Spirit – Nature’s Way

This is a song that I had forgotten about until Aphoristical brought it up on his blog a few months ago. The song that I remember the most by Spirit is the popular I Got a Line on You. I remember hearing this when I was a kid on the radio.

It wasn’t a big hit…it peaked at #111 in the Billboard 100 in 1971. The song was on the album Twelve Dreams of Dr. Sardonicus. It peaked at #63 in the Billboard Album Charts, #49 in Canada, and  #29 in the UK. The album is named after a 1963 horror movie called Dr. Sardonicus.  Five years after its release, and with the original lineup split up, the album went gold.

Spirit guitarist and songwriter Randy California wrote “Nature’s Way” in San Francisco one afternoon while the band waited to perform at the Fillmore Auditorium. That environmental anthem coincided with the inaugural Earth Day celebration, becoming the first pop song to seriously address concerns about pollution and ecological problems.

At 15, Randy California (Randy Craig Wolfe) played guitar for Jimmy James and the Blue Flames, the New York band led by Jimi Hendrix…Hendrix dubbed him Randy California to avoid confusing him with another band member named Randy Palmer.

From Songfacts

This song is a reflection on mortality, and also a lament for the fate of the Earth, as nature is telling us that something is wrong. 

It was a very personal song, and in some ways, his maxim. The song deals with how nature guides you, and that’s just what he did throughout his career. Spirit reached #25 US in 1969 with “I Got A Line On You,” a track from their second album, but the group remained on the fringes of breakout success, in part because they turned down an invitation to play Woodstock.

California got heavy into LSD and became even more mercurial. In 1970, he was riding a horse on the streets of Topanga Canyon when he fell off and fractured his skull. The same year, he wrote “Nature’s Way,” which was included on Spirit’s fourth album, Twelve Dreams of Dr. Sardonicus. California left the group in 1972 and the band splintered soon after. Sardonicus found a following and eventually sold over a million copies, prompting an iff-fated band reunion in 1976. California died in 1997 when he drowned while swimming in Hawaii.

David Briggs, who was one of Neil Young’s producers, produced this track. The back was dealing with a lot of internecine conflict at the time, and Briggs helped keep them focused and productive enough to complete the album.

Randy California recorded various versions of this song as a solo artist. In interviews, he sometimes talked about never being able to get it right.

This song is unusual in that every line begins with the phrase “It’s nature’s way.”

Nature’s Way

It’s nature’s way of telling you something’s wrong
It’s nature’s way of telling you in a song

It’s nature’s way of receiving you
It’s nature’s way of retrieving you
It’s nature’s way of telling you
Something’s wrong

It’s nature’s way of telling you, soon we’ll freeze
It’s nature’s way of telling you, dying trees

It’s nature’s way of receiving you
It’s nature’s way of retrieving you
It’s nature’s way of telling you
Something’s wrong
It’s nature’s way, it’s nature’s way
It’s nature’s way, it’s nature’s way

It’s nature’s way of telling you
It’s nature’s way of telling you
Something’s wrong
It’s nature’s way of telling you
It’s nature’s way of telling you
In a song, oh-h

It’s nature’s way of receiving you
It’s nature’s way
It’s nature’s way of retrieving you
It’s nature’s way
It’s nature’s way of telling you
Something’s wrong, something’s wrong, something’s wrong

Rod Stewart – I Was Only Joking

Of all the Stewart songs from 1976 and after this one may be my favorite.

Rod Stewart co-wrote this with guitarist Gary Grainger.

The Susie alluded to herein was known as Susannah Boffey when she met him as a 17-year-old art student in 1961. At the time, he was an unknown Roderick Stewart. In 1963, she gave birth to his daughter who was fostered out and eventually adopted by a wealthy couple from East Sussex.

Sarah had contact with Rod in the 80s but the two were not close. In 2010, Sarah Streeter was finally admitted to her father’s family, but she has had an on and off again relationship with her birth mother.

Rod’s daughter Sarah in the eighties…and Stewart and Susannah Boffey in the ealry sixties.

Rod Stewart's love child reveals she's reconciled with rocker after kicking  her drug addiction - Mirror OnlineRod Stewart in the early 1960s with Susannah Boffey the mother of Sarah Streeter their daughter

I Was Only Joking was off of the Foot Loose & Fancy Free album released in 1977. The song peaked at #22 in the Billboard 100, #56 in Canada, #5 in the UK, and #35 in New Zealand.

From Songfacts

 Although it is intensely personal, this is a song with which any man of a certain age will identify, especially one who has failed to live up to his potential, lost the love of his life, or screwed up big time. And surely most of us can fill at least one of those categories.

Although written from a male perspective, most women too could say the same. By the time he recorded “I Was Only Joking,” Stewart was already an A-list performer; he would go on to amass a fortune of over $200 million, yet even the mega-successful have regrets.

“I Was Only Joking” alludes too to alcohol, which was only one of the substances he imbibed along the way. Drugs and alcohol are of course an occupational hazard for successful rock musicians due to the lifestyle.

The radio edit runs to 4 minutes 50 seconds while the album version runs to a full 6 minutes 7 seconds. Released as a double-A-side single with “Hot Legs,” it reached #5 in the UK. 

I Was Only Joking

Ever since I was a kid in school
I messed around with all the rules
Apologized, then realized
I’m not different after all

Me and the boys thought we had is sussed
Valentino’s all of us
My dad said we looked ridiculous
But, boy, we broke some hearts

In and out of jobs, running free
Waging war with society
Dumb, blank faces stared back at me
But nothing ever changed

Promises made in the heat of night
Creepin’ home before it got too light
I wasted all that precious time
And blamed it on the wine

I was only joking, my dear
Looking for a way to hide my fear
What kind of fool was I?
I could never win

Never found a compromise
Collected lovers like butterflies
Illusions of that grand first prize
Are slowly wearin’ thin
Susie, baby, you were good to me
Giving love unselfishly
But you took it all too seriously
I guess it had to end

I was only joking, my dear
Looking for a way to hide my fear
What kind of fool was I?
I could never win

Now you ask me if I’m sincere
That’s the question that I always fear
Verse seven is never clear
But I’ll tell you what you want to hear
I try to give you all you want
But giving love is not my strongest point
If that’s the case, it’s pointless going on
I’d rather be alone

‘Cause what I’m doing must be wrong
Pouring my heart out in a song
Owning up for prosperity
For the whole damn world to see

Quietly now while I turn a page
Act one is over without costume change
The principal would like to leave the stage
The crowd don’t understand

Neil Young – Long May You Run

Neil wrote “Long May You Run” in tribute to Mort, his old 1948 Buck Roadmaster hearse.

Neil Young and his band The Squires posing with his hearse Mort (a 1948 Buick Roadmaster hearse Neil had nicknamed Mortimer Hearseburg) in Winnipeg, Manitoba in April 1965

“It had rollers for the coffin in the back, so we just rolled our our amps in and out. It was like they built it for us”  The hearse broke down in Blind River in 1965 where Neil refused to abandon the hearse for two days until he finally gave up.

He soon bought another hearse, Mort Two, which Stephen Stills spotted him driving  in Los Angeles in 1966 when Buffalo Springfield was formed.

Neil would later pay tribute to the original Mort in his song Long May You Run, the title track of The Stills-Young Band album. The album was released in 1976 and peaked at #26 in the Billboard Album Charts, #26 in Canada, and #12 in the UK.

Neil and Stephen Stills toured on this album and Mr. Young decided to leave tour abruptly. He did leave Stills a note: “Dear Stephen, funny how some things that start spontaneously end that way. Eat a peach. Neil.”

The song charted in 1993 from MTV’s Unplugged…it peaked at #34 in the Mainstream Rock Song charts and #28 in Canada.

From Songfacts

Neil was in Canada driving to Sudbury when ‘Mort’ broke down in Blind River, June 1965. (Which is contradictory to the lyrics; “well it was back in Blind River, in 1962, when I last saw you alive”).

In 1976, Stephen Stills and Neil Young formed The Stills-Young Band and released an album called Long May You Run, which turned out to be somewhat ironic when the collaboration quickly stalled.

Stills and Young wrote separately for the album, which Stephen contributing four songs, and Young adding five, including the title track.

Stills is a longtime collaborator of Neil’s, having worked with him first in Buffalo Springfield and then in Crosby, Stills, Nash & Young. However, they had a falling out only nine days into the Long May You Run tour. Young decided to abandon the project, leaving Stills with a mere telegram to explain his departure. It read: “Dear Stephen, funny how some things that start spontaneously end that way. Eat a peach. Neil.”

In addition to Young’s compilation album Decade this also appears on his 1993 album Unplugged

The last ever Tonight Show with Conan O’Brien on Friday January 22, 2010 finished in style when O’Brien’s final musical guest, Neil Young, performed this song in what appeared to be a poke at NBC. O’Brien had been asked to move his slot to 12:05 a.m., and the TV host refused to move his show to such a late hour, and instead negotiated a $45 million exit deal.

Neil Young performed this song at the Closing Ceremonies of the 2010 Vancouver Winter Olympic Games to a rousing ovation of Canadian audience members.

Long May You Run

We’ve been through some things together
With trunks of memories still to come
We found things to do in stormy weather
Long may you run.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Well, it was back in Blind River in 1962
When I last saw you alive
But we missed that shift on the long decline
Long may you run.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Maybe The Beach Boys have got you now
With those waves singing “Caroline”
Rollin’ down that empty ocean road
Gettin’ to the surf on time.

Long may you run.
Long may you run.
Although these changes have come
With your chrome heart shining in the sun
Long may you run.

Paul McCartney – Picasso’s Last Words (Drink to Me)

The Spanish artist Pablo Picasso died at the age of 91 on April 8, 1973. News of his passing reached Paul McCartney when he was in Jamaica.

Paul and Linda were in Jamaica on vacation. They were staying at the same hotel as Dustin Hoffman, who was there filming the movie Papillon with Steve McQueen. The trio had dinner together one evening. Hoffman asked Paul, “How do you write songs?” Paul told him they just come out.  Hoffman went on to ask if Paul could write about anything and Paul said yes.

While having dinner there with Paul McCartney, Dustin Hoffman told the story of the death of Pablo Picasso and his famous last words, “Drink to me, drink to my health. You know I can’t drink anymore.” Picasso then went to bed and died in his sleep.

Paul had a guitar with him and immediately played an impromptu chord progression while singing the quote. Thus, “Picasso’s Last Words” was born, later recorded and added to the album Band On The Run in 1973. Hoffman later said said of Paul writing the song in front of him, the experience was “right under childbirth in terms of great events of my life.”

When Paul started to sing it Dustin got excited and said: After a moment he started singing it. Hoffman jumped up, shouting, “Look, he’s doing it! Go*damn it! Holy sh–!”

Paul agreed to do “Picasso’s Last Words” at Ginger Baker’s studio. Baker and some additional people from the studio filled some cans with gravel and shook them for percussion.

From Songfacts

Pablo Picasso (1881-1973) was one of the most inventive and prolific talents in 20th-century art. In his life he created over 20,000 artistic works, including his famous painting, Guernica, a commentary on the bombing of civilians in the Spanish Civil War. Picasso died in Mougins, France, while he and his wife Jacqueline were entertaining friends for dinner. His final words were “Drink to me, drink to my health, you know I can’t drink any more.” Sadly, Picasso’s passing left a legacy of bitterness and confusion as the artist died without leaving a will and his family ended up fighting amongst themselves for control of his billion dollar estate.

Picasso’s Last Words (Drink to Me)

A grand old painter died last night
His paintings on the wall
Before he went, he bade us well
And said goodnight to us all

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any more

Three o’clock in the morning
I’m getting ready for bed
It came without a warning
But I’ll be waiting for you baby
I’ll be waiting for you there

So drink to me drink to my health
You know I can’t drink any more
Drink to me drink to my health
You know I can’t drink any more

Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo
Jet, ooo, ooo, ooo

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any more

I’ll be waiting for your baby, yeah yeh

Drink to me, drink to my health
You know I can’t drink any more
Drink to me, drink to my health
You know I can’t drink any moreDrink to me, drink to my health
You know I, hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho
Ho hey ho, ho hey ho

Thin Lizzy – Jailbreak

Bruce Springsteen’s Born to Run was released a year before this and it was said to influence this album. The album was Jailbreak and was the bands sixth album. It was their breakthrough album.

The album peaked at #18 in the Billboard Album Charts, #5 in Canada, and #10 in the UK in 1976. The album had three well known Thin Lizzy songs…The Boys Are Back In Town, Cowboy Song, and the title track.

The title track didn’t chart in America but it did peak at #31 in the UK in 1976.

Thin Lizzy was founded in Dublin in 1969 when Lynott and drummer Brian Downey left their group Orphanage to form a new band with musicians formally from the last incarnation of Van Morrison’s Them.

Thin Lizzy’s sound was made of Phil Lynotts songwriting and voice…along with the dual-guitar interplay of Scott Gorham and Brian Robertson.

Jailbreak

Tonight there’s gonna be a jailbreak
Somewhere in this town
See me and the boys we don’t like it
So were getting up and going down

Hiding low looking right to left
If you see us coming I think it’s best
To move away do you hear what I say
From under my breath

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Don’t you be around

Tonight there’s gonna be trouble
Some of us won’t survive
See the boys and me mean business
Bustin’ out dead or alive

I can hear the hound dogs on my trail
All hell breaks loose, alarm and sirens wail
Like the game if you lose
Go to jail

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Tonight there’s gonna trouble
I’m gonna find myself in
Tonight there’s gonna be a jailbreak
So woman stay with a friend

You know it’s safer

Breakout!

Tonight there’s gonna be a breakout
Into the city zones
Don’t you dare to try and stop us
No one could for long

Searchlight on my trail
Tonight’s the night all systems fail
Hey you good lookin’ female
Come here!

Tonight there’s gonna be a jailbreak
Somewhere in the town
Tonight there’s gonna be a jailbreak
So don’t you be around

Tonight there’s gonna be trouble
I’m gonna find myself in
Tonight there’s gonna be trouble
So woman stay with a friend

Badfinger – Straight Up

Obviously, I really like this band. When I was a newbie Beatles fan I thought Come and Get It was a Beatles song and then I found out it was this band with a funny name called Badfinger . As a teenager I had this album and I bought their  1979 Airwaves album (without Pete Ham) in the early eighties. in the cutout bin. It was a nice album but without Pete Ham it wasn’t up to their standards.

Badfinger was known as a singles band but they did have one great album along with very good ones…and Straight Up was the great one.

I bought two of Pete Ham “solo” albums named Golders Green and 7 Park Avenue in the 1990s. The albums were made of Pete’s demos from the 60s and 70s. The pop world really missed out when Pete decided to leave the earth. His songs were very McCartney like…good McCartney like.

Badfinger had undoubtedly one of the saddest stories in a business that is full of them. Two members committed suicide and the band was ripped off beyond belief by a manager. The band was left virtually penniless after making millions.

Straight Up has two of their big hits…the beautiful Day After Day and what I consider the best power-pop song of all time…Baby Blue. It’s not just the hits though that are good….the band had three songwriters with Pete Ham, Tom and  Joey Molland.  Tom and Joey were not in their bandmate’s writing level but they were very good. There is not a bad song on the album.

Take It All is a song written by Pete and the song is about the Bangladesh concert when Pete got to play with George Harrison up front and his bandmates were in the background. Joey Molland the other guitarist was upset at this so Pete wrote this song.

Suitcase was a rocking song that Joey Molland wrote and was a great live song. It was a departure from the power pop they played…they were expanding their repertoire. Pete Ham plays some great slide guitar in this.

Sweet Tuesday Morning is one of those seventies songs that is beautifully written and performed by Joey.

Of course the hits…Day After Day and Baby Blue…this is Day After Day it peaked at #4 in the Billboard 100, #2 in Canada and #10 in the UK in 1971.

Badfinger along with Big Star and the Raspberries gave us great power pop and helped create the genre. If you have a greatest hits…this would be a good companion album to go with it.

Take It All
Baby Blue
Money
Flying
I’d Die, Babe
Name Of The Game
Suitcase
Sweet Tuesday Morning
Day After Day
Sometimes
Perfection
It’s Over

Baby Blue peaked at #14 in the Billboard 100, #7 in Canada, and #73 in the UK.

The Kids Are Alright Documentary…Desert Island Music Films

We wrapped up Hanspostcard’s album draft…100 albums in 100 days. We are going into extra innings and extending three more picks from these categories… favorite Soundtracks, Greatest Hits, and a music related movie. This is my pick for a music related movie: The Who in The Kids Are Alright.

2020 ALBUM DRAFT- ROUND 13 PICK 5- BADFINGER20 SELECTS- THE KIDS ARE ALRIGHT

I acquired a VHS copy of this in the mid-eighties. It wasn’t a great copy but my friends and I wore it out. One of them worked at a small cable station. The station was in a small county that usually aired farm reports and advertisements. Basically, it was a very small building in the middle of nowhere. All they would do there is broadcast videos.

We had the tape in hand and wanted to see it so we went there one afternoon. He popped it in the VHS player and played it. He had no idea but it was going out live all over the region. Near the end of the film, he took a phone call from his boss. I didn’t think anyone ever watched that station…but it turns out they did and they were not fans of The Who. He didn’t get fired but they took his key for the door for a little while. It was a big subject the next day at school as some teenagers loved it but their parents didn’t appreciate their farm reports being interrupted by My Generation and Keith Moon in bondage.

I’ve seen this film so many times I can almost quote it while it’s playing. The Who albums made me a huge fan of their music…this film made me a huge fan of band.

This film covers the original Who and being such a Who fan I’m glad Jeff Stein (director) was so persistent in doing this because many of the tapes he was able to borrow probably would have been erased and used again by the BBC as was their policy.

Jeff was a fan of the band and pestered them until they let him do this. He had no prior experience in filmmaking but this was the 1970s and he got the gig. His timing was eerily perfect. He caught the original band at the very end of their tenure with Keith Moon.

He searched high and low for clips of the band in earlier years. Stein keeps the appearance mostly in order. There is sadness in this. You see the band through the years from 1964 to 1978… you see all of them gradually age of course but Keith Moon ages faster than any of them. I’ve read where it hit him hard while watching the rough cut right before he died. His lifestyle had taken its toll on him. He saw himself as a young energetic kid that looked like Paul McCartney’s younger brother to a man who was 32 and looked like he was in his 40s at least.

This may be the first or one of the first film bios on a major rock band. Led Zeppelin had The Song Remains the Same but it focused on one concert in New York… The Beatles had Let It Be but those films didn’t show their history like The Kids Are Alright.

The Who - Wikipedia

In this film you see a band that is fun… unlike their peers Zeppelin and Sabbath the Who were more open to their audience and didn’t have a dark mystique hanging over them. They would crack jokes from the stage…Moon and Townshend treated it like a High School talent show until they started to play…then they got serious.

You see film segments that were fun like the video of Happy Jack, the interview on the Russell Harty Show, Keith with Ringo, and Keith and Pete sharing a joke that only they could understand. One of my favorite segments is The Who playing Barbara Ann with Keith singing and the band having a good time. They also played I Saw Her Standing There but it didn’t make the final cut…you can watch it in the outtakes. I can’t imagine the big bands of that time doing Barbara Ann and goofing for the camera.

The Who did a couple of live shows for the film besides being interviewed. Stein mostly used old clips but he convinced the band to do a couple of free concerts in May of 1978 where he could get a definitive version of Won’t Get Fooled Again… which personally I think is the greatest live performance song live you will ever hear. You see Keith’s last performance as he is looking pudgy, older, and slower but still pulls it off. Pete wasn’t too thrilled about doing the concerts for the film but it turned out good. They ended up only using a version Won’t Get Fooled Again and Baba O’Riley from the 78 live show.

Keith died a few months before The Kids Are Alright debuted on June 15, 1979. The film showed The Who at it’s best. Kenney Jones from the Faces replaced him but it was never the same. You cannot replace Moon…he was the engine that drove the Who. Later on in the 90s Zak Starkey…who was Ringo’s son and Keith’s God son played drums for the Who and still does.

If you haven’t watched the film…stop what you are doing and watch it. It still holds up as one of the best music documentaries that rock has produced.

Zak Starkey and Keith Moon

Pin på Drums & Drummers

ELO – Showdown

This was ELO’s third single. The song was on the album On the Third Day in the US…it was released in 1973.

Showdown was written by Jeff Lynne. Early working titles of the song were Bev’s Trousers and All Over The World. Some of these songs have been released on various ELO collections, some using these original working titles and some not. They don’t vary much from the released version, having just various parts of the song mixed in or out as Jeff experimented with different mixes

The song peaked at #53 in the Billboard 100, #12 in the UK, and #47 in Canada in 1973.

The record was a favorite of John Lennon at the time, who dubbed the band “Son of Beatles” in a US radio interview (below is his full quote).

John Lennon on on the New York City radio station WNEW:“‘Showdown’ I thought was a great record and I was expecting it to be #1 but I don’t think UA [United Artists] got their fingers out and pushed it. And it’s a nice group – I call them ‘Son of Beatles’ – although they’re doing things we never did, obviously. But I remember a statement they made when they first formed was to carry on from where the Beatles left off with ‘Walrus,’ and they certainly did. This is a beautiful combination of ‘I Heard It Through The Grapevine’ by Marvin Gaye and ‘Lightnin’ Strikes’ by Lou Christie, and it’s a beautiful job with a little ‘I Am The Walrus’ underneath.”

Jeff Lynne: “On the early songs like ‘Showdown,’ we were still trying to find our way musically, but I can still listen to these tracks and smile and think how important they seemed at the time, even though at some of our shows we outnumbered the audience!”

From Songfacts

The liner notes for the ELO 2 remastered CD state: “‘Showdown’ was initially recorded under the working title ‘Bev’s Trousers No. 7.’ The song later proved to be a favorite of John Lennon’s and a popular departure into R&B (with cellos) for the band. During these sessions, Marc Bolan was also in the studio, recording material. The UK superstar and chart phenomenon was a friend of Jeff’s from his Idle Race days and accepted an invitation to play guitar on three ELO tracks. Marc also lent Jeff his 1953 Gibson Firebird for Showdown’s guitar solo. ‘Showdown’ was Jeff Lynne’s first self-composed worldwide hit single and ELO’s final release for EMI on 14 September 1973. The original promotional film, featuring an ELO performance on the banks of the River Thames, survives in EMI’s archive.”

Artists to cover this song include Odia Coates, Asia, and The Cadets.

Showdown

She cried to the Southern wind
About a love that was sure to end
Every dream in her heart was gone
Heading for a showdown

Bad dreamer, what’s your name?
Looks like we’re riding on the same train
Looks as though there’ll be more pain
There’s gonna be a showdown.

And it’s raining, all over the world
it’s raining, all over the world
Tonight, the longest night

She came to me like a friend
She blew in on the Southern wind
Now my heart is turned to stone again
There’s gonna be a showdown

Save me, oh save me
It’s unreal, the suffering
There’s gonna be a showdown

And it’s raining, all over the world
Raining, all over the world
Tonight, the longest night

Raining, raining
raining, raining

Raining, all over the world
Raining, all over the world
The longest night

And it’s raining, all over the world
Raining, all over the world
Tonight, the longest night

You gotta save me, girl
Well, I’m ready for saving
I’m a fool for you
Ya know I’m ready, yeah
come on and save me

Can’t you feel what you’re doing to me, now?
I’m on the run again
Gotta save me

The Band – Don’t Do It

Good Morning! I hope your Sunday is going well. This is such a groove song…a great way to start your day. 

This song I like the Band’s cover version the best and that is saying a lot because Marvin Gaye did the original version. The song was written by  Lamont Dozier and brothers Brian and Eddie Holland. The Holland–Dozier–Holland team wrote a number of hits through the sixties and seventies and continued on without Dozier for years. 

The Band covered this on their Rock of Ages live album released in 1972. I first heard this on the Last Waltz and it stuck with me. I usually like studio cuts over live but this one sounds really good. 

The song peaked at #34 in the Billboard 100 but was much more popular in Canada where it peaked at #11 in 1972. It also is included as a bonus track on the Cahoots album…a studio version. 

Don’t Do It

Baby don’t you do it, don’t do it
Don’t you break my heart
Pleeeeease don’t do it, don’t you break my heart

A sacrifice would make you happy if nothing for myself
Now you wanna leave me for the love of someone else
My pride is all gone whether I’m right or wrong
I need you baby to keep on keepin’ on

You know I’m trying to my best
Oh I’m trying to do my best
Don’t do it, don’t you break my heart
Pleeeeease don’t do it, don’t you break my heart

My biggest mistake was loving you too much and letting you know
Now you got me where you want me and you won’t let me go
If my heart was made of glass well then you’d surely see
How much heartache and misery, girl, you’ve been causing me

While I’ve been trying to do my best
Well I’ve tried to do my best
Don’t do it, don’t you break my heart

Pleeeeease don’t do it, don’t you break my heart

Go down to the river and there I be
I’m gonna jump in girl, but you don’t care bout me
Open up your eyes
Can’t ya see I love ya?
Open up you heart, girl
Can’t ya see I need ya?

Oh baby don’t do it, do it, do it
Don’t you break my heart
Pleeeeease don’t do it don’t you break my heart

My biggest mistake was loving you too much and letting you know
Now you got me where you want me and you won’t let me go
If my heart was made of glass well then you’d surely see
How much heartache and misery, girl, you’ve been causing me

While I’ve been trying to do my best
You know I’ve tried to do my best
Don’t do it, don’t you break my heart
Pleeeeease don’t do it, don’t you break my heart

Paul McCartney – Let ‘Em In

This is a song I remember riding in my sister’s Vega. Not my favorite by Paul but a cool song all the same. A lot of references in this song to famous and non famous people.

Sister Suzie was his his wife, Linda, who had recorded the song “Seaside Woman” with Wings under the moniker “Suzie & The Red Stripes”. Martin Luther was of course Martin Luther King.  Phil and Don were the Everly Brothers, who were a big influence on the Beatles. Paul would later write their 1984 reunion single, “On The Wings Of A Nightingale”.

Brother Michael was Paul’s brother Peter Michael McGear. Auntie Gin was Paul’s father’s sister was named Gin.When Paul first wrote “I’ve Just Seen A Face”, he called it “Auntie Gin’s Theme”, and George Martin recorded an instrumental under that title.

Uncle Ian—Ian Harris, Paul’s cousin, and Auntie Gin’s son. Apparently Paul’s children called him “Uncle Ian”, although he was technically their cousin.

Brother John was thought to be no other than John Lennon.

Uncle Ernie seems to be a reference to either Keith Moon who played the character Ernie in The Who’s rock opera, Tommy movie or Ringo Starr who sang as Uncle Ernie in the London Symphony Orchestra’s verison of Tommy.

Paul McCartney: “When we went to Jamaica on holiday, a lot of the local guys used to call Linda ‘Susie’ for some reason. And we kind of liked that. Then ‘brother John’ – I would be thinking either of John Lennon, or Linda’s brother, John. But the weirdest thing is, my wife now, Nancy, has a sister Susie and a brother John.” 

Along with Silly Love Songs,” this was one of two singles released from the Wings At The Speed Of Sound album. The song peaked at #1 in the Billboard 100, Canada, #2 in the UK, and #13 in New Zealand. 

Let ‘Em In

Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Do me a favor
Open the door and let ’em in

Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Do me a favor
Open the door and let ’em in, yeah, let ’em in

Sister Suzie, brother John
Martin Luther, Phil and Don
Brother Michael, auntie Gin
Open the door and let ’em in, yeah

Sister Suzie, brother John
Martin Luther, Phil and Don
Uncle Ernie, auntie Gin
Open the door and let ’em in, yeah

Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Do me a favor
Open the door and let ’em in, ooh yeah, let ’em in

Sister Suzie, brother John
Martin Luther, Phil and Don
Uncle Earnie, uncle Lin
Open the door and let ’em in, yeah

Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Someone’s knockin’ at the door
Somebody’s ringin’ the bell
Do me a favor
Open the door and let ’em in, yeah, yeah, yeah, yeah, yeah

 

Fleetwood Mac – Hypnotized

Bob Welch was a guitarist and vocalist in Fleetwood Mac from 1971-1974. He wrote this song and it was released in 1973. The song was on the album Mystery To Me album.

The song did not chart which surprises me. It was released as the B-side to Fleetwood Mac’s cover version of For Your Love…Hypnotized proved to be the more popular song out of the two. It won an ASCAP award for 35 years on consecutive worldwide radio airplay.

This was right before the Stevie Nicks-Lindsey Buckingham era Fleetwood Mac. After leaving Fleetwood Mac, Welch went on to have a couple big radio hits as a solo artist, “Sentimental Lady” and “Ebony Eyes.”

The album Mystery To Me peaked at #67 in the Billboard Album Charts and #82 in Canada.

Bob Welch: “What I remember about the Mystery to Me sessions is almost everything, so let me be selective. It was a cold winter, and we used the Rolling Stones’ mobile unit to record. I had to re-write all of my songs, because, for instance, ‘Hypnotized’ was intended to be sung by Dave Walker, who was ‘let go’ (there really is no nice way to say it) because, although he was a great singer, we (belatedly) realized that he just stylistically didn’t fit FM.”

“Those two guys in Pascagoula, Mississippi, Charles Hickson and Calvin Parker had just reported on a major UFO encounter, and it was all over the TV for a while. Part of that went into ‘Hypnotized.’  Mick copied my Maestro Rhythm Machine part for ‘Hypno’ almost exactly … Mick’s sense of tempo, in this day before drum machines, was almost perfect … ‘Hypnotized’ was primarily inspired by [Carlos] Castaneda’s books, the Hickson Pascagoula UFO sighting, some stories told to me by friends, and some personal experiences.”

Hypnotized

It’s the same kind of story
That seems to come down from long ago
Two friends having coffee together
When something flies by their window
It might be out on that lawn
Which is wide, at least half of a playing field
Because there’s no explaining what your imagination
Can make you see and feel

Seems like a dream
They got me hypnotized

Now it’s not a meaningless question
To ask if they’ve been and gone
I remember a talk about North Carolina
And a strange, strange pond
You see the sides were like glass
In the thick of a forest without a road
And if any man’s hand ever made that land
Then I think it would’ve showed

That’s why it seems like a dream
Got me hypnotized
And I know that’s right

Seems like a dream
They got me hypnotized

They say there’s a place down in Mexico
Where a man can fly over mountains and hills
And he don’t need an airplane or some kind of engine
And he never will
Now you know it’s a meaningless question
To ask if those stories are right
‘Cause what matters most is the feeling
You get when you’re hypnotized

Seems like a dream
They got me hypnotized
Seems like a dream
They got me hypnotized
Seems like a dream
They got me hypnotized
Got me hypnotized

The Paul Lynde Halloween Special

 I love watching this from time to time. Yes, it’s bad…really bad but it’s so bad it’s good. All the celebrities who are in different phases of their careers, cross paths in this epic of a show. First, let’s go through all of the stars. It’s probably remembered most for KISS’s first television appearance. 

Paul Lynde of course,

Billie Hayes (Witchiepoo from H.R. Pufnstuf)

Margaret Hamilton (The witch from Wizard of Oz)

Tim Conway (No seventies variety show was right without Tim Conway)

Florence Henderson (Brady Bunch mom)

KISS (their first TV show appearance)

Billy Barty (was in many films)

Betty White (and still going)

Roz Kelly (Pinky Tuscadero from Happy Days)

Donny and Marie Osmond! (just to top it off)

The plot… which really doesn’t matter.

I always thought Paul Lynde was wickedly funny. In this, he was watered-down and could not be his Hollywood Squares best. He had a quick campy wit at times and the writers probably toned it down for prime time. I first noticed Lynde on Bewitched as Uncle Arthur and he was great in that role. It was his delivery that made everything work in his comedy.

This special has comedy bits and music…oh yes the music. You have KISS, you have the disco and you have Florence Henderson singing “That Old Black Magic…” Most of the comedy bits fail but the real comedy is how bad it is… The only thing missing from this extravaganza was a guest appearance from Harvey Korman and/or Don Knotts.

The main reason many people have watched it since it aired is it was KISS’s first TV show appearance…not including concert material.

It is a train wreck but one I like watching over and over again. At no other time could a show like this have been aired. It only aired once…for good reason.

What other show does Paul Lynde play a trucker who wants to marry Pinky Tuscadero?

The complete show is second one down.

If you have time…here is the complete show

 

 

 

Talking Heads – Take Me To The River

Take Me To the River was written by Al Green with his guitarist, Teenie Hodges, “Take Me To The River” first appeared on Green’s 1974 album Al Green Explores Your Mind. It wasn’t a hit, but attracted lots of cover versions.

The song is about a baptism, a topic that makes sense with Al Green, who later became an ordained minister and has his own church in Memphis Tennessee.

I never knew this was a cover song until this past year. The Talking Heads make this song their own.

Brian Eno, known for his work in Roxy Music and David Bowie, produced this track. Eno was was a great fit for the Talking Heads. The song was on the album More Songs About Buildings and Food. 

The album peaked at #29 in the Billboard Album Charts, #27 in Canada, #4 in New Zealand, and #21 in the UK.

Take Me To The River peaked at #26 in the Billboard 100, #37 in Canada, and #20 in New Zealand in 1978…I thought it would have peaked higher in the US…I’ve heard this song more than a lot of their others.

From Songfacts

Green and Johnson’s versions were well known in R&B circles, but the Talking Heads brought it to the New Wave rock crowd and had the highest charting version of the song, reaching #26 in the US.

 You wouldn’t think a New York City-based art-rock band could pull off a gospel-tinged song by a Southern soul singer, but Talking Heads kept the spiritual feel of the song while putting their own spin on it – lead singer David Byrne doesn’t sound like a traditional vocalist and could inhabit a character quite believably. His version of preaching on “Take Me To The River” foreshadowed a later Talking Heads hit, “Once In A Lifetime.”

A key element that set Talking Heads’ version of this song apart from the other covers is the tempo. They had been playing the song live for a while and had a good feel for it when they entered the studio, but when they recorded it, they played it as slowly as they could without losing the groove. This gave the song a seductive feel that set it apart.

A track from Talking Heads’ second album, More Songs About Buildings And Food, “Take Me To The River” was their biggest hit to this point and the only single from the album. It earned them a spot on American Bandstand, getting them on national TV for the first time. The group didn’t strive for hits and didn’t rack up huge sales numbers, but they pushed musical boundaries throughout their career to end up with a very impressive discography that landed them in the Rock and Roll Hall of Fame in 2002.

The More Songs About Buildings And Food album was one of the first recorded at Compass Point Studios in Nassau, Bahamas. The studio was set up by Island Records owner Chris Blackwell, who cut the Talking Heads a deal because he needed to get some big acts in there to establish it. According to Talking Heads drummer Chris Frantz, Blackwell ringed the perimeter of the grounds with chicken blood to keep evil spirits away. This voodoo worked: The band had a great experience at Compass Point and recorded their next two albums there.

This was the only cover song Talking Heads ever recorded. “David [Byrne] resented that it wasn’t one of his songs that was the hit,” Chris Frantz told Songfacts. “So he said, ‘I’m not doing any more cover songs.'”

Take Me To The River

I don’t know why I love her like I do
All the changes you put me through
Take my money, my cigarettes
I haven’t seen the worst of it yet
I wanna know that you’ll tell me
I love to stay
Take me to the river, drop me in the water
Take me to the river, dip me in the water
Washing me down, washing me down

I don’t know why you treat me so bad
Think of all the things we could have had
Love is an ocean that I can’t forget
My sweet sixteen I would never regret

I wanna know that you’ll tell me
I love to stay
Take me to the river, drop me in the water
Push me in the river, dip me in the water
Washing me down, washing me

Hug me, squeeze me, love me, tease me
Till I can’t, till I can’t, till I can’t take no more of it
Take me to the water, drop me in the river
Push me in the water, drop me in the river
Washing me down, washing me down

I don’t know why I love you like I do
All the troubles you put me through
Sixteen candles there on my wall
And here am I the biggest fool of them all

I wanna know that you’ll tell me
I love to stay
Take me to the river and drop me in the water
Dip me in the river, drop me in the water
Washing me down, washing me down.

ZZ Top – I Thank You

I love the sound of those earlier ZZ Top recordings.

I Thank You was a hit for Sam and Dave in 1968 and it peaked at #4 in the Billboard 100…It was also a hit for ZZ Top

Sam and Dave released this song on January 8, 1968. Stax would soon go through various business problems and their sound fell out of favor. “I Thank You” was the last big hit for Sam & Dave…none of their subsequent releases made the US Top 40.

This song was written and produced by the Stax Record Isaac Hayes and David Porter, who were Sam & Dave’s main songwriters.

ZZ Top decided to do the song when they found themselves recording at Ardent Studios in Memphis. Billy Gibbons had heard the song on his car radio and mentioned it. Turns out, the very same clavinet Isaac Hayes played on the original recording was in the studio, so they decided to give it a go.

ZZ Top covered this song on their 1979 album Deguello. Released as a single, it peaked to #34 in the Billboard 100 in 1980.

I Thank You

You didn’t have to love me like you did
But you did, but you did.
And I thank you.
You didn’t have to love me like you did
But you did, but you did.
And I thank you.
But you took your love to someone else
I wouldn’t know what it meant to be loved to death

You made me feel like I’ve never felt
Kisses so good I had to holler for help
You didn’t have to squeeze it but you did
But you did but you did
And I thank you.
You didn’t have to hold it but you did
But you did but you did
And I thank you.

Every day was something new,
You put on your bag and your fine to-do
You got me trying new things too
Just so I can keep up with you.

You didn’t have to shake it but you did
But you did but you did
And I thank you.
You didn’t have to make it like you did
but you did but you did
And I thank you.

All my life I’ve been shortchanged
Without your love baby it’s a crying shame
But now I know what the fellas talking about
Hear me say that they been turned out
I want to thank you
I want to thank you
I want to thank you
Yes, I want to thank you

Creedence Clearwater Revival – Who’ll Stop The Rain

I love CCR…what a band they were…they didn’t have the resources the Beatles, Stones, and The Who as in a big record company, managers, and producers but they kept up with their British counterparts.

John Fogerty wrote this song. The song has been dissected a lot and some say it was a protest of the Vietnam War like “Fortunate Son”. Fogerty has said that when he was  at Woodstock, He watched the festival goers dance in the rain, muddy, naked, cold, huddling together, and it just kept raining.

So when he got back home after that weekend, he sat down and wrote “Who’ll Stop the Rain,” making it not a Vietnam protest at all, but a recounting of his Woodstock experience.

Another great single by CCR…the B side to this song was Travelin’ Band.

The song was on what was perhaps their best album Cosmo’s Factory. The album peaked at #1 in the Billboard 100, The UK, and Canada.

Who’ll Stop The Rain peaked at #4 in the Billboard 100, #4 in Canada, and #8 in the UK in 1970.

John Fogerty: When interviewed by Rolling Stone magazine, John Fogerty was asked, “Does ‘Who’ll Stop The Rain’ contain lyrically specific meanings besides the symbolic dimension?” His response: “Certainly, I was talking about Washington when I wrote the song, but I remember bringing the master version of the song home and playing it. My son Josh was four years old at the time, and after he heard it, he said, ‘Daddy stop the rain.’ And my wife and I looked at each other and said, ‘Well, not quite.'” 

From Songfacts

This was used in the 1978 motion picture of the same name starring Nick Nolte as a Vietnam veteran. The movie was going to be called Dog Soldiers, but when the producers got the rights to use this song, they changed the title to Who’ll Stop The Rain.

This was released as the B-side to “Travelin’ Band.” It’s one of the many CCR singles to stall at #2. Creedence Clearwater Revival never had a #1 hit in the US.

The line, “I went down Virginia, seekin’ shelter from the storm” gave Bob Dylan the idea for the title of his 1975 song “Shelter From The Storm.”

This is one of many rain-themed CCR songs, including “Have You Ever Seen the Rain?”

Bruce Springsteen opened with this song during his summer stadium tour of 2003 whenever it was raining

During the lockdown John and his family has played a lot of Creedence’s songs for fans… This is one. 

Who’ll Stop The Rain

Long as I remember The rain been coming down.
Clouds of mystery pouring Confusion on the ground.
Good men through the ages, Trying to find the sun;
And I wonder, Still I wonder, Who’ll stop the rain.

I went down Virginia, Seeking shelter from the storm.
Caught up in the fable, I watched the tower grow.
Five year plans and new deals, Wrapped in golden chains.
And I wonder, Still I wonder Who’ll stop the rain.

Heard the singers playing, How we cheered for more.
The crowd had rushed together, Trying to keep warm.
Still the rain kept pouring, Falling on my ears.
And I wonder, Still I wonder Who’ll stop the rain.