1970s – Page 18 – PowerPop… An Eclectic Collection of Pop Culture

Max’s Drive-In Movie – Gone In Sixty Seconds (1974)

I won’t only review classic movies or cult movies…sometimes car chase movies will get in here. This movie is special to me because parked in the lobby of the Nashville Theater I saw this movie in… was Eleanor the car that was actually in the movie. I got to touch it and it was like touching gold to a 7-year-old. I remember watching the trailer and my aunt taking me to see it. My mom would not have approved of me seeing this movie but my rebellious aunt took my sister and me to see it.

This is not the best-acted film but the spirit of it is awesome. It was made on a low budget of $150,000 but made 40 million at the box office. It was written, directed, produced, and starring H.B. “Toby” Halicki. It became famous for its car chases and destruction scenes, especially the lengthy, chaotic chase near the film’s conclusion.

There is a 40-minute car chase in this movie. Any mistakes stayed in and they added to the action. In one scene Eleanor hits a telephone pole and the pole falls on Eleanor and it wasn’t planned…they just keep going which adds to the realism. During the filming of the final chase, Eleanor sustained over 90 accidents and collisions. Halicki, who performed most of his own stunts, was injured multiple times.

There was a remake in 2000 with Nicolas Cage (who I like) and Angelina Jolie but NO…the original was so much better. Why was it better Max? Because the crashes and everything was real. The wrecks were real and there was nothing faked. Some of the actors were actual cops and some thieves were real in this movie as well. Halicki wanted everything to feel as real as possible, so there were no special effects or green screens for the action scenes. All the stunts were performed live, which added to the film’s authenticity.

With the exception of a few extras, the bulk of the bystanders/members of the public in the movie are real people just going about their business who had no idea that a film was being made. This caused several incidents where people assumed a real police pursuit was in progress, with many trying to help the accident “victims”. This was guerilla filmmaking at it’s best.

I’ll give you a quick plot line. The movie follows a group of car thieves led by insurance investigator Maindrian Pace (played by Halicki) as they attempt to steal 48 high-end cars in five days. The plot itself is secondary to the car action.

This is not Gone With The Wind by any stretch of the imagination but if you want to see some very cool muscle and sports cars… this is the movie for you. He showed you exactly how to steal cars in the 70s and get away with it. The first half of the movie can drag at times but it sets you up for the last 40 minutes of that chase.

I will watch this movie every couple of years and I get caught up in the chase and how they switched Vin numbers, and motors, and hid what they were doing.

The FULL Movie

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Guess Who – No Time

I always had a soft spot for The Guess Who. Randy Bachman and Burton Cummings could write some really great songs. Both of them shared the credit on this one. I had a greatest hits package by the Guess Who given to me by a relative. At the time, I thought the Guess Who and The Who were the same. The Guess Who and Bachman Turner Overdrive were regulars on A.M. Radio in the 1970s. Randy Bachman would leave The Guess Who in 1970 and form BTO.

The Guess Who formed in Winnipeg, Manitoba in 1958. They would release their version of Shakin’ All Over in 1965. Their name came about when their label Quality Records released their first hit single (“Shakin’ All Over”) credited only to “Guess Who?” in an attempt to build a mystique around the band. They wanted the public to believe that this was a possible British band. The real name of the band was “Chad Allan & The Expressions,” but radio station DJs continued to refer to them as “The Guess Who.” when playing subsequent singles.

This song was on the album Canned Wheat released in 1969. The album had three charting singles No Time, Undone, and Laughing. The album peaked at #91 on the Billboard Album Charts and #23 in Canada. The song peaked at #1 in Canada, #5 on the Billboard 100, and #16 in New Zealand in 1969-1970.

The most significant reunion occurred in 1983 when Bachman, Cummings, Kale, and Peterson reunited for a concert and the live album Together Again. In 2000, another major reunion tour, “Running Back Thru Canada,” featured Bachman and Cummings and was a huge success, reviving interest in the band.

No Time

(No time left for you)
On my way to better things
(No time left for you)
I’ll find myself some wings
(No time left for you)
Distant roads are calling me
(No time left for you)
Mm-da, mm-da, mm-da, mm-da, mm-da

No time for a summer friend
No time for the love you send
Seasons change and so did I
You need not wonder why
You need not wonder why
There’s no time left for you
No time left for you

(No time left for you)
On my way to better things
(No time left for you)
I’ll find myself some wings
(No time left for you)
Distant roads are calling me
(No time left for you)
Mm-day, mm-gay, mm-day, mm-gay, mm-day

No time for a gentle rain
No time for my watch and chain
No time for revolving doors
No time for the killing floor
No time for the killing floor
There’s no time left for you
No time left for you

No time for a summer friend
No time for the love you send
Seasons change and so did I
You need not wonder why
You need not wonder why
There’s no time left for you
No time left for you

No time, no time, no time, no time
No time, no time, no time, no time

I got, got, got, got no time
I got, got, got, got no time
I got, got, got, got no time
No, no, no, no, no, no, no time
No, no, no, no, no, no, no time
I got, got, got, got no time
No, no, no, no, no, no, no, no, no
No, no, no, no, no, no, no, no time
I got no time, got no time, got no time, no time, got no time
Got no time, got no time

Who – Sister Disco

The Who Are You album was not the best album The Who released but it has its bright spots. Pete Townshend wrote this song and he said The Who would never use any disco elements in their songs. To his credit, they never used any. At this time Pete was hanging around with some of the punk bands like The Clash…so that makes sense.

The Who Are You album peaked at #2 on the Billboard Album Charts, #2 in Canada, and #6 in the UK in 1978.

Kenney Jones had the hardest job in the music world at the time. Replacing Keith Moon was an impossible task. He didn’t play in the same style, although not many did, but he did a good job. He was eventually forced out of the band 3 years later when Roger wanted something different. Roger said that Jones was a great drummer but didn’t fit The Who.

The Who after Moon’s passing was this… whether to get a Moon-styled drummer or get someone more traditional. If they’d gone with the former, Blondie’s Clem Burke or Mitch Mitchell would have fit the bill, as Zak Starr does now. But I doubt Clem was known enough to warrant consideration. That leaves a candidate who would not duplicate Moon’s frenetic approach…in Kenney Jones. Pete Townshend wanted stability and more of a straight beat. That is fine…but when they did that they didn’t sound like themselves as much…and Pete was probably happy about that fact.

I liked the Face Dances album a lot when it was released and I still do. Kenney did a great job on that album but with older Who fans…the drums were just as big of a part of the music as the singing and guitar. In other words, Kenney Jones could not win. He was more of a traditional drummer in a band that was not known for that. Entwistle also toned down his bass playing because he would play off of Moon and be all over the place.

Sometimes I wish they would have packed it up like Zeppelin did after Bonham died but I enjoyed a lot of the music that The Who released after Moon died. Jones was in a no-win situation.

Pete Townshend: With ‘Sister Disco’, I felt the need to say that the group would never, ever, in any way do anything like the Bee Gees. We stand over here and what we stand with is all right. They might say we’re boring old farts but we still feel more at home with the boring old farts than any of that crowd.

Pete Townshend: For this track I spent a lot of hours programming my analogue sequencers in my ARP 2500 studio synthesizer. It isn’t quite Kraftwerk, but in 1976 I don’t think they were doing much better. This is a perfect example of the progression I was making towards theatrical music writing. I was trying to evoke absurd Baron Munchausen musical textures. Roger sounds so seriously intent about everything that the pomposity becomes real and threatening rather than pictorial.

Pete Townshend: It’s got nothing to do with disco at all! It’s only a series of lines put together. The chorus ‘Goodbye Sister Disco, now I go where the music fits my soul’…that is not an indictment of disco music. I like a lot of disco music; I even like discos. It’s to do with saying goodbye to, I think, a sort of self-conscious poseur kind of thing The Who had been for such a long time.

Roger Daltrey: I really like ‘Sister Disco’ but I don’t necessarily understand what he’s saying. I do understand what he’s trying to say but I don’t know whether it comes off. It was a song about getting too old for discos and that whole line that Pete sings, ‘Goodbye Sister Disco, I go where the music fits my soul,’ is kind of operatic; it’s a bit pompous. That’s why I personally didn’t sing that line because I can’t…when Pete sings it he’s got enough kind of tongue-in-cheek quality to get away with it and it works, but if I sang it, it would be a total disaster.

This is a rehearsal version with Kenney Jones on drums getting ready for the 1979 tour. The first without Keith Moon.

Sister Disco

As I walked through that hospital door
I was sewn up like a coat
I got a smile from the bite of the wind
Watched the fresh fall of snow

I knew then that my life took a turn
I felt strong and secure
And with adhesive tape over my nose
I felt almost demure

Goodbye Sister Disco
With your flashing trash lamps
Goodbye Sister Disco
And to your clubs and your tramps

Goodbye Sister Disco
My dancing’s left you behind
Goodbye, now you’re solo
Black plastic; deaf, dumb and blind

Bye, goodbye Sister Disco, now I go
I go where the music the music fits my soul
And I, I will never let go, I’ll never let go
‘Til the echo of the street fight has dissolved

I will choose nightmares and cold stormy seas
I will take over your grief and disease
I’ll stay beside you and comfort your soul
When you are lonely and broken and old

Now I walk with a man in my face
Ooh, a woman in my hair
I’ve got you all lookin’ out though my eyes
My feet are a prayer

Goodbye Sister Disco
With your flashing trash lamps
Goodbye Sister Disco
And to your clubs and your tramps

Goodbye Sister Disco
My dancing’s left you behind
Goodbye, now you’re solo
Black plastic; deaf, dumb and blind

Brothers At Arms – Duane and Gregg Allman

We all know the great album Brothers in Arms from Dire Straits, but sometimes those brothers are “at arms” rather than in them. In this part of the mini-series with Max (Thats Me!) from PowerPop he talks about Duane and Gregg Allman from The Allman Brothers… Randy from https://mostlymusiccovers.com posted this a few months back right here.

Rare Live Footage of “Statesboro Blues” (1970)

Duane (born November 20, 1946) and Gregg (born December 8, 1947) Allman were born in Nashville, Tennessee, and grew up with a loving but tough mother. Their father, Willis Turner Allman, was murdered in 1949 when Duane was 3 and Gregg was 2. They were raised by their strong mom Geraldine Robbins Allman. Geraldine never remarried because she was scared that a new husband might not treat the boys well. They lived in Nashville for a while but then moved to Daytona Beach and grew up there. Geraldine would soon go to a school to get her accounting degree and send the boys to Castle Heights Military Academy on two separate occasions in Lebanon, Tennessee.

The brothers were almost completely different except in music. Duane lived life on the very edge. Always doing things excessively, be it riding a motorbike, drugs, cars, or playing guitar. Gregg was much more conservative, thoughtful, and worried about the future. Gregg saved up his money from a paper route to buy a Silvertone acoustic guitar early on. He had $21, but the man at the store also wanted tax, so Gregg’s mom kicked in 95 cents.

In 1960, Duane had a small Harley Davidson and wrecked it. He quit school early and continued his partying ways. After a while, he started to get jealous of Gregg’s ability on guitar. Pretty soon they would be fighting over the guitar and the mom soon got Duane a guitar after he sold what was left of the Harley. Gregg showed Duane chords and Duane soon passed Gregg in ability. One, he had a natural gift, and two he had more time through the day. Soon Gregg and Duane started a band called The Allman Joys.

More Rare Live Footage “Whipping Post” (1970)

They developed a following as they started to tour in Florida after Gregg graduated from High School in 1965. Gregg had thoughts of being a dentist if it didn’t work out in music. Duane kept Gregg’s enthusiasm up through the rough times and kept him focused on his keyboard playing, songwriting, and vocals. They soon moved to California to start the band Hourglass and were signed. After two years Duane quit and moved back to the south. After Duane formed the band that would become The Allman Brothers…he called Gregg to come back home to sing. The brothers had a good relationship but were not above fights here and there. Gregg said that he was always Duane’s little brother and would listen to Duane like a second dad. Duane was killed on October 29, 1971, on a motorcycle. Gregg never got over it and it accelerated his drug use. He died on May 27, 2017, at age 69.

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Max’s Drive-In Movie – The Shining

Jack Nicholson on Stanley Kubrick: Everyone pretty much acknowledges that he’s the man and I still feel that underates him.

This movie keeps you coming back. If you ask 15 people on what the movie meant…you would get 15 different answers. The movie is so much more than the quoted lines like REDRUM and Here’s Johnny! Every time I watch it I get something different out of it. This won’t be the last Kubrick movie I feature on here.

In 2016 or so…we saw this movie on the big screen on Halloween and it changed the movie completely for me. It made me appreciate it more than I did and that is saying a lot. The film drips with ambiguity. The Shining has to be one of the most dissected movies ever filmed. The cast was absolutely perfect. I also connect to the movie in different ways. It was released in 1980 and they filmed it in 1978 and 1979 and the hotel reminds me of that time so well.

Stanley Kubrick directed this movie and we see Jack Torrance slowly go insane and the drama builds throughout. There are no wasted scenes in The Shining…each scene has a purpose and it’s not wasted. The scenes are hard to explain. There is an open space of silence in many of them so you focus on what’s going on. The bathroom scene with Jack and Grady is careful and deliberate. Nothing else matters in the story except right now in each scene.

Stephen King wrote the book but did not like Kubrick’s interpretation of it. Usually 9/10 times I’m a book guy…on this movie/book, I’m not. I liked Stanley’s vision for the movie over the book. Kubrick didn’t explain everything to you and it’s stronger because of that. You also get isolation, madness, and the supernatural, leaving viewers with many questions about the true nature of the Overlook Hotel.

I have read complaints about Nicholson’s performance being too far over the top. I totally enjoyed his performance and I think Shelley Duvall is seriously underrated in this movie. I can’t imagine what she went through…she had to stay on edge and hysterical through half the movie. Danny Lloyd (5 years and turned 6 through filming) was great as Danny in the film. Kubrick kept Lloyd very reserved in the right spots and he doesn’t overact like some child actors do. The additional character actors fit their roles perfectly. Who would have thought Scatman Crothers would be cast in a movie like this? He was great at his role as was Philip Stone as Delbert Grady and Joe Turkel as Lloyd the Bartender.

Now the music…it makes it. Very few films I’ve seen where the music flows with the dialog. In one scene featuring Jack and Danny sitting on a bed…the orchestration goes up with a question and falls with an answer. The atmospheric synthesizer they used in this movie and A Clockwork Orange adds to the movie greatly. When you are watching the film you feel isolated like Jack, Wendy, and Danny and the music again adds to that.

The two scenes that still scare me when I see it in the movie? A simple scene really but when Wendy finds Jack’s novel she finds out what he’s been typing on a typewriter for a very long time. It sends chills up me when I see that. What a perfect way to show someone has gone insane without saying any dialogue.

The other one is when Danny is riding his Big Wheel or Trike down the hallways and you hear the wheels changing from carpet to hardwood floors…what will be around the next corner? Then the twins appear…that gives me the creeps…forever and ever and ever.

I’ve read a lot of Shining theories and all are all different. There are so many theories like… There were no ghosts at all, it was all in Jack’s head and what happened is what he wrote, it was all in Wendy’s head, the Hotel is really hell, it’s a reminder of the Holocaust, and even down to viewing the film forward and then backward. I think most (there are plenty more) of these are too far out there but that shows you what Kubrick built into this film…you WANT to watch it again and again. I watched it twice before writing this.

Plot IMDB

A psychological horror film centered around the Torrance family: Jack (Jack Nicholson), his wife Wendy (Shelley Duvall), and their son Danny (Danny Lloyd). The story follows them as they move into the isolated Overlook Hotel for the winter, where Jack takes a job as the hotel’s caretaker. The hotel’s eerie history, which includes murder and supernatural occurrences, begins to affect Jack, who is struggling with writer’s block and a history of alcoholism. Meanwhile, Danny, who has psychic abilities called “the shining,” starts experiencing terrifying visions of the hotel’s past, including the ghostly Grady twins and a river of blood flowing from an elevator.

As time passes, Jack descends into madness, influenced by the hotel’s malevolent forces. He becomes increasingly violent and erratic, eventually attempting to murder his family. The film culminates in a tense chase through the hotel’s hedge maze

Quotes:

Wendy Torrance: Well, I’m very confused, and I just need time to think things over!
Jack Torrance: You’ve had your whole fucking life to think things over, what good’s a few minutes more gonna do you now?

__________________________________________

Lloyd: Women: can’t live with them, can’t live without them.
Jack Torrance: Words of wisdom, Lloyd my man. Words of wisdom.

___________________________________________

Jack Torrance: Hi, Lloyd. Been away. Now, I’m back.
Lloyd: Good evening, Mr. Torrence. It’s good to see you.
Jack Torrance: It’s good to be back, Lloyd.
Lloyd: What’ll it be, sir?
Jack Torrance: Hair of the dog that bit me.
Lloyd: Bourbon on the rocks.
Jack Torrance: That’ll do ‘er!

I remember this trailer back in 1980…it’s one of the best trailers I’ve seen of any movie. Modern trailer makers should study this one.

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Led Zeppelin – Going To California

This song was included on possibly their best album…Led Zeppelin 4 or Zoso… whichever name you know it by. It was released in 1971, which I think was the best year for rock albums. A few weeks before this album, The Who released their huge album Who’s Next.

I liked that they switched gears in this song and kept it a ballad. Plant has often mentioned that part of the song was a tribute to Joni Mitchell, whom he and Page admired. Her song California also inspired this song.

Zeppelin recorded this album at Headley Grange. It is an old, remote mansion in Hampshire, England, and they recorded there frequently. The informal, relaxed atmosphere helped the band focus and be creative.

They used a mobile recording studio, the Rolling Stones Mobile Studio, which allowed them to record in various parts of the mansion, capturing different acoustics. Page has talked about recording Bonham underneath a staircase for the sound quality. For this song, however…it was recorded in Headley Grange’s lawn outside in the grass.

Bonham didn’t play on this one and Page played a 6-string and 12-string acoustic guitar. John Paul Jones plays the mandolin on it. Robert Plant and Jimmy Page wrote this song…it’s a great album track.

The album peaked at #1 in the Billboard 200, Canada, and the UK in 1971.

Going To California

Spent my days with a woman unkind
Smoked my stuff and drank all my wine
Made up my mind to make a new start
Going to California with an aching in my heart
Someone told me there’s a girl out there
With love in her eyes and flowers in her hair

Took my chances on a big jet plane
Never let ’em tell you that they’re all the same
Oh, the sea was red and the sky was grey
Wondered how tomorrow could ever follow today
The mountains and the canyons start to tremble and shake
As the children of the sun began to awake
Watch out

Seems that the wrath of the gods
Got a punch on the nose and it started to flow
I think I might be sinking
Throw me a line, if I reach it in time
I’ll meet you up there where the path runs straight and high

To find a queen without a king
They say she plays guitar and cries and sings
La la la la
Ride a white mare in the footsteps of dawn
Tryin’ to find a woman who’s never, never, never been born
Standing on a hill in my mountain of dreams
Telling myself it’s not as hard, hard, hard as it seems, mmm, ah

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Cornelius Brothers and Sister Rose – Treat Her Like a Lady

Always loved this song. It has a great groove and a dynamic chorus. I also like the repeated backups. This is one soul song our band played and we loved every minute of it. That guitar is simple yet so effective in the verses. It’s a very powerful song live. This is high on my list of soul songs.

The group was formed in Dania Beach, Florida, and consisted of three siblings… Carter Cornelius, Eddie Cornelius, and Rose Cornelius. Later, they were joined by their sister, Billie Jo Cornelius, completing the lineup. The group started performing in the late 1960s and quickly gained a reputation for their smooth harmonies and soulful performances.

1971 was a big year for the band…they released this song and it peaked at #3 on the Billboard 100 and #10 in Canada in 1971. The group would also hit the following year with Too Late to Turn Back Now and it peaked at #1 in Canada and #2 on the Billboard 100 in 1972. Both songs were off their debut album Cornelius Brothers and Sister Rose. The song was written by Eddie Cornelius.

These two songs would be their last top 20 hits in America. They did have two more top-40 hits but nothing that lasted. The group broke up in 1976.

Treat Her Like a Lady

All my friends had to ask meSomething they didn’t understandHow I get all the womenIn the palm of my hand

And I told them to treat her like a lady (Treat her like, you got to, got to treat her like)Do the best you can do (Treat her like, you got to, got to treat her like)You got to treat her like a lady and she’ll give in to youLord you can see, you know what I mean

I know you’ve heard (Treat her like)That the woman (Got to treat her like)Will soon take advantage of you (Treat her like, got to treat her like)Let me tell you (Treat her like)My friend (Got to treat her like)There just ain’t no substitute (Treat her like)

You ought to treat her like a lady (Treat her like, you got to, got to treat her like)Do the best you can do (Treat her like, you got to, got to treat her like)You got to treat her like a lady and she’ll give in to youLord you can see, you know what I mean

Oh, you got to love her (Love her)And tease her (Tease her)But most of all you got to please her (Please her)You got to hold her (Hold her)And want her (Want her)And make her feel you’ll always need her (Need her)You know a woman (Woman)Is sentimental (Woman)And so easy to upset (Woman, woman)So make her feel (Feel)That she’s for real, yeah (Feal)And she’ll give you happiness

Whoa, strange as it seems (Treat her like, you got to, got to treat her like)You know you can’t treat a woman mean (Treat her like, you got to, got to treat her like)So my friend, there you have itI said it’s the easy, simple wayIf you fail to do this, don’t blame her if she looks my way

‘Cause I’m gonna treat her like a lady (Treat her like, you got to, got to treat her like)So affectionately (Treat her like, you got to, got to treat her like)I’m going to treat her like a ladyAnd she’ll give in to meLord you can see, you know what I mean

Oh, you got to treat her like a lady (Treat her like, got to, got to treat her like)Do the best you can do (Treat her like, you got to, got to treat her like)You got to treat her like a lady

AC/DC – Baby Please Don’t Go

When I first saw this video it highly amused me. Seeing Bon Scott in pigtails caught me off guard. They did a great version of this song…I will always turn to Van Morrison’s Them as my definite version, but this one is a lot of fun.

This song appeared on their debut album High Voltage released in 1974. Bon Scott was an excellent singer. He was in a pop band called The Valentines and it’s odd, to say the least seeing him singing in this band. He adapted well to what was asked of him with AC/DC.

The band toured relentlessly in the mid to late seventies and when they released Highway To Hell, it was a milestone for them. They set themselves up for a huge payday on the next album. Scott died in 1980 as they were starting on their new album which turned out to be the mega-selling Back In Black. I think if Scott had lived they would have had just as big of an album. The Highway To Hell album was the key to getting them known worldwide.

Blues great Big Joe Williams is credited with writing this song, but it was developed from a folk song titled “Long John,” which was recorded in 1934 by John and Alan Lomax for the Library of Congress. That recording captures the song sung by black prisoners at Darrington State Prison Farm in Texas. It was a popular tune because “Long John” was about an escaped prisoner on the run from authorities.

Baby Please Don’t Go

Baby please don’t goBaby please don’t goBaby please don’t go down to New OrleansYou know I love you soBaby please don’t go

When the man done goneWhen the man done goneWhen the man done gone down to the county farmHe got the shackles onBaby please don’t goDon’t leave me

I’ll be a dogI’ll be a dog woahI’ll be a dog kiss your way down thereWhen you walk alongBaby please don’t go

Baby please don’t goBaby please don’t goBaby please don’t go down to New OrleansYou know I love you soBaby please don’t go

No baby please don’t leave meWhy must you go away and do this to me babyI want to suffer for you, suffer, sufferOh baby please don’t goNo!

Baby, baby, baby, please don’t go, please don’t goDon’t go and leave me, please don’t goBaby, hummBaby, ahahOh don’t go, no don’t goOh don’t go, no don’t goAh don’t go, don’t go so slowOh don’t go, no don’t go

Why must you leave me lying on my backGoing across left side of the trackFound yourself a new man I knowSo baby please don’t goBaby please don’t go

No no no noOh please, please don’t leave meI don’t want to be left alone babyAh don’t go, don’t go, don’t goNo!

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My Favorite Soul Songs

I love this genre of music. I really could put these songs in any order I wanted and it would work. I had to leave so many off…I could easily make this list with 100 different artists but I wanted the page to actually load so you could read it. This is just a partial list…if you like it I could do a part II one day.

James Carr – Pouring Water On A Drowning Man

No…his name is not a household name like the rest of the list but this song just gets to me every single time I listen to it. If you don’t listen to any other song on this post…give this one a try. I dropped Sam Cooke from this list because of Carr but I like this song that much.

His voice and that wonderful guitar. Pouring Water on a Drowning Man charted at #85 on the Billboard 100 and #23 on the R&B Chart in 1966. This song is so easy to listen to. Great guitar sound and Carr’s voice is wonderful. The small intro is worth it. The guitar can sound can seem so deceptively easy but it’s not to be right. He lived in Memphis and was called “the world’s greatest Soul Singer” but he had a bipolar disorder and that made it hard for him to tour because of the depression.

At one time he was mentioned along with Otis Redding and they had the same manager for a while. The guy had a great voice. Check his other music out.

Arthur Conley – Sweet Soul Music

Otis Redding believed in Conley’s talent. In January 1967 Redding and his managers, Phil Walden (future ABB manager) and his brother Alan Walden (future Lynyrd Skynyrd manager) brought Conley to producer Rick Hall’s FAME Studios in Muscle Shoals, Alabama. Conley recorded two singles at FAME Studios but they were not successful and Hall did not want to work with Conley anymore.

By this time Otis was fed up and took Conley himself to FAME and used his own band. With Jimmy Johnson Engineering they recorded Sweet Soul Music. It was a million-selling single. It peaked at #2 on the Billboard 100, #2 in the R&B Charts, and #7 in the UK in 1967.

It was written by Conley and Otis Redding. It was based on “Yeah Man” by Sam Cooke and was a tribute to soul singers. The songs mentioned in this song are “Going To A Go-Go,” “Love’s a Hurtin’ Thing,” “Hold On I’m Coming,” “Mustang Sally” and “Fa-Fa-Fa-Fa-Fa (Sad Song).” The artists mentioned are Otis, Wilson Pickett, Sam and Dave, James Brown, and Lou Rawls.

Marvin Gaye – Let’s Get It On

I never checked the statistics…but I have to think there had to be a baby explosion nine months after “Let’s Get It On” was released in 1973. Anyone born in 1974 may owe their very existence to this song.

This song’s co-writer Ed Townsend also produced the album with Marvin and co-wrote the three other songs on the first side of the disc, including “Keep Gettin’ It On.” He wrote with Marvin again on songs for Marvin’s 1978 album Here, My Dear.

This song peaked at #1 in the Billboard 100, The guitar and voice are excellent in this song. There is no guessing what this song is about.

Otis Redding – Shake

This song was a highlight when watching the Monterey Pop Festival. Otis had the voice, charisma, and loads of talent. Shake was written and originally recorded by Sam Cooke. Cooke’s version reached #7 on the Billboard 100. Cooke was a huge influence on Otis Redding; along with Shake, Redding also recorded covers of Cooke’s A Change Is Gonna Come, Chain Gang, Cupid, Nothing Can Change This Love, Wonderful World, and You Send Me.

The song peaked at #47 on the Billboard 100 in 1967. Otis was on his way to superstardom. Otis made a huge impact at the 1967 Monterey Pop Festival along with The Who, Jimi Hendrix, and Janis Joplin.

The Reverend Al Green – Let’s Stay Together

I never tire of hearing his voice. This song almost wasn’t released because Green hated the thin sound of his falsetto. Producer Willie Mitchell said: “The only fight I ever had with him was about ‘Let’s Stay Together,’ because he thought ‘Let’s Stay Together’ was not a hit.” It did pretty well for a song Green didn’t think was a hit.

The song peaked at #1 in the Billboard 100, #7 in the UK, and #14 in Canada in 1972. Let’s Stay Together also spent nine weeks at the top of the Billboard Hot Soul Singles chart.

It was selected by the Library of Congress as a 2010 addition to the National Recording Registry, which selects recordings annually that are “culturally, historically, or aesthetically significant.

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Brothers At Arms – The Bee Gees

We all know the great album Brothers in Arms from Dire Straits, but sometimes those brothers are “at arms” rather than in them. In this part of the mini-series Randy, from mostlymusiccovers.com, talks about the “Rock ‘Em Sock ‘Em” Siblings of the Bee Gees.

“To Love Somebody” was written by Robin and Barry Gibb. It was released as a single in 1967 and reached #41 in their native UK. The song did better elsewhere making several top 10s and #17 on the Hot 100. It would be a cover by Michael Bolton released in 1992 that put it at #1 on the Adult Contemporary charts in Canada and the US. It has endured to become a classic with over 210 versions of the song.

Formed in 1958 with brothers Barry, Robin and Maurice. After the family’s move to Australia they found their first success, just the three boys returned to their native UK in 1967. They would go on to sell an estimated 200 million records, post nine #1s on the Hot 100 and entered the top five of the most successful bands in history.

Life was not so easy, with an unreliable father they became the bread winners for the family at a very young age. Despite the pressures the boys got on quite well, until the dreaded “S” word enter in. Success. Their first #1 in the UK was “Massachusetts” in 1967. Robin sang lead on it and it was a position he was not willing to give up. The in-fighting began.

This is not perhaps the level of fighting on the same scale as some of our other brother groups, but they were not producing any hits and Robin was really at the heart of a split up in 1969. The reconciliation produced their first US #1 Hot 100 hit, “How Can You Mend a Broken Heart” in 1971. It was very much an autobiographical song. Success is fleeting in the music business and another downturn followed as their next album was a flop. By 1975 they had all moved to the US. Both Robin and Maurice struggled mightily with addiction problems. Robin seemed to tolerate the more democratic Barry becoming the defacto leader, but there were tensions. Not enough though to stop them from reinventing themselves yet again.

The Disco era and Saturday Night Fever saw them rise to incredible worldwide success with eight Hot 100 #1 hits in the mid to late 1970s. Younger brother Andy would join in the success. Everyone knows the rise and fall of Disco, and no one paid a heavier price than the Bee Gees. All of a sudden no one wanted to hear a Bee Gees song. In fact, they were and are still hated by some. I was not a disco fan, but I was a Bee Gees fan, and I took my fair share of ribbing for it.

Despite all this turmoil surrounding them, only minor tensions erupted, and Barry, Maurice and Robin would discover other people respected their songwriting abilities. First came “Woman in Love” by Barbra Streisand, and then “Islands in the Stream” by Dolly Parton and Kenny Rogers, both worldwide #1 smash hits. And also, songs for Dionne Warwick, Diana Ross and others. So, the brothers Gibb had risen from the ashes for yet a third time but as songwriters. And then remarkably a fourth time, as recording success returned once again and they placed four more songs in the top 10 in the UK in the 90s.

Maurice would die at age 53 in 2003 and despite attempts to regroup, the band that was the Bee Gees were effectively no more. Younger brother Andy had died in 1988 and Robin in 2012. Barry the oldest, has continued to record and perform.

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Bruce Springsteen – It’s Hard To Be A Saint In The City

I had skin like leather and the diamond-hard look of a cobra
I was born blue and weathered but I burst just like a supernova
I could walk like Brando right into the sun, then dance just like a Casanova

What an opening that is…nothing like early Springsteen. The line I could walk like Brando right into the sun makes me get a chill every time. This song was on his debut album and still one of my favorite Springsteen albums, Greetings From Ashbury Park. This was the first song Springsteen played for John Hammond (who signed Bob Dylan and Springsteen) at his audition for Columbia Records in 1972. What was to be a short meeting turned into a 2-hour audition and earned him a record deal and this album was made.

I think of this as a street song…very organic and the words just flow perfectly. Springsteen and Dylan had wordy songs out of the gate for both artists. They both stopped with these kinds of songs a few years into their career. Personally, I love these early wordy songs that take you on a journey with vivid descriptions with a minimum amount of music…as they let the lyrics drive.

The imagery flows like water with Greetings From Ashbury Park, Bruce’s debut album in 1973… It’s not very polished but that adds to it. The songs have a stream-of-consciousness feel to them. It was critically praised but did not have huge sales. The album only peaked at #60 in the Billboard Album Charts.

The song has been covered by various artists, including David Bowie, who recorded a version during the sessions for his Young Americans album but wasn’t released at that time. It can be found on his 1989 rarities box set Sound + Vision.

I always felt this song what have fit in the movie Mean Streets.

It’s Hard To Be A Saint In The City

I had skin like leather and the diamond-hard look of a cobra
I was born blue and weathered but I burst just like a supernova
I could walk like Brando right into the sun, then dance just like a Casanova
With my blackjack and jacket and hair slicked sweet
Silver star studs on my duds, just like a Harley in heat
When I strut down the street, I could feel its heart beat
The sisters fell back and said, “Don’t that man look pretty”
The cripple on the corner cried out, “Nickels for your pity”
Then gasoline boys downtown sure talk gritty
It’s so hard to be a saint in the city

I was the king of the alley, Mama, I could talk some trash
I was the prince of the paupers, crowned downtown at the beggar’s bash
I was the pimp’s main prophet, I kept everything cool
Just a backstreet gambler with the luck to lose
And when the heat came down it was left on the ground
The devil appeared like Jesus through the steam in the street
Showin’ me a hand I knew even the cops couldn’t beat
I felt his hot breath on my neck as I dove into the heat
It’s so hard to be a saint when you’re just a boy out on the street

And the sages of the subway sit just like the living dead
As the tracks clack out the rhythm, their eyes fixed straight ahead
They ride the line of balance and hold on by just a thread
But it’s too hot in these tunnels, you can get hit up by the heat
You get up to get out at your next stop, but they push you back in your seat
Your heart starts beatin’ faster as you struggle to your feet
Then you’re outa that hole and back up on the street

And then South Side sisters sure look pretty
The cripple on the corner cries out, “Nickels for your pity”
And then downtown boys, they sure talk gritty
It’s so hard to be a saint in the city

Max’s Drive-In Movie – The Good, The Bad, and The Ugly

I love Spaghetti Westerns and this is one of the very best. Let’s see…great writing, great acting, and great music. The Good (Clint Eastwood – Blondie), The Bad (Lee Van Cleef -Angel Eyes or Sentenza), and The Ugly (Eli Wallach – Tuco) is a classic movie with a great film score by Ennio Morricone.

While I was re-watching the movie my son Bailey came in and asked me…so you are watching the best movie ever again? Where do I begin with this movie? I like the story and the atmosphere draws me in for repeat viewings. In 1964 Sergio Leone started his trilogy of westerns starring Clint Eastwood. It’s sometimes called the Dollars Trilogy. A Fistful of Dollars (1964), For A Few More Dollars More (1965), and finally this one…The Good, The Bad, and The Ugly (1966).

This is not your typical John Wayne-style Hollywood western…although I love a lot of his movies. Funny, in the early 2000’s I never thought much about Westerns or really liked them…but this one changed my mind about the entire genre…it’s that good.

This film has an epic scope and therefore covers a lot of ground. There is not a dull spot in this film. From the beginning, we are guessing and it all leads up to one of the very best suspenseful endings ever filmed. As much of an Eastwood fan as I am…Eli Wallach grabbed my attention before anyone did. His character is such a wild card. I can’t say enough about his acting in this. He IS Tuco. All three leads were fantastic.

What exactly is a Spaghetti Western? I was asked this before when I would talk about them to different people about Westerns. I think the biggest difference between a regular Western and these would be the realism and the grittiness of the Spaghetti Western. Also with regular Westerns, you have good vs evil…Spaghetti Westerns often feature the in-between anti-heroes, huge stark landscapes, and a more cynical tone. But that is just my opinion.

These films were primarily made in Italy (hence the term “Spaghetti”) during the 1960s and 1970s. They were often directed by Italian filmmakers like Sergio Leone and featured international casts, including American actors.

There is one more thing I would like to say about the movie. On top of everything else…the cinematography is some of the best I’ve ever seen. You also have Eastwood in probably his most iconic role. Out of all of the movies I’ve featured…I have probably watched this one the most.

My favorite scene was the last bit between Blondie and Tuco.

Plot from IMDB

During the American Civil War, three men set off to find $200,000.00 in buried gold coins. Tuco and Blondie have known each other for some time now, having used the reward on Tuco’s head as a way of earning money. They come across a dying man, Bill Carson, who tells them of a treasure in gold coins. By chance, he reveals the name of the cemetery and the name of the grave where the gold is buried. Now rivals, the two men have good reason to keep each other alive. The third man, Angel Eyes, hears of the gold stash from someone he’s been hired to kill. All he knows is to look for someone named Bill Carson. The three ultimately meet in a showdown that takes place amid a major battle between Confederate and Union forces.

Quotes:

Blondie: You see, in this world there’s two kinds of people, my friend: Those with loaded guns and those who dig. You dig.

______

[Tuco is in a bubble bath. The One Armed Man enters the room]
One Armed Man: I’ve been looking for you for 8 months. Whenever I should have had a gun in my right hand, I thought of you. Now I find you in exactly the position that suits me. I had lots of time to learn to shoot with my left.
[Tuco kills him with the gun he has hidden in the foam]
Tuco: When you have to shoot, shoot. Don’t talk.

______

Tuco: I’m very happy you are working with me! And we’re together again.
[pause]
Tuco: I get dressed, I kill him and be right back.
Blondie: Listen, I forgot to mention… He’s not alone. There’s five of ’em.
Tuco: Five?
Blondie: Yeah, five of ’em.
Tuco: So, that’s why you came to Tuco.
[pause]
Tuco: It doesn’t matter, I’ll kill them all

..,

Delfonics – Didn’t I (Blow Your Mind This Time)

Welcome to the Powerpop.blog! I thought about renaming it to PowerKink.blog lately… but we are back to normal business again. I’m sad because there are so many more Kinks songs to explore. I have one ready to go soon. Anyway…

I’ve always liked this song and even more when it was on the Jackie Brown soundtrack. Not only on the soundtrack but it became part of the plot. Jackie Brown is one of my top Quentin Tarantino movies. Pam Grier is super (or any glorious adjective you can think of) in that movie. The song is a quintessential date song.

Thom Bell, one of the pioneers of the Philadelphia soul sound, co-wrote and produced the song along with William Hart. Bell’s orchestral arrangements and Hart’s falsetto vocals created a great sound soul sound. It became one of the group’s most successful hits and is widely regarded as an example of early Philadelphia soul sound.

A little history on them. Thom Bell also produced for The Stylistics, Chubby Checker, and Elton John. But his main focus was the Philly sound, which is soul music characterized by funk influences and lush instrumental arrangements.

The Delfonics were known as The Five Guys and played their own instruments. Bell cut them down to a trio and made them a vocal group, with Bell playing most of the instruments himself. He recorded three albums with the group and this song was their biggest hit. Bell then joined Philadelphia International Records, run by Kenny Gamble and Leon Huff, where he worked with The Stylistics.

Didn’t I (Blow Your Mind This Time) peaked at #10 in the Billboard 100, #12 in Canada, and #22 in the UK in 1970. Their first hit was La-La Means I Love You which charted in 1968 and was a top ten hit as well.

Great song from a great period.

I don’t care much about awards but Didn’t I (Blow Your Mind This Time) won a Grammy Award for Best R&B Performance by a Duo or Group with Vocal in 1971.

Didn’t I (Blow Your Mind This Time)

I gave my heart and soul to you, girl
Didn’t I do it baby, didn’t I do it baby

Gave you the love you never knew, girl
Didn’t I do it baby, didn’t I do it baby

I’ve tried so many times and that’s no lie
It seems to make you laugh each time I cry

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
Listen

I thought that heart of yours was true, girl
Now didn’t I think it baby, didn’t I think it baby

But this time I’m really leavin’ you, girl
Hope you know it baby, hope you know it baby

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I

Didn’t I do it baby, didn’t I do it baby
Didn’t I do it baby, didn’t I do it baby

Ten times or more, yes, I’ve walked out that door
Get this into your head, there’ll be no more

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I
I got to live you, baby

Didn’t I blow your mind this time, didn’t I
Didn’t I blow your mind this time, didn’t I

Kinks Weeks – Sitting In The Midday Sun …cincinnatibabyhead.wordpress.com

Today we have CB from https://cincinnatibabyhead.wordpress.com/ who is posting his Kinks song. Go visit his site for some cool music and movies. I’ve been influenced by all of you bloggers. You opened my eyes and ears to new music and styles. CB has been one of those influences by getting me out of my former comfort zone and enjoying new/old music that I wouldn’t have heard otherwise… Take it away CB…

Six Kinks songs popped into my head right away when Max ran this idea by me. I stuck a pin in this one.

One of those everyman songs Ray sings. The song’s character (From Preservations Act I) observing the world as he sees it. He’s happy and that makes the listener happy. Kind of a Sunny Afternoon vibe. Ray did like certain themes and summer/sunshine was one of them. This song has been in regular rotation in my head for a long time. It just puts me in a good mood and reminds me to chill out.

“I’ve got no home

I’ve got no money

But who needs a job when it’s sunny”

I just love the lyrics and the music that goes with it. Sets the mood. CB wants to be the character in this song. Just watching the world go by.

Lets live in the moment with the Kinks and celebrate one of life’s pleasures. Soaking up some rays and taking it easy. I’m in. No one does it better than the Kinks.

So sing along

“So I’m just sitting in the midday sun

Just soaking up that currant bun

With no particular purpose or reason

Sitting in the midday sun”

Note: My son (Big Earl) was over for a visit. I told him I was taking part in a discussion on Kinks songs. I asked him if he had a couple favorites and without hesitation he said “Waterloo Sunset and “Till The End Of The Day” The Kinks are still reaching new ears.

Note 2: For years I thought “currant Bun” has something to do with the sun. I finally found out it does “The Sun” a tabloid in England. There you go Max, I did some homework for you.

Note 3: I’m a big fan of the Kinks concept albums Soap Opera, Preservations Acts I and II, Schoolboys In Disgrace. Not well received commercially but they were full of really good stuff.

Note 4: I’ve enjoyed opening these takes everyday and seeing what all you good people have to say on the Kinks. I was not disappointed. Great stuff. Max is a beauty.

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My Childhood and Teenage Crushes

I thought I would have some fun today and list some of my crushes growing up. Women who I would watch every time they were on television, in movies, or look at when they were in magazines.

Growing up with Gilligans Island and that baffling question. Mary Ann or Ginger? I vote for Mary Ann every time. I met Dawn Wells in Nashville at a Jerry Lewis MD Telethon. I was 9 years old and I could hardly speak. She wasn’t too much taller than I was…and I never saw someone that tanned. My mom had to make me wash my hands after I shook hers.

One of the first then current celebrities I had a crush on was Kristy McNicol. Why I don’t know but when I was 10 years old she was the one I really zeroed in on. She is 5 years older than me and I noticed her on Battle of the Network Stars.

I moved up to mature women with this crush. Yeah, I liked Charlie’s Angels like every other 10-18-year-old at that time. Kate Jackson was the one for me for some reason…

I was smitten when I saw Debbie Harry in a video for Heart Of Glass at 12 years old. Probably my second blonde crush.

Suzanne Pleshette… that is one of the reasons I kept watching The Bob Newhart Show…and still do!

The ultimate girl next door… I saw her on the Midnight Special when I was 8 years old. So…Olivia Newton-John would be the first blonde crush.

I started watching sports in 1977…and she started to pop up on football telecasts. She made football much more interesting to this baseball fan.

Katherine Ross, I watched first in the Graduate. I liked everything she did.

When I was much older…in my twenties…Drew Barrymore was on my radar.

When I was in my teens I read a book on Clara Bow and I’ve been hooked to this day. Her looks, her drive, and the obstacles she had to overcome to be successful.

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