Power Pop fan, Baseball, Beatles, Alternative music, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s... I'm also a songwriter, bass and guitar player. Not the slightest bit interested in politics at all.
Whenever I hear this song I think of a story that Dick Cavett told. He said he met Janis in a restaurant and a Janis song was playing on a jukebox while they sat down. Cavett asked Janis what the name of it was…and she said “Down On Me.” Dick said “Wow, I guess that is one you cannot sing on television”…Janis smiled and said “Dick, it’s a gospel song.”
It was a traditional gospel song from the 20s that Janis reworked. The song was on the debut album of Big Brother & the Holding Company featuring Janis and the album had the same name. The song peaked at #43 in the Billboard 100 in 1967. The album was sloppy…Big Brother and the Holding Company were really raw with no polish. On their second album “Cheap Thrills” they would improve but Janis left after the that album to work with better musicians.
This is not the best Joplin song but I do like it.
Down On Me
Down on me, down on me, Looks like everybody in this whole round world They’re down on me.
Love in this world is so hard to find When you’ve got yours and I got mine. That’s why it looks like everybody in this whole round world They’re down on me.
Saying they’re down on me, down on me. Looks like everybody in this whole round world Down on me.
When you see a hand that’s held out toward you, Give it some love, some day it may be you. That’s why it looks like everybody in this whole round world They’re down on me, yeah.
Lord, they’re down on me, down on me, oh! Looks like everybody in this whole round world Is down on me.
Believe in your brother, have faith in man, Help each other, honey, if you can Because it looks like everybody in this whole round world Is down on me.
I’m saying down on me, oh, down on me, oh! It looks like everybody in this whole round world Down on me!
This is one of the most remembered songs from Jimi. According to Hendrix biographer Harry Shapiro, the song was probably inspired by Heather Taylor, who eventually married Roger Daltrey, the lead singer for The Who.
Kathy Etchingham, Jimi’s girlfriend at the time, also claimed to be one of many inspirations for “Foxy Lady.” I’m sure there are/were a lot of claims.
Hendrix recorded this on December 13, 1966. That same day, he made his first TV appearance on the British show Ready Steady Go. The Jimi Hendrix Experience had been together only 2 months at that point, but things moved very quickly. Three days later, their first single, “Hey Joe” was released.
Rolling Stone magazine placed the song at number 153 on its list of the “500 Greatest Songs of All Time.”
The song was on the Are You Experienced album released in 1967. It peaked at #5 in the Billboard Album Charts, #15 in Canada and #2 in the UK
Foxy Lady peaked at #67 in the Billboard 100.
From Songfacts
Hendrix opened for The Monkees on their 1967 tour. When he played this, the young girls who came for The Monkees and had no interest in Hendrix shouted “Davy!” when Hendrix sang “Lady,” resulting in “Foxy Davy,” and turning it into a tribute to their idol, Monkees lead singer Davy Jones.
This was featured in the movie Wayne’s World. It is used in a scene where Garth (Dana Carvey), sings it while thinking about his dream woman, played by Donna Dixon.
In the booklet for the Experience Hendrix CD, Hendrix was quoted as saying this was the only happy song he had ever written. He said that he usually just doesn’t feel happy when writing songs.
The title of this song has two alternate spellings: “Foxey Lady” (for release in America) and “Foxy Lady” (for release in the UK).
Foxy Lady
Foxey, foxey You know you’re a cute little heart breaker, ha Foxey, yeah And you know you’re a sweet little love maker, ha Foxey
I want to take you home, haha yeah I won’t do you no harm no, ha You got to be all mine, all mine Ooh foxey lady, yeah Foxey, foxey
Now-a I see you come down on the scene Oh foxey You make me want to get up and a scream Foxey, oh baby listen now I’ve made up my mind Yeah, I’m tired of wasting all my precious time You got to be all mine, all mine Foxey lady Here I come Foxey
Yeah I’m gonna take you home I won’t do you no harm no You got to be all mine, all mine Foxey lady Here I come baby, I’m commin’ to get ya
Ooh foxey lady yeah yeah You look so good foxey Oh yeah foxey Yeah give us some foxey Foxey foxey lady Foxey lady
Rick Danko conveys so much hurt, loneliness and heartache in this song. You can feel his pain with every word he sings. It’s one of the best vocals of pure suffering I’ve ever heard. He sounds like a man at the end of his tether because of a hopeless love affair.
The Band’s later material sometimes gets neglected since their first two albums were so good. This song was on the Northern Lights – Southern Cross album released in 1975.
The album peaked at #26 in the Billboard 100 and #27 in Canada.
Robbie Robertson: “I thought about the song in terms of saying that time heals all wounds,” he said. “Except in some cases, and this was one of those cases.”
Robbie Robertson: “I wrote this song specifically for Rick to sing, and when we first started discovering the possibilities, it kept expanding to more levels of emotion. What Garth and I could add to finalize the statement of this song was purely instinctual.”
From Songfacts
This was included on the soundtrack to The Last Waltz, a 1978 documentary about The Band directed by Martin Scorsese, named after the group’s 1976 concert at the Winterland Ballroom in San Francisco. The group also performed the song during the concert, which was a basis for the film.
This was included on the sound Solomon Burke covered this on the 2005 album Make Do With What You Got. Other covers include My Morning Jacket on the 2007 album Endless Highway: The Music of The Band and the 2012 album Love for Levon, and Over the Rhine on the 2013 album Meet Me at the Edge of the World.
It Makes No Difference
It makes no difference where I turn I can’t get over you and the flame still burns It makes no difference, night or day The shadow never seems to fade away
And the sun don’t shine anymore And the rains fall down on my door
Now there’s no love As true as the love That dies untold But the clouds never hung so low before
It makes no difference how far I go Like a scar the hurt will always show It makes no difference who I meet They’re just a face in the crowd On a dead-end street And the sun don’t shine anymore And the rains fall down on my door
These old love letters Well, I just can’t keep Cause like the gambler says Read ’em and weep And the dawn don’t rescue me no more
Without your love I’m nothing at all Like an empty hall it’s a lonely fall Since you’ve gone it’s a losing battle Stampeding cattle They rattle the walls
And the sun don’t shine anymore And the rains fall down on my door
Well, I love you so much It’s all I can do Just to keep myself from telling you That I never felt so alone before
I heard this a lot when I was a kid. The song was written by Hot Chocolate members Errol Brown and Tony Wilson. The song peaked at #22 in the UK in 1970. I also heard the version by April Wine.
You Could’ve Been A Lady was released by Hot Chocolate as a non-album single, the song later appeared on the 2009 reissue of Cicero Park.
While the Hot Chocolate version of “You Could Have Been a Lady,” never charted in the Billboard 100, April Wine, a Canadian rock band, took the song to #32 in the Billboard 100 and #2 in Canada in 1972. A decade later and they would have their biggest American hit with Just Between You and Me.
Both bands did a great job. It’s a good catchy little rock song.
Could Have Been A Lady
You could’ve been all right You could’ve been here tonight You could’ve been sweet as wine You could’ve been a lady
You could’ve been all right You could’ve been here tonight You could’ve been sweet as wine You could’ve been a lady
They all love you, you’re a good girl When you awake you’ll find another man Lying beside you They all need you, they all want you Well, I’ll be surprised if you realised Where you’re going to
You could’ve been all right You could’ve been here tonight You could’ve been sweet as wine You could’ve been a lady ….
If I tell you where you’re going to You’d laugh in my face, I’m out of place Mind your business They all want you to make love to Well, I’ll be surprised if you realised Where you’re going to
You could’ve been all right You could’ve been here tonight You could’ve been sweet as wine You could’ve been a lady ….
Na-na-na-na-na-na-na ….
All right You could’ve been here tonight You could’ve been sweet as wine You could’ve been a lady
I was a kid when I first heard a Bob Dylan song and it was Knocking On Heaven’s Door. I liked the song but didn’t think much else about it. Later I heard about him while reading about the Beatles. This man was armed with words that caught everyone’s attention. The books would describe his voice as crude but effective with other adjectives thrown in the mix. I then bought his greatest hits. I received that great Dylan poster with the album that had “ELVIS” formed in his hair…I thought what a cool guy.
I then purchased Bringing It All Back Home and I was a bigger fan. I loved his voice right away. He didn’t sing like McCartney, Lennon, Elvis, or anyone like that but it worked…his voice had soul and passion. I found out why a generation before me followed him like the Pied Piper…it all became clear. Whether you understood or agreed.. his voice and words meant something. Bob wasn’t a product.
It was Dylan who inspired the Beatles and it was The Beatles who inspired Dylan…they played off of each other and took popular music to new exciting places.
This album angered a lot of his fans. After being a folk singer armed with his acoustic and his bag of words…he blew people away. Then this album came out with electric instruments. That did not go down well with the folk fans. One side of the album was acoustic and the other side full of raw electric songs. Some of his fans would boo him at concerts as soon as the band backed him up on the rock section. That didn’t slow Bob down at all…he knew what he was doing was right and he would not yield to the boos or naysayers.
On top of all of this…the album was recorded in three days…three days (January 13,14, and 15 1965). That’s not enough time for most artists to get a decent outtake.
These songs…where do I start? Lets start with the opener Subterranean Homesick Blues and the line “You don’t need a weather man to know which way the wind blows.” How many hippies have quoted that line? I learned this song by heart much like I did Tangled Up In Blue later on.
It’s Alright, Ma (I’m Only Bleeding) is a song that verse after verse amazes me. His voice in this song is perfect… almost like a preacher behind a pulpit. Bob sings about commercialism, hypocrisy, politics, and warmongering for starters. It’s wrong to pick out a lyric in this song without posting all of them but I will…”Made everything from toy guns that spark, To flesh-colored Christs that glow in the dark, It’s easy to see without looking too far, That not much is really sacred” I mean…holy hell…who comes up with that? It fits just right with today’s commercialism.
Love Minus Zero/No Limit is a over looked song by Bob that very well could be my favorite off of the album. This contains one of my favorite Dylan lyrics. “She knows there’s no success like failure, and that failure’s no success at all.” Lyricists would kill for lines like that…Dylan would make a habit of it. He helped raised the standards for songwriters. No longer would serious artists get away with simple rhyming lyrics.
She Belongs To Me took a while for me to get this one. For the longest time I skipped it on the album but then…one day it clicked. “She’s got everything she needs, She’s an artist, she don’t look back, She can take the dark out of nighttime And paint the daytime black.” it has since become one of my favorites.
I’m not going to add more videos to the already full post but it was a coin toss on which ones to go over. It’s All Over Now, Baby Blue, Mr. Tambourine Man, Outlaw Blues, Gates of Eden, Maggie’s Farm…and all of them are worthy. Bob released three albums between March 22, 1965 and June 20, 1966. Those albums were Bringing It All Back Home, Highway 61 Revisted, and Blonde on Blonde. Those alone would be a hall of fame career for any other artist but Bob was just getting warmed up.
This is my first non-band album on my island and I couldn’t have picked a better artist or album. Listening to Dylan never gets old because you continually find something new you didn’t hear before.
1. Subterranean Homesick Blues
2. She Belongs To Me
3. Maggie’s Farm
4. Love Minus Zero/No Limit
5. Outlaw Blues
6. On The Road Again
7. Bob Dylan’s 115th Dream
8. Mr Tambourine Man
9. Gates Of Eden
10. It’s Alright, Ma (I’m Only Bleeding)
11. It’s All Over Now, Baby Blue
God have mercy on the man Who doubts what he’s sure of
I was 20 years old when I heard that lyric for the first time and a chill went through me. Brilliant Disguise I would play over and over again.
Springsteen sings this from the viewpoint of a man who is conflicted over a romantic relationship. Although he claims the song is not directly about him, Springsteen was having problems in his marriage to his first wife, Julianne Phillips, and they divorced soon after.
This was the first single off Tunnel Of Love, an album Springsteen recorded in his home studio in New Jersey. Tunnel of Love is one of my favorite albums by Springsteen. The album peaked at #1 in the Billboard Album Charts, Canada, and the UK.
The song peaked at #5 in the Billboard 100, #9 in Canada, and #20 in the UK in 1987.
Bruce Springsteen: “I guess it sounds like a song of betrayal – who’s that person sleeping next to me, who am I? Do I know enough about myself to be honest with that person? But a funny thing happens: songs shift their meanings when you sing them, they shift their meanings in time, they shift their meanings with who you sing them with. When you sing this song with someone you love, it turns into something else.”
Brilliant Disguise
I hold you in my arms As the band plays What are those words whispered baby Just as you turn away I saw you last night Out on the edge of town I wanna read your mind To know just what I’ve got in this new thing I’ve found So tell me what I see When I look in your eyes Is that you baby Or just a brilliant disguise
I heard somebody call your name From underneath our willow I saw something tucked in shame Underneath your pillow Well I’ve tried so hard baby But I just can’t see What a woman like you Is doing with me So tell me who I see When I look in your eyes Is that you baby Or just a brilliant disguise
Now look at me baby Struggling to do everything right And then it all falls apart When out go the lights I’m just a lonely pilgrim I walk this world in wealth I want to know if it’s you I don’t trust ‘Cause I damn sure don’t trust myself
Now you play the loving woman I’ll play the faithful man But just don’t look too close Into the palm of my hand We stood at the alter The gypsy swore our future was right But come the wee wee hours Well maybe baby the gypsy lied So when you look at me You better look hard and look twice Is that me baby Or just a brilliant disguise
Tonight our bed is cold I’m lost in the darkness of our love God have mercy on the man Who doubts what he’s sure of
The song was written by Chips Moman and Bobby Emmons. Waylon Jennings was in Moman’s American Studios in Nashville recording Luckenbach, Texas when Willie Nelson happened to drop by for no particular reason.
Jennings saw him and asked him to sing with him on this. So Willie ended up adding his voice to the final verse, providing a couple of lyrical changes in the process.
Chips Moman used reverse psychology on Waylon to get him to record this song. Chips told him “here’s a song that you can’t cut because I’ve got it promised to someone else, but can I get your opinion on it?” It worked, Waylon took the bait and told Moman “I’m gonna cut that song.”|
Suddenly the tiny town of Luckenbach was besieged by network reporters and camera crews. Over one hundred city-limit signs have been stolen from the town since Jennings’ famous record was first released in 1977, and ironically neither Waylon nor the song’s writers Chips Moman and Bobby Emmons ever made their way to Luckenbach, Texas.
The song peaked at #1 in the Billboard Country Charts, #25 in the Billboard 100, and #1 in the Canadian Country Charts, and #46 in the Canadian RPM Charts in 1977.
Luckenbach Texas
Let’s go to Luckenbach, Texas With Waylon and Willie and the boys This successful life we’re livin’ Got us feuding like the Hatfields and McCoys Between Hank Williams’ pain songs and Newbury’s train songs and “Blue Eyes Cryin’ in the Rain” Out in Luckenbach, Texas, ain’t nobody feelin’ no pain
So baby, let’s sell your diamond ring Buy some boots and faded jeans and go away This coat and tie is choking me In your high society, you cry all day We’ve been so busy keepin’ up with the Jones Four car garage and we’re still building on Maybe it’s time we got back to the basics of love
Let’s go to Luckenbach, Texas With Waylon and Willie and the boys This successful life we’re livin’ got us feudin’ Like the Hatfield and McCoys Between Hank Williams’ pain songs and Newbury’s train songs and “Blue Eyes Cryin’ in the Rain” Out in Luckenbach, Texas, ain’t nobody feelin’ no pain
Let’s go to Luckenbach, Texas Willie and Waylon and the boys This successful life we’re livin’s got us feudin’ Like the Hatfield and McCoys Between Hank Williams’ pain songs And Jerry Jeff’s train songs and “Blue Eyes Cryin’ in the Rain” Out in Luckenbach, Texas, there ain’t nobody feelin’ no pain
Last Train to London was on the Discovery album released in 1979. Dave (A Sound Day) covered this album and he has some great trivia on who the model was on the cover. Click on there and see who it was…it will probably surprise you.
I had this album and there are two songs I really liked off of it other than the big hits. One of them is this one and the other was The Diary of Horace Wimp.
Jeff was happy to admit that he appreciated disco. Shine a Little Love and Last Train To London certainly pointed that way.
This album generated four top-ten UK singles, a successful new milestone in spite of the fact that this was the first which the group did not support with a tour.
Last Train To London peaked at #39 in the Billboard 100, #28 in Canada, and #8 in the UK.
Discovery peaked at #5 in the Billboard Album Chart, #1 in the UK and #3 in Canada.
Jeff Lynne: “I love disco. I love it and I always have loved it, ever since I first heard that ‘bang, bang, bang, bang!’ And I realized, ‘Wow! You just keep the bangs in and fill the holes in with something else.’ And it worked. I mean Shine A Little Love is the perfect example, right there. And Last Train To London. I really enjoyed doing disco.”
Last Train To London
It was 9-29, 9-29 back street big city The Sun was going’ down, there was music all around It felt so right
It was one of those nights One of those nights when you feel the world stop turning You were standing there, there was music in the air I should have been away, but I knew I’d have to stay
Last train to London, just heading out Last train to London, just leaving town But I really want tonight to last forever I really wanna be with you Let the music play on down the line tonight
It was one of those nights One of those nights when you feel the fire is burning Everybody was there, everybody to share, it felt so right
There you were on your own Looking like you were the only one around I had to be with you, nothing else that I could do I should have been away, but I knew I’d have to say
Last train to London, just heading out Last train to London, just leaving town But I really want tonight to last forever I really wanna be with you Let the music play on down the line tonight
Underneath a starry sky Time was still but hours must really have rushed by I didn’t realize, but love was in your eyes I really should have gone, but love went on and on
Last train to London, just heading out Last train to London, just leaving town But I really want tonight to last forever I really wanna be with you Let the music play on down the line tonight
H.R. Pufnstuf Who’s your friend when things get rough? H.R. Pufnstuf Can’t do a little ’cause he can’t do enough
I wasn’t old enough to catch the first run of this but I caught the show reruns in the mid-seventies. It was so colorful and intriguing. I always loved this show. Jack Wild did a great job as Jimmy who sails his ship to this God forsaken island. Talking trees, flute, mushrooms, and Witchiepoo always trying to nab Jimmy’s gold talking flute. The mayor of the island was H.R. Pufnstuf…a dragon type creature I think.
The character HR Pufnstuf was created for the 1968 World’s Fairin San Antonio, Texas. The show lasted one season…1969-1970. They made 17 episodes and replayed them over and over. The show was an immediate hit, so NBC renewed it for a second season, but it had become such an overwhelming money pit for the producers that they declined and the network was forced to air reruns.
It’s long been rumored that the Krofft brothers were deeply influenced by marijuana and LSD when they were making H.R. Pufnstuf…uh…”Hand Rolled Puffin’ Stuff.” Despite these obvious parallels, the brothers deny using drugs – at least during work hours.
Marty Krofft: “We screwed with every kid’s mind,”such as H.R. Pufnstuf, Lidsville and Land of the Lost — that he created with brother Sid in the early 1970s. “There’s an edge. Disney doesn’t have an edge.”
Marty Krofft: “No drugs involved. You can’t do drugs when you’re making shows. Maybe after, but not during. We’re bizarre, that’s all.”
On a side note… The Kroffts sued McDonalds for copyright infringement because Mayor McCheese and Big Mac bore a strong resemblance to H. R. Pufnstuf. They also noted similarities between the living trees and apple pie trees…McDonalds clearly did borrow from H.R. Pufnstuff.
H.R. Pufnstuf
H.R. Pufnstuf Who’s your friend when things get rough? H.R. Pufnstuf Can’t do a little ’cause he can’t do enough
Once upon a summertime Just a dream from yesterday A boy and his magic golden flute Heard a boat from off the bay “Come and play with me, Jimmy Come and play with me And I will take you on a trip Far across the sea”
But the boat belonged to a kooky old witch Who had in mind the flute to snitch From her broom-broom in the sky She watched her plans materialize She waved her wand The beautiful boat was gone The skies grew dark, the sea grew rough And the boat sailed on and on and on and on and on and on
H.R. Pufnstuf Who’s your friend when things get rough? H.R. Pufnstuf Can’t do a little ’cause he can’t do enough
But Pufnstuf was watching, too And knew exactly what to do He saw the witch’s boat attack And as the boy was fighting back He called his rescue racer crew As often they’d rehearsed And off to save the boy they flew But who would get there first?
H.R. Pufnstuf Who’s your friend when things get rough? H.R. Pufnstuf Can’t do a little ’cause he can’t do enough
But now the boy had washed ashore Puf arrived to save the day Which made the witch so mad and sore She shook her fist and screamed away
H.R. Pufnstuf Who’s your friend when things get rough? H.R. Pufnstuf Can’t do a little ’cause he can’t do enough
One of the great guitar riffs in rock…very melodic and sounds great on a guitar.
John Lennon said he borrowed from the song “Watch Your Step” by the American blues musician Bobby Parker. I Feel Fine was released in late 1964. It was the A side of the single with She’s A Woman on the B side.
The first note of this song marked the first time feedback was used on a major release. It was created when John Lennon leaned his electric guitar against an amplifier and Paul McCartney played a note on his bass, creating a strangely appealing feedback loop.
The band thought it sounded great, but in this pre-Hendrix era, feedback was considered a technical malfunction and not an artistic enhancement.Producer George Martin was always open to new ideas and agreed to insert it at the beginning of the song. Paul would say that he let them experiment.
The song peaked at #1 in the Billboard 100, Canada, UK, and New Zealand in 1965.
From Songfacts
An early Beatles track, “I Feel Fine” lyrically is a simple love song about a guy who is crazy about his girl. It’s not Shakespeare, but it’s effective:
She’s so glad, she’s telling all the world
That her baby buys her things, you know
He buys her diamond rings, you know
The refrain is typical of Lennon’s songwriting, with the three long notes: “I’m so glad.” The sudden explosive refrain in harmonies is similar to Giovanni Gabrieli’s grand concerto “In ecclesiis,” an early baroque-music-piece.
There is a very faint sound at the end of the song that was rumored to be barking dogs. It’s actually just McCartney goofing around.
The Beatles included this in their setlist when they toured the US in August 1965. Prior to their famous Shea Stadium appearance on August 15, they taped a performance of this song and five others for an Ed Sullivan Show episode that aired September 12.
The group made two music videos for this song as part of a one-day shoot where they banged out takes for four others as well. These were not high-concept films: just the band having some fun while lip-synching the tracks. The first “I Feel Fine” video got pretty goofy, with Ringo riding a stationary bike. For the second, the band simply sits down and eats lunch. This later version wasn’t released until 2015 when it was included on the 1+ collection.
The Ventures incorporated the riff into their surf rock instrumental version of “Rudolph The Red-Nosed Reindeer” on their 1965 Christmas album.
In America, this knocked “Come See About Me” by The Supremes from the top spot. “I Feel Fine” stayed for three weeks, at which point “Come See About Me” returned to bump it off.
I Feel Fine
Baby’s good to me, you know She’s happy as can be, you know She said so I’m in love with her and I feel fine
Baby says she’s mine, you know She tells me all the time, you know She said so I’m in love with her and I feel fine
I’m so glad that she’s my little girl She’s so glad, she’s telling all the world That her baby buys her things, you know He buys her diamond rings, you know She said so She’s in love with me and I feel fine
Baby says she’s mine, you know She tells me all the time, you know She said so I’m in love with her and I feel fine
I’m so glad that she’s my little girl She’s so glad, she’s telling all the world That her baby buys her things, you know He buys her diamond rings, you know She said so She’s in love with me and I feel fine She’s in love with me and I feel fine, mmm
This song was on Tom Petty’s third album Damn the Torpedoes.
This was written the same week as “Refugee.” Both songs started as demos written by Heartbreakers guitar player Mike Campbell on a 4-track recorder in his house…Petty liked both and they finished them off…not a bad week when you get these two songs. Petty later said the chorus was inspired by The Byrds.
The song peaked at #59 in the Billboard 100, #82 in Canada, and #41 in New Zealand in 1980. I would have bet that it charted higher than that.
Mike Campbell:“It’s very similar to “Refugee” – those two were written the same week. I made some demos and Tom liked those two. “Here Comes My Girl” was interesting because we had the chorus and Tom wasn’t sure how to do the verse, he kept trying to sing it different ways and he finally came across sort of half-talking it, and that’s when the song seemed to come to life.”
Tom Petty:“I struggled with that song for a little while.”“I felt, ‘I have to learn this thing. I’m not going to let it get away from me. And then I got the idea for the narration. And once I started that, it started falling into place.”
From Songfacts
In this song, Petty keeps getting torched by a girl, but he keeps going back to her, as he can’t resist her charms when she’s near. He half-sings the verses, where he tells himself he can’t keep doing this. The chorus is full throated, reflecting his excitement when his girl comes by, making him forget all that other stuff he said about her.
In our interview with Mike Campbell, he explained: “‘Here Comes My Girl’ was interesting because we had the chorus and Tom wasn’t sure how to do the verse, he kept trying to sing it different ways and he finally came across sort of half-talking it, and that’s when the song seemed to come to life.”
Damn The Torpedoes was the first album the band released on a major label. Their first two albums came out on a small label called Shelter Records, which was acquired by MCA. After some legal maneuvering where Petty filed for bankruptcy and the label sued the band, MCA set up a label called Backstreet Records, which was dedicated to Tom Petty and the Heartbreakers. This didn’t end the tension between Petty and MCA. Petty held back the tapes for their next album, Hard Promises, when MCA tried to raise the price from $8.98 to $9.98. Petty won that battle and the album came out at the lower price.
The song predates MTV, but Petty still made a video for it, something few American bands did. Along with “Refugee,” the video was directed by John Goodhue and is simply footage of the band performing the song in a studio setting. Petty went on to deliver some incredibly innovative videos to MTV, earning him their Video Vanguard Award in 1994.
This plays on the series finale of The Office when Jim and Pam are dancing at Dwight and Angela’s wedding.
Here Comes My Girl
You know sometimes, I don’t know why But this old town just seems so hopeless I ain’t really sure, but it seems I remember the good times Were just a little bit more in focus
But when she puts her arms around me I can somehow rise above it Yeah, man when I got that little girl standin’ right by my side You know, I can tell the whole wide world to shove it, hey
Here comes my girl Here comes my girl Yeah, and she looks so right, she is all I need tonight
Every now and then I down to the end of the day And I have to stop and ask myself why I’ve done it It just seems so useless to have to work so hard And nothin’ ever really seems to come from it
But then she looks me in the eye and says We’re gonna last forever And man, you know I can’t begin to doubt it No, ’cause it just feels so good and so free and so right I know we ain’t never goin’ to change our minds about it hey
Here comes my girl Here comes my girl Yeah, and she looks so right, she is all I need tonight (watch her walk)
Every time it seems like there ain’t nothin’ left no more I find myself having to reach out and grab hold of something Yeah, I just catch myself wondering, waiting, worrying About some silly little things that don’t add up to nothin’
But then she looks me in the eye and says We’re gonna last forever And man, you know I can’t begin to doubt it No, ’cause it just feels so good and so free and so right I know we ain’t never gonna’ to change our minds about it, hey
Here comes my girl Here comes my girl Yeah, and she looks so right, she is all I need tonight
This is officially a country record but with pop leanings. Whatever it is…it still stands up and is really good. I heard this song when it came out and bought the album. The band touches different genres on this album. The song does remind me a little of Dwight Yoakam.
The Mavericks are a country band that combine Tex-Mex, neotraditional country music, Latin, and rockabilly influences. The Mavericks were founded in 1989 in Miami, Florida.
“What a Crying Shame” was also used as the title of their third studio album. It was released in 1994 with songs like “O What a Thrill,” “Here Goes My Heart,” “I Should Have Been True,” and “All That Heaven Will Allow” (a Springsteen cover).
The song peaked at #25 in the Country US Hot Country Songs and #6 in the Canadian Country Charts 1993.
What A Crying Shame
Wasn’t I good to you Didn’t I show it And if I ever hurt you I didn’t know it
If you think I don’t care Then you’re mistaken My love was always there But now my heart’s breakin’
(Oh) baby oh what a crying shame To let it all slip away And call it yesterday Oh baby my life would be so blue My heart would break in two Oh what a crying shame
‘Cause I believed in you From the beginning I thought our love was true But now it’s all ending
(Oh) baby oh what a crying shame To let it all slip away And call it yesterday Oh baby my life would be so blue My heart would break in two Oh what a crying shame
(Oh) baby oh what a crying shame To let it all slip away And call it yesterday Oh baby my life would be so blue My heart would break in two Oh what a crying shame Oh what a crying shame Oh what a crying shame Oh what a crying shame Oh what a crying shame
Procol Harum wrote and performed one of my favorite songs of all time…A Whiter Shade of Pale. The band formed in 1967 partly out of a band called The Paramounts.
Conquistador was on their self titled debut album. It was released as a single in 1967 but the studio version was not a hit.
This became a hit when Procol Harum recorded it live with the Edmonton Symphony Orchestra on November 18, 1971. It was released in 1972 on the aptly titled album Procol Harum Live with the Edmonton Symphony Orchestra.
The song peaked at#16 in the Billboard 100 and #7 in Canada in 1972.
Conquistador – a conqueror, especially one of the Spanish conquerors of Mexico and Peru in the 16th century.
Gary Brooker: “I would say something off of the Edmonton Symphony Live album. I don’t mind which one, really. But it always gives one a great deal of pleasure if you know that when you sing live, that you sing as well or better than you did in the studio. And, of course, when you get excited, when you’re playing on stage, a bit more adrenaline, it always fits well in with the feeling. When we played in Edmonton with the Edmonton Symphony Orchestra that first time, it was a very inspiring evening, and there was a lot of good music going on from everybody, and the vocals had to get over it all.”
From Songfacts
Procol Harum’s lyricist Keith Reid told us the story behind this song: “Gary Brooker and I, before we formed Procol Harum, when we were just working together as songwriters and getting into it, we had this regular deal where he lived about 40 miles from London near the ocean, and I’d jump on a train once a week and go visit him. He’d have a bunch of my lyrics and he’d play me whatever he had been working on. This particular time, though, I’d got down there and he’d been working on a tune. He said, ‘What does this sound like to you?’ And I said, ‘Oh, conquistador.’ It had a little bit of a Spanish flavor to it. I went into another room and started writing the words there and then. 99 out of 100 of those Procol Harum songs were written the words first, and then were set to music. But that particular one, the words hadn’t existed before he had the musical idea.”
Conquistadors were Spanish soldiers who set out to conquer the Americas after their discovery by Christopher Columbus in 1492.
Conquistador
Conquistador your stallion stands in need of company And like some angel’s haloed brow You reek of purity
I see your armor plated breast Has long since lost its sheen And in your death masked face There are no signs which can be seen
And though I hoped for something to find I could see no maze to unwind
Conquistador a vulture sits, upon your silver sheath And in your rusty scabbard now, the sand has taken seed And though your jewel-encrusted blade Has not been plundered still The sea has washed across your face And taken of its fill
And though I hoped for something to find I could see no maze to unwind And though I hoped for something to find I could see no maze to unwind
Conquistador there is no time, I must pay my respect And though I came to jeer at you I leave now with regret And as the gloom begins to fall I see there is no, only all And though you came with sword held high You did not conquer, only die
And though I hoped for something to find I could see no maze to unwind And though I hoped for something to find I could see no maze to unwind
And though I hoped for something to find I could see no maze to unwind
Here are a few short Keith Moon stories. If you want an entertaining book…get Full Moon by Keith Moon’s assistant. Peter “Dougal” Butler.
I didn’t get all the Keith Moon posts out yesterday so I wanted to post this today…I made sure all of these were short so it would not take too much time.
Helen Mirren’s Keith Moon Story
Alice Cooper “If you could live with him…he was the best drummer of all time”
Shake the hand that shook the hand of P.T. Barnum and Charlie Chan
I love that line. This song has a cool simple guitar riff that starts it off into the Grateful Dead’s familiar shuffle beat. It’s a song that is commercial sounding and I don’t understand why it didn’t dent the charts. It’s a straight ahead rocker that has a great hook.
The song was released as a single with “Loose Lucy” as the B-side in 1974. It was on the album From The Mars Hotel. The album did peak at #16 in the Billboard Album Charts.
“U.S. Blues” grew out of a 1972 Grateful Dead song “One More Saturday Night.” Robert Hunter, the Dead’s lyricist wrote the words and Jerry Garcia wrote the music. They had a great writing partnership.
The song changed a lot through Hunter’s many rewrites. At some points it was a forceful anti-military song, but the final result isn’t so serious. It’s a fun song that the Dead frequently played live.
P.T. Barnum and Charlie Chan are mentioned in the lyric.
P.T. Barnum – (1810-1891), showman, author. Born in Connecticut, Barnum began his career as showman in 1835 when he bought and exhibited slave who claimed to be 161 years old and the nurse of George Washington. Seven years later he opened his American Museum, in New York City, exhibiting the Fiji Mermaid (half monkey, half fish), General Tom Thumb (a midget less than three feet tall), and the original Siamese Twins, Chang and Eng. He also arranged the American tour of Jenny Lind, known as the Swedish Nightingale. After serving as mayor of Bridgeport and as a member of the Connecticut legislature, he organized “The Greatest Show on Earth,” a circus that opened in Brooklyn, New York, in 1871. A merger in 1881 created Barnum and Bailey’s.”
Charlie Chan – He is a fictional character…a pudgy, wise, smiling Chinese detective living in Hawaii who appears in a number of stores by Earl Derr Diggers. Chan has a large and constantly growing family–a son in the latter tales begins to learn the sleuthing business from his father–and Charlie is given to philosophical reflections, many of them supposedly culled from Chinese sages. … Chan first appeared in The House Without a Key (1925), later in other novels, in the movies, and in many radio sketches.”
From Songfacts
Dead co-founder Bob Weir told Dupree’s Diamond News in their 18th issue (May 1991) that the song wasn’t meant to be favorable of Uncle Sam and American culture. “We have our pantheon, and one of the figures in the pantheon is Uncle Sam. He’s sort of like the godfather figure of American culture. So we actually have a fair bit of respect for him. And he comes around in different guises, you know – in our little region, he comes around as a skeleton, but he’s still wearing the same hat.”
“Uncle Sam,” who appears in the line, “I’m Uncle Sam, how do you do?” refers to a mythological character representing the United States government. The character first arose during the war of 1812. Uncle Sam appears in many contexts of varying seriousness, but one of the most consistent is as a military recruiter. During World War II it was common to see posters with Uncle Sam’s visage and the words “I Want You for U.S. Army.”
The lyric “blue suede shoes” in the first line refers to the song of the same name.
US Blues
Red and white, blue suede shoes, I’m Uncle Sam, how do you do? Gimme five, I’m still alive, ain’t no luck, I learned to duck. Check my pulse, it don’t change. Stay seventy-two come shine or rain. Wave the flag, pop the bag, rock the boat, skin the goat. Wave that flag, wave it wide and high.
Summertime done, come and gone, my, oh, my. I’m Uncle Sam, that’s who I am; Been hidin’ out in a rock and roll band. Shake the hand that shook the hand of P.T. Barnum and Charlie Chan. Shine your shoes, light your fuse. Can you use them ol’ U.S. Blues? I’ll drink your health, share your wealth, run your life, steal your wife. Wave that flag, wave it wide and high.
Summertime done, come and gone, my, oh, my. Back to back chicken shack. Son of a gun, better change your act. We’re all confused, what’s to lose? You can call this all the United States Blues. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my.
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