Category: Alternative

Barracudas – We’re Living In Violent Times

This 80s band started off as a surf band and then they switched to a more garage band sound. The song has a 1960s feel…it would be expected from a band who had a song called (I Wish It Could Be) 1965 Again.

The Barracudas are an English-Canadian band that formed in 1978 when Robin Wills (from London) met Jeremy Gluck (from Ottawa) and they are now based in England. The band’s original line-up consisted of Jeremy Gluck (vocals), Robin Wills (guitar and vocals), Starkie Phillips (bass and vocals) and Adam Phillips (drums).

The band broke up in 1984 but reformed in 1989. In 2005 they released their back catalog and that provided a boost to their career. They started to release singles and an album in 2014. They ended up with more compilations albums than regular releases.

This song was released in 1981 on their debut album Drop Out.

There was also a sixties band with the same name.

Jeremy Gluck: Radio was an enormous influence. You can’t imagine now how important it was then, it would seem sentimental to get into it. There were some good local stations, like CFRA, that played the Top 40 – I remember calling them like crazy in hope of my “Bang-a-Gong” request hitting paydirt. But the best was on FM. The night my top FM DJ played all of ‘Quadrophenia’ days before its release was one of many highlights. At night through the crystal clear winter skies I could tune in dozens of American stations, and discovered a lot of music and madness that way. Radio is magic: the first time I heard a record of mine on radio (John Peel show!), it was an epiphany. 

Jeremy Gluck is the author and founder of the Nonceptualism art manifesto…yea don’t ask me but he described it.

“Nonceptualism is about the (an) end to art, and the end of the idea of an artist in self-concept and conception and execution of work, as we and consider it…but maybe it’s also my way of saying, It’s about an end to some or all of me as I’ve conceived myself since conditioning began – as it does with all of us – not long after birth. Which I like…” 

We’re Living In Violent Times

Stayed in all day
I was scared of getting killed
Didn’t pick up my pay
I know I’ll just get bills
Maybe it’s all in my frozen mind
We’re living in violent times
Maybe it’s in my mind
We’re living in violent times
Took the news off the TV
It always depresses me
Put my new car in the garage
I’m so scared of a crash
I couldn’t wait to turn off the lights
We’re living in violent times
I tell ya
We’re living in violent times
Protested
Guess I should look at the bright side
And be glad just to be alive
I’ll be happy right now
If I come through this and survive
I’m not imagining this I see the signs
We’re living in violent times

Fuzztones – Bad News Travels Fast

This song rocks… The riff sounds like it was borrowed from Jethro Tull’s “Locomotive Breath” but he goes somewhere else with it.

This was the debut single of the Fuzztones in 1984. The band was formed in 1980 by  Rudi Protrudi  in New York. The band was nicknamed “The Gurus of Garage Grunge.” a decade before grunge existed. They played a large role in the mostly underground ’60s revival during the 1980s.

Their debut studio LP, Lysergic Emanations, was released in 1985. Thanks to praise from Ian Astbury of the Cult… the newly relocated Los Angeles-based Fuzztones were one of the few to get a major label deal. Thanks to a hugely successful tour of Europe in 1985, the group built a loyal and dedicated fan base there, and they toured there regularly ever since.

The band broke up in 1987 but Rudi Protrudi recruited other members to form a new Fuzztones and they have touring and releasing albums ever since…with Rudi being the only original member.

According to Discogs they have released over 21 studio and live albums between 1984 through 2020.

Bad News Travel Fast

Well I got somethin’ to say girl
I hope you’re listenin’ close
‘Cause here’s one fish you caught that’s
Slippery than most
Baby You’re just a schoolgirl
Well here’s a lesson you can use
All the other women
Say that I’m Bad News
You’re not the first
You won’t be the last
Bad News Travels Fast

Well you’re friends they all warned you
My heart is black as coal
So if you wanna ride my highway baby
You gotta pay the toll
You know I’m bad
That’s where it’s at
Bad News Travels Fast
Well, don’t you try to change me
I’ll just string you along
Sit back and enjoy the ride
Tomorrow I’ll be gone

Baby you’re just a schoolgirl
Here’s a lesson you should learn
If you want my lovin’, baby
You gotta wait your turn
Well You’re not the first
You won’t be the last
Bad News Travels Fast
Bad News Travels Fast
Bad News Travels Fast

Pixies – Here Comes Your Man ….80’s Underground Mondays

Thanks to Dave at A Sound Day for bringing this song back up to me a few months ago. That 12 string caught my ear right away. 

Songwriter and guitarist Black Francis (Charles Thompson IV), he called this song “Hobo film noir.” He said the song was about hobos traveling by train and dying in a big earthquake in California. He started writing it when he was about 15 and was inspired by small earthquakes experienced growing up in California.

This was probably their most popular song, getting lots of airplay on college radio stations. They couldn’t be bothered promoting it but it did well on the alternative charts. 

This song was released in 1989 and it was on the album Doolittle. It peaked at #3 in the Alternate Charts and #54 in the UK. 

The band broke up in 1993 and reunited in 2004. 

Black Francis: “This is a pre-Pixies song that I wrote when I was about 15. It’s about winos and hobos travelling on the trains who dies in the California earthquake. Before earthquakes everything gets very calm, animals stop talking and birds stop chirping and there’s no wind. It’s very ominous. I’ve been through a few earthquakes actually ‘cos I grew up in California. I was only in one big one in 1971. I was very young and I slept through it. I’ve been awake through lots of small ones at school and at home. It’s very exciting actually, a very comical thing. It’s like the earth is shaking, and what can you do? Nothing.”

From Songfacts

The Pixies included this song on their first demo when they set out to get a record deal. Once they were signed, Frank Black had no intention of recording the song, and didn’t until their third album, Doolittle. “People have been telling us to record it ever since so we finally did,” he said.

This became a concert favorite for the Pixies after they reunited in 2004 (they broke up in 1993), but when it first came out, Frank Black had no intention of playing it. “The poppiest song on Doolittle, which we couldn’t even play live if we tried, is ‘Here Comes Your Man,'” he told The Catalogue in 1989. “We would never play that song live; we’re too far removed from it. It’s too wimpy-poppy.”

Joey Santiago played a 12-string Rickenbacker to get the jangly guitar sound on this track.

Here Comes Your Man

Outside there’s a box car waiting
Outside the family stew
Out by the fire breathing
Outside we wait ’til face turns blue

I know the nervous walking
I know the dirty beard hangs
Out by the box car waiting
Take me away to nowhere plains

There is a wait so long
You’ll never wait so long

Here comes your man
Here comes your man
Here comes your man

Big shake on the box car moving
Big shake to the land that’s falling down
Is a wind makes a palm stop blowing
A big, big stone fall and break my crown

There is a wait so long
You’ll never wait so long

Here comes your man
Here comes your man
Here comes your man
Here comes your man

There is a wait so long
You’ll never wait so long

Here comes your man
Here comes your man
Here comes your man
Here comes your man

Here comes your man
Here comes your man
Here comes your man
Here comes your man

Here comes your man
Here comes your man
Here comes your man
Here comes your man

Here comes your man

Stems – Love Will Grow

I posted a song by the Stems earlier called Tears Me In Two and they recorded this song at the same session. They released their first EP Rosebud Volume 1 in 1985 and it included  Love Will Grow.

The EP reached #72 in the Australian charts in 1986.

The Stems were a garage punk band formed in Perth, Western Australia in late 1983. They were hugely popular in Australia. The band broke up in 1987 and reunited in 2003 and are still together. The still have three of the original members. Dom Mariani, Julian Matthews, and David Shaw.

They are very popular to this day in Australia. Their debut single “She’s a Monster/Make you Mine” reached the top of the independent charts and also sold 500 copies in England. The single was to be the 2nd highest selling independent single for Australia in 1985, second only to the Hoodoo Gurus.

They were one of the few indie bands that sometimes made it on the mainstream charts.

Love Will Grow

Feeling down and not so bright
Another lost and lonely night
I try so hard not to feel this way
I could not fight these blues away

Then you came along and you made me know
How it is our love will grow
How it is our love will grow

Yesterday I could not speak
My days were sad, confused, and weak
A cut was bleeding deep inside of me
Anxiety that I could not hide

Then you came along and you made me know
How it is our love will grow
How it is our love will grow
How it is our love will grow
How it is our love will grow

Then you came along and you made me know
How it is our love will grow
How it is our love will grow
How it is our love will grow
How it is our love will grow

Guadalcanal Diary – Ghosts On The Road

Ghosts On The Road was on their first LP Walking in the Shadow of the Big Man released in 1984. So far this will be the third song I’ve posted from Guadalcanal Diary and all three have been on this album. I will be getting this album soon. My next post by them will be a selection from a different album…but I know of 2 more on this album that this album that I will post in the future.

Walking in the Shadow of the Big Man drew a huge response from college radio and critics and college radio programmers. That in turn got the attention of the big labels. In 1985 Elektra Records signed them and reissued the album. More touring followed, as did a cameo appearance in a comedy called Rockin’ Road Trip playing Ghosts Of The Road.

The band formed in the early eighties in  Marietta, Georgia. They broke up in 1989. They would reform in 1997 but didn’t release any more new material.

Give this band a listen…you may like them.

Ghosts On The Road

Phantom headlights, broken white line
Bloodstains on the highway, glowing power lines
Signal thirty whispers softly through the pine

He said that no one could take her away
None that could tear them apart
The song she was singing made a mans blood run cold
Like a moth in flames, torn from his heart

Ghost on the road, ah
Ghost on the road, ah
Ghost on the road, ah
Ghost on the road, ah

Flashing road signs misty red eyes
lost on the highway, not a soul in sight
endless black ribbon racing through the night

She said that nothing in the world would survive
lonely spirit float on the wind
No candles burned to light his way in this life
No one saw the veil of sorrow closing to an end

Ghost on the road, ah
Ghost on the road, ah
Ghost on the road, ah
Ghost on the road, ah

Four barrells roll, down a country road
Driver never sleeps, engine never slows
They say he’ll stop one day and look back to see
a girl who waits by the bend
Her silvery laugh will remind him of one past
by his side until the night must call her home again

Ghost on the road, ah

…

Church – The Unguarded Moment

This is another band I wish I would have known more about in the 80s.

This song’s main riff reminds me a little of Ticket To Ride after being juiced up a little. The Church was an Australian alternative band that released this song in 1981.  It was the second single from their 1981 debut album, Of Skins and Heart.

It was written by Steve Kilbey, lead singer and bassist and Mikela Uniacke, who was his wife at the time. The lyrics caught my attention in this song. They are well put together and clever

The song peaked at #22 in Australia and #19 in New Zealand in 1981. The band is still together but Steve Kilbey remains the only original member. They have released 25 albums in their career and have charted everywhere.

The album peaked at #7 in New Zealand, #22 in Australia, and #31 in Canada.

From Wiki: In January 2018, as part of Triple M’s “Ozzest 100”, the ‘most Australian’ songs of all time, “The Unguarded Moment” was ranked number 57.

The Unguarded Moment

So hard
Finding inspiration
I knew you’d find me crying
Tell those girls with rifles for minds
That their jokes don’t make me laugh
They only make me feel like dying
In an unguarded moment

So long
Long between mirages
I knew you’d find me drinking
Tell those men with horses for arms
That their jokes don’t make me bleed
They only make me feel like shrinking
In an unguarded moment

So deep
Deep without a meaning
I knew you’d find me leaving
Tell those friends with cameras for eyes
That their hands don’t make me hang
They only make me feel like breathing

In an unguarded moment
In an unguarded moment
In an unguarded moment
In an unguarded moment
In an unguarded moment
In an unguarded moment
In an unguarded moment
In an unguarded moment
(In an unguarded moment)
In an unguarded moment
(In an unguarded moment)
In an unguarded moment
(In an unguarded moment)

Bevis Frond – Lights Are Changing ….Power Pop Friday

The slightly distorted 12 string guitar and Nick Saloman’s voice gives a strong Byrds sound. The song though is just good with or without the Byrds sound. Lights Are Changing was released in 1987 and this is what I wish was playing on the radio in my area.

Nick Saloman began performing thirty years ago as a guitarist in cover bands during the late 1960s in London. In 1979 he formed a band called the Von Trap Family.

In 1986, Saloman released a ninety minute cassette to a few friends of himself playing original material under the alias The Bevis Frond name. The first releases was under his own record company Woronzow records.

This song was on the Triptych album released in 1988. Saloman is productive if nothing else. They have released 27 albums. https://bevisfrond.bandcamp.com/

On the bands first recordings Saloman played many of the instruments. Members include Cyke Bancroft, Dominic Colletti, Martin Crowley, Graham Cumming, and Rie Gunther.

The band has had many members through the years but they are there to do Nick Saloman’s music projects. Their albums have had underground success.

Nick Saloman: “When you’re [as old as I was at the time] and you’ve never gotten anywhere, you kind of think that you’ve had it. So I just started doing self-indulgent stuff on my own without worrying about things like getting a record deal. I honestly didn’t think anyone would care. But lo and behold, people were interested, and it changed my life.”

Lights Are Changing

Disappearing out of sight along the open road
Into indistinct horizons – they had no time to reload
Like a silver bullet from a gun, an arrow from a bow
Like an equine star you hear about me everywhere you go

All through nebulae I was racing in my mind
I tripped on the light fantastic and I’ve never looked behind
You slow down you slow down my lights are changing
You slow down you slow down our lights are changing
You fly so high yeah and you move so fast
You’re running blindly from the past
Slow down you slow down green lights are changing

Oh changing all the time
Oh changing all the time

Looking through these hollow eyes across the great unknown
Growing greater every second, growing harder with each stone
Yeah and you who judge your freedom by the quantity you score
Would it make you any freer if you took a little more?

All that summertime I revolved around your eye
In accelerating spirals in an asymmetric sky
You slow down you slow down my lights are changing
You slow down you slow down my lights are changing
You fly so high yeah and you move so fast
You’re running blindly from the past
Slow down slow down green lights are changing

Oh changing all the time
Oh changing all the time
You slow down you slow down lights are changing
You slow down you slow down my lights are changing
Well you slow down you slow down my lights are changing

…

Connells – ’74-’75 ….80’s Underground Mondays

This is a very good acoustic pop song by the Connells.

The Connells were an alternative rock group formed in Raleigh, North Carolina in 1984 by David Connell (bass), his brother Mike Connell (guitar), Doug MacMillan (vocals) and John Shultz (drums), who was soon replaced by former Johnny Quest percussionist Peele Wimberley. In 1990 they added Steve Potak (keyboards) to their line up.

The band placed some songs in the alternative charts in the late 80s and 90s as they were played heavily on college radio The band released their 8th album in 2001 and since then haven’t done much. They never broke up but would get together and play various concerts… they are about to release their 9th album Steadman’s Wake on September 24, 2021.

This acoustic 1993 song became an unexpected smash hit in Europe, topping the pop charts in a couple of countries. The song peaked at #14 in the UK and was #1 in Sweden and Norway…It was on their Ring album.

The video is pretty cool. It was originally shot at Needham B. Broughton High School in the band’s hometown Raleigh, North Carolina in 1993, and features members of the Class of 1975 showing their yearbook pictures and them in 1993. In 2015 they remixed the song and updated the video to show the classmates they filmed in 1993 originally… and what they looked like now.

’74 – ’75

Got no reason for coming to me
And the rain running down
There’s no reason
And the same voice coming to me like it’s all slowin’ down
And believe me

I was the one who let you know
I was your sorry-ever-after seventy-four, seventy-five

It’s not easy
Nothin’ to say ’cause it’s already said
It’s never easy
When I look on in your eyes then I find that I’ll do fine
When I look on in your eyes then I’ll do better

I was the one who let you know
I was your sorry-ever-after ‘seventy-four, seventy-five
Giving me more and I’ll define
‘Cause you’re really only after seventy-four, seventy-five

Got no reason for coming to me
And the rain running down
There’s no reason
When I look on in your eyes then I find that I’ll do fine
When I look on in your eyes then I’ll do better

I was the one who let you know
I was sorry-ever-after seventy-four, seventy-five
Giving me more and I’ll define
‘Cause you’re really only after seventy-four, seventy-five

Seventy-four, seventy-five
Seventy-four, seventy-five
Seventy-four, seventy-five

https://en.wikipedia.org/wiki/%2774%E2%80%93%2775

Lyres – Help You Ann

The guitar on this song hooked me…it has a tremolo effect that resembles The Smiths How Soon Is Now.

A band named DMZ broke up in 1979 and from that lead singer and organist Jeff “Monoman” Conolly formed Lyres in Boston. The original lineup of the band featured Conolly, Rick Coraccio (bass), Ricky Carmel (guitar), and Paul Murphy (drums). The nickname Monoman for Jeff Conolly came because of his love of monophonic recordings of the ’60s and in part because of his monomaniacal obsession with vintage rock & roll.

A four-song EP that came out in 1981 called AHS-1005. The EP won the group attention outside of Boston, and a single followed in 1983, “I Really Want You Right Now” with  the B side “Help You Ann.” Jeff Conolly wrote Help You Ann.

The band has released 8 studio and live albums and 3 EPs. The band is still together and playing.

The song was included on the On Fyre album released in 1984. From Wiki: Trouser Press called the album “simply the [garage-rock] genre’s apotheosis, an articulate explosion of colorful organ playing, surging guitars and precisely inexact singing. AllMusic gave it 4 out of 5 stars.

In 2018 Jeff Conolly announced that a new album by the Lyres was being recorded.

Help You Ann

There he go and he talk to you just like a fool
He’s got no use for you now and that’s why I feel the same way too

Well, he’s done putting you down and as cynical as he can be
He spending money on some things that you used to give to me for free

Sometimes I get so mad
And I wanna hurt you
But I did the best I can
And I wanna, I wanna help you, Ann

He’s so bad, he stole up all the money that you made
Yeah, he’s got a use for you now
An apartment on the choo choo train

Well, he’s no good for you Ann
When I kill him, I’ll snatch you one day
That’s right, I want you myself
Spend up all the money I could save

So I’m back here again
‘Cause I wanted you so
Said, I wanna be your man
And I wanna, I wanna help you, Ann

And I wanna help you, Ann
Said, I wanna help you, Ann
And I wanna help you, Ann
And I wanna, I wanna help you, Ann
Said I wanna, I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann

And I wanna help
Said, I wanna help you, Ann
Just as fast as I can
And I wanna help you, Ann
And I wanna help
Said, I wanna help you, Ann
Just as fast as I can, right

https://en.wikipedia.org/wiki/Lyres_(band)

Nomads – Where The Wolf Bane Blooms

When I see a title like that I just have to listen. I could not just sit by and not listen. I told John at 2loud2oldmusic that some songs and song titles are like big red giant buttons…that you just have push. With that title I had to listen…I’m I’m glad I did.

They have a huge sound. I have to wonder how many bands have gone by the name The Nomads in the history of garage bands? They are a Swedish Garage Punk band founded in 1981. The were founded by by Hans Östlund, Nick Vahlberg, Joakim Tärnström, and Ed Johnson.

They are still together with only Hans Östlund and Nick Vahlberg.

The Nomads released an album with this name in 1983. They released the single in 1987. They have never got big airplay on radio or much TV exposure but they still have a huge fanbase built on releasing albums and touring.

The Nomads have released 19 albums…the last being in 2015…add to that around 40 singles.

Where The Wolf Bane Blooms

I know a place, it seems really strange
Some things will never change
Thunder and lightning lining my eyes
Even though the bats fill up the skies
But in the pale light of the moon
You’ll maybe see the wolf bane bloom

Ancient voices will appear
Call the hunted don’t tread here
You may be pure of heart and pure of soul
But you’ll become a wolf when the moon is full
And in the pale light of the moon
You’re gonna see the wolf bane bloom

Primal Scream – Gentle Tuesday

I have heard mostly the 90s music from this band…I recently found this album from 1987 and love it. They formed in 1982 in Glasgow Scotland and are still together today. The only original member left is lead singer Bobby Gillespie. They have shifted in sound through the years. This song was during their power pop period.

This song was on the Sonic Flower Groove album released in 1987. It was met with mixed to bad reviews at the time.  The bad reviews caused internal strife within the band. Two members Jim Beattie and Gavin Skinner subsequently resigned. The band then changed directions and shifted to a more rock sound. In the mid-eighties a Byrds sound was not exactly the height of popularity but it would start taking off with bands like REM soon after.

I love the jangling guitar and the overall sound of the song and album. This song, Imperial, Treasure Trip, and many more make this a very good album to me.

Most reviewers now look back on the album with praise. It charted at #62 in the UK charts in 1987. Gentle Tuesday peaked at #87 in the UK charts in 1987.

Gentle Tuesday

Shadow masking matters
Can’t conceal the way you really feel
It doesn’t fit our souls exist
That of they asked me how it is

New morning dew for you
Sweet honey hips your lips
Hold spells when cast they dwell
Like magic in your kiss

Confusion colours cruel designs
Unhappy girl, you’re out of time

Gentle Tuesday
Sad and lonely eyes
Gentle tuesday
See yourself tonight

Memories as fat as bees
Presents a mess of poison tears
A word unkind that tricks our minds
We really warned before your time

Happiness, nothing less
A universal way
Bad seeds but fruit are sweet
You choke on empty days
Confusion colours cruel designs
Unhappy girl you’re out of time

Reverend Peyton’s Big Damn Band – Too Cool To Dance

I have to thank Christian (Christian’s Music Musings) for introducing me to this band and to this song in particular. They resemble some of the roots revival bands I’ve been listening to from the 80s. This small band is a lot of fun.

The band is from  Brown County, Indiana. The band consists of The Reverend Peyton, “Washboard” Breezy Peyton, and Max Senteney the drummer. Peyton’s guitar playing is spot on. He uses finger picks to play and also holds the bottom end since they don’t have a bass player. When I saw this video on Christian’s site I went to youtube and got lost in their many songs. They are worth a trip down the youtube rabbit hole. The band can hold a groove and he is an excellent guitar player.

Josh “The Reverend” Peyton first influences were his dad’s records such as Neil Young, Jimi Hendrix, and Bob Dylan. He eventually tried to learn the finger-picking style of artists like Charlie Patton. At the time Peyton was unable to master it, instead playing more pick-oriented blues.

Him and “Washboard” Breezy Peyton were married in 2003 and have been touring ever since. The band has had success…per Wiki: The band released The Front Porch Sessions on March 10, 2017 on the Thirty Tigers label, debuting at #1 on the iTunes Blues chart, and #2 on the Billboard Blues chart

Rev. Peyton's Big Damn Band

They recorded this album on analog tape which I give a thumbs up to. Dance Songs For Hard Times, was released on April 9, 2021. This is their 10th album.

Dance Songs for Hard Times (CD) – Big Damn Band

Reverend Peyton: “I was thinking about all the times where I’ve been somewhere and felt too cool to dance,” “I didn’t want to be that way. Not being able to do anything last year, I had this feeling of, ‘Man, I’m not going to waste any moment like this in my life – ever.’ ”

Too Cool To Dance

I been dreaming about a night like this
I been dreaming about your sweet kiss
But it won’t happen if we ain’t on the floor
And it don’t matter what them folks say
They gonna talk some anyway
The time is right now
What are we waiting for?

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

The stars are high above so bright
And the song is hitting us just right
It may never be this good again
It’s rough outside but not in here
They’re all fake but we’re sincere
And pretty soon this old song will end

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

We may not get another chance
Please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

We may not get another chance
Oh, please don’t tell me
You’re too cool to dance
Our gift tonight is the circumstance
Please don’t tell me
You’re too cool to dance

Oh please don’t tell me
You’re too cool to dance
Please don’t tell me
You’re too cool to dance

 

https://en.wikipedia.org/wiki/The_Reverend_Peyton%27s_Big_Damn_Band

 

…

Feelies – Let’s Go ….80’s Underground Mondays

The Feelies were an inspiration to REM and many alternative bands in the 80s. They formed in 1976 and disbanded in 1992 having released four albums. The band reunited in 2008, and most recently released albums in 2011 and 2017.

The band’s name is taken from a fictional entertainment device described in Aldous Huxley’s Brave New World.

The song was released in 1986 on the album The Good Earth with REM’s Peter Buck producing. It was written by members Glenn Mercer and Bill Million. The band toured in support of the album as an opening band for Lou Reed as well as REM that year. The album was one of their most successful albums.

It certainly doesn’t have earth shaking lyrics but it’s a gorgeous over all sound and atmosphere they produce. It reminds me of something that would be on a movie soundtrack…it’s over with before you know it.

Let’s Go

Well alright
Well alright
Let’s go
Let’s go
Let’s go
Let’s go
All night long
All night long
(spoken?)

Why don’t we ? I know you?
Why don’t we ? I know you?
Go low (?)
Low low (?)
Go slow
Slow
All night long
All night long

All night long

The Chesterfield Kings – She Told Me Lies

I love how this song starts off like I Want To Hold Your Hand and then turns into a 60s mild psychedelia that sounds familiar to ? and the Mysterians the 60s American garage rock band.

They were formed in 1979 in Rochester, New York by the former singer of the Distorted Levels, Greg Provost, an underground music journalist, with Andy Babiuk and  keyboardist Orest Guran, the Chesterfield Kings offered their own version of psychedelia.

This song was released in 1984 with the B side I’ve Gotta Way With Girls. She Told Me Lies was written by Andy Babiuk, Cedrick Cona, Doug Meech, Greg Prevost, and Orest Guran.

The band, named after a defunct brand of unfiltered cigarette, was instrumental in sparking the 1980s garage band revival that launched many bands with a heavy 60’s influence that ignored the current trends.

The band was active from 1979 to 2009.

In 2000 they made a movie! From IMDB here is the description:

Its Ed Wood meets A Hard Days Night when Greg, Andy, Mike, Ted, and Jeff, together The Chesterfield Kings take on the evil Andro, a maniacal extraterrestrial bent on world domination. The cosmic showdown sends The Kings racing around the globe, from London to Rome, Las Vegas, and Honolulu in a desperate attempt to reclaim drummer Mike whose held hostage by the deranged alien. Can The Chesterfield Kings find their drummer, halt Andro’s master plan, and save the world, all in a brisk seventy minutes? You’ll have to see it to know for sure, but you can count on some killer tunes along the way including The Chesterfield Kings’ new single “Yes I Understand” and “Where Do We Go From Here” featuring lead vocals by Mark Lindsay formerly of Paul Revere and the Raiders in a cameo appearance.

I really want to see that movie.

Greg Provost: “Even when we were doing the garage stuff, we ended up sounding like the Stones. I love bands like the Sweet or Queen, but we could never sound like them. I can’t sing that good! So, we’re just going to capitalize on the kind of stuff we can sound like.”

She Told Me Lies

She told me lies
She left me on my own
She told me lies
I’ll drive away and hide
Yeah she cheated, she lied

She told me lies
She hurt my pride
She told me lies
I’ve got tears in my eyes
She told me lies
I ain’t got nothing to say
Yeah she left me today

She went walking to the door
I won’t ever see her face no more
I don’t know why she treated me bad
She’s the only true love I ever had
But now she’s gone

She went walking to the door
I won’t ever see her face no more
I don’t know why she treated me bad
She’s the only true love I ever had
But now she’s gone

She told me lies
But now she’s gone
She left me on my own
I’ll drive away and hide
Yeah she cheat, she lied