Jerry Lee Lewis – What’s Made Milwaukee Famous (Has Made a Loser Out of Me)

The title alone made me want to listen to this song. This song went to #2 in the U.S. Billboard Hot Country Singles chart and #1 in the Canadian Country Charts in 1968. Rod Stewart also made a great cover of this song. The Stewart version is the one I listen to the most, but I like both versions.

From Songfacts.

Jerry Lee Lewis took the song to #94  in the Billboard 100 in 1968, but that’s the only version of the song to chart in that country. Rod Stewart’s 1972 rendition was a much bigger hit in the UK, even though the song is very American in its subject matter.

This was written by Glen Sutton, who was the first husband of country singer Lynn Anderson. They married in 1968 and divorced in 1977. Anderson recorded a version on her 1971 album How Can I Unlove You.

 

 

It’s late and she is waiting, and I know I must go home,
But every time I start to leave, they play another song,
Then someone buys another round and whatever drinks are free,
What made Milwaukee famous has made a loser out of me.

Baby’s begged me not to go, so many times before,
She said love and happiness can’t live behind those swingin’ doors,
Now she’s gone and I’m to blame, too late I finally see,
What made Milwaukee famous has made a loser out of me.

Baby’s begged me not to go, so many times before,
She said love and happiness can’t live behind those swingin’ doors,
Now she’s gone and I’m to blame, too late I finally see,
What made Milwaukee famous has made a loser out of me.

What made Milwaukee famous has made a loser out of me,
What made Milwaukee famous has made a loser out of me.
What made Milwaukee famous has made a loser out of me.

 

 
 

George Harrison – Crackerbox Palace

I first saw the video of this song on television in the seventies. I might have seen it on the SNL broadcast…probably a repeat. A good catchy song by George off of his Thirty Three & 1/3 album. The song peaked at #19 in the Billboard 100 and #19 in Canada.

The album peaked at #11 in the Billboard 200 and #10 in Canada.

From Songfacts.

In the music video, future Rutle Neil Innes played the nurse pushing George in a pram. George’s future wife Olivia Arias played one of the scantily dressed women standing next to his bed.
This song was inspired by Friar Park, a 120 room neo-Gothic mansion that Harrison lived in from 1970, until his death in 2001. The song’s title was Harrison’s nickname for his home.
Harrison’s line “It’s twoo, it’s twoo” was lifted from the movie Blazing Saddles. It was a line spoken by Madeline Kahn about what she had heard about black men. George loved offbeat comedies like that.

Crackerbox Palace

I was so young when I was born
My eyes could not yet see
And by the time of my first dawn
Somebody holding me . . . they said

I welcome you to Crackerbox Palace
We’ve been expecting you
You bring such joy in Crackerbox Palace
No matter where you roam know our love is true

While growing up or trying to
Not knowing where to start
I looked around for someone who
May help reveal my heart – someone said

While you’re a part of Cracerbox Palace
Do what the rest all do
Or face the fact that Crackerbox Palace
May have no other choice than to deport you

I welcome you to Crackerbox Palace
We’ve been expecting you
You bring us joy in Crackerbox Palace
No matter where you roam know our love is true

Sometimes are good . . . sometimes are bad
That’s all a part of life
And standing in between them all
I met a Mr. Grief – and he said

I welcome you to Crackerbox Palace
Was not expecting you
Let’s rap and tap at Crackerbox Palace
Know that the Lord is well and inside of you

(Chorus)

Chi Coltrane – Thunder and Lightning

Chi Coltrane can sing rock, blues, and anything in between. I remember this son,g but I’m stunned that she didn’t have more hits. She was signed by Clive Davis and had this hit single and a couple of critically acclaimed albums. This song was her only hit back in 1972. It peaked at #17 in the Billboard 100, #4 in Germany, and #18 in Canada. She moved to Europe in 1977 and started a career there. She gained a large following with many hits and still performs to this day.

She is an excellent musician, producer, singer, and songwriter. She wrote Thunder and Lightning. Unlike some other singer-songwriters of the time…Chi was said to have been equal to a session musician in her piano playing.

Thunder and Lightning

Oooh, what a good thing I’ve got
Oh, it’s such a good thing I’ve got
I don’t think I can stand it

Thunder and lightning, oh yeah!
I tell you it’s frightening, oooh!
It’s thunder and lightning
And you’re in control

I thought my life was complete
But look what you’re doin’ to me
Oh, you’re makin’ me crazy

Thunder and lightning, oh yeah!
I tell you it’s frightening, ooohooo!
It’s thunder and lightning
And you’re in control

I don’t know how to handle it
It’s more than I would dare
I wouldn’t try to run from it
It reaches everywhere

I’m feelin’ dizzy and weak
You make me forget how to speak
I can feel it happening

It’s thunder and lightning, oh yeah!
I tell you it’s frightening, ooohooo!
Thunder and lightning
And you’re in control

Oh, thunder and lightning, ooohooo!
I tell you it’s frightening, oh yeah!
I tell it’s thunder and lightning, ooohooo!
I tell you it’s frightening, oh yeah!

I tell you thunder and lightning, oh yeah!
Don’t you know that it’s frightening, oh yeah!
I know it’s thunder and lightning

Dr. Hook – The Cover of the Rolling Stone

At one time this novelty song was true…you wanted to be on the cover of Rolling Stone when it was a good magazine…but that is a different discussion. This song was released in 1972 and peaked at #6 in the Billboard 100 and #2 in Canada. Dr. Hook was very successful with 6 top ten hits in their career. They were also known as Dr. Hook and the Medicine Show.

From Songfacts.

This is a parody of the rock and roll lifestyle. It pokes fun at all the things that rock stars indulge in when they’re successful: groupies, shady characters hanging around, limo rides, etc.

The group had a funny side and a serious side, but it was the funny side that came out on stage and framed their image. The pirate theme added to the novelty of the group: originally known as the Chocolate Papers, they took the name Dr. Hook & the Medicine Show after the character in Peter Pan, which also played up the eye patch worn by their singer Ray Sawyer, who many people assumed was “Dr. Hook.” Sawyer wore the eye patch as a result of a car accident.

Cover of the Rolling Stone

Well, we’re big rock singers
We got golden fingers
And we’re loved everywhere we go (that sounds like us)
We sing about beauty and we sing about truth
At ten-thousand dollars a show (right)
We take all kinds of pills that give us all kind of thrills
But the thrill we’ve never known
Is the thrill that’ll gitcha when you get your picture
On the cover of the Rollin’ Stone

(Rollin stone) want to see my picture on the cover
(Stone)Wanna buy five copies for my mother (yes)
(Stone)Wanna see my smilin’ face
On the cover of the Rollin’ Stone (that’s a very very good idea)

I got a freaky ole lady name a cocaine Katy
Who embroideries on my jeans
I got my poor ole grey haired daddy
Drivin’ my limousine
Now it’s all designed to blow our minds
But our minds won’t really be blown
Like the blow that’ll gitcha when you get your picture
On the cover of the Rollin’ Stone

(Rollin Stone) want to see our pictures on the cover
(Stone) want to buy five copies for our mothers (yeah)
(Stone) want to see my smilin’ face
On the cover of the Rollin’ Stone
(talking) Hey, I know how
Rock and roll

Ah, that’s beautiful
We got a lot of little teenage blue eyed groupies
Who do anything we say
We got a genuine Indian Guru
Who’s teaching us a better way
We got all the friends that money can buy
So we never have to be alone
And we keep getting richer but we can’t get our picture
On the cover of the Rollin’ Stone

(Rollin stone)Gonna see my picture on the cover
(Stone) Gonna buy five copies for my mother (wa wa)
(Stone) Gonna see my smilin’ face
On the cover of the Rollin’ Stone
On the cover of the Rollin’ 
Stone) Gonna see my picture on the cover
(talking) I don’t know why we ain’t on the cover, baby
(Stone) Gonna buy five copies for my mother
(talking) We’re beautiful subjects
(Stone) Want to see my smilin’ face
(talking) I ain’t kiddin’, we would make a beautiful cover
On the cover of the Rollin’ Stone
(talking) Fresh shot, right up front, man
I can see it now, we’ll be up in the front
Smilin, man
Ah, beautiful.

Etch a Sketch

Oh, how this toy teased me as a kid. I would start drawing something halfway decent and then I would hit a wall because I would get so close to what I wanted and then make a wrong move…then came the shake part and start all over again. The definition of insanity would be this toy in my hands…but yet I still tried. Some people can do interesting things with it…I’m not one of those people.

In the late 50s French electrical technician André Cassagnes applied his experience with the clinging properties of an electrostatic charge to invent a drawing toy with no spare parts.

The Ohio Art Company took a look at the toy and invested $25,000.  It has sold more than 175 million units worldwide since it hit stores on July 12, 1960.

They have new versions of it now with more options. Related image

 

 

 

https://en.wikipedia.org/wiki/Etch_A_Sketch

April Wine – Just Between You and Me

I’m not a big power ballad lover but this one I liked. I owned this single back in 1981. I also had the album “Nature of the Beast” which it came off of. The song peaked at #21 in the Billboard 100 and #22 in Canada. April Wine was the first Candian band played on MTV.

From Songfacts.

Through nine lineup changes, April Wine has been going continuously since 1969 up until the present day. The Nature of the Beast represents their commercial peak, selling over one million copies in the US. “Just Between You and Me” was also their greatest-selling single in the US, becoming the band’s defining power ballad. However, their career has spawned 32 hits on the Canadian charts, 21 of those in the top 40.
Although they’ve been nominated eleven times for a Juno award, April Wine hasn’t won one yet. They have, however, been inducted into the Canadian Music Industry Hall of Fame, the East Coast Music Hall of Fame, and the Canadian Music Hall of Fame, along with being presented with a CMW Lifetime Achievement Award in 2009.

Just Between You and Me

Time and time again I see
A love that seemed strong
Was not meant to be
Broken hearts don’t always mend
Left too unsure to try love again

But just between you and me
Baby I know our love will be
Just between you and me
Always I know our love will be
Just between you and me

Lovers often seem to say
Hearts can be blind to love gone astray
Always it’s the same old song
Someone’s been hurt by love that’s gone wrong

Just between you and me
Baby I know our love will be
Just between you and me
Always I know our love will be
Just between you
Just between you and me

Words are sometimes hard to find
The silence can be so unkind
You always help me find my way
The love that we share
Grows stronger each day

Just between you and me
Baby I know our love will be
Just between you and me
Always I know our love will be
Seulement entre toi et moi
Means that our love will always be
Just between you and me
Baby I know our love will be
Just between you
Just between you and me

Climax Blues Band – Couldn’t Get It Right

I remember this song from when I was growing up. The Climax Blues Band had been playing since the late 60s, more of a blues-rock outfit at first (the name sort of gives that away). But by 1976, when they cut Gold Plated, the band shifted gears. Paul Carrack-style keyboards, funky guitars, and a dance-floor beat crept in. The result was this song, and it was a perfect slice of transatlantic pop.

This wasn’t supposed to be the single. The label wanted a hit, the band knocked this one together, and boom: lightning in a bottle. Climax Blues Band never really matched the success of Couldn’t Get It Right again, but that hardly matters. One song like this that still plays on classic rock radio and quietly fills dance floors decades later.

They scored with this song in 1976, which peaked at #3 on the Billboard 100, #8 in Canada, and #10 in the UK. Their other big hit was “I Love You,” released in 1979. A version of this band is still playing today.

From Songfacts.

This song is a great example of the dual vocal technique The Climax Blues Band was known for. Holt explains: “Colin Cooper used to sing the lead – the low vocal, and I used to sing an octave higher. And then, because 4 of us sang in the band, we used to harmonize. The fact that we had the dual singing the same line but with an octave split made the sound very unique, and it’s still very unique today. Whenever people use it I think it’s great. That was one of our trademarks, we just used to sing together in unison.”

Couldn’t Get It Right

Time was drifting
This rocker got to roll
So I hit the road and made my getaway
Restless feeling, really got a hold
I started searching for a better way

But I kept on looking for a sign
In the middle of the night
But I couldn’t see the light
No, I couldn’t see the light
I kept on looking for a way
To take me through the night
I couldn’t get it right
I couldn’t get it right

LA fever made me feel alright
But I must admit it got the best of me
Getting down, so deep I could have drowned
Now, I can’t get back the way I used to be

But I kept on looking for a sign
In the middle of the night
But I couldn’t see the light
No, I couldn’t see the light
I kept on looking for a way
To take me through the night
I couldn’t get it right
I couldn’t get it right

New York City took me with the tide
And I nearly died from hospitality
Left me stranded, took away my pride
Just another no account fatality

I kept on looking for a sign
In the middle of the night
But I couldn’t see the light
No, I couldn’t see the light
I kept on looking for a way
To take me through the night
I couldn’t get it right
I couldn’t get it right

I kept on looking for a sign
In the middle of the night
But I couldn’t see the light
No, I couldn’t see the light
I kept on looking for a way
To take me through the night
I couldn’t get it right
I couldn’t get it right

I kept on looking for a sign
In the middle of the night
But I couldn’t see the light
No, I couldn’t see the light
I kept on looking for a way
To take me through the night
I couldn’t get it right
I couldn’t get it right

Billy Preston – Will It Go Round In Circles

Billy Preston and Bruce Fisher wrote this song as well as “Nothing from Nothing” and You Are So Beautiful. Will It Go Around In Circles peaked at #1 in the Billboard and #1 in Canada. Billy Preston played with the biggest names including The Beatles and The Rolling Stones. When he was a teenager he played keyboards in Little Richard’s band and met The Beatles while they were still playing in Hamburg.

During the difficult recording of Let It Be George Harrison invited Billy to play with The Beatles and it eased the tensions with the group somewhat and Billy contributed to the album and movie.

He toured with the Stones in the seventies also.

 

From Songfacts.

This was borne out of a joke Preston made to his songwriting partner, Bruce Fisher, about having a song but no melody. The comment inspired the opening refrain, “I got a song that ain’t got no melody, I’m gonna sing it to my friends,” and set up similar proclamations, such as having a story with no moral and having a dance with no steps.

The song’s success allowed Fisher to finally quit his job in the mailroom at NBC in Burbank, California. He went on to collaborate with Preston on his next #1, “Nothing From Nothing,” and the Joe Cocker hit “You Are So Beautiful.”

https://www.youtube.com/watch?v=LDehYXKI31g&ab_channel=driftbolt

Will It Go Round In Circles

I’ve got a song, I ain’t got no melody
I’ma gonna sing it to my friends
I’ve got a song, I ain’t got no melody
I’ma gonna sing it to my friends

Will it go round in circles?
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

I’ve got a story, ain’t got no moral
Let the bad guy win every once in a while
I’ve got a story, ain’t got no moral
Let the bad guy win every once in a while

Will it go round in circles?
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

I’ve got a dance, I ain’t got no steps, no
I’m gonna let the music move me around
I’ve got a dance, I ain’t got no steps
I’m gonna let the music move me around

Will it go round in circles?
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

Well
Well
Well
Well

Will it go round in circles?
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

I’ve got a song, I ain’t got no melody
I’ma gonna sing it to my friends
I’ve got a song, I ain’t got no melody
I’ma gonna sing it to my friends

Will it go round in circles?
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

Go round in circles
Will it fly high like a bird up in the sky?
Will it go round in circles?
Will it fly high like a bird up in the sky?

Dodgers vs. Red Sox

It’s been 102 years since these organizations met in the World Series. Back then it was the Red Sox…with Babe Ruth against the Robins. In my lifetime they came close to meeting in 1978.

I’ve waited a long time for this, 40 years to witness the Dodgers play the Red Sox in the World Series. As a kid, I always loved to see Fenway Park on television with its vision of green and know that Babe Ruth once played there along with other greats. The team I love, The Dodgers, were winning their division in 1978 and I thought instead of playing the Yankees I could see the Dodgers play in Fenway. This was before Interleague entered the picture.

In 1978 The Red Sox had a commanding lead in the American League East division. They led the Yankees by 14  games in July I thought for sure the Sox had it. The teams ended up tied on the last day and it came down to a playoff game between the Sox and Yankees. The Yankees ended up winning the game and the American League pennant with the help of the famous Bucky Dent homer.

Now I’ll finally get to see it 40 years later in the World Series. Win or lose I’m looking forward to this World Series. Instead of Cey, Garvey, Lopes vs Lynn, Rice, and Yaz it will be Bellinger, Puig, Turner, and Kershaw against Betts, Bradley Jr., Martinez, and Sale.

Should be a good series.

 

America – Lonely People

Maybe my favorite America song along with Sister Golden Hair. It peaked at #5 in the Billboard 100 and #16 in Canada in 1975. The song was a positive response to the Beatles Eleanor Rigby’s “All the lonely people: where do they all come from…where do they all belong”(according to wiki). Both songs were produced by George Martin.

From Songfacts.

Famed Beatles producer George Martin helmed this song along with the rest of the album in London. Peek recalled to Circus: “Gerry (Beckley) had been in England, and we’d talked about using George Martin as our producer. He’s such a hot arranger, thinking about all the stuff he’s done. There were several other people we wanted to use, but that idea sort of flashed and George was available. Gerry had a house outside of London where we knew we could rehearse.”

The trio met with George Martin in Los Angeles, at the offices of America’s managers, Geffen-Roberts. Peek remembered with a laugh: “The first thing he did was take his shirt, sweater and shoes off. He said it was too hot in L.A. He put everyone at ease, and we just got along well from the first second. He has a very musical mind, and as we began working we bounced ideas off of him quite a bit, with things like vocal arrangements and guitar parts. It was an amazing experience working for a mind-producer.”

 

https://www.youtube.com/watch?v=IRDnEqW1vAc&ab_channel=rigodemtyNavegante

Lonely People
This is for all the lonely people
Thinking that life has passed them by
Don’t give up until you drink from the silver cup
And ride that highway in the sky

This is for all the single people
Thinking that love has left them dry
Don’t give up until you drink from the silver cup
You never know until you try

Well, I’m on my way
Yes, I’m back to stay
Well, I’m on my way back home (Hit it)

This is for all the lonely people
Thinking that life has passed them by
Don’t give up until you drink from the silver cup
And never take you down or never give you up
You never know until you try

Jim Croce – Operator (That’s Not the Way It Feels)

This is one of the first songs I remember hearing. I’ve always liked the song and it remains my favorite of Jim Croce. It peaked at #17 in the Billboard 100 and #11 in Canada. Jim’s songs were about everyday people. Jim and Maury Muehleisen guitars blended perfectly with each other.

Jim Croce quote about Operator

“I got the idea for writing “Operator” by standing outside of the PX waiting to use one of the outdoor phones. There wasn’t a phone booth; it was just stuck up on the side of the building and there were about 200 guys in each line waiting to make a phone call back home to see if theirÔDear John’ letter was true, and with their raincoat over their heads covering the telephone and everything, and it really seemed that so many people were going through the same experience, going through the same kind of change, and to see this happen especially on something like the telephone and talking to a long-distance operator-this kinda registered. And when I got out of theArmy I was working in a bar where there was a telephone directly behind where I was playing and I couldn’t help but be disturbed by it all the time, and I noticed that the same kind of thing was going’ on. People checkin’ up on somebody or finding out who was Ð what was goin’ on, but always talking to the operator. And I decided that I would write a song about it. But I didn’t really start getting the idea for the song itself, the real outline of it until I was doing the construction work after I got out of the music business the first time, and I started carrying a cassette machine in the truck. I started ÔOperator’ on the way back, one afternoon, just singin’ into a cassette machine. But it’s-it’s one of those songs that kinda comes out of experiences that you watch for a long time, just to see if they’re really valid. I kinda like to write songs about things that a lot of people have experience with because it really makes the songs communicate.”

 

Operator

Operator, well could you help me place this call?
See, the number on the matchbook is old and faded
She’s living in L.A. with my best old ex-friend Ray
A guy she said she knew well and sometimes hated

Isn’t that the way they say it goes? Well, let’s forget all that
And give me the number if you can find it
So I can call just to tell ’em I’m fine and to show
I’ve overcome the blow, I’ve learned to take it well
I only wish my words could just convince myself
That it just wasn’t real, but that’s not the way it feels

Operator, well could you help me place this call?
Well, I can’t read the number that you just gave me
There’s something in my eyes, you know it happens every time
I think about a love that I thought would save me

Isn’t that the way they say it goes? Well, let’s forget all that
And give me the number if you can find it
So I can call just to tell ’em I’m fine and to show
I’ve overcome the blow, I’ve learned to take it well
I only wish my words could just convince myself
That it just wasn’t real, but that’s not the way it feels
No, no, no, no that’s not the way it feels

Operator, well let’s forget about this call
There’s no one there I really wanted to talk to
Thank you for your time, ah, you’ve been so much more than kind
And you can keep the dime

Isn’t that the way they say it goes? Well, let’s forget all that
And give me the number if you can find it
So I can call just to tell ’em I’m fine and to show
I’ve overcome the blow, I’ve learned to take it well
I only wish my words could just convince myself
That it just wasn’t real, but that’s not the way it feels

Maria Muldaur – Midnight at the Oasis

It took years for me to appreciate this song but I do now. Her voice is incredible on it. Critics and other rock stars loved this song at the time. It peaked at #6 in the Billboard 100, #21 in the UK, and #2 in Canada in 1974.

AllMusic reviewer Matthew Greenwald describes the song as “so sensual and evocative that it was probably one of the most replayed records of the era and also may be responsible for the most pregnancies from a record during the mid-’70s”

 

From Songfacts.

A hit song can become a burden to a singer if she is sick of the song yet still expected to perform it night after night. So how does Muldaur feel about constantly performing this song? She told us: “I still do enjoy singing it. And you know why? Because number one, it was a very hip-ly written song. A lot of the jazz artists have covered it because it’s very well constructed. Imagine my plight if my big hit had been ‘Wild Thing‘ by the Troggs, a really dumb three-chord song. But it’s a song that’s so well constructed that an artist can improvise on it night after night. So that’s reason number one, it’s a cool song.

Reason number two is I love the look of the faces of the audience when the band strikes that number up, when the band goes into the intro of that number. Because apparently, from all the stories that have been told to me when I meet my fans after the show to sign my CD, that song was the soundtrack to many a love-and-lust affair, and if I had been

 writing down all the stories of what people tell me they were doing or were inspired to do because of that song, or as that song was playing, I could have written quite the little x-rated book. So when I start that song, people’s faces light up and I see very happy, maybe slightly x-rated memories flitting across their faces. And so that’s worth more than any Grammy nomination or award – to hear first hand from your fans, from hundreds and hundreds of fans, how a piece of music I didn’t even write, but that I selected and recorded and just put out there in the airwaves, just had such a happy impact on people’s lives. What a gift is that?”

Midnight at the Oasis

Midnight at the oasis
Send your camel to bed
Shadows painting our faces
Traces of romance in our heads
Heaven’s holding a half-moon
Shining just for us
Let’s slip off to a sand dune, real soon
And kick up a little dust
Come on, Cactus is our friend
He’ll point out the way
Come on, till the evening ends
Till the evening ends
You don’t have to answer
There’s no need to speak
I’ll be your belly dancer, prancer
And you can be my sheik

I know your Daddy’s a sultan
A nomad known to all
With fifty girls to attend him, they all send him
Jump at his beck and call
But you won’t need no harem, honey
When I’m by your side
And you won’t need no camel, no no
When I take you for a ride
Come on, Cactus is our friend
He’ll point out the way
Come on, till the evening ends
Till the evening ends
Midnight at the oasis
Send your camel to bed
Got shadows painting our faces
And traces of romance in our heads

 

Lynyrd Skynyrd – 41 Years Ago

It’s been 41 years since Lynyrd Skynyrd’s plane crashed in a swamp in Gillsburg, Mississippi. The band had just released the album “Street Survivors” and it was probably their best well-rounded album. With new guitarist Steve Gaines, they were primed for commercial success but on October 20, 1977, they lost singer-songwriter Ronnie Van Zant, guitarist Steve Gaines, backup singer Cassie Gaines, and road manager Dean Kilpatrick. The plane crash also claimed the lives of pilot Walter McCreary and co-pilot William Gray Jr.

A year earlier Steve Gaines joined the band and he was pushing them in directions they never had gone. Listening to “Street Survivors” you can hear his influence with songs I Never Dreamed and I Know A Little. Steve was a  super talented guitarist, songwriter, and singer and I have to wonder where his career would have gone.

On this tour, they were headlining and moving up in status after years of touring as mostly an opening band.

Below is a good Rolling Stone article on the crash. The song below that is “I Never Dreamed,” a song heavily influenced by Gaines.

https://www.rollingstone.com/music/music-features/remembering-lynyrd-skynyrds-deadly-1977-plane-crash-2-195371/

https://www.youtube.com/watch?v=wqpynngNypo&ab_channel=LynyrdSkynyrdLover

Image result for lynyrd skynyrd 1977

Image result for lynyrd skynyrd 1977

Related image

 

 

Nena – 99 Luftballons

This song was all over the place in 1984. Both the English and German versions were played and I liked the German version better…I thought it just flowed better than the English version. When I heard “Captain Kirk” I knew I liked it.

The German version went to #2 in the Billboard 100. The English version went to #1 in the UK and #1 in Canada.

From Songfacts.

This was released in Germany, where Nena was from. Their record company had no intention of releasing it in America until a disc jockey at radio station KROQ in Los Angeles found a copy and started playing it. They recorded an English version (the original words are in German, and yes, “Captain Kirk” in German is still “Captain Kirk”) with the title translated as “99 Red Balloons” and released it in the US, where it was a big hit.

Nena’s guitarist, Carlo Karges, got the idea for the song after watching balloons being released at a Rolling Stones concert in West Berlin. He wrote the lyrics and Nena’s keyboard player Uwe Fahrenkrog-Petersen wrote the music.

https://en.wikipedia.org/wiki/99_Luftballons

Below are both versions

https://www.youtube.com/watch?v=La4Dcd1aUcE&ab_channel=TV80s

99 Luftballoons

Do you have some time to myself
then I sing a song for you
99 balloons
on their way to the horizon

you might think g’rad me
Then I sing a song for you
99 balloons
And this does not come from something like

99 balloons
on their way to the horizon was
thought to be for space-based UFOs So
a General

‘Ne squadron sent an
alert after that if that were the case.
There were
only 99 air balloons

99 jet aviators
Everyone was a great warrior considered
themselves Captain Kirk
Es gave a big fireworks

The neighbors have not gathered
And you felt the same turned on
It shot on the horizon
On 99 Balloons

99 Minister of War
Match and jerry Can
for the clever people
Witterten already fat loot

Riefen, war and power
man, who would have thought
That it comes once
Because of 99 Balloons

Because 99 Balloons
99 balloons

99 years of war left
no room for victors
war minister’s no more
And no jet planes

Today I pull my laps
See the world in ruins
Have found a balloon
think of you and let him fly

https://www.youtube.com/watch?v=wirRZsAvJGQ&ab_channel=pattyttaf1

Ninety-Nine Red Balloons

You and I in a little toy shop
Buy a bag of balloons with the money we’ve got
Set them free at the break of dawn
‘Til one by one they were gone
Back at base bugs in the software
Flash the message: “something’s out there!”
Floating in the summer sky
Ninety-nine red balloons go by

Ninety-nine red balloons
Floating in the summer sky
Panic bells, it’s red alert
There’s something here from somewhere else
The war machine springs to life
Opens up one eager eye
Focusing it on the sky
Where ninety-nine red balloons go by

Ninety-nine Decision Street
Ninety-nine ministers meet
To worry, worry, super scurry
Call the troops out in a hurry
This is what we’ve waited for
This is it, boys, this is war
The president is on the line
As ninety-nine red balloons go by

Ninety-nine knights of the air
Ride super high-tech jet fighters
Everyone’s a Super Hero
Everyone’s a Captain Kirk
With orders to identify
To clarify and classify
Scramble in the summer sky
Ninety-nine red balloons go by

As ninety-nine red balloons go by

Ninety-nine dreams I have had
In every one a red balloon
It’s all over and I’m standing pretty
In this dust that was a city
If I could find a souvenir
Just to prove the world was here
And here is a red balloon
I think of you, and let it go

Alan “Blind Owl” Wilson

Alan Wilson is a forgotten figure who was a gifted musician. He died in 1970 under strange circumstances outdoors in a sleeping bag near his band’s lead singer’s (Bob Hite) house. He was dead at the age of 27. Jimi Hendrix would die in a couple of weeks and Janis Joplin would follow a month later…all of them were age 27.

Alan grew up in Boston, Massachusetts where he became a music major at Boston University. He was a frequent player at the Cambridge coffeehouse folk-blues circuit. Alan ended up a blues scholar. He had a massive collection of old blues records and was a walking encyclopedia of the blues. Wilson’s nickname, “Blind Owl,” was bestowed upon him by friend John Fahey during a road trip in 1965 from Boston to Los Angeles and was a reference to the extra-thick lenses Wilson wore.

Alan moved to Los Angeles and met Bob “The Bear” Hite and in 1965 started Canned Heat. The group decided to take their name from “Canned Heat Blues,” an obscure 1928 track by bluesman Tommy Johnson that described the drug high achieved through drinking the household product Sterno.

In 1967, after appearing at the Monterey Pop Festival, Canned Heat signed to Liberty Records. They made a self-titled album that year and it peaked at #76 on the Billboard Charts. In 1968 they released “Boogie with Canned Heat” which made it to number 16. They followed that album with “Living the Blues”(#18) and in 1969 released album Hallelujah(#37).

Their appearance at Woodstock raised their stock higher. They had two hit singles both sung by Alan Wilson, Going Up Country (1968 ) and  On The Road Again (1969). Alan wasn’t the lead singer of Canned Heat but he sang the two best-known singles by them. They were both written by him and based off old blues songs. His unusual voice came from him trying to mimic the voice of old blues singers.

He was very intelligent, awkward, suffered from depression and was not a prototypical rock star. Alan was a serious environmentalist trying to save the Redwood trees. He would sleep outside often to be alone with nature. Alan Wilson was a superb slide guitar and harmonica player. John Lee Hooker said that Wilson was “the greatest harmonica player who ever lived.”

He was a big fan of Eddie James House, Jr. who was was better known as “Son House,” the great blues artist who had retired. He not only retired but was an alcoholic and had not played guitar in years and could not remember his old songs and slide parts from the 20s and 30s. Son House is said to have tutored Robert Johnson. John Hammond asked Alan Wilson to teach the 63-year-old Son House how to play like Son House again. Wilson knew his old records and licks and taught them to Son House who relearned them. House was later signed to a contract.

It gave Son House a career again and he kept playing till he retired again in 1974 after being rediscovered by a new generation. You can hear them both together on the Son House album John the Revelator: The 1970 London Sessions.

Alan died on September 3, 1970. No one knows if it was a suicide or an accidental overdose of Seconal.

Canned Heat continues to this day but they were never as successful after Alan passed away.

For a complete look at Alan Wilson go here to http://www.blindowl.net/index.html
it’s a great site. Below is an essay he wrote in 1970 about the Redwoods.

“Grim Harvest”

“The redwoods of California are the tallest living things on earth, nearly the oldest, and among the most beautiful to boot. They dominated the woods of the northern hemi-sphere in the time of the dinosaurs, a time when no mammal, flower, or blade of grass had yet appeared on earth. The Ice Age nearly exterminated them – of the once vast redwood forest only a remnant was spared by the immense glaciers which covered most of Europe, Asia, and North America in the not-too-distant evolutionary past.

Walking through this forest is an experience unique on earth. Here the sun’s rays are intercepted three hundred feet and more above the ground and are broken into tiny shimmering beams which descend among the towering pillars to play, at length, on the forest floor. Fern and wildflower bathe in the soft glow of a thousand muted spotlights which flicker on and off as the trees’ upper boughs sway majestically in a gentle wind.

2.000.000 acres of virgin redwood forest greeted the white man’s civilization as he completed his sweep of North America. In the last 100 years 1,800,000 acres of these have been logged, and of the remaining 200,000 only 75,000 are presently safe from devastation in state and national parks. At a time when these parks campsites must be reserved months in advance, the remaining 125,000 acres are being “harvested” (as the lumber-men put it), for uses which other trees could fulfill.

At the current rate of “harvest,” these remaining acres will be cleared within the next ten years.”

– Alan C. Wilson, 1970

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