Nashville Ramblers – The Trains —Powerpop Friday

The Nashville Ramblers was a band from San Diego. The song “The Trains” was recorded in 1985 for a compilation album American Heart and Soul. they also recorded 2 other songs for the album… an original called “Nashville Rambling” and a cover of a Golliwog (pre-Creedence Clearwater Revival) song called “Fragile Child.”

Steven Van Zandt called the song  “one of the examples most indescribably beautiful romantic nostalgia, disguised in a pop song.”

Personally, I’ve grown to really like this song. I wish I would have known about it in the 80s.

There is not much out there on this group. Youtube does have some performances. This song did not chart because it was hardly known about. The band wasn’t known until 20 years after this was recorded and their song was released on another compilation album. The song has a cult following.

I found this bit of info…It’s really interesting and a very good song. The song would have worked in 65 as well. It’s a shame that a wider audience never knew about them. I’ve been playing it to anyone that would listen.

https://www.midheaven.com/item/trains-fragile-child-by-nashville-ramblers-7

Recorded in 1985, “The Trains” by THE NASHVILLE RAMBLERS is one of the greatest pop songs of the entire era. Aided and abetted by ace producer MARK NEILL (Black Keys), the band expertly channeled their key influences—Beatles, Remains, Hollies, Everly Brothers, and others—and shaped them into something fresh, urgent and breathtakingly original. A heart-stopping melody, evocative lyrics, a driving beat, soaring harmonies, a dynamic, reverb-soaked production—to hear “The Trains” was to fall in love with it. And every time you heard it, you fell in love again. However, outside a small circle of fans, though, very few people ever heard it. In an era when do-it-yourself was how-it-was-done, the Ramblers waited for somebody else to do it for them. Nobody did—not really anyway. In 1986 “The Trains” and one other Ramblers song appeared on an obscure UK-only compilation, but few people noticed. The moment was lost—if it was ever there at all—and “The Trains” slipped quietly back underground to become a whispered secret passed through the years between a growing coterie of admirers. Many discovered the song for the first time in 2005 when it was included on Rhino’s Children of Nuggets box set—by then it was almost 20 years old. Fully remastered by Mark Neill directly from the original vaccum tube analog 3-track master tape, this shiny black 45rpm single and packaged in a deluxe hard cover picture sleeve, it’s paired with a terrific, previously unreleased version of the Golliwogs’ “Fragile Child” recorded at the same session. Edition of 1,000 copies.

If you know any more info please comment.

 

I just found this wiki page…just translate to English

https://pt.wikipedia.org/wiki/The_Nashville_Ramblers

The Trains

She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
When I’m alone
I can feel the sun going down
How can I explain all the reasons she frightens me so
When she has the power to burn me right down to my soul
But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means

No, nobody else could understand her like I do
So I gotta make her realize she loves me too
And I do
I really do

But then every night I see her in my dreams
But the days in between
She tears me apart at the seams
Once I was strong
She’s taught me what loneliness means
She acts unaware of her smile or the scent of her hair
When she leaves a room she takes everyone’s eyes out their heads
But I hurt too much to let her bring me down
But when she’s not around
I can hear the trains underground
Once I was strong
I can feel the sun going down
I can hear the trains underground
I can feel the sun going down
I can hear the trains underground

 

Squeeze – Piccadilly —Powerpop Friday

I owned East Side Story the fourth album by Squeeze and this song caught my attention right off. This album drew comparisons to the Beatles especially in Rolling Stone Magazine at the time.

The album peaked at #44 on the Billboard 100 in 1981. Elvis Costello and Roger Bechirian produced this album.

 

Piccadilly

She’s not a picture above somebody’s fire
She sits in a towel with a purple hair dryer,
She waits to get even with me.
She hooks up her cupcakes and puts on her jumper
Explains that she’ll be late to a worrying mother,
She meets me in Piccadilly.
A begging folk singer stands tall by the entrance
His song relays worlds of most good intentions,
A fiver a ten p in his hat for collection.

She talks about office she talks about dresses
She’s seen one she fancies her smile is impressing,
So maybe I’ll treat her someday.
We queue among strangers and strange conversation
Love’s on the lips of all forms of engagements,
All queuing to see tonight’s play.

A man behind me talks to his young lady
He’s happy that she is expecting his baby,
His wife won’t be pleased but she’s not been round lately.

The play was so dreadful we left in a hurry
We escaped in the rain for an Indian curry,
At the candle lit Taj Mahal.
My lips to a napkin I called for a taxi
The invite of eyes made it tense but relaxed me,
My mind took a devious role.

The cab took us home through a night I’d not noticed
The neon club lights of adult films and Trini Lopez,
My arm around love but my acting was hopeless.

We crept like two thieves from the kettle to the fire
We kissed to the sound of the silence that we’d hired,
Now captured, your love in my arms.
A door opened slightly a voice spoke in worry
Mum went to bed without wind of the curry,
Our secret love made its advance.

Like Adam and Eve we took bite on the apple
Loose change in my pocket it started to rattle,
Heart like a gun was just half of the battle.

Crowded House – Something So Strong

I’ve been doing this for a while now and I cannot believe I haven’t posted about Crowded House. It was love at first listen with this song. The lyric “bring life to frozen ground” still stands out to me and I cannot hear this song enough. As far as pop songs go it’s hard to beat this.

The song peaked at #7 on the Billboard 100, #3 in New Zealand, and #10 in Canada in 1987. The song was written by Neil Finn and  Mitchell Froom.

I’ve played music for a long time and it fascinates me how songs develop. They can come at once or they can take time to build from pieces and parts. Below is a short home demo version of this song…below that… the finished product.

Love the Smoke on the Water tease in the video.

Crowded House

Love can make you weep, it can make you run for cover
Roots that spread so deep, bring life to frozen ground

(Something so strong) could carry us away
(Something so strong) could carry us today

Turning in my sleep, love can leave you cold
The taste of jealousy, is like a lust for gold

(Something so strong) could carry us away
(Something so strong) could carry us today

(I’ve been) feeling so much older
(Frame me) and hang me on the wall
(I’ve seen) you fall into the same trap
(This thing) is happening to us all

(Something so strong) could carry us away
(Something so strong) could carry us today

(Something so strong)
(Something so strong)
(Something so strong)
Something something so strong

Traveling Wilburys – End Of The Line

The video for this song is really sad. Roy Orbison died before the making of it and when his verse comes on they show a picture of him on the train and his guitar on a rocking chair.

This song and Handle with Care were the two biggest hits. This one made it to #2 on the Billboard Mainstream Rock Song Charts.

 

End of the Line

Well it’s all right, riding around in the breeze
Well it’s all right, if you live the life you please
Well it’s all right, doing the best you can
Well it’s all right, as long as you lend a hand

You can sit around and wait for the phone to ring (end of the line)
Waiting for someone to tell you everything (end of the line)
Sit around and wonder what tomorrow will bring (end of the line)
Maybe a diamond ring

Well it’s all right, even if they say you’re wrong
Well it’s all right, sometimes you gotta be strong
Well it’s all right, as long as you got somewhere to lay
Well it’s all right, everyday is judgment day

Maybe somewhere down the road aways (end of the line)
You’ll think of me, wonder where I am these days (end of the line)
Maybe somewhere down the road when somebody plays (end of the line)
Purple haze

Well it’s all right, even when push comes to shove
Well it’s all right, if you got someone to love
Well it’s all right, everything’ll work out fine
Well it’s all right, we’re going to the end of the line

Don’t have to be ashamed of the car I drive (end of the line)
I’m just glad to be here, happy to be alive (end of the line)
It don’t matter if you’re by my side (end of the line)
I’m satisfied

Well it’s all right, even if you’re old and grey
Well it’s all right, you still got something to say
Well it’s all right, remember to live and let live
Well it’s all right, the best you can do is forgive

Well it’s all right, riding around in the breeze
Well it’s all right, if you live the life you please
Well it’s all right, even if the sun don’t shine
Well it’s all right, we’re going to the end of the line

Traveling Wilburys – Congratulations

This will be it for this Wilbury Weekend…one more tomorrow.

Congratulations for breaking my heart, Congratulations for tearing it all apart
Congratulations, you finally did succeed, Congratulations for leaving me in need

This appeared on their first Album Vol 1. This was the B side of the single End of the Line. Dylan sings this song of despair.

There is not a song on either of their two original album that I don’t know by heart. This one was played a lot in my car…which I seemed to livein… going in between a girlfriend and friends.

 

Congratulations

Congratulations for breaking my heart
Congratulations for tearing it all apart
Congratulations, you finally did succeed
Congratulations for leaving me in need

This morning I looked out my window and found
A bluebird singing but there was no one around
At night I lay alone in my bed
With an image of you goin’ around in my head

Congratulations for bringing me down
Congratulations, now I’m sorrow bound
Congratulations, you got a good deal
Congratulations, how good you must feel

I guess I must have loved you more than I ever knew
My world is empty now ’cause it don’t have you
And if I had just one more chance to win your heart again
I would do things differently, but what’s the use to pretend?

Congratulations for making me wait
Congratulations, now it’s too late
Congratulations, you came out on top
Congratulations, you never did know when to stop

Congratulations
Congratulations
Congratulations
Congratulations

Traveling Wilburys – Handle With Care

This was the hit that kicked the Wilburys project off the ground. George Harrsison and Jeff Lynne started the ball rolling… Initially an informal grouping with Roy Orbison and Tom Petty, they got together at Bob Dylan’s Santa Monica, California studio to quickly record an additional track as a B-side for the single release of Harrison’s song This Is Love. This was the song they came up with, which the record company immediately realized was too good to be released as a single B side. They also recorded “You Got It” at the session, which helped convince them to record an album together.

The song made it to #2 on the Billboard Mainstream Rock Songs Chart in 1988.

The title Handle With Care came when George Harrison saw the phrase on the side of a cardboard box in the studio.

Tom Petty on Bob Dylan: “There’s nobody I’ve ever met who knows more about the craft of how to put a song together than he does. I learned so much from just watching him work. He has an artist’s mind and can find in a line the keyword and think how to embellish it to bring the line out. I had never written more words than I needed, but he tended to write lots and lots of verses, then he’ll say, this verse is better than that, or this line. Slowly this great picture emerges. He was very good in The Traveling Wilbury’s: when somebody had a line, he could make it a lot better in big ways.”

Handle With Care

Been beat up and battered ’round
Been sent up, and I’ve been shot down
You’re the best thing that I’ve ever found
Handle me with care

Reputations changeable
Situations tolerable
Baby, you’re adorable
Handle me with care

I’m so tired of being lonely
I still have some love to give
Won’t you show me that you really care?

Everybody’s got somebody to lean on
Put your body next to mine, and dream on

I’ve been fobbed off, and I’ve been fooled
I’ve been robbed and ridiculed
In daycare centers and night schools
Handle me with care

Been stuck in airports, terrorized
Sent to meetings, hypnotized
Overexposed, commercialized
Handle me with care

I’m so tired of being lonely
I still have some love to give
Won’t you show me that you really care?

Everybody’s got somebody to lean on
Put your body next to mine, and dream on

I’ve been uptight and made a mess
But I’ll clean it up myself, I guess
Oh, the sweet smell of success
Handle me with care

Traveling Wilburys – Dirty World

It’s time for a Wilburys weekend…so without further ado… here we go!

Here’s to:

“Nelson Wilbury” – George Harrison, “Otis Wilbury” – Jeff Lynne, “Lefty Wilbury” – Roy Orbison, “Charlie T. Wilbury, Jr.” – Tom Petty and “Lucky Wilbury” – Bob Dylan

When I hear Bob Dylan sing “You don’t need no wax job, you’re smooth enough for me, 
If you need you oil changed I’ll do it for you free, Oh baby, the pleasure would be all mine
If you let me drive your pickup truck and park it where the sun don’t shine.” 

It grabs my attention really quick. This is Bob Dylan who once sang Masters of War, Tangled Up In Blue, Times Are A Changing… and he is sounding like he is having a great time.

This song next to Tweeter and the Monkey Man was my favorite on the first Wilbury album Traveling Wilburys Vol. 1 which peaked at #3 on the Billboard 200 in 1989. Rolling Stone named this album in the top 100 albums of the 1980s.

 

Dirty World

He loves your sexy body, he loves your dirty mind
He loves when you hold him, grab him from behind
Oh baby, you’re such a pretty thing
I can’t wait to introduce you to the other members of my gang

You don’t need no wax job, you’re smooth enough for me
If you need you oil changed I’ll do it for you free
Oh baby, the pleasure would be all mine
If you let me drive your pickup truck and park it where the sun don’t shine

Every time he touches you his hair stands up on end
His legs begin to quiver and his mind begins to bend
Oh baby, you’re such a tasty treat
But I’m under doctor’s orders, I’m afraid to overeat

He loves your sense of humor, your disposition too
There’s absolutely nothing that he don’t love about you
Oh baby, I’m on my hands and knees
Life would be so simple if I only had you to please

Oh baby, turn around and say goodbye
You go to the airport now and I’m going home to cry
He loves your…

Electric dumplings
Red bell peppers
Fuel injection
Service charge
Five-speed gearbox
Long endurance
Quest for junk food
Big refrigerator
Trembling Wilbury
Marble earrings
Porky curtains
Power steering
Bottled water
Parts and service

Dirty world, a dirty world, it’s a …ing dirty world

The Plimsouls – A Million Miles Away —Powerpop Friday

A Million Miles Away peaked at #82 on the Billboard 100 in 1983. This was their only top 40 hit. The song was written by Peter Case, Joey Alkes and Chris Fradkin. A friend of mine had their first two albums and they were full of very good power pop songs. The song was also featured in the 80s teen movie Valley Girl.

A review I found of the band… “The band’s best songs didn’t just sound like potential hit singles; they sounded like anthems in soaring tunes such as “A Million Miles Away.”

From AllMusic by Denise Sullivan

Formed in Los Angeles in 1978, the Plimsouls merged roots, retro and guitar rock with a ramshackle punk aesthetic. At a time when rock music was shifting gears, the Plimsouls’ brand of soul-punk — a modern take on ’60s soul, British Invasion and garage rock sounds — fit right in with the ’80s post-punk American guitar band movement. Known for their kinetic live performances, the Plimsouls had an exceptional frontman in singer/songwriter Peter Case whose decision to pursue a solo career effectively ended their ’80s run, but whose songs have kept the group’s slight catalog and legacy in the public eye.

A Million Miles Away

Friday night I’d just got back
I had my eyes shut
Was dreaming about the past
I thought about you while the radio played
I should have got moving
For some reason I stayed

I started drifting to a different place
I realized I was falling off the face of your world
And there was nothing left to bring me back

I’m a million miles away
A million miles away
A million miles away
And there’s nothing left to bring me back today

I took a ride, I went downtown
Streets were empty
There was no one around
All the faces that we used to know
Gone from the places that we used to go

I’m at the wrong end of the looking glass
Trying to hold on to the hands of the past and you
And there’s nothing left to bring me back

I’m a million miles away
A million miles away
A million miles away
And there’s nothing left to bring me back today

Movie Quotes Part 4

Jaws – You’re are going to need a bigger boat.

Easy RiderWe Blew It

The GodfatherLeave the gun. Take the cannoli.

The Big Lebowski Smokey This is not ‘Nam. This is bowling. There are rules.

At 1:10…but it’s only 2:16 long…it’s worth a complete listen

Animal HouseWhat? Over? Did you say ‘over’? Nothing is over until we decide it is! Was it over when the Germans bombed Pearl Harbor? Hell no!

Caddyshack – You buy a hat like this, I bet you get a free bowl of soup.

What About Bob? – Roses are red, violets are blue, I’m schizophrenic, and so am I

ScarfaceI always tell the truth. Even when I lie.

Duck Soup – I got a good mind to join a club and beat you over the head with it.

It’s A Wonderful Life – Well, you look about the kind of angel I’d get. Sort of a fallen angel, aren’t you? What happened to your wings?

At 3:13 – 3:20

 

 

 

Nicky Hopkins

I’ve never been a keyboard player…but when I think of keyboardists this man comes to mind. He was one of the busiest session men in the business.

Nicky Hopkins started with Screaming Lord Sutch’s Savages, which also included Jimmy Page… He played with the Cyril Davies All-Stars, one of the first British rhythm & blues bands. Because of illnesses, he started to play on studio sessions. In the studio, he played with the Beatles, Who, Kinks, Rolling Stones and just about everyone else of that era.

He later joined the Jeff Beck Group and was a full member of the Quicksilver Messenger Service.

I’ve read about Nicky from other artists books when I was younger but didn’t know until the internet how many great recordings he played on…Also that he sometimes toured with bands like the Stones on perhaps their greatest tour…the 1972 tour. The first I heard of him was reading he played piano on Revolution by the Beatles.

Here are some other artists talking about Nicky.

Ray Davies: Nicky, unlike lesser musicians, didn’t try to show off; he would only play when necessary. But he had the ability to turn an ordinary track into a gem – slotting in the right chord at the right time or dropping a set of triplets around the back beat, just enough to make you want to dance. On a ballad, he could sense which notes to wrap around the song without being obtrusive. He managed to give “Days,” for instance, a mysterious religious quality without being sentimental or pious.

Pete Townshend: “Nicky was a great talent…He is gone but his wonderful playing will live on and I’m proud that so much of his work will be heard as part of my own. Nicky is a big part of my work and I think of him often.”

Joe Walsh: “We just said, “Hey, we’re not going to tell you what to play! You can play anything you want, dude and it’ll be just fine with us.” Nicky was at his absolute best. He was just playing fantastic and coming up with these parts that just were so special.”

Keith Richards: “What I liked about Nicky is you’d give him a song and he’d develop it, with a couple of passes, into something, almost immediately. He was so easy to work with and he could hang; we’d do sessions for fifteen hours, sometimes two days
and he’d still be there, you know.”

Nicky died in Nashville Tn in 1994 from complications of surgery from Crohn’s Disease.

Below I copied a highlight of his discography.

It’s from the Nicky Hopkins website…It reads like a who’s who in music. These are just some of the albums and singles Nicky played on.

http://www.nickyhopkins.com/?page_id=6

NICKY HOPKINS DISCOGRAPHY HIGHLIGHTS


THE SIXTIES


THE WHO, My Generation, Brunswick/Decca USA
THE KINKS, The Kinks Kontroversy, Pye/Reprise
NICKY HOPKINS, The Revolutionary Piano Of…, CBS
THE KINKS, Face To Face, Pye / Reprise
ROLLING STONES, Between The Buttons, Decca/London
ROLLING STONES, Their Satanic Majesties Request, Decca/London
ROLLING STONES, Beggar’s Banquet, Decca/London
KINKS, Village Green Preservation Society, Pye/Reprise
JEFF BECK GROUP, Truth, Columbia/Epic
THE KINKS, Something Else By The Kinks, Pye/Reprise
DUSTY SPRINGFIELD, Dusty…Definitely, Philips
ROLLING STONES, Let It Bleed, Decca/London
JEFF BECK GROUP, Beck-Ola, Columbia / Epic
STEVE MILLER BAND, Brave New World, Capitol
STEVE MILLER BAND, Your Saving Grace, Capitol
JEFFERSON AIRPLANE, Volunteers, RCA
FAMILY, Entertainment, Reprise
ROY HARPER, Folkjokeopus, Liberty
ELLA FITZGERALD, Ella, Warner Brothers
THE MOVE, The Move, Cube
BILLY NICHOLLS, Would You Believe, Immediate


THE SEVENTIES


STEVE MILLER BAND, Number 5, Capitol
QUICKSILVER MESSENGER SERVICE, Shady Grove, Capitol
VARIOUS, Woodstock, Atlantic
ROLLING STONES, Sticky Fingers, Rolling Stones Records
THE WHO, Who’s Next, Track
NICKY HOPKINS, Jamming With Edward, Rolling Stones Records
JOHN LENNON, Imagine, Apple
ROLLING STONES, Exile On Main Street, Rolling Stones Records
HARRY NILSSON, Son Of Schmilsson, RCA Victor
CARLY SIMON, No Secrets, Elektra
NICKY HOPKINS, The Tin Man Was A Dreamer, CBS
GEORGE HARRISON, Living In The Material World, Apple
RINGO STARR, Ringo, Apple
ROLLING STONES, Goat’s Head Soup, Rolling Stones Records
ANDY WILLIAMS, Solitaire, CBS
JOHN LENNON, Walls & Bridges, Apple
ROLLING STONES, It’s Only Rock’n’Roll, Rolling Stones Records
JOE COCKER, I Can Stand A Little Rain, Fly
PETER FRAMPTON, Something’s Happening, A & M
RINGO STARR, Goodnight Vienna, Apple
MARTHA REEVES, Martha Reeves, MCA
NICKY HOPKINS, No More Changes, Mercury (US)
ART GARFUNKEL, Breakaway, CBS
ROLLING STONES, Black & Blue, Rolling Stones Records
JERRY GARCIA, Reflections, United Artists
ROD STEWART, Footloose And Fancy Free, Warner Brothers
JENNIFER WARNES, Jennifer Warnes, Arista
ROD STEWART, Blondes Have More Fun, Riva
LOWELL GEORGE, Thanks I’ll Eat It Here, Warner Brothers
POINTER SISTERS, Priority, Planet


THE EIGHTIES


ROLLING STONES, Emotional Rescue, Rolling Stones Records
TIM HARDIN, Unforgiven, Arc International
GRAHAM PARKER & THE RUMOUR, The Up Escalator, Stiff
ROLLING STONES, Tattoo You, Rolling Stones Records
NILS LOFGREN, Night Fades Away, MCA/Backstreets
MEATLOAF, Dead Ringer, Cleveland/Epic
GRAHAM PARKER & THE RUMOUR, Another Grey Area, RCA
DUSTY SPRINGFIELD, White Heat, Mercury/Casablanca
KING OF COMEDY, Soundtrack, Warner Brothers
CARL WILSON, Youngblood, Caribou
JULIO IGLESIAS, 1100 Bel Air Place, CBS
BELINDA CARLISLE, Belinda, IRS
ROD STEWART, Rod Stewart/Every Beat Of My Heart, Warner Brothers
PAUL MCCARTNEY, Flowers In The Dirt,Capitol
JACK BRUCE, A Question Of Time, Epic


THE NINETIES


ROGER CHAPMAN, Hybrid & Lowdown, Polydor
GARY MOORE, Still Got The Blues, Virgin
NICKY HOPKINS, The Fugitive (Soundtrack), Toshiba-EMI
NICKY HOPKINS, Patio (Soundtrack), Toshiba-EMI
JAYHAWKS, Hollywood Town Hall, Columbia
JOE SATRIANI, Extremist, Legacy Recordings
SPINAL TAP, Break Like The Wind, MCA
MATTHEW SWEET, Altered Beast, Zoo/BMG
JOE WALSH, Robocop Soundtrack, Rhino/Pyramid
GENE CLARK, Under The Silvery Moon, Delta De Luxe
FRANKIE MILLER, Long Way Home, Jerkin’ Crocus


THE SINGLES


SCREAMING LORD SUTCH, Jack The Ripper/Don’t You Just Know It, Decca
THE WHO, Anyway Anyhow Anywhere , Brunswick
THE KINKS, Till The End Of The Day, Pye/Reprise
CYRIL DAVIES R & B ALL STARS, Country Line Special/Chicago Calling, Pye International/Dot
CLIFF BENNETT & REBEL ROUSERS, My Old Standby (B-Side), Parlophone
RITCHIE BLACKMORE ORCHESTRA, Little Brown Jug/Getaway, Oriole
VASHTI, Some Things Just Stick In Your Mind ,Decca
DAVY JONES & THE LOWER THIRD, You’ve Got A Habit Of Leaving, Parlophone
PRETTY THINGS, Midnight To Six Man, Fontana
THE KINKS, Dedicated Follower Of Fashion, Pye/Reprise
THE KINKS, Sunny Afternoon, Pye/Reprise
DAVID BOWIE, Can’t Help Thinking About Myself, Pye
TWICE AS MUCH, Sittin’ On A Fence/Baby I Want You, Immediate
CAT STEVENS, Matthew And Son/Granny, Deram
ROLLING STONES, We Love You, Decca/London
ROLLING STONES, 2000 Light Years/She’s A Rainbow, Decca/London
NICKY HOPKINS, Mr. Pleasant, Polydor/Decca
THE KINKS, Autumn Almanac, Pye (UK)
DAVE DAVIES, Death Of A Clown, Pye/Reprise
JEFF BECK, Beck’s Bolero, Columbia/Epic
YARDBIRDS, Little Games, Columbia
MARC BOLAN, Jasper C. Debussy, Track
PP ARNOLD, The First Cut Is The Deepest, Immediate
BEATLES, Hey Jude/Revolution (B-side), Apple
ROLLING STONES, Jumpin’ Jack Flash, Decca/London
THE KINKS, Days, Pye/Reprise
DONOVAN, Goo Goo Barabajagal, Epic
SCAFFOLD, Lily The Pink, Parlophone
FATS DOMINO, Have You Seen My Baby, Reprise
JOHN LENNON/PLASTIC ONO BAND, Happy Christmas/War Is Over, Apple
THE WHO, Let’s See Action, Track
ROLLING STONES, Tumbling Dice, Rolling Stones
HARRY NILSSON, Remember Christmas, RCA
ROLLING STONES, Angie, Rolling Stones
GEORGE HARRISON, Give Me Love, Apple
RINGO STARR, Photograph, Apple
RINGO STARR, You’re Sixteen, Apple
JOE COCKER, You Are So Beautiful, A & M
ART GARFUNKEL, I Only Have Eyes For You, Columbia
JULIO IGLESIAS / WILLIE NELSON, To All The Girls I’ve Loved Before, CBS
JOE WALSH / STEVE EARLE, Honey Don’t (Beverley Hillbillies), Fox Records
JOE WALSH / FRANKIE MILLER, Guilty Of The Crime, Pyramid
PAUL MCCARTNEY, Beautiful Night/Same Love, Oobu-Joobu 6

 

 

 

 

 

 

 

 

 

 

 

Please Don’t’ Squeeze The Charmin

In 1978 Mr. Whipple was named the third-best-known American — just behind former President Nixon and Billy Graham.

From 1964 to 1985, and over the course of more than 500 different TV commercials we saw Mr. Whipple lecture shoppers on squeezing the Charmin. Mr. Whipple was really neurotic with the Charmin.

Dick Wilson was a character actor who got the role as Mr. Whipple and turned “Please don’t squeeze the Charmin” into a national catchphrase as exasperated shopkeeper Mr. Whipple in the Charmin TV commercial campaign that ran for more than two decades

The character of Mr. Whipple was created by an advertising executive, John Chervokas. He is credited with developing the character, his persona, and his most memorable catchphrase, “Please don’t squeeze the Charmin!”

Procter & Gamble eventually replaced the Whipple ads with cartoon bears. When Mr. Whipple returned in 1999, he was shown coming out of retirement against the advice of his buddies for one more chance to peddle Charmin.

Dick Wilson passed away at 91 in 2007.

The Jetsons

I always liked the Jetsons and the push-button future…which some of that did come true except the flying cars and such…but we have some of the push-button technology. It was always a fun watch. Hard to believe it only ran for 3 seasons…the 1st in the sixties and the last two…two decades later in the 80s.

The Jetsons was a cartoon produced by Hanna-Barbera. It aired from September 23, 1962, to March 17, 1963, then it later ran in syndication with new episodes from 1985 to 1987. When it came on it only lasted that one season. One of the reasons it was said because only three percent of American households had a color television set and the show looked flat in black and white.

The next two seasons were between 1985 and 1987. The artwork looked a little different and the plots were a little weaker. They did make a cross over movie between the Flintstones and the Jetsons called The Jetsons Meet the Flintstones in 1987.

 

The dB’s – Love is for Lovers —Powerpop Friday

This band was from Winston-Salem, North Carolina but the group was formed in New York City in 1978. The members were  Peter Holsapple, Chris Stamey, Will Rigby, and Gene Holder. Chris Stamey played bass for Alex Chilton in 1977.

This song was released in 1984 on Bearsville Records and it was on the album Like This. In 2012, the band completed its first new studio album called Falling Off the Sky in 25 years and it’s first in 30 years with the original lineup.

 

Love is for Lovers

Holsapple

Do you remember when blue was the feeling
Gray was the weather, one was the number?
Do you remember when love was for others?
Now and forever, love is for lovers.

Do you believe that real love is right now?
Could we be having the time of our lives now?
Do you believe this?
Do you believe this?

Now every day is like summer vacation
Christmas and birthday rolled into one day
Now every night is a special occasion
Where does it all end? Maybe next someday.

Can you believe this love is forever?
Can you conceive of anything better?
Do you believe this?
Do you believe this is love?

Oh, love is for lovers
Love is for lovers
Oh, love is for lovers.

Do you believe that love is a sure thing?
You say hello and I hit the ceiling
Do you believe this?
Do you believe this is love?

Oh, love is for lovers
Love is for lovers
Oh, love is for lovers.

I used to think that love was for pleasure
More like adventure, measure for measure
It’s plain to me that we can’t rise above it
No one’s a lover just ’cause they love it.

And if you’re happy then you oughta stay there
I’m not certain that I know the way there
Do you believe this?
Do you believe this?
Do you believe this?
Do you believe this is love?

Oh, love is for lovers
Love is for lovers
Oh, love is for lovers
Love is for lovers
Oh, love is for lovers
Oh, love is for lovers
Oh, love is for lovers
Love is for love is for lovers.

https://en.wikipedia.org/wiki/The_dB%27s

Guns N’ Roses – Patience

With Guns N’ Roses, I liked some of the stuff they did…I wasn’t a huge fan of Rose but I liked the rawness they brought and Slash’s guitar playing.

This song peaked at #4 on the Billboard 100 and #10 in the UK,  in 1989.

The song was on their second studio album G N’ R Lies released in 1988. The title for the album was Lies! The Sex, The Drugs, The Violence, The Shocking Truth. Geffen Records decided it was too long, so they changed it to just Lies.

From Songfacts

This song was a trendsetter in its use of all-acoustic instrumentation. This song made it safe for hard rockers to display their sensitive, vulnerable sides in a more understated way rather than utilizing the power ballad format.

The video for this song can be seen playing in the background of the Robert DeNiro film Cape Fear. 

This is a very popular Karaoke song, but one that you might want to avoid. Kimberly Starling of The Karaoke Informersays it’s one of the top 5 songs that tends to bomb: “It just eludes the average ear and when you get off key on this one it sounds to the ear like a turd in a punch bowl looks to the eye.”

On January 30th, 1989, Guns N’ Roses played this at the American Music Awards with Don Henley on drums.

Axl Rose can be heard whistling on this track. He’s also the one who blows the whistle on “Paradise City.”

Patience

One, two, one, two, three, four

Shed a tear ’cause I’m missin’ you
I’m still alright to smile
Girl, I think about you every day now
Was a time when I wasn’t sure
But you set my mind at ease
There is no doubt you’re in my heart now

Said woman take it slow, and it’ll work itself out fine
All we need is just a little patience
Said sugar make it slow and we’ll come together fine
All we need is just a little patience (Patience)
Mm, yeah

I sit here on the stairs
‘Cause I’d rather be alone
If I can’t have you right now, I’ll wait dear
Sometimes I get so tense but I can’t speed up the time
But you know love there’s one more thing to consider

Said woman take it slow and things will be just fine
You and I’ll just use a little patience
Said sugar take the time ’cause the lights are shining bright
You and I’ve got what it takes to make it
We won’t fake it, I’ll never break it
‘Cause I can’t take it

Little patience, mm yeah, mm yeah
Need a little patience, yeah
Just a little patience, yeah
Some more patience, yeah (I’ve been walking the streets at night, just trying to get it right)
A little patience, yeah (Its hard to see with so many around
You know I don’t like being stuck in the crowd)
Could use some patience, yeah (And the streets don’t change but maybe the names)
(I ain’t got time for the game ’cause I need you)
Gotta have more patience, yeah (Yeah, yeah but I need you)
All need some patience (Ooh I need you, whoa I need you)
Just a little patience is all you need (Ooh, this time, ah)

Lone Justice – I Found Love

This is a band I had a lot of hope for in the eighties. After Ways To Be Wicked I thought they would be more successful than they ended up being. This song didn’t chart in the US but did make it to #45 in the UK.

It was off of their second album Shelter released in 1986. The album peaked at #62 in the Billboard Album Charts. They started off as a country-rock band in the early eighties. At the urging of Linda Ronstadt, who was impressed by their live shows, they were awarded a contract with Geffen Records…their self-titled debut appeared in 1985, followed by a tour in support of U2. Still, despite good press and media hype, Lone Justice failed to sell…produced by Jimmy Iovine, it failed to connect with either country or rock audiences.

 

I Found Love

I was minding my business like a good girl should
Maybe a little too cautious for my own good
It was just like living life in the dark
Til something jumped up and it grabbed my heart

I found love
I found real love

The beginning and end of every wish
Is balanced in the center of a vision like this
Maybe my emotions are inclined
To surrender to the notion of a glorious end

I found love
I found real love

One touch souls speak
The power’s got me and it won’t let me be
It’s too much this heat
I want to laugh cry jump for joy scream and shout
Yeah, yeah, yeah, yeah, yeah

At the end of every tunnel there’s a shining light
At the end of every storm there’s a quiet night
My joy was hidden in a big old dream
I didn’t know it was there until you set me free

I found love
I found real love