1970s – Page 20 – PowerPop… An Eclectic Collection of Pop Culture

Max’s Drive-In Movie – The French Connection

This movie was based on a true story. A book was written by Robin Moore called The French Connection about two real detectives named Eddie Egan and Sonny Grosso. Their screen counterparts were Jimmy ‘Popeye’ Doyle and Buddy ‘Cloudy’ Russo. It wasn’t an exact retelling of the true events but much of it aligned with the truth.

One thing I love about this movie is no one looks like a movie star in it. The style of this movie was like someone filming real life. That will probably be a theme here in these drive-in movies. I won’t cover just classics like this one though but I love gritty movies.

The plot is around two New York City cops who are trying to intercept a 32-million-dollar heroin shipment. They concentrate on ‘Popeye’ Doyle (Gene Hackman) who some would say is uncouth and doesn’t have a love for people. He is like a bulldog on a bone. There is nothing that will stop him. The main person they are chasing is Alain Charnier, a suave and urbane gentleman but is a supplier of pure heroin to America.

The Car Chase. Oh yes, this one is different and very intense. Popeye is chasing a train that is above the street. He stops a pedestrian and uses his car and it is unrelenting. A little trivia… it was shot with no permits and featured actual crashes with real New Yorkers. They did have a few policemen that controlled traffic for the shot but the chase then went into unpatrolled places. Gene Hackman did a lot of the driving but the dangerous stunts in the chase were performed by stuntman Bill Hickman.

The stars Gene Hackman and Roy Scheider patrolled with the real subjects… Eddie Egan and Sonny Grosso for a month. Hackman even helped restrain a subject at one stop.

Let’s go to the director now. Before this film, William Friedkin was best known as a documentary maker. That probably helped the realism in this movie. He had directed a few TV movies and movies before though. He would later direct The Exorcist.

Quotes

Jimmy ‘Popeye’ Doyle: All right! You put a shiv in my partner. You know what that means? Goddammit! All winter long I got to listen to him gripe about his bowling scores. Now I’m gonna bust your ass for those three bags and I’m gonna nail you for picking your feet in Poughkeepsie.
[a few scenes later:]
Walt Simonson: Popeye. You still picking your feet in Poughkeepsie?

The line “picking your feet in Poughkeepsie” was used in real life by real cop Eddie Egan while interrogating suspects. Grosso and Egan would play good cop and bad cop. It’s a phrase that Egan would sometimes use during interrogations to disorient and confuse suspects during interrogations, with the aim of Grosso getting them to open up by asking more direct queries actually related to the case.

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Love Valley Rock Festival…1970

Today is the 44th anniversary of this Rock Festival at Love Valley.

What a festival this was and what a town it still is. It happened in Love Valley North Carolina. The headliners were The Allman Brothers who at that time only had one album out and were largely unknown to the masses. This huge festival was soon known as Woodstock South. Between 100,000-200,000 showed up.

A man named Andy Barker always wanted to live in a western town. When he was 29 years old he bought some land in 1954 and moved his family there. The land was in Iredell County and he he built the town and it was chartered in 1963. It has a saloon, hitching posts, a small church, and more. No cars are allowed in town…you can walk or ride a horse through.

It’s the place for riding horses, rodeos, and hiking trails with 2000 acres to cover. The population of Love Valley is right now at 96. Through the years it seems to stay around 100.

In 1969 Andy’s daughter Tonda wanted to go to Woodstock but he thought she was too young. So he asked her and her 16-year-old brother Jet Barker to organize a festive concert in Love Valley. While in college she had worked with an entertainment coordinator at college and knew the ropes. She managed to secure the Allman Brothers Band who at the time were known in the south but that is about it. They also got some more local bands to fill it out…it was a large bill. It took place Thursday, July 16-18, 1970.

One interesting thing that happened was that the Hell’s Angels and Outlaws showed up to battle each other. According to witnesses, Andy Barker stopped them, confiscated a chain and ax from each, and told them there would be no trouble there. They seemed to respect this man because after that the gangs dispersed and some camped out with no reported trouble. The festival went off without any major hitch.

Tonda: “It was perfect, it was like a dream. We had worked so hard and we could finally just sit down and enjoy it.”

Andy planned to make a documentary of it but it didn’t happen. All we have to look at is some grainy footage but that grainy footage shows Duane Allman a year before At Fillmore East was released. They were finishing up their second album Idlewild South at this time. Some very nice bootlegs are out there from their multiple sets.

Along with the Allman Brothers, the lineup consisted of these bands: Big Brother and the Holding Company (without Janis), Radar, Peace Core, Wet Willie, Johnny Jenkins, Tony Joe White, Hampton Grease Band, Donnydale, Catfish Freedom, Sundown, Chakra, Hot Rain, Kallabash, Warm Stone Blind, Captain John’s Fishmarket. There were over 40 bands over that weekend.

Some like Wet Willie would go on to have a few hits. Tony Joe White had a top ten hit with Polk Salad Annie the year before.

Ed Buzzell was a UPI stringer and took these photographs...they are amazing. They don’t show many bands…just the people…you feel like you are there.

Coming Soon… Kinks Weeks starts on August 12

On August 12, 2024, I will post two weeks of Kinks songs from different bloggers… I’m looking forward to it as we will hit many Kinks eras… 1963 – 1993.

See You Then! Also…a huge thank you to all the bloggers who agreed to do this. I really appreciate you giving your time for this. I think the readers will enjoy it.

Family – Burlesque

Destination BurlesqueI got all my cards in one shoe

I posted the Streetwalkers last Sunday and I got a lot of positive comments so I thought I would post the band that started them. I kept hearing the song Burlesque played by the Streetwalkers but could not find a studio version… it’s because Family did the original.

Some of the UK readers may know more about this band. I like what I’ve heard from them. I’m no expert but they blend progressive rock, blues, folk, and psychedelia. Just like I said with The Streetwalkers…Roger Chapman is a hell of a lead singer…he was the lead singer for both bands.

Altogether they released 7 studio albums that were quite successful. All of their studio albums were top 40 in the UK with 3 being in the top 10 and two in the top 20. This song was on their album Bandstand released in 1972. The song peaked at #13 and the album peaked at #15 in the UK. They also had one album called Anyway that peaked at #18 on the Billboard 200 in 1970.

Family was formed in Leicester, England, in 1966 by Roger Chapman (vocals), John Charlie Whitney (guitar), Jim King (saxophone, harmonica, vocals), Ric Grech (bass, violin, vocals), and Rob Townsend (drums). The name that pops out to me is Ric Grech who was the bass player for supergroup Blind Faith.

Whitney lays down some great guitar and Chapman does his usual fantastic job of singing. This is a band that I’m going to explore. Some trivia here…their debut album I’ve heard of from reading about The Beatles. It was called “Music in a Doll’s House” and released in 1968. The Beatles were going to name their new album “A Doll’s House” and even had a cover drawn up but changed their mind after Family’s album. Instead of that name…they chose The Beatles, or as it’s more popularly known as The White Album.

Chapman and guitarist Charlie Whitney were the primary songwriters for Family. They often sought to blend various musical styles and to experiment.

Roger Chapman: Charlie would come up with these difficult and magical chord sequences that were just outrageous, and I had some lyrics and just sang a melody straight through them. I could do that without even thinking about it. Maybe if he had been with a more classical person there might have been a more classical direction to these chords. I was the simple one! I had one talent, he had the other, and we merged together very well, it seems.

I thought I would give you the studio version by Family and a great live version by the Streetwalkers.

Burlesque

Rolling and tumbling ain’t done me no harmGonna boogie my night all awayRita and Greta been twisting my arm intoHeading out westDown to the BurlesqueSaving my ace through to you

Well, drinking and sinking, I’m feeling alrightRight down to my snakey spat shoesJust about shutdown and three in the nightBecause I’m heading out westDown to the BurlesqueShow ’em a moon at the door

We got to show the Burlesque

Rolling, tumblingSure ain’t done me no harmDrinking, sinkingJust been too bad on my arm

Well I finally lost Rita and Greta went homeI guess that leaves just me and youBeen kinda sneaky to get you aloneOh but you in that dressDestination BurlesqueI got all my cards in one shoe

I got all my cards in one

Rolling, tumblingSure ain’t done me no harmDrinking, sinkingJust been too bad on my arm

Well I finally lost Rita and Greta went homeI guess that leaves just me and youBeen kinda sneaky to get you aloneOh but you in that dressDestination BurlesqueI got all my cards in one shoe

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Band – Acadian Driftwood

Everlasting summer filled with ill-content
This government had us walkin’ in chains
This isn’t my turf
This ain’t my season
Can’t think of one good reason to remain

I will say that my favorite Canadian export is The Band. Combine the 4 Canadians with one southern American and you have ~~gold~~…no scratch that… you have diamonds. Something I will confess about this band… after I’ve heard songs like The Weight, all of my life, sometimes I don’t realize or forget…wow that is great songwriting! I guess because those songs are so ingrained in my head and I don’t give them as much notice but I want to say something about that now. After posting Daniel and the Sacred Harp and now Acadian Driftwood…my respect for Robbie Robertson’s songwriting knows no bounds. This is songwriting at its best. Don’t get me wrong…I always knew those popular songs were great but I took The Band for granted for a while.

Robertson was inspired by the history of the Acadians, a group of French settlers in Canada who were forcibly removed from their land during the Great Expulsion (Le Grand Dérangement) between 1755 and 1764. This event scattered the Acadians across various regions, including Louisiana, where they became known as Cajuns. He was also influenced by Henry Wadsworth Longfellow’s 1847 poem Evangeline, which describes the deportation of Acadians

Just like with Daniel And The Sacred Harp this song showcases the vocals of Rick Danko, Levon Helm, and Richard Manuel. Each takes a turn singing different parts of the song, contributing to the narrative’s depth and meaning. There were some other Americana bands but none sounded like The Band.

Who would even think about writing a song about this subject? The song was on the Northern Lights – Southern Cross album released in 1975. The album peaked at #27 in Canada and #26 on the Billboard Album Charts.

Anyway…now when I listen to The Weight, Cripple Creek, The Night They Drove Old Dixie Down, and the other well-known Band songs…I will stop and listen a little more carefully.

Acadian Driftwood

The war was over and the spirit was broken
The hills were smokin’ as the men withdrew
We stood on the cliffs
Oh, and watched the ships
Slowly sinking to their rendezvous
They signed a treaty and our homes were taken
Loved ones forsaken
They didn’t give a damn
Try’n’ to raise a family
End up the enemy
Over what went down on the plains of Abraham

Acadian driftwood
Gypsy tail wind
They call my home the land of snow
Canadian cold front movin’ in
What a way to ride
Oh, what a way to go

Then some returned to the motherland
The high command had them cast away
And some stayed on to finish what they started
They never parted
They’re just built that way
We had kin livin’ south of the border
They’re a little older and they’ve been around
They wrote a letter life is a whole lot better
So pull up your stakes, children and come on down

Fifteen under zero when the day became a threat
My clothes were wet and I was drenched to the bone
Been out ice fishing, too much repetition
Make a man wanna leave the only home he’s known
Sailed out of the gulf headin’ for Saint Pierre
Nothin’ to declare
All we had was gone
Broke down along the coast
But what hurt the most
When the people there said
“You better keep movin’ on”

Everlasting summer filled with ill-content
This government had us walkin’ in chains
This isn’t my turf
This ain’t my season
Can’t think of one good reason to remain
We worked in the sugar fields up from New Orleans
It was ever green up until the floods
You could call it an omen
Points ya where you’re goin’
Set my compass north
I got winter in my blood

Acadian driftwood
Gypsy tail wind
They call my home the land of snow
Canadian cold front movin’ in
What a way to ride
Ah, what a way to go

…

Skylab was Falling! 45 Years Ago Today

On July 12, 1979, Skylab fell back to the earth. Today is the anniversary. I would have never dreamed I would remember it years on.

In 1979 I was twelve and heard the news that a space workstation named Skylab was falling to Earth. It was exciting for me…I was hoping that a piece of it would fall near so I could touch something that had been flying through space. When you are a kid that is a big deal. Well, it still would be to me.

That didn’t happen because unless I was Australian I wasn’t going to see any debris. In school, our science teacher went over the event and I do remember people wearing Skylab t-shirts, hats, and buttons. Everyone was looking up hoping to see something…anything. Some kids were scared they were going to get crushed…that is when I learned that what goes up must go down.

Watching the news… some people were panicking and…some partying. This is from Newsweek in 1979

In various parts of the country, wags painted X’s on their neighbors’ roofs or sported T-shirts with targets on the back. Entrepreneurs sold plastic helmets and Skylab survival kits compete with bags for collecting stray parts of the spacecraft and letters suing NASA for damages. “I don’t know how much we’re making, but we’re having fun,” said Steven Danzig, 25, of Bloomington, Ind., who sold more than 20,000 such kits. In Washington, a bar called Mr. Smith’s sold a concoction dubbed the Chicken Little Special.

Around the U.S., there were Skylab parties to coincide with the crash, and betting pools on precisely when or where the debris would come streaking back to earth.

Skylab was designed to go up but not come back down. It was launched in 1973 and was occupied for almost 24 weeks. There was a lot of time and money spent on how to get it up there but not much time on how to get it down. It only had a 9-year life span, to begin with. In 1979 it was clear that Skylab was rapidly descending orbit.

On July 12, 1979, Skylab came back to earth in the Indian Ocean and in Western Australia. No one was injured by the falling debris.

The San Francisco Examiner offered a $10,000 ($45,309.60 today) reward for anyone bringing a part of Skylab to their office. They knew it wasn’t going to hit America so it was a safe bet they would not have to pay…but Stan Thornton…an Australian truck driver heard about the reward, grabbed a piece of debris, and jumped on a plane to San Francisco and got the reward.

Stan Thornton collecting his $10.000

David Bowie – Moonage Daydream

I like all the eras of the ever-changing David Bowie but his early to mid-seventies is my favorite. Love this song with its loud intro with Bowie as Ziggy Stardust. I knew a lot of his music as a kid because my sister liked Ziggy Stardust.

It was on the album The Rise and Fall of Ziggy Stardust and the Spiders From Mars released in 1972. Read that review if you have time…the album was one of his best to me. He wrote the song after meeting Fred Burrett a fashion designer in the early 70s. The album peaked at #5 in the UK, #21 on the Billboard Album Charts, #20 in New Zealand, and #59 on the Canadian Charts.

The original version of Moonage Daydream was released in 1971 under the name Arnold Corns, a side project Bowie used to test new material. Bowie formed Arnold Corns in early 1971. The name was inspired by the Pink Floyd song Arnold Layne. He combined Fred Burrett and Arnold Corns and wrote songs for the test band.

From Wiki…Arnold Corns included: David Bowie, Freddie Burretti (he changed his name), Mick Ronson, Mark Carr-Pritchard, Trevor Bolder, and Mick Woodmansey.

This song helped inspire Jack and Meg White to form The White Stripes. Jack was playing it on guitar and Meg started to play along and they formed their band.

Moonage Daydream

I’m an alligator, I’m a mama-papa coming for you
I’m the space invader, I’ll be a rock ‘n’ rollin’ bitch for you
Keep your mouth shut, you’re squawking like a pink monkey bird
And I’m busting up my brains for the words

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Don’t fake it, baby, lay the real thing on me
The church of man, love, is such a holy place to be
Make me baby, make me know you really care
Make me jump into the air

Keep your ‘lectric eye on me, babe
Put your ray gun to my head
Press your space face close to mine, love
Freak out in a moonage daydream, oh yeah

Freak out, far out, in out

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Max’s Drive-In Movie – Dirty Harry

Drive your car up to my place and find your spot….and we won’t even check the trunks for free stowaways (which I was a lot). Sit back while we watch some movies. I will keep each of these as short as possible.

CB sparked this idea…I wanted to review more movies and what better movies than 1960s – 1970s drive-in flicks? I love these movies because they are mostly gritty and realistic looking…you never know what you will see or hear. I will try not to give away the ending of these films because many might not have seen them.

The quotes from this movie alone could fill up a book. This movie and The French Connection helped start the antihero movies of the seventies. I like many Eastwood films especially the Trilogy made in the sixties. In this movie, Dirty Harry has a tough, no-nonsense approach to law enforcement. He is willing to bend or break the rules to get the job done, which often puts him at odds with his superiors and the legal system. His most famous line, “Do you feel lucky, punk?” has become iconic.

The movie is based out of San Francisco and the characters are really tangible. You have the mayor and police chief fighting with Harry over regulations and Harry is single-minded going after the killer. The film was well-received by critics for the most part. It highlights both vigilante justice and the large bureaucracy that holds everything back. It gives you a view of both.

As good as Eastwood is in this movie, it’s Andrew Robinson who really got my attention. Some bad guys are like cartoon caricatures but not this one. He played The Scorpio Killer in this movie. He based some of it off the real Zodiac Killer of the 60s and 70s. Robinson played that part so well that he was stereotyped after the movie’s release. When you saw him on the screen he personified a killer. This is not Jason or slasher films bad guys…this one hit home because he was so real.

Director Don Siegel did a hell of a job directing this movie. “I enjoy the controversy because if you make a film that’s safe, you’re in trouble. I’m a liberal; I lean to the left. Clint is a conservative; he leans to the right. At no point in making the film did we ever talk politics. I don’t make political movies. I was telling the story of a hard‐nosed cop and a dangerous killer. What my liberal friends did not grasp was that the cop is just as evil, in his way, as the sniper.”

My favorite scene… Harry is eating a hotdog and notices a bank getting robbed. He takes action and single-handedly stops the robbers. He teases one robber that he shot.

I’m lifting the short storyline out of IMDB

“Dirty Harry” follows San Francisco Police Inspector Harry Callahan, a tough, rule-bending officer known for his unorthodox methods and willingness to confront criminals head-on. The film’s central antagonist is the Scorpio Killer, a sadistic serial murderer who taunts the police with cryptic messages and demands ransom money in exchange for stopping his killing spree.

Callahan’s pursuit of Scorpio takes him through the streets of San Francisco, leading to intense confrontations and moral dilemmas. As the body count rises, Callahan’s relentless quest for justice puts him at odds with his superiors, who are more concerned with following protocol than stopping the killer by any means necessary.

Favorite Quotes:

The Mayor: Callahan… I don’t want any more trouble like you had last year in the Fillmore district. You understand? That’s my policy.
Harry Callahan: Yeah, well, when an adult male is chasing a female with intent to commit rape, I shoot the bastard – that’s my policy.
The Mayor: Intent? How’d you establish that?
Harry Callahan: When a naked man is chasing a woman through a dark alley with a butcher knife and a hard on, I figure he isn’t out collecting for the Red Cross.
The Mayor: I think he’s got a point.
Harry Callahan: Uh uh. I know what you’re thinking. “Did he fire six shots or only five?” Well to tell you the truth in all this excitement I kinda lost track myself. But being this is a .44 Magnum, the most powerful handgun in the world and would blow your head clean off, you’ve gotta ask yourself one question: “Do I feel lucky?” Well, do ya, punk?

The success of Dirty Harry led to four sequels: “Magnum Force” (1973), “The Enforcer” (1976), “Sudden Impact” (1983), and “The Dead Pool” (1988).

Quentin Tarantino talks about Dirty Harry

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Oddest Concert Pairings

I have always liked odd mixtures. Anything out of the norm and I pay attention. That is why I blog about the past more than today. I liked the 60’s and 70’s era because houses, cars, and music were for the most part unique. I couldn’t tell a Ford from a Chevy today. A lot of new houses look just alike in cloned neighborhoods.

I would have loved to have been at one of these concerts.

Jimi Hendrix / Monkees 1967 – This is number one on my list. Can you imagine the young Monkee fans hearing the sonic volume of Jimi Hendrix? Jimi had to play while a bunch of 12-year-old girls screamed “We want the Monkees” and “We want Davy. ” It was the sixties and Peter Tork said: “It didn’t cross anybody’s mind that it wasn’t gonna fly.”

The Who / Herman Hermits 1967 – Smash your guitar and drums. Hope I Die Before I Get Old and then Mrs Brown You’ve Got A Lovely Daughter?… You can imagine Peter Noone tripping over shards of guitars every night.

Lynyrd Skynyrd / Queen 1974 – This one is a head-scratcher. The theatrical Queen and the southern boys from Florida just don’t seem a great match. It was a European tour and Lynyrd Skynyrd got a lot of recognition from it. They were probably more popular in the UK than here at one time.

Bruce Springsteen / Anne Murray 1974 – This one is baffling. Anne Murray’s managers demanded that Bruce open the show for Anne in NYC! They argued she was more successful and she was…but this was New York and Bruce Springsteen…what a fatal mistake…halfway through Bruce’s set Anne’s managers regretted their decision. Many of the audience had left by the time Anne took the stage.

The Ramones/Toto 1979 – This one doesn’t make sense at all…what promoter thought this through? The laid-back ToTo fans sat through the Ramones but Toto singer Bobby Kimball came out and apologized to the crowd for the “horrible band” they had to sit through. Nothing against Toto but give me The Ramones!

Cher/Gregg Allman 1977 – Yes they were married but what an odd concert to go to. You have Gregg who was one of the best blues singers at that time and Cher…who was Cher…Gregg Allman mentions in his book “My Cross to Bear” that the audience was mixed…some with tuxedos and some with denim jackets and backpacks and there were fights at each show on the tour between the two sets of fans.

Gregg Allman

“It was right after that—the tuxedos against the backpacks, because I think the Allman Brothers outnumbered the Sonny and Chers—that Cher came to me, and the poor thing was just crying. I asked her what was wrong, and she told me, “We’ve got to cancel the rest of the tour, because I can’t stand the fighting.” So we ended it right then, which was about halfway through it. We went home the next day, and that was the last time I ever played with her.”

The Ramones / Ted Nugent, Aerosmith 1979 – Bottles and debris were thrown at The Ramones from the crowd as Johnny Ramone was shooting birds at the audience.

Johnny Ramone about this concert…

“About five or six songs into the set, the whole crowd stood up, and I thought it had started to rain. Dee Dee thought the same thing, but they were throwing stuff at us – sandwiches, bottles, everything. Then, all of a sudden, I broke two strings on my guitar in one strum. I thought it was a sign from God to get off the stage, because I’d rarely break a string, maybe once a year. So I just walked to the front of the stage, stopped playing, and gave the audience the finger – with both hands. I stood there like that, flipping them off, with both hands out, and walked off. The rest of the band kept playing for another ten or fifteen seconds until they’d realized I was walking off, and then they did too. I wasn’t gonna stand there and be booed and have stuff thrown at us without retaliating in some way. We had to come off looking good somehow, and there was no good way to get out of that.”

Streetwalkers – Daddy Rolling Stone

I love the energy of this song. It has rock, soul, gospel, a tinge of blues plus a super lead singer. They did a great job of this Otis Blackwell song.

CB sent a link months ago on this band and got lost in the shuffle. I really like Roger Chapman’s voice. They were not a singles band…more like really great album tracks and I was enjoying them on my work trip last week. This song, however, would have fit in on the radio beside the Stones with no problem.

After the breakup of the band Family in 1973, Roger Chapman and Charlie Whitney decided to continue their musical collaboration. They initially formed a group called Chapman-Whitney Streetwalkers, which later became simply Streetwalkers. They knew the lineup would be fluid and it was from then on.

The initial lineup included Chapman and Whitney, along with other musicians such as John Wetton (bass), who later became famous with King Crimson and Asia, and drummer Ian Wallace, also from King Crimson. Another bass player they had, Nicko McBrain, later joined Iron Maiden. Ric Grech (bass player for Blind Faith) was also with them at times.

This song was on their album Red Card released in 1976. It’s full of great songs. That is the album I’ve been listening to recently. Red Card peaked at #20 on the UK charts in 1976.

The band had some internal tensions and the changing musical tastes (disco) led to the band’s disbandment in 1977. Roger Chapman and Charlie Whitney went on to pursue solo projects, with Roger Chapman achieving some success as a solo artist in Europe.

They released 4 studio albums, 2 live, and one greatest hits. They were a band that deserved more attention globally than they got. I’m also going to check the band Family out more now. Below is a video of them on the Old Grey Whistle Test…it should be ready to play Daddy Rolling Stone.

Daddy Rolling Stone

Now girls you think you’ve had lovin’ (yeah)
And girls you think you’ve had fun (yeah)
And sisters you ain’t seen nothin’ (yeah) till I come along

(Daddy Rolling) Oh, what’s my name ?
(Daddy Rolling) Yeah yeah yeah, what’s my game ?
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy, Daddy Rolling Stone, yeah yeah yeah

I’ve got a friend named Tony (yeah)
He’s got a girl named Cherise (yeah)
I’m gonna get that girl though he’s twice my size and I know I can do it like this

(Daddy Rolling) Oh, sing it to me
(Daddy Rolling) Yeah yeah yeah …
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy, Daddy Rolling Stone

That’s my name

Now girls you think you’ve had lovin’ (yeah)
And girls you think you’ve had fun (yeah)
And sisters you ain’t seen nothin’ (yeah) till I come along

(Daddy Rolling) Oh, what’s my name ?
(Daddy Rolling) Yeah, what’s my game ?
(Daddy Rolling) Oh well, I’m Daddy, I’m Daddy

…

Frank Zappa – Catholic Girls

I grew up listening to Zappa on the American Top 40 show with Casey Kasem. Uh…scratch that. No, I only heard Zappa when I was over at a friend’s house with an older brother’s record collection. This was the first song I ever heard by him and it sticks with me after listening to it. The second song was Don’t Eat The Yellow Snow but I always favored this one.

This song reflects Zappa’s typical satirical style, poking fun at religion and society. I could only guess how many people were offended by this one. His songs still feel vibrant and new.

It was on the album Joe’s Garage which was released in two parts. “Act I” came out in September 1979, while “Acts II & III” followed in November 1979. The entire album was later released as a triple LP. He came up with the idea for Joe’s Garage as a satire on the music industry, government censorship, and society in general.

The album was about Joe, a young guitarist who started a garage band. The band gains popularity, but Joe soon faces disillusionment with the music industry. He gets involved with a groupie named Lucille, contracts a venereal disease, and ends up in trouble with the law.

I thought just maybe this would have been released as a single. Hell, he released the song Bobby Brown but not this one.

One thing the man didn’t get as much credit for as he deserved…his guitar playing was phenomenal.

Catholic Girls

Catholic GirlsWith a tiny little mustacheCatholic GirlsDo you know how they go?Catholic GirlsIn the Rectory BasementFather Riley’s a fairyBut it don’t bother Mary

Catholic GirlsAt the CYOCatholic GirlsDo you know how they go?Catholic GirlsThere can be no replacementHow do they go, after the show?

All the way(That’s right, all the way!)That’s the way they goEvery day(That’s right!)And none of their mamas ever seem to knowHip-Hip-HoorayFor all the class they showThere’s nothing like a Catholic GirlAt the CYOWhen they learn to blow

They’re learning to blowAll the Catholic Boys!Warren CuccurulloCatholic Boys!Kinda young, kinda WOW!Catholic Boys!Vinnie Colaiuta . . .

Where are they now?Did they all take The Vow?

Catholic Girls!Carmenita Scarfone!Catholic Girls!Hey! She gave me VD!Catholic Girls!Toni Carbone!

With a tongue like a cowShe could make you go WOW!

VD Vowdy vootieRight awayThat’s the way they goEvery dayWhenever their mamas take them to a showMatineePass the popcorn pleaseThere’s nothing like a Catholic GirlWith her hand in the boxWhen she’s on her knees

She was on her kneesMy little Catholic GirlChorus:In a little white dressCatholic GirlsThey never confessCatholic GirlsI got one for a cousinI love how they goSo send me a dozenCatholic GirlsOOOOOOH!(Well well now)Catholic Girls(Ma-ma-mum ma-ma-mum)Yai-ee-ahhh!Catholic GirlsOOOOOOH!(Well well now)Catholic Girls(Ma-ma-mum ma-ma-ma-ma-mum)Yai-ee-ahhh!

Joe had a girl friend named Mary.They would meet each other at the Social Club.Hold handsAnd think Pure ThoughtsBut one night, at the Social Club meeting…

…

Car Songs…Part 3

It’s a lot of fun doing these Car Songs…I could probably do one on just Cadillac songs alone! I hope you enjoy these. I try to pick songs with a car title in them. That is why I haven’t done Drive My Car and others. But I’m breaking that today…I am including a bonus.

Blasters – Long White Cadillac

A perfect road trip song from the 1983 album Non-Fiction. You’ll want to go out and buy a long white Cadillac and drive it on a long-lost highway. Dave Alvin wrote this song….The song is about the night Hank Williams died in back of a car. He died somewhere between Bristol, Tenn., and Oak Hill on the way to a New Year’s Day 1953 show in Canton, Ohio.

Dwight Yoakum recorded a version of this song in 1989 for his first greatest hits package Just Lookin’ for a Hit.

The Tom Robinson Band – Grey Cortina

This song was on his fantastic album Power In The Darkness. If you want to know a little more about him…I posted a song by the singer-activist a few months ago with the song Up Against The Wall. He has some great music and this album is great through and through.

Tom DID get his Grey Cortina in real life but… unfortunately, he said: “I bought the Cortina and it lasted 1 day before somebody ran into it and wrote it off (my fault) :-(“

Clash – Long Black Cadillac

This was a great cover by The Clash. It was on the London Calling album released in 1979. They started off as a punk band but The Clash, unlike some other Punk bands, could really play and sing well…, especially Mick Jones. He was probably the best pure musician in the band.

The song was originally by Vince Taylor and released in 1959. It was the B side to a song called Pledging My Love. Taylor wrote the song but Tony Sheridan is credited with the cool guitar riff running through the song. The song’s riff reminds me of the original Batman riff…or really the other way around.

Wilson Pickett – Mustang Sally

The music is in groove mode, but Pickett’s explosive voice drives it home. Mustang Sally was recorded at FAME studios in Muscle Shoals, Alabama. The studio had a unique sound plus some of the best musicians anywhere. It started to get the attention of Atlantic Records and they sent Pickett to record there. Later on, a guitar player known as Duane Allman would end up as a studio musician and talked Pickett into recording Hey Jude.

As soon as they finished this take… the tape flew off the reel and broke into pieces everywhere. Producer Tom Dowd cleared the room and told everyone to return in half an hour. Dowd pieced the tape back together and saved what became one of the coolest songs of the decade.

Quiet Riot – Slick Black Cadillac

This one is for my friend Deke. The song originally appeared on Quiet Riot’s second album, Quiet Riot II, released in 1978. This album was only released in Japan. A re-recorded version of Slick Black Cadillac was included on their more widely known album, Metal Health, released in 1983.

In high school, this album was played and played by our local rock station.

Bonus today…

Cars – Gary Numan

This was suggested by glyn40wilton… This song was released in 1979 was one of many signs a change was coming in music. The song peaked at #9 in the Billboard 100, #1 in the UK and #1 in Canada. The song was keyboard-driven with a synth riff.

Gary Numan on the inspiration of the song. “A couple of blokes started peering in the window and for whatever reason took a dislike to me, so I had to take evasive action. I swerved up the pavement, scattering pedestrians everywhere. After that, I began to see the car as the tank of modern society.”

Numan has stated that he has Asperger syndrome, which is a mild form of autism, but until he was diagnosed, he had a lot of trouble relating to other people.

Dirty Mary, Crazy Larry

In 1974 I was 7 years old and my aunt…who was watching me for the night took me to see Dirty Mary, Crazy Larry, and Gone in Sixty Seconds (the original of course). Car chase movies were popular at the time and this was a good one. The cast includes Peter Fonda, Susan George, Adam Roarke, Roddy McDowall, and Vic Morrow. Kenneth Tobey was in the movie also…not a huge part but really good.

This movie always stuck with me because it is so real. It took a British director named John Hough to film this Americana car movie and he used the low budget to great effect – no studio sets, no process shots, no fakery…

It is a B movie but a fun B movie. Larry Rayder (Peter Fonda) is an aspiring NASCAR driver, Deke Sommers (Adam Roarke) is a mechanic. As they feel they collectively are the best, the only thing that is holding them back is money to build the best vehicle possible. They decide to rob a supermarket and are successful as they steal 150,000 dollars.

Larry’s one-night stand, Mary Coombs (Susan George) talks them into letting her go with them. The best part for me is when they steal a 1969 Dodge Charger R/T from a Flea Market. Fonda lives up to his name in this movie for the most part. Susan George’s character starts to realize this and starts to think that Adam Roarke is the one she should have liked.

Vic Morrow is fantastic in this movie as he always is in his films. A very tangible character that seems real. He was one actor who seemed completely natural in his roles. It was like he wasn’t acting at all.

I love cars and this was a time when cars actually looked different. They used three cars in this movie for the Charger. Two for the stunts and the main one for the normal shots. The color of them was Citron Yellow. A yellow car with a green tint. In the original movie, the car looked banana-yellow because of someone doing a wrong color correction. In the blue ray version, the car is like it was…Citron Yellow.

Dirty Mary Crazy Larry car yellow — This is one I found of the color of the car with the original movie after the “color correction.”

The car's original color — The car’s original color before color correction

A lot of the stunts were done by Peter Fonda. Susan George and Fonda both said that in the chase scenes, Fonda would be going over 100 mph with cars bumping into them. George has said that many of her screams were in fact real. The other stunts were done by stunt driver Carey Loftin. All without the aid of CGI, adding to the film’s excitement. That is why it looks so real…because it is.

The budget was 1.4 million and made over 28 million dollars (178 million today) back in 1974. When it was released, the film received mixed reviews from critics. However, it has since gained a cult following, particularly among fans of car chase films and 1970s cinema. It does have a great car chase. My favorite car chase in a movie is a 40-minute one in Gone in Sixty Seconds also released in 1974.

If you are bored and want to watch an entertaining car chase movie, you might like this one. Citizen Kane, it’s not but it’s a fun movie in which Peter Fonda made a fortune from a percentage deal he made. It really caught fire with Drive-In Theaters. If you have seen the movie and want to see a really good film locations video…watch this.

The filming locations were around Stockton California.

George Thorogood and the Destoyers – One Bourbon, One Scotch, One Beer

I accidentally published this yesterday around 5:30 CST by mistake…I took it back off the market pretty quick…I apologize to anyone who was trying to view it.

I first heard of George Thorogood when I watched the movie Christine back in the 1980s and the song Bad to the Bone. This song is what a grimy bar (not a dance club) in the 1980s sounded like…trust me. When I heard this song I was in high school in Graphic Arts class while Mr Hall, the teacher, was listening to it. He would tell us stories of traveling to Memphis to see artists like Jimi Hendrix.

The song’s roots trace back to the 1950s, originally written by Rudy Toombs and recorded by rhythm and blues artist Amos Milburn in 1953. Milburn’s version was a straightforward R&B number, capturing the era. John Lee Hooker gave the song a new lease on life. Hooker’s rendition infused it with a talking blues style, adding to the future interpretations.

Thorogood supercharged the song. He didn’t just cover it…he transformed it into an epic medley by incorporating elements from Hooker’s House Rent Boogie. It was released by George Thorogood and the Destoyers on their self-titled debut album in 1977.

What makes the live version work so well is the storytelling. It sets up the dynamics of the song perfectly.

One Bourbon, One Scotch, One Beer

Want to tell you a storyAbout the house-man bluesI come home one FridayHad to tell the landlady I’da lost my job

She said that don’t confront meLong as I get my money next FridayNow next Friday come I didn’t get the rentAnd out the door I went

So I goes to the landladyI said you let me slide?I’ll have the rent for you in a monthNext I don’t know

So said let me slide it onI notice when I come home in the eveningShe ain’t got nothing nice to say to meBut for five year she was so nice

Loh’ she was lovy-dovyI come home one particular eveningThe landlady saidYou got the rent money yet?

I said no, can’t find no jobTherefore I ain’t got no moneyTo pay the rentShe said I don’t believe

You’re tryin’ to find no jobSaid I seen you today you was standin’ on a cornerLeaning up against a postI said but I’m tired

I’ve been walkin’ all dayShe said that don’t confront meLong as I get my money next FridayNow next Friday come I didn’t have the rent

And out the door I wentSo I go down the streetsDown to my good friend’s houseI said look man

I’m outdoors you knowCan I stay with you maybe a couple days?He said let me go and ask my wifeHe come out of the house

I could see it in his faceI know that was noHe said I don’t know manAh she kinda funny, you know

I said I knowEverybody funny, now you funny tooSo I go back homeI tell the landlady I got a job

I’m gonna pay the rentShe said yeah? I said oh yeahAnd then she was so niceLoh’ she was lovy-dovy

So I go in my roomPack up my things and I goI slip on out the back doorAnd down the streets I go

She a-howlin’ about the front rentShe’ll be lucky to get any back rentShe ain’t gonna get none of itSo I stop in the local bar you know people

I go to the bar, I ring my coatI call the bartenderSaid look man, come down hereHe got down there

So what you want?One bourbon, one scotch, one beerWell I ain’t seen my babySince I don’t know when

I’ve been drinking bourbon, whiskeyScotch and ginGonna get high man I’m gonna get looseNeed me a triple shot of that juice

Gonna get drunk don’t you have no fearI want one bourbonOne scotch and one beerOne bourbon, one scotch, one beer

But I’m sitting now at the barI’m getting drunk, I’m feelin’ mellowI’m drinkin’ bourbonI’m drinkin’ scotch

I’m drinkin’ beerLooked down the barHere come the bartenderI said look man, come down here

So what you want?One bourbon, one scotch, one beerNo I ain’t seen my baby sinceThe night before last

Gotta get a drink manI’m gonna get gassedGonna get high manI ain’t had enough

Need me a triple shot of that stuffGonna get drunkWon’t you listen right hereI want one bourbon

One shot and one beerOne bourbon, one scotch, one beer

Now by this timeI’m plenty highYou know when your mouth a-getting dryYou’re plenty high

Looked down the barI say to my bartenderI said look manCome down here

He got down thereSo what you want this time?I said look manA-what time is it?

He said the clock on the wallSay three o’clockLast call for alcoholSo what you need?

One bourbon, one scotch, one beerNo I ain’t seen my baby sinceA nigh’ and a weekGotta get drunk man

Till I can’t even speakGonna get high manListen to meOne drink ain’t enough

Jack you better make it threeI want to get drunkI’m gonna make it real clearI want one bourbon

One scotch and one beerOne bourbon, one scotch, one beer

…

Joe Cocker – Cry Me A River

I wanted to post something by Joe Cocker from the now legendary Mad Dogs and Englishmen tour. I have a Joe Cocker 1980s song in my drafts but I wanted to do another song from that tour.

I was lucky enough to see him one time. He was opening up for Tina Turner on October 20, 2000, in Gaylord Arena. It was a hell of a double feature with those two performers. Cocker still had that voice and he sounded excellent.

This song was written in 1953 by Arthur Hamilton. The first release of this song was by Julie London in 1955. London was Jack Webb’s wife at the time and she is probably best known for her role in Emergency.

Mad Dogs and Englishmen kicked off on March 20, 1970, and ended on May 16, 1970. Cocker’s manager, Dee Anthony, saw an opportunity to capitalize on Cocker’s rising fame and organized a new tour. A band was quickly put together by musical director Leon Russell. It included an eclectic mix of musicians, backup singers (such as Rita Coolidge), and even a dog mascot.

The tour was immortalized in the live album Mad Dogs & Englishmen, released in August 1970. It became a critical and commercial success. It is still considered one of the great live albums in rock.

The album peaked at #95 on the Billboard 100, #46 in Canada, and #2 in New Zealand. Looks like New Zealand is the only country that got it right.

The song peaked at #11 on the Billboard 100 and #15 in Canada in 1970.

Arthur Hamilton: “I had never heard the phrase. I just liked the combination of words… Instead of ‘Eat your heart out’ or ‘I’ll get even with you,’ it sounded like a good, smart retort to somebody who had hurt your feelings or broken your heart.”

I Will See You Next Weekend!

Cry Me A River

Why don’t you, why don’t youWhy don’t you cry me a river?

Now you say that you’re lonelyAfter being so untrue

I want you to cry (cry me a river)Want you to cry (cry me a river)All over me (cry me a river)I want you to cry (cry me a river)Yeah, over me (cry me a river)Hey, yeah, cry (cry me a river)Yeah, I cried a river over you

Now you say that you’re sorryOh, for being so unkind

I want you to cry (cry me a river)Cry for me (cry me a river)Oh! (cry me a river)Over me (cry me a river)Want you to cry (cry me a river)Right on me, yeah (cry me a river)Oh, I cried a river over you

You drove me, nearly drove me out of my headNever shed a tearRemember, I remember all that you saidTold me love was a stupid thingYou were through with me

Cry me a riverCome on love (cry me a river)Won’t you cry? (cry me a river)Oh, yeah (cry me a river)Oh, cry (cry me a river)Cry me a river (cry me a river)Oh, I cried a river over you

You drove me, nearly drove me out of my headOoh, never shed a tearRemember, I remember all that you saidTold me love was a stupid thingYou were through with me

Cry me a riverYes, cry (cry me a river)I want you to cry (cry me a river)Cry me a river (cry me a river)Ah (cry me a river)Cry me (cry me a river)Oh, I cried a river over you

Yeah, I cried a river over you(I cried a river over you)Over you (I cried a river over you)Over you (I cried a river over you)

I, I cried (I cried a river over you)Let me (I cried a river over you)I cried a river (I cried a river over you)Cry me a river (I cried a river over you)Over the mountain (I cried a river over you)(I cried a river over you)Baby, I cried a river over you

One, two, three, fourCry me a riverCry me a riverCry me a riverCry me a riverYeah (cry me a river, cry me a river)Cry, cry a river over you

Thanks againThank you very much