Max Picks …songs from 1990

1990

The La’s – There She Goes

This song played a key part in making me love the power pop genre. It’s one of my favorite power pop songs of all time. It was originally released in 1988 but wasn’t played over in America until 1990. So I’m cheating on this but I had no way of hearing it before then.

A song by a British band called The La’s. A very good pop song that has no verses…it just repeats the chorus four different ways four different times. It was written by the singer Lee Mavers and recorded in 1988 and remixed and released again in 1990. It only peaked at #49 in 1990 in the US.

Many people think the song was about heroin. Paul Hemmings an ex-guitarist for the band denies that rumor. Either way, it is a perfectly constructed pop song. It’s been covered by a lot of artists but probably most successfully by Sixpence None the Richer. I’ve always liked The La’s version the best.

The Black Crowes – Hard To Handle

When I heard this song in 1990 I was thrilled because it sounded like the Faces of the 70s. It was plain rock and roll and had a timeless quality about it. I waited the entire 1980s for rock and roll like this to be back on the mainstream charts. The Replacements were the other rock band but not in the charts. It happened occasionally (Georgia Satellites and Guns and Roses) but not much. This song was originally recorded by Otis Redding, who wrote it with Allen Jones and Al Bell. It was the only cover song on The Black Crowes debut album which sold over five million copies.

The album also had songs like Jealous Again and She Talks To Angels. I knew things were changing when I saw the success of their album.

The two other versions that I like are Otis Redding and Grateful Dead version with Pigpen taking the lead.

The Replacements – Merry Go Round

This one is off of their last studio album All Shook Down. I was going to conclude with this one having one off of their studio albums but there is one more coming next week.

This is not my favorite off the album but it did have a commercial sound for that time and it’s something that I thought would have charted in the Billboard 100. Merry Go Round did peak at #1 on the alternative charts. The album peaked at #69 in the Billboard Album Chart in 1990.

“Merry Go Round” was written about the lives of Westerberg and his sister Mary (“They ignored me with a smile, you as a child”).

The band went to Los Angeles to make a video for Merry Go Round. With Westerberg’s okay, Warner Bros. hired Bob Dylan’s twenty-three-year-old son Jesse Dylan, who was just starting to direct.

AC/DC – Thunderstruck

As much as I love Angus Young’s intro to this…it’s his brother’s rhythm guitar that makes this song go. Brothers Angus and Malcolm Young wrote this song.

A side note to this song. In 2012 a couple of Iranian uranium-enrichment plants were hacked and their computers shut down but not before blasting Thunderstruck at maximum volume like you are probably doing right now or will be soon.

The album was recorded with producer Bruce Fairbairn at his Little Mountain Sound Studios in Vancouver, where he also produced Bon Jovi’s Slippery When Wet and the Aerosmith albums Permanent Vacation and Pump. It was the group’s first time working with Fairbairn.

Sinéad O’Connor – Nothing Compares 2 U

This song was everywhere in 1990. Prince wrote this song in 1984 but didn’t release it. He gave it to a group called The Family that was signed to his label. The Family included it on a 1985 album but it never went anywhere. Five years later it became the biggest hit of 1990.  Prince recorded his own version as well, but it wasn’t released until 2018, two years after his death.

It was O’Connor’s manager, Fachtna O’Kelly, who suggested she record a version of the track. O’Kelly knew it would be perfect for her.

Black Crowes – Sister Luck

I first heard this song on the Shake Your Money Maker album that I had just bought. I loved this song but it reminded of another song and I couldn’t put my finger on it. It then came to me…a song named Sway by the Rolling Stones off of Sticky Fingers.

I’m not saying the Black Crowes stole anything from it but they probably were influenced by the song. Rich Robinson the guitar player played the same 5 string G tuning that Keith Richards made famous…and he really does it well. Like the Georgia Satellites before them the Black Crowes sound was a throw back to the early seventies and it worked well.

The Black Crowes album Shake Your Money Maker was released in 1990. This album shocked me when I heard it. After longing for something with that 70’s tone…here it was with this new band. I always thought they sounded like The Stones/Faces   musically with a Rod Stewart type lead singer.

Sister Luck was not released as a single but remains a favorite album track of mine.

Sister Luck

Worried sick my eyes are hurting
To rest my head I’d take a life
Outside the girls are dancing
‘Cause when you’re down it just don’t seem right

Feeling second fiddle to a dead man
Up to my neck with your disregard
Like a beat dog that’s walking on the broadway
No one wants to hear you when you’re down

Sister luck is screaming out
Somebody else’s name
Sister luck is screaming out
Somebody else’s name

A flip of a coin
Might make a head turn
No surprise, who sleeps
Held my hand over a candle
Flame burnin’ but I never weep

Sister luck is screaming out
Somebody else’s name
Sister luck is screaming out
Somebody else’s name

What a shame

Black Crowes – Jealous Again

Keith Richards once said about the Black Crowes…” they have me down pretty well.” The riff in this song was played in open G tuning. Many musicians have played in that tuning but Keith Richards made a career out of it. Songs like Start Me Up, Can You Hear Me Knocking, etc… were wrote in that tuning and has a certain sound that you can only get with that.

Rich Robinson the guitar player and brother Chris the singer wrote this song and it does have a Stones feel to it.

The Black Crowes album Shake Your Money Maker was released in 1990. This album shocked me when I heard it. After longing for something with that 70’s tone…here it was with this new band. I always thought they sounded like The Stones/Faces   musically with a Rod Stewart type lead singer.

Jealous Again was the first single off of the album. It only peaked at #75 in the Billboard 100 in 1990. After this single they released “Hard To Handle” and it recieved much more airplay.

Jealous Again

Cheat the odds that made you
Brave to try to gamble at times
Well I feel like dirty laundry
Sending sickness on down the line
Tell you why

‘Cause I’m jealous, jealous again
Thought it time I let you in
Yeah, I’m jealous, jealous again
Got no time, baby

Always drunk on Sunday
Try’n to feel like I’m at home
Smell the gasoline burning
Boys out feeling nervous and cold

[Repeat 1st Chorus]

Stop, understand me
I ain’t afraid of losing face
Stop, understand me
I ain’t afraid of ever losing faith in you

Never felt like smiling
Sugar wanna’ kill me yet
Find me loose lipped and laughing
Singing songs ain’t got no regrets

[Repeat 1st and 2nd Chorus]

Don’t you think I want to
Don’t you think I would
Don’t you think I’d tell you baby
If I only could
Am I acting crazy
Am I just too proud
Am I just plain lazy
Am I, Am I, Am I, ever

[Repeat 1st Chorus]

Black Crowes – She Talks To Angels

The song peaked at #30 at 1991 in the Billboard 100. The song was on their debut album Shake Your Money Maker that peaked at #4 in 1991. I really liked this band when they came out. They had a sound like the Stones and Faces of the early 70s.

I heard so many different origins of this song

Chris Robinson, wrote this song with his bandmate/brother Rich, said: “‘She Talks to Angels’ is a funny song in that so many people resonate with it. The dark details like drugs and things like that would be a part of growing up and being in this world, but when I wrote that song I had no idea – I hadn’t done any of those things. I hadn’t lived that – everything was in my imagination.”

From Songfacts

During VH1’s The Black Crowes Storytellers, filmed at The Bottom Line in New York City on August 27, 1996, lead singer Chris Robinson explained that this song is not about “one” person, but rather a “hot dog” (as he put it) of people that they knew from the Atlanta club scene in their early days. “Not all the best parts” explained Chris, “or the best parts for you.” Chris says that there was always a girl in the club scene back then with really dark makeup (like Siouxsie And The Banshees), and after thinking about her one day, he scribbled the lyric “she paints her eyes as black as night.” He then went on to write an entire biography (completely made up, by the way) about her in the form of the song that then became “She Talks to Angels.” >>

The Christian band Third Day has a song about the Black Crowes that references this song and others. It’s called “Black Bird” and imitates their style. The song says that Third Day really likes The Black Crowes music but that they essentially need Jesus in their lives. There is a lyric in “Black Bird” that says “You say to talk to angels, well I say it’s such a lie.”

https://www.youtube.com/watch?v=teqpxpMAJWY&ab_channel=KrzysztofMami%C5%84ski

She Talks To Angels

She never mentions the word addiction
In certain company.
Yes, she’ll tell you she’s an orphan
After you meet her family.

She paints her eyes as black as night now.
Pulls those shades down tight.
Yeah, she gives me a smile when the pain comes.
The pain gonna make everything alright.

Says she talks to angels.
They call her out by her name.
Oh yeah, she talks to angels.
Says they call her out by her name.

She keeps a lock of hair in her pocket.
She wears a cross around her neck.
Yes the hair is from a little boy,
And the cross from someone she has not met, well, not yet

Says she talks to angels.
Says they all know her name.
Oh yeah, she talks to angels.
Says they call her out by her name.

She don’t know no lover,
None that I ever seen.
Yeah, to her that ain’t nothing
But to me it means, means everything.

She paints her eyes as black as night now.
Pulls those shades down tight.
Oh yeah there’s a smile when the pain comes.
Pain’s gonna make everything alright, alright yeah

Says she talks to angels.
Says they call her out by her name.
Oh yeah, angels
Call her out by her name
Oh angel,
They call her out by her name
Oh she talks to angels,
They call her out, yeah yeah
Call her out,
Don’t you know that they call her out by her name

Black Crowes – Hard To Handle

When I heard this song in 1990 I was thrilled because it sounded like the Faces of the 70s. It was clear rock and roll and had a timeless quality about it. It peaked at #26 in the Billboard 100, #40 in Canada and #45 in the UK. This song was originally recorded by Otis Redding, who wrote it with Allen Jones and Al Bell. It was the only cover song on The Black Crowes debut album, which sold over five million copies.

The two other versions that I like are Otis Redding and Grateful Dead version with Pigpen taking the lead version.

From Songfacts.

Running a compact 3:08, The Black Crows turned the song into a rocker, using guitars instead of horns and extending the song from Redding’s 2:18 original.

This was The Black Crowes’ third single, following “Twice As Hard” and “Jealous Again.” It made #45 in the US in December 1990, as the group was rapidly gaining momentum. After “She Talks To Angels” hit #30 in May 1991 – over a year after the album was released

 “Hard To Handle” was reissued, this time going to #26 and becoming the highest-charting single for the band on the Hot 100. The group had been together for five years before signing a record deal with Def American, which prepared them well for the onslaught of success. Their live act had already been honed, and many who saw them remained lifetime fans as they became more of a jam band.

Hard To Handle

Baby here I am
I’m the man on the scene
I can give you what you want
But you gotta’ come home with me

I have got some good old lovin’
And I got some more in store
When I get through throwin’ it on
You gotta’ come back for more

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Action speaks louder than words
And I’m a man of great experience
I know you’ve got another man
But I can love you better than him

Take my hand don’t be afraid
I’m gonna prove every word I say
I’m advertising love for free
So you can place your ad with me

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Yeah
Hard to handle now
Oh baby

Baby here I am
I’m the man on the scene
I can give you what you want
But you gotta’ come home with me

I’ve got some good old lovin’ 
And I got some more in store
When I get through throwin’ it on you
You got to come a-runnin’ back for more

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Hard
Hard to handle now
Oh yeah, yeah yeah yeah

Boys will come along a dime by the dozen
That ain’t nothing but ten cent lovin’
Pretty little thing, let me light your candle
‘Cause mama I’m sure hard to handle now, yessir’am

Yeah
So hard to handle now
Oh yeah

Baby
Good lovin’
Baby, baby
Ohh, good lovin’
I need good lovin’
I got to have it, oh yeah
Yeah
So hard to handle, now, yeah