Tanya Tucker – Delta Dawn

I’ve always liked this song and Tanya’s scratchy voice. Helen Reddy did a fine version of this also but I’ll take this treatment. It is the version I grew up with…I’ve always been a fan of Tanya Tucker.

When I was a senior in high school I had a job at a place called Tuckahoe Farms. It was Tanya’s farm but she had sold it by the time I worked there. They raised thoroughbred racing horses and it was huge. I was always hoping she would come back to visit but she never did.

It was written by former rockabilly star Larry Collins and country and western songwriter Alex Harvey. It was first recorded by Harvey in 1972. Tracy Nelson and Bette Midler put the song in their live repertoire before it became a country hit for 13-year-old Tanya. The melody and chorus are virtually identical to the Amazing Grace

Harvey says the tune is really about his mother, a heavy drinker who died in an apparent suicide by crashing into a tree when the songwriter was a teen. Harvey had just returned from a TV gig with his band…he had asked his mother not to go, worried she would embarrass him by drinking too much and making a spectacle. The guilt over his mother’s death stuck with him for years. A decade later, he was hanging out at Larry Collins’ house with a group of country musicians. Everyone fell asleep except for Harvey, who stayed up strumming his guitar. That’s when he saw his mother.

Alex Harvey: “I looked up and I felt as if my mother was in the room. I saw her very clearly. She was in a rocking chair and she was laughing,” he recalled. “My mother had come from the Mississippi Delta and she always lived her life as if she had a suitcase in her hand but nowhere to put it down. She was a hairdresser in Brownsville. She was very free-spirited, and folks in a small town don’t always understand people like that. She never really grew up.”

“I really believe that my mother didn’t come into the room that night to scare me, but to tell me, ‘It’s okay,’ and that she had made her choices in life and it had nothing to do with me. I always felt like that song was a gift to my mother and an apology to her. It was also a way to say ‘thank you’ to my mother for all she did.

The song peaked at #6 on the Country Charts, #3 in Canada, and #72 on the Billboard 100 in 1972.

Helen Reddy would take the song to #1 on the Billboard 100 in 1973.

Barbra Streisand passed on the song after the backing track had been recorded by her producer without her prior knowledge.

Delta Dawn

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

She’s forty-one and her daddy still calls her “baby”
All the folks around Brownsville say she’s crazy
‘Cause she walks dowtown with a suitcase in her hand
Looking for a mysterious dark-haired man

In her younger days they called her Delta Dawn
Prettiest woman you ever laid eyes on
Then a man of low degree stood by her side
And promised her he’d take her for his bride

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Delta Dawn, what’s that flower you have on?
Could it be a faded rose from days gone by?
And did I hear you say he was a-meeting you here today
To take you to his mansion in the sky?

Paul McCartney – Sally G

I’ve always liked B-Sides… Let’s listen to some Liverpudlian Country Music.

I cannot hear this song without thinking of my grandmother. Her name was Sally and yes her last name started with G. She lived to the ripe old age of 96. I have posted about the A-side of this single Juniors Farm but never about this B-side that I like. I heard this song when I was 7 because my sister had this single and it’s been in my head ever since.

When I saw him in 2010 and 2014 I thought both times…hmmm he is in Nashville so Sally G surely will be played. Nope… Paul didn’t utter Sally’s name.

The song actually got played on the country stations in Nashville which looking back I can’t believe happened at that time. Nashville wasn’t exactly in love with rock performers.

Sally G was written and recorded in Nashville. In 1974 Paul McCartney came to Nashville. They rented a 133-acre farm just outside of Lebanon TN from songwriter Curly Putman (“Green, Green Grass of Home”) for $2,000 a week. They had requested a farm within 50 miles of Nashville that had horses and swimming facilities.

The band stayed at the farm for 6 weeks while the Putman family vacationed in Hawaii. When Putman and his wife returned to their farm, McCartney saw them walking up the driveway. McCartney and the band greeted them by playing “Green, Green Grass of Home.”

I have a cousin that lives in Lebanon around 5 miles from where he stayed…not a great picture but here it is today.

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Lloyd Green, Bob Willis, and Johnny Gimble Willis contributed steel guitar, dobro, and fiddle respectively while adding legitimacy to McCartney’s country venture.

Paul playing guitar on “Junior’s Farm” in 1974

OFFTOPIC: Unseen picture of Paul McCartney in Nashville, 1974. | Paul  mccartney and wings, The beatles, Beatles photos

Sally G. and it peaked at #17 in the Billboard 100,  #51 on the country charts, #11 in the Canadian Country charts, and #61 in Canada.  Paul composed the song after visiting the nightlife in Printer’s Alley.

As his time in Tennessee came to a close, McCartney told a group of local reporters that he hoped to mount a U.S. tour the following year and that if it happened, Music City would definitely be on the itinerary.

McCartney didn’t come back until 36 years later in 2010 and I finally got to see him. Paul…you lied but all was forgiven when he took the stage.

I hardly ever point out a bridge in a song but in this one…it’s kept me listening for decades. It’s not the lyrics but the melody, backups, and harmonizing on the final “move along.”

Me and Sally took up,
things began to look up,
Me and her were going strong.

Then she started lyin’,
I could see our love was dyin’.
I heard a voice say,
“Move along, move along”.

Paul McCartney: “Buddy Killen [studio owner and music publisher] took us out to Printer’s Alley, a little club district,” “I didn’t see anyone named ‘Sally G’ in Printer’s Alley, nor did I see anyone who ran her eyes over me when she was singing ‘A Troubled Mind.’ That was my imagination, adding to the reality of it.”

Musician gets to stay on the farm for 3 weeks. 

Home movies of Wings in the studio in Nashville 1974

Sally G

Somewhere to the south of New York City
Lies the friendly state of Tennessee,
Down in Nashville town I met a pretty
Who made a pretty big fool out of me.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

The night life took me down to Printers Alley,
where Sally sang a song behind a bar.
I ran my eyes across her as she sang a tangled mime,
I used to love to hear her sweet guitar.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

Me and Sally took up,
things began to look up,
Me and her were going strong.

Then she started lyin’,
I could see our love was dyin’.
I heard a voice say,
“Move along, move along”.

Well now. I’m on my own again,
I wonder if she ever really understood.
I never thought to ask her what the letter “G” stood for,
But I know for sure it wasn’t good.

And they call her Sally,
Sally G, why d’you wanna do the things you do to me?
You’re my Sally, Sally G
took the part that was the heart of me, Sally G.

Sally G.

Hank Williams – Move It On Over

Whenever I’m asked if I like country music…at first, I wonder what country they mean. If they mean commercial top 40…then not. If they mean Hank Williams, then a big fat yes. In this country, I hear a little rockabilly and country mix…which is a great thing.

Hank Williams as a songwriter is up there with the greats. Bob Dylan and more idolized him and his writing. This song was his first big hit. The song was written by the man himself. He released this song in 1947. Two years later, he received his invitation to join the Grand Ole Opry after his successful recording of the minstrel era song, “Lovesick Blues.”

Move It On Over peaked at #4 in the Country Charts in 1947.

Despite never learning to read music, Williams was a prolific songwriter including country music classics such as “Hey, Good Lookin’,” “I’m So Lonesome I Could Cry,” and “Your Cheatin’ Heart.” He recorded a total of 66 songs in his six-year recording career, 37 of which became hit records. It was not unheard of for Williams to record three hit songs in one afternoon. Now think about this… out of 66 songs recorded…37 were hits… That is like batting over .500.

Williams was plagued by back pain throughout his life, likely due to spina bifida. Life on the road as a Country singer only made it worse. An operation in 1951 gave him no relief and actually increased his pain. The combination of unending physical pain and the pressure of being a successful recording artist led to Williams seeking solace in drugs in alcohol.

Many of you will remember this song by George Thorogood released in 1978 and picked up a lot of airplay.

Move It On Over

I come in last night about half past ten
That baby of mine wouldn’t let me in
So move it on over, rock it on over
Move over little dog, the mean old dog is movin’ in

She told me not to mess around
But I done let the deal go down
Move it on over, rock it on over
Move over nice dog, a big fat dog is movin’ in

She changed the lock on my back door
Now my key won’t fit no more
Move it on over, rock it on over
Move over nice dog, the mean old dog is movin’ in

She threw me out just as pretty as she pleased
Pretty soon I’ll be scratchin’ fleas
Move it on over, slide it on over
Move over nice dog, a mean old dog is movin’ in

Yeah, listen to me dog before you start to whine
That side yours and this side mine
So move it on over, rock it on over
Move over little dog, the big old dog is movin’ in

Yeah, she changed the lock on my back door
Now my key won’t fit no more
Move it on over, rock it on over
Move over little dog, the big old dog is movin’ in

Move it on over, move it on over
Move it on over, won’t’cha rock it on over
Move over cool dog, the hot dog’s movin’ in

The Byrds – Drug Store Truck Driving Man

This song is on the Dr. Byrds & Mr. Hyde album by the Byrds. It’s a really good song and the song’s origin is interesting. It was written in response to an on-air argument with Ralph Emery, who was an all-night country DJ on a country radio station at the time. It was written by Roger McGuinn and Gram Parsons. The song was an open letter to Emery.

Before I get into the song which I really like…I want everyone to know I’m not downing Emery because of this. I grew up with Ralph Emery on television in the 1970s. I was never a fan because his show wasn’t in my age group. To be fair to Ralph…he did invite Roger McGuinn on his show in 1985 when Vern Gosdin covered Turn, Turn, Turn and Roger played guitar. He was on there more than once so it was all in the past by that time. Times had changed so much by the 80s…rock and country went together by then but in the 60s Buck Owens touched on it but not many people were doing both…the Byrds with Gram Parsons were pioneers in a way with Sweetheart Of The Rodeo.

In 1968 The Byrds were in Nashville promoting their new country album Sweetheart of the Rodeo and got a cool reception at the Grand Ole Opry. They got into an argument with Emery on air when he said that “You Ain’t Going Nowhere” wasn’t country and then proceeded to call them long-haired hippies and would not play the record. He also didn’t understand what the song meant and Roger told him that Dylan wrote it…well that didn’t help!

Ralph Emery would not budge…It was the 1960s in a very fifties Nashville and Ralph could not get past the hair although they didn’t have excessively long hair. It would open up a bit in the early seventies with Outlaw country music by Willie Nelson, Kris Kristofferson, and Waylon Jennings. That movement would soon join traditionalists and the outlaw crowd together. They Byrds helped, in their own way, to make that happen.

The lyrics were about the narrow-mindedness of then certain segments of the country music industry. Lines like “He’s the all-American boy” and “he don’t like the way we play” reflect the hate that McGuinn and Parsons felt from some in Nashville. The title, “Drug Store Truck Drivin’ Man,” is a dig at Emery, suggesting that he was more of a conventional figure who could not appreciate or understand the Byrds’ approach to country music. But I’m glad it happened because we got a good country-rock song out of it.

Chris Hillman: “There was the funny story with Ralph Emery, the DJ in Nashville, where he had The Gilded Palace Of Sin tacked on the wall outside of his office, and with a big red pen it said, ‘This is not country music.’ Roger and Gram had gone to do an interview with him when we were all still with the Byrds, and Ralph was such a jerk to them then that they wrote that song “Drug Store Truck Driving Man”. A classic! I wish I’d written a part of that. But later, whenever I’d go on his show with the Desert Rose Band, Ralph would ask, “Did you write that song?” Finally, I had to say, “No, but I wish I had!” So when Roger was on later, Ralph would say, “Well, how is Gram doing?” and Roger would answer, “He’s still dead.” McGuinn was pretty darned quick in those situations!” 

I’m adding a live version and a hell of a story by Jason and the Scorchers…on how they played this song and it found a spot on Ralph Emery’s TV show in the early 80s.

Ralph Emery when he invited McGuinn on his show in 1985

Drug Store Truck Drivin’ Man

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

Well, he’s got him a house on the hill
He plays country records till you’ve had your fill
He’s a fireman’s friend he’s an all-night DJ
But he sure does think different from the records he plays

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

Well, he don’t like the young folks I know
He told me one night on his radio show
He’s got him a medal he won in the War
It weighs five-hundred pounds and it sleeps on his floor

He’s a drug store truck drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

He’s been like a father to me
He’s the only DJ you can hear after three
I’m an all-night musician in a rock and roll band
And why he don’t like me I can’t understand

He’s a drug store truck-drivin’ man
He’s the head of the Ku Klux Klan
When summer rolls around
He’ll be lucky if he’s not in town

He’ll be lucky if he’s not in town

This one’s for you, Ralph