1950s – Page 2 – PowerPop… An Eclectic Collection of Pop Culture

Big Joe Turner – Flip Flop and Fly

A lot of 1950s songs still get played today and we remember them but this one doesn’t get the attention although Elvis Presley, Jerry Lee Lewis, Johnnie Ray, Blues Brothers, Van Morrison, and Bill Haley covered it as well. It’s hard to beat something this simple…it just works. You don’t need a think tank… it’s just a fun song.

Big Joe Turner (Joseph Vernon “Big Joe” Turner Jr. ) grew up in Kansas City, a major hub for jazz and blues in the early 20th century. His father passed away when he was young, leaving his mother to raise him and his siblings. Turner never formally learned to play an instrument, but he developed his booming, unmistakable voice by singing in church and later performing on street corners.

He was thriving in the Kansas City Blues Scene. He left school at age 14 (1925) to work in those Kansas Blues Clubs in the 20s and 30s. He would cook or perform as a singing waiter. In 1936 he moved to New York City.

Signed with Atlantic Records in the 1950s and had a string of rhythm & blues hits. His upbeat jump blues style helped transition R&B into early rock & roll. He wrote and recorded songs like Shake, Rattle and Roll (1954)… One of the first songs that bridged blues and rock & roll. It was later covered by Bill Haley & Elvis Presley. Probably one of the most important songs in Rock and Roll history.

His success proved that older blues artists could thrive in the rock & roll era. This song was released in 1955 and has been covered 91 times.

Flip Flop and Fly

Now when I get the blues, I get me a rockin’ chair
When I get the blues, I get me a rockin’ chair
Well, if the blues overtake me gonna rock right away from here

Now when I get lonesome, I jump on the telephone
When I get lonesome, I jump on the telephone
I call my baby, tell her I’m on my way back home

Now flip, flop and fly
I don’t care if I die
Now flip, flop and fly
I don’t care if I die
Don’t ever leave me, don’t ever say goodbye

Give me one more kiss, hold it a long long time
Give me one more kiss, hold it a long long time
Now love me baby, till the feelin’ hits my head like wine

Here comes my baby, flashin’ her new gold tooth
Here comes my baby, flashin’ her new gold tooth
Well she’s so small, she can mambo in a pay phone booth

Now flip, flop and fly
I don’t care if I die
Now flip, flop and fly
I don’t care if I die
Ah, don’t ever leave me, don’t ever say goodbye

I’m like a mississippi bullfrog, sittin’ on a hollow stump
I’m like a mississippi bullfrog, sittin’ on a hollow stump
I got so many women, I don’t know which way to jump

Now flip, flop and fly
I don’t care if I die
Now flip, flop and fly
I don’t care if I die
Now, don’t ever leave me, don’t ever say goodbye
Oh my!

…

Magic 8 Ball

I was told as a kid that a Magic 8 Ball could predict the future. I bought it hook line and sinker…I was also told by my older sister (8 years older) that snakes bite the second person in a line while I was merrily leading the way hiking in the woods as a 5-year-old…so I caught on pretty quick after I stepped on a snake…didn’t get bit though…but I never let her forget it.

I bugged my mom till she got me the mysterious Magic 8 Ball. I was amazed at this toy…well it wasn’t a toy to me. I thought this was great. So being 5-6 years old I thought I would put it to use… Oh, Magic 8 Ball should I color in the encyclopedias with my crayons? I shook it up and waited for the triangle to give me the answer… “signs point to yes”…those signs must have pointed in a different direction than my Mom… she wasn’t a fan of the Magic 8 ball after that.

Abe Bookman invented the Magic 8 Ball, a fortune-telling toy currently manufactured by Mattel.

During World War II, a man named Alfred Carter in Cincinnati created a tube-like fortune-telling toy. To help him he got his brother-in-law to help…that would be Abe Bookman. they created a 7″ tube device with glass on both ends with a pair of floating dice with responses. It was sold as the “Syco-Seer: The Miracle Home Fortune Teller.” Their company was called Alabe Crafts.

Carter died in 1948 and Bookman revised it into a crystal ball but it still didn’t sell really well. Then the Brunswick Billiards company commissioned Bookman to make them one shaped like an 8 ball as a promotional giveaway.

After the giveaway was finished Bookman kept producing them shaped like an 8 ball.

The Magic 8 Ball that we have known since then has contained a 20-sided polygon inside a hollow plastic ball, floating in a liquid-filled, 3-inch diameter tube. The liquid largely consists of dark blue ink and alcohol. The predictions, yes, no, or non-committal, appear on each triangular face of the polygon.

Bookman marketed it as a conversation piece, a paperweight and then a toy.

Ideal Toys bought Alabe Crafts in 1971. Next, Tyco Toys bought the ball in ’87. Mattel owns it today and sells one million units a year.

Here are the magical statements of the Magic 8 Ball

As I see it, yes
Ask again later
Better not tell you now
Cannot predict now
Concentrate and ask again
Don’t count on it
It is certain
It is decidedly so
Most likely
My reply is no
My sources say no
Outlook good
Outlook not so good
Reply hazy, try again
Signs point to yes
Very doubtful
Without a doubt
Yes
Yes, definitely
You may rely on it.

Del-Vikings – Come Go With Me

This is one of those songs that is a mile marker for the 1950s. When I think of the 1950s I think of dairy dips, sock hops, and Come Go With Me. I always feel better after hearing this song. It’s one of the most famous doo-wop songs ever.

They were formed in 1955 by a group of U.S. Air Force servicemen stationed at the Pittsburgh Air Force Base. The original lineup included Cornell Gunter, Clarence Quick, Kripp Johnson, Don Jackson, Bernard Robertson, and Norman Wright. Clarence Quick, the group’s bass singer, also served as their main songwriter. He wrote the song while still in the U.S. Air Force, where the original members of The Del-Vikings were stationed.

With their name…there are different answers. Some say Clarence Quick knew a basketball team out of New York and they used the Vikings name. Some say the group was reading about Vikings and took that name…and the books were the company Viking Press. The “Del” or “Dell” part happened because they wanted to add a bit of mystery to the name. Some say it was because some of them had been stationed in Delaware and that might be where they got the name. Either way the Del-Vikings came up with a signature song of the 1950s.

Due to contract disputes, some members later formed a separate group called The Dell Vikings (with two “L”s), while others continued under the original Del-Vikings name. Despite this, both versions of the group were recorded and performed in the late 1950s.

Clarence Quick wrote this song for his band and it was their debut single. The song was released on the small Fee Bee label before being picked up by Dot Records. The song peaked at #5 on the Billboard 100 in 1957… and it became one of the most recognizable doo-wop songs of all time. That same year they would have two more top twenty hits with Whispering Bells and Cool Shake.

It’s been featured in classic films such as “American Graffiti” (1973) and “Stand by Me” (1986). It’s been covered by several artists, including Dion, Cliff Richard, The Beach Boys, and The Excellents.

Come Go With Me

Well I love, love you darlin’Come and go with meCome home with meWay beyond the seaI need you darlin’So come go with me

Come, come, come, comeCome into my heartTell me darlin’We will never partI need you darlin’So come go with me

Yes, I need youYes, I really need youPlease say you’ll never leave meWell, say you neverYes, you really neverYou never give me a chance

Come, come, come, comeCome into my heartTell me darlin’We will never partI need you darlin’So come go with me(Yeah)

Yes, I need youYes, I really need youPlease say you’ll never leave meWell, say you neverYes, you really neverYou never give me a chance

Love you darlin’Come and go with meCome home with meWay beyond the seaI need you darlin’So come go with me

Come on go with meCome on go with meCome on go with me

…

Hank Williams – Hey, Good Lookin’

I got a hot rod ford and a two dollar bill
And I know a spot right over the hill
There’s soda pop and the dancin’s free
So if you want to have fun come along with me

If you had told me that Chuck Berry wrote those lyrics I would have completely believed you. I have to wonder how often this line has been used in the history of dating since this song came out?

Little Jimmy Dickens said that Williams wrote the song in just 20 minutes while on tour with Dickens and Minnie Pearl. He intended the song for Dickens but decided to keep it for himself after realizing its potential.

The song was released in 1951. It was recorded at Castle Studio in Nashville with his backing band The Drifting Cowboys. After the release, he was on the Kate Smith Evening Show to debut it. The video is at the bottom and the girl beside him is June Carter…later to be June Carter Cash.

Williams was making inroads into a more crossover audience. He was the first country star to make an appearance on the Perry Como show at the time. He was wildly popular in the early 1950s. He probably would have helped broaden country music’s popularity had he lived longer.

This song is very popular, to say the least. It has been covered 252 times and more than once by his son as well. Johnny Cash, Carl Perkins, and Gene Vincent all tackled it in 1958. Other versions have included those by George Jones (1959), Ray Charles (1962), Del Shannon (1964), Roy Orbison (1970), and Waylon Jennings (1985). A 1973 live version by Van Morrison was on the expanded 2016 reissue of his It’s Too Late To Stop Now set.

Hank Williams took 12 songs to #1 and had 55 charted singles in his career, which ended too soon when he died on Jan. 1, 1953, at the age of only 29. He is listed as the writer or co-writer of 167 songs in his lifetime.

The song peaked at #1 on the Billboard Hot Country Singles at the time. In 2004 it peaked at #8 on the Billboard Hot Country Songs chart with Jimmy Buffet singing and also #63 on the Billboard 100.

The man lived hard…look at the bottom video. He is just 27 years old in that clip…he could be easily mistaken for much older. He was one of the best songwriters in the 20th Century.

Hank Williams: “If a song can’t be written in 20 minutes, it ain’t worth writing.”

Hey Good Lookin’

Say hey, good lookin’ whatcha got cookin’?
How’s about cookin’ something up with me?
Hey, sweet baby don’t you think maybe
We can find us a brand new recipe?

I got a hot rod ford and a two dollar bill
And I know a spot right over the hill
There’s soda pop and the dancin’s free
So if you want to have fun come along with me

Hey, good lookin’ whatcha got cookin’?
How’s about cookin’ something up with me?

I’m free and ready so we can go steady
How’s about saving all your time for me
No more lookin’ I know I been cookin’
How’s about keepin’ steady company?

I’m gonna throw my date book over the fence
And find me one for five or ten cents
I’ll keep it ’til it’s covered with age
‘Cause I’m writin’ your name down on every page

Say hey, good lookin’ whatcha got cookin’?
How’s about cookin’ something up with me?

…

Elvis Presley – Blue Moon Of Kentucky

How I love this song. I’ve heard it so many times and now I think of Planes, Trains, and Automobiles when Martin and Candy are singing it in a burntout car they were driving.

Elvis Presley recorded this song as the B-side to That’s All Right in 1954, marking his debut single with Sun Records. It was recorded during his second session with the label on July 6, 1954. Elvis, guitarist Scotty Moore, and bassist Bill Black reimagined the song in a faster, upbeat, rockabilly style. This transformation gave the song a fresh, raw feel that differed greatly from its bluegrass origins.

Presley’s recording became the best-known version of the song and is an early example of what was to become known as Rockabilly, a combination of Blues and Country together with an uptempo beat. The single was very popular locally, helping to build Elvis’s reputation in the Memphis area and laying the groundwork for his later success. DJ’s have said they would play the single multiple times over and over again when it was released.

Bill Monroe wrote this song in 1946 and recorded the first version playing mandolin backed by his band, the Blue Grass Boys. After the Presley version was released, Monroe recut the song and added both styles to it.

Elvis Presley got an invite to the Grand Ole Opry soon after this, and he was fearful of Monroe’s reaction to his version of the song. He sought out the older Opry star backstage and apologized to him for taking such liberties. Monroe reacted with generosity. Monroe later admitted Presley’s version of “Blue Moon of Kentucky” gave him very big songwriter royalty checks. This song is very important in history… celebrated as a groundbreaking moment where country music met rock and roll with a resounding success.

The state of Kentucky made this their official bluegrass song. Now let’s listen to the song and listen to the flip side performed by Elvis fan Paul.

Paul McCartney recorded the Arthur Crudup blues classic, That’s All Right, Mama, with Elvis Presley’s original band members, Scotty Moore (guitar) and DJ Fontana (drums).

Blue Moon of Kentucky

Blue moon, blue moon, blue moon,
keep shining bright.
Blue moon, keep on shining bright,
You’re gonna bring me back my baby tonight,
Blue moon, keep shining bright.

I said blue moon of Kentucky
keep on shining,
Shine on the one that’s gone and left me blue.
I said blue moon of Kentucky
keep on shining,
Shine on the one that’s gone and left me blue.

Well, it was on one moonlight night,
Stars shining bright,
Wish blown high
Love said good-bye.

Blue moon of Kentucky
Keep on shining.
Shine on the one that’s gone and left me blue.

Well, I said blue moon of Kentucky
Just keep on shining.
Shine on the one that’s gone and left me blue.
I said blue moon of Kentucky
keep on shining.
Shine on the one that’s gone and left me blue.

Well, it was on one moonlight night,
Stars shining bright,
Wish blown high
Love said good-bye.

Blue moon of Kentucky
Keep on shining.
Shine on the one that’s gone and left me blue.

Head Cat – Fool’s Paradise… album review

I don’t do many album reviews, but this one, I had to write something. I spent this weekend totally locked in on this 2006 album, having it on my computer and phone. It’s a fun rockabilly album well done, and the song selection is terrific. I was going to review another artist, but I got stuck on this one, so I’ll post him next weekend. After the Motörhead post on Friday, CB brought up a rockabilly band that Lemmy was in. I was surprised, to say the least, because I didn’t remember this from the documentary but it’s been a while. I love what I heard.

I don’t skip tracks because one is as good as the other. There is a bounciness to this album…if that is a word. I could have written a one-word review… FUN.

Let’s get with the members of this band. On drums, you have Slim Jim Phantom from the Stray Cats. This man pops up everywhere by the way. On Guitar and piano, you have a rockabilly guitarist named Danny B. Harvey. On bass you have Lemmy Kilmister taking a break from Motörhead to play some rockabilly. His voice fits this music well.

The origins of The Head Cat trace back to a casual collaboration. Lemmy Kilmister, Slim Jim Phantom, and Danny B. Harvey teamed up in 1999 to record a tribute album to Elvis Presley, titled Swing Cats: A Special Tribute to Elvis. The band’s name? Can you guess? Combining Motörhead and The Stray Cats. They released 6 studio and live albums combined.

They didn’t always pick the most popular rockabilly songs which I love. You have Buddy Holly, Eddie Cochran, Jimmy Reed, and The Crickets songs on this album. Rather than covering Peggy Sue, they cover Peggy Sue Got Married instead which personally I like more. You have a Buddy Holly title cut Fool’s Paradise. You also have Crying, Waiting, Hoping, Not Fade Away, and one of my favorite Holly songs in Well…All Right.

The reason this and other similar rockabilly albums work is because 1: The musicians love this type of music and…that damn word again…FUN. 2: The songs are simple and that is not a put-down but they don’t have 12 chords and studio tricks. The songs sound good on backyard porches and would sound great in the Royal Albert Hall or Ryman Auditorium. I think music has moved too far away from this style. 3: When I said these songs were simple I was NOT implying they are easy to play right…on the contrary because you have no distortion box or tricks to hide behind. It takes pure musicians and a love for this music to play it right. These guys grew up with this music so they pour their heart into it.

I’ll get off my soapbox now but how I wish I would have had this music growing up. I didn’t grow up in this era when the songs were real time but I see why all of the great artists I like… cling to this music. Everyone from The Beatles, Led Zeppelin, The Who, Stones, Springsteen, Dylan, and The Kinks spent their career trying to recapture the spirit in these wonderful songs. The Head Cat did a great job!

Here is the tracklist:

1 Fool’s Paradise
2 Tell Me How
3 You Got Me Dizzy
4 Not Fade Away
5 Cut Across Shorty
6 Lawdy Miss Clawdy
7 Take Your Time
8 Well…All Right
9 Trying To Get To You
10 Learning The Game
11 Peggy Sue Got Married
12 Crying, Waiting, Hoping
13 Love’s Made A Fool To You
14 Big River
15 Matchbox

If you want the complete album on YouTube…here is the link

Well…All Right

Well, alright, so I’m being foolish
Well, alright, let people know
About the dreams I know that you wish
In the night when lights are low

Well, alright, well, alright
We’ll live and love with all our might
Well, alright, well, alright
Our lifetime love will be alright

Well, alright, so I’m going steady
It’s alright, let people say
That those foolish kids can’t be ready
For the love that comes their way

Well, alright, well, alright
We’ll live and love with all our might
Well, alright, well, alright
Our lifetime love will be alright

Well, alright, well, alright
You know we’ll live and love with all our might
Well, alright, well, alright
You know our lifetime love will be alright

….

Fats Domino – I Want To Walk You Home

This man could take any song and make it his own. He must have loved walking… he had hits with I’m Walkin’, Did You Ever See A Dream Walking?, Walking To New Orleans, and this song I Want To Walk You Home. It was written by Fats Domino and produced by his long-time collaborator Dave Bartholomew. It peaked at #8 on the Billboard 100 and #1 on the Billboard R&B Charts.

Antoine “Fats” Domino Jr. was not flashy and wild like some of his 1950s peers such as Elvis, Little Richard, and Jerry Lee Lewis. The first I heard of Fats Domino was on “Happy Days” and the song Blueberry Hill. I was at a relative’s yard sale when I was a kid and was given his and Chuck Berry’s greatest hits. My Aunt never knew how much those two records would influence me.

Domino was the youngest of eight children in a musical family, he spoke Creole French before learning English. At age 7 his brother-in-law taught him how to play the piano. By the time he was 10, he was already performing as a singer and pianist.

Fat’s first hit in the Billboard 100 was the great “Aint That A Shame” in 1955 written by Fats Domino and Dave Bartholomew which peaked at #16 and his last charting song was a cover of the Beatles’s “Lady Madonna”(great version) that peaked at #100 in 1968. He had 45 songs in the top 100 and 4 top 10 hits…many more top 10 hits in the R&B Charts.

He lived in New Orleans During Hurricane Katrina, he lost most of his possessions and he and his family were rescued by the Coast Guard. He unselfishly made many personal appearances to raise money for the hurricane relief. His house was hit hard and he lost his National Medal and gold records but George Bush gave him another medal to replace the lost one and the RIAA gave him replacement gold records.

To raise money for repairs for his own home, friends and fellow musicians recorded a tribute album, Goin’ Home: A Tribute to Fats Domino, featuring Robert Plant, Elton John, Paul McCartney, and more. He was living in New Orleans at the time of his death on October 24, 2017.

He was a huge influence on The Beatles, Elton John, Robert Plant, and Randy Newman. Elvis even called Fats “The King”…a well-deserved title.

I Want To Walk You Home

I want to walk you homePlease let me walk you homeI wants to walk you homePlease let me walk you homeYou look so good to me, oh-ooh-eeI wish I was the lucky guy who could walk you right on down the aisle

I love the way you walkI love to hear you talkI love the way you walkI love to hear you talkI’m not tryin’ to be smart, I’m not tryin’ to break your heartBut if I ask you for a date, will you tell me that I’m not too late

I want to hold your handPlease let me hold your handI want to hold your handPlease let me hold your handYou look so good to me, oo-ooee

I saw you walking all alone, that’s why I want to walk you home

So let me walk you homePlease let me walk you homeI want to walk you homePlease let me walk you homeYou look so good to me, oh-ooh-eeI saw you walking all alone, that’s why I want to walk you homeThat’s why I want to walk you home, that’s why I want to walk you homeThat’s why I want to walk you home

…

Vince Taylor – Brand New Cadillac

How you find new music can sometimes be surprising. I was looking for a guy with the nickname of Prince Stash, his name is Stanislaus Klossowski de Rola. He hung out with a lot of sixties rock stars and I found out he played in Vince Taylor’s band. I started to listen to Vince Taylor and his rockabilly is really good. I knew I heard his name before and it was when I covered the Clash’s version of this song.

Vince was born in England but his family emigrated to the United States in the early 1950s, settling in New Jersey, where Taylor was exposed to the new rock and roll scene. While living here he became exposed to the greats like Presley, Little Richard, and Gene Vincent. In the late 1950s, Taylor returned to the UK, where he adopted the stage name Vince Taylor inspired by American culture. It was probably the smart thing to do at the time. The UK treated the 50s rock stars much better than America did.

Brand New Cadillac was released in 1959. It was the B side to a song called Pledging My Love. Taylor wrote the song but Tony Sheridan is credited with the cool guitar riff running through the song. The song’s riff reminds me of the original Batman riff…or really the other way around.

In the mid-sixties, he and his band The Playboys co-headlined a tour with the Rolling Stones with “Prince Stash” Stanislaus Klossowski de Rola playing percussion. Jimmy Page and others were also at one time part of the Playboys. I’ve been reading about his live performances and watching some concert footage…and he was a hell of a performer. I can see why he built a following for his live performances.

Bowie has said that Vince Taylor was a huge influence on Ziggy Stardust. He said in the early seventies his name was coming up again as in Golden Earring’s song “Just Like Vince Taylor.”

Taylor had some problems with drugs in the sixties and his career started to go downhill as he became unstable. In the 1970s, he briefly attempted comebacks in Europe, but he could not recapture his earlier success. He lived a nomadic life, working odd jobs, including as a mechanic in Switzerland.

He passed away in 1991 from cancer.

David Bowie: “I met him in Gioconda one day and the guy was right out of his tree. I mean, this guy was bonkers, absolutely the genuine article. I can’t remember if he said he was an alien or the Son of God but he might have been a bit of both. And then one time we were on Tottenham Court Road… He dragged out this world map and we were crouching on all fours outside Tottenham Court Road Tube Station and he was showing me where all the aliens had their bases throughout: under the Arctic and in this mountain… And business people stepping over our map. I think: what the hell am I doing in the middle of Russia with this bonkers American looking at the map of the world and I thought there’s something in this, I’m gonna remember this. This is just too good.”

Clips of Taylor live

Brand New Cadillac

Well my baby drove off in a brand new Cadillac
Ooh, my baby drove off in a brand new Cadillac
Well she looked at me, daddy, I ain’t never comin’ back

I said baby-baby-baby won’t you listen to me
Come on sugar, come on hear my plea
Well she looked at my Ford, we’ll never agree
Cadillac car! Oh yeah!

Well the Caddy’s rollin’ and going ’bout ninety-five
Well the Caddy’s rollin’ and going ’bout ninety-five
Well me and my Ford, we’re right by here side

I said baby-baby-baby won’t you listen to me
Come on baby, come on hear my plea
Turn that big car around, come on back to me
Hangin’ on Scotty, here we go!

Well my baby took off in a brand new Cadillac
Ooh, my baby took off in a brand new Cadillac
Well she looked at me, daddy, I ain’t never comin’ back

I ain’t never comin’ back
I ain’t never comin’ back
I ain’t never comin’ back

…

Flamingos – I Only Have Eyes For You

I hope you all had a wonderful Christmas/Holiday. Now, we are back to our regularly scheduled programming.

I don’t feature enough ballads and this is one of the best The song is the ultimate date song. I’ve heard this in countless movies and I still listen all the way through. I would have loved hearing this coming out of an AM speaker in the 1950s and 60s. I sometimes use the word beautiful but only when I mean it and with this song I do.

This is the only top-20 hit they had in America. My dad had their greatest hits so I know more than just this one. I do get in moods where I like good doo-wop. It peaked at #11 on the Billboard 100 and #3 on the Billboard R&B Chart in 1959.

They formed in 1953 and went through a series of names like The Swallows, El Flamingos, The Five Flamingos to simply The Flamingos. They were successful in the 1950s and on the pop and R&B charts.

As music changed in the 1960s, the Flamingos struggled to maintain their commercial success, though they continued to record and perform. Members of the group went through several changes, with different lineups carrying on the Flamingos’ name over the decades.

The Flamingos were inducted into the Vocal Group Hall of Fame in 2000, the Rock and Roll Hall of Fame in 2001, and the Doo-Wop Hall of Fame in 2004

I Only Have Eyes For You

My love must be a kind of blind loveI can’t see anyone but you(Sha bop sha bop)(Sha bop sha bop)(Sha bop sha bop)(Sha bop sha bop)(Sha bop sha bop)

Are the stars out tonight (sha bop sha bop)I don’t know if it’s cloudy or bright (sha bop sha bop)I only have eyes for you dear(Sha bop sha bop)

The moon may be high(Sha bop sha bop)But I can’t see (sha bop sha bop) a thing in the skyI only have eyes for you

I don’t know if we’re in a gardenOr on a crowded avenue(Sha bop sha bop)

You are here(Sha bop sha bop)And so am I(Sha bop sha bop)

Maybe millions of people (sha bop sha bop) go byBut they all disappear from viewAnd I only have eyes for you

…

Bing Crosby – Silent Night

This song is not only my favorite Christmas Carol… I think it’s up there with the best songs ever written. I hope everyone has a great Christmas/Holiday. This will close out my Christmas Marathon. I wish you all the very best.

Randy wrote a great article yesterday on the top 10 most-covered Christmas songs. Silent Night did very well!

There are over 26,000 different versions of “Silent Night” on Spotify, meaning you could listen to a different rendition of the carol every night for 72 years.

Halfway through December 1818, the church organ in St. Nicholas in Oberndorf, 11 miles north of Salzburg in what is now Austria, broke (a popular version of the story claims that mice had eaten out the bellows).

The curate, 26-year-old Josef Mohr, realized it couldn’t be repaired in time to provide music on Christmas Eve. He told his troubles to his friend, a headmaster and amateur composer named Franz Gruber, while giving him as a present a poem he had written two years earlier. Gruber was so taken by the rhythm of the poem that he set it to music, and on Christmas Eve there was music after all. Mohr played his guitar while the pair sang the song. It was the first public performance of “Stille Nacht” or as we know it “Silent Night.”

It is believed that Silent Night has been translated into over 300 languages around the world, and it is one of the most popular carols of all time.

From Songfacts

Bing Crosby’s version became his best-seller of the 1930s.

Music licensing company PPL announced in December 2010 that this carol tops the list of Britain’s “most recorded Christmas song of all time.” Said Mike Dalby, Lead Reporting Analyst at PPL: “Silent Night is a beautiful carol which encapsulates the feeling of Christmas entirely. Everyone from punk band The Dickies right through to Sinead O’Connor has recorded it, which exemplifies just how much it resonates with all different types of artists.”

According to PPL, Sinead O’Connor’s 1991 recording was the most popular version of the carol in Britain.

When the organ builder finally did show up to repair the St. Nicholas organ, he was given a copy of the “Silent Night” composition and brought it home. From there, traveling folk singers got a hold of it and began incorporating the carol into their repertoire. It didn’t make its way to America until 1839.

As the song gained traction throughout Europe, Franz Gruber composed several different orchestral arrangements. He donated all profits from the carol to local charities for children and the elderly, and eventually died penniless.

According to Steve Sullivan’s Encyclopedia of Great Popular Song Recordings, Crosby, a devout Catholic, refused to record the religious song, arguing it would be “like cashing in on the church or the Bible.” Crosby met with Father Richard Ranaghan, a priest trying to raise money for overseas missions, and decided to donate the royalties to the cause. But Ranaghan died in a car accident later that year, so the money went to several charities throughout the US and abroad.

This song lends itself to interpretation because the first four bars are all on the same chord. Jim Brickman explains: “There’s room to treat it dynamically in a different way: in the tempo, in the sounds and silences, in the time signature.”

The first English Version…Thanks Randy!

Silent Night

Silent night, holy night.
All is calm, all is bright.
‘Round yon virgin mother and child.
Holy infant so tender and mild.
Sleep in heavenly peace,
Sleep in heavenly peace.

A Christmas Carol (1951)

I will be watching this movie this week. It gets me in the mood for Christmas. Alastair Sim is such a pleasure to watch and he is why this is my favorite interpretation of A Christmas Carol.

There have been countless takes on A Christmas Carol, but the 1951 version is something special. It’s not just a holiday movie—it’s a haunting, moving, and uplifting journey that brings home the power of compassion and redemption. Whether it’s your first time watching or your fiftieth, this is the version that truly captures the heart of Dickens’ story. When I think of Scrooge…I think of Alastair Sim.

The movie is in black and white which turns some people off but it makes it that much better to me. They do have a color version but trust me…watch the black-and-white version. It gives the movie a darker feeling. The effects they use are obviously not CGI but they get the point across well and serve the story very well. I like the scene where the ghost of Jacob Marley is warning Ebenezer of being greedy…the two were not on the set at the same time…it looked really good for being 1951…or anytime for that matter.

The film feels like you are stepping into Victorian London…gritty, cold, and yet somehow magical. Scrooge’s transformation feels real, earned, and deeply satisfying. In 1971 Sim voiced the same character in an animated version of A Christmas Carol and it’s great as well.

So get some hot butter rum, sit back, and watch this great movie. The recipe for Hot Buttered Rum is here, or you can go to the bottom of the post. I haven’t tried this recipe but I want to this year. When I was younger I would go to TGI Fridays…they had great hot buttered rum.

From IMDB…spoilers

Ebenezer Scrooge (Alastair Sim) is a greedy businessman who thinks only of making money. For him, Christmas is, in his own words, a humbug. It has been seven years since his friend and partner, Jacob Marley (Sir Michael Hordern), died and on Christmas Eve. Marley’s ghost tells him he is to be visited during the night by three spirits. The Ghost of Christmas Past (Michael Dolan) revisits some of the main events in Scrooge’s life to date, including his unhappy childhood, his happy apprenticeship to Mr. Fezziwig (Roddy Hughes), who cared for his employees, and the end of his engagement to a pretty young woman due to a growing love of money. The Ghost of Christmas Present (Francis De Wolff) shows him how joyously is nephew Fred (Brian Worth) and his clerk, Bob Cratchit (Mervyn Johns), celebrate Christmas with those they love. The Ghost of Christmas Yet to Come (Czeslaw Konarski) shows him what he will leave behind after he is gone. Scrooge awakens on Christmas morning, a new man intent on doing good and celebrating the season with all of those around him.

Cast

Alastair Sim (Ebenezer Scrooge)
Kathleen Harrison (Mrs. Dilber)
Mervyn Johns (Bob Cratchit)
Hermione Baddeley (Mrs. Cratchit)
Michael Hordern (Jacob Marley)
Glyn Dearman (Tiny Tim)

Ingredients

2 quarts hot water
2 cups brown sugar
½ cup unsalted butter
1 pinch salt
6 whole cloves
3 cinnamon sticks
2 cups rum
1 cup sweetened whipped cream
ground nutmeg to taste

Directions

Combine hot water, brown sugar, butter, and salt in a 5-quart slow cooker. Add cloves and cinnamon sticks.
Cover slow cooker; cook on Low for 5 hours. Stir in rum.
Ladle buttered rum into mugs. Top with whipped cream; dust with nutmeg.

Twilight Zone – The Night of the Meek

★★★★★ December 23, 1960 Season 2 Episode 11

If you want to see where we are…HERE is a list of the episodes

I haven’t re-run any of my Twilight Zone reviews but since it’s Christmas…I thought I would post this one. It’s a very touching episode and you get Art Carney and some great character actors in this one like John Fiedler, Robert P. Lieb, and Val Avery.

This one is a sentimental, touching, and timeless, episode of the Twilight Zone. I watch this every year around Christmas. One of the reasons Rod Serling wrote this episode is to see Art Carney play Santa Claus. This is a genuinely funny episode, with the humor feeling natural and enhancing the characters. There are no big laughs but rather many great moments.

John Fiedler plays Mr. Dundee does a great job and has good comedic moments with Robert P. Lieb who plays Flaherty. Fielder would appear on the Bob Newhart Show later on in the seventies. It was taped just three weeks before Christmas, it had a special effect on the cast and crew, and especially on the many children on the set. Production assistant Lillian Gallo later said more children were performing on that show as extras than on the other tape shows, and she remembers their excitement and their joy. Sometimes, it was difficult for them to contain themselves during the times that you had to be quiet during the show.

One sour viewer was so enraged at the blasphemy of presenting a drunk as Santa Claus that he sent outraged letters to Serling, the network, and several newspapers. Can’t Santa have a cheery night?

This show was written by Rod Serling

Rod Serling’s Opening Narration:

This is Mr. Henry Corwin, normally unemployed, who once a year takes the lead role in the uniquely popular American institution, that of the department-store Santa Claus in a road-company version of ‘The Night Before Christmas’. But in just a moment Mr. Henry Corwin, ersatz Santa Claus, will enter a strange kind of North Pole which is one part the wondrous spirit of Christmas and one part the magic that can only be found… in the Twilight Zone.

Summary

Henry Corwin is a down and outer who is normally unemployed and who definitely drinks too much. Every year he works as a department store Santa Claus. This year however, he’s spent just a little too much time in the bar and is quite drunk by the time he shows up for work. He’s fired of course and deeply regrets what he’s done. In fact, Henry has a big heart and worries not only about the children he’s disappointed at the store but about all of those children who will not get what they’ve asked for Christmas. When he comes across a large bag of gifts, everything changes for the kids and for himself as well.

Rod Serling’s Closing Narration:

A word to the wise to all the children of the twentieth century, whether their concern be pediatrics or geriatrics, whether they crawl on hands and knees and wear diapers or walk with a cane and comb their beards. There’s a wondrous magic to Christmas and there’s a special power reserved for little people. In short, there’s nothing mightier than the meek. And a Merry Christmas to each and all.

CAST

Rod Serling … Narrator / Self – Host (uncredited)
Art Carney … Henry Corwin
John Fiedler … Mr. Dundee
Robert P. Lieb … Flaherty
Val Avery … The Bartender
Meg Wyllie … Sister Florence
Kay Cousins Johnson … Irate Mother (as Kay Cousins)
Burt Mustin … Old Man
Steve Carruthers … Bar Patron (uncredited)
Andrea Darvi … Kid with Santa (uncredited)
Jimmy Garrett … Street Child (uncredited)
Larrian Gillespie … Elf (uncredited)
Jack Kenny … Man in Mission (uncredited)
Caryl Lincoln … Store Customer (uncredited)
Mathew McCue … Man in Mission (uncredited)
Frank Mills … Man in Mission (uncredited)
Mike Morelli … Man in Mission (uncredited)
Nan Peterson … Blonde in Bar (uncredited)
Ray Spiker … Man in Mission (uncredited)
Glen Walters … Store Customer (uncredited)

…

Chuck Berry – Run Rudolph Run

Nice little Christmas song by Chuck Berry… the father of Rock and Roll. The song has a “Carol” vibe to it and that is never a bad thing. It was one of the first rock and roll Christmas songs and it was released in 1958.

Berry based this song on “Rudolph The Red-Nosed Reindeer,” giving Rudolph a bit of an attitude as he delivers the toys. The song is credited to Johnny Marks and Marvin Brodie. Johnny Marks wrote Rudolph the Red Nose Reindeer. Chuck puts his stamp on this song.

The song is sometimes known as “Run Run Rudolph,” which is how it appears on some other covers. Other artists to record the song include Sheryl Crow, Bryan Adams, The Grateful Dead, Jimmy Buffett, Dwight Yoakam, Bon Jovi, and Keith Richards.

The song peaked at #69 in the Billboard 100 in 1958 and has re-charted many times through the years…it peaked at #36 in the Billboard 100 in January of 2020…and I’m sure it is charting now.

The song appeared in a lot of films including Home Alone, Diner, The Santa Clause 2, Cast Away, and Jingle All the Way.

I’m adding this per Randy about the royalities for the song.

Johnny Marks wrote the song Rudolph The Red Nose Reindeer but NOT the story or the character. Robert L. May wrote the story and Marks wrote the story off of that. The song was released and only Berrys name was on it. Marks sued Chuck for infringing on his song by using the name Rudolph. Mind you Marks didn’t create the character or story he only wrote a song about it. Of course Marks had good lawyers and won the case and was awarded a ridiculous 100% of royalties and a change in song credits.

Run Rudolph Run

Out of all the reindeers you know you’re the mastermind
Run, run Rudolph, Randalph ain’t too far behind
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph ’cause I’m reelin’ like a merry-go-round

Said Santa to a boy child what have you been longing for?
All I want for Christmas is a rock and roll electric guitar
And then away went Rudolph a whizzing like a shooting star
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph, reeling like a merry-go-round

Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph, reeling like a merry-go-round

Said Santa to a girl child what would please you most to get?
A little baby doll that can cry, sleep, drink and wet
And then away went Rudolph a whizzing like a Saber jet
Run, run Rudolph, Santa’s got to make it to town
Santa make him hurry, tell him he can take the freeway down
Run, run Rudolph ’cause I’m reelin’ like a merry-go-round

Brenda Lee – Rockin’ Around The Christmas Tree

This is an artist I’ve never covered before, and among all the Christmas songs I have posted, I haven’t posted this one. It’s also one that I really like every year.

I’ve heard of Brenda all of my life. She was involved in Nashville before I was born. This song was released in 1958 and Brenda was only 13 years old! Her nickname was “Little Miss Dynamite” for her powerful voice and 4′ 9″ height. She has had an incredible 36 studio albums, 69 EP’s, and 63 Compilation albums. She had 14 top 20 Billboard hits and many country hits later on in her career. She had 3 number 1’s. I’m Sorry in 1960, I Want to be Wanted in 1960, and a record…63 years, five months, and three weeks later…her last #1 so far… in 2023 with Rockin’ Around The Christmas Tree. I was so happy to hear that she reached number 1 again.

Brenda signed with Decca Records in 1956 at just 11 years old. Her early hits showed she could do country, pop, and rock genres. The song was recorded in Bradley Studios in Nashville. It was in Fall and not snowing but to get the mood right…Bradley had the studio freezing cold with the air conditioning, and he had a Christmas tree all set up to kind of get in the mood. Since 2011…the song has made it to the top 3 in the Holiday charts every year. This year it made it to #2. Lee was inducted into both the Country Music Hall of Fame (1997) and the Rock and Roll Hall of Fame (2002).

The song was written by Johnny Marks and he was quite good at writing Christmas songs. He wrote A Holly Jolly Christmas, Silver and Gold, and Rudolph the Red-Nosed Reindeer just to name a few.

Brenda Lee: “I was only 13, and I had not had a lot of success in records, but for some reason he heard me and wanted me to do it. And I did.”

Johnny Marks: Well, I was laying on the beach and I went to sleep, I woke up and the pine trees were kind of swaying in the breeze. All of a sudden, I thought about Christmas, and I watched them begin and they were kind of rockin’ and I thought about rockin’. I just thought about a rockin’ Christmas, and then I changed it to where people might want to rock around the Christmas tree.’ And that’s kind of how it was born.”

Rockin’ Around The Christmas Tree

Rockin’ around the Christmas treeAt the Christmas party hopMistletoe hung where you can seeEvery couple tries to stopRockin’ around the Christmas treeLet the Christmas spirit ringLater we’ll have some pumpkin pieAnd we’ll do some caroling

You will get a sentimental feeling when you hearVoices singing, let’s be jollyDeck the halls with boughs of hollyRockin’ around the Christmas treeHave a happy holidayEveryone dancin’ merrilyIn the new old-fashioned way

…

Katmen – When The Drinks Dried Up

The band’s name is either Kat Men or Katmen. I’ve seen it listed both ways.

CB mentioned this band in an email and I had to check it out. Pure rockabilly heaven for me. I’ve also checked out Darrel Higham’s guitar playing…he is excellent. He worked with and married Imelda May… his sound can be heard in much of her music.

The band was formed when Slim Jim Phantom and Darrel Higham decided to join forces, they were inspired by a shared love of classic rockabilly music. Phantom’s drumming style is well known for his stint in The Stray Cats, while Higham contributed his incredible guitar skills and an appreciation for rockabilly. Their music has vintage rockabilly vibes with a modern sound.

They formed in 2006 when former Stray Cats drummer Slim Jim Phantom and Imelda May guitarist Darrel Higham met during a jam session at the Oneida Casino, in Wisconsin. In 2012 they hired bassist Al Gare. This guy plays a mean standup bass like no one else I’ve seen.

Higham developed an early interest in rockabilly and 1950s rock ‘n’ roll, his influences were artists like Elvis Presley, Gene Vincent, Eddie Cochran, and guitarist Cliff Gallup. Higham started his professional music career in the late 1980s, performing with various rockabilly and roots bands in the UK.

This song is on their 2013 album The Katmen Cometh. Another song on that album is “We Need Elvis Back.” I HAD to include that song as well in this! Both songs are credited to the band.

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