In the 1963 feature film The Pink Panther starring Peter Sellers, the Animated Credits opening featured our first look at the Pink Panther.
The cartoon series was made by DePatie-Freleng studios…the first short, “The Pink Phink,” won the 1964 Academy Award for Best Animated Short Subject…the first time an animation studio had won one with its very first cartoon.
What adds to the Pink Panther is Henry Mancini‘s popular theme music. The cartoon would not be the same without it. I bought the set years ago and showed them to my 6-year-old son at the time. He liked it as much as I did.
I watched it as a kid and it is probably the reason I ended up liking silent movies so much. Each show’s story has no dialog and is centered around the Pink Panther and “the little man” along with Mancini’s music.
There were 124 Pink Panther shorts were released between 1964 and 1978…there were some tv specials after the original series ended.
They tried having him talk in two episodes. It didn’t work and ruined the effect.
My sister went through a phase in the seventies when she had black lights and posters. I liked the effect and love some of the blacklight poster artwork. I claimed some of her posters when I got older. I did NOT claim her Osmond posters though. I left them to rot somewhere in a 1970s crawlspace. I loved the glowing effect of the black light posters and still do…
I’ve bought a few blacklight posters at yard sales through the years but they are getting harder to find all in one piece.
The black light poster has its roots in the 1950s with the introduction of fluorescent paint to the mass market. By the mid-1960s, fluorescent paints, and products found a massive audience in the psychedelic music scene.
For a while, this poster art was considered a relic of the 60s and 70s but according to Wiki, sales have surged since 2007 and five different companies are producing new posters now.
William H. Byler is credited with inventing the black light in 1935, and according to the University of Central Missouri, Byler graduated there in 1927 with a major in chemistry and physics.
These phosphors are what make things glow while under the light.
A blacklight poster is a poster printed with fluorescent inks which glow under a black light. The inks used contain phosphors which cause them to glow when exposed to ultraviolet light emitted from black lights.
I’ve seen vintage black light posters go between 100 – 600 dollars online.
If you have a burning desire to know more about black lights…go to the site below.
I always thought this was a clever song. The song peaked at #2 in the Billboard 100, #1 in the UK, and #1 in Canada. The overall wash sound was achieved by a total of 256 vocal overdubs in the background.
It was written by Eric Stewart and Graham Gouldman. Eric Stewart came up with the song by his wife telling him that he didn’t tell her he loved her enough. Eric said if I say it too much it would not mean anything.
“I met this gorgeous girl called Gloria at Halifax town hall. I was 18. She was 16. Three years later, we got married. A few years after that, Gloria told me: ‘You don’t say ‘I love you’ much anymore.’ I told her that, if I said it all the time, it would sound glib. But I started wondering how I could say it without using those actual words. So ‘I’m not in love’ became a rhetorical conversation with myself – and then a song.
I wrote the lyrics in a couple of days. The line, ‘I keep your picture up on the wall, it hides a nasty stain’ was about the crack in my bedroom wall at my parents’ house in Manchester. I’d put a photograph of Gloria over it. When I took the song to the band, they said: ‘I’m not in love’? What the f–k is that? You can’t say that!’ But Graham Gouldman, our bass-player and chord-master, agreed to work on it with me. We both liked The Girl From Ipanema, so we gave it a similar bossa nova style. Then Kevin Godley, our drummer, said it was crap.
We were about to scrap it and wipe the tape but, as I walked around the studio, I heard the secretary singing it and the window-cleaner whistling it. I knew we had a tune: we just hadn’t captured it properly. Kevin suggested doing it again, but with banks of voices. I thought that meant hiring a choir, but Lol Creme, our keyboard player, said we could do it using tape loops.”
I’m Not In Love
I’m not in love So don’t forget it It’s just a silly phase I’m going through And just because I call you up Don’t get me wrong, don’t think you’ve got it made I’m not in love, no no, it’s because..
I like to see you But then again That doesn’t mean you mean that much to me So if I call you Don’t make a fuss Don’t tell your friends about the two of us I’m not in love, no no, it’s because..
I keep your picture Upon the wall It hides a nasty stain that’s lying there So don’t you ask me To give it back I know you know it doesn’t mean that much to me I’m not in love, no no, it’s because..
Ooh you’ll wait a long time for me Ooh you’ll wait a long time Ooh you’ll wait a long time for me Ooh you’ll wait a long time
I’m not in love So don’t forget it It’s just a silly phase I’m going through And just because I call you up Don’t get me wrong, don’t think you’ve got it made I’m not in love I’m not in love
This is from Gregg Allman’s album Laid Back. Gregg started the album when the Allman Brothers were making Brothers and Sisters. He was having some problems with them and decided to make this one at the same time. The Allman Brothers originally performed Midnight Rider on their second album Idlewild South in 1970 but it wasn’t released as a single.
Gregg released this song in1974 and it peaked at #19 in the Billboard 100 and #17 in Canada.
Gregg Allman from his autobiography My Cross to Bear… Kim Payne was an Allman roadie.
On “Midnight Rider,” which is the song I’m most proud of in my career, I had all but the last part—so, as I like to say, I had the song by the nuts, I just had to reel it in. The third verse is really important because it’s kind of the epilogue to the whole thing. Basically, you state the problem in the first verse, you embellish on the problem in the second verse—like “let me tell you what a bitch she really is”—and then you usually have some music, to let you think about the words for a while and also get lifted up by that music. The bridge from the music to the third verse is when you want to be different, but you don’t want to go all the way from A to Z. You want something that contrasts things a little bit—kind of like matching a shirt with a pair of pants. You want it to be a little different, but not clashing. The bridge is where you say what you want to do about the problem, or what you’re damn sure going to do about it. Then the third verse is, like I said, the epilogue to the whole thing.
It might sound like I’m giving you a formula to write a song, but I’m not, because it’s never that simple. On “Midnight Rider,” I needed something to start the third verse, and Kim Payne came up with “I’ve gone by the point of caring,” which was exactly what I needed. “I’ve gone by the point of caring”—fuck it—and then, “Some old bed I’ll soon be sharing.” I’ve got another buck, and I ain’t gonna let ’em catch my ass, and then it’s just kinda off into the sunset.
Midnight Rider
Well, I’ve got to run to keep from hidin’, And I’m bound to keep on ridin’. And I’ve got one more silver dollar, But I’m not gonna let ’em catch me, no, Not gonna let ’em catch the Midnight Rider.
And I don’t own the clothes I’m wearing, And the road goes on forever, And I’ve got one more silver dollar, But I’m not gonna let ’em catch me, no Not gonna let ’em catch the Midnight Rider.
And I’ve gone by the point of caring, Some old bed I’ll soon be sharing, And I’ve got one more silver dollar,
But I’m not gonna let ’em catch me, no Not gonna let ’em catch the Midnight Rider.
No, I’m not gonna let ’em catch me, no Not gonna let ’em catch the Midnight Rider.
No, I’m not gonna let ’em catch me, no Not gonna let ’em catch the Midnight Rider.
This song peaked at #10 in the Billboard 100 in 1970 and #3 in the UK. The Marmalade were more successful in the UK by placing 10 top 10 singles in the UK charts but only charting Reflections of My Life in the Billboard top ten. It’s a song I heard many times when I was younger but didn’t know anything about it.
From Songfacts.
This dramatic ballad from the Age of Aquarius finds the singer describing a very bleak outlook on life and the times. The song was sort of a hippie version of the blues. >>
The Marmalade were a Scottish pop group who enjoyed several hits in the UK between 1968 and 1976. Originally a band called Dean Ford & The Gaylords, they changed their name to Marmalade in 1967. They are best remembered in Britain for their cover of the Beatles song “Ob-La-Di, Ob-La-Da” which topped the UK charts around Christmas 1968. In 1969, they signed to Decca Records, and their contract gave them complete freedom to write and produce their own records. The fruits of this arrangement was the recording of this song with its distinctive backwards guitar break, which was their only American hit.
This song was written by vocalist Dean Ford and the band’s main songwriter, keyboardist Junior Campbell. Campbell went on to pen the theme from the British TV series Thomas The Tank Engine, which was narrated in its first two seasons by Ringo Starr.
Reflections of My Life
The changing of sunlight to moonlight Reflections of my life Oh, how they fill my eyes
The greetings of people in trouble Reflections of my life Oh, how they fill my eyes
Oh, my sorrows Sad tomorrows Take me back to my own home
Oh, my crying (Oh, my crying) Feel I’m dying, dying Take me back to my own home
I’m changing, arranging I’m changing I’m changing everything Everything around me
The world is A bad place A bad place A terrible place to live Oh, but I don’t want to die
Oh, my sorrows Sad tomorrows Take me back to my own home
Oh, my crying (Oh, my crying) Feel I’m dying, dying Take me back to my own home
Oh, my sorrows Sad tomorrows Take me back to my own home
I just finished the audio version of this book. I’m a huge Who fan and I was looking forward to it. It was nice to hear the book narrated by Roger himself. It’s a solid book but I have only one complaint that I will get into below.
The positive about the book is you find out more about the different personalities of the Who and the reason they fought. Pete the artist, John the dark one, Keith the lunatic, and Roger blue-collar man of the band. We all knew those descriptions before but Roger tries to explain how it worked and didn’t work as a band. If you want to know The Who’s impact on rock music and culture go to Pete Townshend. If you want to get straight to the point with just the highlights…Roger is your man.
Roger is grounded, avoided most of the pitfalls in his profession, hard-working, and loves interpreting Pete’s music to the world. He goes into how he changed his singing style with Pete’s writing. How he became Tommy and the mod in Quadrophenia. He hits the highlights of The Who and his life without the Who in the 80s and part of the 90s.
The strongest part of this book is about his childhood and his collection of relatives. Roger seems very approachable, likable, and down to earth. Roger was the one constant in the band that you didn’t have worry about his on tour activities. He does talk about the high points of the Who and his acting career.
My biggest complaint is the book is too short. You get the impression that he didn’t think that anyone would want to hear any details whatsoever. He does give you some good stories but touches a subject and quickly leaves. It’s almost a cliff notes version as he didn’t dwell in any period long.
It is a quick and enjoyable read but leaves you wanting more.
This is an extremely catchy song by Supertramp off of the album Even in the Quietest Moments… This was before their classic Breakfast In America. The song was inspired by “All You Need Is Love” by the Beatles.
The song peaked at #15 in the Billboard 100, #29 in the UK, and #8 in Canada in 1977.
The song was credited to Roger Hodgson and Rick Davies but Roger Hodgson wrote it. Roger Hodgson’s quote. “The song itself is such a pure, simple message that I think is really especially even more powerful today when the world has even more problems and it’s even more difficult sometimes to be compassionate and caring because we’ve got to put up all these barriers to survive; that it’s a song that really inspires people to give a little bit, not give a lot, just give a little bit and see how it feels and show that you care, and I know for me, every time I play it in concert, there’s something about that song.
I look out and people just start smiling straight away and sometimes they hug each other and they start singing with me. It’s a very unifying song with a beautiful, simple message that I’m very proud of and really enjoy playing today.”
Supertramp singer/guitarist Roger Hodgson wrote this song when he was a teenager, but didn’t record it until much later. It was about five years between when he wrote the song and when he brought it to the band. When we spoke with Hodgson in 2012, he explained: “I think it’s a great song. I didn’t realize it was when I first wrote it. It actually took me six years before I even brought it to the band. But I wrote it I think around 1970. That time, the late ’60s, early ’70s, was a very idealistic time, one of hope, a lot of peace and love and the dream of the ’60s was still very alive and maturing if you like.
That song has really taken on a life of its own, and I think it’s even more relevant today than when I wrote it. Because we really are needing to value love in a much deeper way, and also we’re needing to care. The song is basically saying: just show you care. You know, reach out and show you care. So in concert, it’s the perfect show closer because what I try to do in my show over two hours is unify the audience and unify all of us. So that at the end, when everyone stands up for ‘Give A Little Bit,’ they’re open and ready to open their hearts and sing at the top of their lungs and go away with a smile on their face. And that song really does, it has a very pure energy. The moment I start, people just start smiling. It’s amazing.”
Give A Little Bit
Give a little bit Give a little bit of your love to me Give a little bit I’ll give a little bit of my love to you There’s so much that we need to share Send a smile and show you care
I’ll give a little bit I’ll give a little bit of my life for you So give a little bit Give a little bit of your time to me See the man with the lonely eyes Take his hand, you’ll be surprised
Give a little bit Give a little bit of your love to me I’ll give a little bit of my life for you Now’s the time that we need to share So find yourself, we’re on our way back home
Going home Don’t you need to feel at home Oh yeah, we gotta sing
Ringo Starr and Robin Cruikshank formed a partnership in 1969 and they were located in the Beatles Apple building on Savile Row. In 1972 relocated with Apple to 54 St James Street.
Robin had originally worked for Ringo to design a stainless steel fireplace for Ringo and his wife Maureen. Ringo started to give Robin some suggestions and the two started to worked together on furniture and different designs for years after that. The partnership lasted until 1986 and after that Ringo let Robin use the name so Cruikshank could continue different projects.
If you ever run across anything made by RoR you probably have something very valuable.
Below was designed by RoR. I can’t imagine what it would have cost. I would take it in a second.
I remember seeing the below item on the news. Very expensive because they didn’t use reproduction parts…they all had authentic Roll Royce grills.
Here are some tables by RoR.
Below is Robin’s website featuring his new designs plus much more history.
This is a well-crafted song written by Russ Ballard and performed by Santana. I’m Winning didn’t have a Latin style like many of his seventies songs…it was more pop/rock and very catchy. It peaked at #17 on the Billboard 100 in 1981. Scottish vocalist Alex Ligertwood sang this song after Greg Walker left the band a little earlier.
It was released on the Zebop! album, a fascinating transitional LP that pushed Santana into the ’80s without completely abandoning the old mojo, “Winning” is anchored by one of the best vocal performances in the band’s catalog. His voice doesn’t just carry the tune; it owns it. He’s not just singing about triumph; he sounds like a man who’s been through the ringer and is finally exhaling.
Musically, this is a curious beast. Carlos’s guitar tone cuts through like sunlight through smoke. He doesn’t showboat, doesn’t shred, he sings with his strings, giving the track an emotional lift that Ballard’s original lacked.
Ligertwood also sang on the hit Hold On the next year.
I’m Winning
One day I was on the ground When I needed a hand Then it couldn’t be found I was so far down that I couldn’t get up You know and one day I was one of life’s losers Even my friends were my accusers In my head I lost before I begun I had a dream but it turned to dust And what I thought was love That must have been lust I was living in style When the walls fell in And when I played my hand I looked like a joker Turn around fate must have woke her Cause lady luck she was waiting outside the door I’m winning I’m winning I’m winning I’m winning and I don’t intend on losing again Too bad it belonged to me It was the wrong time and not meant to be It took a long time and I’m new born now I can see the day that I bleed for If it’s agreed that there’s a need To play the game and to win again
I’ve always liked early Chicago when Terry Kath was part of the band. Love the intro to this song and it takes me back to when I first heard the song. Saturday in the Park peaked at #3 in the Billboard 100 and #2 in Canada. Robert Lamm who wrote the song openly admits he based the melody on The Beatles “You Won’t See Me.”
Robert Lamm on Saturday in the Park
“Saturday in the Park is a prime example of how I take from what I experience in the world. It was written as I was looking at footage from a film I shot in Central Park, over a couple of years, back in the early ‘70s. I shot this film and somewhere down the line I edited it into some kind of a narrative, and as I watched the film I jotted down some ideas based on what I was seeing and had experienced. And it was really kind of that peace and love thing that happened in Central Park and in many parks all over the world, perhaps on a Saturday, where people just relax and enjoy each other’s presence, and the activities we observe and the feelings we get from feeling a part of a day like that.”
Chicago’s main songwriter, Robert Lamm, wrote this after a particularly exhilarating 4th of July spent in New York’s Central Park, where there were steel drum players, singers, dancers and jugglers. Lamm and Peter Cetera sang lead on the track.
like most Chicago singles, this didn’t chart in the UK. In America, however, it was their biggest chart hit to that point and also their first gold single, which at the time meant selling more than a million copies (“25 Or 6 To 4” somehow was never certified gold).
This song contains some of the most famous nonsense singing in rock: after Robert Lamm sings the line, “Singing Italian songs,” he sings some made up words approximating the Italian language.
Saturday In the Park
Saturday in the park, I think it was the Fourth of July Saturday in the park, I think it was the Fourth of July
People dancing, people laughing A man selling ice cream Singing Italian songs Everybody is another Can you dig it (yes, I can) And I’ve been waiting such a long time For Saturday
Another day in the park I think it was the Fourth of July Another day in the park I think it was the Fourth of July
People talking, really smiling A man playing guitar And singing for us all Will you help him change the world Can you dig it (yes, I can) And I’ve been waiting such a long time For today
Slow motion riders fly the colors of the day A bronze man still can tell stories his own way Listen children all is not lost, all is not lost, oh no, no
Funny days in the park Every day’s the Fourth of July Funny days in the park Every day’s the Fourth of July
People reaching, people touching A real celebration Waiting for us all If we want it, really want it Can you dig it (yes, I can) And I’ve been waiting such a long time For the day, yeah yeah
I grew up in a rural area… there was no ice cream man traveling on our dirt road.
I would go visit my grandmother in Nashville on weekends and some weekdays. She lived in the suburbs so we were surrounded by houses and pavement.
I remember the sound and excitement. That sound of the Ice Cream truck coming when I was a kid. I didn’t have anything like that at home. If I was inside my grandmother’s house…which was rare, I could hear that bell and that tune playing no matter what I was doing. Old McDonald or some song like that.
I would bum a quarter off of my grandmother with promises to do anything.
When I grew older and was a teenager and no longer cared about that I started to notice something strange about the new ice cream guy. He drove by ringing the bell to the tune of “Sympathy for the Devil” and 19 and 20-year-olds would stop him down the street… I don’t think a quarter would have bought what he was selling anymore.
I saw him a few more times pass by…ringing the bell to Jumpin’ Jack Flash…a true Stones fan… and then I never saw him again…He was selling a different kind of treat. So Cheech and Chong weren’t that far off…I heard a little later the police didn’t approve of his inventory.
These were fun in the summer. A piece of plastic with a garden hose attached and voilà… a wet fun slide. I would slide down with reckless abandonment until…until I would slide over a sharp rock that was poking through the yellow plastic…then I would slip ‘n slide to first aid but it was fun. It was a great way to spend a summer day and I wouldn’t trade a minute of fun on it for anything.
Slip ‘n Slide was invented by Robert Carrier. Wham-O manufactured it in 1961, the Slip ‘n Slide is still hugely popular today.
Carrier originally sewed 50 foot of Naugahyde and brought it home for his kid to play on and all the kids in the neighborhood came by to slide down the Naugahyde material that he hosed down. He stitched a long tube along one side, sewn shut at one end, with spaces between the stitching so that when you attached the hose, the water pressure would build up and water would squirt out those openings and lubricate the surface of the material.
Wham-O traded the Naugahyde for more cost-efficient plastic (still used today), shortened the length from 50 to 25 feet and took the toy to market in 1961. It was an immediate success: 300,000 were sold within the first six months, and the total reached more than 30 million by its 50th anniversary.
I’ve always liked the lyrics to this song and the overall sound of it. I liked all of the singles released off of their one and only album Boomtown. Welcome to the Boomtown, It Aint So Easy, and Swallowed by the Cracks. I was really looking forward to the follow-up album which never came.
Welcome to the Boomtown peaked at #37 in the Billboard 100 in 1986. Per Wikipedia, the two are planning to make a follow-up album. Over 30 years later…but better late than never.
Welcome to The Boomtown
Miss Christina drives a .944 satisfaction oozes from her pores she keeps rings on her fingers marble on the floor cocaine in her dresser bars on her doors she keeps her back against the wall she keeps her back against the wall so I say I say welcome welcome to the boomtown pick a habit we got plenty to go around welcome to the boomtown and all that money makes such a succulent sound welcome to the boomtown
Handsome Kevin got a little off track took a year off of college and he never went back now he smokes much too much he’s got a permanent hack deals dope out of Denny’s keeps a table in the back he always listens to the ground always listens to the ground so I say I say welcome to the boomtown pick a habit we got plenty to go around welcome to the boomtown and all that money makes such a succulent sound welcome to the boomtown
Well the ambulance arrived too late I guess she didn’t want to wait….
This is will be out of the norm for me and may be boring to some people so you may want to click the back button…but after talking to another blogger I wanted to write it down.
When I was a kid my mom would not let me have any pets in the house. She was a great mom but no pets at all inside. I had outside dogs but none inside. I knew when I got older I wanted a dog in my house…Not just any dog but a great big dog…I guess it was my way of rebelling against those earlier rules.
In 2009 I saw a local ad on the internet for a Saint Bernard puppy. It was the first puppy I ever had in my life. We did have one Saint Bernard before this that we got from a rescue when she was 8 months old. She passed in 2008 after 9 wonderful years.
We named this 6-week old puppy Molly and she was the runt of the litter. We took her home and she would not interact with us in the first two days at all.
On that third day…different story. She took off running through my wife’s flower garden and from then on she was ours and we were hers… She had one bad mishap. After a lengthy rain she wanted to go outside and she ran and while running caught her front right leg in a hole…it stretched her tendons…the vet put a cast on her leg for a month but her leg never looked the same but it didn’t stop her from running the rest of her life.
Molly was THE family dog and was one of us. She gave love but she wanted it also… when she thought she was being ignored… out came that giant paw pretty much making you pet her. She never hurt a living animal except for Bees…which she would catch with her mouth and quickly get them out…She didn’t like toys with squeakers because she thought she was hurting something so I had to take the squeakers out of every toy.
She grew very fast like Saints do and Molly was not a runt anymore. She looked after my son like he was her own. My son’s friends would be careful not to play too rough with him or each other…if they did they would get an earful…and Saints bark loud. Scared the hell out of some of them but she was never aggressive…just barked loud at the kids to stop. You could play but no shoving or hitting or she would referee really quick and wanted order.
She had the run of our house and many utility people were scared to come in but some braved it and were rewarded with a new friend. It was rare but once in a while, I would wake up with a snoring Molly beside my wife and me in bed. She would lay in the busiest part of the house so you would have no other choice but walk over her.
Last Thursday night my son and I went to dinner and came home to a happy Molly…she was happy because we were all at home safe and sound. She didn’t like when one of us was missing. She was demanding our attention that night and she got it.
The next morning she was breathing heavy and something seemed wrong. She would drink but would not eat. It just kept getting worse over the weekend.
I took off of work Monday to take her to the vet. She had been so lethargic that I thought we would have to get a mobile vet. To my surprise I said the magic words “car ride” and she came to life and followed me to the car…She got in the car and off we went. That was the best she looked in 3 days. We took her in and the vet said she was in poor shape but he wanted to do X-Rays and blood work. After that, he told me to go home and he would call. I foolishly let a little hope creep in.
The call came at 1:30 that Molly had cancer all over and failing kidneys. I don’t like playing God but he said that Molly had put on a brave face for us that morning and showed me the X-Rays and I knew we had to make THAT decision. He said it was a miracle she was walking around at all and she was in extreme pain. We waited for my son to get home at 3 and we traveled to the vet all together to say our goodbyes to our beloved Molly.
It was horrible to see my son hurt so bad and it wasn’t a damn thing I could do. We all hurt but we tried to make the ending happy for Molly. It will be a little while before we get another dog…but when we do we won’t be replacing Molly…it will be to add a new member to our family…Molly will always have her place.
My son will never forget his companion of nine years for the rest of his life…and neither will we.
My 9-year-old son and Molly at 6 weeks old…the day we got her in 2009
My 18-year-old son with Molly at 9 years old sitting close to him.
The Zombies were a bands band. They were very talented musicians who had the respect of other bands. The song peaked at #1 in the Billboard 100, #2 in Canada, and #12 in the Uk in 1964. They sounded like no other band at the time with a jazz/pop feel.
The group signed to Decca Records, and their keyboard player Rod Argent came up with this song for the session. It tells the story of an alluring woman who won’t be tied down to one man – the singer wants to tell us all about her, but he can only use words since she’s not there.
This was The Zombies first single. The band also recorded a cover of Gershwin’s “Summertime” for their first album, which was considered for the band’s first single, but “She’s Not There” got the nod. Boosted by radio play on New York powerhouse WINS, the song became a hit in the US.
She’s Not There Well, no one told me about her The way she lied Well, no one told me about her How many people cried
But it’s too late to say you’re sorry How would I know? Why should I care? Please don’t bother trying to find her She’s not there
Well, let me tell you ’bout the way she looked The way she acts and the color of her hair Her voice was soft and cool Her eyes were clear and bright But she’s not there
Well, no one told me about her What could I do? Well, no one told me about her Though they all knew
But it’s too late to say you’re sorry How would I know? Why should I care? Please don’t bother trying to find her She’s not there
Well, let me tell you ’bout the way she looked The way she acts and the color of her hair Her voice was soft and cool Her eyes were clear and bright But she’s not there
But it’s too late to say you’re sorry How would I know? Why should I care? Please don’t bother trying to find her She’s not there
Well, let me tell you about the way she looked The way she acts and the color of her hair Her voice was soft and cool Her eyes were clear and bright But she’s not there
PowerPop... An Eclectic Collection of Pop Culture 