Car Songs…Part 2

I have so many songs I want to have on here. I read the original post I did and re-read the comments and took some songs from your suggestions and used them. I haven’t got to all of them…so the others probably will be on the next one. I picked one song and you all picked the rest. Some will be in the next edition that I couldn’t fit in this one.

I hope you are all having a great Sunday.

Jackie Brenston and his Delta Cats – Rocket 88

CB mentioned this one and it should have been on the first one…since this is often said to be the first rock and roll song. It’s only fitting that it was about a car. The recording session happened on March 3, 1951, at Sam Phillips’ Memphis Recording Service in Memphis, Tennessee, which would later become the legendary Sun Studio.

The song was written by Ike Turner and Jackie Brenston. The Delta Cats were actually Ike Turner’s band Turner’s King of Rhythm

A review from Time Magazine in 1951

Rocket 88 was brash and it was sexy; it took elements of the blues, hammered them with rhythm and attitude and electric guitar, and reimagined black music into something new. If the blues seemed to give voice to old wisdom, this new music seemed full of youthful notions. If the blues was about squeezing cathartic joy out of the bad times, this new music was about letting the good times roll. If the blues was about earthly troubles, the rock that Turner’s crew created seemed to shout that the sky was now the limit.

Commander Cody and His Lost Planet Airmen – Hot Rod Lincoln

The main thing I like about the song is the guitar. It has a slight Chuck Berry feel to it and I like the fills the guitar player throws in. Of course, I like Commander Cody’s (George Frayne) vocal sound as well. 

The band signed with Warner Brothers and the label wanted a soft country sound but the band refused to change its raw style. 

Hot Rod Lincoln was originally written by Charlie Ryan. It was first recorded and released by Charlie Ryan and The Livingston Brothers in 1955. Commander Cody and His Lost Planet Airmen were a County-Rock group formed at the University of Michigan. Commander Cody is the lead singer and piano player George Frayne. This would be their only top-ten hit. Another song that is well-known by them is Smoke Smoke Smoke. 

The Renegades – Cadillac

Fellow blogger HotFox63 mentioned this song when I did a Clash post on Brand New Cadillac so I thought it would be perfect for this. Very cool song that I knew nothing about. 

The Renegades were a British rock band formed in Birmingham in 1960. The original lineup consisted of Kim Brown (vocals, guitar), Denys Gibson (guitar), Ian Mallet (bass), and Graham Johnson (drums). Cadillac was released as a single in 1964. The song quickly became a hit in Finland, reaching #1 on the charts. Its success in Finland helped the band gain a substantial following in Scandinavia, and the song’s popularity also spread to other parts of Europe, including Italy.

Rosanne Cash – Black Cadillac

Obbverse mentioned this one. It’s a song from 2005 from an album with the same name. The black Cadillac in the song symbolizes both a funeral car and a connection to her father, who owned a black Cadillac…and about loss, memory, and mourning.

She wrote the album about dealing with the death of her father. 

“It certainly crossed my mind that I was opening myself to questions about how much [of the album] was documentary and how much was poetry, I certainly did think about it. But, at the same time, I think that the themes are so universal that it almost doesn’t matter what’s particular to my life. … People can bring their own lives to this subject very easily.”

Beach Boys – 409

Christiansmusicmusings and Halffastcyclingclub both mentioned this one by the Beach Boys. The Beach Boys would be an endless supply of cars and endless summers. This song was written by Brian Wilson, Mike Love, and Gary Usher and was released in 1962. 

This song was the B side to Surfin’ Safari. 

….

Rodney Crowell – It Ain’t Over Yet

You can’t take for granted none of this shitThe higher up you fly boys, the harder you get hit

This song is haunting and gorgeous. On this album, Crowell has a conversation with his late friends Guy and Susanna Clark and his history. His ex-wife Rosanne Cash and John Paul White also appear with Crowell on this song.

What I like about this song is its simplicity but underneath…there are a lot of things going on. His writing makes it easy to follow but there is more underneath the surface.

This song is on his 15th solo studio album, Close Ties released in 2017. He calls it a bit of a “concept album,” with a clear stroll through his personal history. You almost feel like you are prying into his personal diaries while listening to it.

Crowell was born in Houston, Texas in 1950. He had a rough childhood with an alcoholic father and a very strict Pentecostal mother. At age 15 (1965) he left and joined a rock and roll band 30 miles from home. He said his parents didn’t really acknowledge him when he left.

In 1972 he left for Nashville and found a group of songwriters headed by fellow Texan Guy Clark. He gave Crowell a Dylan Thomas poetry book to look over and study. Clark told him they were not making products but making art. Clark has said: “I’ll bet that when you’re dying, you’re not going to think about the money you made. You’re going to think about your art.”

Crowell charted albums to make enough money to pay the bills through the 80s and 90s but his album Diamonds and Dirt was a huge success. 5 of the singles off that album peaked at #1 on the Billboard Country Charts in 1998-1999.

Close Ties peaked at #28 on the Billboard Country Charts and #138 on the Billboard Album Charts in 2017.

It Ain’t Over Yet

It’s like I’m sitting at a bus stop waiting for a trainExactly how I got here is hard to explainMy heart’s in the right place, what’s left of it I guessMy heart ain’t the problem, it’s my mind that’s a total messWith these rickety old legs and watery eyesIt’s hard to believe that I could pass for anybody’s prizeHere’s what I know about the gifts that God gaveYou can’t take ’em with you when you go to the grave

It ain’t over yet, ask someone who ought to knowNot so very long ago we were both hung out to dryIt ain’t over yet, you can mark my wordI don’t care what you think you heard, we’re still learning how to flyIt ain’t over yet

For fools like me who were built for the chaseTakes the right kind of woman to help you put it all in placeIt only happened once in my life, but man you should have seenHer hair two shades of foxtail red, her eyes some far out sea blue greenI got caught up making a name for myself, you know what that’s aboutOne day your ship comes rolling in and the next day it rolls right back outYou can’t take for granted none of this shitThe higher up you fly boys, the harder you get hit

It ain’t over yet, I’ll say this about thatYou can get up off the mat or you can lay there till you dieIt ain’t over yet, here’s the truth my friendYou can’t pack it in and we both know whyIt ain’t over yet

Silly boys blind to get there firstThink of second chances as some kind of curseI’ve known you forever and ever it’s trueIf you came by it easy, you wouldn’t be youMake me laugh, you make me cry, you make me forget myself

Back when down on my luck kept me up for daysYou were there with the right word to help me crawl out of the mazeAnd when I almost convinced myself I was hipper than thouYou stepped up with a warning shot fired sweet and low across the bowNo you don’t walk on water and your sarcasm stingsBut the way you move through this old world sure makes a case for angel wingsI was halfway to the bottom when you threw me that lineI quote you now verbatim, “Get your head out of your own behind”

It ain’t over yet, what you wanna betOne more cigarette ain’t gonna send you to the graveIt ain’t over yet, I’ve seen your new girlfriendThinks you’re the living end, great big old sparkle in her eyeIt ain’t over yet

Blackie and The Rodeo Kings – Step Away

CB introduced this band to me a couple of weeks ago. I started to listen to them and ran across this album and as soon as I heard this…I liked it.

This song is beautiful… the band was making an album and put a call out to many female singers to do duets. Some of the women they got were Lucinda Williams, Amy Helm (daughter of Levon Helm), Patti Scialfa (wife of Bruce Springsteen), Pam Tillis, Rosanne Cash, and more. One of the “more” is Emmylou Harris. She is the one who is singing in Step Away.

Last Sunday I posted a song named When The Spirit Comes by Colin Linden. Colin is part of this band that includes Tom Wilson and Stephen Fearing. They started the band in 1996 as a tribute to  Canadian folk artist Willie P. Bennett. One of Bennett’s albums was called Blackie and the Rodeo King. They wanted to get one of Bennett’s songs down on an album and this is the one. Colin Linden said, “I wanted a Willie P. Bennett song on the record, and I couldn’t imagine a better honor to bestow on someone we love as much as Willie than to have Emmylou Harris sing on one of his songs. I don’t think there’s ever been a better singer on the planet; I’m so glad she said yes.”

This album is called Kings and Queens and it was released in 2011. I’m also including a song they did with Rosanne Cash that was released as a single off the album called Got It Covered. Linden said, “Rosanne’s a real supporter of Blackie and the Rodeo Kings, and I knew she was a fan of Ron Sexsmith. Ron came in with an idea for Got You Covered and we wrote it in a hotel room in Austin, Texas in a matter of a couple of hours. He’s brilliant a pretty easy guy to write with. It’s like riding in a Cadillac, writing with that guy.”

Got You Covered has an older soul feel and Cash sounds fantastic in this one. In my next post with these guys, I’ll get to more of the edgier ones.

Tom Wilson on Willie Bennett: “Willie articulated the sensitivity of a fifty-year-old guy and he represented the rebellious ‘fuck you’ attitude of a sixteen-year-old. Willie managed to be more punk rock than any punk rocker I have ever met and, at the same time, could probably break your heart in two. He was a true poet. His wings were a little dirty. He wasn’t afraid of living life and taking chances. When you’re a young guy and you’re looking for an influence, there’s your man right there.”

Step Away

I’m just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart

Some people act kind; some people act cruel
Some people act blind when they see the Golden Rule
If you ask me, I’d say you’re a nervous wreck
I’ve got me to share if that’s what it takes to get

Just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart

Reelin’ from a brand new lost love affair
You weren’t so lucky this time; somebody got scared
Maybe you’re like me and you can’t be nobody’s pet
I’ve got love to share if that’s what it takes to get

Just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever
I’m a step away
From your heart

I’m just a step away
Turn around, see where I’m standin’
I’m a step away
From your heart
I’m just a step away
I might stand here forever I’m a step away
From your heart

A step away (step away)
A step away
Just a step away

Blue Suede Shoes: A Rockabilly Session

You don’t get more rockabilly than Carl Perkins. This concert was a show built around the man. The guests that showed their support were Dave Edmunds, George Harrison, Eric Clapton, Ringo Starr, and Roassane Cash. Plus you had Stray Cats Slim Jim Phantom on drums and Lee Rocker on bass.

It’s pretty cool to see these other legends openly admiring Carl Perkins. Most grew up with his songs and they show their appreciation.

Dave from A Sound Day featured the Roy Orbison concert in the eighties which was a little later on than this one. I remember both of them and this one I watched at a friend’s house at the time on VHS.

Carl Perkins Rockabilly Session

Everyone takes a turn singing Carl Perkin’s classic songs in this one. It was filmed at London’s Limehouse Studios in front of a live audience on October 21, 1985. It’s a great show and Carl Perkins hadn’t lost a thing on guitar. Perkins was around 53 at the time.

They had Johnny Cash, Rob Orbison, and Jerry Lee Lewis do a quick intro for Perkins at the beginning. It’s the bottom video on this post.  They also played at The Capitol Theater in New Jersey on September 9, 1985. You can find that one on YouTube also.

Carl Perkins: “Nothing in the music business has even come close to this for me. At times I felt I was going to break down crying.”

Here are the guest Musicians:

  • Carl Perkins (guitar, vocals)
  • George Harrison (guitar, vocals)
  • Ringo Starr (drums, tambourine, vocals)
  • Eric Clapton (guitar, vocals)
  • Dave Edmunds (guitar, vocals, musical director)
  • Rosanne Cash (vocals, maracas)
  • Phantom, Rocker & Slick {Slim Jim Phantom (drums), Lee Rocker (double bass), Earl Slick (guitar)}

Backing Musicians

  • Mickey Gee (guitar)
  • Geraint Watkins (piano)
  • John David (bass guitar)
  • Dave Charles (drums)
  • Greg Perkins (bass guitar)

Rosanne Cash/ Johnny Cash – Tennessee Flat Top Box

This is my favorite song that Roseanne Cash made. The song was written by her dad Johnny Cash and he released it in 1961 and it peaked at #11 on the Country Charts and #84 in the Billboard 100.

Rosanne released it in 1987 on her album King’s Record Shop. The song peaked at #1 in the Billboard Country Charts. The first time I heard it I liked it right away.

 

This is the only video I could find of them singing it together. It wasn’t professionally recorded. It was in 1989 after the song was a hit for Rosanne… it was videotaped at John & June’s house to celebrate June’s latest book about Mother Mabel Carter.

Tennessee Flat Box

In a little cabaret
In a south Texas border town
Sat a boy and his guitar
And the people came from all around
And all the girls
From there to Austin
Were slippin’ away from home
And puttin’ jewelry in hock to take the trip
To go and listen
To the little dark-haired boy who played the
Tennessee flat top box
And he would play

Well he couldn’t ride or wrangle
And he never cared to make a dime
But give him his guitar
And he’d be happy all the time
And all the girls
From nine to ninety
Were snappin’ fingers
Tappin’ toes
And beggin’ him don’t stop
And hypnotized
And fascinated
By the little dark-haired boy who played the
Tennessee flat top box
And he would play

Then one day he was gone
And no one ever saw him ’round
He vanished like the breeze
They forgot him in the little town
But all the girls
Still dreamed about him
And hung around
The cabaret until the doors were locked
And then one day
On the hit parade
Was the little dark-haired boy who played the
Tennessee flat top box
And he would play

Rosanne Cash – Seven Year Ache

I knew who she was and I knew this song well because it was played endlessly at the time on a pop/rock station I listened to. I really thought she would have gone on to have many pop hits but that didn’t happen…She was very successful in the country charts though.  It peaked at #21 in the Billboard 100 and #1 in the Country Charts in 1981.

Rosanne had 23 songs in the Country Charts and 11 number 1’s, and 15 top ten songs. This wasn’t my favorite of hers but it was a solid pop hit. This is by far the biggest hit for Rosanne Cash, whose only other Hot 100 chart appearance is Blue Moon With Heartache, which peaked at #104 in 1982.

 

From Songfacts

The Seven Year Itch was the name of a particularly irritating skin complaint; by the mid-19th Century the phrase had become a metaphor for an annoying form of behavior. In 1952, it was transformed into a play in which the lead character, played by Tom Ewell, who worked for a publishing company, was reading a book called The Seven Year Itch which claimed that after seven years of marriage, many men started extra-marital affairs. In 1955, it reached the big screen, with Ewell again in the title role, and Marilyn Monroe as his leading lady.

Unlike the play and the film, this song by Rosanne Cash is no romantic comedy. The daughter of Johnny Cash met Rodney Crowell at a party on October 16, 1976, and they married on April 7, 1979. Like most relationships, this one was less than perfect, and after a fight with Crowell at a French restaurant on Ventura Boulevard, she penned this semi-auto-biographical number as a poem; she said it took her about six months to write, but clearly it was worth the labor, because it topped the Country chart in May 1981, as well as reaching #22 on the Hot 100.

It is unclear if Crowell was “playing away.” Probably not, because he produced the song, the title of which indicates that its subject matter is a world away from the whimsical Ewell/Monroe dalliance. 

Cash wrote this song in 1979. When she was looking for ideas for the album, she decided to construct a theme around this song. Based on the concept of lovers who fight, break up, then reconcile, the Seven Year Ache album included songs that dealt in some way with the feelings of falling apart and coming back together as a couple. Most of the songs were written by other artists: “What Kinda Girl?,” where she asserts her independence, was written by Steve Forbert; “I Can’t Resist,” where the couple comes back together, is the only Rodney Crowell composition on the set.

Cash never went for mass appeal in her songwriting, which makes her stay on the Top 40 an anomaly. “Seven Year Ache,” however, proved that she could generate a hit song, which led to more creative opportunities and a step outside of her father’s shadow.

Seven Year Ache was Cash’s second album (at least in America – a self-titled set from 1978 that she has since disowned was issued in Europe), but the first one she toured for. Her first album, Right or Wrong, was released in 1979 when she was pregnant, so she stayed off the road. She had been on stage as a backup singer for her father and for Rodney Crowell, but it wasn’t until the release of this second album that she began performing live as a solo artist.

Seven Year Ache

You act like you were just born tonight
Face down in a memory but feeling all right
So who does your past belong to today?
Baby, you don’t say nothing when you’re feeling this way

The girls in the bars thinking, “who is this guy?”
But they don’t think nothing when they’re telling you lies
You look so careless when they’re shooting that bull
Don’t you know heartaches are heroes when their pockets are full

Tell me you’re trying to cure a seven-year ache
See what else your old heart can take
The boys say, “when is he gonna give us some room”
The girls say, “God I hope he comes back soon”

Everybody’s talking but you don’t hear a thing
You’re still uptown on your downhill swing
Boulevard’s empty, why don’t you come around?
Baby, what is so great about sleeping downtown?

Splitting your dice to be someone you’re not
You say you’re looking for something you might’ve forgot
Don’t bother calling to say you’re leaving alone
‘Cause there’s a fool on every corner when you’re trying to get home

Just tell ’em you’re trying to cure a seven-year ache
See what else your old heart can take
The boys say, “when is he gonna give us some room”
The girls say, “God I hope he comes back soon”

Tell me you’re trying to cure a seven-year ache
See what else your old heart can take
The boys say, “when is he gonna give us some room”
The girls say, “God I hope he comes back soon”