2000s – Page 3 – PowerPop… An Eclectic Collection of Pop Culture

Rabbits… series by David Lynch

I’m not sure where to start on this one. It’s a David Lynch short film series that is around 42 minutes altogether. I’m a huge fan of Lynch and the atmosphere he creates. It’s only around 45 minutes long total. I have the complete film at the bottom of the post.

I would describe it as surrealistic, unnerving, confusing, and unnatural, with a sprinkling of dread. It’s not for everyone who likes more mainstream movies. It does not have a traditional plot to speak of. It has a touch of the bizarre that only David Lynch can bring you.

The film itself is really not scary itself…but…when I watched it late at night it gave me the creeps and I was looking around. It’s almost like looking at misery right in the eyes. The tagline is…

In a nameless city deluged by a continuous rain… three rabbits live with a fearful mystery.

Rabbits is a surreal series of short films that defies straightforward interpretation or logic. Released in 2002, the series features humanoid rabbits engaging in seemingly everyday activities, but in a deeply unsettling and atmospheric setting. The setting is what gets to you. The lighting of this series is incredible. You see their ear shadows on the wall and a constant storm outside. They keep saying something is wrong but you don’t know what.

David Lynch treats it like a sitcom with canned laughter except with the dark look. The rabbits sometimes speak in out-of-sync and incomplete sentences…The conversations that span over the nine episodes are directly connected in that the narrative seems to have been written and then rearranged. Some have put together all of the sentences on various websites.

You can get so many different meanings from it. Some say they are in purgatory, hell, or social comment on sitcoms or life.

The film is quite brilliant and it is very disturbing to watch. There are websites devoted to this film. After a while, I did want more but the film just continued to deliver what it had done at the very start except near the end where something happens…but you still are wondering. I think Lynch wants you to come to your own conclusion…because he is not doing it for you.

I’ve had this in my drafts for three years but never knew how to finish it and I’m not sure if I really succeeded now.

The Cast Was:

Naomi Watts – Suzi

Scott Coffey – Jack

Laura Harring – Jane

Here is a summary I lifted out of IMBD

Composed of nine episodes, David Lynch’s surrealist sitcom follows the strange co-existence and the disjointed conversations between three humanoid rabbits. Jack, in his impeccable suit, keeps walking in and out of the apartment, while Jane, in her pomegranate-red gown, does the ironing, and serious Suzie is sitting on a comfortable couch. Exchanging banalities, unexpected laugh-tracks interrupt the baffling moments of silence and the mysterious events that take place in the shoe-box apartment, leading to the ritualistic, and almost occult, recitation of eerie poetry, and the creepy, hair-raising encounter with something otherworldly. But, who is the man in the green coat?

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The Concorde

When I started this blog…I had no idea that I would concentrate on single songs. I was going to cover pop culture and I did at the beginning more. I would like to get one in every now and then.

Today… everything seems to be bigger, stronger, and faster. That isn’t true though with a certain passenger airplane. A flight from New York to London now will take around 7 hours and 35 minutes to 8 hours and 10 minutes long. How fast would that flight be in the 1970s on the Concorde? That would take you a cozy three-and-a-half hours. The fastest flight was two hours and fifty-two minutes. It would travel at 1,354 mph. It was more than twice the speed of sound.

I’m not a huge airplane guy but this aircraft fascinated me and I always wanted to ride on one. The nose cone would come down so the pilots could see the runway…it looked like something from a Scifi movie. It would reach Mach 2 between London and New York. I would see pictures of it as a kid or on the news and I thought it was the coolest plane I’d seen. I probably still do. I do remember complaints about the sonic boom.

In November 1962, the British and French governments signed a treaty to jointly develop the Concorde. The Concorde prototype made its maiden flight on March 2, 1969. After some more prototypes, they tested and made modifications, including addressing issues with noise, fuel efficiency, and environmental impact. received its airworthiness certificate in 1975, with the first commercial flights beginning on January 21, 1976, by British Airways and Air France.

There was a plan for a Concorde-type supersonic plane in the US called a Boeing 2707. It would have gone 3 times the speed of sound and held 277 passengers compared to the 100 passengers the Concorde held. It was too expensive to build and was called “the most expensive aircraft never built.” Here is a picture of a 1966 mock-up of the 2707.

In 1977, it cost £431 to fly one way onboard Concorde between London and Washington. Adjusted for inflation, that’s about £2,200 ($2,800) in today’s money. However, fare prices gradually went up, and by 1996, a roundtrip across the Atlantic would generally be priced at around $12,500 in today’s money. So it was very expensive. The meals and service were great but it was cramped inside compared to other airplanes at the time. It was also noisy…

All together… two prototypes, two pre-production aircraft, two development aircraft, and 14 production aircraft for commercial service. All of them except the two pre-production builds are preserved in museums.

This all leads us to why the Concorde is in museums now and not in the sky. The price, noise, and it was so expensive to operate. Every hour in the sky had to have 22 hours of maintenance. Also on July 25, 2000, the Concorde crashed. It was shortly after takeoff and 109 people died onboard plus 4 on the ground. That was its only crash. They did go on until 2003 but officially retired the plane that year.

A New York Times writer wrote this about the food served. “What followed the coffee was a breakfast of fresh papaya, guava, pineapple, strawberries and mangoes, croissants and brioche that might have come from a Paris bakery, a pretty good approximation of eggs benedict and a soufflé Gruyère, all washed down with Piper‐Heidsieck Cuvée Diplomatique. The china, of course, was Limoges.”

This video shows the take-off from inside the plane by a passenger.

Car Songs…Part 2

I have so many songs I want to have on here. I read the original post I did and re-read the comments and took some songs from your suggestions and used them. I haven’t got to all of them…so the others probably will be on the next one. I picked one song and you all picked the rest. Some will be in the next edition that I couldn’t fit in this one.

I hope you are all having a great Sunday.

Jackie Brenston and his Delta Cats – Rocket 88

CB mentioned this one and it should have been on the first one…since this is often said to be the first rock and roll song. It’s only fitting that it was about a car. The recording session happened on March 3, 1951, at Sam Phillips’ Memphis Recording Service in Memphis, Tennessee, which would later become the legendary Sun Studio.

The song was written by Ike Turner and Jackie Brenston. The Delta Cats were actually Ike Turner’s band Turner’s King of Rhythm.

A review from Time Magazine in 1951

Rocket 88 was brash and it was sexy; it took elements of the blues, hammered them with rhythm and attitude and electric guitar, and reimagined black music into something new. If the blues seemed to give voice to old wisdom, this new music seemed full of youthful notions. If the blues was about squeezing cathartic joy out of the bad times, this new music was about letting the good times roll. If the blues was about earthly troubles, the rock that Turner’s crew created seemed to shout that the sky was now the limit.

Commander Cody and His Lost Planet Airmen – Hot Rod Lincoln

The main thing I like about the song is the guitar. It has a slight Chuck Berry feel to it and I like the fills the guitar player throws in. Of course, I like Commander Cody’s (George Frayne) vocal sound as well.

The band signed with Warner Brothers and the label wanted a soft country sound but the band refused to change its raw style.

Hot Rod Lincoln was originally written by Charlie Ryan. It was first recorded and released by Charlie Ryan and The Livingston Brothers in 1955. Commander Cody and His Lost Planet Airmen were a County-Rock group formed at the University of Michigan. Commander Cody is the lead singer and piano player George Frayne. This would be their only top-ten hit. Another song that is well-known by them is Smoke Smoke Smoke.

The Renegades – Cadillac

Fellow blogger HotFox63 mentioned this song when I did a Clash post on Brand New Cadillac so I thought it would be perfect for this. Very cool song that I knew nothing about.

The Renegades were a British rock band formed in Birmingham in 1960. The original lineup consisted of Kim Brown (vocals, guitar), Denys Gibson (guitar), Ian Mallet (bass), and Graham Johnson (drums). Cadillac was released as a single in 1964. The song quickly became a hit in Finland, reaching #1 on the charts. Its success in Finland helped the band gain a substantial following in Scandinavia, and the song’s popularity also spread to other parts of Europe, including Italy.

Rosanne Cash – Black Cadillac

Obbverse mentioned this one. It’s a song from 2005 from an album with the same name. The black Cadillac in the song symbolizes both a funeral car and a connection to her father, who owned a black Cadillac…and about loss, memory, and mourning.

She wrote the album about dealing with the death of her father.

“It certainly crossed my mind that I was opening myself to questions about how much [of the album] was documentary and how much was poetry, I certainly did think about it. But, at the same time, I think that the themes are so universal that it almost doesn’t matter what’s particular to my life. … People can bring their own lives to this subject very easily.”

Beach Boys – 409

Christiansmusicmusings and Halffastcyclingclub both mentioned this one by the Beach Boys. The Beach Boys would be an endless supply of cars and endless summers. This song was written by Brian Wilson, Mike Love, and Gary Usher and was released in 1962.

This song was the B side to Surfin’ Safari.

…

….

Ronnie Dawson

Again…a big thank you again to Phil Strawn who gave me the necessary information so the story could be told and much of it from a personal view.

One of the performers in The Big D Jamboree was Ronnie Dawson. He was from Dallas Texas and was nicknamed “The Blonde Bomber.” His father Pinkie showed him how to play the mandolin, drums, and bass guitar. Dawson attended Southwestern Bible Institute in Waxahachie but was expelled. After that, he appeared regularly on the Big D Jamboree Radio Show in Dallas in 1958 as Ronnie Dee and the D Men. Dawson was known to be highly energetic on stage. Many thought he got it from Elvis but he said no, he learned it from the dynamic Pentecostal revivals he attended.

The Jack Rhodes song “Action Packed” was Dawson’s first release in 1958 on the Backbeat label. After that came the 1959 Rockin’ Bones and this time it was on the Rockin’ Records label. It was issued under Ronnie’s own name with “The Blond Bomber” added. Though Ronnie toured nationally with Gene Vincent and appeared on TV, his records gained no more than regional airplay.

The next 3 paragraphs are from Phil. Back in the early ’60s, there was a club on Mockingbird Lane in Dallas called The Levee. It was a sing-along Dixieland place that was popular at the time. The band was banjos, a doghouse bass and a clarinet and sax. Burgers and pitchers of beer made up the menu. Southern Methodist University was two blocks away, across Highway 75, so most of the clientele were students and couples in their twenties. The famous Egyptian Lounge was next door. It served the best Italian food in Dallas and was a known hangout for the Dallas Mafia and other wise guys.

EPSON MFP image — At a Levee Singers gig at the Adolphus Hotel in Dallas, around 1961 or 62. Phil’s dad is also playing a tenor banjo, as is Ronnie.

Smokey Montgomery, the banjo player for the Light Crust Doughboys, started the Levee with Ed Burnett, who was also his partner in Summit Sounds, a well-known recording studio on Greenville Ave. Ronnie was playing with the Doughboys, so Smokey asked him to play with the banjo band in order to add some youth to the mix. He was a huge hit, and the business tripled. The coeds loved him; their boyfriends hated him. The Levee bounced along all through the 60s until the fad went flat. In the mid-70s, Ronnie was into the progressive country music scene and started a band called The Steel Rail. I don’t remember the drummer, lead, or bass players’ names, but the legendary Tommy Morrell played the pedal steel while Ronnie sang and tore up his Strat.

The old Levee club was empty, so Ronnie leased the space and opened a club called “Aunt Emma’s,” a nod to his favorite aunt. On opening night, Ronnie asked my dad to come down and add some fiddle to the band, which he did. I took my guitar, just in case he needed another player. The place was full up, with a line down past the Egyptian. Around 11 pm, Johnny Paycheck strolled in the door. He had finished a gig in Dallas and heard about Ronnie’s new club, so he stopped by to sit in. Of course, he did all of his hits and played for at least an hour. After that, word got around that Aunt Emma’s was the place to go for the new outlaw country; it out-drew Willie Nelson’s Whiskey River which was a few blocks away on Greenville Ave.

He made several singles in the early sixties with Dick Clark’s Swan Records. He also did some session work. He played on Paul & Paula’s “Hey Paula. After Elvis died rockabilly started to make a comeback.

Dawson’s career experienced periods of obscurity. However, he continued to perform and record music throughout his life, earning a cult following among rockabilly enthusiasts. In the 1980s and 1990s, he experienced a resurgence of interest in his music, performing at festivals and recording new albums.

In the 1980s Ronnie was just beginning. A fifties revival was happening in the UK and he became popular there. This led Dawson to tour Britain for the first time in 1986. He was blown away by the audience’s reception. Dawson sounded purer than most of his peers from the 1950s and he put on a more energetic show.

He recorded new material for No Hit Records, the label of British rockabilly fan Barry Koumis, which was leased in the USA to Crystal Clear Records. No Hit Records also reissued his recordings from the 1950s and early 1960s on a 16-track LP called “Rockin’ Bones” and an extended 2-CD version of which was released by Crystal Clear in 1996.

Ronnie was still performing until the early 2000s when health problems started. He passed away in Dallas on September 30, 2003, at the age of 64.

Phil Strawn: He was a great guy and close friend. After his death from lung cancer, which shocked us all because he never smoked cigarettes but did partake of other smokable plants, his wife, Chris, held a wake at the Sons of Herman Hall in Deep Ellum. You couldn’t stir the musicians and rock stars with a stick; the ballroom on the second floor was packed. I remember Billy Joe Shaver, Ray Wylie Hubbard, Michael Martin Murphy, Robert Earl Keen, and Robert Duvall being there. George Gimarc, a noted Texas music historian, has a treasure trove of photos and reel-to-reel recording tapes of Ronnie dating back to the Big D Jamboree and American Bandstand. He refuses to share or part with any of his collections. I told him, that’s okay, leave a few to me when you bite the dust. There is no need for me to approve of your article; you write great music history, and Ima sure this one will also be stellar.

Ronnie Dawson: “At that point in my life, I was so ready to get out of Dallas. I was really ready to go, and I just blew up when I got over there. … I couldn’t believe it. All these people started embracing me. I was in heaven. I didn’t want to go home.”

He was inducted into the Rockabilly Hall of Fame, in 1998.

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Israel Nash Gripka – Pray For Rain

I would do it all over again
Just to see your hair dancing in the sea of Eastern wind

Around two years ago, fellow blogger Obbverse brought up this song and artist and I’ve listened to him ever since. It’s so refreshing to hear this newer Americana. I really like this artist. His voice is gritty and on point. Check his album out also if you have the time.

Originally from Missouri, Nash moved to New York City in 2006. He performed in clubs on the Lower East Side such as The Living Room and Rockwood Music Hall. In 2009, he independently released his debut solo album, New York Town, which was recorded at The Magic Shop in New York’s Soho neighborhood. He usually goes by just Israel Nash now.

You can hear his influences of the ’60s and ’70s with artists like Creedence Clearwater Revival, the Band, and Crosby, Stills & Nash. He is a hard-working artist. Since 2009 he has 7 studio albums, 2 live, and 5 EPs. His last one called Ozarker was released in 2023. He has maintained a dedicated following and continues to tour and record music.

On getting more popular in Europe. “I remember a night after a show in Amsterdam, my wife was sitting on the bed in a hotel room counting the money we made that night and it came out to $1,700. She says, ‘Maybe you can make a living at this!’ That was an awesome moment. Since then, it was a growing thing in Europe. Playing there gave me a lot of confidence because we played a ton of shows.”

Israel Nash: “I grew up in little churches that were in the middle of nowhere in Missouri, so having the woods and being outside has been part of me since I was a kid,” I also saw community––just this sense of people needing something, somebody, to look forward to. That was church for them, and that’s okay. I don’t really feel like there is just one right thing to look forward to. As a musician, I think that’s what I’ve found, too––something for people to look forward to, a reason to come together. No matter what changes in my career, that is my anchor: the need people have.”

*I transcribed the lyrics so there are probably mistakes…but I can safely say…they are the only printed lyrics to this song on the internet as far as I could find. *

Pray For Rain

The city’s lit up like the Fourth of July
The children playing in the street
I’m laying in the bed next to you
Just trying to get some sleep

Dont you know I will need the rest
Need a pocket full of cash
I’m tired of working my hands to the bone
And I can barely pay the rent

Cause it’s a hard road ahead
and it’s the price we pay
So pray for me
And won’t you pray for rain

Until you miss the mid-western sun
It’s half as big but it’s twice as warm
My heart is not a thousand miles away
But I can’t look you in the face
And tell you I don’t miss those days
Cause no one knows what tomorrow brings
The bed of roses or some shattered dream
I would do it all over again
Just to see your hair dancing in the sea of Eastern wind

Cause it’s a hard road ahead
And it’s the price we pay
So pray for me
And won’t you pray for rain

Seeing if your dreams come true
Clouds may follow us
Some might say this bird has flown
But I don’t think it has
Lord I know it can

Cause it’s a hard road ahead
and it’s the price we pay
So pray for me
And won’t you pray for rain

…

Car Songs…Part 1

In my Fred Eaglesmith post on Saturday, two comments caught my attention. One was Keith telling me when he was a DJ they would play car songs at certain times. Then Obbverse mentioned… that would be a good post for someone…and indeed he was right.

When I was a teenager…a car wasn’t just a car…it was freedom. It was a key to an adult world we wanted eagerly to jump into. Ok…I’ll have songs with either the word “car” in them or with a model of a car in the title only. If not I would have 80 percent of Springsteen songs…not a bad thing at all but I will play by those rules.

Janis Joplin – Mercedes Benz

Let’s start with Janis Joplin. This is based on a song called C’mon, God, and buy me a Mercedes Benz by the Los Angeles beat poet Michael McClure. Joplin saw McClure perform it, and on August 8, 1970, she reworked it into her own song, which she performed about an hour later.

There are three credited songwriters on this track: Joplin, Michael McClure, and Bob Neuwirth. McClure says he never earned a cent from his poetry, but “Mercedes Benz” paid for his house in the Butters Canyon section of Oakland, California.

Janis Joplin never got a Mercedes Benz, but she did have a 1965 Porsche that was painted to become a piece of hippie art.

Wilco – Bull Black Nova

Many thanks to Obbverse for recommending this one. This song is a dark one…very dark. It’s somewhat cryptic and open to interpretation but one thing it does show… guilt, betrayal, and the consequences of one’s actions…and the narrator possibly killing his girlfriend. This song was released in 2009 on the album Wilco (The Album). The song was written by Wilco… Glenn Kotchie, Jeff Tweedy, John Stirratt, Mikael Jorgensen, Nels Cline, and Pat Sansone.

If I am the one, blood on the sofa
Blood in the sink, blood in the trunk
High at the wheel of a bull black Nova
And I’m sorry as a setting sun
This can’t be undone, can’t be outrun

Bruce Springsteen – Cadillac Ranch

I could probably do a post just on Cadillac songs.

This song is a great little rocker off of The River. This is one of many early Springsteen songs featuring cars. Some others were “Thunder Road,” “Backstreets,” and “Racing In The Street.” Bruce used the Cadillac image again in 1984 on “Pink Cadillac.”

Springsteen used Cadillac Ranch as a metaphor for the coming of death.

There is a real Cadillac Ranch.

In 1974 along Route 66 west of Amarillo, Texas, Cadillac Ranch was invented and built by a group of art-hippies from San Francisco. They called themselves The Ant Farm, and their silent partner was Amarillo billionaire Stanley Marsh 3. He wanted a piece of public art that would baffle the locals, and the hippies came up with a tribute to the evolution of the Cadillac tail fin. Ten Caddies were driven into one of Stanley Marsh 3’s fields, then half-buried, nose-down, in the dirt

T Rex – Jeepster

This song was on the 1972 album Electric Warrior. The music was supposedly based off of the Willie Dixon song You’ll Be Mine.

Jeepster was recorded live in the studio. The recording happened entirely organically and was not overdubbed. Marc Bolan, amid a performance, jumped up and down as he played his guitar, shaking the microphone stands. The sound of those stands was kept in the song. Producer Tony Visconti saw them as important features of the overall mood of the track and chose to include them.

K.C. Douglas-Mercury Blues

Mercury Blues was written by the Blues musicians K.C. Douglas and Robert Geddins in 1949. It was originally titled “Mercury Boogie.” The song was made famous 44 years later by Alan Jackson, whose 1993 cover peaked at #2 on the Billboard Country charts. The song has also been covered by Steve Miller, David Lindley, and Meat Loaf.

James Morrison – Nothing Ever Hurt Like You

This one is only 16 years old…for this site that is practically brand new!

When I first heard this I thought this song had a Stevie Wonder feel to it…none of my friends shared the same opinion… Nonetheless, it’s a good song. It’s a straight-ahead pop song without much production.

James Morrison is an English singer-songwriter and guitarist from Rugby, Warwickshire. James attributes his gravelly voice to a near-fatal childhood bout of whooping cough. The song peaked at #3 on the Billboard Triple-A Charts in 2009. The song was written by James Morrison, and Barry and Mark Taylor.

The song was on his second studio album Songs for You, Truths for Me, which peaked at #49 in the Billboard 100 in 2008.

“Nothing Ever Hurt Like You” received critical acclaim and was well-received by audiences. While it did not win any major awards, it helped James Morrison’s career as a respected singer-songwriter.

Nothing Ever Hurt Like You

1, 2, 3, 4
Oh, oh, oh,
Yeah yeah yeah
HeyIf loving you is easy,
Playing by the rules,
But you said love taste so much better when its cruel
To you everything was just a game,
Yeah you played me good,
But I want you, I want you, I want you,
So much more than I should,
Yes I do.I’ve got my hands up so take your aim,
Yeah I’m ready,
There’s nothing that we can’t go through,
Oh it hit me like a steal freight train,
When you left me,
And nothing ever hurt like you,
Nothing ever hurt like you.I was naive and wide eyed,
But you made me see,
That you don’t get to taste the honey,
Without the sting of a bee,
No you don’t.Yes you stung me good,
Oh yeah you dug in deep,
But ill take, ill take it, ill take it
Till I’m down on my knees.

I’ve got my hands up so take your aim,
Yeah I’m ready,
There’s nothing that we can’t go through,
Walk a thousand miles on broken glass,
It wont stop me,
From making my way back to you,
Its not real till you feel the pain,
And nothing ever hurt like you,
Nothing ever hurt like you.Oh everything was just a game,
Yeah you played me good,
But I want you, I want you, I want you,
I want you, I want you.I’ve got my hands up so take your aim,
Yeah I’m ready,
There’s nothing that we can’t go through,
Walk a thousand miles on broken glass,
It wont stop me,
From making my way back to you,
Its not real till you feel the pain,
And nothing ever hurt like you,
Nothing ever hurt like you.

Alejandro Escovedo – Always A Friend

But if I do you wrong, smoke my smoke, drink my wine
Bury my snake skin boots somewhere I’ll never find

CB took a break from fishing and posted a song on Friday by Alejandro Escovedo. He sounded fantastic along with his band, featuring some great players like Peter Buck on guitar. I had never heard of Alejandro Escovedo but immediately liked what I heard. I started to go through his discography and I hit this song. He has a lot of good songs and needs to be heard.

I’ve found this world of Texas musicians and songwriters with some like Steve Earle, Joe Ely, Townes Van Zant, Guy Clark, Kris Kristofferson, and now I add Alejandro Escovedo to that growing list. These guys are some of the best singer-songwriters ever but only a few are well known. Escovedo combines power with excellent writing. Many times both don’t go together but when I heard some of his live performances you get the raw rock but with intelligent writing.

He was born in San Antonio, Texas in 1951, one of 12 children. His family was deep in music with his father playing in mariachi bands and swing combos before and after he migrated from Mexico. Later, Alejandro moved to California and saw acts such as Jimi Hendrix, Buffalo Springfield, the Doors, the Seeds, and the Flying Burrito Brothers. After that, he started to get into bands such as the New York Dolls and Stooges. Those two bands were a big influence on him.

Here is a very brief musical history. He began his musical career as a guitarist with the punk band The Nuns, in 1975. He then played with Judy Nylon in 1980 and cofounded Rank and File, in 1981. He left Rank and File and began True Believers with his brother Javier in 1982. The True Believers disbanded in 1987 and after that, he performed with The Alejandro Escovedo Orchestra, the Setters, and Buick MacKane. In 1992 he released his first album Gravity. Since then he has released 17 albums including La Cruzada in 2021.

Alejandro didn’t know it but Bruce Springsteen was a fan of his work. On April 14, 2008, Bruce was in Houston, Texas touring and he wanted Alejandro to come up with him on stage. Bruce loved this song as it was the lead single off of Escovedo’s album Real Animal released in 2008. The E Street Band learned it that day just so Bruce could play with Alejandro.

Alejandro Escovedo on being called up to sing with Bruce. “We were two hours out! I get there late, of course, like an hour before the show, He takes me to the dressing room, he has all the lyrics written out, he’s already run the band through it at sound check, and he and I sing it alone in the dressing room together.”

“And then I go out and see my first Bruce show, which just chopped my head off. It was unbelievable. I had never realized the magnitude and power. I was like, oh my God, I forgot how big rock ‘n’ roll could be.”

Alejandro Escovedo: “Those four minutes on stage with Bruce were more important than the 33 years I’ve been playing music. It just changed my life. It was like being blessed by the Dalai Lama. Suddenly all those years of working really hard and struggling, someone said, ‘You’re alright. You’re good at what you do. You deserve to be up here.’”

Always A Friend

Wasn’t I always a friend to you?
Wasn’t I always a friend to you?
Do you wanna be my friend?
Do you wanna be my friend?

Every once in a while honey let your love show
Every once in a while honey let yourself go
Nobody gets hurt no, nah
Nobody gets hurt

We came here as two, we laid down as one
I don’t care if I’m not your only one
What I see in you, you see in me

But if I do you wrong, smoke my smoke, drink my wine
Bury my snake skin boots somewhere I’ll never find
Still be your lover baby, oh oh, oh oh, oh oh

Wasn’t I always a friend to you?
Wasn’t I always a friend to you?
Do you wanna be my friend?
Do you wanna be my friend?

Every once in a while honey let yourself go
Every once in a while honey let your love show
Nobody gets hurt no, no
Nobody gets hurt

Well, I could be an astronaut on the wrong side of the moon
Or wrapped up like a baby on a bus under you
Wherever I go you go with me

But if I do you wrong, take the master suite, I’ll take the floor
Sleep in late, get your rest, I’ll catch up on mine
Still be your lover, baby, oh oh, oh oh, oh oh

Wasn’t I always a friend to you?
Wasn’t I always a friend to you?
Every once in a while honey let your love show
Every once in a while honey let yourself go, yeah
Nobody gets hurt, it’s only love, love, love
Oh oh, oh oh, oh oh

…

Bob Dylan – Must Be Santa

I would never bet against Bob doing anything. When one of my friends told me at the time that Dylan released a Christmas album…I thought he was kidding. No, he wasn’t…and I liked it when I heard it. This song was based on a German drinking game, with the lyrics taking on a ‘call and answer’ structure… “Who’s got a beard/That’s long and white?/Santa’s got a beard/That’s long and white.”

“Must Be Santa” was written by Hal Moore and Bill Fredericks. The song was first released in 1960 by Mitch Miller. In 2009, Bob Dylan covered Brave Combo’s arrangement as part of his holiday album, Christmas in the Heart.

All of the profits from this album went towards Feeding America Crisis, and the World Food Program. In 2009, Dylan told Bill Flanagan that he had intended to make a Christmas record for some time: “Yeah, every so often it has crossed my mind. The idea was first brought to me by Walter Yetnikoff, back when he was President of Columbia Records.”

If you want to know what Dylan considers to be a great Christmas meal… it would consist of “Mashed potatoes and gravy, roast turkey and collard greens, turnip greens, biscuit dressing, cornbread and cranberry sauce.”

Bob Dylan: “This version comes from a band called Brave Combo. Somebody sent their record to us for our radio show [Theme Time Radio Hour]. They’re a regional band out of Texas that takes regular songs and changes the way you think about them. You oughta hear their version of ‘Hey Jude.'”

Bob Dylan – Must Be Santa

Who’s got a beard that’s long and white?
Santa’s got a beard that’s long and white
Who comes around on a special night?
Santa comes around on a special night

Special Night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who wears boots and a suit of red?
Santa wears boots and a suit of red

Who wears a long cap on his head?
Santa wears a long cap on his head

Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who’s got a big red cherry nose?
Santa’s got a big red cherry nose

Who laughs this way: “HO HO HO”?
Santa laughs this way: “HO HO HO”

HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Who very soon will come our way?
Santa very soon will come our way

Eight little reindeer pull his sleigh?
Santa’s little reindeer pull his sleigh

Reindeer sleigh, come our way
HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus

Dasher, Dancer, Prancer, Vixen
Eisenhower, Kennedy, Johnson, Nixon
Dasher, Dancer, Prancer, Vixen
Carter, Reagan, Bush and Clinton

Reindeer sleigh, come our way
HO HO HO, cherry nose
Cap on head, suit that’s red
Special night, beard that’s white

Must be Santa
Must be Santa
Must be Santa, Santa Claus
Must be Santa
Must be Santa
Must be Santa, Santa Claus

Rolling Stones Question

Dave posted this on November 16 in his Turntable Talk series. Dave wanted to know… So, talk about the Stones. Do they matter? Or what was their best song, or album? Or should they just disappear like 1960s cigarette ads featuring doctors?

I’ll answer Dave’s questions near the end.

If I ever meet an alien and he/she/it wanted to know what rock and roll looked and sounded like…I would give them a picture of Keith Richards in 1972 and a copy of “Brown Sugar”.

I found out about The Rolling Stones by reading about The Beatles. That is the same way I found out about The Who, Bob Dylan, The Kinks, and other British bands.

While growing up and playing in bands, I played with a drummer who was a huge Stones fan. He turned me onto their album cuts which I love. We had playful banter about the Beatles vs Stones, but it was all very good-natured. He liked The Beatles as well and I turned him on to their album cuts.

Are the Stones relevant today? Sure, they are… you can’t stay together since the early sixties selling out stadiums without being relevant. In today’s time though, no bands are relevant anymore in the way they were at one time, including the Stones. Musicians once influenced what was going on in the world. Now they are more of a disposable product – which I truly hate.

The Stones’ peak probably was 1968 – 1973 from Beggars Banquet to Goats Head Soup but there is another period I would like to talk about briefly.

To me, their most underrated period was 1965-1967. They had a string of singles starting with “Satisfaction”, “Get Off My Cloud”, “As Tears Go By”, “19^th Nervous Breakdown”, “Paint It Black”, “Ruby Tuesday”, etc.

Keith Richards and Mick Jagger would write these wonderful songs and Brian Jones would color the songs with sitar, harpsichord, flute, marimba, and even saxophone. He was the best musician of the band along with being its founder. When they lost Brian, they lost a key piece. Yes, they found the rock/blues groove which they still have but I liked that underappreciated era and what Brian gave them.

They started as a blues cover band and didn’t worry about writing their own songs. They realized they had to because other bands such as The Beatles, Kinks, and The Who were writing their own songs, and you couldn’t keep on covering blues artists or Chuck Berry and sustain that.

They contributed some great pop songs in the mid-sixties. These songs are sometimes overlooked (except “Satisfaction”) in favor of their late-sixties and early-seventies material. I like these songs because they give a variety of sounds. As much as I love the Mick Taylor period, they lost this part of them and never really went back and it’s a shame.

I wasn’t sure they would continue when I read that Charlie Watts died. Keith always says how important Watts was to the Rolling Stones. If they wouldn’t have had a tour planned who knows if they would have. Watts was indeed important to their sound, but they did continue and I’m glad they did, especially for the fans.

Now I want to answer Dave’s questions. Should they retire? No, why should they do that? Many people say that, but hell no (I also hear this about other artists). If they are happy doing what they are doing, then go ahead. I seriously doubt if they are doing it because of the money at this point. Just like everything else if people don’t want to see them…don’t go to the concerts. I don’t believe people should decide what is good for other people. If I don’t want to hear the Stones, I will turn them off, but I have no plans to do that. To answer Dave’s question… my favorite (to me the best) album is Beggars Banquet. My favorite song is “Memory Motel”.

If I had to describe the Stones, I would describe them as The World’s Greatest Bar Band. That is not a put down…that is a compliment. I think Mr. Richards would approve of that title because I’ve heard him use it. Both times I’ve seen them I heard bum notes and that made them more human to me and made me like them more. If you want your music perfect, they are not for you…but rock and roll wasn’t made to be perfect.

…

Matthew Good – Hello Time Bomb

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

CB sent me this link…Good sounds different and I really liked his songs. Some of the lyrics won me over to this one.

Matthew Good is an alternative musician from Burnaby…a city in British Columbia, Canada. He started with music in high school. He wrote lyrics for a folk band. He taught himself how to play guitar at 20 years old and started to play and sing with the Rodchester Kings.

In 1995 he formed The Matthew Good Band which lasted from 1995 to 2001. They released 3 EPs and 7 albums including Beautiful Midnight which peaked at #1 in Canada. This song was on that album and Hello Time Bomb peaked at #26 in Canada, #3 on the Canadian alternative charts, and #34 on Billboard’s Alternative Charts in 1999.

After the band broke up he went on to become a solo act. He has released 9 studio albums and 6 of them were in the top 10, 2 were in the top 20, and the last one during 2020 was at #49 in Canada.

Good had troubles throughout his life with medical things. One doctor said he had an ulcer and others said other things. In the mid-2000’s he was diagnosed with Bipolar and things got better for him after that. “I was so relieved to finally know what was wrong with me, and have the chance to deal with the impact a diagnosis would have on my life, before being on medications, my life went from a negative 10 to a plus 10. On medication, it’s a negative three to a plus three. I had to learn to accept that.” He gives tips for people with BiPolar disorder to manage it.

Good has been nominated for 21 Juno Awards and has won four: 2011 Rock Album of the Year for Vancouver, 2002 Video of the Year for Weapon, 2000 Best Rock Album of the Year for Beautiful Midnight, and Best Group of the Year.

Matthew Good has maintained a lukewarm relationship with the music industry and the media, often avoiding the spotlight and avoiding interviews and awards shows (he has not accepted any of his Juno awards in person). In addition to his music projects, he has become a well-known writer and blogger on politics and culture; his book, At Last There is Nothing Left to Say, was published in 2001.

Hello Time Bomb

I found me a reason
So check me tomorrow
We’ll see if I’m leaking
Push and push and push ’till it hurts

The Devil’s on roller-skates
The Devil’s on roller-skates
Down at the roller rink
Picking up chicks for me
Ones that push and push and push ’till it hurts
Push and push ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad

Life’s for the living
So check me tomorrow
We’ll see if I’m kidding
Push and push and push ’till it hurts

Did it on Ritalin
I got me some good grades
Now I work me the night shift, where I
Pull and pull and pull ’till it hurts
Pull and pull ’till it hurts

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go off

Hahahaha

If life’s for the livid
Check me tomorrow
We’ll see if I’m emperor

The devil’s on sugar smacks
Down at the Radio Shack
Turning shit into solid gold
Solid gold

Dirty enough, I got me a love
And it’s so bad, it’s so bad
Dirty enough, I got me a love
And it’s so bad, it’s so bad
Hello, time bomb, I’m ready to go off
Hello, time bomb, I’m ready to go
Ready to go off

…

Willie Nile – House of a Thousand Guitars

Neath a delta moon and a worn brass ring in the house of a thousand guitars.

I’ve really been into this artist lately and especially this song. This song should have been played on the radio. I have a weakness for songs that name-drop other people. For instance Tom Petty’s Jammin’ Me, R.E.M.’s The End of the World (As We Know It), The Replacements Alex Chilton, Neil Young’s “Hey Hey My My (Into the Black), and well…you get the picture. I posted an earlier article about Nile and the readers really liked it.

Nile made two critically acclaimed albums in 1980 and 81 and then walked away from the music business. He didn’t like the business end but came back with an album in 1991. Since then he has made up for lost time with 11 albums. This was the title track to his 2009 album. It was his 6th studio album and since this album he has released 8 more. One of those albums is Positively Bob: Willie Nile Sings Bob Dylan which is fantastic.

In this song, Nile lists John Lennon, John Lee Hooker, Jimi Hendrix, Muddy Waters, Bob Dylan, The Stones, Bob Dylan, and more. It also has a hell of a catchy chorus that will stick with you. It’s very commercial-sounding and accessible.

Willie Nile is still out there touring and playing concerts.

House of the Thousand Guitars

Jimmy Hendrix plays all night long in the house of a thousand guitars.
Through a purple haze you can hear the song in the house of a thousand guitars.
When the clock strikes 12 Robert Johnson sings in the house of a thousand guitars.
Neath a delta moon and a worn brass ring in the house of a thousand guitars.
There’s not a dry eye when old Hank sings in the house of a thousand guitars.
With the pain and the hurt love sometime brings in the house of a thousand guitars.
Well you can hear Bob Dylan and the Rolling Stones in the house of a thousand guitars.
There will be no vultures picking on their bones in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars.
House of a thousand, house of a thousand, house of a thousand guitars.
You can spread your finger across the universe in the house of a thousand guitars.
John Lennon, Muddy Waters, man you can do worse in the house of a thousand guitars.
Well you can walk bare foot on broken glass in the house of a thousand guitars.
Cause Mr. John Lee Hooker’s gonna kick your ass in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars.
House of a thousand, house of a thousand, house of a thousand guitars.
You can hear electric fingers playin’, dripping down life’s crooked alleways.
They say there are no broken strings in the house of a thousand guitars.
Just some busted hearts and bee that stings.
There are stained glass windows on the bedroom walls.
You can hear the cry when salvation calls.
Well you can move your body, you can shake your heads in the house of a thousand guitars.
You can play with blood on your fingtips in the house of a thousand guitars.
House of a thousand, house of a thousand, house meet the moon and stars. House of a thousand, house of a thousand, house of a thousand guitars.

House MD

I’m usually late getting into a show or a band. I didn’t watch The Sopranos, Breaking Bad, or The Wire until years after they went off the air. I just found House MD in May and I’ve been binging on it. It ran from 2004 to 2012. It was one of the most intelligent shows on television. Hugh Laurie did a fantastic job on his show along with the rest of the actors.

Gregory House is a doctor with a horrible bedside manner and that is putting it mildly. He is a genius, mad doctor. House is the head of a diagnostic team that was put together around him. They get the most challenging cases in the hospital and solve them more often than not. On the surface, he has little interest in patients and instead, it is about solving the puzzle of their ailment that draws him in but we see many subtle instances which prove he does have a heart for both his patients and his friends. That is the root of the show that extends not only to patients but to his life and friends. He seems to have Antisocial Personality Disorder (ASPD).

The writers based the show on Sherlock Holmes and Watson. House could have been a master detective because his ability to read people is incredible. Even the names were common…Holmes-House and his best friend on the show was an oncologist named Wilson who was House’s Watson.

The parallels are very close. Both House and Holmes are drug addicts, and both are tortured musicians. But more fundamentally, House is really a detective show, not a medical show. It’s about solving the cause of mysterious diseases in the face of numerous misdirections (which often turn out to be caused by flaws in human nature) as opposed to solving mysterious crimes.

House goes around the hospital popping Vicodin because he is in constant pain. He suffered a leg injury that left him with severe pain for the rest of his life. The injury was caused by an infarction incurred while golfing. He is cynical, often cruel, but yet undeniably a genius. The actor behind House, Hugh Laurie, openly admitted to experimenting with Vicodin to “get closer to the character.” Speaking about his experience, “I wouldn’t recommend it – we have to be careful. But then again … if you’re not in pain it gives a floaty, pleasurable feeling.”

Although House appears to be uncaring to his patients he will do unethical procedures to save them, risking his own career. That could be to solve the all-important “puzzle” also. He does rub off on people. The team that stays around him starts to become him in some ways. They want to work with him because of how great he is at what he does. He spies on their personal life and tells their secrets but they keep coming back. My theory is they would do anything to be around greatness…and have that rub off.

Lisa Cuddy is the Dean of Medicine in the hospital. She tries to reign in House and that is almost impossible but she is strong and sometimes wins the battle. She makes House do “clinic duty” in the free clinic hoping that will improve his relationship with patients but he actively hates it and tries to dodge it because usually, there is no puzzle. As he said… that job can be done by a monkey with a bottle of Motrin. Here are a few clips from the clinic duty. These are not serious cases…but they are funny. Be on the lookout for the lady with an asthma inhaler.

His best friend Wilson is a kind person who is the only friend who can put up with House long term. Wilson is not stupid…he is intelligent and can be manipulative in a way but is not in the same league as House in that department. They are totally different but play college pranks on each other and need each other to be whole in a lot of ways.

The show stays fresh because his team changes through the years but the original team does rejoin at different points. It’s not just about cases…in fact, some episodes don’t even have a case at all.

This is a true ensemble show. Yes, it centers around House but the characters Foreman, Chase, Cameron, Thirteen, Taub, Kutner, Masters, and more are just as important and you get an insight into their lives as well. You can see them slowly change into House’s logic that “Everybody Lies.”

Medical shows usually bore me but this one kept my attention all the way through. The cases they handle are based on real cases but they are very rare. It’s not a comedy…it’s a drama with comedy thrown in…the writing is second to none. The writers go deep into the characters.

Would you want him as your doctor if you had something terribly wrong with you? Would you care in the end if it was just a puzzle for him to solve or if he cared about you or not? I’ll end it here with just a simple statement…watch this show.

This is a show where you can store up quotes. I used one on the guy who works for me at work when we were both trying to solve a problem together. “I thought I’d get your theories, mock them, then embrace my own. The usual.”

The look on his face was priceless.

Here are a few short clips together from the first season.

…

Kathleen Edwards – I Make The Dough, You Get The Glory

You’re cool and cred like Fogerty
I’m Elvis Presley in the seventies
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table

This was recommended by a former blogger who reached out to me and wanted me to hear this song. I knew I had seen or heard of her somewhere. I asked Randy and sure enough, he posted a song called Six O’Clock News with her last June. I like her voice and her overall sound. After I finished this post…I must have listened to this around 8-9 times. It will stay in my rotation.

The song and Edwards were very likable on the first listen and now I’m hooked on it. Fun video also. Kathleen Edwards is a Canadian musician who released her first album in 2003. She was influenced by Bob Dylan, Neil Young, and Tom Petty growing up.

She also worked with John Doe, of the punk rock band X, on his solo album A Year in the Wilderness. She sings on three tracks.

This song was written in honor of fellow Canadian musician Jim Bryson, who made contributions to Edwards’ first two albums and also toured with her. In this song, she is self-deprecatingly suggesting in the song that her own success was obscuring Bryson’s talents.

I like some of the lyrics in this one. You’re cool and cred like Fogerty, I’m Elvis Presley in the seventies…You’re Chateauneuf, I’m Yellow Label…You’re the buffet I’m just the table. And my favorite…a hockey reference You’re the Great One, I’m Marty McSorley. The Great One of course is Wayne Gretzky…Marty McSorley was a hockey player who was charged with assault and suspended by the NHL for the remainder of the 1999–2000 season and the playoffs, missing 23 games when he swung his stick and hit Donald Brashear in the head. After serving a full year he never would play in the NHL again. You can see him in the video…the big guy whom Edwards is hugging.

She has released 5 albums since 2003 and her last one was in 2020 called Total Freedom. Her 2012 album Voyageur hit the top 40 in America. In 2003 Rolling Stone declared her one of the year’s most promising new acts.

This song was on her 2008 album Asking For Flowers. The album peaked at #14 on the Canadian Album Charts, #102 on the Billboard Album Charts, and #1 on the Billboard Heatseekers Charts.

The video features Kathleen Edwards and her band playing against Blue Rodeo singer Jim Cuddy and former NHL-ers, Paul Coffey and Brad Dalgarno for a lopsided game of shinny. Marty McSorley joins Edwards team and the video also features sportscaster Dave Hodge.

It’s hard not to like her. One of her songs is called “One More Song The Radio Won’t Like.”

I Make The Dough, But You Get The Glory

Blazing a trail to the southern cities
From the streets of our hometown
Basement bars we played from the heart
In the company of our friends

If I write down these memories
That I have saved away
Photographs of the years that passed
Inside my little brain

You’re cool and cred like Fogerty
I’m Elvis Presley in the 70’s
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table
I’m a Ford Tempo you’re a Maserati
You’re the Great One, I’m Marty McSorley
You’re the Concorde, I’m economy
I make the dough but you get the glory

Big fish small pond and some cover songs
We sang along the way
We used to midnight run to the Vesta Lunch
Cheeseburgers and chocolate shakes
Once I got drunk with Jeff
I told him I was in love with you
But I love you like a brother
So at least half of it was true

You’re cool and cred like Fogerty
I’m Elvis Presley in the seventies
You’re Chateauneuf, I’m Yellow Label
You’re the buffet I’m just the table
I’m a Dodge Fargo, you’re a Lamborghini
You’re the Great One, I’m Marty Mcsorley
You’re the Concorde, I’m economy
I make the dough, but you get the glory

If I write down these memories
That I have saved away
Photographs of the years that passed
Inside my little brain

I’m sure it’s been said in the finer print
You make me look legitimate
Heavy rotation on the CBC
Whatever in hell that really means
You’re cool and cred like Fogerty
I’m Elvis Presley in the 70’s
You’re the Concorde I’m economy
I make the dough, but you get the glory

Corrs and Bono – When the Stars Go Blue

Good morning everyone. I hope you have a wonderful Sunday…well it’s Sunday here. Now that Star Trek is over I’ll start posting music, book reviews, and other things on the weekends before the music posts…and sometimes two music posts like today.

I heard this song in the early 2000s and liked it the first time I heard it. I had never heard of the Corrs…I recommend checking them out. I also like Ryan Adams’s original version of the song. This one was written by Ryan Adams and released on his album Gold in 2001. The Corrs with Bono released this song in 2002 and it peaked at #18 in the Adult Top 40. The song was off the album VH1 Music First Presents: The Corrs -Live In Dublin released in 2002 and it peaked at #52 in the Billboard 200.

The Corrs grew up in the small town of Dundalk, County Louth, on the east coast of Ireland, which is 50 miles north of Dublin. Their parents, Jean and Gerry were also musicians who played in cover bands. Jean was the singer and lyrics writer and Gerry was the keyboard player. The house was very musical and all the siblings were taught classical piano at an early age.

The Corrs are an Irish band that contains three sisters and one brother, the Corrs consists of vocalist Andrea, drummer Caroline, violinist Sharon, and guitarist/keyboard player Jim. In late 1995, Anthony Drennan (lead guitar) and Keith Duffy (bass guitar) joined the band and remained a permanent part of the touring and recording line-up.

When Drennan was released in early 1998 to tour with Genesis, his temporary replacement for two legs of the Talk on Corners tour was Irish guitarist Conor Brady. Jason Duffy, younger brother to Keith, joined the line-up as drummer for the Borrowed Heaven tour due to Caroline’s pregnancy. Both Anthony Drennan and Keith Duffy re-joined the band for their 2015 return.

Ryan Adams: I’m always so shocked by what it’s up to, another year will pass and I’ll hear like, ‘Oh, so-and-so is doing ‘When The Stars Go Blue.’ It’s like the song that wouldn’t go away.”

When The Stars Go Blue

Dancing where the stars go blue
Dancing where the evening fell
Dancing in your wooden shoes
In a wedding gown

Dancing out on 7th street
Dancing through the underground
Dancing little marionette
Are you happy now?

Where do you go when you’re lonely?
Where do you go when you’re blue?
Where do you go when you’re lonely ? I’ll follow you…
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue (bluuuuue)
When the stars go blue

Laughing with your pretty mouth
Laughing with your broken eyes
Laughing with your lover’s tongue
In a lullaby

When the stars go blue (bluuuuue)
(bluuuuue) when the stars go (bluuuuue)

Where do you go [Bono] when you’re lonely?
Where do you go when you’re blue yeah?
Where do you go when you’re lonely ? I’ll follow you..