“You shouldn’t like music that was made before you were born”

I thought I would do something different today. I was reminded of this by the phrase, “it was before my time.” Movies and music fall into this category. I do know people who will not watch movies made “before their time.” I don’t think many of my readers would agree to this statement, but who knows?

I had a co-worker in the early 2000s (Sam) tell me that I shouldn’t like music that was before my time because it was unnatural (yes, he said that). I was first kinda of amused and shocked. I like Sam a lot, and we would talk a lot; he is a smart fellow. However, on this point, I didn’t understand. Why? Is there some unwritten law that I can’t like 1950s or 1960s music up to 1967, when I was born?  That cut off some of the best music of the 20th century and beyond.

He grew up in the 80s, as I did,  and was probably around 5 or so years younger than me. I’ve seen other people act the same way. If it were before they were born, then they would not give it a second listen. If a movie is black and white, they act as if they are near a radiation leak!

 I think the subject centered around how I loved 50s and 60s music and The Beatles, The Who, The Stones, and The Kinks. He said I should be listening to music from my teenage years (well, I WAS…60s music was my soundtrack growing up), but I DID listen to the top 40 when I was a teenager, which, to me, didn’t live up to those bands to any degree or form. Maybe it wasn’t fair to compare Men Without Hats to those 1960s bands. It was hard to stomach some of the ’80s for me, but not all. Now I’m busy catching up on music I missed that wasn’t on Top 40 radio at the time. I did find an oasis in the 80s, alternative music like The Replacements and REM…and the classic bands.

I still want to find other music and movies I like. Why would age have any effect on the music, whether we like it or not? That doesn’t mean I don’t like new music. I have posted newer bands here before who have just released albums. If it’s good, it doesn’t matter what era it came from, at least not to me. Christian, Graham, and Lisa all posted some newer songs that I liked. With movies, yes, I find some I like. I just saw Weapons and loved it, plus there are others.

I’m not putting people down at all who think like that. Hey, if that is what they believe, more power to them. I never believed in criticizing people for their opinions, music, or otherwise. Whatever blows their hair back.

Anyway, what do you think? 

Magic 8 Ball

I was told as a kid that a Magic 8 Ball could predict the future. I bought it hook line and sinker…I was also told by my older sister (8 years older) that snakes bite the second person in a line while I was merrily leading the way hiking in the woods as a 5-year-old…so I caught on pretty quick after I stepped on a snake…didn’t get bit though…but I never let her forget it.

I bugged my mom till she got me the mysterious Magic 8 Ball. I was amazed at this toy…well it wasn’t a toy to me. I thought this was great. So being 5-6 years old I thought I would put it to use… Oh, Magic 8 Ball should I color in the encyclopedias with my crayons? I shook it up and waited for the triangle to give me the answer… “signs point to yes”…those signs must have pointed in a different direction than my Mom… she wasn’t a fan of the Magic 8 ball after that.

Abe Bookman invented the Magic 8 Ball, a fortune-telling toy currently manufactured by Mattel.

During World War II, a man named Alfred Carter in Cincinnati created a tube-like fortune-telling toy. To help him he got his brother-in-law to help…that would be Abe Bookman. they created a 7″ tube device with glass on both ends with a pair of floating dice with responses. It was sold as the “Syco-Seer: The Miracle Home Fortune Teller.” Their company was called Alabe Crafts.

The original Magic 8 Ball was tubular and went by the name Syco-Seer. The Magic 8 Ball above. The Syco-Seer metal cylindar above. The Syco-Slate Pocekt Fortune-Teller at right.

Carter died in 1948 and Bookman revised it into a crystal ball but it still didn’t sell really well. Then the Brunswick Billiards company commissioned Bookman to make them one shaped like an 8 ball as a promotional giveaway.

After the giveaway was finished Bookman kept producing them shaped like an 8 ball.

The Magic 8 Ball that we have known since then has contained a 20-sided polygon inside a hollow plastic ball, floating in a liquid-filled, 3-inch diameter tube. The liquid largely consists of dark blue ink and alcohol. The predictions, yes, no, or non-committal, appear on each triangular face of the polygon.

Bookman marketed it as a conversation piece, a paperweight and then a toy.

Ideal Toys bought Alabe Crafts in 1971. Next, Tyco Toys bought the ball in ’87. Mattel owns it today and sells one million units a year.

Here are the magical statements of the Magic 8 Ball

  • As I see it, yes
  • Ask again later
  • Better not tell you now
  • Cannot predict now
  • Concentrate and ask again
  • Don’t count on it
  • It is certain
  • It is decidedly so
  • Most likely
  • My reply is no
  • My sources say no
  • Outlook good
  • Outlook not so good
  • Reply hazy, try again
  • Signs point to yes
  • Very doubtful
  • Without a doubt
  • Yes
  • Yes, definitely
  • You may rely on it.

Orioles – What Are You Doing New Year’s Eve?

This song is such a pleasure to listen to. The great voice and the sparse accompaniment are great. This was released back in 1950. It was written by Frank Loesser in 1947 and was originally intended as a standalone song, not tied to Christmas or New Year’s traditions. I have heard this song a few times around this time of year. It was released back in 1949 and peaked at 

They have since been known as “The Original Kings of Harmony.” They were a successful R&B vocal group that pioneered the evolution of doo-wop music. Their first major hit, “It’s Too Soon to Know,” in 1948, is considered one of the first R&B chart-topping singles and is often regarded as a doo-wop song. The term doo-wop didn’t appear until 1961 when the Marcels covered Blue Moon. Their biggest hit was Crying In The Chapel released in 1953. To see more of the history of doo-wop…check out my friend Randy’s post on doo-wop.  

The Orioles were inducted into the Rock and Roll Hall of Fame in 1995. I’ve listened to several of their songs and heard gospel, pop, R&B, and what would be called doo-wop years later. There have been 343 different versions of this song according to secondhandsongs.com. The first recording was by Kay Kyser and His Orchestra – Vocal Chorus by Harry Babbitt and The Campus Kids in 1947. 

It peaked at #9 on the Billboard R&B Charts in 1949. 

What Are You Doing New Year’s Eve

Maybe it’s much too early in the gameOh, but I thought I’d ask you just the sameWhat are you doing New Year’sNew Year’s Eve?

Wonder whose arms are holding you so tightWhen it’s exactly twelve o’clock at nightWelcoming in the New YearNew Year’s Eve

Maybe I’m crazy to supposeI’d ever be the one you choseOut of a thousand invitationsYou received

Well, but just in case I stand one little chanceHere comes the jackpot question in advanceWhat are you doing New Year’sNew Year’s Eve?

Maybe I’m crazy to supposeI’d ever be the one that you choseOut of a thousand invitationsYou received

Well, but just in case I stand one little chanceHere comes the jackpot question in advanceWhat are you doing New Year’sNew Year’s Eve?

It’s A Wonderful Life

In baseball, you have a closer. A pitcher that comes in the 9th inning and nails it down for his team. This is the Christmas closer. If someone said you can only watch one Christmas movie every year, this one would be it. It’s very close to a long Twilight Zone. I have seen this movie more times than any other, hands down.

This weekend I plan to watch it. I would like to know how many times I’ve seen this movie. I would guess…30+ times now that I think about it. The movie was based on Philip Van Doren Stern’s short story The Greatest Gift, which he self-published as a Christmas card after failing to sell it to a publisher.

The film was initially a box-office disappointment and contributed to the financial struggles of Frank Capra’s Liberty Films. He and Samuel J. Briskin founded Liberty Films in 1945. The movie is now huge but it took years before it really set in pop culture. For years, the film’s copyright lapsed into the public domain, which allowed TV stations to air it frequently, helping it gain its spot in popular culture.

I didn’t watch this great movie until the late 80s. All it took was one time and I haven’t missed a year of watching it. I don’t tear up very easily..but it never fails at the end of the movie when Zuzu says… Every time a bell rings, an angel gets his wings…it gets me every time. This movie was released in 1946.

Poor George Bailey. All he wanted to do was travel and get out of Bedford Falls to see the world. Every single time he gets close…so close that it hurts…something happens and George ends up doing the right thing.

Bedford Falls needs George Bailey…every town needs a George Bailey but many end up with only a Mr. Potter. There is one thing about this movie which was unusual. Mr. Potter was never punished for what he did…which drew criticism at the time but it was more in line with reality to me. Potter was never won over by the Christmas spirit and I think that helps the movie. 

This is a Christmas movie but really only the last part of the movie is about Christmas. It is a movie for any time not just for December. I was thinking of names for our unborn child and couldn’t think of one…I was watching this movie in November of 1999 and it hit me…Bailey…so the movie means more than some movies do.

Donna Reed played Mary Hatch Bailey to perfection. The role was offered to others as well like Olivia de Havilland, Ginger Rogers, and Jean Arthur. I would have been interested to see Jean Arthur in that role. I’m a huge fan of her and Capra used her in some great films but I can’t ever complain about Donna Reed. 

Here is a small summary from IMDB…don’t read it…watch the movie instead. If you haven’t seen it…give it a shot…whether it is Christmas or July.

George Bailey has spent his entire life giving of himself to the people of Bedford Falls. He has always longed to travel but never had the opportunity in order to prevent rich skinflint, Mr. Potter, from taking over the entire town. All that prevents him from doing so is George’s modest building and loan company, which was founded by his generous father. But on Christmas Eve, George’s Uncle Billy loses the business’s $8,000 while intending to deposit it in the bank. Potter finds the misplaced money and hides it from Billy. When the bank examiner discovers the shortage later that night, George realizes that he will be held responsible and sent to jail and the company will collapse, finally allowing Potter to take over the town. Thinking of his wife, their young children, and others he loves will be better off with him dead, he contemplates suicide. But the prayers of his loved ones result in a gentle angel named Clarence coming to earth to help George, with the promise of earning his wings. He shows George what things would have been like if he had never been born.

Billy Bragg and Wilco – At My Window Sad and Lonely

Since I did the Car Songs post and obbverse recommended Black Nova, I’ve been listening to Wilco much more. I first heard of Wilco when I heard the song “Secret of The Sea” which was on the album Mermaid Avenue Volume II. This song was on the first volume.

Mermaid Avenue was a collaborative album by the band Wilco and the British singer-songwriter Billy Bragg. It features previously unpublished lyrics by the legendary folk musician Woody Guthrie. The album was released in 1998 and is named after the street in Coney Island, New York, where Guthrie lived. There were 3 albums in all.

I can’t imagine the pressure Bragg and Wilco felt doing this. Having the legendary Woody Guthrie lyrics in front of you and writing melodies around them. They brought in a new generation of fans to Woody Guthrie. In this song, Jeff Tweedy wrote the music around Guthrie’s lyrics. Many of these lyrics were written in the 1930s – 1940s and finished in 1997.

The project was started by Woody Guthrie’s daughter, Nora Guthrie, who wanted to breathe new life into her father’s huge collection of unpublished lyrics. She invited Billy Bragg to set the lyrics to music, and Bragg, in turn, invited Wilco to join the project. They did a fantastic job on these albums.

The album was well-received by critics, who praised Bragg and Wilco for their ability to honor Guthrie’s legacy while bringing his lyrics into a modern musical context. Mermaid Avenue was nominated for a Grammy Award for Best Contemporary Folk Album.

The album peaked at #34 in the UK and #90 on the Billboard 100 in 1998.

Billy Bragg: I hate to draw comparisons, but it’s what Dylan and the Band were doing in the Basement Tapes. They took those old folk songs, that had deep roots, and they messed around with them and made a great record. We were able to apply that same idea to these songs, although we were perhaps more radical, because we had the whole history of rock music between when Woody wrote the songs, and us, whereas Dylan was quite early on in that tradition. That’s the trick with these Woody Guthrie compilations, is not to be too reverent to the material. Don’t worry about Woody’s words – they’re going to work. Bring yourself in – do what you think he would do. Do what you think you should do. Meet him half way.

There’s a hundred different ways to write a song. And every way is the right way, as long as you end up with a song. Some of those songs that Woody wrote, who knows what tunes he had for them? Maybe we were miles off, maybe we were close, I don’t know. But ultimately it’s what the guy was saying that matters – not the way he was saying it. And what he was saying is preserved. We were fortunate enough to put a frame around his artistic endeavors.

At My Window Sad and Lonely

At my window sad and lonelyOft times do I think of theeSad and lonely and I wonderDo you ever think of me?

Every day is sad and lonelyAnd every night is sad and blueDo you ever think of me, my darlingAs you sail that ocean blue?

At my window, sad and lonelyI stand and look across the seaAnd I, sad and lonely wonderDo you ever think of me?

Will you find another sweetheartIn some far and distant land?Sad and lonely now I wonderIf our boat will ever land

Ships may ply the stormy oceansAnd planes may fly the stormy skyI’m sad and lonely but rememberOh, I will love you ’til I die

T-Bone Walker – T Bone Shuffle

I’ve heard his name most of my life but never heard him. I’ve really enjoyed what I’ve been hearing going over his catalog. T-Bone Walker singing T-Bone Shuffle is so smooth. He has a blues and jazz thing going on and it’s hard to beat. It was released in 1949. He wrote the song and it’s been covered 42 times by The Robert Cray Band to Jools Holland.

T-Bone Walker (Aaron Thibeaux Walker) in Linden, Texas, Walker grew up in a musical family and began performing in his teens. He was influenced by Blind Lemon Jefferson, whom he often played with. Walker’s parents were musical and encouraged him to play. He could play several instruments including guitar, piano, and banjo.

In 1929, Walker made his recording debut under the name “Oak Cliff T-Bone,” recording Wichita Falls Blues and Trinity River Blues. He is credited with being one of the first musicians to use the electric guitar as a lead instrument. His 1942 recording of Mean Old World featured his pioneering electric guitar work.

1971, he won a Grammy Award for Best Ethnic or Traditional Recording for his album Good Feelin’. He was inducted into the Blues Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1987. He passed away in 1975 following a stroke.

I added a bonus pick today…Two Bones and a Pick was recorded in 1955 and released as part of the T-Bone Blues album in 1959.

T-Bone Shuffle

Let your hair down babyLet’s have a natural ballLet your hair down babyLet’s have a natural ballCause when you’re not happyIt ain’t no fun at all

You can’t take it with youThat’s one thing for sureYou can’t take it with you babyThat’s one thing for sureThere’s nothing wrong with ya babyThat a good T-Bone shuffle can’t cure

Have fun while ya canFate’s an awful thingHave fun while ya canFate’s an awful thingYou can’t tell what might happenThat’s why I love to sing

Lightnin’ Hopkins – Shotgun Blues

You know I’m gonna shoot my woman
Cause she’s foolin’ around with too many men

Before I start this I want to thank Randy from Mostly Music Covers. While writing this up the song title I had was “Bring Me My Shotgun” but I couldn’t find the album it was on. I’m a babe in the woods with blues…so I asked Randy and Shotgun Blues was recorded in 1948. As far as I can tell he did re-record many of his songs and this one around 1960. I’ll include the earlier version of Shotgun Blues and the 1960 version named Bring Me My Shotgun..at least for this post. He would change up the lyrics in some versions. What made it confusing was that he changed the way he did the vocals a little as well… again thank you, Randy.

I’m sitting with headphones on listening to Lightnin’ Hopkins and it’s like he is in the room with me. I’ve never posted anything about him before but I wanted to clear that up today.

He was born in Texas and He grew up in a musical family and learned the blues from his older cousin, country blues legend Blind Lemon Jefferson. Jefferson and Hopkins started to play together at church gatherings. Hopkins started performing in the 1920s and 1930s in the local Texas blues scene. By the mid-30s Hopkins was sent to a prison farm but the reason is unknown. He described working on a road gang and being shackled to his bunk at night.

In the mid-1940s he was teamed with a Houston piano player named Wilson “Thunder” Smith. They were known as Thunder an’ Lightnin’ and they had a local hit named Katie May with Aladdin Records. Hopkins would record with many different labels throughout the rest of his life. The Folk-Blues revival was stirring in 1959, and Folkways producer Sam Charters persuaded Lightning (with the help of a bottle of gin!) to record 10 tracks in the shabby room where he had been living in Houston. I have one of them below called “Hopkins Sky Hop.” Bring Me My Shotgun was released in 1960.

He started to get popular, especially with the British white soon-to-be musicians. He worked the College and club circuit, toured Europe with the Folk/Blues Festival, and starred at the Newport Folk Festival in 1965. He found an appreciative new audience of rock fans who heard this great guitarist who lived the blues.

He later headlined over the Jefferson Airplane and he played with the Grateful Dead a few times. He recorded dozens of albums through the 60s and 70s. He finally left us in 1982.

Bring Me My Shotgun

Woah, go bring me my shotgun
Oh I’m gonna start shootin’ again
Go bring me my shotgun
You know I just got to start shootin’ again
You know I’m gonna shoot my woman
Cause she’s foolin’ around with too many men

Yes bring me my shotgun
Yes man and a pocket full of shells
Yes go bring me my shotgun
Yes man and a pocket full of shells
Yeah you know I’m gonna kill that woman
I’m gonna throw her in that old deep dug well
Hide her from everybody they won’t know where she at

That woman said Lightnin’ you can’t shoot me
She said now you is dead of tryin’
I don’t take a day off for nobody
She said Lightnin’ you can’t shoot me
She said yes and you dare to try
I said the only reason I don’t shoot you little woman
My double barrel shotgun, it just won’t fire

The The – I Saw The Light

I wanted to post the Hank version anyway but I remember this version from a few years ago and I had to include that one as well. We are combining them today.

The Hillbilly Shakespeare Hank Williams wrote this song. When Williams moved to MGM Records in 1947 the hits started to come but this wasn’t one of them. It’s hard to believe this was not a hit. It’s a strong spiritual song that will stay with me until I die. The song started to get more popular after its initial release in 1948 and eventually, Williams would close shows with it.

Williams based the song on Albert E. Brumley Jr‘s song He Set Me Free. It’s close in melody but Hank made it a standard. Williams’s version is more universal. For me, it’s one of the best songs ever written. Williams wrote I Saw the Light on the way back from a dance in Fort Deposit, Alabama. Hank was out of it and sleeping in the car. His mother Lily said ‘Hank, wake up, we’re nearly home. I just saw the light.” He wrote the song right after she said that.

The The released their Hanky Panky album in 1995. The entire album featured Hank Williams cover songs. It was at first meant to be an EP of various artists doing the covers but then they decided just to go with the album by just them. They didn’t want to just copy the songs…they wanted to get the spirit of them in their own way. The album peaked at #28 on the UK album charts in 1995.

The song peaked at #31 in the UK.

Here is another song off of the Hanky Panky album…Your Cheating Heart.

I Saw The Light

I wandered so aimless, life filled with sinI wouldn’t let my dear Savior inThen Jesus came like a stranger in the nightPraise the Lord, I saw the light

I saw the light, I saw the lightNo more darkness, no more nightNow I’m so happy, no sorrow in sightPraise the Lord, I saw the light

Just like a blind man, I wandered alongWorries and fears I claimed for my ownThen like the blind man that God gave back his sightPraise the Lord, I saw the light

I saw the light, I saw the lightNo more darkness, no more nightNow I’m so happy, no sorrow in sightPraise the Lord, I saw the light

I was a fool to wander and strayFor straight is the gate and narrow’s the wayNow I have traded the wrong for the rightPraise the Lord, I saw the light

I saw the light, I saw the lightNo more darkness, no more nightNow I’m so happy, no sorrow in sightPraise the Lord, I saw the light

Car Songs…Part 1

In my Fred Eaglesmith post on Saturday, two comments caught my attention. One was Keith telling me when he was a DJ they would play car songs at certain times. Then Obbverse mentioned… that would be a good post for someone…and indeed he was right.

When I was a teenager…a car wasn’t just a car…it was freedom. It was a key to an adult world we wanted eagerly to jump into. Ok…I’ll have songs with either the word “car” in them or with a model of a car in the title only. If not I would have 80 percent of Springsteen songs…not a bad thing at all but I will play by those rules.

Janis Joplin – Mercedes Benz

Let’s start with Janis Joplin. This is based on a song called C’mon, God, and buy me a Mercedes Benz by the Los Angeles beat poet Michael McClure. Joplin saw McClure perform it, and on August 8, 1970, she reworked it into her own song, which she performed about an hour later.

There are three credited songwriters on this track: Joplin, Michael McClure, and Bob Neuwirth. McClure says he never earned a cent from his poetry, but “Mercedes Benz” paid for his house in the Butters Canyon section of Oakland, California.

Janis Joplin never got a Mercedes Benz, but she did have a 1965 Porsche that was painted to become a piece of hippie art.

Wilco – Bull Black Nova

Many thanks to Obbverse for recommending this one. This song is a dark one…very dark. It’s somewhat cryptic and open to interpretation but one thing it does show… guilt, betrayal, and the consequences of one’s actions…and the narrator possibly killing his girlfriend. This song was released in 2009 on the album Wilco (The Album).  The song was written by Wilco… Glenn Kotchie, Jeff Tweedy, John Stirratt, Mikael Jorgensen, Nels Cline, and Pat Sansone.

If I am the one, blood on the sofa
Blood in the sink, blood in the trunk
High at the wheel of a bull black Nova
And I’m sorry as a setting sun
This can’t be undone, can’t be outrun

Bruce Springsteen – Cadillac Ranch

I could probably do a post just on Cadillac songs.

This song is a great little rocker off of The River. This is one of many early Springsteen songs featuring cars. Some others were “Thunder Road,” “Backstreets,” and “Racing In The Street.” Bruce used the Cadillac image again in 1984 on “Pink Cadillac.”

Springsteen used Cadillac Ranch as a metaphor for the coming of death.

There is a real Cadillac Ranch.

In 1974 along Route 66 west of Amarillo, Texas, Cadillac Ranch was invented and built by a group of art-hippies from San Francisco. They called themselves The Ant Farm, and their silent partner was Amarillo billionaire Stanley Marsh 3. He wanted a piece of public art that would baffle the locals, and the hippies came up with a tribute to the evolution of the Cadillac tail fin. Ten Caddies were driven into one of Stanley Marsh 3’s fields, then half-buried, nose-down, in the dirt

T Rex – Jeepster

This song was on the 1972 album Electric Warrior. The music was supposedly based off of the Willie Dixon song You’ll Be Mine.

Jeepster was recorded live in the studio. The recording happened entirely organically and was not overdubbed. Marc Bolan, amid a performance, jumped up and down as he played his guitar, shaking the microphone stands. The sound of those stands was kept in the song. Producer Tony Visconti saw them as important features of the overall mood of the track and chose to include them.

K.C. Douglas-Mercury Blues

Mercury Blues was written by the Blues musicians K.C. Douglas and Robert Geddins in 1949. It was originally titled “Mercury Boogie.” The song was made famous 44 years later by Alan Jackson, whose 1993 cover peaked at #2 on the Billboard Country charts. The song has also been covered by Steve Miller, David Lindley, and Meat Loaf.

My Musical Guest For Christmas

Dave has asked us…The magic that is Christmas is that you can invite any musician (or person from the music world) to be your guest. Even if they’ve passed away, they can be at your table for a meal and a few stories.  So, who would you invite?  And any little musical gift you hope they might possibly come with?

This was posted on Dave’s (A Sound Day) site on December 14, 2023.

Well, I’m cheating a bit…my Christmas guest left the earth in 1964 and yes, he was a musician…just not a rock musician. He played the harp and played it quite well…his nickname even contained that name…Harpo Marx. But Max…why not a rock musician? If I had to pick a rock musician, it would be one of two people. John Lennon or Keith Moon. I would say Lennon would be my number one choice but I wanted to go a different route.

Why am I picking Harpo? He hung out with the top artists, writers, musicians, and athletes of his time. He was always at peace with himself. He has said he never had a bad night’s sleep. The guy was close to what you see on screen. He had so many stories about his life that just those would keep you entertained. There are more reasons…but here are some of the things he did.

The man was born in 1888 and grew up in New York. He didn’t graduate from high school…no, he jumped out the window of his second-grade classroom and never went back to his teacher Miss Flatto. Did the lack of education stop him in life? No, not at all as you will see.

In 1909 his mother Minnie roped him into appearing on stage with his brothers in a singing play. He was dressed in a duck suit and promptly peed in his pants. “Coney Island, New York. Made my debut at Henderson’s and peed in my pants. I felt shamed and disgraced, but Minnie wouldn’t let me quit the act on any such flimsy pretext. She hung my trousers out to dry in the sea breeze between shows. By the second show, I was much less scared, so enthusiastic in fact that everybody was afraid I might sing. But I didn’t. I just opened my mouth when Groucho did.”

The brothers hit the vaudeville circuit and any rock stars who say their beginning was rough…they don’t know what rough is. The Brothers would stay in boarding houses when possible but sometimes slept in the park. They ate food that was infested with bugs and people treated them terribly because show people were frowned upon at that time. They were in Vaudeville from 1909 to 1924. That was a lot of hard living and the brothers were in their mid-thirties before they hit Broadway.

The review that would change Harpo’s life came in 1924 in their first play (I’ll Say She Is) to make Broadway. The review was written by the author Alexander Woollcott. He wrote glowingly about all the brothers, but Harpo is the one he singled out. Woollcott met Harpo backstage and soon introduced Harpo to some of the most sophisticated writers and artists of that time. Harpo soon became a member of the Algonquin Round Table. That was where witty and cutting remarks flowed like water. Groucho said it was like falling in a den of lions. Some of the regulars were Dorothy Parker, Alexander Woollcott, Heywood Broun, Robert Benchley, Robert Sherwood, George S. Kaufman, Franklin P. Adams, Marc Connelly, Harold Ross, and Russell Crouse. Harpo has said that he was a professional listener. Despite only having a 2nd grade education he could hold his own and was a vivacious reader.

Kaufman would co-write 2 plays for the brothers, The Cocoanuts and Animal Crackers. They were Broadway smashes and soon the brothers would be making movie versions of both. In 1929 they made The Cocoanuts movie in New York while acting in Animal Crackers on Broadway. They would make Animal Crackers next and then move to Hollywood. Their film career lasted from 1929 to 1949 with a movie called Love Happy with Marilyn Monroe. They made 13 in all.

Harpo was a happy bachelor until he met Susan Fleming in 1932 and they were married in 1936. He was very much like his character on the screen except he talked of course. He hung out with royalty, artists, and even toured Russia in 1933 and carried secret papers taped to his leg out of the country for America. He never found out what he risked is life for though. Some FBI agents got the papers as soon as he got to New York.

Harpo and Susan wanted children, so they adopted. Harpo had said he wanted a child in every window when he went to work. So, they adopted 4 kids and from all accounts…was one of the best dads you could possibly get. If he came home late, he would sometimes wake one of his children just to play games with them. None of his kids ever wrote books on how bad he was or ever said anything bad publicly. He did have a set of rules that he went by and had them pinned up. This is them and I had the same rules on our refrigerator when Bailey was small, although a few were altered because we had no pool table or harp.

  1. Life has been created for you to enjoy, but you won’t enjoy it unless you pay for it with some good, hard work. This is one price that will never be marked down.
  2. You can work at whatever you want to as long as you do it as well as you can and clean up afterwards and you’re at the table at mealtime and in bed at bedtime.
  3. Respect what the others do. Respect Dad’s harp, Mom’s paints, Billy’s piano, Alex’s set of tools, Jimmy’s designs, and Minnie’s menagerie.
  4. If anything makes you sore, come out with it. Maybe the rest of us are itching for a fight, too.
  5. If anything strikes you as funny, out with that, too. Let’s all the rest of us have a laugh.
  6. If you have an impulse to do something that you’re not sure is right, go ahead and do it. Take a chance. Chances are, if you don’t you’ll regret it – unless you break the rules about mealtime and bedtime, in which case you’ll sure as hell regret it.
  7. If it’s a question of whether to do what’s fun or what is supposed to be good for you, and nobody is hurt whichever you do, always do what’s fun.
  8. If things get too much for you and you feel the whole world’s against you, go stand on your head. If you can think of anything crazier to do, do it.
  9. Don’t worry about what other people think. The only person in the world important enough to conform to is yourself.
  10. Anybody who mistreats a pet or breaks a pool cue is docked a months pay.

Harpo played in some of the seediest joints you could imagine and had to endure a lot of antisemitism, but he was loved by all around him including children and animals.

His son Bill, who is a talented musician, released a book a few years ago. He said in 1964 that Harpo loved The Beatles when they first arrived. Bill was a professional piano player and he didn’t think The Beatles would last. Harpo told him that he better get used to them because they would be remembered in history because they were starting something new. Bill said six years later he was playing a gig and many of his songs were Beatle songs. He thought… “Dad was right again” while playing Let It Be.

Here is an intro that Harpo wrote to Harpo Speaks…I thought you would enjoy this…he gives a brief story of him.

I’ve played piano in a whorehouse. I’ve smuggled secret papers out of Russia. I’ve spent an evening on the divan with Peggy Hopkins Joyce. I’ve taught a gangster mob how to play Pinchie Winchie. I’ve played croquet with Herbert Bayard Swope while he kept Governor Al Smith waiting on the phone. I’ve gambled with Nick the Greek, sat on the floor with Greta Carbo, sparred with Benny Leonard, horsed around with the Prince of Wales, played Ping-pong with George Gershwin. George Bernard Shaw has asked me for advice. Oscar Levant has played private concerts for me at a buck a throw. I have golfed with Ben Hogan and Sam Snead. I’ve basked on the Riviera with Somerset Maugham and Elsa Maxwell. I’ve been thrown out of the casino at Monte Carlo.
Flush with triumph at the poker table, I’ve challenged Alexander Woollcott to anagrams and Alice Duer Miller to a spelling match. I’ve given lessons to some of the world’s greatest musicians. I’ve been a member of the two most famous Round Tables since the days of King Arthur—sitting with the finest creative minds of the 1920s at the Algonquin in New York, and with Hollywood’s sharpest professional wits at the Hillcrest.
(Later in the book, some of these activities don’t seem quite so impressive when I tell the full story. Like what I was doing on the divan with Peggy Hopkins Joyce. I was reading the funnies to her.)
The truth is, I had no business doing any of these things. I couldn’t read a note of music. I never finished the second grade. But I was having too much fun to recognize myself as an ignorant upstart.
 
 I can’t remember ever having a bad meal. I’ve eaten in William Randolph Hearst’s baronial dining room at San Simeon, at Voisin’s and the Colony, and the finest restaurants in Paris. But the eating place I remember best, out of the days when I was chronically half starved, is a joint that was called Max’s Busy Bee. At the Busy Bee, a salmon sandwich on rye cost three cents per square foot, and for four cents more you could buy a strawberry shortcake smothered with whipped cream and a glass of lemonade. But the absolutely most delicious food I ever ate was prepared by the most inspired chef I ever knew—my father. My father had to be inspired because he had so little to work with.
I can’t remember ever having a poor night’s sleep. I’ve slept in villas at Cannes and Antibes, at Alexander Woollcott’s island hideaway in Vermont, at the mansions of the Vanderbilts and Otto H. Kahn and in the Gloversville, New York, jail. I’ve slept on pool tables, dressing-room tables, piano tops, bathhouse benches, in rag baskets and harp cases, and four abreast in upper berths. I have known the supreme luxury of snoozing in the July sun, on the lawn, while the string of a flying kite tickled the bottom of my feet.

I can’t remember ever seeing a bad show. I’ve seen everything from Coney Island vaudeville to the Art Theatre in Moscow. If I’m trapped in a theatre and a show starts disappointingly, I have a handy way to avoid watching it. I fall asleep.
My only addictions—and I’ve outgrown them all—have been to pocket billiards, croquet, poker, bridge and black jelly beans. I haven’t smoked for twenty years.

The only woman I’ve ever been in love with is still married to me.

My only Alcohol Problem is that I don’t particularly care for the stuff.

Who wouldn’t want to talk to this man? Thank you…and as far as a musical gift… I would love to hear Harpo play either the Harp, or piano, or just tell me Vaudeville stories!

Five of my Favorite Country Songs

The good thing about Star Trek being over is…I can start posting a couple of music things on Saturday and Sunday.

I grew up near Nashville so it did leave its imprint on me but I don’t listen to modern country music. I do include some songs that are more country/rock but they fit what I like. They are in no particular order…well my favorite admittedly is the top one.

Hope you enjoy the small sample platter of country songs.

This song is my favorite of the Flying Burrito Brothers. It came off their great  album The Gilded Palace of Sin It didn’t chart at the time. Parsons wrote this song with Burrito bass player Chris Ethridge while the band was living in their San Fernando Valley house that was dubbed “Burrito Manor.”

Merle Haggard was a constant on the radio here with my parents. He wrote so many classic songs and this is one of them…Mama Tried.

Merle Haggard wrote this song while serving time in San Quentin prison for robbery. The song is based on his life, and how his mother tried to help him but couldn’t… Mama Tried came out in 1968 and peaked at #1 on the Country Charts and #1 in the Canada Country Charts in 1968.

The man had 38 number-one hits, 71 top-ten hits, and 101 songs in the top 100 in the country charts. Merle is one of my favorite country artists. If only the new ones would listen and learn.

Hank Williams is one of my favorite country artists. He could write songs of great quality but the ironic thing is…this one is one of the few he didn’t write. His nickname…The Hillbilly Shakespeare is true to form. Hank Williams released this song in 1949 and it peaked at #12 on the Country Charts. It was written by Leon Payne.

Loretta Lynn is my favorite female country singer with apologies to Dolly Parton. This is a song that she did with Jack White called Portland Oregon. If the modern country was like this…I would listen. Their voices go really well with each other.  Country radio would not play it but the album still peaked at #2 on the Country Charts and #24 on the Billboard Album Charts and #1 on the UK Country Charts in 2004.

They didn’t win any country music awards but came away with two Grammys.

I love the build-up to this song…Jack White builds this up and Loretta starts singing around 1:40.

Now to finish it out with 5 songs…I thought I would add Dwight Yoakam who was inspired by Buck Owen’s Bakersville Sound. The song peaked at #2 on the Billboard Country Charts and at #3 in Canada in 1993. It was written by Yoakam and produced by Pete Anderson.

The song was on Dwight’s album This Time. The album peaked at #4 in the Billboard Country Album Charts, #1 in the Canada RPM Album Charts, and #25 in the Billboard Album Charts.

John Lee Hooker – Boogie Chillen

This is one of the places where rock and roll began.

I knew this sounded familiar…ZZ Top reworked this into their 1973 hit “La Grange.” In 1992, Bernard Besman, who was Hooker’s producer and controlled the copyright to “Boogie Chillen,” sued ZZ Top, but a court eventually ruled that Hooker’s song was in the public domain.

I love any version of this song out there but the two I like the best are the original and when Hooker played with Canned Heat on the album…Hooker and Heat.

In 1948, Hooker showed up at the office of a Detroit record store/label owner named Bernard Besman and presented him with a demo. Besman provided the studio and produced this song for Hooker. They worked together for the next four years, recording many of Hooker’s songs, but Boogie Chillen was the big hit.

The song peaked at #1 in the R&B Charts and sold over a million copies after Besman leased the rights to distribute the song to Modern Records. When the song took off, Hooker still had his day job working as a janitor in a Chrysler factory.

Hooker is the only person performing on the song. The only sounds are his voice, guitar, and stomping feet. The tapping sounds came from bottle caps attached to the soles of his shoes.

“Chillen” is Southern slang for “Children.” This was the first song Buddy Guy learned how to play on guitar. Growing up in Lettsworth, Louisiana in a small house with no electricity or running water, Guy heard this song when a family friend, Henry “Coot” Smith, would come over and play it on his guitar.

Boogie Chillen

Well, my mama ‘low me just to stay out all night long
Oh, Lord
Well, my mama ‘low me just to stay out all night long
I didn’t care she ‘low, I would boogie anyhow

When I first came to town, people, I was walkin’ down Hastings Street
Everybody was talkin’ about the Henry Swing Club
I decided I drop in there that night
When I got there, I say, “Yes, people”
They was really havin’ a ball
Yes, I know

Boogie Chillen’

One night I was layin’ down
I heard mama and papa talkin’
I heard papa tell mama let that boy boogie-woogie
It’s in him and it got to come out
And I felt so good
Went on boogin’ just the same

Hank Williams – Move It On Over

Whenever I’m asked if I like country music…at first, I wonder what country they mean. If they mean commercial top 40…then not. If they mean Hank Williams, then a big fat yes. In this country, I hear a little rockabilly and country mix…which is a great thing.

Hank Williams as a songwriter is up there with the greats. Bob Dylan and more idolized him and his writing. This song was his first big hit. The song was written by the man himself. He released this song in 1947. Two years later, he received his invitation to join the Grand Ole Opry after his successful recording of the minstrel era song, “Lovesick Blues.”

Move It On Over peaked at #4 in the Country Charts in 1947.

Despite never learning to read music, Williams was a prolific songwriter including country music classics such as “Hey, Good Lookin’,” “I’m So Lonesome I Could Cry,” and “Your Cheatin’ Heart.” He recorded a total of 66 songs in his six-year recording career, 37 of which became hit records. It was not unheard of for Williams to record three hit songs in one afternoon. Now think about this… out of 66 songs recorded…37 were hits… That is like batting over .500.

Williams was plagued by back pain throughout his life, likely due to spina bifida. Life on the road as a Country singer only made it worse. An operation in 1951 gave him no relief and actually increased his pain. The combination of unending physical pain and the pressure of being a successful recording artist led to Williams seeking solace in drugs in alcohol.

Many of you will remember this song by George Thorogood released in 1978 and picked up a lot of airplay.

Move It On Over

I come in last night about half past ten
That baby of mine wouldn’t let me in
So move it on over, rock it on over
Move over little dog, the mean old dog is movin’ in

She told me not to mess around
But I done let the deal go down
Move it on over, rock it on over
Move over nice dog, a big fat dog is movin’ in

She changed the lock on my back door
Now my key won’t fit no more
Move it on over, rock it on over
Move over nice dog, the mean old dog is movin’ in

She threw me out just as pretty as she pleased
Pretty soon I’ll be scratchin’ fleas
Move it on over, slide it on over
Move over nice dog, a mean old dog is movin’ in

Yeah, listen to me dog before you start to whine
That side yours and this side mine
So move it on over, rock it on over
Move over little dog, the big old dog is movin’ in

Yeah, she changed the lock on my back door
Now my key won’t fit no more
Move it on over, rock it on over
Move over little dog, the big old dog is movin’ in

Move it on over, move it on over
Move it on over, won’t’cha rock it on over
Move over cool dog, the hot dog’s movin’ in

Elvis Presley – I Forgot To Remember To Forget

It’s been too long since I posted about the big E. How could someone, not like a song with a title like that?

Elvis didn’t want to record this song because he thought it was too Country, so drummer Johnny Bernero from Memphis was added to the mix. Up until this time, there was only Scotty Moore on guitar, Bill Bass on bass, and Elvis on rhythm guitar. This added an up-tempo beat…Elvis liked it and recorded the song, which became a Country hit. I know Elvis is Elvis, but his backing band was just as special to me. Scotty Moore was one of a kind.

This song was released twice. The Sun Records release first charted the following week (September 17, 1955) at #14 on Billboard’s Country Charts.  On November 21, 1955, it was released yet again. On that day RCA Victor purchased Elvis’s contract from Sam Phillips. As part of the deal, RCA obtained the rights to all of Presley’s Sun recordings. Soon after, RCA pressed and distributed a single of “I Forgot to Remember to Forget” and “Mystery Train” on its own label.

This was Elvis’ first #1 on any chart. It peaked at #1 in the Country Charts and #2 in Canada in 1955.

The Beatles never recorded this song in the studio, but they did it for the BBC with George singing lead.

The song was written by Charlie Feathers and Stan Kesler.  Kesler had already written Presley’s “I’m Left, You’re Right, She’s Gone” when he had the idea for this song.

Stan Kesler: “At that time, I was on the kick of catchy titles,” Kesler recalled. “When I began to think about that phrase, it just expanded into ‘I forgot to remember to forget her.’ From there, I started working on it, and it all fell together.”

The Beatles version… live in the BBC studios.

I Forgot To Remember To Forget

I forgot to remember to forget her
I can’t seem to get her off my mind
I thought I’d never miss her
But I found out somehow
I think about her almost all the time
The day she went away
I made myself a promise
That I’d soon forget we ever met
But something sure is wrong
‘Cause I’m so blue and lonely
I forgot to remember to forget

The day she went away
I made myself a promise
That I’d soon forget we ever met
Well, but something sure is wrong
‘Cause I’m so blue and lonely
I forgot to remember to forget

Comedian Quotes

I’ve been watching some older comedy movies…I thought I’d pick out some quotes by these early great comedians.

W. C. Fields (Creator) - TV Tropes

W.C. Fields

If at first you don’t succeed, try, try again. Then quit. No use being a damn fool about it.

If you can’t dazzle them with brilliance, baffle them with bullshit.

Once, during Prohibition, I was forced to live for days on nothing but food and water.

I like children. If they’re properly cooked.

I never hold a grudge. As soon as I get even with the son-of-a bitch, I forget it.

I was in love with a beautiful blond once. She drove me to drink. That’s the one thing I’m indebted to her for.

The Case for Duck Soup as the Greatest Monologue in Movie History | Den of  Geek

Groucho Marx

A man is only as old as the woman he feels.

Those are my principles, and if you don’t like them… well, I have others.

Marriage is a wonderful institution, but who wants to live in an institution?

I married your mother because I wanted children, imagine my disappointment when you came along

Please accept my resignation. I don’t care to belong to any club that will have me as a member

Stan Laurel (Comedian and Actor) - On This Day

Stan Laurel

You can lead a horse to water, but a pencil must be led.

If any of you cry at my funeral I’ll never speak to you again.

I had a dream that I was awake and I woke up to find myself asleep.

Humor is the truth; wit is an exaggeration of the truth.

Off The Rails: When Buster Keaton Pulled Off Silent Film's Most Expensive  Stunt - Ripley's Believe It or Not!

Buster Keaton

A comedian does funny things. A good comedian does things funny.

Charlie Chaplin and I would have a friendly contest: Who could do the feature film with the least subtitles?

If one more person tells me this is just like old times, I swear I’ll jump out the window.

Harpo Marx | American actor | Britannica

Harpo Marx

The passing of an ordinary man is sad. The passing of a great man is tragic, and doubly tragic when the greatness passes before the man does.

If things get too much for you and you feel the whole world’s against you, go stand on your head. If you can think of anything crazier to do, do it.

The Real Charlie Chaplin' Review: A Telling Look at the Tramp - Variety

Charlie Chaplin

It isn’t the ups and downs that make life difficult; it’s the jerks.

You’ll never find rainbows, If you’re looking down…

A day without laughter is a day wasted.

Life is a tragedy when seen in close-up, but a comedy in long-shot.