Badfinger (Max)

The Marmalade – Reflections of My Life

This song peaked at #10 in the Billboard 100 in 1970 and #3 in the UK. The Marmalade were more successful in the UK by placing 10 top 10 singles in the UK charts but only charting Reflections of My Life in the Billboard top ten. It’s a song I heard many times when I was younger but didn’t know anything about it.

From Songfacts.

This dramatic ballad from the Age of Aquarius finds the singer describing a very bleak outlook on life and the times. The song was sort of a hippie version of the blues. >>

The Marmalade were a Scottish pop group who enjoyed several hits in the UK between 1968 and 1976. Originally a band called Dean Ford & The Gaylords, they changed their name to Marmalade in 1967. They are best remembered in Britain for their cover of the Beatles song “Ob-La-Di, Ob-La-Da” which topped the UK charts around Christmas 1968. In 1969, they signed to Decca Records, and their contract gave them complete freedom to write and produce their own records. The fruits of this arrangement was the recording of this song with its distinctive backwards guitar break, which was their only American hit.

This song was written by vocalist Dean Ford and the band’s main songwriter, keyboardist Junior Campbell. Campbell went on to pen the theme from the British TV series Thomas The Tank Engine, which was narrated in its first two seasons by Ringo Starr.

Reflections of My Life

The changing of sunlight to moonlight
Reflections of my life
Oh, how they fill my eyes

The greetings of people in trouble
Reflections of my life
Oh, how they fill my eyes

Oh, my sorrows
Sad tomorrows
Take me back to my own home

Oh, my crying (Oh, my crying)
Feel I’m dying, dying
Take me back to my own home

I’m changing, arranging
I’m changing
I’m changing everything
Everything around me

The world is
A bad place
A bad place
A terrible place to live
Oh, but I don’t want to die

Oh, my sorrows
Sad tomorrows
Take me back to my own home

Oh, my crying (Oh, my crying)
Feel I’m dying, dying
Take me back to my own home

Oh, my sorrows
Sad tomorrows
Take me back to my own home

Thanks A Lot Mr. Kibblewhite: My Story Roger Daltrey

I just finished the audio version of this book. I’m a huge Who fan and I was looking forward to it. It was nice to hear the book narrated by Roger himself. It’s a solid book but I have only one complaint that I will get into below.

The positive about the book is you find out more about the different personalities of the Who and the reason they fought. Pete the artist, John the dark one, Keith the lunatic, and Roger blue-collar man of the band. We all knew those descriptions before but Roger tries to explain how it worked and didn’t work as a band. If you want to know The Who’s impact on rock music and culture go to Pete Townshend. If you want to get straight to the point with just the highlights…Roger is your man.

Roger is grounded, avoided most of the pitfalls in his profession, hard-working, and loves interpreting Pete’s music to the world. He goes into how he changed his singing style with Pete’s writing. How he became Tommy and the mod in Quadrophenia. He hits the highlights of The Who and his life without the Who in the 80s and part of the 90s.

The strongest part of this book is about his childhood and his collection of relatives. Roger seems very approachable, likable, and down to earth. Roger was the one constant in the band that you didn’t have worry about his on tour activities. He does talk about the high points of the Who and his acting career.

My biggest complaint is the book is too short. You get the impression that he didn’t think that anyone would want to hear any details whatsoever. He does give you some good stories but touches a subject and quickly leaves. It’s almost a cliff notes version as he didn’t dwell in any period long.

It is a quick and enjoyable read but leaves you wanting more.

Supertramp – Give a Little Bit

This is an extremely catchy song by Supertramp off of the album Even in the Quietest Moments… This was before their classic Breakfast In America. The song was inspired by “All You Need Is Love” by the Beatles.

The song peaked at #15 in the Billboard 100, #29 in the UK, and #8 in Canada in 1977.

The song was credited to Roger Hodgson and Rick Davies but Roger Hodgson wrote it. Roger Hodgson’s quote. “The song itself is such a pure, simple message that I think is really especially even more powerful today when the world has even more problems and it’s even more difficult sometimes to be compassionate and caring because we’ve got to put up all these barriers to survive; that it’s a song that really inspires people to give a little bit, not give a lot, just give a little bit and see how it feels and show that you care, and I know for me, every time I play it in concert, there’s something about that song.
I look out and people just start smiling straight away and sometimes they hug each other and they start singing with me. It’s a very unifying song with a beautiful, simple message that I’m very proud of and really enjoy playing today.”

From Songfacts.

Supertramp singer/guitarist Roger Hodgson wrote this song when he was a teenager, but didn’t record it until much later. It was about five years between when he wrote the song and when he brought it to the band. When we spoke with Hodgson in 2012, he explained: “I think it’s a great song. I didn’t realize it was when I first wrote it. It actually took me six years before I even brought it to the band. But I wrote it I think around 1970. That time, the late ’60s, early ’70s, was a very idealistic time, one of hope, a lot of peace and love and the dream of the ’60s was still very alive and maturing if you like.

That song has really taken on a life of its own, and I think it’s even more relevant today than when I wrote it. Because we really are needing to value love in a much deeper way, and also we’re needing to care. The song is basically saying: just show you care. You know, reach out and show you care. So in concert, it’s the perfect show closer because what I try to do in my show over two hours is unify the audience and unify all of us. So that at the end, when everyone stands up for ‘Give A Little Bit,’ they’re open and ready to open their hearts and sing at the top of their lungs and go away with a smile on their face. And that song really does, it has a very pure energy. The moment I start, people just start smiling. It’s amazing.”

Give A Little Bit

Give a little bit
Give a little bit of your love to me
Give a little bit
I’ll give a little bit of my love to you
There’s so much that we need to share
Send a smile and show you care

I’ll give a little bit
I’ll give a little bit of my life for you
So give a little bit
Give a little bit of your time to me
See the man with the lonely eyes
Take his hand, you’ll be surprised

Give a little bit
Give a little bit of your love to me
I’ll give a little bit of my life for you
Now’s the time that we need to share
So find yourself, we’re on our way back home

Going home
Don’t you need to feel at home
Oh yeah, we gotta sing

Ringo or Robin Ltd RoR

Ringo Starr and Robin Cruikshank formed a partnership in 1969 and they were located in the Beatles Apple building on Savile Row. In 1972 relocated with Apple to 54 St James Street.

Robin had originally worked for Ringo to design a stainless steel fireplace for Ringo and his wife Maureen. Ringo started to give Robin some suggestions and the two started to worked together on furniture and different designs for years after that. The partnership lasted until 1986 and after that Ringo let Robin use the name so Cruikshank could continue different projects.

If you ever run across anything made by RoR you probably have something very valuable.

Below was designed by RoR. I can’t imagine what it would have cost. I would take it in a second.

I remember seeing the below item on the news. Very expensive because they didn’t use reproduction parts…they all had authentic Roll Royce grills.

Here are some tables by RoR.

Below is Robin’s website featuring his new designs plus much more history.

http://rorint.com/

They worked with Disney to produce some mirrors with Disney characters on them.

Below is a video on some history of RoR

Santana – I’m Winning

This is a well-crafted song written by Russ Ballard and performed by Santana. I’m Winning didn’t have a Latin style like many of his seventies songs…it was more pop/rock and very catchy. It peaked at #17 on the Billboard 100 in 1981. Scottish vocalist Alex Ligertwood sang this song after Greg Walker left the band a little earlier.

It was released on the Zebop! album, a fascinating transitional LP that pushed Santana into the ’80s without completely abandoning the old mojo, “Winning” is anchored by one of the best vocal performances in the band’s catalog. His voice doesn’t just carry the tune; it owns it. He’s not just singing about triumph; he sounds like a man who’s been through the ringer and is finally exhaling.

Musically, this is a curious beast. Carlos’s guitar tone cuts through like sunlight through smoke. He doesn’t showboat, doesn’t shred, he sings with his strings, giving the track an emotional lift that Ballard’s original lacked.

Ligertwood also sang on the hit Hold On the next year.

I’m Winning

One day I was on the ground
When I needed a hand
Then it couldn’t be found
I was so far down that I couldn’t get up
You know and one day I was one of life’s losers
Even my friends were my accusers
In my head I lost before I begun
I had a dream but it turned to dust
And what I thought was love
That must have been lust
I was living in style
When the walls fell in
And when I played my hand
I looked like a joker
Turn around fate must have woke her
Cause lady luck she was waiting outside the door
I’m winning
I’m winning
I’m winning
I’m winning and I don’t intend on losing again
Too bad it belonged to me
It was the wrong time and not meant to be
It took a long time and I’m new born now
I can see the day that I bleed for
If it’s agreed that there’s a need
To play the game and to win again

Chicago – Saturday in the Park

I’ve always liked early Chicago when Terry Kath was part of the band. Love the intro to this song and it takes me back to when I first heard the song. Saturday in the Park peaked at #3 in the Billboard 100 and #2 in Canada. Robert Lamm who wrote the song openly admits he based the melody on The Beatles “You Won’t See Me.”

Robert Lamm on Saturday in the Park

“Saturday in the Park is a prime example of how I take from what I experience in the world. It was written as I was looking at footage from a film I shot in Central Park, over a couple of years, back in the early ‘70s. I shot this film and somewhere down the line I edited it into some kind of a narrative, and as I watched the film I jotted down some ideas based on what I was seeing and had experienced. And it was really kind of that peace and love thing that happened in Central Park and in many parks all over the world, perhaps on a Saturday, where people just relax and enjoy each other’s presence, and the activities we observe and the feelings we get from feeling a part of a day like that.”

From Songfacts.

Chicago’s main songwriter, Robert Lamm, wrote this after a particularly exhilarating 4th of July spent in New York’s Central Park, where there were steel drum players, singers, dancers and jugglers. Lamm and Peter Cetera sang lead on the track.

like most Chicago singles, this didn’t chart in the UK. In America, however, it was their biggest chart hit to that point and also their first gold single, which at the time meant selling more than a million copies (“25 Or 6 To 4” somehow was never certified gold).

This song contains some of the most famous nonsense singing in rock: after Robert Lamm sings the line, “Singing Italian songs,” he sings some made up words approximating the Italian language.

Saturday In the Park

Saturday in the park,
I think it was the Fourth of July
Saturday in the park,
I think it was the Fourth of July

People dancing, people laughing
A man selling ice cream
Singing Italian songs
Everybody is another
Can you dig it (yes, I can)
And I’ve been waiting such a long time
For Saturday

Another day in the park
I think it was the Fourth of July
Another day in the park
I think it was the Fourth of July

People talking, really smiling
A man playing guitar
And singing for us all
Will you help him change the world
Can you dig it (yes, I can)
And I’ve been waiting such a long time
For today

Slow motion riders fly the colors of the day
A bronze man still can tell stories his own way
Listen children all is not lost, all is not lost, oh no, no

Funny days in the park
Every day’s the Fourth of July
Funny days in the park
Every day’s the Fourth of July

People reaching, people touching
A real celebration
Waiting for us all
If we want it, really want it
Can you dig it (yes, I can)
And I’ve been waiting such a long time
For the day, yeah yeah

Hoo hoo oh
Hmm hmmm
Hmm hmmm

The Ice Cream Man?

I grew up in a rural area… there was no ice cream man traveling on our dirt road.

I would go visit my grandmother in Nashville on weekends and some weekdays. She lived in the suburbs so we were surrounded by houses and pavement.

I remember the sound and excitement. That sound of the Ice Cream truck coming when I was a kid. I didn’t have anything like that at home. If I was inside my grandmother’s house…which was rare, I could hear that bell and that tune playing no matter what I was doing. Old McDonald or some song like that.

I would bum a quarter off of my grandmother with promises to do anything.

When I grew older and was a teenager and no longer cared about that I started to notice something strange about the new ice cream guy. He drove by ringing the bell to the tune of “Sympathy for the Devil” and 19 and 20-year-olds would stop him down the street… I don’t think a quarter would have bought what he was selling anymore.

I saw him a few more times pass by…ringing the bell to Jumpin’ Jack Flash…a true Stones fan… and then I never saw him again…He was selling a different kind of treat. So Cheech and Chong weren’t that far off…I heard a little later the police didn’t approve of his inventory.

I’m not a big Van Halen fan…but this one I like.

Slip ‘n Slide

These were fun in the summer. A piece of plastic with a garden hose attached and voilà… a wet fun slide. I would slide down with reckless abandonment until…until I would slide over a sharp rock that was poking through the yellow plastic…then I would slip ‘n slide to first aid but it was fun. It was a great way to spend a summer day and I wouldn’t trade a minute of fun on it for anything.

Slip ‘n Slide was invented by Robert Carrier. Wham-O manufactured it in 1961, the Slip ‘n Slide is still hugely popular today.

Carrier originally sewed 50 foot of Naugahyde and brought it home for his kid to play on and all the kids in the neighborhood came by to slide down the Naugahyde material that he hosed down. He stitched a long tube along one side, sewn shut at one end, with spaces between the stitching so that when you attached the hose, the water pressure would build up and water would squirt out those openings and lubricate the surface of the material.

Wham-O traded the Naugahyde for more cost-efficient plastic (still used today), shortened the length from 50 to 25 feet and took the toy to market in 1961. It was an immediate success: 300,000 were sold within the first six months, and the total reached more than 30 million by its 50th anniversary.

This was one of my favorite toys in my childhood.

David and David – Welcome to the Boomtown

I’ve always liked the lyrics to this song and the overall sound of it. I liked all of the singles released off of their one and only album Boomtown. Welcome to the Boomtown, It Aint So Easy, and Swallowed by the Cracks. I was really looking forward to the follow-up album which never came.

Welcome to the Boomtown peaked at #37 in the Billboard 100 in 1986. Per Wikipedia, the two are planning to make a follow-up album. Over 30 years later…but better late than never.

Welcome to The Boomtown

Miss Christina drives a .944
satisfaction oozes from her pores
she keeps rings on her fingers
marble on the floor
cocaine in her dresser
bars on her doors
she keeps her back against the wall
she keeps her back against the wall
so I say
I say welcome
welcome to the boomtown
pick a habit
we got plenty to go around
welcome to the boomtown
and all that money makes such a succulent sound
welcome to the boomtown

Handsome Kevin got a little off track
took a year off of college
and he never went back
now he smokes much too much
he’s got a permanent hack
deals dope out of Denny’s
keeps a table in the back
he always listens to the ground
always listens to the ground
so I say
I say welcome to the boomtown
pick a habit we got plenty to go around
welcome to the boomtown
and all that money makes such a succulent sound
welcome to the boomtown

Well the ambulance arrived too late
I guess she didn’t want to wait….

Welcome to the boomtown

Remembering Molly

This is will be out of the norm for me and may be boring to some people so you may want to click the back button…but after talking to another blogger I wanted to write it down.

When I was a kid my mom would not let me have any pets in the house. She was a great mom but no pets at all inside. I had outside dogs but none inside. I knew when I got older I wanted a dog in my house…Not just any dog but a great big dog…I guess it was my way of rebelling against those earlier rules.

In 2009 I saw a local ad on the internet for a Saint Bernard puppy. It was the first puppy I ever had in my life. We did have one Saint Bernard before this that we got from a rescue when she was 8 months old. She passed in 2008 after 9 wonderful years.

We named this 6-week old puppy Molly and she was the runt of the litter. We took her home and she would not interact with us in the first two days at all.

On that third day…different story. She took off running through my wife’s flower garden and from then on she was ours and we were hers… She had one bad mishap. After a lengthy rain she wanted to go outside and she ran and while running caught her front right leg in a hole…it stretched her tendons…the vet put a cast on her leg for a month but her leg never looked the same but it didn’t stop her from running the rest of her life.

Molly was THE family dog and was one of us. She gave love but she wanted it also… when she thought she was being ignored… out came that giant paw pretty much making you pet her. She never hurt a living animal except for Bees…which she would catch with her mouth and quickly get them out…She didn’t like toys with squeakers because she thought she was hurting something so I had to take the squeakers out of every toy.

She grew very fast like Saints do and Molly was not a runt anymore. She looked after my son like he was her own. My son’s friends would be careful not to play too rough with him or each other…if they did they would get an earful…and Saints bark loud. Scared the hell out of some of them but she was never aggressive…just barked loud at the kids to stop. You could play but no shoving or hitting or she would referee really quick and wanted order.

She had the run of our house and many utility people were scared to come in but some braved it and were rewarded with a new friend. It was rare but once in a while, I would wake up with a snoring Molly beside my wife and me in bed. She would lay in the busiest part of the house so you would have no other choice but walk over her.

Last Thursday night my son and I went to dinner and came home to a happy Molly…she was happy because we were all at home safe and sound. She didn’t like when one of us was missing. She was demanding our attention that night and she got it.

The next morning she was breathing heavy and something seemed wrong. She would drink but would not eat. It just kept getting worse over the weekend.

I took off of work Monday to take her to the vet. She had been so lethargic that I thought we would have to get a mobile vet. To my surprise I said the magic words “car ride” and she came to life and followed me to the car…She got in the car and off we went. That was the best she looked in 3 days. We took her in and the vet said she was in poor shape but he wanted to do X-Rays and blood work. After that, he told me to go home and he would call. I foolishly let a little hope creep in.

The call came at 1:30 that Molly had cancer all over and failing kidneys. I don’t like playing God but he said that Molly had put on a brave face for us that morning and showed me the X-Rays and I knew we had to make THAT decision. He said it was a miracle she was walking around at all and she was in extreme pain. We waited for my son to get home at 3 and we traveled to the vet all together to say our goodbyes to our beloved Molly.

It was horrible to see my son hurt so bad and it wasn’t a damn thing I could do. We all hurt but we tried to make the ending happy for Molly. It will be a little while before we get another dog…but when we do we won’t be replacing Molly…it will be to add a new member to our family…Molly will always have her place.

My son will never forget his companion of nine years for the rest of his life…and neither will we.

My 9-year-old son and Molly at 6 weeks old…the day we got her in 2009

My 18-year-old son with Molly at 9 years old sitting close to him.

Zombies – She’s Not There

The Zombies were a bands band. They were very talented musicians who had the respect of other bands. The song peaked at #1 in the Billboard 100, #2 in Canada, and #12 in the Uk in 1964. They sounded like no other band at the time with a jazz/pop feel.

From Songfacts.

The group signed to Decca Records, and their keyboard player Rod Argent came up with this song for the session. It tells the story of an alluring woman who won’t be tied down to one man – the singer wants to tell us all about her, but he can only use words since she’s not there.

This was The Zombies first single. The band also recorded a cover of Gershwin’s “Summertime” for their first album, which was considered for the band’s first single, but “She’s Not There” got the nod. Boosted by radio play on New York powerhouse WINS, the song became a hit in the US.

She’s Not There
Well, no one told me about her
The way she lied
Well, no one told me about her
How many people cried

But it’s too late to say you’re sorry
How would I know? Why should I care?
Please don’t bother trying to find her
She’s not there

Well, let me tell you ’bout the way she looked
The way she acts and the color of her hair
Her voice was soft and cool
Her eyes were clear and bright
But she’s not there

Well, no one told me about her
What could I do?
Well, no one told me about her
Though they all knew

But it’s too late to say you’re sorry
How would I know? Why should I care?
Please don’t bother trying to find her
She’s not there

Well, let me tell you ’bout the way she looked
The way she acts and the color of her hair
Her voice was soft and cool
Her eyes were clear and bright
But she’s not there

But it’s too late to say you’re sorry
How would I know? Why should I care?
Please don’t bother trying to find her
She’s not there

Well, let me tell you about the way she looked
The way she acts and the color of her hair
Her voice was soft and cool
Her eyes were clear and bright
But she’s not there

Clackers

Clackers or… death on a string came out in the 1960s. They were also called Ker-Bangers, Klackers, Click-Clacks, Klik Klaks, Klappers, and Zonkers.

I remember a kid giving me his Clackers. The object I guess was swinging them up and down until they hit each other and made a “clack” sound. The sound I got the most was a thud sound with plastic hitting my skin. They were also known to shatter and the pieces fly in all different directions.

They were similar to Bolas…a weapon used by cowboys to throw at cattle or game to wrap around their legs…sometimes breaking them. Yep…lets redesign this and give it to kids.

I never minded somewhat dangerous toys but I didn’t get too much pleasure out of these.

The toy was recalled in 1985

https://www.cpsc.gov/Recalls/1985/dangerous-toys-seized-by-us-marshal-in-phoenix

Sea-Monkeys

Many young kids were duped into getting these. Yes, I was fooled and fooled badly… In the back of a comic, I tore out the ad and sent a dollar in an envelope for these awesome looking beings. I was going to watch them grow and live. I wanted that “Bowlful of Happiness.”

In a few weeks I got the package and I find out the ugly truth. They are not monkeys or little creatures with three antennas on their head. Sea-Monkeys are a hybrid breed of brine shrimp called Artemia NYOS invented in 1957 by Harold von Braunhut.

Von Braunhut, with the help of marine biologist and microcrustacean expert Anthony D’Agostino, figured out a way to treat tap water with a mix of nutrients (von Braunhut called them “magic crystals” and mixed them in a barn on his property) that would revive the shrimp in a tank at home.

When you buy a packet of Sea-Monkeys, they appear to be lifeless dust. Pour the dust (which is actually brine shrimp eggs) in a tank of purified water, and the Sea-Monkeys spring to life. They grow steadily over the next few weeks, feeding on a diet of yeast and spirulina.

Yes they are alive…but instead of the picture you see in the comic book…they are this

I am happy to say that my younger self-didn’t fall for the X-Ray Specs after the Sea-Monkey debacle.

Ovalia Egg Chair

I can’t give a personal story on this chair because it’s something I’ve always wanted but never could find. I missed a chance of buying an authentic one by being a few minutes too late. You can buy new ones now but I’ve always wanted an original one with the stereo speakers.

Arne Jacobsen designed “The Egg” in 1958 and today, it’s been trademarked as the Egg™ Chair… It’s still produced in Denmark, by the original manufacturer, Fritz Hansen.

Henrik Thor-Larsen designed his Ovalia Egg Chair ten years after Jacobsen, in 1968. OVALIA was exhibited for the first time at the Scandinavian Furniture Fair in 1968 and was an immediate success. It caught on and became an iconic piece of furniture of the 1960 and 70s.

I remember seeing one on Mork and Mindy and of course, they got popular again when the movie “Men in Black” featured several egg chairs. I’ve always liked futuristic designs from the 60s and 70s.

Henrik Thor-Larsen in his creation

ELO – Telephone Line

I could pick about any ELO song and do fine. Jeff Lynne is one of the best pop/rock songwriters. In my opinion, he can write super catchy songs without being sugary. Telephone Line peaked at #8 in the Billboard 100, #7 in the UK and #1 in Canada in 1977.

Lynne once said that ELO will “Pick up where ‘I Am the Walrus’ left off.”

http://www.jefflynnesongs.com/telephoneline/

Telephone Line was originally recorded at Musicland Studios in Munich, Germany during July of 1976. This recording was for the backing track only. The orchestra was recorded later at De Lane Lea Studios, Wembley, England. Just before release, other minor edits (including the muted telephone intro) were done at Cherokee Studios in Los Angeles, California, USA. The early working title was Bad Salad Telephone (a play on the term “sad ballad”), so it appears that the telephone theme was an early concept for the song.

Telephone Effects: The telephone intro for the song has drawn a lot of attention over the years. There are two notable things about it. First, the ringback tone heard (as one would hear when waiting for the line to pick up) is a North American ringback tone which is quite distinctive from that heard in the U.K. at the time. The band was having much greater success in America at the time and this inspired them to use the North American sound rather than the British sound. To get the sound just right, the band called to an office in America in when they knew no one would answer. It was likely to have been the Jet Records office in California because the time zones from England or Germany to America would have likely meant the offices were closed when the call was made. The band did not simply record the tone and insert that into the record as has been stated in some interviews, but rather they studied the sounds and then recreated them on synthesizer. If one listens closely, they are clearly not a match.

The other interesting bit about the intro is the muted, mono telephone sound, as if the listener is listening through the telephone to the song’s intro. This was a very late addition to the song. The recording was completed and Jeff was bringing the tapes from England to California when he got the idea to add the effect to the song. So it was in Cherokee Studios in Los Angeles that engineers Duane Scott and Kevin Gray were instructed to manually add the effect to the completed stereo master. The song plays normally until the very first vocal line of the first verse when the mono, listening-on-the-telephone effect cuts in. This continues, along with the ringback tone, until the “lonely, lonely, lonely, lonely, lonely nights” line when the full stereo version of the song is slowly phased in and the ringback stops. In addition, the ringback tone is again heard mid-song, in the short bridge following the first chorus and before the third verse. In the alternate vocal version heard on the 2007 A New World Record remaster, which has a non-fading end, the ringback tone is heard yet again as the last notes of the song are waning.

Telephone Line

Hello. How are you?
Have you been alright through all those lonely lonely lonely lonely lonely nights?
That’s what I’d say.
I’d tell you everything, if you’d pick up that telephone.

Hey. How you feeling?
Are you still the same?
Don’t you realize the things we did we did were all for real? Not a dream.
I just can’t believe they’ve all faded out of view.

Blue days, black nights

I look into the sky
The love you need ain’t gonna see you through.
And I wonder why
The little things you planned ain’t coming true.

Telephone line, give me some time, I’m living in twilight
Telephone line, give me some time, I’m living in twilight

O.K. So, no one’s answering,
Well can’t you just let it ring a little longer longer longer
I’ll just sit tight, through the shadows of the night
Let it ring for evermore.

Blue days, black nights

I look into the sky
The love you need ain’t gonna see you through.
And I wonder why
The little things you planned ain’t coming true.

Telephone line, give me some time, I’m living in twilight
Telephone line, give me some time, I’m living in twilight