Hail! Hail! Rock ‘N’ Roll

This is one of the best rock and roll documentaries that’s out there. A great documentary and probably the best that Chuck has ever sounded. He had a hell of a band behind him, and his songs did the heavy lifting. Pure poetry-driven songs about life with a huge backbeat. The band was incredible… Keith Richards, Robert Cray, the great Johnnie Johnson (Chuck’s original piano player), Steve Jordan, Bobby Keys, Chuck Leavell, and Eric Clapton are guests on a few songs. More than Chuck or the band…  It’s a great showcase for those wonderful songs Chuck wrote for all of us. 

This documentary starts off in 1986 with Chuck Berry reminiscing about the Cosmopolitan Club, where he played in the earlier days. The film centers around Chuck Berry’s 60th birthday and Keith Richards assembling an All-Star Band to support Chuck in concert. Chuck had been touring since the 60s by traveling from town to town and playing with any pickup band he found. All he brought was his guitar. He would get paid with cash in a paper bag in many places. That was his motivation more than playing with a good band. Chuck could be very sloppy playing live, but he did keep that great feel.

Chuck could also be difficult, to say the least. Keith was determined that Chuck was going to be backed by a great band for this concert… Chuck was Keith’s idol, but Chuck seemed to want to give Keith as much trouble as possible. Richards says in the documentary that Chuck was the only man who hit him that he didn’t hit back. During the rehearsals for the song “Carol”, you can feel the tension in the air between the two.

Seeing Keith’s reaction to Chuck at times is worth the price of admission, and I’m glad Keith was persistent and patient and got this done. It’s great footage of Chuck playing his classics. The concert at the Fox Theatre ended up a success. Chuck sounded great, and so did the band. I will be forever grateful they did this show, and we get to see Chuck Berry at his best. 

During the documentary, there are some great comments by Little Richard, Bo Diddley, Bruce Springsteen, Jerry Lee Lewis, Willie Dixon, and more. Some of the artists that came on and sang were Etta James, Linda Ronstadt, and Julian Lennon. Chuck was a complicated man, but he was a poet as well. I can’t recommend this documentary enough. If you are a music fan you should like it. Chuck Berry may have influenced Rock and Roll more than anyone else.

My favorite story is from Bruce Springsteen. Bruce and the E Street Band volunteered to back up Chuck Berry for a show in the early seventies. Being Chuck’s temporary pickup band must have been nerve-wracking for musicians. Chuck didn’t tell them what songs he was playing or what key…this is Bruce’s quote “About five minutes before the show was timed to start, the back door opens and he comes in. He’s by himself. He’s got a guitar case, and that was it, I said ‘Chuck, what songs are we going to do?’ He says, ‘Well, we’re going to do some Chuck Berry songs.’ That was all he said!”

Below is the video. it’s not extremely clear but watchable.

Jerry Lee Lewis – Mean Woman Blues

After all of the talk of The Shining yesterday I watched a few more scenes of the movie and then ran across this Jerry Lee Lewis live cut on YouTube. I pulled it up on Spotify and Jerry Lee entertained me while I painted our upstairs bathroom as fast as my arms would go. I combined painting while playing air drums. This could be an Olympic event!

Yes, today I will have to clean some paint on the base boards and on the ceiling…but it was worth it.

The album is called Live At The Star Club Hamburg released in 1964. This album is one of the best live rock albums I’ve ever listened to. The Star Club in Hamburg was one of the most important music venues of the era, having acts like The Beatles just a few years before. It was known for a crowd that demanded high-energy rock and roll, making it the perfect stage for Lewis. The audience was full of businessmen, dock workers, crooks, prostitutes, mobsters, and college kids. They all wanted hard-driving music.

The song was written by Claude Demetrius in 1957. It became famous through its association with several artists, such as Elvis Presley and Roy Orbison. Per secondhandsongs it’s been covered 126 times. I heard it first by Elvis but I love this live version by Jerry Lee. In this live version, he was backed up by The Nashville Teens, an English rock band, formed in Surrey in 1962.

If you have time check out the entire live album. You can’t go wrong with Jerry Lee. To show you what the critics thought… magazines such as Rolling Stone, Mojo, Digital Dream Door, Goldmine, and the NME all have this live album listed among the best live albums of all time.

The Killer Live below has the entire Star Club album on it. Click play on Spotify and enjoy your Sunday.

Mean Woman Blues

Hmm, I got a woman mean as she can beYeah, I got a woman mean as she can beSometimes I think she’s almost mean as me

Well, I ain’t braggin’, it’s understoodEverything I do, well, I sure do it goodWell, I got a woman mean as she can beOh, sometimes I think she’s almost mean as me, yeah

Well, she’s got ruby lips, shapely hipsBoy, she’d makes ol’ Jerry flipI got a woman mean as she can beOh, sometimes I think she’s almost mean as me, yeah

Well, I like a little coffee, like a little teaJerry, Jerry, it’s the thing for meI got a woman mean as she can beOh, sometimes I think she’s almost mean as me

Oh, a-ha, a-ha, a-ha-ha, ooh a-haHmm, uhm, uhmEasy now, ahh ooh, brr ha-ha-ha-haYeah, and let’s go one time

Hey, I got a woman mean as she can beYeah, got a little woman as mean as she can beWell, sometimes I think she’s almost mean as me

Jerry Lee Lewis – Breathless

After this song his career started a decline but you could not keep this man down. He would reemerge and have a country hit filled 60s and 70s. The song swings and jumps like Jerry Lee did.

This one was released in 1958 and it peaked at #7 on the Billboard 100, #4 on the Billboard Country Charts, #3 on the R&B Charts, and #8 in the UK. It was released shortly before High School Confidential. Elvis may have had a dangerous reputation but he wasn’t…Jerry Lee was the real deal. If there was ever a wildman of rock…this man would win first prize.

We know most of the stories but forget those. It’s the music that he is remembered for. He helped shape rock and roll and it is still felt to this day. His songs even feel dangerous…he had swing in his music that carried it. He kept the same in his country songs as well.

His piano playing was different than most. He kept a boogie pattern in everything he did. He was influenced by diverse artists such as Al Jolson, Jimmie Rodgers, Hank Williams, Pentecostal preachers, and rhythm and blues music. You combine all of that and you have Jerry Lee Lewis.

On a side note…if you want to hear one of the best live albums ever…give Jerry Lee Lewis, ‘Live at the Star Club, Hamburg’ (1964) a try. It’s the same club that The Beatles played a little earlier.

Jerry Lee Lewis: “I was reading a lot of magazines about Sam Phillips and Sun Records … so I told my dad, this is the man we need to go see. And we did. We drove down from Ferriday into Memphis and pulled up in front of Sun Records. I came in and auditioned for Jack Clement, who said I could never make it playing the piano. He said rock ’n’ roll was out, cause Elvis had it all tied up. He said I could forget that. Well, I said, ‘I don’t think so.’ I said, ‘I’m a hit.’ He said, ‘They all say that, son.’ I said, ‘I’m not all. I’m different.’”

Here is another version by X.

Breathless

Now, if you love meLet’s please don’t teaseIf I can hold you thenLet me squeeze

My heart goes ’round and ’roundMy love comes a-tumblin’ downYou leave meAhhhhh, breathless-ah

Well, I shake all over andYou know whyI’m sure it’s love, honeyThat’s no lie‘Cause when you call my nameYou know I burn like wood in flameYou leave meAhhhhh, breathless

Ooh, baby! Mm-mm, crazy!You’re much too muchHoney, I can’t love you enoughNow, it’s all right to hold me tightBut when you love meLove me right

Oh, come on, babyNow, don’t be shyThis love was meant for you and IWind, rain, sleet or snowI’m gonna be wherever you goYou have left meAhhhh, breathless-ah

Oh, keep it goin’

Well, ooh, baby! Mmm-mmm, crazy!You’re much too muchI can’t love you enoughWell, it’s all right to hold me tightBut when you love meLove me right

Well, come on, babyNow, don’t be shyLove was meant for you and IWind, rain, sleet or snowI’m a goin’ to b-be wherever you goYou leave meAhhhh, breathless

Blue Suede Shoes: A Rockabilly Session

You don’t get more rockabilly than Carl Perkins. This concert was a show built around the man. The guests that showed their support were Dave Edmunds, George Harrison, Eric Clapton, Ringo Starr, and Roassane Cash. Plus you had Stray Cats Slim Jim Phantom on drums and Lee Rocker on bass.

It’s pretty cool to see these other legends openly admiring Carl Perkins. Most grew up with his songs and they show their appreciation.

Dave from A Sound Day featured the Roy Orbison concert in the eighties which was a little later on than this one. I remember both of them and this one I watched at a friend’s house at the time on VHS.

Carl Perkins Rockabilly Session

Everyone takes a turn singing Carl Perkin’s classic songs in this one. It was filmed at London’s Limehouse Studios in front of a live audience on October 21, 1985. It’s a great show and Carl Perkins hadn’t lost a thing on guitar. Perkins was around 53 at the time.

They had Johnny Cash, Rob Orbison, and Jerry Lee Lewis do a quick intro for Perkins at the beginning. It’s the bottom video on this post.  They also played at The Capitol Theater in New Jersey on September 9, 1985. You can find that one on YouTube also.

Carl Perkins: “Nothing in the music business has even come close to this for me. At times I felt I was going to break down crying.”

Here are the guest Musicians:

  • Carl Perkins (guitar, vocals)
  • George Harrison (guitar, vocals)
  • Ringo Starr (drums, tambourine, vocals)
  • Eric Clapton (guitar, vocals)
  • Dave Edmunds (guitar, vocals, musical director)
  • Rosanne Cash (vocals, maracas)
  • Phantom, Rocker & Slick {Slim Jim Phantom (drums), Lee Rocker (double bass), Earl Slick (guitar)}

Backing Musicians

  • Mickey Gee (guitar)
  • Geraint Watkins (piano)
  • John David (bass guitar)
  • Dave Charles (drums)
  • Greg Perkins (bass guitar)

Jerry Lee Lewis – Whole Lotta Shakin’ Goin’ On

Electric…that is the best way I can describe Jerry Lee Lewis. From those old black and white clips in the fifties, the Killer was doing just that. Using all of his limbs to pulverize the piano. The song peaked at #3 on the Billboard 100, #8 in the UK, and #1 on the Billboard Country Chart in 1957. It is one of the most recognizable songs of the 1950s.

This song was written by Roy Hall (using the pseudonym Sunny David) and Dave “Curly” Williams. Hall was a songwriter/piano player who ran a music venue in Nashville and played in Webb Pierce’s band. Lewis’s version sold over 6 million copies. Roy didn’t get to enjoy the money from the song for too long…he had to sign his royalties away to his ex-wife.

“Whole Lotta Shakin’ Goin’ On” was Lewis’s second single, following “Crazy Arms,” which had failed to chart. But Lewis, well aware of his own talent, was pushed by producer Sam Phillips’s work in Sun Studio and brought “Whole Lotta Shakin’ Goin’ On” into the recording sessions confident that it could be a hit. Recording sessions took place in February 1957, in Sun Studios.

Lewis claimed to have heard the song from the singer Johnny Littlejohn at the Wagon Wheel nightclub in Natchez, Mississippi. He was a force of nature… he transformed the landscape of any song he moves through, and “Whole Lotta Shakin’ Goin’ On” was no different.

This song was the first of Lewis’ four Top 40 hits, which all occurred in a period of about a year and a half… but he had a huge country career starting in the 60s.

Whole Lot of Shakin’ Goin’ On

Come along my baby, whole lotta shakin’ goin’ on
Yes, I said come along my baby, baby you can’t go wrong
We ain’t fakin’, while lotta shakin’ goin’ on

Well, I said come along my baby, we got chicken in the barn
Woo-huh, come along my baby, really got the bull by the horn
We ain’t fakin’, whole lotta shakin’ goin’ on

Well, I said shake, baby, shake
I said shake, baby, shake
I said shake it, baby, shake it
And then shake, baby, shake
Come on over, whole lotta shakin’ goin’ on
Oh, let’s go!

Alright

Well, I said come along my baby, we got chicken in the barn
Whose barn? What barn? My barn
Come along my baby, really got the bull by the horn
We ain’t fakin’, whole lotta shakin’ goin’ on

Easy now
Shake it
Ah, shake it, baby
Yeah
You can shake it one time for me
Ye-ah-ha-ah, I said come on over, baby
Whole lotta shakin’ goin’ on
Now, let’s get down real low one time now
Shake, baby, shake
All you gotta do, honey, is kinda stand in one spot
Wiggle around just a little bit, that’s when you got it, yeah
Come on baby, whole lotta shakin’ goin’ on
Now let’s go one time

Shake it baby, shake, shake it baby, shake
Woo, shake baby, come on babe, shake it, baby, shake
Come on over, whole lotta shakin’ goin’ on

Max Picks …songs from 1957

I usually run this on Wednesdays after the Star Trek. We finished up season 2 and we are starting the last season…season 3 tomorrow!  Thanks for visiting the third installment of Max Picks. If you missed the first or second just follow the links.

1957

Let’s start this year with two brothers with some of the best harmonies ever in Rock/Pop…The Everly Brothers. Many guitar players could get close to the intro to this song but never exactly. The reason is Don Everly was using open G tuning…what Keith Richards later learned and made a career out of it…and that’s not an exaggeration. If you tune your guitar to open G tuning…you could play over half of the Stones catalog…believe me I do. Enough of guitar talk… this song was written by Felice and Boudleaux Bryant. This song has sheer beauty to it and also drive. I love Elvis but I’m leaving him off of this one since we featured him in the last two.

Now we get to the one…the only Pat Boone! NOT. I had to make sure you were paying attention. Now lets get to the bad boy of the fifties and all the decades that followed. He made other “bad boys” look tame. Jerry Lee Lewis was the real deal. Pure Rock and Roll that made Elvis look subtle. I can imagine he was public enemy number one with a lot of parents. Forget that though… his music is like an adrenaline rush to get up and move. The song was written by Dave “Curlee” Williams and James Faye “Roy” Hall.

I promised more Buddy Holly in the last post so I’m coming through on that promise. I could not believe the songs I could pick from in 1957. Take a look at the singles he had this year. Oh Boy, Not Fade Away, Peggy Sue, Everyday, Rock Around With Ollie Vee, and last but not least…That’ll Be The Day. That simple intro to this song is magic. I could have picked any of those songs. This song was written by Jerry Allison, Buddy Holly, and Norman Petty.

Now we have a singer who had a voice that was as smooth as silk. Sam Cooke‘s voice still gets to me. It was named as one of the 500 most important rock and roll recordings by the Rock and Roll Hall of Fame. Many artists have covered it but I’ll take Cooke’s version of it any day. It was written by the man himself.

I want to add a doo-wop vocal group because they were very popular then and this song is great. This song is called Come Go With Me by The Del-Vikings. The first time Paul and John met…John and his band The Quarrymen were playing this song with Lennon making up the words “Come and Go with me to the penitentiary” and probably some obscene words here and there. It was written by Clarence Quick.

As always…thanks for reading and listening!

Jerry Lee Lewis 1935-2022

Jerry Lee Lewis passed away today. He is one of… if not the last of the great 1950s artists that was still around. He was not an angel in life (who is?) but what a performer! The man was pure rock and roll and was hated by parents everywhere…and that is a rock and roll seal of approval. When I see those fifties clips of him live they are incredible. His blonde hair would unravel by the middle of the song and would be pounding the piano till the end.

I always thought that Jerry Lee and Little Richard were the two raunchiest 50s performers live…and I mean that in the best way. He went through controversies like we go through socks. He was successful in Rock and Roll and later in Country Music.

He was never short on confidence…he talks about moving to Memphis: “I was reading a lot of magazines about Sam Phillips and Sun Records … so I told my dad, this is the man we need to go see. And we did. We drove down from Ferriday into Memphis and pulled up in front of Sun Records. I came in and auditioned for Jack Clement, who said I could never make it playing the piano. He said rock ’n’ roll was out, cause Elvis had it all tied up. He said I could forget that. Well, I said, ‘I don’t think so.’ I said, ‘I’m a hit.’ He said, ‘They all say that, son.’ I said, ‘I’m not all. I’m different.’”

It’s a sad day for rock and roll.

Rod Stewart – What’s Made Milwaukee Famous (Has Made a Loser out of Me)

If you have read enough of my posts (and bless you if you have)…you know that I just love different song titles. When I see this song title…well, I would have to listen to the song even if it was by a death metal band playing polka on accordions. My curiosity gets the better of me but…this one I’ve known for a while. I first heard this as a kid by Jerry Lee Lewis.

This Rod the Mod cover was the A-side of a 1972 single that featured Jimi Hendrix’s Angel on the B side. This song was written by Glen Sutton, who was the first husband of country singer Lynn Anderson. They married in 1968 and divorced in 1977. Anderson recorded a version on her 1971 album How Can I Unlove You.

Jerry Lee Lewis took the song to #2 in the U.S. Billboard Hot Country Singles chart and #1 in the Canadian Country Charts in 1968 and Rod the Mod’s version peaked at #4 in the UK in 1972.

Milwaukee is the world’s beer capital and has at one time or another had four major breweries based there: Blatz, Pabst, and Miller, but it was the fourth Company, the Joseph Schlitz Brewing Company that came up with the slogan, “The beer that made Milwaukee Famous.” Let’s not forget also…it was the home to Happy Days and  Laverne and Shirley. Wisconsin also was the home to That Seventies Show… a  fictional Point Place, Wisconsin.

I found this about Milwaukee…Milwaukee, Wisconsin has nicknames such as Brew City, Beer City, Brew Town, and Beertown. All of these nicknames reflect Milwaukee’s position as being a major center of beer production in the US. The production of beer in Milwaukee dates back to the 1850s.

Let’s not forget…The Milwaukee Brewers, Bucks, Admirals, and Wave.

https://www.youtube.com/watch?v=kmJvKb7nnsE

What Made Milwaukee Famous (Has Made A Loser Out Of Me)

It’s late and she is waiting, and I know I must go home
But every time I start to leave, they play another song
Then someone buys another round and whatever drinks are free
What made Milwaukee famous has made a loser out of me

Baby’s begged me not to go, so many times before
She said love and happiness can’t live behind those swingin’ doors
Now she’s gone and I’m to blame, too late I finally see
What made Milwaukee famous has made a loser out of me

Baby’s begged me not to go, so many times before
She said love and happiness can’t live behind those swingin’ doors
Now she’s gone and I’m to blame, too late I finally see
What made Milwaukee famous has made a loser out of me

What made Milwaukee famous has made a loser out of me
What made Milwaukee famous has made a loser out of me
What made Milwaukee famous has made a loser out of me

Jerry Lee Lewis – High School Confidential

Jerry Lee Lewis put the Rock in Rock and Roll. When I see those old clips of Elvis, he is tame compared to Jerry Lee Lewis. He was nicknamed the Killer for good reason. On a side note…if you want to hear one of the best live albums ever…give Jerry Lee Lewis, ‘Live at the Star Club, Hamburg’ (1964) a try.

By 1957 Lewis was on fire…he was set with three previous top ten hits Whole Lotta Shakin, Breathless, and Great Balls of Fire. He released High School Confidential in 1957. It was riding up the charts when news of Lewis’ marriage to his 13-year-old second cousin broke out. Upon hearing this, Sun Records canceled distribution of the record to DJs and it stalled on the charts. Not a good career move Jerry…but he was just warming up.

This was the title track to a movie in which Lewis appeared. There was a sequel to the movie called College Confidential, but Lewis didn’t appear in that one. The song peaked at #21 in the Billboard Charts and #12 in the UK. Lewis wrote this song and it probably would have made it in the top ten until it was pulled.

He released a few more songs but they didn’t go anywhere until he reinvented himself into a country artist. In 1967 He had a #2 Billboard Country hit and also the #1 Canada country song in What’s Made Milwaukee Famous (Has Made a Loser Out of Me). After that, he continued to chart country hits well into the 1980s.

I love reading descriptions of Lewis’s personality. I see menacing, seductive, dangerous, aggressive, and most of all…dangerous.

As far as musically…he is a great piano player that influenced many and was a super performer…one if not the best of his generation.

High School Confindential

Well open up, honey
It’s your lover boy me that’s a knockin’
Why don’t you listen to me, sugar
All the cats are at the High School rockin’

Honey, get your boppin’ shoes
Before the juke box blows a fuse
Hey everbody hoppin’, everybody boppin’
Boppin’ at the High School Hop
Boppin’ at the High School Hop
Shakin’ at the High School Hop

Hoppin’ at the High School Hop
Rockin’ at the High School Hop
Everybody’s hoppin’, everybody’s boppin’
Boppin’ at the High School Hop

Come on little baby, let’s rock a little bit tonight
Woo, I got get with you, sugar, let’s shake things up tonight
Well the heart beatin’ rhythm
And my feet are moving smooth and light

Boppin’ at the High School Hop
Boppin’ at the High School Hop
Shakin’ at the High School Hop
Movin’ at the High School Hop
Everybody’s hoppin’, everybody’s rocking
Boppin’ at the High School Hop

Well, let me tell you something baby
I’m gonna give you some good news
Lookee here, sweet mama, let’s burn off both our shoes
My hearts beatin’ rhythm and my soul is singin’ the blues

Boppin’ at the High School Hop
Boppin’ at the High School Hop
Jumpin’ at the High School Hop
Rollin’ at the High School Hop
Everybody’s hoppin’, everybody’s boppin’
Boppin’ at the High School Hop

Boppin’ at the High School Hop
Boppin’ at the High School Hop
Shaking’ at the High School Hop
Movin’ at the High School Hop
Everybody’s boppin’, everybody’s hoppin’
Boppin’ at the High School Hop

Jerry Lee Lewis – Great Balls Of Fire

The wild man Jerry Lee Lewis. There is no mistaking who this is…they call him The Killer for a reason. Pam from All Things Thriller wrote a great piece about Jerry Lee… here.

This song became Lewis’ signature tune, as well as the title of the movie about Lewis. Otis Blackwell, a prolific songwriter who wrote many hits for Elvis Presley, wrote this song with Jack Hammer.

This was released in England the same month that Lewis married 13-year-old Myra Gale Brown, who was the daughter of his cousin (and bass player) J.W. Brown. At the time, Lewis was headlining shows with Buddy Holly and Chuck Berry, but when the UK press found out, public outrage forced Lewis to leave the country.

Back in the States, his career started to spiral as radio stations refused to play his records and stores refused to sell them. Jerry Lee turned to country music in the late sixties and made a very successful comeback and started to appear on the charts again.

The peaked at #2 in teh Billboard 100, #1 in the Billboard Country Charts, and #1 in the UK in 1957.

Eric Clapton: “I remember the first Rock & Roll I ever saw on TV was Jerry Lee Lewis doing ‘Great Balls of Fire.’ That threw me – it was like seeing someone from outer space.”

From Songfacts

Like Lewis’ previous hit, “Whole Lotta Shakin’ Goin’ On,” this song is filled with sexual innuendo (” let me love you like a lover should…”), which was shocking for a southern musician in 1957. Lewis grew up in a religious household and was conflicted over whether or not he should record this. He and Sun Records owner Sam Phillips argued as Phillips tried to convince him to sing it. Tape was rolling during the spat and the exchange can be heard on some Sun Records collections. “I thought it was funny because I could see both of them,” recalled house drummer JM van Eaton to Uncut magazine April 2012. “Sam’s as serious as he could be, and Jerry’s as heated as he could be.”

This song made the Top 5 of the Pop, R&B, and Country charts simultaneously with “Whole Lotta Shakin’ Goin’ On.” Both hit #1 on the Country charts, and while this sold 5 million copies, which was less then its predecessor, it still charted higher.

In the UK, a similarly raucous version by the female singer Georgia Gibbs was released in 1957 before Lewis’ version was issued. It didn’t chart, and Jerry Lee’s recording became a huge hit, topping the UK chart and becoming the first Sun Records recording to score there.

In 1989, Dennis Quaid portrayed Lewis in the movie Great Balls Of Fire, which told the story of his life.

The film took a few liberties, including a scene where Lewis sets his piano on fire while performing this song – a tale often told by Lewis but never verified.

In America, the song was released on November 11, 1957, just one day before the movie Jamboree hit theaters. Lewis performed the song in the film, which gave it great exposure. Other singers appearing in the movie were Carl Perkins, Fats Domino and Frankie Avalon.

In the movie Top Gun, “Goose” (Anthony Edwards) and “Maverick” (Tom Cruise) sing this while “Goose” plays a piano that still sits at the Kansas City Barbeque Restaurant in San Diego, California where the scene was filmed.

Dolly Parton made “Great Balls Of Fire” the title track to her 1979 album. Her cover was used in the 1985 Miami Vice episode “Golden Triangle (Part I).” Other artists to cover the song include Conway Twitty, Sha Na Na, Mae West, Rolf Harris and the Misfits.

https://www.youtube.com/watch?v=BQa7wOu_I_A

Great Balls of Fire

You shake my nerves and you rattle my brain
Too much love drives a man insane
You broke my will, oh what a thrill
Goodness gracious great balls of fire

I learned to love all of Hollywood money
You came along and you moved me honey
I changed my mind, looking fine
Goodness gracious great balls of fire

You kissed me baba, woo…..it feels good
Hold me baba, learn to let me love you like a lover should
Your fine, so kind
I’m a nervous world that your mine mine mine mine-ine

I cut my nails and I quiver my thumb
I’m really nervous but it sure is fun
Come on baba, you drive me crazy
Goodness gracious great balls of fire

{ piano solo }

Well kiss me baba, woo-oooooo….it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine

I cut my nails and I quiver my thumb
I’m real nervous ’cause it sure is fun
Come on baba, you drive me crazy
Goodness gracious great balls of fire

I say goodness gracious great balls of fire…oooh…

Jerry Lee Lewis – What’s Made Milwaukee Famous (Has Made a Loser Out of Me)

The title alone made me want to listen to this song. This song went to #2 in the U.S. Billboard Hot Country Singles chart and #1 in the Canadian Country Charts in 1968. Rod Stewart also made a great cover of this song. The Stewart version is the one I listen to the most, but I like both versions.

From Songfacts.

Jerry Lee Lewis took the song to #94  in the Billboard 100 in 1968, but that’s the only version of the song to chart in that country. Rod Stewart’s 1972 rendition was a much bigger hit in the UK, even though the song is very American in its subject matter.

This was written by Glen Sutton, who was the first husband of country singer Lynn Anderson. They married in 1968 and divorced in 1977. Anderson recorded a version on her 1971 album How Can I Unlove You.

 

 

It’s late and she is waiting, and I know I must go home,
But every time I start to leave, they play another song,
Then someone buys another round and whatever drinks are free,
What made Milwaukee famous has made a loser out of me.

Baby’s begged me not to go, so many times before,
She said love and happiness can’t live behind those swingin’ doors,
Now she’s gone and I’m to blame, too late I finally see,
What made Milwaukee famous has made a loser out of me.

Baby’s begged me not to go, so many times before,
She said love and happiness can’t live behind those swingin’ doors,
Now she’s gone and I’m to blame, too late I finally see,
What made Milwaukee famous has made a loser out of me.

What made Milwaukee famous has made a loser out of me,
What made Milwaukee famous has made a loser out of me.
What made Milwaukee famous has made a loser out of me.