Alternative – Page 5 – PowerPop… An Eclectic Collection of Pop Culture

Replacements – Alex Chilton

I never travel far, without a little Big Star

The Replacements are up there to me with the Beatles, Who, Kinks, Badfinger, Big Star, and The Stones. I wrote this for Dave’s site last year when he wrote a post about Hüsker Dü for my site. It’s catchy, great lyrics, and one of my favorite songs of the 1980s.

The Replacement’s tribute song about Big Star and Box Tops lead singer, Alex Chilton. The song was off the album Please To Meet Me.

It was 1985 and the Replacements had a gig at CBGB’s. This was not an ordinary gig though. Their reputation as a great live band had grown and in the audience were a lot of record company representatives. They knew this and refused to play the game. They spotted Gene Simmons coming in the door and The Mats played a terrible version of the KISS song Black Diamond…Simmons got out very quickly. The band followed up with an X-rated version of the “Ballad of Jed Clampett,” then whistled their way through the theme from The Andy Griffith Show before finally leaving the stage.

The Replacements and Alex Chilton shared a booking agent named Frank Riley. He watched the Replacements at CBGBs doing an absolutely self-sabotaging drunk set. Chilton had a grin plastered on his face. After the show, both Jesperson (manager) and Chilton were waiting to get paid by CBGB owner Hilly Kristal. Jesperson offered to buy breakfast the next morning. Chilton accepted.

The next morning Jesperson stopped by Westerberg’s room to remind him of the day’s interview schedule. Still sleepy and hungover, Westerberg asked where Peter was going. When he found out, Paul shot out of bed, threw on his clothes, and tagged along.

Paul did not impress easily, but he was very impressed with Alex Chilton. They took a taxi to the Gem Spa newsstand on Second Avenue and St. Mark’s Place. “He was standing by a trash can with a bag full of matches,” said Westerberg. “He was playing a game . . . pretending, ‘I’m Alex the Weirdo.’ I sucked up to it, and played the role.”

While eating breakfast…Chilton leaned over to Jesperson. “Man, I gotta tell you I thought they were great last night,” he said. “I’d love to work in the studio with them someday.” He did get to work with the band later on and played on “Can’t Hardly Wait.” The band avoided the awkwardness of playing “Alex Chilton” whenever Chilton was around.

This was around 1985 and Seymour Stein signed them up to Sire Records. They released their 4th album, Tim. For the first time, they were on a major label. Chilton was going to produce Tim but the negotiations fell through. He did help out on their next album recorded in his hometown.

The Replacements recorded their fifth album Pleased To Meet Me in Memphis at Ardent Studios in 1986, the same studio as Big Star. The man behind the board was Jim Dickinson, who produced the storied third Big Star album. It was probably their most radio-accessible album.

The record company loved the song but wanted the band to change the title and theme to a more famous person. The song was credited to Paul Westerberg, drummer Chris Mars, and bass player Tommy Stinson.

Per Wiki: Kory Grow of Rolling Stone called the song one of the two “all-time classics” from Pleased to Meet Me, the other being “Can’t Hardly Wait.” Kristine McKenna of Los Angeles Times was similarly glowing in her praise of the song, writing, “It’s hard to think of a more deserving pop hero [than Chilton], and if Pleased achieved nothing more than to revive interest in the criminally underrated Chilton it would justify its existence.”

Paul Westerberg: “It’s one of those where melody and chord changes were there and the lyrics changed over the course of six months or so. By the time we were down in Memphis we had already met Alex and I steered it toward him. Of course it was as the legend goes ‘George from Outer Space’ was the first working title, but that just didn’t grab it quite as well. I just thought it would be fun to write a song about a living person and we’ve been through this, Al and I, and I sort of regret the albatross that it’s came with… I was certainly trying to like, I guess, hip the outside world on who this guy might be publicly, but he didn’t need that. It would kind of hurt if he was always known as Alex Chilton of that song.”

Alex Chilton

If he was from Venus, would he feed us with a spoon?
If he was from Mars, wouldn’t that be cool?
Standing right on campus, would he stamp us in a file?
Hangin’ down in Memphis all the while.

Children by the million sing for Alex Chilton when he comes ’round
They sing I’m in love. What’s that song? I’m in love with that song.

Cerebral rape and pillage in a village of his choice.
Invisible man who can sing in a visible voice.
Feeling like a hundred bucks, exchanging good lucks face to face.
Checkin’ his stash by the trash at St. Mark’s place.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.”

I never travel far, without a little Big Star

Runnin’ ’round the house, Mickey Mouse and the Tarot cards.
Falling asleep with a flop pop video on.
If he was from Venus, would he meet us on the moon?
If he died in Memphis, then that’d be cool, babe.

Children by the million sing for Alex Chilton when he comes ’round
They sing “I’m in love. What’s that song? I’m in love with that song.

I’m in love. What’s that song? I’m in love with that song.

Jimmie Dale Gilmore w/ Mudhoney – Buckskin Stallion Blues

If three and four was seven only
where would that leave one and two?
If love can be and still be lonely
where does that leave me and you?

When CB sent me this link… it was like listening to something I’ve heard all of my life but I haven’t… a very cool and inviting song and voice. The song Buckskin Stallion Blues was written by Townes Van Zandt.

Jimmie Dale Gilmore grew up in Lubbock, Texas, and moved to Austin in the 1960s. In the 1970s he joined forces with fellow musicians Joe Ely and Butch Hancock to form the influential country-folk band called The Flatlanders. The band was ahead of its time, blending traditional country music with rock and roll elements. They have been playing off and on since 1972…they have had 10 albums and the last one was released in 2021.

He released his solo debut album Fair & Square in 1988. His music has introspective lyrics, and a blend of country, folk, and rock influences. What I’ve heard is authenticity and depth. He has released 9 solo albums with his last one in 2018. But…there is more. He also acted in some movies…he was Smokey in The Big Lebowski and was Reverend Saunders in Parkland. He also has songs on soundtracks.

Mudhoney is a band out of Seattle in the early 90s. I have a friend who really likes them and I have heard some songs by them I really liked. They are often credited as pioneers of the grunge genre and were a prominent part of the Seattle music scene that eventually gave rise to bands like Nirvana, Pearl Jam, and Soundgarden.

This collaboration was unlikely on paper but it worked! The joint EP Buckskin Stallion Blues was released in 1994. Allmusic labeled the style as Alternative Pop/Rock, Alternative/Indie Rock, Garage Punk, Grunge, Country-Folk, and Progressive Country. After listening to it I thought that was a fair assessment. The EP has 5 tracks…2 by Mudhoney alone and the other 3 by Gilmore and Mudhoney.

Buckskin Stallion Blues

heard her sing in tongues of silver
I heard her cry on a summer storm
I loved her, but she did not know it
So I don’t think about her anymore
Now she’s gone, and I can’t believe it
So I don’t think about her anymore

If three and four was seven only
Where would that leave one and two?
If love can be and still be lonely
Where does that leave me and you?
Time there was, and time there will be
Where does that leave me and you?

If I had a buckskin stallion
I’d tame him down and ride away.
If I had a flyin’ schooner
I’d sail into the light of day
If I had your love forever
Sail into the light of day

Pretty songs and pretty places
Places that I’ve never seen
Pretty songs and pretty faces
Tell me what their laughter means
Some look like they’ll cry forever
Tell me what their laughter means.

If I had a buckskin stallion
I’d tame him down and ride away.
If I had a golden galleon
I’d sail into the light of day
If I had your love forever
Sail into the light of day

Paladins – Keep On Lovin Me Baby

I hope you are all doing well on this Saturday! This will fill your rockabilly quota of the day.

Here is some 1980’s roots rockabilly. What caught my attention is the relentless guitar on this track plus the groove. The guitar player is Dave Gonzalez and the tone reminds me of Stevie Ray Vaughn. This song was written by blues guitarist and songwriter Otis Rush.

The Paladins are from San Diego and were into rockabilly. They billed their music as Western Bop. They played a combination of rockabilly and vintage country together with a blues groove. They were founded in 1980 by guitarist Dave Gonzalez and bass player Thomas Yearsley.

Dave Gonzalez’s initial influences came from his mother, who listened to Carl Perkins, Elvis Presley, Roy Orbison, and the Rolling Stones. He mixed this with his father’s love of country singers Buck Owens and Merle Haggard who also made a strong impression on him. As he got older he got into blues artists like B.B. King, Muddy Waters, and Johnny Winter.

Put that all together and you come up with a varied roots style.

They did some tours with Stevie Ray Vaughan, Los Lobos, The Blasters, and the Fabulous Thunderbirds. This song was on the Let’s Buzz! album released in 1990. They were nominated for the 1990 Entertainer Music Awards but lost out to the Beat Farmers…but they won two years later.

Dave Gonzalez and bass player Thomas Yearsley along with drummer Brian Fahey are still a top attraction at clubs at the present time. They have recorded five singles, nine full-length studio records, and three live albums.

Keep On Lovin Me Baby

I want you to love me (repeat) woh yeah.
Oh baby i’m so glad youre mine…
I want you to kiss me…
Woh baby i’m so glad you’re mine…

Early every morning, sometimes late at night i can
Feel your tender lips they make me feel alright.

Keep on loving me baby…
Woh baby i’m so glad you’re mine…

Israel Nash Gripka – Pray For Rain

I would do it all over again
Just to see your hair dancing in the sea of Eastern wind

Around two years ago, fellow blogger Obbverse brought up this song and artist and I’ve listened to him ever since. It’s so refreshing to hear this newer Americana. I really like this artist. His voice is gritty and on point. Check his album out also if you have the time.

Originally from Missouri, Nash moved to New York City in 2006. He performed in clubs on the Lower East Side such as The Living Room and Rockwood Music Hall. In 2009, he independently released his debut solo album, New York Town, which was recorded at The Magic Shop in New York’s Soho neighborhood. He usually goes by just Israel Nash now.

You can hear his influences of the ’60s and ’70s with artists like Creedence Clearwater Revival, the Band, and Crosby, Stills & Nash. He is a hard-working artist. Since 2009 he has 7 studio albums, 2 live, and 5 EPs. His last one called Ozarker was released in 2023. He has maintained a dedicated following and continues to tour and record music.

On getting more popular in Europe. “I remember a night after a show in Amsterdam, my wife was sitting on the bed in a hotel room counting the money we made that night and it came out to $1,700. She says, ‘Maybe you can make a living at this!’ That was an awesome moment. Since then, it was a growing thing in Europe. Playing there gave me a lot of confidence because we played a ton of shows.”

Israel Nash: “I grew up in little churches that were in the middle of nowhere in Missouri, so having the woods and being outside has been part of me since I was a kid,” I also saw community––just this sense of people needing something, somebody, to look forward to. That was church for them, and that’s okay. I don’t really feel like there is just one right thing to look forward to. As a musician, I think that’s what I’ve found, too––something for people to look forward to, a reason to come together. No matter what changes in my career, that is my anchor: the need people have.”

*I transcribed the lyrics so there are probably mistakes…but I can safely say…they are the only printed lyrics to this song on the internet as far as I could find. *

Pray For Rain

The city’s lit up like the Fourth of July
The children playing in the street
I’m laying in the bed next to you
Just trying to get some sleep

Dont you know I will need the rest
Need a pocket full of cash
I’m tired of working my hands to the bone
And I can barely pay the rent

Cause it’s a hard road ahead
and it’s the price we pay
So pray for me
And won’t you pray for rain

Until you miss the mid-western sun
It’s half as big but it’s twice as warm
My heart is not a thousand miles away
But I can’t look you in the face
And tell you I don’t miss those days
Cause no one knows what tomorrow brings
The bed of roses or some shattered dream
I would do it all over again
Just to see your hair dancing in the sea of Eastern wind

Cause it’s a hard road ahead
And it’s the price we pay
So pray for me
And won’t you pray for rain

Seeing if your dreams come true
Clouds may follow us
Some might say this bird has flown
But I don’t think it has
Lord I know it can

Cause it’s a hard road ahead
and it’s the price we pay
So pray for me
And won’t you pray for rain

…

Circus Maximus – Wind

I blog because I like to talk to everyone about the artists I and they featured that day. Sometimes, the conversations go elsewhere and not long ago I happened to catch a conversation between CB and Phil from the Cactus Patch. They mentioned Circus Maximus which featured Jerry Jeff Walker. I pay attention to all the conversations, even if they don’t involve me, and pick up some good songs that way.

I started to listen to their music. I liked their debut album which has intricate musical arrangements that border a free-form type of music. It flows like jazz and dips into psychedelic. It also has a little of The Guess Who in it. It’s a piece of music from the psychedelic rock era that fits into the landscape of the 1960s. Their members included Jerry Jeff Walker, Bob Bruno, David Scherstrom, Gary White, and Peter Troutner.

Jerry Jeff Walker was probably the most famous to come out of the band. In the early 1970s, Walker relocated to Austin, Texas, where he became part of the burgeoning outlaw country music scene. He helped define that genre. He was part of the Texas songwriters such as Willie Nelson, Guy Clark, and Townes Van Zandt. You know his most famous song very well, Mr Bojangles. That song was made popular by the Nitty Gritty Dirt Band.

While Circus Maximus did not achieve mainstream commercial success, they gained a cult following within the psychedelic rock scene of the late 1960s. The song is called Wind, which was on their debut album released in 1967. The album was played on the progressive FM radio stations.

Wind

You say that once knew for sure
But now you’re walkin’ into shore to wonder*
The more you learn the less you know
The more you move the more you go to nowhere*
You ask a bird as she flies by
Just where she’s at she says, where the wind blows*
Ask her by that what she means
She says she doesn’t know
But as she flew away she seemed to say

Chorus:

The wind is love is the wind
Wind is my love
Who knows the wind
Who knows my love
Where blows the wind
The wind is my love
You say you staggered to your room
Sleep by day and plot by noon
Your conscious plight
Pack your dreams, you move away
Decide to eat and live by day
And leave the night
City sun blinks in your eyes
You shade your face and realize
a lonely crowd
Then at once you feel the smile
And then the ice warm air moves by
She says the breeze provokes her sigh
Chorus

You say you found another spring
Another joy or human thing
Called lovers
You play your role as a comedy
Refreshing well the tradgedy
Your living
Lovers shore, or so you say
Like the wind love blew away
But as she left she seemed to say

Chorus

…

Joe Ely – Gallo Del Cielo

I’ve been waiting to write about this one. There are songs…and then there are SONGS. This one was written by Tom Russell. It is like watching/hearing a movie. The song is about adventure, loyalty, honor, and gambling all set against the backdrop of a time before California joined the U.S.

I’ve talked about these kind of songs before. How songwriters would be happy to write one song like this. I write power pop/rock songs and a song like this would make me insanely happy. It doesn’t matter if it’s not a huge hit…it’s quality. The attention to detail is incredible. It would never be a pop hit and maybe that is a check in its favor.

Tom Russell wrote this in 1979 in California. It’s not just a song…it’s an epic song. It’s been covered by four other artists. Ian Tyson in 1983 (its first release), Tom Russell in 1984, the version at the bottom is Joe Ely’s version released in 1995, and Ian Siegal in 2014.

Ely has 16 studio albums and 20 singles in his career so far. The song was released in 1996 and was on the album Letter To Laredo. This album charted at #68 on the Billboard Country Charts. He has charted quite a few in the Charts.

Gallo Del Cielo

Carlos Saragosa left his home in Casas Grandes when the moon was fullHe had no money in his pocket, just a locket of his sister framed in GoldHe headed for el Sueco, stole a rooster named Gallo Del CieloThen he crossed the Rio Grande with that roosted nestled deep within his arm

Galllo del Cielo was a warrior born in heaven so the legends sayHis wings they had been broken, he had one eye rollin crazy in his headHe’d fought a hundred fights and the legends say that one night near El SuecoHe fought Cielo seven times, seven times he left brave roosters dead

Hola my Teresa I’m thinkin of you now in San AntonioI have 27 dollars and the good luck of your good luck of your picture framed in goldTonight I’ll put it all on the fighting spurs of Gallo Del CieloThen I’ll return to buy the land Pancho Villa stole from father long ago

Outside of San Diego in the Onion fields of Paco Monte VerdeThe Pride of San Diego lay sleeping on a fancy bed of silkAdn they laughed when Saragosa pulled the one-eyed Del Cielo from beneath his shirtBut they cried when Saragosa waked away with a thousand dollar bill

Hola my Teresa I’m thinkin of you now in Santa BarbaraI have 27 dollars and the good luck of your good luck of your picture framed in goldTonight I’ll put it all on the fighting spurs of Gallo Del CieloThen I’ll return to buy the land Pancho Villa stole from father long ago

Now the moon has gone to hiding and the lantern light spills shadows on the fighting sandA wicked black named Zorro faces Del Cielo in the sandAnd Carlos Saragosa fears the tiny crack that runs across his roosters beakAnd he fears that he has lost the 50, 000 dollars riding on the fight

Hola my Teresa I’m thinkin of you now in Santa ClaraThe money’s on the table, I’m holding now your good luck framed in goldEverything we dream of is riding on the spurs of Del CieloThen I’ll return to buy the land Pancho Villa stole from father long ago

The signal it was given and the roosters rose together far above the sandGallo Del Cielo sunk a gaff into Zorro’s shiny breastThey were separated quickly but they rose and fought each other time and time againAnd the legends all agreed that Gallo Del Cielo fought the best

But then the screams of Saragosa filled the night outside the town of Santa ClaraAs the beak of Del Cielo lay broken like a shell within his handAnd they say that Saragosa screamed a curse upon the bones of Pancho VillaAs Zorro rose up one more time and drove Del Cielo in the sand

Hola my Teresa I’m thinkin of you now in San FranciscoI have no money in my pocket I no longer have your good luck framed in goldI buried it last evening with the bones of my beloved Del CieloI will not return to buy the land that Villa stole long ago

Do the rivers still run muddy outside of my beloved Casas Grandes?Does the scar upon my brother’s face turn red when he hears mention of my name?And do the people of El Sueco still curse the theft of Gallo Del Cielo?Tell my family not to worry, I will not return to cause them shame.

…

Fred Eaglesmith – Pontiac

It’s a PontiacIt’s a ’63 Stratochief with a three on the treeAnd it belongs to me

I’m taking a break from work and posting…It’s nice to be back if only for the weekend…I hope you all have been doing good!

I had this song bookmarked and I bet ya that CB forgot he sent it to me a long time ago … but I’ve listened to it for a year or so now. I love car songs and this song slots in very nicely.

Fred Eaglesmith is a Canadian and he is in the alt-country genre. He is from Port Dover, Ontario. When I listen to him he seems to ride a line between 1960s rock and country music. He has formed country bands, rock bands, and bluegrass bands…he switches lanes quite nicely. John Prine was a huge influence on Eaglesmith.

This song is from the album Lipstick, Lies, and Gasoline released in 1997. Now that is a great name for an album. This guy has been a true working musician. At one point he would average four to eight hours between shows in his converted 1990 Bluebird tour bus. He outfitted the bus with a system of filters and pumps which he designed himself to enable them to run on waste vegetable oil recycled from deep fryers in venues and restaurants along the road. He is what I would call a musical troubadour.

He has toured all over Canada, the Letterman show, the Grand Ole Opry, and everywhere in between. He is worth diving into for some great music. His debut album Fred J. Eaglesmith was released in 1980 and he has released 22 altogether.

One concert reviewer in Los Angeles said: “Eaglesmith snarled out lyrics that underscore his overriding attitude that music and musicians ought to be cherished in the here-and-now and valued for the quality of their art, not the size of their bank accounts or TV ratings.”

Fred Eaglesmith: The biggest epiphany I had was when I was 10 or 12 and I saw Elvis in a movie. I thought he wrote his own songs. I was working on a farm, just dying, you know…cold and tired…and I walked into the kitchen. We’d just gotten a television, and there was Elvis. That’s when I started writing songs-at 10 or 12.

Fred Eaglesmith: There really are two different schools of songwriting-American and Canadian. It’s interesting. You guys have this history of guys like Paul Williams and Jimmy Webb, and they’re different than Neil Young and Joni Mitchell and Leonard Cohen. All those weird voices come out of Canada. That’s because it’s so cold here we can hardly open our mouth. We get much less light in Canada. No wonder the writing’s dark.

I’m including this song from his Letterman appearance.

Pontiac

It’s a PontiacIt’s a ’63 Stratochief with a three on the treeAnd it belongs to meAnd my babyHer and meWe go driving down old highway seventeenShe puts on the radioRolls down the windowLays her head backIt’s a Pontiac

It ain’t got no wild horses painted on the sideAnd the objects in the mirror are precisely their own sizeIt’s got a chrome Indian in front of the doorMight be an Apache or an ArapahoOr a Pontiac

There was an incident last nightAt seventeen and thirdIt all happened so fast nobody’s really sureBut somebody held the rifle, somebody held the sackAnd as fast as they were thereWell they were gone just like thatIn a Pontiac

The anti-freeze is boiling and the oil pressure’s lowAnd the pedal’s to the metal and it’s as fast as it can goAnd the stain on her shoulder I getting darker you knowAnd the radio keep blasting out the factsIt’s a Pontiac

Herman Brood – Saturday Night

A while back CB sent me Herman Brood’s name and a few links but we had talked about other bands and Brood got lost in the shuffle. I started to listen and the guy has some seriously good songs. He was a musician, singer-songwriter, an artist, and an actor. He was in five movies with the last one released in 2000. His voice got me right away…it’s different and unique. This guy was a true artist.

I hear rock, blues, and some pub rock in there also. Most of his songs are radio-friendly and they rock. Probably the biggest reason he didn’t hit more was his hedonistic lifestyle which grew worse as the years went by.

Herman Brood was born in Zwolie in the Netherlands. After finishing art school he started off as a keyboard player in a band called The Moans in the early sixties. At the end of the sixties, Brood was part of the blues band Cuby + Blizzards. When he took a break from music… he got into trouble. Brood quickly slipped into crime. Burglary and drug trafficking and, as a consequence, a small stint in jail.

He released his first album in 1977 called Street and followed it up with 1978’s Shpritsz and Cha Cha. In 1979 he released Herman Brood & His Wild Romance. This album was released in America only. It contained tracks from Shpritsz also. The album peaked at #122 on the Billboard Album Charts in 1979. The song Saturday Night peaked at #35 on the Billboard 100.

The classic line-up of The Wild Romance was formed in November of 1977: Dany Lademacher (guitar), Freddie Cavalli (bass) Cees “Ani” Meerman (drums) supplemented with The Bombitas (background vocals). This album’s songs were recorded quickly and mostly cut live in the studio. That is why this album sounds so alive when you hear it. The album featured 15 short-driven songs.

He continued making music through the 80s releasing 8 albums in that decade and 4 in the 90s. He also started to paint and do pop art with screen prints.

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During the end of his life, he tried to refrain from taking drugs but just couldn’t quit. He died in 2000. Like with the Beat Farmers, it was hard to pick one song out but I will be doing more so I will get to him again soon.

Saturday Night

he neon light, of the Open all night
Was just in time replaced by the magic appearance of a new day-while
A melancholic Reno was crawling on his back just in
Front of the supermarket door-way child

Hey girl, on a cold summer night
As we stood on the corner
As a man passed by and asked us
What we were doing what we need
As he pointed his big fat finger
To the people hangin’ round at the corner of the – other side of street
Oh well

Doin’ nothing, just hanging around
What do you mean doin’ nothing Sir
So we had to hit him to the ground
Doin’ nothing just hanging around
His head all busted lookin’ just a little to wise child

I just can’t wait
I just can’t wait for Saturday night
For Saturday night
For Saturday night
Saturday night

Saturday night
Saturday night
Saturday night

I just can’t wait
I just can’t wait

…

Beat Farmers – Goldmine

CB sent me a link to The Beat Farmers. I knew heard of them but at first, I was thinking hard punk. I then realized and I remembered. I first heard of the Beat Farmers in the 1980s. WKDF in Nashville was at one time the premiere rock station in Nashville. Anyway, during some spots they would play a song by the Beat Farmers that was both strange, dark, and fun. I’ll get to that one on the next Beat Farmers post-Wednesday.

I’ve listened to this album at least 5-6 times this week. The hardest part was picking one song to post on…so I’m going to pick one but include two. The one I picked has a rockabilly feel to it but that is not necessarily the sound of the entire album.

The Beat Farmers formed in San Diego California in 1983. They went to a studio with a $4000 budget, and they recorded Tales Of The New West. The album was released in 1985. The members were Country Dick Montana, Jerry Raney on guitar, Rolle Dexter on bass, Buddy Blue on guitar, and Joey Harris on guitar. They did a tour opening up for the Blasters and then signed a 7 Record Deal with CURB Records…which turned out to be a mistake…they fought for years to get away from them.

They also had several solo projects like Country Dick’s Petting Zoo, Country Dick’s Garage, Jerry and Joey acoustic, Jerry and Buddy jam nights, and the Pleasure Barons. Country Dick was recording a solo effort. Dick also worked with Mojo Nixon.

Together they released 6 albums and 15 singles + EPs. The band came to a halt on November 8, 1995, when Country Dick Montana died on stage. They have occasionally got together since then.

Below is the album Tales Of The New West… Give it a listen. They have a great base sound and their songs vary.

A cover of The Velvet Underground There She Goes Again

Goldmine

Well you can’t say that you are mine no moreWe’re history, I’m walking right out the doorWell you can have your men and your liquor tooBut without me baby whatcha gonna doBaby you lost a goldmine when you lost me

I was faithful and I shared everything that I ownI was always there when you cried babe I’m feeling aloneBut I ain’t no chump and you’re gonna findThat those men that you’ve been seeing are the hurting kindAnd I don’t need you running on back to me

Well the smile that you’re wearing gonna disappearWhen you see that I was rightWell you’ll rue the day that you pushed me tillI walked right out of your life

Well there’s plenty of women that can keep me satisfiedAnd I don’t need your cheating or your foolish liesWell I ain’t gonna miss none of your embraceSo go shake that thing in someone else’s faceBaby you lost a goldmine when you lost me

Well folks have got to reap just what they sowAnd you got some things-a coming to you don’t you knowYou’ll get no more loving or sympathyFrom the lonesome fool that you thought was meBaby you lost a goldmine when you lost me

…

Pogues – The Sunny Side Of The Street

I’ve posted only one Pogues song before. CB brought them up and I started to listen and song after song was quality. I remember them but more for the name than the music. What a catalog they have and I’ve been listening to them almost non-stop this week. This song is so positive that it rubs off.

This song just gives off a great vibe. The Sunny Side of the Street was inspired by the band’s experiences growing up in working-class neighborhoods. They witnessed firsthand the struggles and triumphs of the people around them. They wanted to shine the light on the resilience and ability to find joy in even the most challenging circumstances.

The Pogues were formed in Ireland in 1982 by Shane MacGowan. The band reached international prominence in the 1980s and early 1990s. MacGowan left because of drinking problems and was replaced by Joe Strummer and then with Spider Stacy on vocals before breaking up in 1996. They reformed in 2001 and toured until 2014.

The song was written by Shane MacGowan and Jeremy Fier. I was released in 1990 and was on the album Hell’s Ditch. The song peaked at #23 on the Billboard Alternative Charts in 1991. The album was produced by former Clash member Joe Strummer.

On November 30…Shane MacGowan passed away. Yesterday, his coffin was being taken down the streets of Dublin pulled by a horse-drawn carriage. He was 65 years old.

The Sunny Side of the Street

Seen the carnival at Rome
Had the women, I had the booze
All that I can remember now
Is little kids without no shoes

So, I saw that train and I got on it
With a heartful of hate and a lust for vomit
Now I’m walking on the sunnyside of the street

Stepped over bodies in Bombay
Tried to make it to the U.S.A.
Ended up in Nepal
Up on the roof with nothing at all
And I knew that day
I was going to stay right where I am
On the sunnyside of the street

Been in a palace, been in a jail
I just don’t want to be reborn a snail
Just want to spend eternity right where I am
On the sunnyside of the street

As my mother wept it was then I swore
To take my life as I would a whore
I know I’m better than before
I will not be reconstructed

Just want to stay right here
The sunnyside of the street
The sunnyside of the street
The sunnyside of the street
The sunnyside of the street

…

Matthew Good – Hello Time Bomb

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

CB sent me this link…Good sounds different and I really liked his songs. Some of the lyrics won me over to this one.

Matthew Good is an alternative musician from Burnaby…a city in British Columbia, Canada. He started with music in high school. He wrote lyrics for a folk band. He taught himself how to play guitar at 20 years old and started to play and sing with the Rodchester Kings.

In 1995 he formed The Matthew Good Band which lasted from 1995 to 2001. They released 3 EPs and 7 albums including Beautiful Midnight which peaked at #1 in Canada. This song was on that album and Hello Time Bomb peaked at #26 in Canada, #3 on the Canadian alternative charts, and #34 on Billboard’s Alternative Charts in 1999.

After the band broke up he went on to become a solo act. He has released 9 studio albums and 6 of them were in the top 10, 2 were in the top 20, and the last one during 2020 was at #49 in Canada.

Good had troubles throughout his life with medical things. One doctor said he had an ulcer and others said other things. In the mid-2000’s he was diagnosed with Bipolar and things got better for him after that. “I was so relieved to finally know what was wrong with me, and have the chance to deal with the impact a diagnosis would have on my life, before being on medications, my life went from a negative 10 to a plus 10. On medication, it’s a negative three to a plus three. I had to learn to accept that.” He gives tips for people with BiPolar disorder to manage it.

Good has been nominated for 21 Juno Awards and has won four: 2011 Rock Album of the Year for Vancouver, 2002 Video of the Year for Weapon, 2000 Best Rock Album of the Year for Beautiful Midnight, and Best Group of the Year.

Matthew Good has maintained a lukewarm relationship with the music industry and the media, often avoiding the spotlight and avoiding interviews and awards shows (he has not accepted any of his Juno awards in person). In addition to his music projects, he has become a well-known writer and blogger on politics and culture; his book, At Last There is Nothing Left to Say, was published in 2001.

Hello Time Bomb

I found me a reason
So check me tomorrow
We’ll see if I’m leaking
Push and push and push ’till it hurts

The Devil’s on roller-skates
The Devil’s on roller-skates
Down at the roller rink
Picking up chicks for me
Ones that push and push and push ’till it hurts
Push and push ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad

Life’s for the living
So check me tomorrow
We’ll see if I’m kidding
Push and push and push ’till it hurts

Did it on Ritalin
I got me some good grades
Now I work me the night shift, where I
Pull and pull and pull ’till it hurts
Pull and pull ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go off

Hahahaha

If life’s for the livid
Check me tomorrow
We’ll see if I’m emperor

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go
Ready to go off

…

54-40 – I Go Blind

Deke brought this band up the other day and I started to listen to their songs. Deke likes a lot of harder bands so I was expecting screaming guitars but this band is close to Sloan to me or power pop…which yea…I kinda like!

The band was formed in the small border town of Tsawwassen, BC. Musically they were influenced by British invasion and post-punk and American roots and punk rock. They got their name from a reference to a US political slogan from the 1840s (“Fifty-four forty or Fight!”) that called for the American annexation of what is now British Columbia.

The band started in 1978 when Neil Osborne and Brad Merritt met in Sought Delta High School in Tsawwassen, British Columbia. They released their first album in 1984 called Set The Fire and their second album in 1986 was a self-titled album also called The Green Album. That is the album this song is on.

The album 54-40 peaked at #91 on the Canadian Album Charts in 1986.

The song was covered by Hootie and the Blowfish and did well on the charts in 1996-97. It peaked at #13 in Canada, #2 on the US Adult Top 40, and #22 on the US Adult Contemporary in 1996-97.

I Go Blind

Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind
Every time I look at you I go blind

In the morning, I get up
And I try to feel alive but I can’t
Every time I look at you I go blind
I don’t know what it is
Something in me just won’t give it a chance

I think it’s that I feel more confused by the deal
Love has shown me
Little child, did you know that there’s a light
And it’s gonna shine right through your eyes
What do you think that life is like?
Every time I look at you I go blind
I go blind

Somewhere over there
There’s a purpose, there’s a care for free
In me there’s nobody
No one planned, no one stand to be free
I think it’s that because I have seen all the fuss
And it’s no big deal
No big deal

Hold me, hold me
‘Cause I wanna get higher and higher
Higher than
Hold me hold me
‘Cause I wanna get higher and higher
Higher than

Kathleen Edwards – I Make The Dough, You Get The Glory

You’re cool and cred like Fogerty
I’m Elvis Presley in the seventies
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table

This was recommended by a former blogger who reached out to me and wanted me to hear this song. I knew I had seen or heard of her somewhere. I asked Randy and sure enough, he posted a song called Six O’Clock News with her last June. I like her voice and her overall sound. After I finished this post…I must have listened to this around 8-9 times. It will stay in my rotation.

The song and Edwards were very likable on the first listen and now I’m hooked on it. Fun video also. Kathleen Edwards is a Canadian musician who released her first album in 2003. She was influenced by Bob Dylan, Neil Young, and Tom Petty growing up.

She also worked with John Doe, of the punk rock band X, on his solo album A Year in the Wilderness. She sings on three tracks.

This song was written in honor of fellow Canadian musician Jim Bryson, who made contributions to Edwards’ first two albums and also toured with her. In this song, she is self-deprecatingly suggesting in the song that her own success was obscuring Bryson’s talents.

I like some of the lyrics in this one. You’re cool and cred like Fogerty, I’m Elvis Presley in the seventies…You’re Chateauneuf, I’m Yellow Label…You’re the buffet I’m just the table. And my favorite…a hockey reference You’re the Great One, I’m Marty McSorley. The Great One of course is Wayne Gretzky…Marty McSorley was a hockey player who was charged with assault and suspended by the NHL for the remainder of the 1999–2000 season and the playoffs, missing 23 games when he swung his stick and hit Donald Brashear in the head. After serving a full year he never would play in the NHL again. You can see him in the video…the big guy whom Edwards is hugging.

She has released 5 albums since 2003 and her last one was in 2020 called Total Freedom. Her 2012 album Voyageur hit the top 40 in America. In 2003 Rolling Stone declared her one of the year’s most promising new acts.

This song was on her 2008 album Asking For Flowers. The album peaked at #14 on the Canadian Album Charts, #102 on the Billboard Album Charts, and #1 on the Billboard Heatseekers Charts.

The video features Kathleen Edwards and her band playing against Blue Rodeo singer Jim Cuddy and former NHL-ers, Paul Coffey and Brad Dalgarno for a lopsided game of shinny. Marty McSorley joins Edwards team and the video also features sportscaster Dave Hodge.

It’s hard not to like her. One of her songs is called “One More Song The Radio Won’t Like.”

I Make The Dough, But You Get The Glory

Blazing a trail to the southern cities
From the streets of our hometown
Basement bars we played from the heart
In the company of our friends

If I write down these memories
That I have saved away
Photographs of the years that passed
Inside my little brain

You’re cool and cred like Fogerty
I’m Elvis Presley in the 70’s
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table
I’m a Ford Tempo you’re a Maserati
You’re the Great One, I’m Marty McSorley
You’re the Concorde, I’m economy
I make the dough but you get the glory

Big fish small pond and some cover songs
We sang along the way
We used to midnight run to the Vesta Lunch
Cheeseburgers and chocolate shakes
Once I got drunk with Jeff
I told him I was in love with you
But I love you like a brother
So at least half of it was true

You’re cool and cred like Fogerty
I’m Elvis Presley in the seventies
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table
I’m a Dodge Fargo, you’re a Lamborghini
You’re the Great One, I’m Marty Mcsorley
You’re the Concorde, I’m economy
I make the dough, but you get the glory

If I write down these memories
That I have saved away
Photographs of the years that passed
Inside my little brain

I’m sure it’s been said in the finer print
You make me look legitimate
Heavy rotation on the CBC
Whatever in hell that really means
You’re cool and cred like Fogerty
I’m Elvis Presley in the 70’s
You’re the Concorde I’m economy
I make the dough, but you get the glory

Mink DeVille – Spanish Stroll

While talking to my friends CB and Paul…they bring up Mink Deville a lot so I decided to go check them out. I’ve heard of some of their music but I wanted more so I spent a few hours listening…I see why they bring them up…they are different and bring a lot to the table.

Mink DeVille was formed in 1974 in San Francisco but they are known for their association with punk bands at the New York club CBGB. They would go on to record six albums and Willy DeVille made 10 albums solo. The band lasted until 1986.

When I post a song of a more unknown artist to most of my readers…I try to find a song that is more commercial…maybe not their best song but a “radio-friendly” song to get people digging more. This one is radio-friendly and has a Lou Reed feel. I really like this band’s music…love the lyrics to this.

The song “Spanish Stroll” by Mink DeVille is an iconic track from their debut album, released in 1977. It’s very New York and it describes navigating around in urban life to escape the mundane and ordinary. They blend genres, I can hear Latin and punk elements, which helped propel this track into the mainstream. I can also hear some Springsteen and even Mellencamp on some of their songs.

This was on their debut album Cabretta. It peaked at #186 on the Billboard Album charts. The song Spanish Stroll peaked at #20 in the UK in 1977. The song was written by the lead singer Willy DeVille.

I learned a lot by reading Paul’s reviews of their albums on his site. He has a wide variety of album reviews to look at…and that is an understatement.

Bob Dylan on how Willy DeVille should be in the Hall of Fame: “(DeVille) stood out, his voice and presentation ought to have gotten him in there by now.”

Peter Wolf: “He had all the roots of music that I love and had this whole street thing of R&B – just the whole gestalt … He was just a tremendous talent; a true artist in the sense that he never compromised. He had a special vision and remained true to it.”

Willy DeVille: “We were sitting around talking of names, and some of them were really rude, and I was saying, guys we can’t do that. Then one of the guys said how about Mink DeVille? There can’t be anything cooler than a fur lined Cadillac can there? “What could be more pimp than a mink Cadillac? In an impressionistic sort of way.”

Piano player Kenny Margolis: “I don’t think the American public had a chance to experience him because in America at that time you had MTV telling you what to like. Europe had not had MTV at that point and they were very open to different music.”

Spanish Stroll

Hey Mr. Jim I can see the shape you’re in
Finger on your eyebrow
And left hand on your hip
Thinking that you’re such a lady killer
Think you’re so slick!
Alright

Brother Johnny, he caught a plane and he got on it
Now he’s a razor in the wind
And he got a pistol in his pocket
They say the man is crazy on the West Coast
Lord there ain’t no doubt about it!
Well allright

Sister Sue tell me baby what are we gonna do
She said take two candles,
And then you burn them out
Make a paper boat,light it and…. send it out
send it out now..

Spanish Stroll
Spanish Stroll
Spanish Stroll

Hey Rosita! Donde vas con mi carro Rosita?
tu sabes que te quiero
pero ti me quitas todo
ya te robasta mi television y mi radio
y ahora quiere llevarse mi carro
no me haga asi, rosita
ven aqui
ehi, estese aqui al lado rosita
Spanish Stroll

Mira aqui!

Hey Johny! Yeah, tenth street Johny
We’ve been looking for you man
Everybody told me you had moved uptown
Hey! you wanna go for a ride
I’m going uptown myself
For what?

Yeah, ain’t it right?
Yeah, one time for Tito Puente, one time
Are you ready?
Yeah, of course we cannot leave out, Mr Ray Baretto
Are you ready?Are you ready?Are you ready?

Guided By Voices – Chasing Heather Crazy

I hope everyone is having a fantastic Friday. I posted a song by this band a year or so ago. I really liked their sound and songs but after posting it I got distracted by something else. CB brought this band up to me recently and I returned to them. This song is a very good power pop song. You have some power and jangle…the recipe for good power pop…this band can dish it out.

Guided By Voices was formed in Dayton, Ohio, United States in 1983. The band’s lineup has changed several times throughout the band’s history, with its only constant member being singer/songwriter Bob Pollard. They are still together and touring… Bob Pollard is with the current lineup.

Bob Pollard is terribly prolific. They have had 37 studio albums, 12 Compilation albums, 19 EPs, 39 singles, 2 live albums, and 2 books! On top of that, they have appeared on several soundtracks including Buffy the Vampire Slayer, Crime and Punishment, Scrubs, and many more. They also counted Rik Ocasek as one of their producers.

Their first EP came out in 1986 and their first LP came out in 1987. They have released 15 albums since 2016.

Chasing Heather Crazy was released in 2001 on the Isolation Drills album. The album peaked at #6 on the Heat Seekers Charts, #8 on the Indie charts, and #168 on the Billboard Album Charts.

Review by Allmusic Tom Maginnis: “Chasing Heather Crazy” is a blissed-out rocker of the sort that showcases Robert Pollard’s sharp pop songcraft skills. His infectious melody is fully fleshed out here, with big clean studio production miles removed from the scrappy lo-fi quality of past efforts, such as Bee Thousand, which first brought Guided By Voices to the attention of the mainstream press and independent rock audiences alike. Pollard also seems more comfortable delving into personal matters, addressing his lyrics with a directness that was seldom found on earlier works, which also helps bring a margin of intimacy that could otherwise be lost in the slickness of the recording.

Chasing Heather Crazy

Trailing off the likes of it
She likes it when it grows
Sending out a candidate
She’s sinking her foes
Peaking out then leveling
Wherever it goes

And her mother will greet you
And a river will reach you
Breaking out to make you slave again

Chasing Heather crazy
Chasing Heather crazy
Making sure that all the world is coming down
All the world is coming down on her
Anywhere I want to
And if you want to come too
We’ll go down where
All the girls are stumblin’ round
All the world is crumbling down around her

Staring out from otherworldly windows painted red
Doesn’t have to listen to the voices in your head
That’s a different lie
Do you remember what was said?

And her mother will greet you
And a river will reach you
Breaking out to make you slave again

Around her
Around her
Around her
Around her

…