Culture – Page 21 – PowerPop… An Eclectic Collection of Pop Culture

Star Trek – A Private Little War

★★★1/2 February 2, 1968 Season 2 Episode 19

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and Don Ingalls

This episode gets philosophical at the end and will make you think.

While conducting a survey on a planet Captain Kirk visited several years earlier he is surprised to discover the primitive yet peaceful people he once knew are now armed with flintlock firearms. Not enough time progressed for them to be that far ahead.

As the team prepares to leave Spock is shot and seriously injured. While he is being treated a Klingon ship is sighted and Kirk is convinced that they are responsible for arming the people on the planet. Leaving Spock in the capable hands of Dr M’Benga, Kirk and McCoy return to the planet to investigate further.

Soon after landing Kirk is attacked by a creature with a poisonous venom; unable to return to the ship McCoy takes him to the village of his old friend Tyree where he is cured by Tyree’s wife. We learn that there are two main tribes; the peaceful Hill People and the Villagers who are using weapons against them. Tyree’s wife wants him to press Kirk to supply even better weapons and she with the help of a few select plants, can be very persuasive. When it is confirmed that the Klingons have helped the Villagers Kirk has a difficult decision… does he stay uninvolved or does he arm the Hill People to create a balance of power?

This isn’t a classic episode but it is entertaining. Thanks to Spock’s injury we learn more about the Vulcans… in particular how they consciously fight to heal themselves. The story on the planet was interesting too; clearly a metaphor for the various proxy wars of the cold war era where the East and West would arm allies in third-world countries rather than getting involved in direct conflict.

From IMDB:

The Mugato was called The Gumato in the original script. But DeForest Kelley kept mispronouncing it so it was changed. The closing credits still name the creature as The Gumato.

(At around 17 mins) Is the first clear close-up ever of the Sick Bay panel. The vertical scales are, from left to right: Temperature – left scale in °F and right in °C -, Brain – K3 (unknown unit)-, Lungs – no units, but it seems to measure FRC (Functional Residual Capacity) in liters, Cell Rate – no units -, Blood – Q5 (or possibly Qs; perhaps pressure; corrected to %O2 in some mock-ups/merchandise) – and Blood – T2 × 10 (Blood transverse relaxation time – ms ×10). Center symbols: Top Circle “Respiration”, second Circle “Pulse” then two legends: Adjust for Normal, Recorder. The inclusion of both Fahrenheit and Centigrade is odd.

This episode features the last production credit for showrunner Gene L. Coon who resigned halfway through Season 2. His replacement John Meredyth Lucas struggled to come to terms with the show’s unrelenting schedules and the budget cuts that Paramount was insisting on. NBC were also unhappy about the show’s implications about sex, threatening the airing of a show that was already on the borderline of cancellation.

Nancy Kovack’s character (Nona) displays her navel, despite the folklore that broadcast standards censors prohibited showing that part on a woman.

First of two appearances of Booker Bradshaw as Dr. M’Benga, the expert in Vulcan physiology. Second appearance in Star Trek: That Which Survives (1969).

The mugato was designed by Janos Prohaska, who had also created the Horta for Star Trek: The Devil in the Dark (1967).

The Star Trek Universe has been known to tackle societal, political, environmental, and other types of issues throughout the history of the franchise. This one tackled the Vietnam War head-on, not only specifically pointing out the “20th-Century brush wars on the Asian continent”, but also as portraying the Federation and the Klingon Empire as superpowers using an otherwise peaceful world as pawns in their struggle for power (a direct allegory of the Cold War at that time, between NATO and the Red Bloc).

The original writer, Don Ingalls, put the pseudonym Jud Crucis on it after Gene Roddenberry rewrote it. Ingalls’ original contained many more overt Vietnam analogies than what finally appeared. According to Allan Asherman’s ‘The Star Trek Compendium’, this script referred to Apella as a “Ho Chí Minh-type” and the tribesmen as wearing Mongolian clothes. Though friends with Roddenberry since their days as LAPD officers, Ingalls did not like the changes, and the pseudonym was his wordplay on “Jesus Crucified”.

The planet they’re on is named Neural in the script, but this name is never heard in the show itself.

This is the only episode in Season 2 to not have a happy ending music.

Janos Prohaska owned the ape suit, having acquired it from a previous film project.

An obvious reference to the western classic cliché of white and black hats (white hat = good guy, black hat = bad guy), the use of blond hair for the ‘good guys’ and black hair for the ‘bad guys’.

This episode is preceded, both in production and airing order, by Star Trek: Journey to Babel (1967). Given McCoy’s reluctance in that episode to operate on a Vulcan due to his unfamiliarity with Vulcan physiology, it is probable that, between that episode and this, he recruits M’Benga to serve on the Enterprise as a safeguard should anything happen to Spock.

It is stated a flintlock would be the first firearm developed. In fact, it was the match lock then the wheel lock, then the flint lock.

In Don Ingalls’ original story outline, the Klingon antagonist was Kor from Star Trek: Errand of Mercy (1967).

The Mugato is the same suit used as a white gorilla in Voyage to the Bottom of the Sea: Fatal Cargo (1967) and as a Garboona – a cross between a gorilla and a baboon – in Here’s Lucy: Lucy’s Safari (1969). However, it did not have the spikes on its head and back in either of those appearances. All three creatures were played by Janos Prohaska.

This is the only episode in which Spock and Kirk are both incapacitated in two separate incidents, with different causes, for an overlapping time period.

Nona uses the same dagger as seen in Star Trek: Wolf in the Fold (1967).

Krell’s name is never mentioned but is shown in the script.

They shot a scene of Nancy Kovack showering semi-nude (shot from the back) and put it in the final cut presented to NBC. This aim to have Standards and Practices (the NBC censors) lock onto that scene and demand it be removed. This was to distract them from the other more sensual elements of the rest of the story that they might have taken issue with. The showering scene is shown on the blooper reels which can be tracked down on Youtube.

This takes place in 2268.

Ned Romero (Krell) also appeared in Star Trek: The Next Generation: Journey’s End (1994) as Anthwara, and Star Trek: Voyager: The Fight (1999) as Chakotay’s great-grandfather.

Sulu does not appear in this episode.

When McCoy is heating the rocks with pulses from his phaser, a close up shots shows his finger is not even pushing the button on his phaser.

Summary

Kirk gets to return to the planet where, 13 years earlier as a young lieutenant, he conducted his first planetary survey. The natives live a simple Eden-like existence with little or no technology to speak of. Bows and arrows are their main weaponry. When Kirk, Spock and McCoy beam down, they find a rival tribe now has flintlock rifles, centuries ahead of normal development. With Spock almost mortally wounded and taken back to the Enterprise, Kirk and McCoy see if Klingons have been upsetting the planet’s natural development, but Kirk’s soon waylaid by a mugatu (a wild, poisonous primate), and it’s up to the wife (a healer of sorts) of his old friend Tyree to save him. She’s an ambitious, opportunistic “witch” woman who heals Kirk while also ensnaring his soul. Her price: nothing less than Kirk’s violation of the Prime Directive.

Another Age Restricted video

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
DeForest Kelley … Dr. McCoy
Nancy Kovack … Nona
Michael Witney … Tyree
James Doohan … Scott
Nichelle Nichols … Uhura
Ned Romero … Krell
Majel Barrett … Nurse Chapel
Walter Koenig … Chekov
Booker Bradshaw … Dr. M’Benga
Arthur Bernard … Apella
Janos Prohaska … The Gumato
Paul Baxley … Patrol Leader
Bill Blackburn … Lieutenant Hadley (uncredited)
Roger Holloway … Lt. Lemli (uncredited)
Jeannie Malone … Native Woman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)
Roy N. Sickner … Villager (uncredited)

Wanda Jackson – Hard Headed Woman

I can’t comment on the title…or I’d be in trouble. I will say this…this is a different song than the song written by Cat Stevens on Tea For The Tillerman.

This song was first recorded and released by Elvis Presley with The Jordanaires in 1958. A great straight-up no-frills rock and roll song. Elvis’s version was part of the soundtrack for his 1958 motion picture King Creole and was included on the record album of the same name. The song was also released as a single and in 1958 peaked at #1 on the Billboard charts and went to number two for two weeks on the R&B chart.

The song was written by Claude Demetrius, who also composed songs like “Mean Woman Blues” and “Ain’t That Just Like A Woman,” and the Christmas classic “Santa Bring My Baby Back (To Me.).” When “Hard Headed Woman” first came out in 1958, the BBC restricted when it could be played on the air because of the biblical references in the lyrics.

Wanda Jackson did date Elvis in 1955. He gave her a ring to hold on to and Wanda still has it. They toured together building up their fanbase. Wanda released this song that was on the Live at Town Hall Party 1958.

Wanda Jackson: “I had never heard of him when we met, but we had a lot in common. We were two happy-go-lucky kids.”

This is Wanda’s appearance on California’s Town Hall Party TV show, calling the tune “one of the most beautiful love songs that’s ever been written.” Accompanied in the clip by guitarist Joe Maphis, Jackson recorded her sizzling version in Nashville in the fall of 1960. Among the musicians on those sessions was young guitar whiz Roy Clark.

Hard Headed Woman

Well, a hard headed woman a soft hearted man
Been the cause of trouble ever since the world began
Oh yeah, ever since the world began, ah oh oh oh oh
A hard headed woman is a thorn in the side of man

Now Adam said to Eve listen here to me
Don’t you let me catch you messin’ round that apple tree
Oh yeah, ever since the world began, ah oh oh oh oh
A hard headed woman is a thorn in the side of man

Now Samson told Delilah loud and clear
Keep your cotton pickin’ fingers out of my curly hair
Oh yeah, ever since the world began, ah oh oh oh oh
A hard headed woman is a thorn in the side of man

Well, I heard about a king who’s doing swell
Till he started playin’ with that evil Jezabel
Oh yeah, ever since the world began, ah oh oh oh oh
A hard headed woman is a thorn in the side of man

Star Trek – The Immunity Syndrome

★★★★★ January 19, 1968 Season 2 Episode 18

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and Robert Sabaroff

This episode has flown under the radar of some fans. I rate it very highly and it’s one of my favorites of the 2nd season.

The Enterprise is on its way for a well-deserved rest on some planet but then they find a disruption in the Gamma VII-A solar system. The U.S.S. Intrepid, manned by Vulcans, is in the area and all on board died. Mr. Spock sensed the 400 deaths, being a Vulcan himself.

The Enterprise continues its investigation when they see a dark hole on the screen it’s not a black hole, it’s not a cloud but what is it? They are being sucked into the hole, the ship’s energy is being drained and the members of the Enterprise are being drained of their lives. it is a living organism much like a cell that is 11,000 miles wide.

Bones volunteers to go out in a shuttlecraft to inspect it closer to send back the information to the ship. Spock steps up and insists that he is the person for the job. Kirk insists that it is his decision. What is this Amoeba-like creature? Who will Kirk send out on the suicide mission?

Again I can’t say much else or I would give it away. Personally, I really like this episode.

From IMDB:

This is the last time the interior of a shuttlecraft is shown in the series.

The space amoeba optical effects were created by Frank Van der Veer of Van der Veer Photo Effects. The amoeba itself was a mixture of liquids pressed between two thin sheets of glass. As the sheets were moved, the liquid would flow, as if the amoeba were pulsating.

This is the last episode directed by Joseph Pevney who, along with Marc Daniels, holds the record for directing the most number of episodes for the series (14).

This was the last time in which Kirk’s green wrap-around tunic was used. The last time viewers would see the shirt would be in Star Trek: Bread and Circuses (1968), which had been filmed earlier but not aired for almost a year.

This is the first episode ending with a “Paramount Television” logo instead of the “Desilu” logo, after Desilu was sold to Paramount Pictures.

The end credits include a make-up test shot of Bill Blackburn (who normally played Hadley) as the android from Star Trek: Return to Tomorrow (1968) wearing a brown velour zippered top.

Although the name was cut from the final draft, the captain of the USS Intrepid was named Satak.

John Winston (Kyle) wears a gold uniform for the only time in the series. This was done so that he would match the stock footage from the captain’s chair viewpoint, showing Chekov and Hadley’s right shoulder. This was apparently arranged partway through filming, because, in the teaser, Kyle can briefly be seen at the helm wearing his typical red uniform.

The equipment inside the shuttlecraft included computer banks that were previously seen in the Starbase operations room in Star Trek: The Menagerie: Part I (1966) and the Eminian war room in Star Trek: A Taste of Armageddon (1967).

The remastered version of this episode features never-before-seen effects shots of the Enterprise in total darkness illuminated only by its windows and running lights.

This was what is known as a “bottle” episode, which is often done to save money. Star Trek was often at odds over its budget and often exceeded it due to special effects and set constructions. The network insisted they produce a “cheap” episode to save money. This one had no expensive guest stars (which saves a lot of money), no outdoor location filming, and no new set construction, and therefore came significantly under budget.

The young crew woman whom Kirk admires, as he records his log at the end of this show, appears to be the same extra who portrayed the second female Klingon in Star Trek: Day of the Dove (1968).

Kirk’s deep compassion for his crew is shown somewhat more prominently than usual at around 10:10. Due to exhaustion, Lt. Uhura is sitting with her head leaning on her hand in an uncharacteristically distracted manner. As Kirk approaches her to give her instructions to send a signal to Star Fleet, he squeezes her shoulders and pats the right one affectionately.

In the remastered version of Star Trek: The Doomsday Machine (1967), two shuttle craft are seen in Enterprise’s hangar. In this one, the “Galileo” is the only one seen. This is because Commodore Matthew Decker used the “Columbus” in a suicidal attempt to destroy the planet killer. The Enterprise had not put in for re-supply since that incident, so the “Columbus” had not yet been replaced.

The scene where Spock telepathically feels the loss of the Intrepid’s crew is famously mirrored in the original “Star Wars.” As Obi-Wan Kenobi, he suffers much the same reaction when a planet is destroyed by imperial forces.

Only episode of the series that doesn’t have a guest cast, other than semi regulars John Winston and Eddie Paskey.

The usual banter between Spock and McCoy takes on an uncharacteristically dark tone as Spock is preparing to board the shuttlecraft. His exhausted condition obviously affects his behavior, McCoy accuses Spock of ambition and spite. “You’re determined not to let me share in this, aren’t you?” Had he been thinking more clearly, he would have realized Vulcans do not act on ambition or spite. (More accurately, they *profess* not to do so.)

The CGI shots in the remastered version appear in 16:9 (widescreen), instead of the standard 4:3 (fullscreen) aspect ratio.

47 reference: Spock states that the shuttle’s shields will last only 47 minutes.

Spock explains that Vulcan was never conquered, and that Vulcan collective consciousness cannot conceive of the feeling of being conquered. However, in Star Trek: The Conscience of the King (1966) McCoy says “Now I know why they were conquered” in response to Spock’s refusal to drink alcohol. This might be explained by Vulcan never having been conquered, but one or more of their colonies having been annexed by another power at some point. Or, more likely, that McCoy just doesn’t know Vulcan history very well.

This takes place in 2268.

As Enterprise applies thrust in an attempt to break free, McCoy grabs Chapel to keep her from hitting the wall. One (possibly intentionally) botched take of this, with McCoy holding her by her breasts, can be seen in the famous blooper reels.

Summary

The Enterprise is sent to investigate the disruption of the Gamma VII-A solar system and the destruction of the U.S.S. Intrepid, staffed solely by Vulcans. When they arrive they find a large dark mass floating in space that is draining energy from everything around it, including the Enterprise. Drawn into the mass, they find a huge amoeba-like creature and Kirk must decide which of his two friends, McCoy or Spock, to send into it aboard a shuttle craft on a mission of no return.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
DeForest Kelley … Dr. McCoy
James Doohan … Scott
Nichelle Nichols … Uhura
Walter Koenig … Chekov
John Winston … Lt. Kyle
Majel Barrett … Christine Chapel
Bill Blackburn … Lieutenant Hadley (uncredited)
John Blower … USS Enterprise Lt. Cmdr. (uncredited)
Frank da Vinci … Lt. Brent (uncredited)
Bob Johnson … Starbase 6 Commander (voice) (uncredited)
Jeannie Malone … Yeoman (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)

Star Trek – A Piece Of The Action

★★★★ January 12, 1968 Season 2 Episode 17

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry, David P. Harmon, and Gene L. Coon

This is more of a comedy episode but I love the plot. It’s almost as if they made a parody of Star Trek…but it works and works well. I’ve given it 4 stars…not because of the sci-fi plot…but because it’s very entertaining. You just have to watch it with that in mind.

A society of people who imitate whatever they are exposed to. Someone on a ship 100 years before left a book about Chicago mobsters of the 1920s. When the Enterprise arrived.. that is what they found. A society of mobsters and submachine guns of the twenties and thirties.

This is one of those episodes which could quite easily have turned out to be an embarrassing disaster but instead, it is an amusing triumph. Seeing Kirk talking like a cliché gangster was priceless as was the reaction of a rather confused Scotty as he tried to understand him.

William Shatner was clearly enjoying himself in these scenes. Guest stars Anthony Caruso and Vic Tayback do fine jobs as the rival bosses, the delightfully named Bela Oxmyx and Jojo Krako, taking the roles just seriously enough to make this episode as good as it is. There are plenty of hilarious moments such as Kirk inventing the convoluted card game ‘fizzbin’ and later demonstrating that the ability to captain a starship doesn’t qualify him to drive a car. Overall this is a great comedy episode…definitely a lot of fun to watch.

It’s also funny watching Spock try to act/talk like the mobsters. Scotty pretty much didn’t try. My favorite scene is when, like I mentioned before, Kirk is driving a car with Spock as an unwilling passenger. They jerk, stop, and weave down the road. This conversation starts the second time Kirk asks Spock to ride with him.

Spock: [balking at the prospect of another ride in a car with Kirk at the wheel] Captain, must we?

Kirk: It’s faster than walking.

Spock: But not as safe.

Kirk: Are you afraid of cars?

Spock: Not at all, Captain. It’s your DRIVING that alarms me.

And

Spock: Captain… you are an excellent starship commander. But as a taxi driver, you leave much to be desired.

Kirk: It was that bad?

From IMDB:

This is the only time in TOS in which the Enterprise’s phasers are used to stun, and not to kill, destroy or damage. It is also the only time the Enterprise’s phasers are used for a wide proximity shot, as in this case when they are set to blanket a one city block area around a central point in order to stun a dispersed group of people.

After filming wrapped, the studio received a letter from Anthony Caruso, who played Bela Oxmyx. It was a letter from “Oxmyx” thanking the crew of the Enterprise for creating the “syndicate” and things were proceeding nicely on Sigma Iotia II. As he goes on in the letter, it is now the 1950s and he is sporting a crew-cut. He also mentioned wanting to visit Las Vegas, remarking “It seems like my kind of town”.

James Doohan provided the voice of the radio announcer.

Marvel Comics published a sequel story to this as part of their ‘Star Trek: Unlimited series’. The story, “A Piece of the Reaction”, featured the crew of the U.S.S. Enterprise-E (from Star Trek: First Contact (1996)) returning to the planet to discover that its society had gone on to model itself after 23rd Century Starfleet, thanks to the communicator that McCoy left behind. The planet is now led by the tough kid Kirk and Spock met in the street, who wishes to hijack the Enterprise-E and finally gain command of a starship, just like his idol, James T. Kirk.

The car that Kirk drove to “put the bag on Krako” had a V-12 engine, as a V-12 emblem is seen on the radiator. It was a Cadillac, probably a 1931 model. Note the winged radiator cap, which Cadillacs of that vintage had. It is a nod to Chicago crime boss, Al Capone, who had a 1928 V-12 Cadillac. It also represents the only time that a member of the Enterprise crew is seen operating any kind of land vehicle within the original series.

Kirk makes up the rules of the card game “fizz bin” as he goes along. William Shatner ad-libbed the rules, so his pauses to think and the other actors’ confusion are all genuine. In Diane Duane’s novel “The Empty Chair”, McCoy invents a new version, Tournament Fizzbin, with the help of Kirk, Sulu, Scotty, and a great deal of Romulan ale.

In Star Trek: Enterprise: Horizon (2003), a hard-bound copy of a book beginning with the title ‘Chicago Gangs’ can be briefly glimpsed on a bookshelf in Travis Mayweather’s quarters on board the ECS Horizon, suggesting that Mayweather had some connection to the group which contaminated Iotian culture.

Gene Roddenberry, in his original 1964 Star Trek pitch, included a one-sentence idea for an episode titled “President Capone,” in which the Enterprise crew land on a planet which is a parallel version of 1920s Chicago where Al Capone is president. George Clayton Johnson later developed the idea into an outline titled “The Syndicate” which later became a treatment titled “Chicago II”. The concept was abandoned until producer Gene L. Coon found the treatment and worked on a script with David P. Harmon titled “Mission Into Chaos”.

This is the only episode of TOS that ends with a freeze-frame.

One of several “parallel Earth” plots in the series, contrived in part to save money, by avoiding the necessity for “alien” sets, costumes, and makeup.

The last script is credited to series writer-producer Gene L. Coon. He would, however, contribute two more scripts to the third season, but these were under the pseudonym of Lee Cronin.

John Harmon (Tepo, one of the lesser bosses) previously appeared in Star Trek: The City on the Edge of Forever (1967) as the bum Rodent. He had also appeared 20 years earlier in Fear in the Night (1946), which starred DeForest Kelley.

Ronald D. Moore wanted Deep Space 9’s tribute episode to involve returning to Iotia to see that the planet was now imitating the 23rd-century era Federation as a form of commentary on how the show became a global phenomenon in the intervening decades. Instead, the tribute episode was produced as Star Trek: Deep Space Nine: Trials and Tribble-ations (1996), sequel to Star Trek: The Trouble with Tribbles (1967).

This is the only episode in which Kirk calls McCoy “Sawbones” instead of “Bones”.

The script originally featured Romulans with whom Kirk has to compete in making a deal with the Iotians.

The street set is on the Paramount lot and can be seen in many television series. The steps leading up to Oxmyx’ headquarters were used in Dear John (1988).

This episode contains Chekov’s smallest speaking part in TOS, with only one line of dialogue, “Approaching Sigma Iotia II, Captain.”

The exterior street set used for Krako’s office is the same exterior of the Washington Square portion of the Paramount backlot used for Laverne & Shirley (1976) (1976). The Pizza Bowl exterior can also be seen as the Billiard Hall outside Oxmyx’ window. These exteriors were destroyed or severely damaged during the 1983 backlot fire.

Bill Blackburn’s character, Hadley, is given his name in this episode. It is also the only episode in which Hadley is referred to by name.

In the remastered version, the planet Sigma Iotia II was given a CGI-makeover, now a more Earth-like planet. Aside from orbital establishing shots, new phaser effects were created’ depicting the block-wide stun implemented from the Enterprise, replacing the more cartoonish aspects of the original.

The scene when Kirk puts his feet up on Krako’s table and declares that now the Federation is “taking over the whole ball of wax” is reminiscent of a similar scene in the classic gangster film Little Caesar (1931).

This is listed as one of the “Ten Essential Episodes” of TOS in the 2008 reference book “Star Trek 101” by Paula M. Block and Terry J. Erdmann.

In the 1990s, British science fiction authors Eugene Byrne and Kim Newman wrote a series of stories entitled “Back in the USSA,” imagining a world where Al Capone became the US President, as in Gene Roddenberry’s original TV proposal. The stories are jammed full of TV and film spoofs, including a humorous Russian soldier who closely resembles Pavel Chekov.

The ‘Star Trek Encyclopedia’ confirms that the Horizon was a Daedalus-class ship. It is later seen as a model on Star Trek: Deep Space Nine (1993) in Sisko’s office.

“Chicago Mobs of the Twenties” was published in 1992.

This is the first episode in which a site-to-site transport is performed – although due to the events of Star Trek IV: The Voyage Home (1986), it is not the first time from a historical perspective.

This was one of a few times in TOS where any character is depicted using ground transportation. Another was in Star Trek: Assignment: Earth (1968), when Gary Seven hitched a ride in the trunk of a 1966 Dodge Coronet.

That big gun all the men carried was the Thompson Submachine Gun invented in 1918. It became a favorite of both gangsters and Feds during Prohibition. The big metal cans under the barrels are magazines holding 100 rounds of .45 ACP ammo, enough firepower to cut a Cadillac in half.

No stardate is logged in the episode. Stardate 4598.0 appeared in Bjo Trimble’s ‘Star Trek Concordance’, apparently using an earlier script version, and the fotonovel provides a closing stardate 4598.7.

Summary

The Enterprise visits the planet Sigma Iotia II, the first time in 100 years a Federation ship has called there. The U.S.S. Horizon was the first to visit but was soon thereafter destroyed. Their message, sent by regular radio, was only recently received. Little is known about the Iotians other than they are fast learners and very imitative. The Horizon’s visit also predated the Prime Directive, so it’s wondered to what extent cultural contamination has taken place. What they find on arrival is that the entire planet has patterned itself along the lines of violent Chicago mobs of the 1920’s, with two bosses in particular, Bela Oxmyx and Jojo Krako, both out to take control.

CAST

William Shatner as Capt. Kirk
Leonard Nimoy as Mr. Spock
DeForest Kelley as Dr. McCoy
Anthony Caruso as Bela
Vic Tayback as Krako
Lee Delano as Kalo
James Doohan as Scott
Nichelle Nichols as Uhura
Walter Koenig as Chekov
John Harmon as Tepo
Sheldon Collins as Tough Kid
Dyanne Thorne as First Girl
Sharyn Hillyer as Second Girl
Buddy Garion as Hood
Steven Marlo as Zabo

Kim Carnes – Bette Davis Eyes ….Under the Covers Tuesday

More than any other song to that time…this one seemed so different and I knew music was changing in the 80s. I still liked it and I bought the single. Just like with Bonnie Tyler and It’s A Heartache…my first thought when hearing this was Rod Stewart. I really like Carne’s raspy voice more than the pop singers at the time…and now. Now I’d love to hear a duet with Kim Carnes and Bonnie Tyler.

“Bette Davis Eyes” was originally recorded by Jackie DeShannon on her 1975 album New Arrangement. DeShannon wrote the song with the songwriter Donna Weiss. According to DeShannon, she got the idea after watching the 1942 Bette Davis movie Now Voyager. It was Donna Weiss who submitted the demo to Carnes, who along with her band and producer Val Garay, came up with the hit arrangement for the song.

With Bette Davis Eyes a major hit in 1981, the then 73-year-old Bette Davis wrote to Carnes, DeShannon, and Weiss to thank them for making her cool in the eyes of her granddaughter. She also thanked them for making her part of modern history. Carnes later performed the song for Davis live as part of a tribute to the actress. The two remained friends until Davis’ death in 1989. Joan Crawford was long gone by this time…I have to wonder what she would have thought or said?

The producer told the drummer to go out and buy the cheapest drum set he could buy (and you can tell). They ran the drums through a synthesizer called a Sequential Circuits Prophet-5 and it gave a thin-sounding drum sound. At the time it was different but it would soon become commonplace to replace drum sets altogether with electronic drums…which to me… went way too far. That is why some recordings from that period sound so dated…but that is just me. Keyboardist Bill Cuomo made significant contributions to the chord changes and arrangement, as well as coming up with that synth riff.

Kim Carnes’ version of Bette Davis Eyes came out in 1981. It was the lead single from her sixth studio album, Mistaken Identity. And despite being released at the start of the decade, it was a song that would be played throughout the 80s on radios everywhere.

DeShannon is a Kentucky-born singer-songwriter who’s been on the music scene for most of her life. She started singing regularly on the radio at the age of six and some of her biggest hits include What the World Needs Now is Love and Put a Little Love in Your Heart.

The song peaked at #1 on the Billboard 100, #2 in Canada, #2 in New Zealand, and #10 in the UK in 1981.

Jackie DeShannon: Donna Weiss and I were writing quite a bit at the time, and we both liked black-and-white movies. Donna had written many pages, and I was fooling around with the melody, and we pieced together ‘Bette Davis Eyes.

We made a demo with a much more rock-and-roll feel. That’s what I thought we were going to do, but the producer had another concept. It turned out OK. I don’t dislike it, but it was not my concept. It had been out a long time, and Donna gave it to Kim Carnes with something else on the tape. Kim liked it and that was that. Her version was much closer to the demo version.

Bette Davis Eyes

Her hair is Harlow gold
Her lips are sweet surprise
Her hands are never cold
She got Bette Davis eyes
She’ll turn the music on you
You won’t have to think twice
She’s pure as New York snow
She got Bette Davis eyes

And she’ll tease you, she’ll unease you
All the better just to please you
She’s precocious, and she knows just
What it takes to make a pro blush
She got Greta Garbo’s standoff sighs, she’s got Bette Davis eyes

She’ll let you take her home
It whets her appetite
She’ll lay you on the throne
She got Bette Davis eyes
She’ll take a tumble on you
Roll you like you were dice
Until you come out blue
She’s got Bette Davis eyes

She’ll expose you, when she snows you
Off your feet with the crumbs she throws you
She’s ferocious and she knows just
What it takes to make a pro blush
All the boys think she’s a spy, she’s got Bette Davis eyes

She’ll tease you, she’ll unease you
All the better just to please you
She’s precocious, and she knows just
What it takes to make a pro blush
All the boys think she’s a spy, she’s got Bette Davis eyes

She’ll tease you
She’ll unease you
Just to please you
She’s got Bette Davis eyes
She’ll expose you
When she snows you
‘Cause she knows you, she’s got Bette Davis Eyes

…

Star Trek – The Gamesters Of Triskelion

★★★ January 5, 1968 Season 2 Episode 16

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and Margaret Armen

My favorite line out of this one? You’re Out of your Vulcan Mind, Spock! It was said by McCoy and you could imagine “Vulcan” was in place of something they could not say.

Angelique Pettyjohn played Shahna in this episode. Pettyjohn later became an adult film actress which is rare for that time because not many made the jump from movies/tv shows to adult films. Is it just me or does she favor Lady GaGa?

This episode was not one of the great ones, to say the least. It’s not a terrible episode though…because it is fun. When the episode begins, Kirk, Uhura, and Chekov are being beamed by the Enterprise’s transporter.

However, instead of “sparkling” from the transporter, they disappear and are transported by a fantastic force well across the galaxy. The Enterprise looks for them but doesn’t realize that the seemingly impossible has occurred and only later does Spock play a hunch and begin searching well beyond the transporter’s range…to other star systems.

They have no idea where they are but the planet’s three suns mean they are many light years from where they intended to be. They soon learn that they are to be trained as Thralls on the planet Triskelion. Thralls are gladiators trained to fight for whichever of the unseen Providers buys them.

In this episode, we see Kirk again being a Cassanova and trying to win their freedom.

From IMDB:

The look of the character Galt was modeled after Ming the Merciless, the archenemy from the Flash Gordon comic strip.

During an interview, Angelique Pettyjohn said that when she first auditioned for the role of Shahna, she admitted to the producers that she didn’t think she fit the character. When they asked why, she said the script describes her as an Amazon, but at 5’6″, Pettyjohn said she’s hardly an Amazon. The producers all laughed and said “Look, honey, next to Shatner, you’ll look like an Amazon.”

A triskelion is an ancient symbol used in Greek, Roman and Celtic cultures. It was originally three spiral but evolved into three legs, as seen in the flag of the Isle of Man. The symbol shown on the planet is a geometric version of this design.

When Joseph Ruskin saw that his costume consisted of a long black floor-length robe, he came up with the idea of walking in an extremely fluid way (known as “glide stepping” by marching bands). He thought that combined with the robe, it might make the viewer wonder if he was even a biped humanoid, or perhaps had some other means of movement.

In the remastered version, one piece of new footage was added to this episode. The establishing shot of the planet Triskelion, shown during the opening credits, now included the system’s trinary suns.

The producers interrupted filming of this episode to tell the cast and crew that the show had been cancelled. Everyone was depressed throughout the rest of production. But then fans started protesting and writing letters until NBC decided to keep it on for another season.

Joseph Ruskin (Galt) also played Tumek in Star Trek: Deep Space Nine: The House of Quark (1994) & Star Trek: Deep Space Nine: Looking for Par’Mach in All the Wrong Places (1996), Cardassian Informant in Star Trek: Deep Space Nine: Improbable Cause (1995), a Son’a officer in Star Trek: Insurrection (1998), a Vulcan master in Star Trek: Voyager: Gravity (1999) and a Suliban doctor in Star Trek: Enterprise: Broken Bow, Part 1 (2001). He has thus appeared in every Star Trek television series except Star Trek: The Next Generation (1987), although Insurrection features the TNG crew. With the exception of Majel Barrett, who has appeared in every Star Trek series, he was the only actor to appear in all four of the series in question. Furthermore, given that Barrett only provided the computer voice in Voyager and Enterprise, Ruskin was the only actor to appear on screen in all four series mentioned above. Along with Barrett, Clint Howard, Jack Donner, and Vince Deadrick, Ruskin was one of only five actors to appear in both Star Trek: The Original Series and Star Trek: Enterprise. He, Barrett and Howard also appeared in Deep Space Nine. Ruskin also worked on two Star Trek video games, lending his voice to Master Si’tann in Star Trek: Hidden Evil (1999) and to Admiral Nolotai and Vulcan Master N’Kal in Star Trek: Away Team (2001).

Angelique Pettyjohn (Shahna), real name Dorothy Lee Perrins, found that her movie career never really took off. By the early 1980s, she had developed a substance abuse and alcohol addiction. These resulted in her descent into softcore, then hard core pornographic films and striptease. Fortunately she was able to clean herself up to a degree and distance herself from porn thanks to the growing Star Trek and Sci Fi convention industry. She realized that she could make a living appearing at sci-fi conventions after the popularity of the Star Trek franchise grew, due to the release of the films. As part of her appearances, she posed for and sold two versions of a poster as her Shahna character (one in her silver costume and one where she was totally nude) as well as signing autographs and photos. However, the years of alcoholism and drug addiction finally caught up with her and probably contributed to her early death at the age of 48 (from cancer) in 1992.

The top of Lazarus’ ship from Star Trek: The Alternative Factor (1967) was recycled as the glass bubble that encases the Providers.

The original script featured Sulu. However, George Takei was unavailable due to his commitment to the movie The Green Berets (1968). The script was rewritten with Chekov taking the place of Sulu.

The original version of the script featured Kirk, Sulu, and Uhura being taken captive while traveling in a shuttlecraft. However, the production staff thought it was too similar to the Teaser of Star Trek: Metamorphosis (1967), and changed it to feature them being detained while transporting down instead.

The story of “The Gamesters of Triskelion”, relates to the Roman Empire. In ancient Rome, slaves and other captive were trained as gladiators (strictly, meaning sword-fighters but the word is used for all fighters in the arenas). They fought each other to the death in spectacles of violence and death, for the amusement and entertainment of the Roman citizens. In this episode, Kirk, Uhura, Chekov, and other alien lifeforms from across the galaxy, have been abducted and brought to Triskelion, are enslaved and trained as gladiators, and were forced to fight each other for the amusement of the Providers.

The ruins that Kirk and Shahna encounter while jogging were recycled from the planet surface in Star Trek: The Man Trap (1966).

The red stand-up collar of Galt’s costume appears to be constructed from a popular 1960s table placemat, made of tiny plastic discs embedded in a plastic sheet.

Although the unaired first pilot had shown Number One at the helm, Ensign Haines is the first woman seen at that position during Kirk’s command.

The backdrop for the Gamesters’ underground lair is a reused matte painting previously appearing in Star Trek: The Devil in the Dark (1967).

The knives are reused from Star Trek: Mirror, Mirror (1967).

The original title of this episode was “The Gamesters of Pentathalon”.

Parodied in The Simpsons: Deep Space Homer (1994).

A rare television appearance for Angelique Pettyjohn, a burlesque and hardcore adult film performer.

The “collars of obedience” are very similar to the control device placed around Dr. Zachary Smith’s neck in Lost in Space: Invaders from the Fifth Dimension (1965), aired 3 November 1965.

Scriptwriter Margaret Amen came up with the idea after having seen a re-release of Spartacus (1960) a few weeks before and used the gladiator training school scenes as inspiration.

Aside from the standard CGI replacement footage of the Enterprise, the remastered version most notably featured new effects shots of the planets Gamma II and Triskelion.

A persistent rumor is that Bea Arthur guest-starred here, using the name Jane Ross, but Arthur tried to end the confusion in 2001 when she told Television Academy Interviews that she has never guest-starred on “Star Trek” or used the name Jane Ross. But the rumor still persists, because of the physical similarities between Arthur and Ross.

This takes place in 2268.

Kirk’s conversation with Shahna is parodied in South Park: Hooked on Monkey Fonics (1999) when Kyle explains love to Rebecca in her father’s garden.

The thrall with blue makeup is identical to one of the prisoners in the season #3, “Whom Gods Destroy”.

Cameo
Bob Johnson: Johnson, voice of one of the Providers, was one of America’s most famous voices for a few years: he was the tape recorded voice that gave the Impossible Missions Force its assignments at the beginning of most episodes of Mission: Impossible (1966). Mission was filmed next door to the Star Trek set, and actors from the series would often wander over to see what was happening on the Enterprise. Johnson previously did voice work on the first Star Trek pilot, Star Trek: The Cage (1966).

Dick Crockett: stunt coordinator appears as the Andorian thrall.

Summary

Kirk, Uhura and Chekov find themselves suddenly transported light years across the galaxy to the planet Triskelion. There, they are trained as thralls, slaves who engage in gladiatorial combat for the pleasure of the Providers, three faceless beings who amuse themselves by wagering on the outcomes. Outfitted with collars that inflict pain for disobedience, the thralls are submissive and pliant. Kirk eventually challenges the Providers to a wager that will either result in freedom for all or a lifetime of slavery.

CAST

William Shatner…James T. Kirk
Leonard Nimoy…Mr. Spock
DeForest Kelley…Dr. McCoy
Joseph Ruskin…Galt
Angelique Pettyjohn…Shahna
Nichelle Nichols…Uhura
James Doohan…Scott
Steve Sandor…Lars
Walter Koenig…Chekov
Jane Ross…Tamoon
Victoria George…Ensign Jana Haines
Dick Crockett…Andorian thrall
Mickey Morton…Kloog

Star Trek – The Trouble With Tribbles

★★★★★ December 29, 1967 Season 2 Episode 15

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and David Gerrold

This could be the most famous episode of Star Trek…the one most known. A well-earned 5 Star episode for this one. They did something that the Twilight Zone never managed to do…to make a classic episode funny…and this one is.

The Enterprise responds to a priority one distress call on a space station but Kirk is far from impressed when he learns that the call was signaled by The Under Secretary for Agriculture Baris to guard some storage compartments of a new wheat hybrid. Reluctantly, Kirk agrees but only assigns two guards, giving his other available staff shore leave on the station.

The importance of the grain is brought home to him though when Starfleet commands him into action and the Klingons turn up on the station for “shore leave”. With all these pressures on him, peddler Cyrano Jones selling a strangely enchanting creature called a Tribble doesn’t even show up on his radar. Stanley Adams does a great job playing Cyrano Jones.

These Tribbles are adorable. There is only one problem with these furry creatures. They are born pregnant so you will never have just one. They soon fill the space station and soon The Enterprise. Everyone who sees them likes them…except for one race…and that would be The Klingons.

I have one request…WATCH the episode. I don’t want to write anymore and give anything else away. Some Star Trek fans say the episode is too lightweight…I disagree…it’s very entertaining and it’s nothing wrong with having an entertaining light episode. If I had to rank episodes…I would rank this 2nd behind The City On The Edge Of Tomorrow.

Deep Space 9 did an episode built around this episode. They go back in time and see Kirk, Spock, and the rest of the Enterprise when this happens. Check that one out…the effects are great…they put this crew with the Enterprise crew and it looks great.

From IMDB:

The scene in which Kirk is buried in an avalanche of tribbles took eight takes to get right. The tribbles were thrown into the hatch by members of the production crew. The crew members were not sure when to stop because they were unable to see the scene. This is why additional tribbles keep falling on Kirk one by one. William Shatner can be seen looking perplexed as to why more tribbles keep falling on him.

To create the one tribble moving on its own, the prop supervisor bought a battery powered toy dog and stripped it down to the mechanical works. Once recovered with fur including the toy legs, the prop moved on camera along the railing on the Enterprise bridge without wires or external assistance. The toy was so noisy all the dialogue in the scene had to be looped with ADR (re-recorded after shooting).

Tribbles have made subsequent appearances in numerous different versions of Star Trek, including important plot focuses in Star Trek: The Animated Series: More Tribbles, More Troubles (1973) and Star Trek: Deep Space Nine: Trials and Tribble-ations (1996), and cameo appearances in Star Trek III: The Search for Spock (1984), Star Trek Into Darkness (2013) and even Star Trek: Enterprise (2001) and Star Trek: Discovery (2017).

The noises that the tribbles make were a combination of dove coos, screech owl cries and air escaping from balloons.

During the famous “bar fight”, careful observers will note that while tables are broken, all the chairs remain intact. The tables were studio property: the chairs were rented, and if damaged would have to be paid for.

William Shatner recalled the great enjoyment all the cast had filming this episode. He noted, “The trouble we had with ‘Tribbles’ was [to] keep your straight face. It was just a lot of fun.”

Writer David Gerrold tried to pitch a sequel to this episode during the third season. But producer Fred Freiberger rejected it because he did not like the comedic tone of this episode. Gerrold’s idea eventually became an animated spin-off, Star Trek: The Animated Series: More Tribbles, More Troubles (1973).

When Dr. McCoy figures out that the Tribbles are in a perpetual state of being pregnant, this marks one of the very first instances on American TV of the use of that word. Just 15 years earlier, Desilu Productions, the original company behind “Star Trek”, was forbidden from using that word during I Love Lucy: Lucy Is Enceinte (1952), so the word “expecting” was used instead.

The pile of Tribbles near the end was actually created by gluing Tribble props around a large wire frame which William Shatner then stood in the middle of to give the illusion of mass numbers. In reality, there were only five hundred Tribbles made. This is obvious when you look at how the Tribbles are piled up, and none have landed on the floor at Spock’s feet.

James Doohan insisted on doing his own stunts in the barroom brawl.

In some scenes (and if you watch in high definition), a coffee stain is clearly visible on Spock’s velour shirt. Leonard Nimoy spilled his cup of coffee during lunch and there were no other costumes available for him.

William Campbell (Koloth) recalled that, after this episode was aired, his neighbour’s son consequently addressed his wife as “Mrs. Klingon”.

George Takei does not appear in this episode. For much of the second season, he was filming The Green Berets (1968). Many scenes written for Sulu were switched over to Chekov.

According to David Gerrold’s ‘The World of Star Trek’, Tribbles would be around the set for some time afterward, allowing for occurrences such as what was mentioned earlier or popping up in various other places as well for some months after the production of the episode.

This episode was nominated for a Hugo Award for Best Dramatic Presentation at the 1968 Science Fiction Convention.

According to Michael Okuda and Denise Okuda’s text commentary on this episode for the second season DVD set, the last fresh footage of the Enterprise was done for this episode. In every episode to follow, the shots of the ship were all stock footage.

The inspiration for the design of the tribbles came from a fluffy keyring.

At 37:10, you can get a rare glimpse of James Doohan’s missing finger as Scotty brings in an armful of Tribbies. Doohan lost it when he was wounded fighting with the Canadian forces on D-Day June 6, 1944.

The line in which Spock says that Kirk heard what Baris said, but could not believe his ears, was lifted directly from a Mad Magazine spoof of Star Trek (titled Star Blecch) that had just been published.

Captain Koloth pronounces his race, “Clingans”. As in Wilbur Clingan, Gene Roddenberry’s inspiration for the Klingons.

William Schallert appeared at one of the earliest Star Trek conventions, finding it rewarding and also confusing. Schallert recalled encountering many fans in person, who would react by calling and addressing him as Nilz Barris, and at the time he had completely forgotten the name of the character he played.

This is the first time in the series the Klingon language is mentioned. It is called “Klingonese” in the script and the DVD-subtitles. However, because actor Michael Pataki began to laugh at the end of the word, and cut himself off before finishing his consonants, the word is heard as “Klingonee”. It is spelled “Klingoni” in the Netflix subtitles.

In his first meeting with the Klingon commander, Koloth cites authority to shore leave rights as authorized by the Organian Treaty. This occurred in Star Trek: Errand of Mercy (1967) when the Organians prevented a war between the Federation and the Klingon Empire. The Treaty of Organia dictates interactions between the two sides to prevent another chance of war.

The bar set, including the bartender’s costume, is recycled from Star Trek: Court Martial (1967), with slight modifications, mostly in decoration.

Writer David Gerrold intended to play the crewman who is with Scott and Chekov when the barroom brawl breaks out, but the role went to stuntman Paul Baxley instead.

Despite this episode’s popularity, producer Robert H. Justman wrote in his book “Inside Star Trek: The Real Story” that he never liked this episode. Justman felt that the humor was too over-the-top and the show became a parody of itself.

Initially Leonard Nimoy was not a fan of the episode as he felt it to be frivolous. Its deepening reputation as one of the classics of The Original Series as the years went on helped him change his mind.

In David Gerrold’s book “The Trouble with Tribbles”, he quoted a memo he wrote when the show was being prepared suggesting that the character of Cyrano Jones be changed from an unscrupulous trader to an old man who was too befuddled to realize what he was doing by importing Tribbles into a space station and on a star ship. “What a role for Boris Karloff,” Gerrold wrote in his memo. In the book, Gerrold expressed regret he didn’t pursue this idea further because it would have gotten the legendary Karloff onto Star Trek.

William Campbell makes his second appearance as an alien. His first was as Trelane in “The Squire of Gothos”, and this role as the Klingon Captain Koloth. The role of Koloth was intended as a recurring character, but the next time a Klingon was needed, Campbell was unavailable and a different character and actor was cast.

The storyline greatly resembles one subplot in ‘The Rolling Stones’, a 1952 novel by Robert A. Heinlein. Gene Roddenberry and Heinlein made an undisclosed copyright agreement before The Trouble With Tribbles aired. Heinlein conceded to David Gerrold that both he and Gerrold possibly “owed something to Ellis Parker Butler”, author of the short story ‘Pigs is Pigs’ (According to Bjo Trimble, this episode is based upon said short story, ‘Pigs Is Pigs’, although Gerrold’s first-hand account only acknowledges the similarities but does not specifically cite the short story as “the basis” for this episode, and, as the author, he should know). See also Star Trek: Charlie X (1966) and Star Trek: Operation — Annihilate! (1967), which have strong Heinlein similarities.

This is listed as one of the “Ten Essential Episodes” of TOS in the 2008 reference book “Star Trek 101” by Paula M. Block and Terry J. Erdmann.

The producers of the Remastered Edition insist to everyone that all shots of the station and ships are brand-new and not reused from Star Trek: Deep Space Nine: Trials and Tribble-ations (1996) as had been rumored. Comparisons reveal that no space shots were reused.

William Campbell returned to the role of Koloth 27 years later in Star Trek: Deep Space Nine: Blood Oath (1994).

Spock’s estimate of the tribble population (1,771,561) is mathematically accurate, given the explanation: “That’s assuming one tribble, multiplying with an average litter of 10, producing a new generation every 12 hours over a period of three days.” The population growth, counting by 12-hour intervals, would go from 1 tribble to 11; 121; 1,331; 14,641; 161,051; 1,771,561. It also assumes that tribbles have a life expectancy of at least 3 days, which is possible but not certain; a relatively short life expectancy would tally with their high metabolism, growth rate, and “multiplicative proclivities.”

On the DVD commentary for Star Trek: The Animated Series: More Tribbles, More Troubles (1973), David Gerrold, shares a story of meeting a fan visiting the Filmation Associates facility who strongly urged him to write a sequel to the original Trouble with Tribbles. He said despite telling the fan three times he had already done so and it “was in production,” the fan continued to pitch his ideas for the sequel. After the animated sequel aired, he got a letter forwarded by NBC, from that same fan, saying he wasn’t asking for money only “asking for some of the credit.” Gerrold wrote back to him, telling him “asking for half the credit is asking for half the money,” and telling the fan that he didn’t hear him say he had already written it. He explained further to the fan that this is the reason why people in the industry, especially writers, try to avoid talking to fans and amateurs because if anything even just similar is later produced, it would be deemed as “stolen.”

In the bar set, recycled from Star Trek: Court Martial (1967), many tribbles were made out of carpet as background. Most visible versions were made from off-cuts from fur garments, as revealed in the book to accompany episode. The tribbles that move had mechanical toys placed inside them.

When Kirk remarks to both Uhura and Chekov that they didn’t waste any time taking shore leave, Uhura replies, “And how often do I take shore leave?” Star Trek: Shore Leave (1966), another episode with a comedic tone, premiered exactly one year earlier. Although Uhura was in that episode, she spent it, at least onscreen, aboard the Enterprise instead of the amusement planet where some of the other crewmembers were taking shore leave.

Summary

Having received a Priority One distress call from an outlying space station, the Enterprise arrives to find they have been summoned there by a Federation commissioner merely to protect a shipment of seeds meant to sow wheat on Sherman’s planet. The planet is also coveted by the Klingons, who are taking shore leave at the station. The trouble arises with tribbles – small furry creatures that seem to multiply without end. However, their fortuitous presence reveals both a problem with the wheat and a traitor on the space station.

CAST

William Shatner…James T. Kirk
Leonard Nimoy…Mr. Spock
DeForest Kelley…Dr. McCoy
William Schallert…Nilz Baris
William Campbell…Koloth
Stanley Adams…Cyrano Jones
Whit Bissell…Lurry
James Doohan…Scott
Nichelle Nichols…Uhura
Michael Pataki…Korax
Ed Reimers…Admiral Fitzpatrick
Walter Koenig…Chekov
Charlie Brill…Arne Darvin
Paul Baxley…Freeman
David L. Ross…Guard
Guy Raymond…K-7 Bartender

My Favorite 20th Century James Bond Movies…

I love James Bond movies. I’ve watched a few of the new ones, but they mostly miss an essential ingredient of why I like James Bond. The gadgets…I love the gadgets and they are few and far between in the new movies…so my favorites will be the 20th-century movies. I have watched the new ones…but not enough to rank them. I do like them like Skyfall and others. I just know the older ones better…and would that surprise any of my readers? Plus…to me…Sean Connery has never been topped.

I’m not going into big detail…but what I remember the most about them.

What are your favorites?

10. Live and Let Die (1974)

This was Roger Moore’s debut in the role. It does have a Blaxploitation movie feel to it because of when it was made…and a killer theme song. I love the speedboat chases of this one.

9. Diamonds Are Forever (1971)

This is one that Connery came back after being absent in On Her Majesty’s Secret Service. Not as good as his 1960’s Bond films but as always…a fun movie to watch.

8. Thunderball (1965)

Not as good as the top 3 of this list but the lavish sets work. I also love the Astin Martin with the bullet shield. The jetpack is pretty cool also.

7. The Living Daylights (1987)

Timothy Dalton played Bond in an intense way and it worked. I like Dalton’s Bond. He was a little more serious and it worked great.

6. On Her Majesty’s Secret Service (1969)

George Lazenby’s one-shot at James Bond was great. I’m sure his agent was fired after telling him one was enough…he would be typecast. What a dumb decision that was! Good one where James Bond gets married.

5. You Only Live Twice (1967)

I loved the small one-man helicopter named “Little Nellie” in this one. Connery was a badass in this one. I also like the giant lair of Blofeld.

4. The Spy Who Loved Me (1977)

For me, this was Roger Moore’s best Bond movie. You see a young Barbara Bach who would marry Ringo Starr a little later on. The opening squence may be my favorite of any of them.

3. From Russia With Love (1963)

This one could have been number 1 easily also with me. The top 3 are hard to beat. This one is a little longer but never gets boring.

2. Goldfinger (1964)

Goldfinger is usually on top of every list I’ve seen and it could have been on this one also but Ursula Andress tipped the scales for…

1. Dr. No (1962)

In 1962…I can’t imagine the impact Ursula Andress walking out of the water must have had on audiences. It is burned into my brain. I would love to live where Doctor No did.

Star Trek – Wolf In The Fold

★★★★ December 22, 1967 Season 2 Episode 14

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and Robert Bloch

This episode put some of the spotlight on Scotty. Scotty was key to the Enterprise’s survival. Kirk knew just how much he could push the limits of the Enterprise with Scotty at his disposal. You could say in many ways he was just as important as Spock, Kirk, or Bones with his jobs. Without Scotty performing miracles on the engines…they could not travel.

In this episode, Scotty’s integrity is put on the line. He takes a walk with a space belly dancer and suddenly finds himself over her dead body with a knife. Is Scotty the culprit? Is Scotty in fact the criminal which the Argelians seek? And then when trying to track his last 24 hours…a crew member running tests on Scotty is found…you guessed it…dead with Scotty right beside her again.

We then have a trial that uncovers an entity that has been masquerading as Hengist feeding on fear. I have to wonder if Stephen King was influenced by this episode somewhere. The novel IT has a monster (Pennywise) that feeds on fear…with many similarities with this episode.

A good mystery episode with Jack The Ripper being brought up. When the first woman was killed you saw a lot of fog like in London in the Ripper’s time. Jack The Ripper had been dead for hundreds of years…it couldn’t be him right?

From IMDB:

For most of Star Trek, James Doohan (“Scotty”) hides his right hand, which was missing the middle finger due to a WWII D-Day injury. While being questioned with his hand resting on the lie detector scanner, his fingers are hidden by being curled around the edge of the plate. During a close-up shot of the machine reacting to an intentional lie being told, a five-digit hand spread across the plate is seen – that of a stunt double. Doohan later wrote about it in his autobiography and said this was one of his favorite episodes.

This episode was made around the time that Leonard Nimoy earned an Emmy nomination for his portrayal of Mr Spock. William Shatner has admitted that this put his nose out of joint considerably, leading to tensions between the two actors, so this episode was a conscious effort on the part of the writers to sideline Nimoy and give Shatner center stage. (After the series finished, these animosities were put aside and the two remained lifelong friends up until a few years before Nimoy died in 2015.)

Robert Bloch originally wrote that Kirk, Scotty, and Bones having drinks which had colored layers. Their moods would change as they drank each layer. This idea was dropped as being too complicated of a special effect. Network censors were concerned that it would appear that they were using drugs. The producers argued against this but were unable to use the drinks anyway.

This is one of the very few episodes of the second season to feature music composed by Alexander Courage (mainly because of the feud between Courage and Gene Roddenberry, and his resulting withdrawal from the series).

A large number of costumes in the Argelius bar scene are reused from previous episodes. Some of the extras in the bar are wearing turtleneck uniforms from Star Trek: The Cage (1966) and Star Trek: Where No Man Has Gone Before (1966). Two extras in the bar (one of them later seen on the foggy street) are wearing the silver cadet uniforms made for the Finnegan character from Star Trek: Shore Leave (1966). Also, one bar patron (played by regular background performer Joseph Paz) is wearing Commissioner Ferris’ costume from Star Trek: The Galileo Seven (1967), and another is wearing a colonist jumpsuit recycled from Star Trek: The Devil in the Dark (1967).

According to Tanya Lemani, the makeup for Kara was initially much more elaborate. Lemani recalled, “They sent me to the makeup department because they wanted to do something extravagant with my look. The first day, they put feathers of different colours all over my face – on my eyelashes, my eyelids, my nose. Then they took me to the director, Joe Pevney, and he said, ‘No. No. Less!’ The makeup people kept trying to match his vision for four days, with less and less feathers and fewer colours each time, but Joe kept saying, ‘No.’ Finally, on the fifth day, I came in with no makeup and he said, ‘That’s it. That’s what I want to see – her face.” Lemani did her own belly dance choreography for the scene, but due to censorship concerns, had to cover her navel with a jewelled flower.

In Star Trek: The Next Generation: Relics (1992), an older Scotty remembers the events of “Wolf in the Fold” as “a wee bit of trouble.”

Clocking in at approximately 15 minutes and 30 seconds, the courtroom hearing that constitutes virtually the third act of the episode appears to be the longest uninterrupted scene, confined to a single setting, in the original series.

This is the first episode of the second season to completely utilize stock music, largely from Gerald Fried’s scores for Star Trek: Catspaw (1967) and Star Trek: Friday’s Child (1967). Fried’s Finnegan jig from Star Trek: Shore Leave (1966) can also be heard.

This is the first time where Scott’s first name is given as Montgomery. It is next spoken in Star Trek: Is There in Truth No Beauty? (1968) where he introduces himself to Marvick.

In the late 1980s, the pop band Information Society sampled Scotty’s line, “Let’s go see”, in their song “Walking Away”.

A few months after Wolf in the Fold was broadcast, guest star John Fiedler took on the voice of Piglet in Winnie the Pooh and the Blustery Day (1968). He was to reprise the role on several occasions, making it one of his most enduring roles.

This is one of two TOS episodes that prominently feature Scott. The other episode is Star Trek: The Lights of Zetar (1969).

Uhura and Chekov do not appear in this episode.

Robert Bloch’s third and final contribution to the series.

This takes place in 2267.

On the 1993 album “Zoo Rave, Vol 2”, the house/techno/rave artist John Greczula (aka Texas Audio) sampled Kirk’s lines, “You were a musician at the cafe. You played for the murdered girl”, and Tark’s responses, “Since she was a little girl she danced for me” and “The man who did it must be found”, in his rave song, “Mystery Cafe.”

William Shatner and Joseph Bernard previously appeared together in Judgment at Nuremberg (1961).

Kara’s dance music was from the pilot show “The Cage”, when Vina is dancing as an Orion slave girl in the cabaret scene.

James Doohan, who was single at the time, stated in his autobiography that he dated Tanya Lemani (Kara) a few times after filming for this episode wrapped.

Summary

While on shore leave on the planet Argelius II with Dr. McCoy and Captain Kirk, Chief Engineer Scott finds himself accused of murdering an exotic dancer he met in a nightclub. He has no recollection of the incident but is found standing over the girl with a bloody knife in his hand. For Mr. Hengist, the chief administrator, the case is cut and dried, but Jaris, the planet’s leader, suggests that his wife chair a séance to identify the killer. Tragedy strikes again, still pointing to Mr. Scott as the culprit. Kirk suggests they retire to the Enterprise where they can use its computers to determine if Scott is lying and who the real culprit may be.

CAST

William Shatner…Capt. Kirk
Leonard Nimoy…Mr. Spock
DeForest Kelley…Dr. McCoy
John Fiedler…Hengist
Charles Macauley…Jaris
Pilar Seurat…Sybo
James Doohan…Scott
George Takei…Sulu
Charles Dierkop…Morla
Joseph Bernard…Tark
Tania Lemani…Kara
John Winston…Transporter Chief
Virginia Aldridge…Karen Tracy
Judy McConnell…Yeoman Tankris
Judi Sherven…Nurse
Majel Barrett…Computer Voice
William Blackburn…Hadley
Marlys Burdette…Serving Girl #1
John Fiedler…Redjac (voice)
Steve Hershon…operations officer
Suzanne Lodge…Serving Girl #3
Eddie Paskey…Leslie
Gary Wright…Starfleet cadet

Santana – Black Magic Woman ….Under The Covers Tuesday

This song was not written by guitarist Carlos Santana but by the great guitarist for Fleetwood Mac. No not Lindsey Buckingham or Bob Welch…but the great blues guitarist Peter Green. I have to admit I like both versions about the same. Two legendary guitar players make this song come alive. I always thought Santana wrote it until a few years ago.

This song was Santana’s first single from their second album Abraxas. The album was released in 1970. It was a year after their acclaimed appearance at Woodstock. That performance launched Santana into national fame. When Carlos Santana played Woodstock, he had yet not released an album. He was one of the most unknown artists. Basically, his manager, Bill Graham, forced the band’s way onto the bill. A couple of weeks later, riding the great press from his Woodstock performance, Santana released “Black Magic Woman” and the rest is history.

Peter Green made friends with an occult group that dabbled in black magic. In turn, they turned Green on to acid which untimely destroyed him. He left Fleetwood Mac a couple of years after that. Green was probably happy that Santana covered this song. Green was convinced to give all of his money away. The royalties from this song helped him later on to live. He ended up taking jobs wherever he could find work, including one as a grave digger.

Fleetwood Mac’s version peaked at #37 in the UK charts in 1968. It was a non-album single. It later appeared on the band’s 1969 compilation album, The Pious Bird of Good Omen. Fleetwood Mac played the song on their last tour with Stevie Nicks singing it from a woman’s point of view. It just didn’t have the power that the original band did.

Santana’s version peaked at #4 on the Billboard 100 and #4 in Canada in 1970-71.

Christine McVie: “Something snapped in him, he dropped this fatal tab of acid and withdrew. He still has this amazing power, but it’s negative. You don’t want him around. We’ve all cried a lot of tears over Peter. We’ve all spent so much time and energy talking him into more positive channels. He’ll just sit there and laugh. ‘FUCK IT . . .’”

Santana: “I used to go to see the original Fleetwood Mac, and they used to kill me, just knock me out, to me, they were the best blues band.”

Mick Fleetwood: “Three minutes of sustain/reverb guitar with two exquisite solos from Peter.”

Santana AND Green

Black Magic Woman

Got a black magic woman
Got a black magic woman
I’ve got a black magic woman
Got me so blind I can’t see
That she’s a black magic woman
She’s trying to make a devil out of me

Don’t turn your back on me, baby
Don’t turn your back on me, baby
Yes, don’t turn your back on me, baby
Stop messing ’round with your tricks
Don’t turn your back on me, baby
You just might pick up my magic sticks

You got your spell on me, baby
You got your spell on me, baby
Yes, you got your spell on me, baby
Turnin’ my heart into stone
I need you so bad
Magic woman I can’t leave you alone

Star Trek – Obsession

★★★★ December 15, 1967 Season 2 Episode 13

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and Art Wallace

As a young officer on the USS Farragut James T. Kirk encountered a strange creature and was lucky to live to tell the tale. Reminding him of that fact is a new crew member assigned to the Enterprise, the son of the late commander of the Farragut played by Stephen Brooks. It’s with some mixed emotions that William Shatner deals with Brooks.

The monster is an intelligent gas, made of an element that’s not supposed to exist naturally, and that’s able to transform itself as a means of camouflage.

Complicating things is the fact that the Enterprise is on a critical rescue mission already when Shatner commits his vessel to fight the creature. Something that for once Leonard Nimoy and DeForest Kelley are in agreement on (they agree he shouldn’t fight it) and question Shatner’s judgment. As the title suggests…he is obsessing over this creature instead of the critical mission the Enterprise is on.

This is a good episode although there was no prior hint that Kirk was the sort of man who would be recklessly obsessive yet here we are expected to believe that he would abandon an urgent mission without even contacting Star Fleet about the entity. All in all we learn more of Kirk’s character in this one.

Ralph Senensky’s direction keeps this classic Shatner episode tight, exciting, and well-shot.

From IMDB:

The ship which Kirk served on for his first deep space mission is disclosed to be the USS Farragut, and was named after David Glasgow Farragut, a flag officer of the United States Navy during the American Civil War. He was the first rear admiral, vice-admiral, and admiral in the United States Navy and is credited for uttering the phrase, “Damn the torpedoes, full speed ahead!”*, disregarding all danger while charging into enemy waters off the Alabama Coast. -This is an abridged version. He said “Damn the torpedoes. Four bells, Captain Drayton, go ahead. Jouett, full speed.”*

Second episode in a row in which Captain Kirk’s capacity of command is questioned.

This episode establishes the fact that Vulcan blood is copper-based, unlike human blood which is iron-based.

Only time in the series where phasers are said to have a disruptor setting.

“Obsession” is a “startrekified” version of Herman Melville’s Moby Dick, a seminal American novel first published in 1851. Captain Kirk of the Enterprise is Captain Ahab of the Pequod and the Gaseous Creature is the White Whale.

The only episode to have a security guard as the central story.

The unseen ship, the USS Yorktown, recalls the name of the ship in Gene Roddenberry’s original story concept he pitched to the networks in 1964, the SS Yorktown commanded by Robert April. The concept evolved to the USS Enterprise commanded by Christopher Pike in Star Trek: The Cage (1966), then James T. Kirk.

Filming took place during the Jewish holiday of Yom Kippur. Director Ralph Senensky was an observant Jew and left the set at sundown. Producer John Meredyth Lucas took his place. Lucas went on to officially direct three episodes of this series.

In an effect unique in the series, the phaser beam that Garrovick fires at the creature is outlined with a dark border.

Dikironium, of which the cloud creature is made, is an element with symbol Dk, has an atomic number of 112, and an atomic weight of 300. It was first discovered on the planet Vulcan. Element 112 was not discovered/produce until 1996 and was named Copernicium. Its atomic weight (technically, atomic mass) is 285.

This takes place in 2268.

In the medical records library between Spock and McCoy, there is a large object which looks like a vertical DVD rack. The same large object was in Harry Mudd’s laboratory in Star Trek: I, Mudd (1967).

Vocalization in the opening theme song is less prominent behind the instrumental than previously since vocalization began in Season 2.

Hikaru Sulu does not appear in this episode.

Director Ralph Senensky has said, having worked with actor Stephen Brooks on many previous occasions and liked him, that he specifically asked for Stephen Brooks for this show.

Summary

Captain Kirk is haunted by a creature from his past when conducting a mining survey on a planet. He first encountered it as a lieutenant aboard the U.S.S. Farragut and blames himself for freezing in a moment of crisis, causing the death of many crewmen. The creature is a cloud-like, gaseous being that lives on the red blood cells found in humans. Obsessed by his desire for revenge and to erase the memory of 11 years ago, he pursues the creature relentlessly, putting in jeopardy an assignment to collect essential medical supplies.

CAST

William Shatner…Capt. Kirk
Leonard Nimoy…Mr. Spock
DeForest Kelley…Dr. McCoy
Stephen Brooks…Ensign Garrovick
James Doohan…Scott
Nichelle Nichols…Uhura
Jerry Ayres…Rizzo
Majel Barrett…Nurse Chapel
Walter Koenig…Chekov
William Blackburn…Hadley
John Blower…Swenson
Frank da Vinci…Vinci
Steve Hershon…operations officer
Jeannie Malone…Yeoman
Eddie Paskey…Leslie
Basil Poledouris…Bardoli

Star Trek – The Deadly Years

★★★★1/2 December 8, 1967 Season 2 Episode 12

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and David P. Harmon

Another favorite of mine in the 2nd season. Some of the crew starts growing old…really quick.

When an away team goes for a routine visit to a scientific outpost they are shocked to discover the personnel are dead or dying, apparently of old age, despite none of them being old.

Back on the Enterprise, it isn’t long before members of the away team, with the exception of Chekov, start aging. At first, the signs are subtle; Kirk gives the same order twice and instructs Uhura to contact Star Fleet using a code that has already been cracked by the Romulans. It isn’t long before more obvious signs of aging show and if they don’t discover the cause and a remedy quickly most of the senior staff will be dead within days.

As time progresses Kirk’s ability to command comes into question and Commodore Stocker, who was being transported to a nearby star base, assumes command despite never serving on a starship before. This almost leads to disaster when he orders the Enterprise to head directly to the star base even though that course takes them through the Romulan neutral zone.

After that, the Romulans of course are after The Enterprise. With Kirk and Spock old…it doesn’t look like they will get out of this trouble with the Romulans.

Here is a comparison of William Shatner…a Hollywood 80-year-old or so…and the real Shatner around 80-85 years old at the time of the picture.

From IMDB:

The cast wore oversized versions of their costumes as their characters aged in order to give the impression that they were shrinking.

William Shatner resisted looking too old as Captain Kirk aged. This is why at first the aging Kirk’s hairline is receding but later his hair is more full.

Having been born on July 16, 1882, Felix Locher (Robert Johnson) is the earliest born actor to appear in any “Star Trek” episode or film, at 85 years of age.

Kirk’s age (34) is established in this episode. William Shatner was 36.

Around this mid-season shoot, rumors started to circulate that Star Trek was going to be canceled. One of the show’s most ardent fans, Bjo Trimble, created a mailing list, urging everyone on it to write to the network pleading for the show’s survival. The ploy worked.

In “The World of Star Trek”, William Shatner relates that he endured an excruciating make-up session for this episode – all for nothing, because the shooting day was just about to end. The producers caught his exasperation in an infamous blooper, wherein he declares, “Robert H. Justman, I’m going home now, after spending three hours putting this [expletive deleted] make-up back on – and it’s your fault!”

Kirk reuses the scam involving the “corbomite” device, which he first described in Star Trek: The Corbomite Maneuver (1966). Although Chekov was not on the bridge on that occasion, he obviously heard the story from someone, as he and Sulu exchange knowing looks when Kirk mentions the word.

According to Walter Koenig, a close-up shot of his eyes was filmed as Chekov sees the dead body. Unfortunately, Koenig kept blinking during the shot and it took fifteen takes to get it right. However, the shot was deleted from the episode.

Lieutenant Uhura was originally supposed to be one of the landing party that starts to age but Gene Roddenberry refused to allow this on the grounds that it would make her unattractive. In Star Trek: And the Children Shall Lead (1968), Uhura had a rapid-aging scene.

This is the first time McCoy is aged using makeup in order to look much older than he is. The second time is in Star Trek: The Next Generation: Encounter at Farpoint (1987). Both versions look very similar.

Each crew member displays different symptoms of aging: Captain Kirk suffers from short-term memory loss and arthritis, Spock becomes hypersensitive to temperature changes, McCoy becomes more moody and irritable, Galway suffers from hearing loss, and Scotty finds that he is always tired.

Normally, make-up artist Fred B. Phillips would have been given a month to come up with the latex prosthetics to age his cast. Instead, he was given 10 days. Philips was able to get round the problem by drafting a whole troupe of make-up artists to assist him.

William Shatner reportedly threatened producer Robert H. Justman with bodily harm after enduring the three hour old-age makeup process for no reason. “Who’s afraid of such a wrinkled, feeble old coot!” scoffed Justman. Nevertheless, Justman kept his office door locked until shooting was finished.

When Spock questions Uhura during the competency hearing, he twice clearly refers to Uhura’s having signed her initials (note the plural) on a document. Lt. Uhura was never given a first name during the entire run of the series, which at the time lead some to believe she may have only had the single name “Uhura”. However, this episode established that, due to having more than one initial, she must also have had a name other than “Uhura”.

Dr. Wallace’s costume was made from drapes.

In the first scene, the landing party beams down to the planet surface in front of two buildings. The first one has a curved exterior with alternating raised light blue panels and sunken white panels with no “ribs”, but the second one has a similar curved exterior with “ribs” clearly protruding from the roof. This second building is a repurposing of the structure used as the home for Zefram Cochran in Star Trek: Metamorphosis (1967).

McCoy’s Southern dialect grows noticeably thicker as he ages.

The last shot of the episode is reused from Star Trek: Amok Time (1967). Note the wig there on Chekov, which he didn’t have on for the entire episode.

The proximity of the Gamma Hydra sector to the Romulan Neutral Zone is repeated in the opening scene of Star Trek II: The Wrath of Khan (1982), when the Enterprise supposedly violates the zone while patrolling near the sector. However, in the movie it’s the Klingons who attack.

If one goes by production order, this is the first episode in which Vulcans are mentioned to have a longer lifespan than humans. If one goes by airdate order, that title goes to Star Trek: Journey to Babel (1967).

The end credits include a make-up test shot of Bill Blackburn as a Tellarite.

Except for Checkov, the pronounced aging effects of each of the landing party are as follows: McCoy – Crankiness, somewhat difficulty enunciating words. Kirk – Memory loss, arthritis, stiffness. Scotty – Fatigue. (Duaring the competency hearing he just sits quietly and withdrawn.) Galway – Hearing loss, fast metabolism caused rapid aging and death. Spock – Sensitivity to cold, easily fatigued, failing eyesight, difficulty concentrating.

Areel Shaw’s line from Star Trek: Court Martial (1967) about how long it has been since she’s seen Kirk is recycled by Janet Wallace in this segment.

Kirk’s return to normal age was filmed differently from the version seen in the aired show. It was originally planned to have him take the antidote and, accompanied by a still-aged Spock, return to normal slowly on his way to the bridge. For unknown reasons, this scene was eliminated and just his lower body was filmed showing him writhing after the antidote was administered.

Summary

Rapid aging afflicts all six colonists on Gamma Hydra IV and five members of Kirk’s six-man landing party – all but Chekov. With the Neutral Zone so close, suspicion falls on the Romulans testing a new weapon, but is it? With time running out, answers are elusive. As Kirk’s memory progressively deteriorates, regulations necessitate a competency hearing no one wants – the outcome of which may eventually lead the Enterprise to its destruction with all aboard.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
DeForest Kelley … Doctor Leonard ‘Bones’ McCoy
James Doohan … Lieutenant Commander Montgomery ‘Scotty’ Scott
Nichelle Nichols … Lieutenant Nyota Uhura
George Takei … Lieutenant Hikaru Sulu
Majel Barrett … Nurse Christine Chapel
Charles Drake – Commodore Stocker
Carolyn Nelson – Yeoman Atkins
Sarah Marshall – Dr. Janet Wallace
Laura Wood – Elaine Johnson
Felix Maurice Locher – Robert Johnson
Beverly Washburn – Lt. Arlene Galway
Roger Holloway – Lt. Lemli
Eddie Paskey – Lt. Leslie
Frank Da Vinci – Lt. Brent

Band – King Harvest (Has Surely Come) ….Canadian Week

Power Pop Friday will be back next week. Thank you for tuning in this week as we talked about these great Canadian artists…I’ve had a blast with them. There is one band that I didn’t get to cover because I ran out of days…well actually more…but Blue Rodeo will be coming up soon on a Friday.

The Band is my favorite Canadian export. Well, I will say Canadian although one member…Levon Helm was from Arkansas but the rest are Canadians. CB mentioned this song not long ago so I used it after listening to it again. It is quite a complex song. I can’t believe I’ve never posted it but better late than never.

The Band was so rootsy… They had it all – rawness, competence, sublimity, experience, originality, and roots. The five different instruments were not five different instruments…they were one. In the liner notes to one of their greatest hits it states… the music is unusually complex, making use of odd verse patterns and tricky rhythmic suspensions and modifying the natural sounds of instruments for various calculated effects. But because of the way the record sounds, none of this calls attention to itself…it sounds effortless.

Robertson said he’d been immersed in the novels of John Steinbeck at this time. I’ve read where The Grapes of Wrath is a big influence on this song. Rock critic Greil Marcus has written that King Harvest might be the finest song that Robertson has ever written. The song is told from the point of view of a poverty-stricken farmer- detailing everything that has happened to his farm- then a union organizer appears and makes promises that things will soon improve.

Richard Manuel is the singer of King Harvest. King Harvest is a great finishing track to one of the greatest albums ever made. The album was their second album called The Band (The Brown Album). The album peaked at #2 in Canada, #9 on the Billboard 100 in 1970. This is their highest-charting album in their home country.

The song is credited solely to guitarist Robbie Robertson, although drummer-singer Levon Helm claimed that “King Harvest” was a group effort. It’s been covered by Blue Rodeo, Bruce Hornsby, and many more.

Robbie Robertson: “It’s just a kind of character study in a time period. At the beginning, when the unions came in, they were a saving grace, a way of fighting the big money people, and they affected everybody from the people that worked in the big cities all the way around to the farm people. It’s ironic now, because now so much of it is like gangsters, assassinations, power, greed, insanity. I just thought it was incredible how it started and how it ended up.”

Robbie Robertson: In the story to me, it’s another piece I remember from my youth, that people looking forward, people out there in the country somewhere, in a place … we all know it, may have been there, may have not … but there’s a lot of people that the idea of come Autumn, come Fall, that’s when life begins. It is not the Springtime where we kinda think it begins. It is the Fall, because the harvests come in.

Levon Helm: Some of the lyrics came out of a discussion we had one night about the times we’d seen and all had in common. It was an expression of feeling that came from five people. The group wanted to do one song that took in everything we could muster about life at that moment in time. It was the last thing we cut in California, and it was that magical feeling of ‘King Harvest’ that pulled us through. It was like, there, that’s The Band.

King Harvest (Has Surely Come)

Corn in the fields
Listen to the rice when the wind blows ‘cross the water
King Harvest has surely come

I work for the union ’cause she’s so good to me
And I’m bound to come out on top
That’s where she said I should be
I will hear every word the boss may say
For he’s the one who hands me down my pay
Looks like this time I’m gonna get to stay
I’m a union man, now, all the way

The smell of the leaves
From the magnolia trees in the meadow
King Harvest has surely come

Dry summer, then comes fall
Which I depend on most of all
Hey, rainmaker, can’t you hear the call?
Please let these crops grow tall

Long enough I’ve been up on Skid Row
And it’s plain to see, I’ve nothing to show
I’m glad to pay those union dues
Just don’t judge me by my shoes

Scarecrow and a yellow moon
And pretty soon a carnival on the edge of town
King Harvest has surely come

Last year, this time, wasn’t no joke
My whole barn went up in smoke
Our horse Jethro, well he went mad
And I can’t remember things bein’ that bad

Then there comes a man with a paper and a pen
Tellin’ us our hard times are about to end
And then, if they don’t give us what we like
He said, “men, that’s when you gotta go on strike”

Corn in the fields
Listen to the rice when the wind blows ‘cross the water
King Harvest has surely come

Star Trek – Friday’s Child

★★★ December 1, 1967 Season 2 Episode 11

If you want to see where we are…and you missed a few…HERE is a list of the episodes in my index located at the top of my blog.

This show was written by Gene Roddenberry and D.C. Fontana

The main thing I noticed when I watched this episode is Julie Newmar as Eleen. I never missed her on Batman.

Once again the crew of the Enterprise are in negotiations for an alien planet’s mineral rights… McCoy has been there before and cautions the captain about the importance of not breaching local etiquette; infringements can mean death. These aliens, the Capellans are intelligent but not advanced; fighting with swords and throwing weapons. The landing party, consisting of Kirk, Spock, McCoy and security are shocked to discover a Klingon is already there; leading to the red-shirt drawing his weapon and being killed.

The leader of the Capellans is keen to negotiate but his underling thinks they should deal with the Klingons as they offer military items and fights for the leadership. With the old leader dead his pregnant wife is expected to die but McCoy attempts to save her and the away team flees to the hills with her. Here Kirk and Spock must prepare to fight without use of their phasers while McCoy helps deliver the baby. Meanwhile, the Enterprise, commanded by Scotty, has been called away by a distress call, apparently from a freighter under attack from Klingons.

It was a strong episode for Scotty. Faced with the decision to rescue the crew that was on the planet from Capella or answer a distress call from an unarmed freighter, Scotty stays consistent with Federation duty and leaves orbit to help the ship under attack. Turns out it was a Klingon ruse, but no harm was done. Doctor McCoy also has some good scenes with Eleen and her new born baby.

Not one of my favorites but a decent episode.

From IMDB:

This is the only episode in which Uhura and Sulu call Scotty by his nickname. Otherwise, they call him “Mr. Scott”.

For his first four appearances in the series, including this episode, Walter Koenig wore a The Monkees (1965)-style wig, which he absolutely detested. In one interview, he made joking and uncomplimentary references to that wig.

The actors playing Capellan warriors were given elevated shoes to make them appear like giants. Maab’s high headgear served the same purpose.

Third time Bones uses the saying “I’m a doctor, not a …” (In this case, escalator)

Lots of dialogue looping was used in this episode because of the outdoor setting. Some of the dubbing was crammed together, nearly on top of other lines.

When Chekhov is scanning the Klingons, he uses the term vessel as opposed to his normal “wessel.”

Temperatures reached 110 degrees in the Vazquez Rocks filming location, making it quite uncomfortable for the actors in the Capellan costumes. This location was also a setting for Star Trek: Arena (1967), Star Trek: Shore Leave (1966) and Star Trek: The Alternative Factor (1967).

This is the first episode where all seven “classic” crew members (Kirk, Spock, McCoy, Scotty, Uhura, Sulu, and Chekov) appear in the same scene, in the teaser, discussing the background for the Capellans, although Sulu is seen only on a view screen reporting from the bridge. The other six are all in the same briefing room together. The six also appear in the same scene together at the very end on the bridge, and Sulu is still absent, although the right arm of a helmsman that should be him is seen at the right edge of the screen.

In D.C. Fontana’s original script, Eleen sacrificed her child for her own life. But Gene Roddenberry objected to this and changed the ending. Eleen was originally written to be a stronger character who rebels against the male-dominated Capellan society but this was also changed.

In the footage seen in the briefing room of Dr. McCoy’s previous visit to Capella IV, he is seen wearing his present day Enterprise tunic, rather than a Star Trek: Where No Man Has Gone Before (1966) era tunic, which would have been appropriate for that time period. However, it can also be seen that the tunic’s sleeves show a lieutenant’s stripes, whereas McCoy’s present rank is lieutenant commander, as often indicated by his sleeves. This is consistent with his visit to Capella having taken place in a previous time period.

Eleen’s baby, Leonard James Akaar, would make numerous appearances decades later as a high-ranking Starfleet officer in many Star Trek novels from the Original Series, Star Trek: Deep Space Nine (1993) relaunch novels, and the Star Trek Titan series. In the latter, he holds the rank of Admiral.

The remastered version of this episode included new shots of the Enterprise herself. Several new, more realistic views of Capella IV from space were inserted into the episode. Other changes include cleaned-up mattes of the viewscreen during the briefing room scene, a more realistic sensor readout on the bridge, a corrected insert shot while Chekov is working the controls at the science station, updated phaser effects, and the establishment of the Klingon ship on screen as a D7-class.

Contained in Dr. McCoy’s emergency medical field kit, Magnesite-nitron tablets when crushed provide emergency illumination and heat through a bright flame. The tablets also could be used for ignition of a larger fire, heating of food, or sterilization of water.

The name of Tige Andrews’s character Kras is never spoken. He is only called “Klingon”.

This is the first episode that inn which makes the dubious claim of something being invented in Russia. In this case, he claims that the old Earth saying, “Fool me once, shame on you. Fool me twice, shame on me”, was invented in Russia. In fact, the earliest occurrence of the phrase, as listed in the OED, dates back over 300 years and comes from Italy.

When Scotty is in command of the ship, they receive a distress call from a Federation freighter, the S.S. Deirdre. Deirdre is the name of James Doohan’s second daughter.

A sequence in the blooper reel shows William Shatner entering the tent too quickly when Tige Andrews is looking for his weapon and exclaiming, “Oh, shit!”

Phaser One almost has enough power to explode rocks, as seen when the Klingon hits the one Spock is sheltered behind.

(at around 40 mins) This episode marks the first time Sulu’s attack scanner is shown deploying from underneath the helm console when Scotty orders “Battle Stations”.

In production order, this is only the second episode to feature Klingons; interestingly, the Klingon make-up design is different from their first appearance in “Errand of Mercy”; in the latter, their complexions were dark and swarthy, with stereotypical “Asian” facial hair. Kras, the Klingon in this episode, is bearded, but without the dark makeup and “Ming the Merciless” facial hair.

Capella, the planet where the action occurs, has the same name after a form of singing. Upon receiving the script, associate and supervising producer Robert H. Justman shouted, “Ah Capella!” (as in ‘acapella’) and burst into song, to much laughter. Although the pun story is probably true, it is more likely that the planet, Capella IV, is the fourth planet of one of the four stars in the Capella system. In reality, Capella is the name given to the brightest star in the constellation Auriga, and is also known as Alpha Aurigae. Its name is the diminutive of the Latin noun “capra” (“she-goat” or “nanny-goat”), hence “little she-goat”. The system’s four stars are in two binary pairs, and none of them have shown any evidence of containing exoplanets.

This is the second and final episode where Spock is knocked out in a fight (the first being Star Trek: Mirror, Mirror (1967), though in that case it was the mirror Spock who was incapacitated). In this one, a Capellan hits him with a sword while he and Kirk protect Eleen.

Summary

The Federation is in competition with the Klingons for an alliance with the inhabitants of Capella IV. The Capellans are a warrior tribe and there is dissension among them as to who to sign the mining rights treaty with. McCoy is familiar with their customs having once spent several months there. When a Capellan, who clearly favors the Klingons, stages a coup, Kirk, Spock and McCoy flee with the now dead leader’s wife, who is about to give birth. Meanwhile, the Enterprise receives a distress call from a Federation vessel under attack and, with Scotty in command, leaves orbit.

CAST

William Shatner … Captain James Tiberius ‘Jim’ Kirk
Leonard Nimoy … Mister Spock
DeForest Kelley … Dr. McCoy
Julie Newmar … Eleen
Tige Andrews … Kras
Michael Dante … Maab
James Doohan … Scott
George Takei … Sulu
Nichelle Nichols … Uhura
Cal Bolder … Keel
Ben Gage … Akaar
Walter Koenig … Chekov
Kirk Raymond … Duur (as Kirk Raymone)
Bob Bralver … Grant (as Robert Bralver)
Bill Blackburn … Lieutenant Hadley (uncredited)
Vic Christy … Capellan (uncredited)
Frank da Vinci … Capellan Warrior (uncredited)
Walker Edmiston … SS Dierdre (voice) (uncredited)
Eddie Paskey … Lieutenant Leslie (uncredited)

Gordon Lightfoot – Early Morning Rain …. Canadian Week

Robbie Robertson: “a cultural treasure of the Canadian nation.”

From now until Friday it’s going to be Canadian Week…with all Canadian artists. Two of which I’ve never posted on before and one at the very end…were all Canadian except a certain southern drummer. I hope you will join me this week whether you are Canadian or not…there will be some great artists.

I grew up with Lightfoot’s songs. He was one of the very few respected artists my sister liked so I was hearing his songs when I was around 5 or 6. The Wreck of the Edmund Fitzgerald is still a go-to song for me. From Sundown to If You Could Read My Mind and all the ones in between. This particular song is such a perfectly written number. I first heard this by Elvis Presley when I was a kid.

Bob Dylan covered this song on his Self Portrait album and it helped Gordon’s career. So many have covered this song. Here is a link to the second-hand songs website if you want to see them all. Elvis Presley, Dylan, Jerry Reed, Steve Forbert, Jerry Lee Lewis, Peter Paul and Mary, and a TON more. You know you have written a great song when you have those quality artists covering it.

It didn’t chart for Lightfoot but other artists took the song to the charts. According to Wiki… Ian and Sylvia #1 on the Canada AC Charts in 1965, Peter, Paul, and Mary #39 in Canada and #91 on the Billboard 100, George Hamilton IV #9 on the Billboard Country Charts in 1971, Oliver #28 in the Billboard AC Charts in 1971, Paul Weller #40 in the UK in 2005… even the Grateful Dead covered this song.

Gordon died on May 1, 2023. The music world lost a huge legend with Gordon Lightfoot. It’s hard to put into words how great of a songwriter the man was.

Gordon Lightfoot on Bob Dylan recording this song: “I was totally blown away that he would record one of my songs in the first place. It helped my career – I’d not had a hit single myself at that point. His cover was a linchpin in that whole process because it made people in the industry aware that I was producing good songs.”

Robbie Robertson: “a cultural treasure of the Canadian nation.”

Bob Dylan: “I can’t think of any Gordon Lightfoot song I don’t like. Every time I hear a song of his, it’s like I wish it would last forever. “

Bob Dylan: Lightfoot died “without ever having made a bad song”

Early Morning Rain

In the early mornin’ rain
With a dollar in my hand
With an aching in my heart
And my pockets full of sand
I’m a long ways from home
And I missed my loved one so
In the early mornin’ rain
With no place to go

Out on runway number nine
Big seven o seven set to go
Well I’m stuck here on the grass
With a pain that ever grows
Where the liquor tasted good
And all the women all were fast
There, there she goes my friend
She’s rolling down at last

Hear the mighty engines roar
See the silver wing on high
She’s away and westward bound
For above the clouds she’ll fly
Where the mornin’ rain don’t fall
And the sun always shines
She’ll be flying over my home
In about three hours time

This ol’ airport’s got me down
It’s no damn good to me
And I’m stuck here on the ground
As cold and drunk as I can be
Can’t jump a jet plane
Like you can a freight train
So I best be on my way
In the early mornin’ rain
Can’t jump a jet plane
Like you can a freight train
So I best be on my way
In the early mornin’ rain