are shootin’
Fireworks below
Hey baby, it’s the Fourth of July
Hey baby, Baby take a walk outside

….

Teenage Fanclub – What You Do To Me ….Power Pop Friday

Power pop was well and alive during the 1990s. I remember this song in the early 90s but I never caught who did it. I heard it on our local alternate channel Lightning 100.

This band was from Scotland and they formed in Bellshill near Glasgow in 1989. They were influenced by Big Star, Badfinger, and the Byrds. They signed to the indie label Creation Records in Britain.

This song was off of their 3rd album Bandwagonesque and it was released in 1991. This was their breakthrough album in the US where it was distributed by Geffen Records. The album was voted album of the year by Spin magazine beating out Nevermind by Nirvana. Some critics called this album Big Star’s 4th because of the influence.

The album had several Top 20 hits on Billboard’s Modern Rock Tracks chart, including Star Sign, The Concept, and this song What You Do to Me. They played this song on Saturday Night Live on April 27, 1992.

Singer guitarist Norman Blake wrong this song.

The song peaked at #31 in the UK and #19 on the US Alternate Charts in 1991. The album peaked at #22 in the UK and #137 in the Billboard Album Charts. The album was #1 in the Billboard Heatseeker Album Charts.

BandwagonesqueCoverArt.png

From Wiki: The cover is designed by Sharon Fitzgerald. When Kiss member Gene Simmons, who had trademarked the logo of a moneybag with dollar symbol, was made aware of the record he sent a letter to Geffen Records, who in turn gave in and sent Simmons a cheque, according to Simmons’s book Sex Money Kiss.

The band is still together and has released a total of 11 studio albums.

What You Do To Me

What you do to me…
I know, I can’t believe
There’s something about you
Got me down on my knees.

What you do to me…
I know, I can’t believe
There’s something about you
Got me down on my knees.

What you do to me…
What you do to me…
What you do to me…
What you do to me…

What you do to me…
I know, I can’t believe
There’s something about you
Got me down on my knees.

What you do to me…
I know, I can’t believe
There’s something about you
Got me down on my knees.

What you do to me…
What you do to me…
What you do to me…
What you do to me…

What you do to me…
What you do to me…
What you do to me…
What you do to me…

Stems – Tears Me In Two

After hearing the song and seeing the video you would think 1965 NOT 1985. I would have loved to hear this in the eighties. This I could have gotten into a lot.

They debuted in March 1984 and released a series of independent records on Sydney’s Citadel Records. Each release made it to number one on the Australian alternative charts.

The Stems were a garage punk band formed in Perth, Western Australia in late 1983. They were hugely popular in Australia. They released this song in 1985 with a song “Cant Resist” as the B side. They would release 7 singles, 2 albums, and 2 EP’s between 1985-1987.

They broke up in 1987. Guitarist Dom Mariani explained: “I was not very happy with the way things were going towards the end of The Stems. We got quite big, and there are the usual problems that happen with that. People tend to drift apart, there are internal conflicts, egos going wild, and bad management was probably the major factor that contributed to The Stems breakup.”

The Stems regrouped in 2003 and played to packed houses across Australia and Europe. They disbanded again in 2009 and regrouped in 2013 and still play from time to time.

Tears Me In Two

All those things that you never said
All those words going through my head
Time after time I let her cry
I laughed and I laughed
And she waved goodbye

She waved goodbye
She waved goodbye
She waved goodbye
She waved goodbye
I said my prayers and shed my tears
All my dreams have become my fears
I wrote her letters that I could not send
My memories are my only friend

She waved goodbye
She waved goodbye
She waved goodbye
She waved goodbye
Everyone thinks that I am crazy
I can’t stand the things that they say
Think that I’ve been oh-so-cruel
Commit me with lies I did not do
I didn’t do them
You know I didn’t do them
Don’t tell me that I did them
You know I didn’t do them
I didn’t do them

I couldn’t stand it for a second more
I turn it down for, I want love for
Why can’t my heart leave me be
Tears me in two, can’t you see
I can’t stand it for a second more
I turn it down for, I want love for
Why can’t my heart leave me be
Tears me in two ways, can’t you see
Tears me in two ways
Come on baby
Take an look down there
Tears me in two ways