The Polar Express

I’ve never covered this movie before so I thought it was about time…to add another to my Holiday Christmas marathon. 

When Bailey was four years old we went to the theater to watch this in 2004. For me, it was an instant classic. They used the new style motion-capture technology at the time and it worked. I don’t think they got the eyes quite right but other than that it was a great story and a well-done movie. It was directed by Robert Zemeckis. 

In 1985, Chris Van Allsburg wrote and illustrated the book The Polar Express. The book tells the story of a young boy who boards a magical train headed to the North Pole on Christmas Eve. It is about belief, wonder, and the magic of childhood. The book received critical acclaim, winning the prestigious Caldecott Medal in 1986 for its illustrations. In the movie, they stayed true to the illustrations. 

Polor Express Book

I watched the movie with 4-year-old Bailey and he really liked it…it was the Rudolph of his generation. The next Christmas we traveled to Watertown Tennessee to ride a Polar Express train they had set up to look like the one in the film. He has never forgot the movie or train ride. 

It’s a good story that kids and adults can like with the universal humor. Tom Hanks played many characters in this movie and as always does a great job. The kids on the train span a nice cross-section of kids including one known as “Know It All” and he was annoying. Eddie Deezen appropriately did the voice for the character. We had a neighbor kid at the time exactly like him. 

It’s a nice adventure film with some great characters including the big guy Santa. The North Pole was definitely my favorite place in the film. It looked like what you think it would look like in a realistic feel. In a surprise, Steven Tyler makes a short appearance on a unicycle…yes Tyler on a unicycle. 

If you haven’t seen it…stop reading now. 

The best part of the movie was the bell that came off of Santa’s sleigh in my opinion. That is what the main character known as the hero boy wants out of any present. Grown-ups could not hear it ring because they stopped believing a long time ago. If you could still hear it ring…you still believed in the magic of Christmas. In the movie he could still hear it when he grew up so he kept the magic intact. I hope all of you can still hear that bell ring. No matter how old or young you are. 

Merry Christmas to all of you…Max

Plot IMDB

Santa Claus does not exist. Or does he? For one doubting boy, an astonishing event occurs. Late on Christmas Eve night, he lies in his bed hoping to hear the sound of bells from Santa Claus’ sleigh. Then to his surprise, a train’s roar and whistle can be heard outside his bedroom window. The conductor invites him on board to take an extraordinary journey to the North Pole with many other pajama-clad children. There, he receives an extraordinary gift only those who still believe in Santa Claus can experience.

Bob Dylan – Must Be Santa

Bob Dylan making a Christmas album just doesn’t compute but he did and yes I love the results. 

I would never bet against Bob doing anything. When one of my friends told me at the time that Dylan released a Christmas album…I thought he was kidding. No, he wasn’t…and I liked it when I heard it. This song was based on a German drinking game, with the lyrics taking on a ‘call and answer’ structure… “Who’s got a beard/That’s long and white?/Santa’s got a beard/That’s long and white.”

Must Be Santa” was written by Hal Moore and Bill Fredericks. The song was first released in 1960 by Mitch Miller. In 2009, Bob Dylan covered Brave Combo’s arrangement as part of his holiday album, Christmas in the Heart.

All of the profits from this album went towards Feeding America Crisis, and the World Food Program. In 2009, Dylan told Bill Flanagan that he had intended to make a Christmas record for some time: “Yeah, every so often it has crossed my mind. The idea was first brought to me by Walter Yetnikoff, back when he was President of Columbia Records.”

If you want to know what Dylan considers to be a great Christmas meal… it would consist of “Mashed potatoes and gravy, roast turkey and collard greens, turnip greens, biscuit dressing, cornbread and cranberry sauce.”

Bob Dylan: “This version comes from a band called Brave Combo. Somebody sent their record to us for our radio show [Theme Time Radio Hour]. They’re a regional band out of Texas that takes regular songs and changes the way you think about them. You oughta hear their version of ‘Hey Jude.'”

Bob Dylan – Must Be Santa

Who’s got a beard that’s long and white?
Santa’s got a beard that’s long and white
Who comes around on a special night?
Santa comes around on a special night

Special Night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who wears boots and a suit of red?
Santa wears boots and a suit of red

Who wears a long cap on his head?
Santa wears a long cap on his head

Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who’s got a big red cherry nose?
Santa’s got a big red cherry nose

Who laughs this way: “HO HO HO”?
Santa laughs this way: “HO HO HO”

HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who very soon will come our way?
Santa very soon will come our way

Eight little reindeer pull his sleigh?
Santa’s little reindeer pull his sleigh

Reindeer sleigh, come our way
HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Dasher, Dancer, Prancer, Vixen
Eisenhower, Kennedy, Johnson, Nixon
Dasher, Dancer, Prancer, Vixen
Carter, Reagan, Bush and Clinton

Reindeer sleigh, come our way
HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus
Must be Santa
Must be Santa
Must be Santa, Santa Claus

James Wilsey – The Rattler

I love instrumentals and this one and the complete album has some great ones. 

I told CB when he sent me this link…I would not know his name but I would know it was Chris Isaak’s guitar player by just listening. He had a unique sound all his own which I admire. I would know his guitar sound anywhere…I listened to his album El Dorado this week along with the Chris Isaak album San Francisco Days. These instrumentals are great and I wish I could have said this first…but a reviewer said the album is Wilsey paying homage to the cinematic soundscapes of the American West…and I totally get that. This song has such a fantastic sound.  

His guitar playing really helped make Wicked Game such a fantastic and popular song. He used a 1965 Fender Stratocaster and reverb, delay, and slight vibrato. You could tell he was influenced by Duane Eddy, Link Wray, James Burton, and others from that era. 

He grew up in Indiana. In the late 1970s, he joined The Avengers, a punk rock band from San Francisco, where he played bass. They would go on to influence The Dead Kennedys and others. They released two EPs and one album in 1983.  The self-titled album was made from studio takes because Wilsey had left the band by then. He joined Chris Isaak’s band The Silvertones in 1980. In the late nineties and the 2000s, The Avengers would release 4 more albums that were live and studio cuts with Wilsey. 

He made four albums with Issak. Silvertone (1985), Chris Isaak (1986), Heart Shaped World (1989), and the last one San Francisco Days (1993). He and Isaak would soon be estranged and Wilsey went his own way. One of the problems was Wilsey’s growing substance abuse. 

He formed an instrumental band called The Mysteries (they never recorded an album) in the late nineties but it was in 2008 that he made his only solo album of instrumentals called El Dorado. In 2018 he would pass away because of substance abuse. 

Katmen – When The Drinks Dried Up

The band’s name is either Kat Men or Katmen. I’ve seen it listed both ways.

CB mentioned this band in an email and I had to check it out. Pure rockabilly heaven for me. I’ve also checked out Darrel Higham’s guitar playing…he is excellent. He worked with and married Imelda May… his sound can be heard in much of her music.

The band was formed when Slim Jim Phantom and Darrel Higham decided to join forces, they were inspired by a shared love of classic rockabilly music. Phantom’s drumming style is well known for his stint in The Stray Cats, while Higham contributed his incredible guitar skills and an appreciation for rockabilly. Their music has vintage rockabilly vibes with a modern sound.

They formed in 2006 when former Stray Cats drummer Slim Jim Phantom and Imelda May guitarist Darrel Higham met during a jam session at the Oneida Casino, in Wisconsin. In 2012 they hired bassist Al Gare. This guy plays a mean standup bass like no one else I’ve seen.

Higham developed an early interest in rockabilly and 1950s rock ‘n’ roll, his influences were artists like Elvis Presley, Gene Vincent, Eddie Cochran, and guitarist Cliff Gallup. Higham started his professional music career in the late 1980s, performing with various rockabilly and roots bands in the UK.

This song is on their 2013 album The Katmen Cometh. Another song on that album is “We Need Elvis Back.” I HAD to include that song as well in this! Both songs are credited to the band.

Bethel Dipper

No music, movie, or TV Show today on this post. Let’s do Americana…not the music but the places. I love older buildings that represent the style of the era they were built. What’s more Americana than a milkshake, cheeseburger, and fries?

When I grew up we had a place named Strattons that was the dairy dip downtown in our small two red light town. It was the kind of place where you walked up to the window, ordered, waited, got your food, and then either sat on a picnic table or ate in your car. I remember doing that in the mid to late 70s with my sister. It was a very 70s-looking building but in the 1980s it was torn down and rebuilt. It became a 1950s-themed restaurant which was cool…but I missed the original dairy dip. Anyway, here is a picture of it before it right before it was torn down to make room for a Walgreens. Oh, how great progress is…NOT.

Below was the 1950s-themed Strattons before Walgreens in 2010.

Strattons

I was in Russellville Kentucky yesterday and I went to this establishment called The Bethel Dipper. I have been there a few times in the past and it looks really good at night with the carnival-type fluorescent lights.  I like Russellville and want to move there one day. This place is kinda off the beaten path but not too much. It’s like walking into the past and I just wanted to share this.

I have tried to find the history of it but my guess is it started in the 60s. When you see the picture below take your best guess. Not only is the building really cool looking, I love the roof jetting out, but you will not believe the prices. I have the menu below the building.  I asked them how they were able to keep it so cheap and they told me that they only take cash. The debit card companies wanted so much for each card swiped. They also don’t have an expensive POS system to pay monthly on. They also keep their menu simple and very good.

Bethel Dipper 1

Bethel Menu

Strattons right before it was torn down.

Mouse and the Traps – You’re Gonna Miss Me

I want to thank Aphoristic Album Reviews for featuring this band in his Nuggets series. I loved the song he posted so I found a few more that I like from this band. I am guilty of having too much trivia in my head, but I never heard of this band, not in reading about obscure bands or their music. I like their music and the sound of their lead singer. I would have liked them no matter what just because of that name. 

Mouse and the Traps is an American garage rock band from Tyler, Texas, active mainly during the 1960s. They gained a cult following for their gritty sound that represented garage rock well. The band is best known for their 1966 hit single, A Public Execution, which is really Dylanesque plus some Byrds thrown in. 

They began their career releasing “A Public Execution” under the name of Mouse. That was the nickname of their lead singer Ronnie “Mouse” Weiss.  Their second single in 1966 was called Maid of Sugar-Maid of Spice and they added “And the Traps.” They have had different members through the years but a constant from their original lineup is Ronnie Weiss, Dave Stanley, and Ken (Nardo) Murray. 

Much like Phil from Notes From The Cactus Patch did in the 1960s…Mouse and the Traps toured around Texas, especially Dallas. They toured around the state feverishly, playing clubs, colleges, parties, and even proms. There were occasional touring dates out of Texas, but, for the most part, they remained a very popular regional band. 

They have released a bunch of singles and a few collection albums that were released in 1982, 1995, 1997, and 2009. They finally released an album in 2020 called Walking In Dylan’s Shoes. In 1972 they were added to Lenny Kayes Nuggets compilation album of different garage bands. 

Graham from Aphoristic Album Reviews wrote: Mouse and the Traps surely hold the record for the longest gap between a debut single and a debut album. ‘A Public Execution’ was released in 1966 (although it was credited solely to their frontman). Their debut album, Walking in Dylan’s Shoes, was released in December 2020.

Mouse and the Traps - Walking In Dylans Shoes

I’ve listened to their 2020 Dylan cover album Walking In Dylan’s Shoes and I have to admit…it’s really good! 

The song I picked, You’re Gonna Miss Me, is off of their Lost Sessions Album released in 2009. I’m not sure which era it’s from although because of the quality…I would guess the 80s or 90s. They were together off and on in the 1960s – 2020.  I’m also posting the song that Graham did with Maid of Sugar-Maid of Spice (1966) along with You’re Gonna Miss Me (?). 

I’m also going to post Mouse and the Traps Lost Sessions album…give a listen to a few of them…they are awesome! Hit The Bricks and Bottom Line got my attention right away. 

 

 

Blue Harlem – Hallelujah! I Love Him So

CB recommended this band and it’s fresh sounding and I like their choice of covers. When I heard Imelda May sing…that was all I needed. I heard Hound Dog first and it sounds very 40s but yet modern. They now have a different singer but she is also great…Sophie Shaw. This is different for me and I like it…it’s nice to switch up occasionally. When I heard Hallelujah! I Love Him So it got me into them much more. I know this song very well…it was one of the first songs Quarrymen recorded and that led me to Ray Charles who wrote and recorded the song. 

Blue Harlem has been one of the top swing/jump-blues bands on the London scene for over 25 years. They have become regular favorites at venues such as the world-famous Ronnie Scott’s, The 100 Club, The Hippodrome, Hideaway, Jitterbugs, and more. They have been invited on three occasions to perform at Highgrove House charity balls for the Prince’s Trust. 

They are a British band formed in 1996 by tenor saxophonist and arranger Al Nicholls. Known for blending jazz and rhythm and blues, they take inspiration from the swing and jump blues styles of the 1940s and 1950s. 

.They have also enjoyed international recognition, performing at festivals across Europe and the Middle East. Blue Harlem played a huge role in launching the career of vocalist Imelda May, who gained fame and success after performing with them. Sophie Shaw now serves as their lead singer, bringing a new feel to the band’s sound.

Imelda May left the group in the early 2000s.  After leaving, May quickly rose to fame in her own right with the release of her debut solo album No Turning Back in 2003, followed by her breakthrough album Love Tattoo in 2008.

Hallelujah! I Love Him So was on the album Talk To Me released in 2005 with May lead singing. I added Hound Dog by Blue Harlem as well…it was on their Me And My Radio album released in 2011. 

I have three songs. The bottom two feature Imelda May singing Hound Dog and Hallelujah! I Love Him So. Below is Sophia Shaw singing Swing Brother, Swing. She is a very good singer as well but I like May a little more. 

 

Hallelujah! I Love Him So

Let me tell you ′bout a boy I know
He is my baby and he lives next door
Every morning before the sun comes up
He brings my coffee in my favorite cup
That’s why I know, yes I know
Hallelujah I just love him so

When I′m in trouble and I have no friends
I know he’ll go with me until the end
Ev’rybody asks me how I know
I smile and tell them he told me so
That′s why I know, yes, I know
Hallelujah I just love him so

Now if I call him on the telephone
And tell him that I′m all alone
By the time I count from one to four,
I hear him on my door
In the evening when the sun goes down
When there is nobody else around
He kisses me and he holds me tight
He tells me “baby everything’s all alright”
That′s why I know, yes I know
Hallelujah I just love her so

Brothers At Arms – Angus and Malcolm Young

Today’s installment of this series goes back to Max at Power Pop (that’s me!). We are stopping here but haven’t closed the door on revisiting more famous brother acts. Randy’s original post on mostlymusiccovers.com is here. Randy and I want to thank all of you who have followed along! At the bottom, I have the complete series labeled. 

 

Angus and Malcolm Young were the co-founders of the legendary rock band AC/DC. They had a unique and dynamic relationship that was marked by both collaboration and rivalry. The band was formed in 1973 by Malcolm, with Angus joining a little later. They were called AC/DC. The band’s name is inspired by the abbreviation for “alternating current/direct current” (AC/DC), signifying power and energy. They were influenced most by Chuck Berry, and you can hear it in their music. Malcolm would play rhythm guitar with Angus taking up the lead guitar for decades to come. They also had a brother named George who would help his younger brothers immensely in music. His contributions cannot be overstated.

Malcolm was born on January 6, 1953, and Angus on March 31, 1955, in Glasgow Scotland. In 1963 the family moved to Sydney Australia. George Young was born in 1946 and started a band called The Easybeats in 1964 playing rhythm guitar and either writing or co-writing many of their songs. They had 7 top 10 hits in Australia, two number one hits, and altogether 15 top 40 hits there! They did have one international hit which was “Friday On My Mind” which peaked at #1 in Australia, #2 in New Zealand, #6 in the UK, #13 in Canada, and #16 on the Billboard 100. It’s still played on classic rock radio today.

He encouraged his younger brothers to form a band, recognizing their talent and potential. George, along with his Easybeats bandmate Harry Vanda, mentored Malcolm and Angus. His experience in the music industry provided insights into songwriting, recording, and navigating the business. George would end up co-producing (with Vanda) six AC/DC albums. He would also produce some songs for future albums. The band underwent several lineup changes before settling with Bon Scott as the lead vocalist. They release their debut album, “High Voltage” exclusively in Australia in 1974. Angus and Malcolm would collaborate closely with songwriting.

Malcolm was a perfectionist in the studio while Angus was more of a free spirit. That caused some clashes but none to the degree of other brothers in rock.

Angus’s schoolboy-uniformed antics on stage were a stark contrast to Malcolm’s more reserved presence. This was important to the band’s success. They went through tough times with Bon Scott dying and starting again with a new singer Brian Johnson, but they only got more popular. It was a sad ending for Malcolm though. In 2014 Malcolm could no longer remember lyrics to songs. He was diagnosed with alcohol-related dementia and passed away in 2017. These brothers used their rivalries as a positive thing and pushed each other to greatness.

Buddy Blue – Upsettin’ Me

I really like the mood of this one. It reminds me of Fever but it is different. A very finger-snapping song. It was written by Buddy Blue (Bernard Seigal). I could picture this being played in a blues club in the 50s or 60s…such a groove to it…and it swings…slowly. After listening to it a couple of times I was hooked on it. I feel like I found a gem that no one knows about.

Originally a member of bands like The Beat Farmers and The Jacks, Buddy Blue was a figure in the roots rock and Americana genres. When I was on my break I was listening to different music but this is one of the guys I was listening to.

It was released in 2000 on the album Diposmania. He also did a different version of the song in his 2003 album Sordid Lives. I like the original version a little more because it’s more minimalist and his solo in the middle is fantastic.

He was the frontman and guitarist for The Beat Farmers. Buddy Blue’s musical roots began to paint its first strokes on the canvas of American rock ‘n’ roll. The band’s fusion of rock, punk, and country elements was a sonic cocktail that left audiences thirsty for more. With Blue’s vocals leading the band, The Beat Farmer’s energy became their trademark.

This song has a nice blues/jazz feel that I love. The sound sounds modern but also goes back to the 1950s.

Upsettin’ Me

The way you move when you walk in your black satin high heel shoes
Your perfume and your deep green eyes turn me into a fool
Well look on your faces everywhere I go
The heat of your body is all that I want to know
I’m never going to give you up baby you’re upsetting me

Nobody else can love you the way that your daddy do
Can’t you feel better at all I’m raising my flag just for you
Well I don’t have no money or fancy things
But Buddy is going to give you everything that you need
I’m never going to give you up you’re upsetting me
How you’re upsetting me

With your skin so sweet and your lips such a ruby red
You bending my soul baby yet and deep inside of my head
Well I tell you one thing honey ain’t no Lie
Another man touch you and he’s going to die
I’m never going to give you up babe you’re upsetting me
Yeah you’re upsetting me
Yeah you’re upsetting me

Brothers At Arms – The Bee Gees

We all know the great album Brothers in Arms from Dire Straits, but sometimes those brothers are “at arms” rather than in them. In this part of the mini-series Randy, from mostlymusiccovers.com, talks about the “Rock ‘Em Sock ‘Em” Siblings of the Bee Gees.

“To Love Somebody” was written by Robin and Barry Gibb. It was released as a single in 1967 and reached #41 in their native UK. The song did better elsewhere making several top 10s and #17 on the Hot 100. It would be a cover by Michael Bolton released in 1992 that put it at #1 on the Adult Contemporary charts in Canada and the US. It has endured to become a classic with over 210 versions of the song.

Formed in 1958 with brothers Barry, Robin and Maurice. After the family’s move to Australia they found their first success, just the three boys returned to their native UK in 1967. They would go on to sell an estimated 200 million records, post nine #1s on the Hot 100 and entered the top five of the most successful bands in history.

Life was not so easy, with an unreliable father they became the bread winners for the family at a very young age. Despite the pressures the boys got on quite well, until the dreaded “S” word enter in. Success. Their first #1 in the UK was “Massachusetts” in 1967. Robin sang lead on it and it was a position he was not willing to give up. The in-fighting began.

This is not perhaps the level of fighting on the same scale as some of our other brother groups, but they were not producing any hits and Robin was really at the heart of a split up in 1969. The reconciliation produced their first US #1 Hot 100 hit, “How Can You Mend a Broken Heart” in 1971. It was very much an autobiographical song. Success is fleeting in the music business and another downturn followed as their next album was a flop. By 1975 they had all moved to the US. Both Robin and Maurice struggled mightily with addiction problems. Robin seemed to tolerate the more democratic Barry becoming the defacto leader, but there were tensions. Not enough though to stop them from reinventing themselves yet again.

The Disco era and Saturday Night Fever saw them rise to incredible worldwide success with eight Hot 100 #1 hits in the mid to late 1970s. Younger brother Andy would join in the success. Everyone knows the rise and fall of Disco, and no one paid a heavier price than the Bee Gees. All of a sudden no one wanted to hear a Bee Gees song. In fact, they were and are still hated by some. I was not a disco fan, but I was a Bee Gees fan, and I took my fair share of ribbing for it.

Despite all this turmoil surrounding them, only minor tensions erupted, and Barry, Maurice and Robin would discover other people respected their songwriting abilities. First came “Woman in Love” by Barbra Streisand, and then “Islands in the Stream” by Dolly Parton and Kenny Rogers, both worldwide #1 smash hits. And also, songs for Dionne Warwick, Diana Ross and others. So, the brothers Gibb had risen from the ashes for yet a third time but as songwriters. And then remarkably a fourth time, as recording success returned once again and they placed four more songs in the top 10 in the UK in the 90s.

Maurice would die at age 53 in 2003 and despite attempts to regroup, the band that was the Bee Gees were effectively no more. Younger brother Andy had died in 1988 and Robin in 2012. Barry the oldest, has continued to record and perform.

Brothers At Arms – Noel and Liam Gallagher

A huge Thank You to Randy from mostlymusiccovers.com for publishing all of these that him and I wrote.

We all know the great album Brothers in Arms from Dire Straits, but sometimes those brothers are “at arms” rather than in them. In this part of the mini-series Max (that’s me!), from PowerPop, talks about the “Rock ‘Em Sock ‘Em” Siblings of Noel and Liam Gallagher of the legendary band Oasis. Randy from  https://mostlymusiccovers.com originally posted this post here.

The feud between the Gallagher brothers, Noel (left) and Liam (right), of the British rock band Oasis is one of the most toxic in music history.

Their volatile relationship has been marked by public spats, physical altercations, and a war of words in the media. The brothers have different personalities, with Noel often seen as the more reserved and serious musician, and Liam as the more volatile and outspoken lead singer. The Gallagher brothers are cultural icons in the UK, known as much for their music as for their childish spats.

“Wonderwall” (1995)

Noel was born on May 29, 1967, and Liam was born on September 21, 1972, in Manchester, England. The Gallagher family faced a troubled home life, with an abusive father, which led to their mother Peggy eventually leaving with her sons. Both got interested in music in their teens. Noel worked as a roadie for The Inspiral Carpets, which gave him insight to the music industry and songwriting. In Liam’s teen years he got interested and formed a band called The Rain.

In 1991, Liam’s band, The Rain, was struggling when Noel joined after returning from touring with The Inspiral Carpets. Noel agreed to join only if he could take creative control. The band was renamed Oasis, and with Noel as the principle songwriter. In 1994 Oasis released their debut album, Definitely Maybe, which became the fastest-selling debut album in the UK at the time.

“Don’t Look Back in Anger” (1995)In 1996 Liam pulled out of an MTV Unplugged performance at the last minute due to a claimed sore throat, forcing Noel to perform alone. Liam then heckles Noel from the audience. In 2000, Noel temporarily quits the band after a backstage fight with Liam but then returns. In 2009, Noel quits the band after another backstage fight with his brother. Noel cites his inability to work with Liam as the reason. Oasis was done but the fighting kept going. Their documentary Oasis: Supersonic in 2017 consists of the brothers insulting each other in separate interviews. They moved the show to Twitter in 2018 with Liam blaming Noel of blocking an Oasis reunion. Liam also accuses Noel of not being allowed to see his niece. Liam then insulted Noel’s wife…and the hits just keep coming to this day.

It’s a shame because Oasis was one of the UK’s biggest bands.

Brothers At Arms – Don and Phil Everly

Randy from mostlymusiccovers.com and I teamed up to write about different brothers in rock and roll through the years. This is the first one of the series. I combined the introduction with this first post. I will post these on Sunday mornings.

We all know the great album Brothers in Arms from Dire Straits, but sometimes those brothers are “at arms” rather than in them. In a periodic mini-series Randy, from mostlymusiccovers.com, and I will explore some “Rock ‘Em Sock ‘Em” Siblings. As it happens the Knopfler brothers are among many sets and while we can’t talk about all of them, we will feature some of the better-known sibling rivalries. Two, three, and sometimes even more brothers in a band, well, stop being a band of brothers. How many more cheesy puns can we come up with? Just some of the names Randy and I discussed were; The Everly’s, The Fogerty’s, The Gibb’s, to the Gallagher’s, Allmans, and the Davies.

For those of you who have not checked out Randy and his blog, you really need to. He has been writing a blog about Cover Songs, music genres, and artists since early 2018. He gets in-depth with many artists You can read about the origins of Rock and Roll, Blues, R&B, and Country Music. There are Cover Song and Chart statistics as well, all with a focus on the 1950s, 60s, and 70s at MostlyMusicCovers.com. He has also helped me out with blues artists and Canadian Charts in general.

While we can’t get too in-depth as literally books have been written, we can give a good thumbnail sketch of the bash ups and the break ups. A few days ago Randy mentioned that brothers Doug and Rusty Kershaw had split, but I did not read about it being that acrimonious, more of a creative differences situation. Our brother stories have a bit more ‘punch’ to them.

This is the first post in a periodic mini-series where Randy from mostlymusiccovers.com and I will explore some “Rock ‘Em Sock ‘Em” Siblings. The original post is here. Randy tells us about Don and Phil Everly.

“Bye, Bye, Love” The Everly Brothers first big hit from 1957.

Don was born in 1937 (2021) and Phil in 1939 (2014), raised in Kentucky, the brothers would move to Nashville in 1955 to pursue a recording career. As in the above clip it was “Bye, Bye, Love” in 1957 that sent the brothers skyrocketing. Written by Felice and Boudleaux Bryant it was #1 on the Country chart, #2 in the US and Canada, #6 in the UK and 14 in Australia, and #14 on the R&B chart. Their next song “Wake Up Little Susie” was #1 in the US and Canada, #2 in the UK, and #3 in Australia.

They toured with Buddy Holly in 1957 and 1958 and became very close, Buddy’s death, Feb. 3, 1959 would have a devastating impact on the pair. Don wrote their next and last #1 hit “Cathy’s Clown” in 1960. This was after a dispute with the record/publishing company, leaving Acuff/Rose and unfortunately songwriters Felice and Boudleaux Bryant.

Still, they had a busy schedule, the demands of touring and the pressures of performing and recording, the inevitable happened. The use of amphetamines was rampant in the business and they both got hooked.

By the mid 1960’s they fought over just about everything and of the two it was Don that had the most severe drug problem. Chart success was eluding them and the brothers were not getting along, but it was kept a closely guarded secret that they were able to hold for several years. Don attempted to go solo in 1970 but had no success. Things finally came to a head and in 1973 they agreed their July 14/15 show would be the last one.

Don was drunk before the show started, part way into the show Phil smashed his guitar and walked off stage. Don would finish the show and perform solo the next night. They did not speak for nearly ten years. They would reunite in 1983, had a great reunion concert, and released an album EB84, produced and named in his style 1 by Dave Edmunds that charted #38 on Billboard and #24 on the Country Album chart. They continued to perform periodically, and in 2003 they toured with Paul Simon. They remained close until Phil’s death at age 74 in 2014. Don passed in 2021 at age 84.

“On the Wings of a Nightingale” written for The Everly Brothers by Paul McCartney

Despite the battles and the hardship, they gave us some of the most remarkable harmonies ever-ly recorded.

Dave Edmunds released his 7th Studio album called D.E. 7th in 1982.

James McMurtry – Choctaw Bingo

Strap them kids in, give ’em a lil bit of vodkaIn a cherry Coke, we’re goin to OklahomaTo the family reunion for the first time in yearsIt’s up at Uncle Slaton’s ’cause he’s getting on in years

I ran across McMurty’s name when I wrote up a post about a temporary band that John Mellencamp put together called The Buzzin’ Cousins. I listened to Sweet Suzanne by them and YouTube recommended a member named James McMurtry. I listened to this song and liked it right away. It has some great writing with a big dose of Americana. It’s not a long folk song…it has some kick to it. His other music is well written as well.

McMurtry is another Texas songwriter who I admire. He was born in Fort Worth Texas in 1962. He is the son of the famous novelist and screenwriter Larry McMurtry, known for works like “Lonesome Dove,” and Jo Scott McMurtry, an English professor and writer. Growing up in a literary family, McMurtry was exposed to storytelling from a young age.

He began playing guitar at seven years old. His early exposure to literature and music heavily influenced his later work as a songwriter. McMurtry has released 13 albums over the years, each contributing to his reputation as a keen observer of America.

James released his first album, Too Long in the Wasteland, in 1989. It was produced by none other than John Mellencamp. His debut album showed everyone just how good he was at writing songs that feel like mini-movies.

When he sings this song live he sometimes says it’s about the North Texas-Southern Oklahoma crystal methamphetamine industry.” Choctaw Bingo was released in 2002 on his Saint Mary of the Woods album.

Ray Wylie Hubbard covered the song as well.

Choctaw Bingo

Strap them kids in, give ’em a lil bit of vodkaIn a cherry Coke, we’re goin to OklahomaTo the family reunion for the first time in yearsIt’s up at Uncle Slaton’s ’cause he’s getting on in yearsYou know he no longer travels but he’s still pretty spryHe’s not much on talk and he’s just too mean to dieAnd they’ll be comin’ down from Kansas and West ArkansasIt’ll be one great big old party like you’ve never saw

Uncle Slaton’s got his Texan prideBack in the thickets with his Asian brideHe’s got an airstream trailer and a Holstein cowStill makes whiskey, ’cause he still knows howHe plays that Choctaw Bingo every Friday nightYou know he had to leave Texas but he won’t say whyHe owns a quarter section up by Lake EufaulaCaught a great big ol’ Bluecat on a driftin’ juglineSells his hardwood timber to the chippin’ millCooks that crystal meth because his shine don’t sellHe cooks that crystal meth because his ‘shine don’t sellYou know he likes that money, he don’t mind the smell

My cousin Roscoe, Slaton’s oldest boyFrom his second marriage up in IllinoisHe’s raised in east St. Louis by his mamma’s peopleWhere they do things different, thought he’d just come on downHe’s goin’ to Dallas, Texas in a semi truckCaught from that big McDonald’sYou know that one that’s built up on thatGreat big old bridge across the Will Rogers turnpikeTook the big cabin exit, stopped and bought a carton of cigarettesAt that Indian smoke shop with the big neon smoke ringsIn the Cherokee nation, hit Muskogee late that nightSomebody ran the stoplight at the Shawnee BypassRoscoe tried to miss ’em but he didn’t quite

Bob and Mae come up fromSome little town way down byLake Texoma, where he coaches footballThey were two-A champions for two years runningBut he says they won’t be this yearNo, they won’t be this yearAnd he stopped off in Tushka at the pop knife and gun placeBought a SKS rifle and a couple full cases of that steel core ammoWith the Berdan primers from some East bloc nationThat no longer needs ’emAnd a Desert Eagle, that’s one great big old pistolI mean, fifty caliber made by bad-ass HebrewsAnd some surplus tracers for that old BAROf Slaton’s as soon as it gets dark, we’re gonna have us a timeWe’re gonna have us a time

Ruth-Anne and Lynn come from Baxter SpringsThat’s one hell-raisin’ townWay up in Southeastern KansasGot a biker bar next to the lingerie storeThat’s got the Rollin’ Stones’ lipsUp there in bright pink neonAnd they’re right downtown where everyone can see ’emAnd they burn all nightYou know they burn all nightYou know they burn all night

Ruth-Anne and Lynn, they wear them cut-off britchesAnd then skinny little halters and they’re second cousins to meMan, I dont care, I want to get between themWith a great big ‘ol hard-onLike an ol’ Bodark fencepostThat you can hang a pipe rail gate fromDo some sister twisters till the cows come homeAnd we’ll be having us a time

Uncle Slaton’s got his Texan prideBack in the thickets with his Asian brideHe’s cut that corner pasture into acre lotsHe sells ’em owner financed strictly to themIt’s got no kind of credit ’cause he knows they’re slackersAnd they’ll miss that payment and then he takes it backHe plays that Choctaw Bingo every Friday nightAnd drinks his Johnny Walker at that club 69

We’re gonna strap them kids in, and give ’em a lil’ bitty bitIn a cherry Coke, we’re goin to OklahomaGonna have us a timeGonna have us a time

….

Rabbits… series by David Lynch

I’m not sure where to start on this one. It’s a David Lynch short film series that is around 42 minutes altogether. I’m a huge fan of Lynch and the atmosphere he creates. It’s only around 45 minutes long total. I have the complete film at the bottom of the post.

I would describe it as surrealistic, unnerving, confusing, and unnatural, with a sprinkling of dread. It’s not for everyone who likes more mainstream movies. It does not have a traditional plot to speak of. It has a touch of the bizarre that only David Lynch can bring you.

The film itself is really not scary itself…but…when I watched it late at night it gave me the creeps and I was looking around. It’s almost like looking at misery right in the eyes. The tagline is…

In a nameless city deluged by a continuous rain… three rabbits live with a fearful mystery. 

Rabbits is a surreal series of short films that defies straightforward interpretation or logic. Released in 2002, the series features humanoid rabbits engaging in seemingly everyday activities, but in a deeply unsettling and atmospheric setting. The setting is what gets to you. The lighting of this series is incredible. You see their ear shadows on the wall and a constant storm outside. They keep saying something is wrong but you don’t know what.

David Lynch treats it like a sitcom with canned laughter except with the dark look. The rabbits sometimes speak in out-of-sync and incomplete sentences…The conversations that span over the nine episodes are directly connected in that the narrative seems to have been written and then rearranged. Some have put together all of the sentences on various websites.

You can get so many different meanings from it. Some say they are in purgatory, hell, or social comment on sitcoms or life.

The film is quite brilliant and it is very disturbing to watch. There are websites devoted to this film. After a while, I did want more but the film just continued to deliver what it had done at the very start except near the end where something happens…but you still are wondering. I think Lynch wants you to come to your own conclusion…because he is not doing it for you.

I’ve had this in my drafts for three years but never knew how to finish it and I’m not sure if I really succeeded now.

The Cast Was:

Naomi Watts – Suzi

Scott Coffey  – Jack

Laura Harring – Jane

Here is a summary I lifted out of IMBD

Composed of nine episodes, David Lynch’s surrealist sitcom follows the strange co-existence and the disjointed conversations between three humanoid rabbits. Jack, in his impeccable suit, keeps walking in and out of the apartment, while Jane, in her pomegranate-red gown, does the ironing, and serious Suzie is sitting on a comfortable couch. Exchanging banalities, unexpected laugh-tracks interrupt the baffling moments of silence and the mysterious events that take place in the shoe-box apartment, leading to the ritualistic, and almost occult, recitation of eerie poetry, and the creepy, hair-raising encounter with something otherworldly. But, who is the man in the green coat?

The Concorde

When I started this blog…I had no idea that I would concentrate on single songs. I was going to cover pop culture and I did at the beginning more. I would like to get one in every now and then.

Today… everything seems to be bigger, stronger, and faster. That isn’t true though with a certain passenger airplane. A flight from New York to London now will take around 7 hours and 35 minutes to 8 hours and 10 minutes long. How fast would that flight be in the 1970s on the Concorde? That would take you a cozy three-and-a-half hours. The fastest flight was two hours and fifty-two minutes. It would travel at 1,354 mph. It was more than twice the speed of sound.

I’m not a huge airplane guy but this aircraft fascinated me and I always wanted to ride on one. The nose cone would come down so the pilots could see the runway…it looked like something from a Scifi movie. It would reach Mach 2 between London and New York. I would see pictures of it as a kid or on the news and I thought it was the coolest plane I’d seen. I probably still do. I do remember complaints about the sonic boom.

In November 1962, the British and French governments signed a treaty to jointly develop the Concorde. The Concorde prototype made its maiden flight on March 2, 1969. After some more prototypes, they tested and made modifications, including addressing issues with noise, fuel efficiency, and environmental impact. received its airworthiness certificate in 1975, with the first commercial flights beginning on January 21, 1976, by British Airways and Air France.

There was a plan for a Concorde-type supersonic plane in the US called a Boeing 2707. It would have gone 3 times the speed of sound and held 277 passengers compared to the 100 passengers the Concorde held. It was too expensive to build and was called “the most expensive aircraft never built.” Here is a picture of a 1966 mock-up of the 2707.

Boeing 2707
Boeing 2707

In 1977, it cost £431 to fly one way onboard Concorde between London and Washington. Adjusted for inflation, that’s about £2,200 ($2,800) in today’s money. However, fare prices gradually went up, and by 1996, a roundtrip across the Atlantic would generally be priced at around $12,500 in today’s money. So it was very expensive. The meals and service were great but it was cramped inside compared to other airplanes at the time. It was also noisy…

All together… two prototypes, two pre-production aircraft, two development aircraft, and 14 production aircraft for commercial service. All of them except the two pre-production builds are preserved in museums.

This all leads us to why the Concorde is in museums now and not in the sky. The price, noise, and it was so expensive to operate. Every hour in the sky had to have 22 hours of maintenance. Also on July 25, 2000, the Concorde crashed. It was shortly after takeoff and 109 people died onboard plus 4 on the ground. That was its only crash. They did go on until 2003 but officially retired the plane that year.

A New York Times writer wrote this about the food served. “What followed the coffee was a breakfast of fresh papaya, guava, pineapple, strawberries and mangoes, croissants and brioche that might have come from a Paris bakery, a pretty good approximation of eggs benedict and a soufflé Gruyère, all washed down with Piper‐Heidsieck Cuvée Diplomatique. The china, of course, was Limoges.”

This video shows the take-off from inside the plane by a passenger.