big star – PowerPop… An Eclectic Collection of Pop Culture

Big Star – Third/Sister Lovers …album review

This was written for Dave’s Tuntable Series. The topic is Going out on a High Note. We all have seen artists who stick around long after they should have exited gracefully. For this round, pick a musical artist who you think ended their career on a high note, a great final album, or a triumphant concert tour before they grew stale.

I could have picked The Beatles, probably one of the best examples of going out on top with Abbey Road, but as usual, I wanted to go down the path less travelled. I wanted to feature Big Star’s last album, recorded in 1974. Parts of the band did release an album in 2005 under the Big Star name, but I’m not counting that one. This album was on Rolling Stone Magazine’s 500 Greatest Albums list at #285.

If there’s an album that feels like the final curtain was lowered, it’s Big Star’s Third/Sister Lovers album. Recorded in late 1974, it dribbled out years later in different forms; the record doesn’t just mark the end of Big Star, it feels like the end of Alex Chilton’s patience with power pop itself. This album had test pressings in 1975, but didn’t get officially released until 1978

Unlike #1 Record and Radio City, which had power-pop perfection, Third/Sister Lovers is messy and sometimes unsettling. It sounds less like a polished album and more like a band trying everything while the tape keeps rolling. Jim Dickinson’s production at Ardent Studios only added to the loose, haunted feel, he let Chilton and whoever else showed up throw down takes that feel unfinished and unfiltered.

Songs like Kizza Me, Jesus Christ, and Thank You Friends have some of Big Star’s old jangle, but the edges are jagged. Then you get Holocaust and Kanga Roo, two of the most desolate tracks they ever did. Holocaust is not something you hum; it’s something that stays with you afterward.

Part of the mythology of this album is that no one really knows the “real” tracklist. Different labels sequenced it differently when it trickled out in the late 70s and early 80s. By the time Rykodisc issued it on CD in the 90s and Omnivore Recordings gave us the expanded Complete Third box, it was clear… this wasn’t one neatly tidy album, it was choppy, uneven, and brilliant.

For all its chaos, this album became a blueprint for generations of indie and alternative bands. You hear its fingerprints in REM., Replacements, and Wilco, artists who weren’t afraid to experiment with pop and let it stand on its own. For a band that never could catch a break, Big Star ended with an album that was seldom properly released, yet somehow became arguably their most influential. That’s Big Star in a nutshell: tragedy, beauty, and magic all together.

Thank You Friends

Thank you, friendsWouldn’t be here if it wasn’t for youI’m so grateful for all the things you helped me do.

All the ladies and gentlemenWho made this all so probable

Thank you, friendsI rejoice to the skiesDear ones like you do the best I doAs far as can see my eyes

All the ladies and gentlemenWho made this all so probable

Without my friends I got chaosI’m often a bead of light.Without my friends I’d be swept up high by the wind

do, do…

All the ladies and gentlemen (I said all)All the ladies and gentlemen (I said all)All the ladies and gentlemenWho made this all so probable

Thank you friends (thank you again)Thank you friends (thank you again)Dear, dear friends (thank you again)Thank you friends (thank you again)And again, and again…Never too late to start

…

My Top 5 Big Star Songs

This band is one of the big reasons I started to blog in the first place. To meet more Big Star fans and if I got just one person who didn’t know them to listen… my mission was a success. Want a great documentary? Big Star: Nothing Can Hurt Me

I thought I would list some songs that would be in my top 5 of their catalog. So maybe one of you reading this will take a listen. Here are Graham’s top 10 Big Star songs on his site. These songs are up there with the Beatles, Stones, Kinks, and Who to me. They didn’t have the quantity those bands had, but they had the quality.

Let’s make it 6. My bonus pick is:

BONUS: In The Street – I would say, hands down, the most known song by them besides September Gurls because it was the theme of That Seventies Show. Cheap Trick covered it and someone else for the intro…I wish they had used the original version.

5: Life Is White – Love this driving song by Big Star. It was on Radio City, their second album. Some say it is a response to the Chris Bell song off the first album called My Life Is Right…or a message to his girlfriend Diane (Don’t like to see your face Don’t like to hear you talk at all) that he was splitting with at the time.

4: When My Baby’s Beside Me: Great riff by Alex Chilton and full of the hooks that Big Star is known for. This song was the A-side to In The Street released in 1972. Both songs are on Big Star’s album #1 Record.

3: September Gurls: If Big Star had been heard, this would have been a top-ten hit or at least top 20. It was one of the best pop songs that didn’t chart. September Gurls was rated #180 by Rolling Stone in the magazine’s top 500 songs of all time.

Released as a single, it did not chart despite receiving excellent reviews, due mainly to poor marketing and distribution. It was on their second studio album Radio City. The song was later covered by The Bangles on their album Different Light.

2: Thirteen – This song is an absolutely perfect song about adolescence. I played it to my then 14-year-old son, and it made him a Big Star fan, now 10 years later. This song is the most covered song by Big Star, with 49 different covers. It’s almost a perfect acoustic song. The song is about an adolescent guy and his girlfriend who are rock fans, being what 13-14-year-olds are…confused and lost.

1: The Ballad of El Goodo – There are some songs that I hear, and I think…damn I wish I would have written this. This is one of those songs. To me, it’s a perfect song and represents everything I like. The way they transitioned into the chorus is magical to me. It comes very close to being my favorite song of all time.

The Ballad of El Goodo

Years ago, my heart was set to live, oh
And I’ve been trying hard against unbelievable odds
It gets so hard in times like now to hold on
But guns they wait to be stuck by, at my side is God

And there ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round

There’s people around who tell you that they know
And places where they send you, and it’s easy to go
They’ll zip you up and dress you down and stand you in a row
But you know you don’t have to, you could just say no

And there ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round

I’ve been built up and trusted
Broke down and busted
But they’ll get theirs and we’ll get ours if you can
Just-a hold on, hold on, hold on, hold on

Years ago, my heart was set to live, oh
Though I’ve been trying hard against strong odds
It gets so hard in times like now to hold on
Well, I’ll fall if I don’t fight, and at my side is God

And there ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round
Ain’t no one going to turn me ’round

Hold on, hold on, hold on, hold on

Raspberries – I Wanna Be With You

This song is for Song Lyric Sunday for Jim Adams’s blog. This week’s prompt is (drum roll please…) a forgotten band. I picked The Raspberries but also talked about Badfinger and Big Star.

I still remember the first time I heard this song on AM radio. I must have been around 7 or 8, walking into my sister’s wood-paneled room. It was playing on WMAK, a station I’ll never forget. The disc jockey, Coyote McCloud, was a legend in Nashville back in the early seventies—everyone tuned in to hear him. It’s funny how clearly I can recall that moment like it was just yesterday.

I wasn’t lucky enough to be a teenager in the 1970s, but whenever I listen to The Raspberries, it feels like I’m transported back in time. I can picture myself in 1973, driving my first car with their greatest hits blasting, feeling the freedom and excitement of the era. The music has a way of making it real.

I’ve always considered the top three power pop bands to be Big Star, Badfinger, and The Raspberries. Together, they captured everything that makes power pop great… soaring vocals, great melodies, and that perfect balance of guitar crunch and jangle. What an incredible time for the genre, with all three bands active at the same moment in history. They may not have found the level of commercial success they deserved, but their influence on music has been huge.

These bands didn’t just define power pop… they set the standard for what the genre could be. Badfinger and The Raspberries managed to crack the Top 20 a few times, but Big Star didn’t even get that far…which is nothing short of a crime. Bands like Cheap Trick, Tom Petty, KISS, REM, The Cars, and The Replacements owe them a lot. These three bands do pop up every once in a while. The Raspberries Go All The Way was in the Guardians of the Galaxy movie, Badfinger’s Baby Blue was in the last episode of Breaking Bad, and Big Star’s In The Street was the theme song to That Seventies Show.

The Raspberries were more than just a band…they were a Cleveland supergroup, formed from the city’s best local acts. The lineup was indeed super… Eric Carmen as the lead singer and rhythm guitarist, Wally Bryson on lead guitar with his signature crunchy riffs, Jim Bonfanti on drums, and Dave Smalley on bass. Their sound was a seamless blend of their influences—The Beatles, The Who, The Kinks, and The Beach Boys—woven together into power pop perfection.

The Raspberries did have 7 singles to chart and 4 top forty hits with I Wanna Be With You being one of them. This song peaked at #16 on the Billboard 100 and #17 in Canada in 1973. It was the first single from their second LP, Fresh.^[It became their second-greatest US hit. They broke up in 1975 after releasing their album Starting Over. Eric Carmen wrote this song.

Their best-known song was Go All The Way which peaked at #5 in 1972.

Alex Chilton (Big Star): “I remember when I first heard the Raspberries, Big Star was in a van traveling around doing some dates and we heard Go All the Way on the radio, and we said, ‘Wow, those guys are really doing it!’ I thought that was a great song.”

I Wanna Be With You

If we were older we wouldn’t have to be worried tonight
Baby oh I want to be with you so bad
Oh baby I want to be with you
Oh yeah?
Well tonight tonight we always knew it would feel so right
So come oh baby, I just want to be with you

Someday’s a long time and we’ve been waiting so long to be here
Baby oh I want to be with you so bad
Oh baby I want to be with you
Oh yeah?
Well tonight tonight we always knew it would feel so right
So come oh baby, I just want to be with you

Hold me tight our love could live forever after tonight
If you believe in what you’re doing is right
Close your eyes and be still

Baby, oh I want to be with you so bad
Oh baby I want to be with you
Oh yeah?
Well tonight tonight we always knew it would feel so right
So come oh baby, I just want to be with you

Oh I want to be with you so bad
Oh baby I want to be with you
Oh yeah?
Baby I want to be with you so bad

…

Big Star – I’m In Love With A Girl

One thing the break I took a few months ago did for me was to reignite my love for Big Star. When I heard The Ballad of El Goodo on my “Break” post I reached for their albums again. This song is a short ballad by Alex Chilton on their second album Radio City. They had songs that were as good as The Beatles or The Kinks but just as not widely known.

When they started this album, a key member quit: Chris Bell. He wrote half of the debut album #1 Record. The failure of the first album was the key. Bell was a sensitive guy and took it hard. The problem was Stax Records who were going through financial hardships at the time.

When the record was played on the radio it got a huge popular response but when people went to the record stores…there was no album. Stax had a huge problem with distribution at the time. Plus…they didn’t know how to promote a power pop band. In my opinion, if they had been on Capitol or WB they probably would have succeeded. The debut album is about as perfect of a power pop album as you can get.

Radio City is a little edgier and some fans like it more than #1 Record. They decided to stay together with the three of them…Alex Chilton, Jody Stephens, and Alex Hummel. Chilton wrote this touching short acoustic song. It’s one of the most popular songs on the album. On Spotify, it’s second only to September Gurls on times being played with 5,544,493.

It’s a sweet short song that sticks with me.

A rare live version from 1974

I’m In Love With A Girl

I’m in love with a girlFinest girl in the worldI didn’t know I could feel this way

Think about her all the timeAlways on my mindI didn’t know about love

All that a man should do is true-ooh-oohAll that a man should do is true-ooh-ooh

I’m in love with a girlFinest girl in the worldI didn’t know this could happen to me

…

Big Star – You Get What You Deserve

This song was on Radio City, their second album. Some say it is a response to the Chris Bell song off the first album called My Life Is Right…or a message to his girlfriend Diane that he was leaving her at the time. The chorus is perfect to me by the way he sings it.

Big Star was formed out of a shared love for British Invasion bands like The Beatles, The Kinks, and The Byrds. Alex Chilton had already been successful as the teenage lead singer of the Box Tops, while Chris Bell had been active in local Memphis bands. They wanted to become the next Lennon-McCartney and for this fan…they were in song quality. The Ballad of El Goodo and Thirteen were as about as top shelf as you can get.

After the failure of their first album, singer/songwriter guitar player Chris Bell quit Big Star. Alex Chilton didn’t know if Big Star was going to make another album. He continued making demos because he could always do a solo album. The two other members, drummer Jody Stephens and bass player Andy Hummel weren’t sure either what was going to happen. They had talked about ending the band.

Their record company Ardent was under the Stax umbrella. They sent out invitations to all of the major rock journalists of the day in 1973. They invited them to Memphis to see Ardent’s roster of bands but most of all Big Star. The rock writers loved Big Star. Many legendary writers were there including Lester Bangs. The critics loved them but when your records don’t get to the record store because of distribution and promotional problems…nothing is going to happen. September Gurls should have got a nationwide audience.

You Get What You Deserve

Try to understand what I’m going through
Don’t blame me for what folks will do
For some of us it’s not a good time
But you’ve gotta to get used to it
And you’d better resign yourself

You get what you deserve
You ought to find out what it’s worth
And you’ve gotta have a lot of nerve

You just do what pleases you
Go on and sigh out every move
You’re gonna get a place in the scene
All God’s orphans get face in the dream

You get what you deserve
You ought to find out what it’s worth
And you’ve gotta have a lot of nerve

Too bad
Such a drag
So much pain
Down the drain
A lot of us ain’t got many friends

Try to understand what I’m going through
Don’t blame me for what folks will do
For some of us it’s not a good time
But you’ve gotta to get used to it
And you’d better resign yourself

You get what you deserve
You ought to find out what it’s worth
And you’ve gotta have a lot of nerve
You get what you deserve

Big Star – Thirteen

Big Star was the best band never heard. This song is an absolutely perfect song about adolescence. I played it to my then 14-year-old son and it made him a Big Star fan now 10 years later. This song is the most covered song by Big Star with 49 different covers. It’s almost a perfect acoustic song. The song is about an adolescent guy and his girlfriend who are rock fans being what 13-14-year-olds are…confused and lost.

There is not a bad song on the first album. The song was originally featured on the 1972 album #1 Record. It was released as a single by Big Star with “Watch The Sunrise” as the B-Side, on Ardent Records, but was mislabeled as “Don’t Lie To Me”. Chris Bell and Alex Chilton were the two main songwriters.

Bell and Chilton wanted to emulate the Lennon/McCartney formula as much as they could, so they shared credit on many of the songs on #1 Record even though there was, in fact, little writing collaboration between the two. “Thirteen,” was entirely Chilton’s creation.

This was ranked #396 on Rolling Stone’s list of the 500 greatest songs. Artists who have covered this include Evan Dando, Garbage, Elliot Smith, Wilco, and Kathryn Williams.

Alex Chilton: “I don’t know where it came from but I made up this wild bit of guitar in 15 minutes. You don’t hear many 20-year-olds doing that.”

Thirteen

Won’t you let me walk you home from school
Won’t you let me meet you at the pool
Maybe Friday I can
Get tickets for the dance
And I’ll take you

Won’t you tell your dad, get off my back
Tell him what we said ’bout ‘Paint It Black’
Rock ‘n Roll is here to stay
Come inside where it’s okay
And I’ll shake you

Won’t you tell me what you’re thinking of
Would you be an outlaw for my love
If it’s so, well, let me know
If it’s no, well, I can go
I won’t make you

Another Break

I’ve taken a few breaks this year because of work but now I need one for myself. I plan on being out until October 4th… I’ll be doing some things around the house and getting projects done I’ve wanted to finish.

Who knows…I may start posting again before then…we will see but right now I need some time. I hope you are all doing well and I’m looking forward to coming back refreshed.

Max

I’m going to leave you with one of my favorite songs of all time…I plan to post more Big Star when I get back.

Cheap Trick – In The Street ….Under the Covers Tuesday

Wish we hadA joint so bad

I’m a huge Cheap Trick fan but when I heard this song as the theme to That 70s Show… I just asked myself why? Why not use the original version of the song? That’s not a dig at Cheap Trick…they did fine with it but it was unnecessary. The show later covered a Big Star song in an episode…the haunting song Thirteen. The band had lost out on stardom in the early seventies and now many people really like the theme song but have no clue who wrote it. In a way though…unfortunately, that fits Big Star perfectly.

In the first season, the theme song was done by Todd Griffin. It’s a close copy of the original soundwise but with different lyrics by Ben Vaughn. The rest of the show’s seasons was replaced by the Cheap Trick version. The only reason I can think of not using Big Star is they needed an edited version of the song and felt they had to change the song’s lyrics although the lyrics would have fit the show. Cheap Trick’s version is very good of course because it’s Cheap Trick…but it would have been nice to hear the original. Many people think that Cheap Trick wrote the song.

Chris Bell and Alex Chilton are credited with writing the song. In 2000, Chilton confirmed that he was paid $70 in royalties each time the show aired, an amount he thought ironic, given the show’s title. The song was originally on their debut album #1 Record.

Recently I watched some performances they did on the Leno show later on when Alex Chilton and Jody Stephens reformed the band with two members of the Posies. The introduction made me do a double take…“Big Star…the missing link between the Beatles and The Replacements.” How could I not like that? Three of my favorite bands right there.

The #1 album was hailed by critics and got radio play when released. The feedback from people who heard it was very positive. There was one problem though. They signed with Stax Records which normally didn’t deal with pop and rock bands. They weren’t prepared to promote them and the biggest problem was there was no distribution. People started to go to record shops to buy it but there were no Big Star albums there. Stax was in financial trouble as well. They carried on for three albums but with no commercial breakthrough…although bands like Cheap Trick, The Replacements, R.E.M., KISS, and others all say they were heavily influenced by them.

Jody Stephens drummer of Big Star: “I don’t know if the general population even knows that Big Star had anything to do with it.”

Mike Mills of REM: “I heard the first two records first, Radio City and #1 Record, I just thought they were perfect. If I could make records, that would be the sort of records I would make. The third one took me a bit longer to get into, but it does reward repeated listening. What Big Star was doing made sense to me.”

The Todd Griffin version

The Cheap Trick version

The Orginal

In The Street

Hanging out, down the streetThe same old thing we did last weekNot a thing to doBut talk to you

Steal your car, and bring it downPick me up, we’ll drive aroundWish we hadA joint so bad

Pass the street lightOut past midnight

Ahh

Hanging out, down the streetThe same old thing we did last weekNot a thing to doBut talk to you

Big Star – Mod Lang …. Power Pop Friday

A song by the band Big Star. This song was on Radio City and released in 1974…their second album and follow-up to their debut…Big Star #1 Record. Although Chris Bell had quit the band after the release of #1 Record.

Radio City is not as polished as their debut album but it’s just as good and many say better. Chilton remained the constant variable that made the band’s music soar. His September Gurls is among the band’s finest songs and one of the prototypical power pop songs.

This song was the B side to one of their most famous songs, September Gurls. They released 3 studio albums in the seventies. All three are in Rolling Stone’s top 500 albums of all time. For a band that never charted a record that isn’t too bad. When their albums were finally discovered by later bands, they influenced many artists such as The Replacements, REM, The Cars, Cheap Trick, Sloan, Matthew Sweet, KISS, Wilco, Gin Blossoms, and many more. They influenced alternative rock of the 80s and 90s and continue to this day.

Big Star did returned in 1993 with a new lineup when guitarist Jon Auer and bassist Ken Stringfellow joined Chilton and Stephens. Auer and Stringfellow remained members of the Posies. In 2005 the reformed band released their last album called In Space.

Whenever I write about this band, I always have to stop myself from gushing about them. Was it the mystique of them? Was it the coolness factor of liking a band that not many people know? No, and no. It’s about the music. Mystique and coolness wear off and all you are left with is the music…We are fortunate to have 3 albums by the original Big Star to enjoy.

Drummer Jody Stephens: “All of a sudden I’m playing with these guys that can write songs that are as engaging to me as the people I’d grown up listening to, so I felt incredibly lucky.”

Alex Chilton: “I really loved the mid-’60s British pop music, all two and a half minutes long, really appealing songs. So I’ve always aspired to that same format, that’s what I like.”

Mod Lang

I can’t be satisfied
What you want me to do?
And so I moan
Had to leave my home

Love my girl, oh yeah
She got to save my soul
I want a witness, I want to testify

How long can this go on?
How long can this go on?

All night long I was howling
I was a barking dog
A-how, a-how

I can’t be satisfied
What you want me to do?
I want a witness, I want to testify
How long can this go on?
How long can this go on?

All night long I was howling
I was a barking dog
I want a witness, I want to testify

Kinks – Till The End Of The Day

Growing up I had a greatest hits album by the Kinks and this song was on it. Later, I would buy Give The People What I Want, Low Budget, and their 80s albums. It was later when I got The Kinks Are the Village Green Preservation Society and I started to listen to more of their 60s music that wasn’t just the big hits… but was just as good or in some cases better. I also know the song through Big Star as they covered it on their album Third/Sister Lovers. Ace Frehley also covered the song.

By 1966 The Kinks were in a touring, recording, and promotion cycle that put enormous strain on the band. Ray Davies was married and had a child and was still counted on writing more songs. Ray was growing as a songwriter. Their career started with You Really Got Me and as they went along…the sophistication of the songs grew with Davies’s songwriting ability.

This single was one of the last early harder-rocking songs. What came after this was introspective pop songs like Waterloo Sunset and Dedicated Follower of Fashion. I like the jarring guitar intro plus Mick Avory’s drums. Nicky Hopkins, the supersession piano player, played on this track. The harmonies by Dave Davies and Peter Quaife elevate this song also.

The song peaked at #8 in the UK, #34 in Canada, and #50 on the Billboard 100 in 1966. For me, it ranks high on my list of early Kinks songs.

Ray Davies: “That song was about freedom, in the sense that someone’s been a slave or locked up in prison. It’s a song about escaping something. I didn’t know it was about my state of mind.”

Ray Davies: “I remember how ‘Till the End of the Day’ came about. I had a bit of writer’s block, and my managers were getting worried because I hadn’t produced anything in almost a month. They sent Mort Shuman around to my house, one of my hit-writing heroes. He wrote ‘Save the Last Dance For Me” with Doc Pomus. This mad, druggy New Yorker came ’round to my little semi-detached house in London. He said, ‘I’m here to find out what you’re thinking about. I’m not interested in what you have written; I’m interested in what you’re gonna write.’ He was completely paid off by my managers to say it. I thought it was ridiculous that there was so much importance put on it. If I don’t want to write for a month, I won’t. To say the least, I was pressured into doing it. Then I went off to stay with my sister and bought a new toy, a little upright piano, and wrote ‘Till The End Of The Day.”

Till The End Of The Day

Baby, I feel good
From the moment I arise
Feel good from morning
Till the end of the day
Till the end of the day
Yeah, you and me
We live this life
From when we get up
Till we go sleep at night
You and me were free
We do as we please, yeah
From morning, till the end of the day
Till the end of the day
Yeah, I get up
And I see the sun up
And I feel good, yeah
Cause my life has begun
You and me were free
We do as we please, yeah
From morning, till the end of the day
Till the end of the day
You and me were free
We do as we please, yeah
From morning, till the end of the day
Till the end of the day
Till the end of the day
Till the end of the day
Till the end of the day
Till the end of the day

Big Star – Don’t Lie To Me ….Power Pop Friday

This will wrap up Power Pop Friday for this year…it will return in 2023.

I never travel far, without a little Big Star
The Replacements

I hold Big Star’s music up along with The Who, Beatles, Stones, and Kinks…they never had the sales but they did have a giant influence. Big Star released their debut album #1 Record in August of 1972.

Alex Chilton and Chris Bell wrote most of the songs and wanted to emulate Lennon/McCartney and they did a great job but with an obvious American slant to make it their own. After the commercial failure of this album, Chris Bell quit but the other three continued for one more album and then bass player Andy Hummel quit after the second album, and Chilton and drummer Jody Stephens recorded the third.

When their albums were finally discovered by eighties bands, they influenced many artists such as REM, The Replacements, Cars, Cheap Trick, Sloan, Matthew Sweet, KISS, Wilco, Gin Blossoms, and many more. They influenced alternative rock of the 80s and 90s and continue to this day. Billboard went as far as to say, “Every cut could be a single” on their debut album.

Big Star returned in 1993 with a new lineup when guitarist Jon Auer and bassist Ken Stringfellow joined Chilton and Stephens. Auer and Stringfellow remained members of the Posies. In 2005 the reformed band released their last album called In Space.

Jody Stephens: “All of a sudden I’m playing with these guys that can write songs that are as engaging to me as the people I’d grown up listening to, so I felt incredibly lucky.”

Here is the reformed Big Star with original members Alex Chilton and Jody Stephens in 1994. Filling out the rest was two Posies members Jon Auer and Ken Stringfellow.

I did find a date that I will go to when I get a time machine..March 31, 1974. Big Star opened for Badfinger.

Below is Big Star on that date.

Don’t Lie To Me

Don’t lie to me
Don’t lie to me
Don’t lie to me
Don’t lie to me

I know where you been
And I know what you been doing
Don’t lie to me

Don’t push me ’round
Don’t push me ’round
Don’t push me ’round
Don’t push me ’round

I don’t like that
Now, I’m telling you
Don’t push me ’round

Don’t cross me babe
Don’t cross me babe
Don’t cross me babe
Don’t cross me babe

You said you wouldn’t
And I’m just making sure
Don’t cross me babe

Raspberries – Go All The Way

I wrote this for Dave’s Turntable Talk at A Sound Day. Be on the lookout for that series at A Sound Day. He has some interesting topics. This one was on One Hit Wonders.

This song has a mixture of The Who, Beach Boys, and The Beatles… a pretty good mixture! I’m cheating a bit…The Raspberries had 4 top 40 hits but this was the only top ten hit and the song they are most known for. The song starts off with a strong Who-like loud riff then continues on with hooks galore.

When people think of The Raspberries this is the song most think of. Personally, I always thought Overnight Sensation was their best song but this one is great and the masses agreed.

The song peaked at #5 on the Billboard 100 and #5 in Canada in 1972. This song was on their self-titled debut album released in 1972. The American and Australian versions of this LP carried a scratch-and-sniff sticker with a strong raspberry scent.

They were one of the 3 great power pop bands of the early 70s. Badfinger, Big Star, and The Raspberries. Out of those three, Badfinger was the most successful but all were good. Many alternative bands that followed would list all three or at least one of them as an influence. The Raspberries released 4 albums in total between 1972 and 1975. They broke up after their last album Starting Over (#143) and the great single Overnight Sensation only charted at #18. After you listen to Go All The Way…check out Overnight Sensation…it’s an epic song.

I moved to a different town when I was 8 and in a new school (we would move back later that year) we went on a field trip to some college. Thinking back, it was a small college and the students there put on a small show for us kids. After the show, they showed us the grounds and I remember Go All The Way booming out of a room. It’s funny how music can send you back to a place and I can remember the smell also.

Eric Carmen said he was inspired by The Rolling Stone’s performance of “Let’s Spend The Night Together” on the Ed Sullivan Show when Mick Jagger had to sing it as “Let’s spend some time together.”

This was before Eric Carmen went solo and started doing ballads and songs on soundtracks such as Dirty Dancing. Carmen hit it big solo but personally, I think his music with the Raspberries was the best he did.

This song appears in the 2000 film Almost Famous but was not included on the soundtrack. It did make the soundtrack to the 2014 film Guardians Of The Galaxy, which went to #1 in America and revived many ’70s hits. My son got the soundtrack mostly for this song.

Fans of the band included John Lennon and Bruce Springsteen. They did reunite in November of 2004 and toured shortly until 2006.

Eric Carmen: “I knew then that I wanted to write a song with an explicitly sexual lyric that the kids would instantly get but the powers that be couldn’t pin me down for.”

Eric Carmen: “I remember ‘Go All The Way’ vividly. The year was 1971. I was 21. I had been studying for years. I had spent my youth with my head between two stereo speakers listening to The Byrds and The Beatles and later on The Beach Boys – just trying to figure out what combinations of things – whether it was the fourths harmonies that The Byrds were singing on ‘Mr. Tambourine Man’ – I must have worn out 10 copies of that first Byrds album listening to it over and over, and turning off the left side and turning on the right side trying to figure out why these certain combinations of instruments and echo and harmonies made that hair on your arms stand up. I did the same thing with Beatles records, and I tried to learn construction.

Go All The Way

I never knew how complete love could be
‘Til she kissed me and said

Baby, please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

I couldn’t say what I wanted to say
‘Til she whispered, I love you

So please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go

Before her love
I was cruel and mean
I had a hole in the place
Where my heart should have been

But now I’ve changed
And it feels so strange
I come alive when she does
All those things to me

And she says
(Come on) Come on
(Come on) Come on
(Come on) Come on
(Come on)
I need ya (come on)
I love ya (come on)
I need ya (come on)
Oh, oh, baby

Please, go all the way
It feels so right (feels so right)
Being with you here tonight
Please, go all the way
Just hold me close (hold me close)
Don’t ever let me go no

Chris Bell – I Don’t Know ….Power Pop Friday

This one is a rocking song by Chris Bell. Chris was one the founding members of Big Star. Alex Chilton would get more publicity…mostly because of him singing for the successful Box Tops. In the pop world, it’s tragic that Big Star wasn’t heard by the masses. They could have become huge but it’s something that we will never know.

The sound that Big Star had largely originated from founding member Chris Bell. Alex Chilton and Chris Bell wrote most of the first album and they modeled themselves after Lennon and McCartney. Their first album was praised by practically everyone but not distributed…people wanted the album but the album was not in the stores for people to buy. Chris left the band not long after that failure.

He kept recording in Memphis with different musicians. In the late seventies, there were rumors that Big Star would reform and tour Europe where they were getting known but it never come to pass. In the fall of 1978, Bell got a call from Car Records and they wanted to release a single with a song called I am the Cosmos with You and Your Sister as the B side. It was the only solo release Chris would see in his lifetime. Unfortunately, Chris didn’t get to enjoy it long. He died in a car wreck on December 27, 1978. He was only 27 years old.

Big Star’s and Chris Bell’s recognition started to rise through the eighties with bands like The Replacements, REM, and more singing their praises. The first glimmer of international recognition for Chris alone came in 1992 after Rykodisc released the first edition of his I Am The Cosmos LP. It compiled not only the tracks he recorded at Ardent Studios, but also his 1974-5 sessions at Shoe Productions in Memphis, George Martin’s AIR Studios in London, and Château D’Hérouville in France.

If anyone of you are interested in Big Star I would recommend this documentary (Nothing Can Hurt Me Now) and this book about Chris Bell.

I Don’t Know

Whatever it is you’re thinking
Sit down and let’s give it a try
You know that I’ll always listen
But sometimes I’m wondering why
You don’t lie to me
And I wouldn’t lie to you, oh no
Baby I’m feeling lost
I don’t know what I’m going to do
You don’t know what you’re putting me through
I gotta get away from you
Once in a while you’re lonely
Tell me if needed a friend
I’m wondering what is the matter
But you say that you can’t explain
But you don’t lie to me
And I wouldn’t lie to you, oh no
But baby I’m feeling lost
I don’t know what I’m going through
You don’t know what you’re putting me through
I gotta get away from you
Do you want me
I want you
You don’t want me,
I want you
Don’t you know I’m losing sleep at night
Sleep at night
I don’t know what I’m going to do
You don’t know what you’re putting me through
I gotta get away from you
Whatever it is you’re thinking
Sit down and let’s give it a try
You know that I’ll always listen
But sometimes I’m wondering why
You don’t lie to me
And I wouldn’t lie to you, oh no
But baby I’m feeling lost
I don’t know what I’m going to do
You don’t know what you’re putting me through
I gotta get away from you

Posies – Dream All Day ….Power Pop Friday

Ken Stringfellow and Jon Auer started to write songs together while in High School in Bellingham, Washington in 1986. They were influenced by The Hollies, Hüsker Dü, XTC, Elvis Costello, Squeeze, and Big Star.

When they started out, a cassette of songs Stringfellow and Jon Auer traded back and forth went viral, which in the late ’80s meant copies got passed around and radio stations started playing them. The had one big problem though. They didn’t have an actual band together. Drummer Mike Musberger and bassist Rick Roberts were added as the first Posies rhythm section.

This song was on their third album released in 1993 called Frosting On The Beater. Dave Fox had replaced Rick Roberts by this time on bass. Dream All Day was released as the first single on the album.

The song peaked at #4 on the Billboard Alternative Airplay Charts and #17 in the Billboard Mainstream Charts in 1993.

The Posies soon got signed to DGC and “Golden Blunders,” the first single from their Dear 23 debut on the label, became enough of a college radio hit that Ringo Starr recorded as part of his 1992 album Time Takes Time.

The made 8 albums altogether with the last one being in 2016.

In 1993 Ken Stringfellow and Jon Auer joined Big Star’s Jody Stephens and Alex Chilton to reform Big Star. They toured and released a Big Star album in 2005 called In Space. It came to an end in 2010 with the death of Alex Chilton.

Dream All Day

I’ve got a lot of thoughts
Got a lot of plans
I lost a lot of sleep
Trying to understand

I could dream all day

In a blackened room
Staring into space
Underneath a thousand blankets
Just to find a place
Where everything is reachable
Imagining is safe
I tried to make it so
I didn’t even know

I could dream all day

I dreamt I was awake
My mouth was colored grey
As the world revolved around me
I could only say

I could dream all day

Big Star – Feel ….Power Pop Friday

Happy Friday Everyone! Hope your week is going well. Lisa from Tao Talk did me an honor by posting an article I wrote on her site about Maria McKee from Lone Justice in her Women Music March series…she has had some great artists! Check it out if you can.

When Big Star comes up, when people think of a member…it’s usually Alex Chilton. That is not a bad thing but on their debut album Chris Bell was just as prevalent as Chilton. This song was off of their debut album named #1 Record. It’s the only album to feature Chris Bell along with Alex Chilton the entire album. They complimented each other perfectly.

After writing a post for Dave’s site about Badfinger (thanks Dave)…a band that I obviously like…I thought I would post about another band that is right up there. I hold Big Star’s music up with The Who, Beatles. and Kinks…they never had the sales but they did have a giant influence. They released this album as their debut in August of 1972. Whenever I write about this band, I always have to stop myself from gushing about them. Was it the mystique of them? Was it the coolness factor of liking a band that not many people know? No and no. It’s about the music. Mystique and coolness wear off and all you are left with is the music…We are fortunate to have 3 albums by Big Star to enjoy.

“Feel” leads off the album with a bang. Feel was written by Chris Bell and Alex Chilton and Bell takes the lead vocal. There are more hooks in this song than in a tackle box. This is what power pop is all about. If I had to introduce someone to power pop, I would ask them to listen to #1 Record by Big Star and Straight Up by Badfinger.

All three are in Rolling Stone’s top 500 albums of all time. For a band that never charted a record that isn’t too bad. When their albums were finally discovered by later bands, they influenced many artists such as The Replacements, REM, The Cars, Cheap Trick, Sloan, Matthew Sweet, KISS, Wilco, Gin Blossoms, and many more. They influenced alternative rock of the 80s and 90s and continue to this day.

Drummer Jody Stephens: “All of a sudden I’m playing with these guys that can write songs that are as engaging to me as the people I’d grown up listening to, so I felt incredibly lucky.”

Paul Westerberg: “I never travel far, without a little Big Star,”

Alternate Mix

Feel

Wondering what are you doing?
You’re driving me to ruin
The love that you’ve been stealing

Has given me a feeling

I feel like I’m dying
I’m never gonna live again
You just ain’t been trying
It’s getting very near the end

Wondering what are you doing?
You’re driving me to ruin
The love that you’ve been stealing
Has given me the feeling

I feel like I’m dying
I’m never gonna live again
You just ain’t been trying
It’s getting very near the end

I feel like I’m dying
I feel like I’m dying